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00:00The second question is from the artist who broke his shoulder.
00:04This is a really weird movement.
00:07What is this?
00:08This is my invention.
00:10It's called the T-shirt pat-pat-pat.
00:12The T-shirt pat-pat-pat?
00:14Mr. Shibata Kazuya is an inventor who creates inventions that are extremely useful in the world.
00:21This is the Jujutsu Kaisen by the great artist who started with Mr. Shibata.
00:28This is the Kibori.
00:32No way.
00:33It's beautiful.
00:34It's flowing.
00:36Mr. Konno Kibori creates anything that looks like a real Kibori.
00:43And...
00:45It's amazing.
00:46It's so small.
00:48There it is.
00:49It's a Karaoke phone.
00:52It's so cute.
00:53It's amazing.
00:55Mr. Shiroi creates super-precise pencil sketches using a microscope.
01:02Sky-tsumi!
01:04Wow, this is amazing!
01:06This is crazy!
01:09So, this is the fourth question.
01:12We asked Mr. Shiroi about the artist who broke his shoulder.
01:18When I first saw this, I was like, what's going on?
01:22Why is it shaped like this?
01:26It was amazing.
01:28It's just like a shoulder-breaker.
01:31This is the work of the artist.
01:36It's so cute.
01:37It's gold.
01:39Actually, this is a shoulder-breaker made from a ridiculous object.
01:44What do you think it is?
01:47It's a shoulder-breaker artist.
01:51I haven't even broken my own shoulder yet.
01:56Let's go to the meeting place.
01:59Huh?
02:02Is that him?
02:05Nice to meet you. I'm Nishimura from Viking.
02:08Are you the shoulder-breaker artist?
02:12Yes, I am.
02:14Mr. Ayano Tomoda is a shoulder-breaker artist.
02:19He's totally different from what I imagined.
02:23I thought he was a craftsman.
02:27No, I'm not.
02:28You're not smiling, Nishimura.
02:30I'm nervous.
02:32Are you nervous?
02:34I'm not the kind of person who gets nervous.
02:37You're nervous because you're dangerous.
02:40What kind of shoulder-breaker artist is he?
02:46He's like an otaku who lives alone.
02:49Yes, he is.
02:50Let's take a look at his work.
02:53Here it is.
02:55It's a bird.
02:56What's that?
02:57It's Onagawa.
02:58He made this.
03:00It's beautiful.
03:02It's hollow.
03:04Yes, it is.
03:05What is this made of?
03:08Actually, it's made of this.
03:11What is this?
03:13It's kiri-e.
03:15Kiri-e?
03:16It's made of one piece of paper, right?
03:18Yes, I made it into a three-dimensional piece.
03:22Really?
03:23Wow!
03:25Mr. Tomoda is not a flat kiri-e.
03:30He's a three-dimensional kiri-e artist who makes it into a three-dimensional kiri-e.
03:34He makes it flat.
03:36Onagawa, which is about the size of a real-life size, is also made of kiri-e.
03:43It's clear.
03:45And...
03:46It's cool.
03:48Wow, it's amazing.
03:50It's a lion.
03:52It's amazing.
03:54It's cool.
03:55It's dynamic.
03:57Kiri-e is the shape of the body.
04:00The face is made of Japanese paper.
04:02It's beautiful.
04:03It's a work that makes you feel the dynamic feeling of a lion full of life.
04:09The combination is good, isn't it?
04:11It's amazing.
04:13It's the same for the face.
04:14That's right.
04:15When I walk, my hands lift up.
04:17Is that so?
04:18It's amazing.
04:19It reproduces the movement.
04:21It's amazing.
04:22I can look at it for a long time.
04:25But it's good.
04:26I'm glad.
04:27It's amazing.
04:28I want it.
04:29The number of works he has made so far is more than 30.
04:35It's wonderful.
04:36It's good.
04:39Even on SNS, people are wondering if this is really kiri-e.
