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Short filmTranscript
00:00**birds chirping**
00:03**wind blowing**
00:11**deep breath**
00:13**sigh**
00:14**wind blowing**
00:36You were great last night.
00:39Yes, I am.
00:42**scream**
00:43Who are you?
00:44Borislav, there's a man here!
00:45Don't scream, I'm Borislav Mikhailovich's driver.
00:48The driver?
00:49And why are you putting your hands on me?
00:52I wanted to comfort you.
00:53And why were you going to comfort me?
00:55Because now you're going to start crying, shouting, breaking the table...
00:58But are you crazy? Why would I do that?
01:00It's just that you haven't let me finish. You've started to scream.
01:03Here, look.
01:04**phone chimes**
01:19Where were you?
01:21I was where I was. What do you care?
01:23If you ask me, it's because I care.
01:25You can pick up the phone, dial a number, or tell me you're going to be late.
01:31Don't start again, old man.
01:33I'm not telling you what time you have to be back. I'm not late. I'll be back soon.
01:36Any more questions?
01:37No more questions.
01:38Then leave me alone.
01:39I'll leave you alone.
01:40Fine.
02:02Old man, why are you all so stupid?
02:04Us? The retirees.
02:06What retirees? You don't know anything.
02:09I don't understand.
02:10The men.
02:12Ah, the men.
02:14Why do you always need the same thing from a woman?
02:16I don't know.
02:18Maybe because some women always offer the same thing, and as they say, it's not a sin to take advantage of it.
02:25What do you mean by that?
02:27Nothing.
02:29You asked me, and I answered you.
02:31Are you saying it's my fault that I always have to deal with sons of bitches?
02:34Yes, I have that suspicion.
02:36Hey, do you know where you can get your suspicions?
02:43Yes, I know.
02:46I don't care.
02:48But what are you going to do? That's the question.
02:51Are you going to keep jumping from one bed to another, and from one daddy to another?
02:56Well, what do you propose?
02:59That I share a flat with students?
03:01And starve to death?
03:03Sure, I appreciate it, but I'll pass.
03:11I look at you, Elizabeth, and I ask myself...
03:14When did this fucking life turn around and everything went upside down?
03:20But where the fuck did you come from?
03:24What class?
03:25Those who are like you.
03:27Those who have no honor, no shame, no pride.
03:33Those of the class whose happiness is determined by the volume of their tits.
03:39And the jewels they wear.
03:42The meaning of life is not just money and money and money.
03:47Love for you is an empty phrase.
03:51Elizabeth, don't be offended, but I'll tell you one thing.
03:57You are not people.
03:59No.
04:01You are inodorants.
04:05In which anyone can sit their naked ass and relieve their needs.
04:15And you are the clear stereotype.
04:21Because you...
04:23You...
04:24You don't care who, you don't care where...
04:28And your panties fall off before the man starts thinking about it.
04:34Are you offended?
04:36Good.
04:37Because the truth offends.
04:39That will be your truth.
04:42Do you know anything about me, you damn narrator of the truth?
04:47Or you didn't like...
04:49...to see how my panties fell off, which I have never been able to pay.
04:54But I still remember when even my panties were second-hand.
04:58Have you ever put on someone else's panties?
05:01No?
05:02Have you lived with eight people in a room?
05:05Because neither your grandfather, the engineer, nor your mother, with their honest work, could even buy an apartment?
05:14And me, who educates me?
05:19I don't want my children to grow up like I did.
05:23And how do I do it?
05:25Doesn't anyone else matter to you more than me?
05:38Lisa.
05:41Elizabeth.
05:43Come on, you've been there all day.
05:45Come on, go out to eat.
05:53Come on.
06:04Forgive me, Elizabeth.
06:07I told you things I didn't think.
06:10But I didn't do it out of malice.
06:12And they really are true.
06:19Okay, I'm not fair.
06:22Don't be offended.
06:26I'm just worried.
06:28You're a young, beautiful girl.
06:32And you're starting to lose yourself.
06:35Believe me, I know what I'm talking about.
06:40I know perfectly well how to ruin a life.
06:43It's my specialty.
06:45In my time, I did a lot of stupid things.
06:52I can't count them.
06:54I'm ashamed of myself.
06:58I'm telling you all this.
07:00Not because I have nothing else to do.
07:03But because I care.
07:05And I want to help you in the most humane way...
07:07Diego.
07:08Go to hell.
07:22Go to hell.
07:24Go to hell.
07:50Apologies accepted.
07:55I'm sorry.
08:00And how can you help me?
08:03You're so wise.
08:06That depends on what you want in life.
08:10Okay.
08:15I just want to be happy.
08:18I want to get married.
08:20To who?
08:21To a normal man.
08:24Well, not a freak.
08:26And to be rich.
08:28And when do you want that?
08:30As soon as possible, of course.
08:32Then be normal, rich, and as soon as possible.
08:36That can't be achieved.
08:39Thank you for nothing.
