Las Hijas de la Señora García Capitulo 3 Completo
Las Hijas de la Señora García Capitulo 4 Completo
Las Hijas de la Señora García Capitulo 5 Completo
Las Hijas de la Señora García Capitulo 3 Completo
Las Hijas de la Señora García Capitulo 4 Completo
Las Hijas de la Señora García Capitulo 5 Completo
Las Hijas de la Señora García Capitulo 3 Completo
Category
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Short filmTranscript
00:00We had a problem on the way, but we're here now.
00:03Look, she's my daughter.
00:05Isn't she pretty?
00:07She's the most beautiful woman in the world.
00:10I'm sorry, you're late.
00:11No, but I already told you why.
00:13Please, you have to give her a chance.
00:16I'm sorry, I can't.
00:19So, do you want me to give you her phone number?
00:23Excuse me?
00:24I know that participant 18 gave you her phone number.
00:29And you agreed to keep it a secret.
00:32Why?
00:33What are you talking about?
00:34You wouldn't want the press to know that you have those kinds of exchanges with the participants, right?
00:40That's not true.
00:41We both know it's true.
00:44So, it doesn't take you anything to give my daughter another chance.
00:50I assure you, it's not in your best interest to have me as an enemy.
00:54What's wrong with you?
00:56Do you know who you're talking to?
00:58Of course I know.
00:59He's one of the owners of the company.
01:02I know very well who he is.
01:04And what right do you think you have to come and threaten Portilla?
01:07I'm Mrs. Ofelia Garcia.
01:09I'm talking to the mother of the future face of your brand.
01:13And I'm not going to allow you to give my daughter another chance for a delay.
01:18Look at her.
01:20She's much prettier than any of the other contestants.
01:24You're late.
01:25I have an appointment and I won't be there because of you.
01:28Why should I give you another chance?
01:31Because if you don't, I'll tell the whole truth.
01:40The press won't like to know everything you do in your contest.
01:47I'll see her at nine o'clock at night.
01:50I want her to come better dressed and better combed.
01:54With shoes that have heels.
01:57I want her to come alone.
01:58Oh, no, man.
02:00I can't believe it.
02:01I'm not going to let my daughter come alone.
02:03I don't want to see her again.
02:04Me?
02:05Yes.
02:06I'm her mother.
02:07I don't want to see her again.
02:08Well, then have her come with her sister.
02:10I don't care.
02:11I don't want to see her again.
02:13Well, then have her come with her sister.
02:15I don't care who she comes with.
02:17With her sister.
02:18I'm not coming with you.
02:23I got it.
02:24You're coming tonight.
02:32Nicolás wants to continue with the quality of the products we have
02:35and use it best for the sports line he has in mind.
02:38Okay.
02:39Yes.
02:40I'm going to start moving everything
02:42and I have an importation in days to get to Veracruz.
02:46Nicolás and Leonardo, as always,
02:48will help you with everything you need.
02:50What's the difference with Arturo, right?
02:52They know very well how we work,
02:54while the other one has a good time.
02:57I know you're upset about Priscila,
02:59but the best thing we can do
03:01is separate the boys' stuff from our business.
03:05The problem is that Arturo doesn't know anything about the business.
03:09Did you see how he started the campaign?
03:11He doesn't show the seriousness that your company and mine represent.
03:15This project is my children's.
03:17It has the support of my entire company.
03:19Besides, I'm sure that all this will make Arturo come to his senses.
03:23Well, I hope so.
03:24Because I'm going to prefer to take care of my daughter,
03:27even if it costs me losing one of my best partners.
03:35Gloria.
03:36Ma'am, the food will be ready soon.
03:39Don't worry.
03:40Arturo and Nicolás can't come to eat because they have a lot of work.
03:43Okay, I'll take the seats.
03:45I also have to take Ms. Camila's seat.
03:48What?
03:49She didn't tell me she was leaving.
03:50Well, she asked me to take her food to the hotel room.
03:54I know, because she's doing it.
03:56But that's not going to happen.
03:57She has to eat with us.
03:58I'm going to talk to her.
04:00Gloria.
04:02And the person you recommended to me?
04:04I want to meet her.
04:06What happened?
04:07Oh, I'm so sorry, ma'am.