04:45But how does he make kiri-e three-dimensional?
04:51First of all, I use paper and a pen.
04:54It's a mechanical pencil.
04:56A mechanical pencil?
04:57I use a mechanical pencil to draft.
05:01First, fold the paper and stack it in two pieces.
05:04That's right.
05:05If it's three-dimensional, the same parts can be used on the opposite side and this side.
05:11So I want two pieces, so I stack the same parts.
05:14I see.
05:15Because it's three-dimensional.
05:17That's right.
05:18First, I start with a circle.
05:21From here, I will spread the pattern.
05:25Basically, I don't have a blueprint, so I just draw it freehand.
05:33She started drawing the design she imagined in her head without a blueprint.
05:39This alone is hard work.
05:41Do you imagine the finished shape as you draw?
05:47That's right.
05:48I draw a pattern while imagining that I want a curve like this.
05:52It's like this.
05:54That's amazing.
05:56What's the next step?
05:58I cut it with a cutter.
05:59You cut it?
06:00Yes, I cut it.
06:02She cuts along the draft with a pen-shaped cutter called a design knife.
06:08That's scary.
06:10If I cut a weird part, it's over.
06:13That's amazing.
06:15Do you have any tips on how to cut?
06:19I often cut in the order I draw.
06:24If I start cutting from the outside, the pattern may be torn.
06:28It looks like it's going to be torn.
06:30It takes 30 minutes to cut with a custom-made design knife so that it won't be torn.
06:36That's amazing.
06:39It's like this.
06:41That's amazing.
06:43Two patterns of the same pattern have been completed.
06:47I'm going to make more of these.
06:50I see.
06:52I'm going to connect them, so I'm going to draw the next pattern based on the distance.
06:59It's a work that makes you feel distant.
07:01That's true.
07:02It makes me feel distant.
07:05She imagines the shape and size of the three-dimensional shape in her head and makes the parts.
07:13That's amazing.
07:14I'm afraid I'm going to cut it.
07:15Wow, you've made another fine one.
07:17I know.
07:20But how do you make this part three-dimensional?
07:25This is the amazing skill of a three-dimensional cut-out artist.
07:30First of all, it's convenient to use a toothpick.
07:34Toothpick?
07:35Yes.
07:36It's quite convenient.
07:38What is the surprising way to make a cut-out three-dimensional with a toothpick?
07:42It's delicate.
07:44That's amazing.
07:45That's true.
07:47In addition, there are three sets of Akazu's vaults.
07:51What?
07:52Is this real?
07:53Yes, it is.
07:54It's real.
07:55The vault of Shimizu Shuzo, who holds the treasure of Bun'o.
07:59The vault of Shoka, which has gone through the war of the air.
08:03It's dangerous.
08:05It's the third one.
08:07It's in.
08:09It's in.
08:10It's in.
08:11It's in firmly.
08:16Mr. Tomoda is a three-dimensional cut-out artist who makes three-dimensional works with a cut-out.
08:22How do you make this part three-dimensional?
08:28This is the amazing skill of a three-dimensional cut-out artist.
08:30Toothpick?
08:31Toothpick?
08:32Yes.
08:33It's quite convenient.
08:34It's a very ordinary toothpick.
08:36In fact, it is said to be very important for making a three-dimensional cut-out.
08:42When I assemble it, I use this toothpick to stroke it.
08:48It's true.
08:49Because the paper is round.
08:53I see.
08:55She makes a curve on the paper with a toothpick.
09:00I see.
09:02And the part that is only connected by one is made with tweezers.
09:07I'm scared.
09:08I'm scared.
09:09I'm scared.
09:10I'm scared.
09:11It's dangerous.
09:12It's only connected by one.
09:13That's right.
09:14It's scary.
09:15This is a scary point.
09:18She shapes it with tweezers.
09:22Why did you come to Nishimura to see this delicate work?
09:25I know.