08:40Don't be offended.
08:41I'm not telling you not to achieve it.
08:43But you have to understand that...
08:46Normal men don't marry women like you.
08:50I'm telling you as a man.
08:52And why is that?
08:54What is a wife?
08:56She's the owner of the house.
08:58A friend and a lover at the same time.
09:01She's interesting.
09:02She's an interlocutor.
09:04And you, of all these things, you only have one quality.
09:07Well, yes, you're pretty.
09:09That's for sure.
09:11But when you open your mouth...
09:13How would we say?
09:15The smoke dissipates immediately.
09:17Hey, leave him alone.
09:18Lisa, listen to me.
09:19Don't be offended.
09:20You go to the gym, right?
09:22To have a good figure.
09:24You do exercises for the ass, to fascinate men.
09:28Yes.
09:29Do the same with the brain.
09:31Can you imagine?
09:32From time to time you have to train it.
09:34Then harmony will appear.
09:37A normal man hooks up to the ass.
09:40He talks to the brain.
09:41And then he offers you marriage.
09:43Well, what do you propose?
09:44You have to start with the minimum.
09:47It is better to rely on the base that already exists.
09:51The what?
09:53Don't worry.
09:54What did you study after high school?
09:56I studied electromechanics.
09:58Electromechanics.
10:00And in mathematics, what did you get?
10:02Outstanding.
10:03Outstanding?
10:05Okay.
10:06Perfect, perfect.
10:08Very good.
10:09So we have a technical mentality.
10:13And we are going to rely on exact science.
10:21We're going to have to change and adapt your style a little.
10:25An image that will make you more distinguished
10:28among so many women like you.
10:30And what's wrong with my image?
10:31Believe me, it's easier to build the character.
10:34And in that image you will feel more comfortable.
10:40Sit here.
10:41Come on.
10:44And?
10:45Imagine for a moment that you studied abroad.
10:49In Cambridge.
10:51Imagine it, imagine it.
10:55That's it.
10:58Like that.
10:59It's okay.
11:00Go on, go on, go on.
11:02And you studied molecular biology.
11:05The what?
11:06You don't know what it is?
11:07Me neither.
11:08Nobody knows.
11:09Just what we need.
11:11Yes.
11:12Like that, yes, yes, yes.
11:14Good, good.
11:15You've studied.
11:16Come, come.
11:17Okay, turn around.
11:18Okay, okay.
11:19Stop.
11:20Stay there.
11:21Like that.
11:22I believe you.
11:23Have you seen?
11:24It's starting to show in your eyes.
11:26A spark of intelligence.
11:28Tiny.
11:31The great power of art.
11:33There is no intelligence yet, but there is already a spark.
11:36Old man, go to hell.
11:37What do you say, Lisa?
11:38We turn that spark into fire.
11:42Okay, let's try to see.
11:43Go ahead.
13:09Why are you taking so long?
13:11It's very easy.
13:12But how easy?
13:13I'm going to get a migraine.
13:14This is solved by third grade kids.
13:17You told me you were outstanding in math.
13:21Well, yes.
13:22But my math teacher...
13:24What was wrong with the teacher?
13:26He was very young, just graduated.
13:29He tried to flirt with me and I took advantage of it.
13:32I understand.
13:33Sure.
13:36Well.
13:38I think I'm excited about Cambridge.
13:41I was, as they say, in a creative state of mind.
13:46My fault.
13:47They should have seen it coming.
13:48It's okay, it's okay.
13:54What?
13:56Please tell me something else about you.
13:58What do you like?
13:59What hobbies do you have?
14:00Well, besides the ones I know.
14:04Well, I don't know.
14:06I like watching videos on the internet.
14:08Cinephile.
14:09I also like getting my nails done.
14:12Do you like painting?
14:13And I like reading magazines.
14:15Literature?
14:16Good.
14:17You're going to be a writer.
14:19Well, it's an option.
14:22You studied at the Mogilian Academy.
14:25Faculty of something like culture.
14:28You have a subtle, refined, inquisitive, trembling nature.
14:32A little out of your league and from another world.
14:36Look, I like it.
14:37Old man.
14:38What?
14:39Are you sure?
14:40No.
14:44And what's this painting called?
14:46Come on, try to remember.
14:47We've studied it, Elizabeth.
14:49Now, now, wait.
14:51Sea.
14:52Waves.
14:54The waves.
14:55Wave!
14:56Exactly.
14:57What wave?
14:58What waves were they?
15:01No, don't tell me.
15:02Wait.
15:03I know.
15:04I've studied it.
15:05Waves.
15:06Waves.
15:07The iPhone that never came out.
15:09The nine.
15:10The ninth wave.
15:11Correct.
15:12Ninth.
15:13And the painter?
15:14Who's the painter?
15:15Who's the painter?
15:17It's also something like there.
15:19There.
15:20There it goes.
15:21Look.
15:22There it goes.
15:23Correct?
15:24There it goes.
