Armaan aka Rohit Purohit REVEALS Inside Secrets Of Yeh Rishta Kya Kehlata Hai Stars Pol-Khol
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00:00Let's start with a selfie of anything that happens outside.
00:07Bhukkar Samriddhi Shukla.
00:10He won't be in the shot for two minutes. He'll come on this sofa and we'll just sleep.
00:19Late Lateef.
00:22I don't know about the rest of the people.
00:25Because mostly we start with me and Samriddhi.
00:29And you will not believe, but no matter what our call time is.
00:34If it's 7 o'clock call time, I feel we both reach there at the same time.
00:41Every time it happens that I'm parking my car and Abhira's car is also there.
00:44So how does this coincidence happen?
00:46I don't understand, but none of us is late, none of us comes early.
00:51We both reach almost at the same time.
00:53So it's not late because your coordination with the production keeps on going.
00:56You know, what time to roll.
00:58So Late Lateef, I don't know about the rest of the people.
01:00Because we are doing the scene till then.
01:02But if we are a little late, Samriddhi and I are together.
01:05Like, we come at the same time every time.
01:07Kamchor.
01:08There is no place for Kamchor on this set.
01:10So there is no one on this set who does Kamchori or does this.
01:16But if I say that if someone is an expert in taking out his time in the middle of work.
01:20Then he is Krish.
01:21Whenever he gets a chance, if he is not in the shot for two minutes.
01:24He'll come on this sofa and we'll just sleep.
01:27So he is Krish.
01:28The most active.
01:30The most active is the production here.
01:33Because we have to give a telecast daily.
01:36So they are the most active.
01:37Where they keep on taking us from one unit to another, from another unit to the third unit.
01:43So it's that kind of production.
01:44But if you talk about the scene wise, I mean, in the actors.
01:49So Armaan and Abhirai, me and Samriddhi, we have to be active.
01:54Bhoopkar, Samriddhi, Shukla.
01:56You'll always get to eat them.
01:58And also Ruhi, Ruhi too.
02:00She too always eats something or the other.
02:01Asmaq is sitting in front of you.
02:04I keep laughing and keep laughing.
02:06This is...
02:07Our associate director Amit is a very talkative kid on our set.
02:10He is a very talkative kid.
02:12The heaviest lunch box is of Abhira.
02:16Because she brings all her meals in the morning.
02:19So I think that's her heaviest lunch box.
02:21Kothudu Krish, Manthan, Rishabh, Manthan, Charu, Saloni, she also sleeps a lot.
02:29Samriddhi is the most active on the mobile.
02:31Our selfie addict, Madhav ji.
02:33He starts taking selfies of everything that happens.
02:39No one can do everything quickly.
02:41But everyone wants to go home early.
02:44But as soon as our shift timing is over, Samriddhi is in a hurry to go home.
02:50She thinks it's been 12 hours.
02:53It depends on the scene.
02:54It's not like who takes the most retakes.
02:57It depends on the director how many retakes he wants to take.
02:59Because everyone is a professional actor.
03:01So it's not like someone forgets the lines.
03:04But our director takes the most retakes.
03:07There is a myth about retakes.
03:08A retake means that you are looking at a scene in a particular way.
03:13And the director is looking at that scene in a different way.
03:16Sometimes the director tells you that he wants to take a retake.
03:20There are some fumbles where you forget the lines.
03:24That's a different thing.
03:26But a retake actually means what is your take on that scene.
03:30What is the thought process.
03:31So sometimes it's different for you and the director.
03:33Because there is no time limit here.
03:36You get a scene.
03:37You hardly get 2-3 minutes.
03:39Whether it's a 2-page scene or a 3-page or 4-page scene.
03:41You get 4-5 minutes maximum.
03:43You read it and make your own thing.
03:45So sometimes you can't give that much intensity even in rehearsals.
03:49Because you haven't understood the scene yet.
03:52You haven't learned it yet.
03:53So when you give your first take.
03:55The director feels that he is conceiving the scene in a different way.
03:59So he tells you his take.
04:01So it happens like that.
04:01Otherwise it happens so many times.
04:03There are scenes of Samriddhi and me.
04:05Yes, there are scenes of Samriddhi and me.
04:07These days it happens with Rohit as well.
04:08And with Sachin as well.
04:09So sometimes we go on a laughter ride.
04:12If you find something like this in the scene.
04:15Or if someone makes a sound from behind.
04:17Or if someone makes a joke.
04:19Then it becomes a laughter ride.
04:21Then it becomes a little difficult to stop it.
04:23It's like an oily surface.
04:25Once you start slipping on it, you keep slipping.
04:28Then everyone has to go in different directions.
04:30And everyone has their own way.
04:31Like Samriddhi cuts her hand.
04:33I think that I have to be professional.
04:36And when I get that word, I will be somewhere else.
04:39I won't listen to that word.
04:40Everyone has their own way.
04:42So sometimes there are retakes.
04:44One take artist.
04:45Mostly I think that...
04:48Dadi is very focused when she is a master.
04:51So she gets very stressed when she gets a lot of lines.
04:55So she gets time.
04:57So she takes her scenes home.
05:00She remembers the lines very well.
05:01So I think I have mostly seen one takes of her.
05:05Where she is on it.