04:08I haven't been able to talk to her, but I've left her several messages.
04:11I'm going to try again to ask her to come tonight.
04:14Okay, fine.
04:15I'll take care of it.
04:17Excuse me.
04:18Well, then we're going to take those places.
04:21Is the quotation ready?
04:23Very good.
04:24Perfect, I'll send it.
04:25Okay.
04:26And everything in order with the casting?
04:27Sorry, sir, but something happened, yes.
04:30Your brother Arturo was arguing with a woman who took his daughter
04:33and I couldn't hear why, but he agreed to receive her at night.
04:40This Arturo, he doesn't understand, my God.
04:46Pedro, can you let me talk to my brother, please?
04:49Yes, sir.
04:53What happened, brother?
04:54Do you want to know how I left?
04:56What I want to know is why you do things this way.
04:59Which one did you like, the mother or the daughter?
05:02What?
05:03That lady, who is the mother of that girl, asked me for an opportunity.
05:08She insisted that I give it to her.
05:10Arturo, don't laugh, I'm serious.
05:12This is a job, it's my project, it's not Arturo's dating catalog.
05:16Nico, I'm telling you the truth.
05:18Don't take this lightly.
05:20Dimension that the press is behind you for all the scandals you get into.
05:25Breathe, breathe.
05:27Look, at least if you're going to believe more in Pedro than in your own brother,
05:31tell him to keep an eye on me, right?
05:32Do you know what that lady asked me?
05:34You tell me.
05:35Well, according to her, her daughter has the face that Mexico expected,
05:39that they haven't discovered.
05:41That's why I gave her an opportunity.
05:44You see?
05:45How handsome I am.
05:47Appreciate me.
05:49Don't laugh, what's wrong with you?
05:52You see?
05:58A FEW HOURS LATER
06:05Hello?
06:06At last you answer, son.
06:08What happened with your mother?
06:09Do you think she can come today?
06:11The lady wants to meet her.
06:13Aunt, I'm glad you called.
06:15I was just about to call you to let you know that Mom had to go.
06:18What? Where?
06:20Well, my grandmother is still very bad.
06:23Don't tell me that, son.
06:25What am I going to do now?
06:26No, no, no, but don't be scared.
06:28She's not going to hurt you.
06:30She spoke with one of her best friends
06:34to tell her if I could cover for her.
06:36And who is it?
06:38It's someone very trustworthy, with a lot of experience.
06:42Okay.
06:43She has to arrive tonight, please, no doubt.
06:46Yes, yes, yes, of course.
06:48And what's her name?
06:50It's Mrs. Ofelia.
06:52Ofelia Garcia.
06:53Well, I'll be waiting for her.
06:56Do you have where to write the address?
06:58Yes, give me a second, give me a second.
07:03Camila.
07:04I'm not going to talk to anyone, Mom.
07:06I know.
07:07I know you're very angry, but you have to eat with us.
07:10Of course I'm angry, Mom.
07:12Paula is unbearable.
07:14I know.
07:15She's a difficult woman.
07:16And because of her past, she doesn't fit in with our family.
07:18But what do you want to do?
07:20She's the woman your brother chose to marry, Mom.
07:23Well, he chose wrong and I don't have to put up with her.
07:25I hope she dies.
07:26Hey, don't say that.
07:28Don't talk like that about the woman your brother loves, please.
07:30Mom, it's rude and disgusting.
07:32Stop it, stop it, please.
07:34It will be what you want, but don't get on her level, please.
07:36Don't argue.
07:38Mom, she's bothering me all the time
07:40and she's looking for a way to provoke me.
07:42So you, who are a much smarter little woman than her,
07:46you have to be prudent.
07:48And you always put yourself on her side, Mom.
07:50I'm worth you.
07:51That's not true.
07:52I'm not on her side.
07:53What happens is that we are a family and I don't want you...
07:55I don't want to see you fighting like this, for God's sake.
07:57I don't want to see Paula,
07:58and that's why I prefer to be brought food.
08:00If you don't eat with us, you're going to starve.
08:02Oh, perfect.
08:03I'd rather starve than see her.
08:04Very good.
08:05Don't eat.
08:09Camila.
08:11I don't have to be like this.
08:13And it hurts me a lot to see what you're becoming.