15:25What do you mean there it goes?
15:26That doesn't exist.
15:27Try to think.
15:28There it goes.
15:30There it goes.
15:31There it goes.
15:32Ski.
15:33There it goes.
15:34Ski.
15:35Are you sure?
15:36There it goes.
15:37Ski.
15:38The ninth wave.
15:39It's clear.
15:40Let's leave this.
15:41It's not your thing.
15:42You know, Elizabeth, I didn't take into account one thing.
15:45Too much information.
15:46The brain doesn't digest so much information.
15:49We're going to change the technique completely.
15:52We'll change it.
15:53You left the devil's mother in the academy after the first semester.
15:57You fought with your parents.
15:59You joined Greenpeace.
16:01And you went to save the penguins.
16:05The penguins.
16:06You know where the penguins live, don't you?
16:08Do you think I'm an idiot in the Atlantic?
16:12Housewife.
16:14Silly, but affectionate.
16:16Worker.
16:17Complacent.
16:18That's what men like.
16:19Let's go on.
16:21How do you wash the cotton?
16:23You put it in the washing machine.
16:25Forty degrees the color, ninety degrees the white.
16:28Eight hundred revolutions.
16:30Arenka Brigade salad.
16:32Potato, onion, carrot, beetroot and mayonnaise.
16:38And?
16:39And what else?
16:40What is this brigade?
16:41Ah, the arenka.
16:42It's a salad.
16:43It's a salad.
16:44It's a salad.
16:45It's a salad.
16:46It's a salad.
16:47It's a salad.
16:48It's a salad.
16:49Ah, the arenka.
16:50Sodium chloride.
16:52That's chemistry.
16:54Sodium bicarbonate.
16:57Actually, sodium chloride is salt.
17:01Don't tell me.
17:02Very good.
17:04Do you smell something?
17:06Has it burned?
17:07It smells like Cambridge.
17:10All right.
17:12Approved.
17:14Let's say you've passed the young wife course, more or less.
17:18And I'll tell you one thing.
17:19Science and art are not in vain.
17:22It's in your head and at some point it will come to light.
17:26Well, today I have the opportunity.
17:28My friends have invited me to a party.
17:30Maybe there I can shine.
17:32Tell me one thing, daughter.
17:34Why do you always make this old man suffer?
17:37What are you saying?
17:38Come on.
17:39I thought you had already learned the game.
17:41There is a fish and a fisherman.
17:43What I'm going to fish is ...
17:45And who are you going to fish there?
17:46A tadpole.
17:47Lisa, the real fisherman first has to define what he is going to fish.
17:52To estimate later where he lives and what he hooks up.
17:57What do you want me to do? A list?
17:59You don't understand anything.
18:01Can't you speak clearer for once, damn it?
18:03All fucking day, dizzy, with fish, tadpoles, sodium chloride.
18:08Can't you speak like normal people?
18:10What character are you?
18:12Fuck.
18:17Well, something like that.
18:19I see you've made an interesting selection.
18:22Each one better than the other.
18:24Good job.
18:25I've worked on it.
18:26And how are we going to choose?
18:28For the negative, Elisabeth.
18:30To begin with, we will remove the married.
18:32And why?
18:33It is impossible to create your happiness about the misfortune of another.
18:36But they can break your knees.
18:38In a moment.
18:40Remove, remove.
18:41Well, now we're going to remove the over 60s.
18:44And why is that?
18:45I'll explain the age.
18:47Heart problems, heart attack, widow.
18:49Widow, inheritance, and I'm great.
18:51Inheritance, relatives, trials, and you're fucked.
18:53More questions? No questions.
18:59Okay, also the kids under 40.
19:02They're too young, yes.
19:04They're not willing to have a serious relationship.
19:07They just want to unload.
19:08Old man, with your way of cribbing, I won't have anyone left.
19:10Will there be deputies?
19:12Of course.
19:13Out!
19:14But they're the richest.
19:15But, Elisabeth, you have some principles left.
19:18You can't create your happiness about the misfortune of the people.
19:21Thanks to your principles, I'll die a nun.
19:23It's okay, you're going to live many years.
19:26And you'll be happy.
19:27Who is this handsome guy here?
19:30Number 32, Kripchuk Pavel Alexeyevich, 49 years old, single.
19:35Okay, think with your head, not like the others.
19:38He doesn't have any vice either.
19:39The children will have good health.
19:41Don't get involved in politics.
19:42You know, Elisabeth, this one here, I like him.
19:45He collects cars, he's a philanthropist, and he's a patron.
19:49He's not a snitch.
19:51Elisabeth, in your place, I didn't even think about it.
19:55Look at him, he has such a deep look.
19:58And where does this man live?
20:00Tomorrow he's inaugurating an exhibition in the art gallery.
20:03You see, Elisabeth, I told you that art wouldn't serve us in the long run.
20:08Dear Elisabeth, I'm 49 years old.
20:11I've been waiting for you all my life.
