だれかtoなかい 柳葉敏郎×水川あさみ 室井慎次が殉職懇願！？
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00:00A few days later
00:01In the middle of the big hit
00:04In a new dance series movie
00:06Toshiro Yanagiba, who plays Shinji Muroi
00:09I couldn't do it
00:11Let me get a full-time job
00:13I'm begging you
00:14I'm begging you
00:15He's been an actor for more than 40 years
00:17The back of his life
00:19Will be revealed tonight
00:21I happened to be there
00:26Looks good
00:28Mr. Yanagiba, this will be on the internet tomorrow
00:33Asami Mizukawa and Tsuyoshi Muroi
00:35A special video
00:37Thank you
00:39Nice to meet you
00:41Friendship with someone
00:43I'm nervous
00:45The start
00:47Really?
00:48Yes, I'm nervous
00:50It's been a long time since I've seen you
00:54I see
00:55Thank you for coming
00:57Please come in
01:03I'm Toshiro Yanagiba, an actor
01:09Nice to meet you
01:11Good evening
01:12Nice to meet you
01:13Nice to meet you
01:15Nice to meet you
01:16Really
01:17Really
01:18Really
01:19No, no, no
01:21What?
01:22What's the distance?
01:24No, no, no
01:25No, no, no
01:26No, no, no
01:27What?
01:28No, no, no
01:29What's the distance?
01:31What's the distance?
01:33It's been a long time
01:35It's been a long time
01:37Why are you running away?
01:39I have to apologize to Nakai
01:44Why?
01:46Why are you giving up?
01:49Please sit down
01:51I can't sit down until you forgive me
01:54What's wrong with you?
01:56I don't have to apologize
01:59I can't sit down
02:01Please sit down
02:03I beg you
02:04That's not an apology
02:06Please sit down
02:08Please sit down
02:10Let's all sit down
02:12It's been a long time since we talked
02:16What do you have to apologize for?
02:19A long time ago
02:20A long time ago
02:21We were on the same show
02:23You came to my show as a guest
02:27We were on the same regular show
02:29Yes, yes, yes
02:30Regular show
02:32Nakai Kugon Sen
02:33It's a late-night show
02:35What are you talking about?
02:37Why are you apologizing for that?
02:39We took a day off
02:42I don't know
02:44At that time
02:47I had a fever
02:50I couldn't move
02:53I thought I couldn't do it today
02:56I don't remember the details
02:59I think you had a fever on the day you couldn't come to the recording
03:04But
03:06I'm not lying
03:13I drank until the morning
03:17I had a fever for two days
03:23I took a day off
03:25Please forgive me
03:29It's a long time ago
03:32How many years ago are you talking about?
03:35I was stuck for a long time
03:38You were on the show with me
03:44I've never heard of it
03:46But
03:47It wasn't a show to talk like this
03:50That's right
03:51I
03:53Before I die
03:56I see
03:59Will you forgive me?
04:00Of course
04:02Really?
04:05It's a strange story to say this
04:09Including me and other regular people and staff
04:15Everyone noticed
04:18I see
04:19It's a cheat day
04:21It comes in right away
04:24What have you been thinking all the time?
04:29I'm sorry
04:32I was digested on that day
04:35That day?
04:39But
04:41I feel refreshed
04:44I was stuck for a long time
04:46I still have it
04:49Muro-kun
04:50Is it me?
04:51It's not just me?
04:53That's right
04:54I don't know the distance between you and me
04:58You came as a guest on a certain show
05:01Yes
05:02The food is expensive
05:04The last time I watched it was
05:06Brunei
05:08That's right
05:09At that time
05:12I shouldn't say my real name
05:14Muro Tsuyoshi Geimei
05:16That's right
05:17That's what I was told
05:20You don't want to say it
05:21You're hiding it
05:22There's a reason
05:24Right
05:25I
05:26I had an affair
05:30Really?
05:31Then
05:32Really?
05:33I got angry
05:34No
05:35I got angry
05:36I was told to stop it
05:38Of course, I wasn't supported
05:40It was unpopular
05:42It was unpopular
05:44But I was a little mischievous
05:49And you didn't look at me
05:52No, I didn't
05:54I didn't do that
05:56You haven't seen each other since then?
05:59I haven't seen her
06:01I thought it was a bad expression
06:04It's not like that
06:05You're lying
06:06It's not like that
06:07You're serious
06:09It's not like that
06:10What's your real name?
06:14Are you okay?
06:16You look fine
06:19You look fine
06:20You don't look funny
06:22It's dangerous
06:23I really don't remember
06:25What I remember is
06:26When I recorded it
06:27The host said
06:29I was the host
06:31I borrowed money from the giver
06:34I didn't have enough
06:36I didn't have enough money
06:38What?