08:23Yes.
08:32Are you going to see how her eyes are going to look
08:34when she sees you all dressed up, all dolled up,
08:37beautiful, and with shoes?
08:39No, Mom.
08:40They're not going to choose me after everything you said to her.
08:42Really?
08:43You never appreciate everything I do for you.
08:46How awful.
08:48How ungrateful.
08:50Well,
08:51but when you succeed,
08:53you'll realize how happy we're going to be.
08:59And this one.
09:00What are you doing here?
09:02I already told you that I don't want to see you...
09:04No, no, no, Mom.
09:05Ma'am.
09:06How many times do I have to tell you?
09:08I don't want you here.
09:10Ma'am,
09:11before you get like this, please listen to me.
09:13I have nothing to listen to.
09:15My aunt needs someone to support her for a few days
09:17at the Portilla's house.
09:19The millionaires?
09:20That's right.
09:21My mom had to leave,
09:23but she told me to ask you
09:25if you'd like to work there for a while.
09:28Oh, Susanita, Susanita.
09:31A speaker falls faster than an arrow
09:33asking me for a favor.
09:35Well, I'll think about it
09:37and I'll tell you.
09:38Okay.
09:39But that's at eight.
09:40Okay, fine.
09:41I'm going.
09:42But first I'm going to talk to your aunt
09:45to see if the job suits me.
09:47I'm going to hurry then.
09:49Don't be late.
09:50The time is important.
09:52Yes, Mom.
10:13Oh.
10:14Oh, no, no, no, no.
10:16Oh, Juan, no, no, no.
10:17They can see us.
10:18Do you think your mom will get more excited?
10:20She liked it, but you know how she is.
10:22We can't be alone for a while
10:24when she goes home to Portilla and...
10:26I can't.
10:27Why not?
10:28Your mom is leaving.
10:29I have a casting.
10:31I went in the morning,
10:32but I have to come back later.
10:34A casting?
10:35You told me you didn't want to act.
10:36No, I don't want to, but...
10:38Your mom is forcing you, right?
10:39I'm just going to go get the pictures
10:41at night and I'll be back, okay?
10:43You're going to get some pictures?
10:45Yes, pictures.
10:46Well, that's what auditions do.
10:48Why at night?
10:49Because we didn't arrive in the morning.
10:51Everything went wrong.
10:52My mom managed to convince them
10:54to let me go at night, Juan.
10:56I don't want you to go.
10:57I have to go.
10:58You don't have to go
10:59just because your mom is asking you to.
11:01No, I can't miss it.
11:02I already stayed.
11:03I mean, I told you in the plan
11:04that your mom would go to the rich people's house
11:06to be together,
11:07but I saw that she didn't.
11:08No, don't look at it like that, honey.
11:10How do you want me to look at it?
11:12Let's not talk about all that.
11:14If you go to that famous castle,
11:17you're not late.
11:20No, Juan.
11:21Don't do this to me, please, Juan.
11:24No, Juan!
11:38Oh, no, no, no, no, no.
11:41This isn't a real house.
11:43It's a mansion.
11:47A dream.
11:48And I'm going to be there.
11:50In the place that I deserve.
11:59Many of my friends say
12:00that Mexico is becoming a paradise for foreigners.
12:03Mexico has always been a paradise.
12:09And isn't Camila coming to eat?
12:12No, honey.
12:13She doesn't feel well.
12:14She's not in the mood.
12:15What's wrong with her?
12:17Nothing serious.
12:18A bad mood and that's it.
12:20She asked me to apologize to you.
12:21Oh, poor thing.
12:23Well, she doesn't have to apologize.
12:25Although I did see her a little upset in the morning.
12:31If she still feels bad, let me know.
12:33Of course, honey.
12:34Well, dad, and just because of what I was telling you,
12:36I wanted to tell you that we had a call
12:38with the representative of business in Mexico and China.
12:41Mom, we're going to hire a stand
12:43for the textile industry fair in Shanghai.
12:46Really?
12:47Yes.
12:48That's great, honey.
12:49Very good.
12:50You always make good decisions.
12:53Sorry, but it seems like you weren't very excited about the news.
12:57You know, I'm very tense
12:58about what Nicolás and Arturo are doing.
13:02Of course, them.