20:15Old man.
20:38Look, Aibaziug.
20:41Brown on yellow.
20:43And you said it didn't exist.
20:45Brown on yellow, that's what this, God forgive me, art looks like.
20:53And what's this?
20:54A bat.
20:55A broken bat in a museum.
20:57Who came up with that?
20:59Stop grumbling.
21:07I'm going.
21:14To hell with everything we've studied.
21:16Why?
21:17I'm sure they'll catch us.
21:19Yes, of course.
21:20And so much effort for nothing?
21:22They're not going to catch us.
21:24Elisabeth, I'm not kidding.
21:26It's not going to be that something happens to us.
21:28They're going to catch us.
21:29I told you, calm down.
21:31Everything will be fine.
21:33Repeat.
21:34Everything will be fine.
21:36Very well.
21:37Bring me a glass of champagne.
21:43Ladies and gentlemen.
21:44One minute of attention, please.
21:47For the solemn inauguration of our exhibition,
21:50I would like to present to you...
21:52The Contemporary Art Exhibition.
21:54The dress code is casual.
21:57Well, more or less.
21:59It is good and even advisable to be a little drunk at the exhibition.
22:03With so many fans of contemporary art,
22:06we, with Gennady Ivanovich, are giving, let's say,
22:10only the first step, right?
22:13The discussion is already beginning.
22:15In the face of any incomprehensible situation,
22:17so as not to get into trouble, I say,
22:19thank God, finally our people have learned to work with space.
22:22Well, I'm ready.
22:24Any collection.
22:26Any, absolutely.
22:28Well, we've stolen them too long.
22:32So enjoy.
22:39Come on.
22:40Introduce me.
22:43Concentrate.
22:45Straighten your shoulders.
22:47Get on the paper, daddy.
22:49Go ahead.
22:57Pavel Alexeyevich.
22:59Yes, tell me.
23:00Let me introduce myself.
23:01Merculo Alexander Nikolayevich, collector.
23:04Nice to meet you.
23:05And this is my daughter, Lisa.
23:08Let me express our admiration.
23:11Lisa and I are delighted with what we have just seen.
23:14It is a pleasure to hear it.
23:16Have you already found something for your collection?
23:19Well, at the moment we are only thinking, but...
23:23We have signed something.
23:25The brown on the yellow, for example.
23:28Excellent selection.
23:30It's my favorite painting.
23:32Let me ask you.
23:34What has attracted your attention to that work?
23:38Well, you know, it's that feeling,
23:42when you're looking at the painting and you can't help but say,
23:46holy heaven, thank God,
23:49finally our people have learned at once to work in space.
23:54Lisa, what do you think?
23:57Well, what can I say?
23:59Daddy is absolutely right.
24:01Good.
24:02A perfect selection and an excellent investment.
24:05Misha, come here for a moment.
24:08Misha Evazyuk, let me introduce you.
24:10Nice to meet you.
24:12Misha, could you show the lady a couple more of your paintings?
24:16Maybe she's interested in one.
24:18Yes, of course, no problem.
24:21Alexander, and we smoke a cigar?
24:26Well, no, I won't say no.
24:28Come in.
24:32I'm delighted to meet you.
24:34You know, nowadays it's difficult to find a person
24:39who understands contemporary art so well.
24:42It's a hobby, Delis.
24:44I like books.
24:46Don't tell me.
24:47Yes.
24:48Well, we have more in common than I thought.
24:52In fact, I have a very good library at home.
24:56There are a couple of unique copies.
24:58I think you might be quite interested.
25:01Thank you very much for the invitation.
25:03One day, my daughter and I can go visit her.
25:06Well, I don't think that's so interesting for Lisa.
25:09Young people have very different interests.
25:11It's true, you're right, of course.
25:18It's him!
25:19Alyosha, what are you doing here?
25:21You weren't even going to come.
25:22Don't change the subject.
25:23It's him.
25:24I don't understand what you're talking about.
25:26He's Alexander Nikolayevich, a collector.
25:28We just met.
25:30Don't lie to me.
25:31Now I understand.
25:33How did our pillow get so hairy?
25:35Miss, what do I ask of you?
25:36Shut up.
25:37I spend every day at the gym to like you,
25:40and what you wanted was something soft.
25:43I'm asking you, please.
25:44Shut up!
25:47What are you doing, Alyosha?
25:50What happened?
25:52For the love of God, I'm sorry.
25:54Go away, everything's fine.
25:56What are you apologizing for?
25:58They put me in jail.
26:00Do you know how much it costs?
26:01I'm going to report you.
26:03There's no need.
26:04I'm apologizing.
26:05Everything's fine.
26:06Here's my card.
26:07Call me whenever you want.
26:08We'll fix everything.
26:09I beg you.
26:10I'm going to report you.
26:12Go away.
26:17What are you laughing at?
26:19Nothing.
26:22I just don't get it.
26:24Why did we work so hard?
26:26Admit it.
26:27You look great.