06:40I don't remember
06:43I didn't have enough money
06:44I looked at her
06:45I asked her if I could borrow money
06:47She said yes
06:49She lent me money
06:50You haven't seen each other since then?
06:51I haven't seen her since then
06:52What?
06:53I borrowed money
06:54I borrowed money
06:55The next day
06:56I asked her if I could borrow money
06:58She told me to be careful
07:01She returned the money
07:03I don't remember anything
07:05I remembered that
07:09You were still young
07:10You were still young
07:12I borrowed money from the giver
07:15But I'm worse
07:18I'm worse
07:20You pretended to be a good guy
07:23You pretended to be a good guy
07:25I don't know who told me about my real name
07:27I don't know who told me about my real name
07:28I'm sorry
07:29I'm sorry.
07:29It's totally fine.
07:30It's totally fine.
07:31Will you forgive me?
07:32It's totally fine.
07:33Well, then!
07:34Tonight, the person who will be matching with Toshiro Yanagiba is this person!
07:38Please come in!
07:42He's the actor, Asami Mizukawa!
07:44Nice to meet you!
07:49Hey.
07:50Hey.
07:53That's weird.
07:54That's weird.
07:55That's weird.
07:56That's weird.
07:57Hey.
07:59Long time no see.
08:00Long time no see.
08:01You're Mizukawa-san, right?
08:03What?
08:04Since when have we met?
08:05Since this.
08:06Eh?
08:07Since this.
08:08Since this, you've been here.
08:09I've been here, yes.
08:10It's been a while.
08:11It's been a while.
08:12You're his mother.
08:13Right? Father.
08:14Tsuyo-chan.
08:16What is this?
08:17What kind of relationship is this?
08:18What kind of relationship?
08:19No, no.
08:20We're a couple.
08:21A couple?
08:22Why?
08:24We're a couple.
08:25It's not a couple!
08:26We're a couple.
08:27Eh?
08:29We're a couple?
08:30It's a couple.
08:31It's a couple.
08:37It's a drama, you know.
08:38From the start...
08:39But are you guys really that far apart?
08:41Yes.
08:42It's a plot.
08:43It's a plot.
08:44That's right.
08:45What kind of person is Mr. Diba?
08:47The image that he had before, the impression that he had from the scene, the impression he's recalling now.
08:52What is it?
08:53The impression that he has?
08:54I think it's the impression that I'm talking to a girl so let me talk!
08:57I've never seen a woman talking like that.
09:04I've seen men talking like that.
09:06I know you, Giba.
09:08I wonder how you do it.
09:09There are actresses who don't communicate as much as women.
09:15I thought she was like that.
09:18But she was very friendly.
09:21Even when I was on the set,
09:24she was very flexible in giving me ideas of what I wanted to do.
09:31She suggested it to you.
09:32Yes.
09:33But she showed me how she wanted to do it.
09:40She's a reliable and fun actress.
09:42She's not the type to say no to everything.
09:46Oh, really?
09:48That's not good.
09:50You look like you're just acting.
09:55No, no.
09:56She's a reliable mother.
10:01That's the opposite.
10:03That's what I want her to be.
10:06I see.
10:07That's what you want her to be.
10:09That's what you want her to be.
10:10That's right.
10:11If she's not reliable, she's not good.
10:13Doesn't Mizukawa-san's scene get brighter?
10:15Yes, it does.
10:17Really?
10:18She talks so loudly.
10:20When she's alone, she's like,
10:21Hey, what's up?
10:22What's up?
10:23What?
10:24Mizukawa-san doesn't know.
10:26Sometimes she doesn't listen to me.
10:31That's how much she makes the world.
10:36Have you worked with her?
10:38Just a little bit.
10:41But she brightens it up.
10:42She brightens it up.
10:44When I was in the lead role, I was a man.
10:47I was a young man who moved at his own pace.
10:51I was like,
10:52Hey, what's up?
10:53What's up?
10:54What's up?
10:55I was like,
10:56Let's raise it up!
10:57Who was it?
10:59That person.
11:00Domoto-san.
11:01Domoto Tsuyoshi-san.
11:02Domoto Tsuyoshi-san.
11:03He was moving at his own pace.
11:05That imitation?
11:06Yes.
11:07That imitation.
11:08He was moving at his own pace.
11:09Yes, at his own pace.
11:10His movements were slow.
11:12His make-up was slow.
11:14Everything was slow.
11:15Because he was a girl.
11:16Yes.
11:17Because he was a girl.
11:18If I didn't pull him...
11:19Because he was a girl.
11:20You kept pulling him.
11:21If I didn't pull him, he wouldn't do it.