13:04Yes.
13:05And if I'm honest with you,
13:06I'm more worried about Arturo.
13:09I don't want him to make a mistake that hurts us.
13:12Dad, the only thing that's good for Arturo
13:15is giving you worries.
13:17Don't say that again.
13:19Please.
13:20Sorry, but it's the truth.
13:22Look, Leonardo.
13:25Can we eat in peace?
13:28Whatever you say, dad.
13:35Mom!
13:42And Mar?
13:43Out there.
13:45Living with Prole.
13:46You see she doesn't understand.
13:49At least it didn't take long.
13:56What's wrong?
13:59Nothing.
14:00Get some rest, honey,
14:01so you can have the perfect face later.
14:06What's wrong?
14:07I'm sure she's nervous
14:08because tonight is going to be the most important night of her life.
14:11I don't know if I want to know.
14:12No, well, you have to.
14:14I got the son of the Portillas
14:16to give your sister another chance.
14:18It's just that we didn't make it to the casting in the morning
14:20because we had a problem with...
14:21Arturo?
14:22That one.
14:24Besides, you don't know what just happened.
14:28I know.
14:29I know.
14:30I know.
14:31I know.
14:32I know.
14:33You don't know what just happened.
14:35What?
14:36They asked me to work at the Portillas' house.
14:38Do you realize?
14:40It's destiny, honey.
14:42Destiny of what?
14:43Don't make fun of me.
14:44That's why I'm not telling you anything.
14:46You never understand.
14:47Everything is uniting us, that family.
14:50I'm going to work there,
14:51I'm going to win the love of the Portillas,
14:54and then Mar will be the image of the brand.
14:57And so, little by little,
14:59we get closer to having the life we deserve.
15:02Is that clear?
15:03I just hope that all of this
15:05doesn't end up being bad for my mom.
15:07Of course not, Valeria.
15:08My plan is coming out perfect.
15:11Perfect.
15:13My plan.
15:14Perfect.
15:16What a rude girl, God.
15:18Dream destroyer.
15:24And thanks to Arturo's stupidity,
15:26my dad completely ignored me
15:27in something that is decisive for the company.
15:30You know what happens?
15:31You kill yourself at work every day.
15:33You do everything to make it a success.
15:34Exactly.
15:35But no, for Mr. Portilla,
15:36what Arturito does matters, not me.
15:39I'm sorry to tell you this,
15:40but the way he treats you,
15:41anyone would say you don't look like his son.
15:43Enough, enough.
15:44Paula, look, I really don't have the brains for this.
15:46I'm tired of your comments.
15:48Oh, you're tired of my comments?
15:50I can't believe you say that
15:51after everything I do for you.
15:53I have to put up with your brothers' rudeness
15:55and I don't mind doing it.
15:56And you know why I do it?
15:57Because I love you.
15:58And what do you do?
15:59Nothing.
16:00You're not able to defend your job.
16:01You don't have...
16:02You don't have character.
16:03Tell him he deserves an opportunity.
16:05Enough, Paula.
16:07I'm sick of you.
16:08Oh, I'm sick of you too.
16:11Sick of your mediocrity.
16:21Mediocre.
16:24I don't know what to do.
16:25If I go to that hearing,
16:27I'm going to lose the love of my life.
16:29Mar,
16:31for the first time,
16:32think about what you want.
16:34Don't let my mom tell you.
16:36I like the idea of becoming
16:37the new model of the brand,
16:39but I love Juan so much.
16:42I don't understand why he gets like this.
16:45Well, if you really want to model,
16:47then talk to him.
16:49Explain to him that yes,
16:50that this is very important to you,
16:52that nothing else is my mom's idea.
16:55Everything will be fine.
16:57We have to choose the clothes
16:58you're going to wear today.
17:02And you don't even think
17:03you're going to go to those fachas?
17:04Where am I going?
17:05Accompany your sister
17:06because I can't take her.
17:08No, no, no.
17:09I'm not going to take her anywhere.
17:10Of course you're going to do it.
17:12I'm not asking you.
17:14But...
17:15I'm not going to let you be
17:16the owner of the company like that.
17:18If you don't have a decent dress,
17:20I'm sure you'll have one of Mar's.
17:21Yes, I have one
17:23that will look beautiful on you.