26:28You're handsome.
26:30You have a deep gaze.
26:32You're generous.
26:34Elizabeth.
26:35Elizabeth what?
26:37Maybe Elizabeth has a very deep moral trauma.
26:41They just took her husband from her.
26:44They just took her husband from her.
26:48And the most important thing is who did it.
26:52Her teacher and educator.
26:54Well, one more word and...
26:56That's enough.
26:57I'll shut up.
27:02I don't know what to do now.
27:05Hey.
27:07Isn't it better if we organize your personal life?
27:09You actually have more options.
27:11And then you'll adopt me and we'll live together.
27:13You, him and me.
27:15That's enough.
27:16Shut up and look.
27:20Proust, Gennady and Vanovic.
27:22They have a chain of clinics all over the country.
27:24Not to mention factories, ships...
27:26And this, dear, is what happens when you go fishing.
27:29You go fishing for sardines but you catch a hake.
27:33Do you like it?
27:34And do you like it?
27:43And do you like it?
27:59Well, Alexander Nikolayevich.
28:01It wasn't as bad as it seemed.
28:03Well, no.
28:05I apologize again for yesterday.
28:08Come on, it's in the past.
28:10It's in the past.
28:11It's forgotten.
28:12Dad?
28:13Well, Gennady Ivanovich has turned out to be a magician.
28:16See? It wasn't that bad.
28:18In fact, let me introduce you to my daughter Lisa.
28:21Nice to meet you.
28:22I'm Gennady Ivanovich.
28:23Lisa.
28:24Now it's your turn, Elisabeth.
28:26What do you mean by that?
28:28Mr. Ivanovich kindly invites you to have a check-up.
28:31Thank you, but I don't have any problems with my teeth.
28:34But a dental check-up doesn't hurt anyone.
28:36Come on.
28:37No, no, really, I don't have any problems.
28:38One moment.
28:39Yes, of course.
28:40Come here.
28:43What are you doing?
28:44What am I doing?
28:45Don't you understand?
28:46What don't I understand?
28:47It's your chance to meet him.
28:50Really, I'm afraid of dentists. I'm going to scream.
28:52Making oral-visual contact in the first meeting is essential.
28:56Come on.
28:57And smile.
29:00Gennady.
29:01Tell me.
29:02My daughter is ready.
29:04Very good.
29:05Come in.
29:07She's...
29:08It's been a while.
29:09It's been a while.
29:10Don't worry.
29:11Don't be afraid.
29:13We'll check everything.
29:15We'll see everything.
29:16Come on.
29:17Open your mouth.
29:18Good.
29:20Like this.
29:21The teeth are fine.
29:23The gums are in place.
29:25They are whole and firm.
29:26Perfect.
29:27Rinse and spit, please.
29:29You're a little tense, Miss Elisabeth, daughter of Alexander.
29:33Deboris.
29:34Sorry, what?
29:36I mean, I have to breathe.
29:39I'm from a family.
29:41Oh, I see.
29:42Open your mouth.
29:43Let's see.
29:45Look, your teeth...
29:47have nothing to do with your father's.
29:51I get the impression that you're not even related.
29:55Sorry, what?
29:57I took it out of my mother.
29:59Oh.
30:00Sorry, excuse me.
30:02I didn't want to get into such a delicate matter for you.
30:06I'm sorry.
30:37Tell me something, Miss Elisabeth.
30:41What style do you write?
30:43Huh?
30:44Well, your father told me that you are the future of our poetry.
30:49Uh-huh.
30:50Yes, close your mouth a little.
30:53I think my father has exaggerated.
30:56Your paternal pride can be understood, Abra.
31:00Still, what style do you write?
31:04Oh, really?
31:06I imagine something as close to the age of silver, right?
31:11Oh.
31:14So what could it be?
31:16I don't think decadence is your style.
31:19Futurism is also unlikely.
31:22Imaginism or acmeism.
31:25Right?
31:28Imaginism.
31:31Exactly.
31:33Let's rinse.
31:35Are you out of your mind?
31:36What nonsense have you told him about me?
31:38What nonsense?
31:39I've created an image of you.
31:40What an image.
31:41I was born premature.
31:42I almost don't survive.
31:43And on top of that, my mother abandons me at birth.
31:45Yes, have pity on you.
31:46Abandoned and without love.
31:47Sadness is a very strong reason, you know?
31:49And why the hell does he poetize?
31:51Because he likes art.
31:52You don't know.
31:53But I have no idea.
31:54So what?
31:55I'll take care of that.
31:56Okay.
31:57And why did he bite my horse at the racetrack?
31:59Here?
32:00I don't know what happened.
32:01But you have to understand.
32:02I was acting according to the circumstances.
32:04He likes races.
32:05I bit your horse.
32:06You already have something to talk about.
32:09By the way.
32:11You're not allergic to dogs, are you?
32:14No, but what does it have to do with it?
32:15Because it would be very strange for you to be allergic to dogs
32:18being a walker.
