مدي 1 تي في : مع إدريس لحلو وأمنار - 06/12/2024
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00:00Hello and welcome to a new episode of your daily and artistic show, Patchwork.
00:19I'm happy to be here with you as usual to present you with news, work and news of the art scene.
00:26Without further ado, let's get started.
00:33Hello again and welcome to a new episode of our show.
00:56Hello again and welcome to a new episode of our show.
01:26Hello again and welcome to a new episode of our show.
01:31Hello again and welcome to a new episode of our show.
01:36Hello again and welcome to a new episode of our show.
01:41Hello again and welcome to a new episode of our show.
01:46Hello again and welcome to a new episode of our show.
01:51Hello again and welcome to a new episode of our show.
01:56Hello again and welcome to a new episode of our show.
02:01Hello again and welcome to a new episode of our show.
02:06Hello again and welcome to a new episode of our show.
02:11Hello again and welcome to a new episode of our show.
02:16Welcome to a new episode of our show.
02:27Hello again and welcome to a new episode of our show.
02:32and a duo called Laissez-Moire.
02:37You know them.
02:38On my left, Driss.
02:39Driss, welcome.
02:42How are you?
02:42I'm fine, thank you.
02:43We also have Hamza, Hamza Amanar.
02:45Hello, welcome.
02:46Hello.
02:47How are you?
02:48I'm fine, thank you.
02:49Are you doing well?
02:49Very well, thank you.
02:51So, you have Driss, your solo career.
02:53Amanar, your solo career.
02:55But in parallel, you have a collective duo,
02:58you could say, Laissez-Moire.
03:00Laissez-Moire, absolutely.
03:01Tell us about your style, Driss,
03:03and what does Laissez-Moire mean to you?
03:06My style is...
03:10At the beginning, I like everything that is urban.
03:16I like music, everything that is urban.
03:19More hip-hop, for example.
03:21At the very beginning, hip-hop, rap,
03:24this kind of music.
03:26Then, little by little, I understood electro,
03:29I understood techno in particular,
03:32and I started to do the music style that spoke to me a little more.
03:37And for Laissez-Moire?
03:39For Laissez-Moire, it's a meeting.
03:41First, Laissez-Moire is the meeting with Hamza in France,
03:47in the format La Quenane.
03:49And it's a story that we tell through our musical sets,
03:53through our style of music.
03:56We have a difference in age.
03:59He and I are not from the same generation.
04:02We can't tell, can we?
04:03Yes, we do.
04:04A small difference.
04:05So, this is what makes the fusion so charming.
04:09Yes, this is what makes the story.
04:11What makes the story to tell our story to us as a duo,
04:16to be able to tell our things,
04:21to tell our style, our art.
04:23Hamza, can you tell us a little bit about your style,
04:25and about Laissez-Moire?
04:26My style, like Driss said at the very beginning of the rap,
04:30as a beatmaker,
04:32I gradually moved towards electronic music.
04:37I've always been a DJ.
04:41And we met with Driss, the Laissez-Moire duo.
04:44And as you said, the age difference, the generation,
04:52it also brings something to me about creativity.
04:56The fusion that we can...
04:58Driss, in a duo,
05:00do you have to be a leader in one way or another,
05:03or do you have to be complementary?
05:07In my opinion, no.
05:08In my opinion, we have to be complementary.
05:10Why?
05:12Because one person brings something,
05:16a mood,
05:18and the other brings another mood.
05:20And both have to be complementary in the common style.
05:23In the common style, both have to be complementary.
05:28So, can you imagine that you have to fight each other a little bit?
05:33Yes, but we laugh.
05:35We never argue, never, ever.
05:39That's why this duo is so special,
05:42because we said that intelligence,
05:44when there is a point of disagreement,
05:47we let things unfold,
05:49we think from the other's point of view,
05:51we try to make a point of cohesion.
05:55But now, don't you think that the duos are a bit out of fashion in Morocco?
06:00In Morocco, I don't really have the impression that...
06:04It's happening more and more,
06:07but there is still room for improvement
06:10before it becomes something really out of fashion for the duos.
06:14What do you think, Driss?
06:15No, I don't think so.
06:18A duo or a collective in general?
06:22A collective is something else.
06:25A duo, I don't think there are as many duos as that.
06:29I would like there to be more.
06:30They help each other,
06:32because that's how we move forward,
06:33that's how we make a movement move forward,
06:34that's how we make...
06:37that's how we evolve in an art, in a style.