11:24He was cute.
11:25He wasn't cute.
11:26He wasn't cute.
11:27If he wasn't cute, it would be embarrassing.
11:30But that was his charm.
11:33Because he was at his own pace.
11:34Did you get along with him?
11:36When I didn't have a job, I had a common friend.
11:40Yes.
11:41You were a student, right?
11:43You often made hot pot.
11:45Yes.
11:46I didn't have a job at that time.
11:48We ate hot pot together.
11:51Yes.
11:52I was so bored.
11:53I bought hot pot for everyone and made hot pot.
11:56It looked fun.
11:57At home.
11:58At someone's house.
11:59At a common friend's house.
12:01Yes.
12:02It was delicious.
12:03I wanted to eat hot pot.
12:05I wanted to eat hot pot.
12:07You still eat hot pot, right?
12:08Yes.
12:09We got along so well.
12:10Mizuka did it in a funny way.
12:14I thought it was funny.
12:16In a certain program, I made shabu-shabu.
12:20I made shabu-shabu.
12:22I sliced pork radish.
12:25I thought it was delicious.
12:26I thought it was delicious.
12:27We got along so well.
12:28I thought it was delicious.
12:29A week after I ate it, I got a call.
12:31Murogome, you are on TV now.
12:34I introduced your shabu-shabu as my hot pot.
12:38That's great.
12:39I was happy.
12:40I made it.
12:42I came up with it.
12:45Did you change your name?
12:47I changed it.
12:48I made it.
12:49I usually make it.
12:50It's shabu-shabu.
12:52I laughed.
12:53We got along so well.
12:55We got along so well.
12:56We got along so well.
12:57That's right.
12:58It's nostalgic.
12:59Mr. Giba, how did you become an actor?
13:05How did I become an actor?
13:06I was in a movie.
13:08You were in a movie.
13:09I was in a movie.
13:10How long ago was it?
13:1240 years ago.
13:14You became an actor when you were 19 years old.
13:1743 or 44 years ago.
13:20That's amazing.
13:21Isn't it amazing?
13:23I don't want to say this, but it was in Akita.
13:26Akita and Tokyo are farther than now.
13:31Tokyo is far.
13:32It's far.
13:33It's far.
13:34It's not the Tokyo I long for.
13:37That's right.
13:38You came to Tokyo when you were a teenager.
13:41At that time, there was a star birth.
13:46Which star birth?
13:47A comedy star birth?
13:48No.
13:52It's not a comedy star birth.
13:53It's not a comedy star birth.
13:55Tomo Koyanagi.
13:56Tomo Koyanagi.
13:57Tomo Koyanagi was the host.
13:58I see.
13:59Who was the singer?
14:02Tomoe.
14:03Tomoe.
14:04Yes.
14:05Yes.
14:06I saw it in Akita.
14:08I was there.
14:10Really?
14:11Really?
14:13I was there.
14:14What?
14:15I was there.
14:16I didn't know that.
14:17I didn't know that.
14:18I heard it for the first time.
14:21Who said that?
14:23Who said that?
14:24You?
14:25I did.
14:26By yourself?
14:27By myself.
14:28You applied.
14:29By myself.
14:30I didn't want to be a singer.
14:32At that time, I was still an internship student.
14:36I wanted to change my mood.
14:40You wanted to change the environment.
14:42I was accepted.
14:44I was dropped off at the main line.
14:47You were dropped off at the main line.
14:48Yes.
14:49The judge told me that I was underestimating the song.
14:58I didn't want to be a singer.
15:02But I was frustrated.
15:08I decided to leave Tokyo.
15:11That was the reason.
15:12I left Tokyo.
15:14That's not true.
15:15Stop it.
15:17Stop it.
15:19What's wrong with you?
15:20This is FUJI TV.
15:22We don't have a star on FUJI TV.
15:25I found the first video of Yanagiba on FUJI TV.
15:29The first video?
15:30What is it?
15:41I was watching you.
15:45My name is Toshiro Yanagiba.
15:48I'm a teacher of Mr. Yoshikawa.
15:50Nice to meet you.
15:51Where are you from?
15:53I'm a teacher of Mr. Yoshikawa.
16:00Mr. Yoshikawa.
16:02How did you come to school?
16:05I ride a bicycle.
16:08By bicycle?
16:09Yes.
16:10I have a lot of fun talking to students.
16:15Good morning.
16:16Don't be late.
16:18Did you come to school?
16:20The weather is nice today.
16:23I will compete with you.
16:26Come to my house.
16:29You are amazing.
16:33Wait a minute.
16:36FUJI TV is a big deal.
16:41You should be in a drama.
16:43It's a drama in the 1990s.