32:19Are you out of your mind?
32:20A walker?
32:21Did you fall from the cradle as a child?
32:23I hadn't told you.
32:27His consultation is full of pictures of dogs,
32:29which means that he loves them.
32:31And if you too are a lover of dogs,
32:33then you are soulmates.
32:35And so to speak, you will meet in the canine literary ecstasy.
32:40I've always dreamed of this.
32:42You're welcome.
32:43What is the most important thing?
32:44What we need is a dog of noble breed.
32:48That's it, let's go.
32:49Leave me your phone to google.
32:51Mine is going to miss the internet, please.
32:58DOORBELL RINGS
33:04Good morning.
33:05I'm here for the walker ad.
33:07Ah, yes. Good morning. Come in.
33:12Yes, no.
33:14Do you have any experience with dogs?
33:16It's just that we have a boy with character.
33:18Don't worry.
33:19I have extensive experience in treating boys with character.
33:24Okay.
33:26I've prepared a leash and a muzzle.
33:28I don't think Jessie needs a muzzle.
33:30No, it's not for Jessie the walker.
33:32She does her things in her diaper.
33:34It's for Robert.
33:35Ah.
33:36Robert, let's go for a walk.
33:39MUSIC
33:59Greetings to the servants of Melpomene.
34:03Alexander Nikolayevich.
34:07What are you doing here?
34:09Well, I've come to visit my friend, but he's not here.
34:12And his family says he's gone to get some inspiration.
34:15And as far as I know, this is the only place of inspiration in his area
34:19that opens at nine in the morning.
34:22Yes.
34:24Nowadays, the life of a creative person is a tragedy.
34:30Not a single place open 24 hours a day.
34:33Before you start writing the third act of your tragedy,
34:37I have a proposal for you.
34:41Robert, I'm wearing heels.
34:43Could you go slower?
34:46Very good.
34:48Easy.
34:49Easy, Robert.
34:50Stop pulling.
34:52That way.
34:53We have to go that way.
34:55Where are you going, silly dog?
34:59Robert, what are you doing?
35:01Do you want to sit down?
35:04Oh, you want to lie down.
35:06Well, okay, let's lie down.
35:14Are you rested?
35:16Damn, what a silly dog.
35:18Please, I'm telling you in human language, we have to find a guy.
35:21Good morning, Elizabeth.
35:23Good morning.
35:24What are you doing here?
35:25Well, this...
35:27Wow, what a dog.
35:29Is it yours?
35:30Whose is it going to be?
35:36Me?
35:37The literary slave?
35:41Have you gone mad, Alexander Nikolayevich?
35:45That the principal playwright of the theater
35:48waste his talent for someone without talent.
35:54I could expect this from anyone.
35:57But not from you, if you knew how low you have fallen.
36:02So what?
36:05Do you think you can buy a coconut with a bottle of cognac?
36:12This is very humiliating.
36:15You are playing with human weaknesses, Alexander.
36:19I considered you my friend.
36:22Mephistopheles!
36:27But wait!
36:29That's not what I meant.
36:33What stupid mania do you have to look at words?
36:41Right now?
36:43And why wait?
36:48It's an incredible coincidence, don't you think?
36:51Without a doubt.
36:52Hey, I don't understand one thing.
36:54Why haven't I seen you around here before?
36:56I was living with my father in the chalet,
36:59and now I've come to the apartment
37:01to sort out my thoughts and work, you see?
37:04You know, I'm very happy that you have decided to work today.
37:08Really?
37:09You care so much about the future of our poetry?
37:11Of course.
37:14Stop running and come here, you stupid dog!
37:21I'm sorry, he's not used to the city yet.
37:24Robert, stop!
37:25Stop, you idiot!
37:27Robert, please, don't do this to me!
37:29Dear God, but he does it so well when he wants to.
37:33What a talent thrown into drunkenness.
37:42Hello, Elizabeth!
37:43You're back!
37:45Well, how did it go?
37:46How did it go?
37:50What have you done?
37:52We got together in a literary ecstasy, Canino.
37:55Did you read the ad without glasses or what?
37:57Couldn't you find a normal dog?
37:59Why?
38:00That's not a dog, it's a horse!
38:02It ran off, and I ran after it like hell.
38:04I spent three hours running through the bushes.
38:06I'm sorry, dear, who would have known that?
38:08I'm sorry.
38:09I'll fuck you up for the fucking dog.
38:11We haven't even been able to talk.
38:12I don't see it very well, dear.
38:14I'm serious, okay?
38:16Let's see, here's the thing.
38:18Men love insinuations.
38:21Without wanting to, you flew off and created an insinuation.
38:24I shit my pants.
38:25You should have seen it.
38:27Why do you look like that?
38:29Everything will be fine.
38:30Gunkot wrote some poems that not even Zinay from Agipius can compete with you.
38:35Write them with your own hand and it's done.
38:37Can I take a shower first?