17:24No, Mar, I'm not going to wear it.
17:25Yes, yes, yes.
17:26Look.
17:28Look.
17:30Oh, Valeria,
17:32don't start wanting to ruin
17:34your sister's opportunity.
17:36You're going to wear that dress and that's it.
17:44That dress is very nice.
17:47Well, I'll see you later, love.
17:49But don't be late.
17:52I want to be in your arms.
17:55Precisely the best part of my day
17:58is when I return home with you.
18:08My love.
18:09Yes?
18:10I'm going to get you a drink.
18:12I'm going to get you a drink.
18:14My love.
18:15Yes?
18:17Think of me.
18:18Always.
18:29Son, what's wrong?
18:30What's wrong?
18:32Well, nothing.
18:33My dad...
18:36doesn't care what I do.
18:37Even though I kill myself to please everyone.
18:39No, my love, don't say that, please.
18:41Mom, no matter how hard I try,
18:43he doesn't value my work.
18:45Your father is very clear about everything you do.
18:48And he values it.
18:49Mom, mom.
18:51We know it's not true.
18:52Look, I did everything right.
18:53I studied what he wanted.
18:55I worked just for him.
18:57And all for what?
18:59Since I married Paula,
19:00he's been doubting me.
19:03They took my place.
19:04They gave it to Nicolás
19:06when he didn't go through what I did.
19:08Do you know what he has me doing?
19:09Signing contracts,
19:10looking at exports
19:11when I have potential for much more.
19:12I'm going to give you some advice.
19:15You have to be smarter
19:17in the decisions you make.
19:19Decisions that come from you,
19:20not from your wife.
19:22Do you also think I'm manipulative?
19:23No, no.
19:24Of course not.
19:25But I do think
19:27you have a personality
19:28that's a little more dominant than yours.
19:31And I don't want to see
19:32any of my children
19:33subject to anyone else's will.
19:36That's all.
19:38Good day, my love.
19:42Good day.
20:05Now it's your turn.
20:06No, no.
20:07Yes, yes.
20:08No, I don't want to.
20:09You're going to look beautiful.
20:11I don't like it.
20:12I don't want to.
20:13A little of the skin.
20:16Let me see.
20:20No.
20:21Stay still.
20:27That's it.
20:28Let me see.
20:41Come on.
20:42No, no.
20:52Excuse me.
20:53All of our permits are in place.
20:55We just need to put our logo
20:56and the slogan
20:57of the brand's sportswear line
20:58on top of it.
21:01I hope to have everything
21:03this week.
21:05Very good.
21:06If you don't have anything else you need,
21:07I'll be leaving now.
21:08Oh, yes, one more thing.
21:10I want you to tell Arturo to wait for me at his office.
21:13I have to talk to him.
21:15Okay.
21:16Does he want me to be with you at that meeting?
21:18No.
21:19I just need him to wait for me so I can make time.
21:22I'll leave it to you, Pedro.
21:24Yes, sir.
21:29You look very beautiful.
21:31Oh, how do I look?
21:33Oh, look at you.
21:36You're not ugly at all.
21:38You should get your hair done more often.
21:40Look how beautiful you look.
21:42Beautiful?
21:43Yes.
21:44I don't feel comfortable.
21:45I don't like the dress, the makeup,
21:47or the heels.
21:49Well, if you don't like how you look, that's your problem.
21:52I'm asking you to do it for your sister this time.
21:55That's why I don't care how she sees me.
21:57No, no, miss, it doesn't matter.
21:59You're going to do your best so that nothing goes wrong in the casting.
22:04You're going to be nice to Mr. Arturo.
22:07Understood?
22:08Yes?
22:09It's better if I go.
22:11So that you can make time too.
22:13Oh, my love.
22:17Oh, you look beautiful, daughter.
22:20You'll see that everything will be fine.
22:25Well, I'm leaving.
22:28Don't be late.
22:30Bye.
22:37What did I do?
22:45Excuse me, sir.
22:46Yes?
22:47Your brother Nicolás told me that he wants to talk to you.
22:51Do you know what he wants?
22:52No, he just told me that it was important,
22:54that if I could wait for him, please.
22:57No, tell him I can't.
22:59He insisted a lot that he didn't leave.