16:45The first video was made on Friday.
16:48That was before I joined FUJI TV.
16:50Is that so?
16:51I was watching it.
16:53I was watching it, too.
16:54I was born that year.
16:56That's amazing.
16:58Did you go to elementary school?
17:01Did you go to kindergarten to become an actor?
17:03Is it an audition?
17:05I left HIMAWARI.
17:09Did you leave HIMAWARI?
17:10I left HIMAWARI.
17:12I met a group called ISSEI FUBI.
17:17I was already working there.
17:21Did you work with ISSEI FUBI?
17:23We were rehearsing.
17:25We were rehearsing.
17:29A director came to us.
17:32He said he wanted to audition with us.
17:38He said he wanted to be an actor.
17:42I thought it was a drama audition.
17:46There is a set in KINDO.
17:48Is there a set in the audition?
17:50There is a set in the audition.
17:52I auditioned there.
17:53That's scary.
17:55It's a set.
17:57But I didn't want to audition.
18:03I auditioned casually.
18:07But KIN-CHAN asked me to audition.
18:10Is KIN-CHAN there?
18:11Yes.
18:12He is in front of me.
18:13Is it an audition?
18:14I auditioned with the feeling that I didn't have to audition.
18:19The audition was over at 1 o'clock.
18:21I was called at 2 o'clock.
18:23I went home at 2 o'clock.
18:28The audition was over.
18:32There was nothing at home.
18:36There was no job, no woman, no money.
18:42I thought he would do it seriously.
18:44I happened to be there.
18:47You weren't there with everyone at that time.
18:49I wasn't there.
18:51I happened to be there.
18:54I had a girlfriend at that time.
18:58I happened to be alone.
19:02I got a call.
19:04I was told to come again.
19:08KIN-CHAN's article is interesting.
19:11I didn't like it.
19:14I didn't like it.
19:16But there were a lot of customers.
19:20It's a good experience now.
19:23Of course.
19:25I learned it from HANYO.
19:27It's a play.
19:28It's a good time.
19:32It's a good time to laugh.
19:33It's a good time to play.
19:36You teach me well.
19:38I can say this now.
19:40I'm grateful.
19:41Mr. KIMIZUKA was there.
19:46Mr. KIMIZUKA was there.
19:48He is a scriptwriter of ODORU DAISO.
19:51Mr. KIMIZUKA was making KIN-DON with him.
19:56That's amazing.
19:58Mr. Muroi was born there.
20:00That's amazing.
20:02Mr. HAGIMOTO's blood is in it.
20:07Before ODORU, there was a play called YANAGIBA-SAN.
20:11It was in the late 1980s to 1990s.
20:14It was a part of YANAGIBA-SAN's many dramas.
20:17This is the person who co-starred with the name of the work.
20:19He is doing it.
20:21It's a trendy drama.
20:23That's right.
20:25It's the image of Mr. ASANO.
20:30Mr. JINNAI and Mr. YANAGIBA.
20:32It was before Mr. ASANO.
20:35After that, it was Mr. ASANO.
20:37It's the beginning of GETSUKU.
20:44Mr. JINNAI and I are GETSUKU TSUKETARO.
20:49That's amazing.
20:51Even in this generation, there are trendy dramas.
20:57Mr. YANAGIBA, what is the catchphrase of a trendy drama?
21:03I don't like it.
21:05It's a trendy drama.
21:09It's a trend.
21:11I wonder how the people in the middle accept it.
21:17I came out of the country and decided to do it.
21:24It's a good work.
21:26It's an impression of people who have already created an era.
21:31It's an impression of people in the 1990s.
21:34It's an impression of people in the 1990s.
21:37It's too early to accept it.
21:45It's too early to accept it.
21:48It's not like that.
21:50Please say something.
21:52It's better to listen to other people's stories.
21:56Mr. YAMAZAKI, what do you think?
21:58I think it's a good idea.
22:00It's a good state.
22:02I think it's good because it's a good time.
22:07Mr. YAMAZAKI, what do you think?
22:10It's a good state.
22:12It's a good time.
22:14I agree.
22:15I think it's a good time.
22:17Mr. YAMAZAKI, what do you think?
22:20It's a good time.
22:22I agree.
22:24I don't think so.
22:26I don't think so.
22:28I see.
22:30You drew a line there.
22:32I remember what I heard from Mr. Kiba.
22:34What?
22:36Mr. Kiba
22:38likes Mipolin.
22:40That's it.
22:42That's a good story.
22:44I heard it from him.
22:46I won't tell you until he does it.
22:50Mipolin!
22:54Well,
22:56I don't like Mipolin.
22:58I see.
23:00I thought it was impossible.