06:39Driss, we would like to know your inspirations,
06:41which you can give us three or four names
06:43of artists, or DJs, or styles that you listen to.
06:49I know you have one, buy it for 20 or 30,
06:52or something like that, give us three.
06:54Or a lot.
06:55He's the one that I really love,
07:03it's Sven Vaat,
07:05he's a DJ, a German techno producer,
07:10he's very old.
07:13Ritchie Houghton, Jeff Mills,
07:18Jeff Mills, the American quota,
07:20the American school.
07:23There are so many in different styles,
07:27I can give you 20,
07:29we won't be able to finish.
07:31What about you, Amana?
07:32I have the influences of Lee Ken Wendy.
07:34I grew up in a place where there was a lot of music,
07:38a lot of different styles.
07:40In the electro scene, for example,
07:42Oliver Kolinsky,
07:44Ricardo Villalobos,
07:47Sven Vaat,
07:49if not in the most urban style, Kanye West,
07:54Kid Cudi,
07:56then I can go very far,
07:57even in jazz,
07:59but it's mostly towards that that I think.
08:03Okay, Salva Chrome, what is it?
08:05Salva Chrome is a record company.
08:08The one you're with or the one you own?
08:10The one we own.
08:12It's a house, it's not a label.
08:14We are in partnership with Addictive Music,
08:20which means that we are producers
08:23and distributors of the artists we produce.
08:25Okay.
08:26We are also an artist residence,
08:30we organize seminars,
08:33we have a recording studio,
08:35we have an artist residence
08:37within the recording studio.
08:43Blizzbell Salva Chrome is a whole…
08:49I don't know what to say.
08:50It's a whole…
08:51A collective, a concept?
08:53No, it's a record company
08:54that really brings together production
08:56and distribution for the artists.
08:58We are based in Morocco, in Gaza,
09:00and we aim to produce local, African artists
09:06in a general way,
09:08by offering these services.
09:10That's right.
09:11The goal is to be able to provide a service
09:14that allows artists to reach the international market,
09:18to have more visibility,
09:20and to have a good quality studio
09:23with all the services that are available.
09:26So it's a recording company.
09:28A recording company.
09:29In terms of the material,
09:30the sophisticated material.
09:31In terms of production.
09:32Absolutely.
09:33In terms of management,
09:34what is there?
09:35In terms of strategy,
09:36what is there?
09:37In terms of strategy,
09:38in terms of management,
09:39in terms of production,
09:40for example,
09:41we have an artist,
09:42for example,
09:43a guitarist.
09:45We are here to provide everything
09:47that is needed for production.
09:48We have sound engineers.
09:50We bring everything to them.
09:54We bring everything to them.
09:58For example,
09:59I had Germans in the studio recently,
10:02some time ago,
10:03who wanted to record Rabab,
10:06or Gimbré,
10:07this kind of instrument that is mainly found in Morocco.
10:10We organize the mergers,
10:12we organize a little bit the mix,
10:16the exchange.
10:17In principle,
10:18the first thing you can do is the business plan.
10:20When you finish the session,
10:21when you take a commission,
10:22how does it work?
10:23Both.
10:24It depends.
10:25It depends on the needs of the artist.
10:27What does he want to do?
10:28What are his ambitions for his projects?
10:31For example,
10:32if someone just wants to use the studio,
10:35where everything else is recorded,
10:37it's just a studio location.
10:39Who creates the studio.
10:40Who creates the studio.
10:41But we also have artists
10:43where we take care of their production.
10:47It's usually a percentage on their music.
10:51These are arrangements that we make.
10:53Each case is different.
10:54Do you have a booking?
10:56No.
10:57You don't have a booking?
10:58No.
10:59It's in the forecast,
11:00but for now, no.
11:01That is to say,
11:02we can call you and tell you
11:03that we need an artist from Morocco
11:05or from North Africa
11:08who has an electro-ethnic style.
11:11I say,
11:12there is this,
11:13and this,
11:14and this.
11:15You will place this artist
11:16in some festivals.
11:17Yes.
11:18It's one of your projects.
11:19Yes, of course.
11:20It's one of the projects for now.
11:21That's it.
11:22Of course.
11:24We don't want to do things too fast,
11:27but it's planned.
11:28Very good.
11:29Now,
11:30we will explain to you
11:31how to play this game.
11:32We will ask you some questions.
11:34These questions have two choices.
11:36Of these two choices,
11:37you have to choose one of them.
11:40The goal is to answer it quickly.
11:42Okay.