23:04Okay, I'll wait for him.
23:06Amazing. Thank you very much. Excuse me.
23:17I don't understand how there are women who use this all day.
23:19Oh, don't be exaggerated.
23:21You'll get used to it later.
23:23Yes, you will get used to it.
23:26Ready?
23:27Ready?
23:28Well...
23:29I don't see anything convincing.
23:31I'm nervous.
23:32For the audition?
23:35Or for Juan?
23:37Oh, Valeria, for everything.
23:39I just hope he doesn't find out.
23:42If he knows, I'm going to lose him and I don't want that.
23:44I love him.
23:45Look, Mar, I already told you.
23:46If you do it for yourself, very well.
23:48If you're doing it for my mom, better not go.
23:52I don't know.
23:53No, I don't know.
23:54I don't know what I'm going to do.
23:56Whatever you decide, I support you.
23:59But make a decision now.
24:03So, what do we do?
24:26Okay.
24:34Yes?
24:36Good evening.
24:37I'm Ofelia Garcia.
24:39I'm here with Mrs. Gloria.
24:41Come in.
24:43Hello?
24:45Hello?
24:51Yes, of course.
24:52I'll give you access.
24:53Good evening.
24:54Welcome.
25:08I can't walk with heels, Mar.
25:10I'm going back to my sneakers.
25:11No, Valeria.
25:12Valeria, please.
25:13I don't want to be late.
25:14I'll help you.
25:15Mar, make a decision now.
25:17Stay calm.
25:19Yes, but I hope Juan doesn't see me.
25:21If Juan loves you as much as he says,
25:23he should understand that this is what you want.
25:26There's nothing wrong with what you're doing.
25:29Oh, Valeria.
25:31The thing is, Juan is very jealous.
25:34And if you win the contest, what's going to happen?
25:36What are you going to tell Juan?
25:37Well, I'm sure he'll be very happy for me.
25:40Are you sure?
25:42Oh, it's better if we hurry
25:43before the bus leaves.
25:44Come on.
25:53Welcome to your new home, Mrs. Garcia.
26:24What's up?
26:26Where are you going all dressed up?
26:33So, you're Susana's fiancée.
26:37Ah.
26:39Yes.
26:40She and I have known each other for a long time.
26:43It's just that we don't understand her.
26:46I don't understand her.
26:48I don't understand her.
26:49I don't understand her.
26:50I don't understand her.
26:51It's just that I didn't understand
26:53what the job was about.
26:55I'm telling you that for the job she's going to do,
26:58she can't come dressed like this.
27:01Well, I don't know what you mean.
27:02This is serious, isn't it?
27:04I like to dress up.
27:05Well, it must be out there.
27:07Here, the workers are more discreet.
27:10You tell me what to wear,
27:11and I'm sure I have it at home.
27:14No.
27:15We'd better assign you a uniform.
27:17No, no, no.
27:18I really don't need it.
27:19Don't worry.
27:20I'm sorry, but it's the rules of the house.
27:23Well, but I can change here, right?
27:25Because I can't go out with a uniform on the street.
27:29Well, yes.
27:30You can put it on as soon as you arrive,
27:32and take it off when it's time to leave.
27:34Oh, okay.
27:36Now, come with me.
27:45No.
27:46Come on, with the house.
27:48No, no, no.
27:51I'm waiting for you.
27:52The lady is going to receive you.
27:53Come on.
27:54I'm sorry, I'm sorry.
27:55Oh.
27:58No, oh, oh, oh.
27:59What a beautiful place.
28:02No, it looks like there's a lot of money here,
28:04but with class.
28:06Nothing ordinary or pirate.
28:09Everything is original, right?
28:10Yes.
28:11And very fine.
28:12Mrs. Garcia,
28:14it is clear that all this is new to you,
28:16but I'm going to ask you not to see that kind of comment.
28:19It looks bad.
28:21Wait for me.
28:22I'm going to tell the lady that you have arrived.
28:26And please,
28:27don't touch anything.
28:32Oh, what a bitter old woman.
28:36Oh,
28:37what a big jar.
28:39Oh, this
28:41must be oriental porcelain.
28:47This is the number of Nicolás Portilla.
28:49Leave your message after the signal.
28:52Nicolás, where are you?