23:04That's terrible.
23:06I'm younger than you.
23:08I'm younger than you,
23:10but I thought it was charming.
23:12I really liked it.
23:14I met Mipolin,
23:16so I said I would do it.
23:18It's beautiful, isn't it?
23:20I said it was beautiful.
23:22Mr. Nakanishi,
23:24I really
23:26liked it.
23:30But Mipolin
23:32didn't even look at me.
23:36Mr. Kiba,
23:38it's going to be on the news tomorrow.
23:40I thought so.
23:42I was so cool.
23:44I was so polite.
23:46No, no, no.
23:48Mr. Nakanishi,
23:50Wait a minute.
23:52No, no.
23:54But,
23:56well,
24:02I'm a big fan of Mipolin.
24:04A big fan?
24:06A producer
24:08heard it.
24:10It was when
24:12I was doing that drama.
24:14Hey, Yanagiba,
24:16you're a fan of Miho Nakayama.
24:18I love Miho Nakayama.
24:20I'm listening.
24:22I said,
24:24you can't act with Miho Nakayama.
24:26He said,
24:28what?
24:30I was so surprised.
24:32I said, I'm a big fan.
24:34That's great.
24:36If you can set it up,
24:38try it.
24:40Then,
24:42it was set up.
24:44I was so surprised.
24:46I can't help it.
24:48I just want to meet him.
24:50He's cute.
24:52After this,
24:54I asked him to give me a full-time job.
24:56You asked him?
24:58The behind-the-scenes of the birth of Shinji Muroi.
25:00The behind-the-scenes of the birth of Shinji Muroi.
25:02It's funny.
25:04Really?
25:06The behind-the-scenes of the birth of Shinji Muroi.
25:08The precious video of Asami Mizukawa
25:10and Tsuyoshi Muro.
25:12I love Asami Mizukawa.
25:14I love Asami Mizukawa.
25:16Ever since we worked together,
25:18well...
25:20I love you.
25:22He said it properly.
25:24He said it properly.
25:26The behind-the-scenes of the birth of Shinji Muroi.
25:28The behind-the-scenes of the birth of Shinji Muroi.
25:30Asami Mizukawa of Yanagiba Toshiro.
25:32Psychology to analyze personality from face.
25:34Psychology to analyze personality from face.
25:36I know.
25:38I know.
25:40As you said.
25:42I'm scared.
25:44The unexpected results were unprecedented.
25:46The unexpected results were unexpected.
25:48It's so charming.
25:50The behind-the-scenes of the birth of Shinji Muroi.
25:52The behind-the-scenes of the birth of Shinji Muroi.
25:54Let's go back to the story of Odoru.
25:56The series of Odoru Utaizuzen was born in 1997.
25:58The series of Odoru Utaizuzen was born in 1997.
26:00The series of Odoru Utaizuzen was born in 1997.
26:0227 years since the start of this year's drama.
26:04The first episode is on the air now.
26:06This was 27 years ago.
26:08No wonder.
26:14Shinji Muroi changed a lot from the image.
26:16Shinji Muroi changed a lot from the image.
26:18Trendy style.
26:20Trendy style.
26:22What did you think?
26:24I didn't like it halfway through.
26:26I didn't like it halfway through.
26:28Muroi.
26:30Why?
26:32It was boring.
26:34The reality is good.
26:36We don't know what happened.
26:38I was so stressed out here.
26:40I mean, I couldn't move.
26:42That's right. You can't move.
26:44I was so stressed.
26:46And, uh,
26:48Kamiyama-P, the producer,
26:50told me to take over the job.
26:52He asked you to do it?
26:54Yeah, he asked me to do it.
26:56Uh, well,
26:58it was right after I got married,
27:00and Kami-san...
27:02He saw it?
27:04Yeah, he saw it, and he said,
27:06So, I decided to keep doing it.
27:09Your wife's words are big.
27:12The circuit is simple.
27:14It's terrible.
27:15The circuit.
27:17Yes, yes.
27:18It's just a push.
27:23You said you can't move.
27:27Is it written in the script that Shinji Muroi can't move?
27:30Or Yanagiba-san chose the play?
27:33Oh, that's right.
27:34It's not written in the script.
27:37No, it's not.
27:38Yanagiba-san has a lot of choices.
27:40When he sees the play, he doesn't look at the audience.
27:43He looks straight ahead.
27:45When he says,
27:46he looks at the audience.
27:47That's right.
27:48It's not a play.
27:49Is it a play?
27:50Can we hear it?
27:52I want to hear it.
27:53Did he do it naturally?
27:55Did it become that?
27:57It's not written in the script.
28:00Muroi must have set a limit on his movement.
28:05In himself.