09:27The next thing she took out was a glue for woodworking.
09:32I always put a lot of glue here.
09:34You put it on your hand.
09:35It's like applying hand cream.
09:37That's right.
09:38That's how you do it.
09:39I take a little bit with my finger.
09:42I look at the place and stick it.
09:45That's right.
09:47She puts a little glue on the edge of the part and connects it with a small amount of glue.
09:53If you press it, it will stick.
09:59It looks quite different.
10:01That's right.
10:04I can see the three-dimensional shape.
10:10She connects it while adjusting the balance with a clay mold to make it a larger three-dimensional part.
10:19It's delicate.
10:21She repeats this and makes a lot of three-dimensional parts.
10:27I see. It's not enough yet.
10:29That's right.
10:31She draws a pattern on the paper again and cuts it.
10:34She makes a curve with a toothpick and connects it.
10:37It's priceless.
10:38She repeats this delicate work over and over again.
10:41It's delicate.
10:42This is what she completed.
10:45This is a goldfish.
10:48It's amazing.
10:50It's beautiful.
10:52It's beautiful.
10:53It's a vivid goldfish that looks like it's about to swim.
11:01It's beautiful.
11:03The real bulge of the belly is also beautifully expressed.
11:07It's amazing.
11:09What she was particular about was the part of the fin where she dyed her hair.
11:15It's beautiful.
11:17The fin is fluttering.
11:19Yes.
11:20She soldered all the lines with tweezers.
11:25This is amazing.
11:28I like the belly.
11:30The belly is sparkling.
11:32Thank you very much.
11:35When did you start to be interested in Kirie?
11:40I started to find someone who sold Kirie when I was in the second grade of junior high school.
11:47I met a performer who carved Kirie's name and gave it to me.
11:53I wanted to do what that person was doing.
11:59What is the first three-dimensional work that Tomoda, who fell in love with Kirie, made when she was a high school student?
12:06When I was a high school student.
12:07It's the first work to commemorate Kirie.
12:09Is it the first one?
12:10Yes.
12:11I made it by combining copy paper at home.
12:14It's amazing.
12:16Is this the first one?
12:17Did you make it like this from the beginning?
12:20After graduating from high school, she studied three-dimensional art at an art university and pursued Kirie further.
12:29Three-dimensional Kirie is not something that has a history.
12:34It's a work that I think about one by one and look for it.
12:39For example, I went to look for Chinese paintings.
12:44Are you trying to evolve three-dimensional Kirie by yourself?
12:52Yes, that's right.
12:55As a result, she was able to create a creature-like roundness.
13:00In addition, she evolved into a more realistic three-dimensional Kirie work by using copy paper.
13:07And this time, she made a special work just for that.
13:15I'm going to make Mr. Tokoro.
13:18You're going to make Mr. Tokoro?
13:19With Kirie?
13:20Yes.
13:22Mr. Tokoro will be a three-dimensional Kirie.
13:26I'm thinking about how to wear it.
13:30It's a challenge.
13:32It's very difficult to design a motif that you don't usually make.
13:39It took a month to make.
13:41What kind of Tokoro did he make?
13:45Mr. Tomoda, please open the box.
13:52What is this?
13:53Great!
13:54He made all the lids Kirie.
13:58What is this? It's Mr. Tokoro.
14:01It's amazing from the front, but it's amazing from the back, too.
14:05Mr. Tokoro likes motorcycles.
14:09It's very detailed.
14:13It's beautiful.
14:16The glasses will go up.
14:19Be careful not to go up.
14:22It's amazing.
14:29I didn't usually make a face that affected my impression, so I made it with a lot of consciousness.
14:35The mouth and wrinkles are amazing.
14:39When I look at Mr. Tokoro, I feel like Mr. Tokoro.
14:45I understand what you're saying.
14:47Dangerous!
14:49If you want to see Mr. Tokoro's place again that he doesn't teach at school, please subscribe to our channel.