28:53I've been waiting for you for a while.
28:55Are you coming or not?
28:56I don't have all night.
28:59You know what?
29:00No.
29:01See you later and we'll talk.
29:05Yes.
29:06As soon as you have it,
29:07just let me know.
29:08Yes.
29:09Yes.
29:10Yes.
29:11Yes.
29:12Yes.
29:13Yes.
29:14As soon as you have it,
29:15just let me know and send it to me.
29:17I'll call you later.
29:18Bye.
29:22Dad.
29:23Yes.
29:24We have to talk.
29:25What's up, son?
29:27I'm worried about the launch
29:28that Nicolás and Arturo want to do.
29:31Why?
29:32You know how Arturo is.
29:34Giving him a responsibility like that
29:36is very risky.
29:38And more so,
29:39when it comes to a new product for the company.
29:41What are you up to?
29:42Well,
29:43I've been working all my life for the company.
29:45Yes.
29:46I know what's best for us.
29:47And?
29:48Are you thinking of something to help your brothers?
29:50Let's see.
29:51Not exactly.
29:53But instead of giving them those resources,
29:55we can think of a new collection of dresses.
29:58Something that people already know us for.
30:00Nicolás is very clear about what he wants with the sports line
30:03and I know they're going to do it very well.
30:05So it's for Nicolás.
30:07Of course.
30:08You trust him more.
30:09I don't like what you're insinuating.
30:11Whenever Nicolás says something to you,
30:13you think about it.
30:14You do everything your son tells you.
30:16He's prepared a lot.
30:17He knows what he's doing.
30:18And I remind you that I also offered you the same opportunity
30:21to go study in New York.
30:23But no.
30:24You preferred to marry Paula.
30:27Let's see.
30:28How long are you going to keep punishing me
30:30for marrying a woman you didn't want for me?
30:33Punishing?
30:35I don't need to punish you.
30:38In the end, you got what you wanted.
30:41You got what you wanted.
30:46Mrs. García.
30:50I wasn't playing.
30:51I was just getting comfortable.
30:53Come in.
30:54And watch your language.
30:56Don't be such a bride like you've been since you got here.
30:59Please.
31:12Good evening, Mrs. Portilla.
31:15Hi.
31:16You're Mrs. García, right?
31:18Yes, yes.
31:19It's a pleasure to meet you.
31:21The pleasure is mine.
31:22Come in, please.
31:23Sit down.
31:24Don't just stand there.
31:26Sit down.
31:28This is beautiful.
31:30It's full of life.
31:33How beautiful.
31:36Is it a drawing or a painting?
31:38It's a drawing.
31:41How did you get here?
31:43I took a bus.
31:45But I'm almost about to buy a car.
31:49I mean, how did you find out about this job?
31:52You're so silly.
31:54I'm Susana's neighbor.
31:55Mrs. Gloria's cousin.
31:57Oh, I see.
31:58Well, not exactly a neighbor.
32:00I live a few blocks away.
32:03I live close by.
32:05About ten minutes away.
32:08Yes.
32:09Yes, I understand.
32:10And who do you live with?
32:11Are you married?
32:12Do you have children?
32:13No, I'm a widow.
32:14Oh, I'm so sorry.
32:15No, there's nothing to be sorry about.
32:17I have two beautiful daughters.
32:20And that's all that matters to me right now.
32:23Children are always the most important thing, right?
32:26Of course, I agree with you.
32:28My children are the most valuable thing to me.
32:31Taking care of them is a task that I put a lot of effort into.
32:35A mother never stops taking care of her children, right?
32:38Yes.
32:39And you know what?
32:40With age, children think they don't need us anymore, but they're wrong.
32:45Yes, they're wrong.
32:47And well, this job is just to help me take care of them.
32:50And I don't know, but something tells me you're going to do it very well.
32:54Oh, yes.
32:55Yes, yes, yes, yes.
32:57I swear there is no better person for this job than me.
33:02I think so.
33:09Let's go.
33:16Let's see.
33:17Careful.
33:26Oh, I'm glad there was no traffic.
33:29We got here earlier.
33:32If I had been like this in the morning, I would have made it to the audition.
33:35Yeah, really bad.
33:36I can't take it anymore.
33:37I'm going to take my shoes off.