28:06That's interesting.
28:08Really?
28:12I'm pulling him by the train.
28:14Yanagiba-san.
28:18I like Asami Mizukawa.
28:21I like him.
28:22It's different.
28:24It's like...
28:27I'm doing my best.
28:30I'm doing my best.
28:32Mizukawa-san said a little.
28:34I can't react at all.
28:36When we worked together,
28:41I like him.
28:43He said it properly.
28:45He said it properly.
28:46He said it properly, everyone.
28:48It's not that many words.
28:51That's right.
28:53I can't react at all.
28:55I can't react at all.
28:57We worked together.
28:59I like him.
29:03In the play,
29:05Mizukawa-san also appears.
29:08That's right.
29:09I also appear.
29:11That's right.
29:12That's right.
29:13Mizukawa-san, do you remember?
29:1727 years ago.
29:20It was the debut of a drama.
29:23It was the debut of a drama.
29:24It was the debut of a drama.
29:25Is that so?
29:26Is that so?
29:27It was the first time to dance.
29:28It was the first time to dance.
29:29Is that so?
29:30Is there a VTR?
29:32Let's watch it.
29:33It's really amazing.
29:39I couldn't keep my promise to my ex.
29:43Since the drama started in 1997,
29:46it has caused a lot of social phenomena.
29:50The latest movie of the series starring Toshiro Yanagiba is now a hot topic.
29:56Mizukawa-san also appeared in the dance series, which has a long history of 27 years.
30:08Mizukawa-san is a legend.
30:13Honja-san.
30:15Which one?
30:17The one in the middle.
30:18The one in the middle.
30:19He was screaming all the time and ran away.
30:23I see.
30:24Did you see him run?
30:27I couldn't see it because he was behind.
30:29He was knocked down and he turned around.
30:35Only for this part?
30:38I've been looking for you for a long time.
30:40I've been looking for you for a long time.
30:41He's a middle school girl.
30:43Oh, really?
30:46He's a cop, isn't he?
30:48There he is.
30:49There he is.
30:50There he is.
30:52Where?
30:53Over there.
30:54I can't see him without the arrow.
30:56He's gone.
30:57He's gone.
30:58He's gone.
30:59That arrow.
31:00That arrow.
31:01He'll come out again.
31:02He'll come out again.
31:03There he is.
31:04There he is.
31:06What's this?
31:07He's gone.
31:08He's gone.
31:09He's gone.
31:11Thank you for the photo.
31:17But I understand.
31:19I understand.
31:20He's a professional.
31:21But...
31:26He's putting them together.
31:29He's putting them together.
31:31He's putting them together.
31:32He's putting them together.
31:35He's putting them together.
31:37He's changing the manual.
31:40He's changing the manual.
31:41He's changing the manual.
31:42He's changing the manual.
31:43He's changing the manual.
31:44He's changing the manual.
31:47This kidnapping is similar to the one 6 years ago.
31:53That's amazing.
31:56I don't remember anything.
31:58I was first introduced to Masayoshi Mashita at the school office.
32:04There is a famous location in Odorudaiso called the stairs.
32:11When I first stood there, I was with Mashita of Yusuke Santa Maria.
32:17At the school office, right?
32:19It was my first time.
32:20I'm sorry.
32:21It's okay. It's a good memory.
32:25She is Mizukawa.
32:28When did you start acting?
32:31At this time.
32:3214 years old?
32:33Yes, 14 years old.
32:34That's amazing.
32:36What is that?
32:38Is that the path you chose?
32:41Now?
32:43Yes, I wanted to act.
32:47I see.
32:49When I grow up, I will be told that I like Giba.
32:5427 years later.
32:5727 years later.
33:0027 years later, I will be told that I like Muroi.
33:04That's amazing.
33:05That's a great life.
33:06That's Muroi.
33:08That's true.
33:10That's amazing.
33:11I was surprised.
33:13Muroi said that.
33:15That's right.
33:16That's amazing.
33:17What is that?
33:19I can't imagine that they will be a couple.
33:24I can't imagine that.
33:25I can't imagine that.
33:27I can't imagine that they will be a couple.
33:29I was surprised.
33:31When I think about it now.
33:33Muroi is famous for his facial expression.
33:40We asked an expert to analyze Muroi's personality.
33:46Muroi?
33:47Yes, Muroi.
33:48Let's analyze it.
33:50It may be helpful.
33:51That's right.
33:52Let's call him.
33:53Please come here.
33:55Please come here.
33:57Hello.
33:59He is Mr. Takako Sato.
34:02Hello.
34:03He is Mr. Takako Sato.
34:04You look like KINGDOM.
34:06Nice to meet you.
34:07Nice to meet you.