38:39Yes, of course, dear.
38:41And stop calling me dear.
38:43What a father you are.
38:44Have your own daughter and call her dear, okay?
38:52Okay.
39:00Old man.
39:04Old man, are you angry?
39:05No.
39:21I love you.
39:51I love you.
40:10We won't go to forgotten places.
40:12Where we were so happy the other day.
40:14We hardly liked the emptiness that reigns there today.
40:18It wasn't us.
40:20It was others who kissed in winter portals.
40:23And they didn't even imagine they could end up in the void.
40:29It takes us too long to remember.
40:31The more you look further, further, further,
40:35in the distance of erased memories.
40:38The footprint of a pine tree in the snow.
40:41Maybe it's time to ignore open mouths of winter portals.
40:45It will be better if we prepare you.
40:47Hot as our old passion.
40:50We are missing answers to those portals.
40:53But forgetting them is out of our reach.
41:16Elisabeth, can I find a person on the internet?
41:20Of course.
41:21Will you help me?
41:46Lisa, good morning.
41:48Hello.
41:49What a pleasant surprise.
41:51Well, not as unexpectedly as you when you disappeared yesterday.
41:55Good morning.
41:56Good morning.
41:59Robert, you're going through a time when you don't let go of the past.
42:04You're going through a time when you don't let go of the past.
42:08You're going through a time when you don't let go of the past.
42:12Robert, you're going through a time when you don't let go of the past.
42:17In the case of dogs.
42:19Well, maybe the boys are in that period.
42:22What do you think if we take a walk?
42:35Lisa.
42:38Lisa.
42:39I'm sorry, but right now
42:41a very interesting image has emerged.
42:43Oh, I understand.
42:46Maybe I can read it.
42:48No, it's a sketch.
42:50One moment.
42:55But I promise you'll be the first to hear it.
43:00And what did he say?
43:02Do you want to take a walk?
43:04With pleasure.
43:05Let's go.
43:08Let's go.
43:10Let's go.
43:14Robert, no!
43:39Let's go.
43:40Let's go.
43:41Let's go.
43:42Let's go.
43:43Let's go.
43:44Let's go.
43:45Let's go.
43:46Let's go.
43:47Let's go.
43:48Let's go.
43:49Let's go.
43:50Let's go.
43:51Let's go.
43:52Let's go.
43:53Let's go.
43:54Let's go.
43:55Let's go.
43:56Let's go.
43:57Let's go.
43:58Let's go.
43:59Let's go.
44:00Let's go.
44:01Let's go.
44:02Let's go.
44:03Let's go.
44:04Let's go.
44:05Let's go.
44:06Let's go.
44:07Let's go.
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44:09Let's go.
44:10Let's go.
44:11Let's go.
44:12Let's go.
44:13Let's go.
44:14Let's go.
44:15Let's go.
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44:18Let's go.
44:19Let's go.
44:20Let's go.
44:21Let's go.
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44:24Let's go.
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49:27Let's go.
49:28Welcome.
49:29Hello, good day, Elizabeth.
49:44Good morning, Yenad Ivanovich.
49:47Sorry, I'm so silly.
49:49It's not a problem.
49:51Unfortunately, we meet again, right?
49:54What a surprising coincidence.
49:56Well, I don't know.
49:58I think it was some wise men who said that once it's a coincidence, but then...
50:04Keep a natural conversation.
50:06If he asks you about the work, tell him something like...
50:09The truth is that I have thought a lot about you.
50:11Vanguardism is not just the very rare jokes of some smart alecks, but the subversion of reason and morality.
50:18Vanguardism is not just the very rare jokes of some smart alecks, but the subversion of reason and morality.
50:27It's a very interesting idea.
50:32Lison!
50:34Oh, hello, honey!
50:39As always, so sexy.
50:42I introduce you to Gennady Ivanovich.
50:45It's Evelina, my colleague, so to speak.
50:48Is she also a poet?
50:51More like a prose writer.
50:53Nice to meet you, Gennady.
50:55Delighted, I'm Evelina.
50:57Oh, what a gallant man.
51:00Would you invite us to have champagne?
51:03Of course.
51:04One moment.
51:06Hey, what is it?
51:07Girl, what are you doing here?
51:09Didn't you have to scatter your valerian over the Yellow River?
51:11Scattering my valerian?
51:13I was going to be in this heat.
51:15I divided it into four parts and sent it by DHL.
51:17And let the lawyers take care of it.
51:20Well, tell me, is he your new lover?
51:23It's none of your business, friend.
51:25Now take your champagne and get out, understood?
51:27Oh, okay, okay.
51:29Don't get like that.
51:30You know I don't touch strangers.
51:33Besides, I'm mourning.
51:35Girls, your order.
51:38Thank you very much.
51:39Thank you very much.
51:40You're welcome.
51:41Well, the third bell rang.
51:43If you don't mind, I invite you to my stage.
51:46You will be much more comfortable watching the show from there.
51:49Very kind, yes.