11:45Money or fame?
11:47What is fame?
11:48Fame or celebrity?
11:50Money.
11:53Money.
11:55When you think about money,
11:56you think about money.
11:57Money.
11:58I think I will say the same thing.
12:00But,
12:02I will say fame.
12:03Ah.
12:04We saw the compliment.
12:06I will start with the first question.
12:08East or West?
12:12In music.
12:13In music?
12:14West.
12:15West?
12:16West.
12:17East.
12:18We are in the same country.
12:19We don't know what it means.
12:20It's interesting.
12:21Hip-hop or house?
12:24House.
12:25House.
12:27Okay.
12:29Vinyl or USB?
12:33Wow.
12:35USB.
12:37Vinyl.
12:39What I prefer is vinyl.
12:40Yes,
12:41but USB is different.
12:42Yes,
12:43it takes time.
12:44Vinyl is difficult, isn't it?
12:45Very difficult.
12:46It's complicated.
12:47Marrakech or Agafey?
12:51Marrakech.
12:54Marrakech.
12:55Okay.
12:56It's close.
12:57It's close.
12:58It's easier to guess.
12:59It's difficult.
13:00Oasis or Moga?
13:03I thought you were going to say Meshakil.
13:04Wow.
13:09No, no.
13:10Do you know what I think?
13:11It's difficult.
13:12It's difficult.
13:13Oasis.
13:14Our last leader is Moga.
13:15So, I will say Moga.
13:16Good.
13:17I thought you were going to say Meshakil.
13:18I thought I was going to fight with you.
13:19Exactly.
13:21Tulum or Bali?
13:23Tulum.
13:24Tulum.
13:26Miami or Gaza?
13:28Miami.
13:29Gaza.
13:30Yes.
13:31I thought you were going to say Gaza.
13:32I thought you were going to say Miami or Gaza.
13:36Hassan Hijjaj or Banksy?
13:38Banksy.
13:41Banksy.
13:42Okay.
13:43Umm Kulthum or Abdelhalim Hafez?
13:44Umm Kulthum.
13:45Umm Kulthum.
13:46I will answer quickly.
13:47Live or in the studio?
13:50Live.
13:51Live.
13:52Studio.
13:53Studio.
13:54Studio.
13:55Studio.
13:56Studio.
13:57Studio.
13:58Okay.
13:59Dawux or Aminka?
14:00Aminka.
14:01Aminka.
14:02Why are you laughing?
14:03It's a long story.
14:04It's a long story.
14:05It's a long story.
14:06I will say Aminka.
14:07Aminka.
14:08Aminka.
14:09Okay.
14:10Raqtaq or Raqaq?
14:11Raqaq.
14:12Raqaq.
14:13Raqaq.
14:14Raqaq.
14:15Raqaq.
14:16Raqaq.
14:17Raqaq.
14:18Raqaq.
14:19Raqaq.
14:20Raqaq or Belaj
14:34Belaj.
14:37Belaj.
14:38Yes, he is.
14:39He is a Moroccan player.
14:40Ahmed Spins.
14:41Let's see some pictures of Ahmed Spins, the only Moroccan player who has been to Morocco
14:45in this big international event, Coachella 2025.
15:08This is a picture of Ahmed Spins, a Moroccan DJ who is known all over the world.
15:23This is a picture of his set in Brooklyn Mirage in New York City.
15:30He is the only Moroccan player who has been to Coachella 2025.
15:39We also have Lady Gaga, Missy Elliott, Pro DJ, Big Apple, Ahmed Spins and his team.
15:47We also saw pictures of the Moroccan star, Ramzy Boukhiyam, the surfer.
15:54Ahmed Spins, do you have a relationship with him?
15:57Of course.
15:58Everything he plays is a piece of music that has been made.
16:05A very good piece.
16:06A lot of streams.
16:08A lot of streams.
16:09We are doing well.
16:10He knows where to go.
16:14As you can see, there are a lot of streams in the song, Salam Aleikum,
16:18which will be released in a few months.
16:20Yes, in three months.
16:21There is a lot of pop art, Moroccan culture,
16:24Can you tell us about this project?
16:26Who is going to work on it?
16:27Who is going to make the music video?
16:29The track Salam Aleikum is by Jalal Hamdawi, the original.
16:34He is a Moroccan artist.
16:36We met Nabil Atta, the distributor of Addictive Music.
16:49He put us in touch with the record company, with the label of Jalal Hamdawi.