34:09It's been a long time.
34:10It's been a long time.
34:11Mr. Sato is an expert in face psychology based on more than 100 million data.
34:18In fact, your face is full of personal information.
34:23Personal information?
34:25Isn't it protected?
34:27It's open.
34:28For example, strength or weakness.
34:31I see.
34:32By reading them carefully, your face can be used as a tool to enrich your life.
34:43The method of use, that is, the explanation of how to handle your face, will be included in the book.
34:50You pointed out that there are some things you haven't noticed.
34:54That's right.
34:55I like it.
34:56First of all, Mr. Muroi.
34:58Let's start with Mr. Muroi's analysis.
35:01Mr. Muroi.
35:02Mr. Muroi.
35:03Mr. Yanagiba.
35:05Mr. Yanagiba.
35:07First of all, eyebrows.
35:08Your eyebrows are full of hair.
35:11Hair?
35:12Your eyebrows are full of hair.
35:13It's Mr. Yanagiba's eyebrows.
35:15Does hair have anything to do with it?
35:17Yes, it does.
35:18Hair?
35:19Yes, that's right.
35:20What richness represents is active intellectual activity.
35:24In other words, you're always thinking about a lot of things in your head.
35:29Mr. Muroi's eyebrows are quite solid.
35:32Active intellectual activity.
35:33That's right.
35:34It's solid, isn't it?
35:36Yes, it is.
35:37And if you look at it from the side, the upper part of the eyebrows are a little dented.
35:43Dented?
35:44Just above this.
35:45Here?
35:46Yes, if you look at it from the side.
35:47This is age-related.
35:48It's not that bad.
35:50And if you look at it from the side, the lower part of the eyebrows are a little dented.
35:56What?
35:57Don't point your finger at me.
35:58Don't point your finger at my face.
36:00What?
36:01What is it?
36:02Wait a minute.
36:03Mr. Yanagiba, you have a lot of wrinkles here.
36:06What is this?
36:07What is it?
36:08Don't point your finger at me.
36:09What is it?
36:10Don't point your finger at me.
36:11It's amazing.
36:12I have a lot of wrinkles.
36:14Isn't it amazing?
36:15Can you show me?
36:16What?
36:18Don't point your finger at me.
36:21What is it?
36:22Isn't it amazing?
36:23What is this?
36:24Mr. Nakai, you have a lot of wrinkles, too.
36:29Mr. Nakai, you have a lot of wrinkles, too.
36:30I don't have wrinkles.
36:32Mr. Nakai, please take a closer look.
36:33I don't have wrinkles.
36:34Mr. Yanagiba.
36:35Come here.
36:36Come with me.
36:37No way.
36:38The upper part of the eyebrows are a little dented, right?
36:40Yes, it is.
36:41I don't have wrinkles.
36:42I don't have wrinkles.
36:43I don't have wrinkles.
36:44I don't have wrinkles.
36:45It's a characteristic of men.
36:47That's right.
36:48Men have more wrinkles.
36:50This kind of person is...
36:53Chiko.
36:54I know.
36:59I know.
37:01I know.
37:02It's like you said.
37:04What?
37:05I'm scared.
37:07It's charming.
37:11It's really charming.
37:16I don't have wrinkles.
37:17I don't have wrinkles.
37:18It's a characteristic of men.
37:20That's right.
37:21Men have more wrinkles.
37:23This kind of person is...
37:26Shiko.
37:27In other words, he thinks logically.
37:31So, the words that come out of his mouth are logical.
37:36I know.
37:38He is honest.
37:39He is honest.
37:41Is it logical?
37:42It's logical.
37:43What is logical?
37:44He thinks things in order.
37:49I know.
37:50For example, if someone explains something to you,
37:53you don't know what it is.
37:54I see.
37:56I see.
37:59He says he likes you right away.
38:04He doesn't go around like this.
38:06He doesn't go around like this.
38:07It's not logical.
38:08He doesn't go around like this.
38:10It's not logical at all.
38:11But that's just the appearance.
38:14In fact, in his head,
38:16he thinks logically.
38:19That's why he likes you.
38:20That's why he likes you.
38:21And the thinness of his face
38:24means that he doesn't have a lot of energy.
38:29What does that mean?
38:30That's why he gets tired easily.
38:32That's what it means.
38:33Has it been like that for a long time?
38:35That's right.
38:36I see.
38:37That's why he doesn't move much.
38:41It's a curse.
38:42It's a curse.
38:43It's a curse.
38:45I see.
38:47Because he doesn't have much energy,
38:49he can't use his energy in vain.
38:52So, in order to protect his energy,
38:57he has a high self-defense ability.
39:01What does that mean?
39:03It's suspicious.