51:50Perfect, come with me.
51:54Oh, don't look at me like that.
51:55He wants to see the show and that's it.
51:57And he's never been on a stage.
52:01Dear God.
52:03I can't believe it.
52:05Facebook told me, do you know him?
52:07And I answered, of course, it's Sasha.
52:10Oh my God.
52:11And right away I called you.
52:12You're still alive.
52:14Hello, Mass.
52:16I'm Fedia.
52:17I'm Fedia Ermogin.
52:18What's wrong?
52:20Fedia, of course.
52:21Sorry.
52:22Well, it's okay.
52:23I'm not angry.
52:24It's been many years since we've seen each other.
52:26When was the last time you were at home?
52:28At your wife's funeral?
52:29Yes, it's possible.
52:31No, wait.
52:32You weren't at the funeral.
52:33No, I wasn't.
52:34Right at that moment I was on tour abroad.
52:37I was there later.
52:39Of course you were.
52:41Well, tell me.
52:42How are you doing?
52:43How am I doing?
52:44I'm fine.
52:45How are you?
52:46Oh, life here isn't boring at all.
52:48They raised the transport fee.
52:50Olshansky is in with Onyctus.
52:52Do you remember Olshansky?
52:54Of course.
52:55Olshansky, Sergey.
52:56Nikola.
52:57Nikola, that's it.
52:58Ah, Gorbunkov.
53:00He became mayor.
53:01Well, maybe you know.
53:03Surely your daughter told you.
53:05Whose daughter?
53:06Yours.
53:07She's the one who's married to her son.
53:09What's wrong with you?
53:10What are you talking about?
53:11Do you think I don't know who my daughter is married to?
53:14What's her last name?
53:15Gorbunkov.
53:16Gorbunkov.
53:17Shasha.
53:18Pasha.
53:19Well, that's what I said.
53:20Fedya, don't be a pain.
53:22Really.
53:23How are you?
53:24Tell me.
53:25How are you?
53:26Tell me.
53:27How am I?
53:28Well, like an old man.
53:30Like a widow.
53:32Don't tell me.
53:34Yes.
53:35Married for the second time.
53:36For the second time?
53:37If God wants, it won't be the last.
53:49Well, I personally am not going to judge what I've seen.
53:52After the show, don't get into the discussion.
53:55I don't know.
53:58I don't even know what to say.
54:00The truth.
54:01Say something abstract.
54:02I have a mixture of feelings.
54:04I thought it was nonsense.
54:08That is perhaps the most objective assessment.
54:13Listen, I wouldn't like to end this wonderful afternoon without...
54:17Of course.
54:19Let's have dinner somewhere.
54:21If after the show I invite you to go somewhere, you don't accept it.
54:25Well, I'd love to.
54:27You don't accept.
54:28You have to stay with the desire.
54:30It's important.
54:32But not tonight.
54:34Maybe another day.
54:36My father didn't feel very well today.
54:38I'm worried about him.
54:40Maybe tomorrow.
54:41I can't tomorrow.
54:43In the morning I'm going to Miami for an odontology conference.
54:46Four days.
54:47Miami.
54:48I love Miami.
54:50Maybe another time.
54:52Another day.
54:53I'll call you when I get back.
54:56I'll take you home.
54:58You don't accept.
55:01No, thank you.
55:02I'll take a taxi.
55:03I don't want to be a nuisance.
55:05You can take me home.
55:07I'm free.
55:08And the afternoon has just begun.
55:10Perfect.
55:12See you soon, Elizabeth.
55:14See you soon.
55:16Come in.
55:31I love you.
55:32I love you too.
56:01I love you too.
56:25I hate you.
56:27You are very stupid.
56:32Idiot.
56:34Fool.
56:35Bitch.
56:37I hate you.
56:38Why did I listen to you?
56:39What happened, Elizabeth?
56:41Now I'll tell you what happened.
56:43Our boyfriend, Papuchi, has escaped.
56:45He went to Miami, the bastard.
56:47With my friend, the son of a bitch.
56:49But how?
56:50How do you hear it?
56:51While I was having a hard time.
56:53She came, moved her ass.
56:55And that's it.
56:56He ran after her.
56:57Like a kid, his mouth was watering.
56:59You don't know anything about fucking life.
57:02Fucking fisherman.
57:29I love you.
57:30I love you too.
57:31I love you.
57:32I love you too.
57:33I love you too.
57:34I love you too.
57:35I love you too.
57:36I love you too.
57:37I love you too.
57:38I love you too.
57:39I love you too.
57:40I love you too.
57:41I love you too.
57:42I love you too.
57:43I love you too.
57:44I love you too.
57:45I love you too.
57:46I love you too.
57:47I love you too.
57:48I love you too.
57:49I love you too.
57:50I love you too.
57:51I love you too.
57:52I love you too.
57:53I love you too.
57:54I love you too.
57:55I love you too.
57:56I love you too.
57:57I love you too.