16:56We said to ourselves, we are not going to make music of this sound,
17:01which is extremely addictive.
17:03So we made the track with Hamza.
17:08The idea of the clip itself, we wanted to bring together
17:12a maximum of different entities from Morocco.
17:15Something that is very colorful, in colors, in laughter, in activity, in love.
17:27It represents the plural values of Morocco.
17:30Young people, a little older people, taxi drivers, even singers.
17:39And the scene of the motorcycle, which is going to be released in Australia.
17:45Are you going to work on it this season?
17:48Yes, this season.
17:50We are going to do this season especially to film.
17:54I'll let you finish, Hamza.
17:56It was a bit complicated to find this season,
17:58because there are not many left.
18:00There are not many left.
18:02Where is this place?
18:04This is Mohamedia.
18:0630 km from Mohamedia.
18:08That's right, between Darbida and Mohamedia.
18:11Like Galdry, this music is really part of a delirium that we had.
18:18We were lucky to have the rights to remix this music.
18:23We went all out, and it's a delirium that we did 100%.
18:27Honestly, thank God.
18:30And even visually speaking, it's a bit of a folkloric, delirious thing.
18:36A bit like Hamka, with frenetic, distant dances.
18:40So I think it turned out pretty well.
18:44You know, when you have an idea in mind,
18:47for example, you see the clip and realize it 100%,
18:51exactly like we see it in France.
18:54It's very difficult, it's very complicated.
18:56There is a real difference.
18:58But for this clip, we were very happy with the result.
19:02We got out of our comfort zone too.
19:04Was it a big investment?
19:06Still.
19:08Was it a return on investment?
19:11Not for now.
19:13But I would like to say that it was a return on investment.
19:16It was a return on investment.
19:19What are the future projects?
19:21Like Hamza said, it was a delirium.
19:25It was something we did, not for fun,
19:28but we had a lot of fun making the clip and the music.
19:33The future is going to be La Cise Morte,
19:37our duet show, A Now Yeah,
19:40in a much more punctual style.
19:43Electro-pure.
19:46Electro-pure, electronic music.
19:48Pure electronic music.
19:50A little less commercial.
19:53And a lot more punctual.
19:56What is the style of La Cise Morte?
19:59Very artistic.
20:01Deep.
20:03We released a first EP,
20:05which was more deep,
20:07which was less tapping,
20:11less frenetic as a rhythm.
20:14And now we are moving towards the next EP,
20:18which we are going to release soon.
20:20It will be more housey,
20:26more rhythmic,
20:28with a little more Western sound.
20:31But still with the idea of the junction.
20:34Earlier we talked about the West and the East.
20:37So still with the mix,
20:40but a little more...
20:42The average is commercial.
20:44Housey, melodic, good music.
20:49The term commercial, underground,
20:51it doesn't mean anything.
20:53It's a mix of both.
20:55Classic emotions.
20:57So Adine, we'll see you at festivals,
20:59at parties.
21:01Inshallah.
21:03For the moment,
21:05we focused more on production,
21:07production in the studio.
21:09So we put aside the dates,
21:11the releases,
21:13and now we have festivals,
21:15and now we have a set,
21:17100% La Cise Morte.
21:19Our music,
21:21we have the ambition
21:23for people to travel during the set,
21:25to do something that really
21:27looks like us 100%.
21:29So we focused more on our musical production
21:31than on other productions.
21:33So now the production,
21:35the recordings,
21:37and maybe in the spring or summer of 2025,
21:39the dates and the releases.
21:41Exactly.
21:43We have reached the end of the episode.
21:45Thank you very much, Sama.
21:47You're welcome.
21:49Thank you very much.
21:51And thank you
21:53to Morocco,
21:55and to the electronic scene in Morocco,
21:57which is the 16th of
21:59Qatla,
22:01where there are artists.
22:03Morocco is an inexhaustible source of talent.
22:05We are happy
22:07to see all this
22:09effervescence
22:11around this art sector.
22:13And
22:15the best is yet to come.
22:17God willing.
22:21Thank you very much for the invitation.
22:23It's a pleasure to see
22:25shows like this
22:27that show
22:29Moroccan art.
22:31We have a culture that is
22:33extremely rich.
22:35We try
22:37to give some visibility
22:39to this culture.
22:41So...
22:43This is our goal.
22:45And this is your mission.
22:47Good luck.
22:49Thank you very much.
22:51We have reached the end of today's episode.
22:53Thank you to the technical team and the artists.
22:55Thank you very much.
22:57See you soon.