39:04It's easy to notice changes around you.
39:07It's easy to notice changes around you.
39:08And he has a strong preference.
39:10That's why he protects himself.
39:13I see.
39:15You're quick to understand.
39:17I see.
39:18That's right.
39:21Have you ever felt that way?
39:23As you said.
39:26That's amazing.
39:27That's amazing.
39:30That's interesting.
39:31Mizukawa-san also came to see us today.
39:35He gave us an analysis.
39:38First of all,
39:39it's hard to see because of his bangs,
39:41but if you look at his forehead from the side,
39:44you can see that his forehead has a beautiful curve.
39:48When you look at it from the side.
39:49That's true.
39:51It means that he is good at intuition.
39:55Intuition.
39:56I'm glad to hear that.
39:57That's why his judgment is not based on reason, theory, or logic.
40:03It's based on intuition.
40:05I see.
40:06That's why you can't deny that your first impression
40:11will affect your judgment and understanding.
40:16For example,
40:17Mizukawa-san will judge you based on your first impression.
40:22Even if Mizukawa-san has done something good for you,
40:28it's hard for him to change into a good person.
40:31I see.
40:32What was my first impression?
40:35What was your first impression?
40:37Really?
40:39Please continue.
40:40I'll continue.
40:41I have a lot of questions about Mizukawa-san.
40:43He did his forehead.
40:44Yes, he did his forehead.
40:45And what's special about his forehead is the curve at the corner of his eyes.
40:48That's true.
40:50It's beautiful.
40:51He has a beautiful curve.
40:54As a result of the analysis,
40:56Mizukawa-san has a surprising side.
40:58I'm looking at it.
41:00Mizukawa-san has a surprising side.
41:03As a result of the analysis,
41:05Mizukawa-san has a surprising side.
41:07I'm looking at it.
41:08It's beautiful.
41:09He has a beautiful curve at the corner of his eyes.
41:11The curve at the corner of his eyes
41:13represents the height of his ability to perceive information.
41:16The curve at the corner of his eyes
41:17represents the height of his ability to perceive information.
41:18Does it mean that he chooses information?
41:21Yes.
41:22The eyes are the entrance to receive knowledge and information.
41:25So, Mizukawa-san wants to choose the best information for himself.
41:30So, Mizukawa-san wants to choose the best information for himself.
41:34I'm scared.
41:35But...
41:38He's looking at it.
41:41He's doing it unconsciously.
41:44Likewise, the nose is the entrance to receive love.
41:49Receive love?
41:50His nose is his nose.
41:53It's charming.
41:56It's very charming.
41:58It's charming.
41:59You're good.
42:00I'm confident.
42:05There's more.
42:06I'm sorry.
42:07I'm sorry.
42:08And the mouth is the place to put food in.
42:12Mizukawa-san sees the line that makes the shape of the eyes, nose and mouth as thinness,
42:19that is, delicacy.
42:22The line of the eyes, the line of the nose, and the line of the mouth.
42:25The line?
42:26Yes.
42:27It's thin.
42:28Yes.
42:29So, Mizukawa-san, who has these three things, is the type of person who sticks to the quality no matter what.
42:36What?
42:37Quality.
42:38He doesn't need quantity.
42:39For example, if it's knowledge, he wants the best information for himself.
42:43If it's love, he doesn't want everyone to follow him.
42:48He wants only one person to like him.
42:50He has high quality.
42:51When it comes to food, he doesn't want to put anything in his mouth.
42:55He wants to put what he chose in his mouth.
42:59I think I understand.
43:01Yes.
43:02He's the type of person who is liked by many people.
43:06He seems to be the type of person who likes everyone and is liked by everyone.
43:11But his taste for food is intense.
43:13In that, he has a face that looks straight forward.
43:16And he has a face that is originally private.
43:20Even if you look at him like that, you can see that he likes and dislikes food.
43:29That's true.
43:30He likes food.
43:31That's good.
43:32Everyone.
43:33It's a concrete way of looking at it.
43:35It's a concrete way of looking at it.
43:37It's obvious that he likes food.
43:39That's true.
43:40Whether it's intense or soft, it's up to each person.
43:45Thank you very much.
43:46Thank you very much.
43:48I'm sorry.
43:50I want to know more about you.
43:53I want to know.
43:54Thank you very much.
43:55I want to know more about you.
43:56What should I do?
43:57Please read this.
43:59That's great.
44:01I'll give it to you.
44:03That's great.
44:06Next time, Oguri Shun and Takayuki Yamada will appear as friends.
44:11Shun-kun was basically transparent.
44:13Oh, it's Yamada-kun.
44:16Let's talk about the day before the break.
44:18I remember.