33:38No, no, no, no.
33:39What do you mean?
33:40You're tired because we had to stop all the way.
33:43Come on, put them on.
33:44In my life, I wear heels again.
33:47Please, Valeria.
33:48We're already here.
33:50I need to sit down.
33:51Really.
33:52Let's see.
33:53Why don't we buy a coffee while we wait?
33:56And we'll sit down for a while on the bench.
33:59We have time, Omar.
34:00Come on, calm down.
34:02Okay, let's go.
34:08Let's go.
34:31I raised all my children the same, but they are very different from each other.
34:36I understand it perfectly.
34:38Notice that my little daughter looks like a doll and she believes it.
34:41And her sister is very pretty, but she doesn't believe it.
34:45I would love to meet them.
34:47I would like nothing more.
34:49Yes.
34:50Look, now that you're replacing Gloria,
34:52I want you to pay close attention to what each of my children likes.
34:56Yes, yes, yes, yes.
34:57Don't worry.
34:58Look, I'll start with Arthur.
35:00I make him a sandwich or a baguette every day.
35:04Something he can eat on the road.
35:06Because, oh, poor thing, he always runs and runs.
35:10He eats on the road and as he exercises, he gets very hungry.
35:14Arthur.
35:15Arthur, the little one, yes.
35:16Leonardo.
35:17Leonardo has breakfast with Paula, his wife.
35:20Yes.
35:21And well, he has to eat the same as her.
35:24Is something wrong?
35:26No, no.
35:27The thing is that my son does it to please her, not to please her.
35:32What happens is that she is always on a diet
35:34and she doesn't like her husband to eat something she wants.
35:38Well, it looks like your daughter-in-law is a little special.
35:41She takes good care of herself because she was a model.
35:44Nicolas, he has scrambled eggs for breakfast.
35:46Oh, don't offer him coffee.
35:48Not because he had gastritis.
35:50He drinks tea.
35:52Nicolas, Arthur, Leonardo and his daughter-in-law.
35:56Anything else, ma'am?
35:57My husband, yes.
35:59He likes hot coffee.
36:01If you give it to him warm or cold, he won't drink it.
36:04And well, he likes the newspaper next to him.
36:07It has to be like this.
36:08The newspaper and the coffee.
36:10And the egg, he ate it without the yolk.
36:12Oh, the pure white ones.
36:14Yes, he had very high cholesterol.
36:16Oh, what a barbarity.
36:17I'll keep that in mind, ma'am.
36:19Yes.
36:20We almost always have breakfast together.
36:22And if for some reason they don't come to eat or something,
36:24they always let you know.
36:25They don't tell you about that.
36:27I can imagine with everything they have to do.
36:30It's just that your husband is so, so important.
36:34I've seen him in many magazines.
36:36Yes, yes, he is.
36:38And we like to wait for him to have dinner together.
36:41And then when we finish dinner, my husband and I are left alone
36:44and we have a little wine and we talk.
36:46Oh, how nice.
36:48How nice.
36:50You don't know, he talks so nicely.
36:52I love listening to him because he is passionate,
36:54telling me things and I feel like, I don't know,
36:57very happy to hear him tell me.
36:59Oh, what more romantic things, huh?
37:02Hey, how lucky to have a relationship like this
37:08after so long.
37:10Right?
37:11Yes.
37:15We can sit down if you want up there.
37:17Yes, or we go to the hotel.
37:19Mar!
37:20Juan?
37:21Where are you going?
37:22What are you doing here?
37:25It's just that Valeria decided to come to the casting
37:28and I'm accompanying her.
37:30Hey, no.
37:32No, no, no, tell her the truth.
37:34It's not in your hands, tell her.
37:36Well, what's going on?
37:40It's okay.
37:42I came to audition.
37:46It can't be.
37:47You didn't care about us or what I told you.
37:50No, it's not that, Juan.
37:53No, you can't go to that audition.
37:55Hey, hey, hey, hey, hey.
37:56You let her go?
37:57She just told you she wants to go and she's going to go.
37:59Let her go.
38:00Don't mess with Valeria.
38:01I mess with her because she's my sister
38:02and she just told you she wants to go
38:04and if she wants to go, I'm going to support her.
38:05How do you see?
38:06Let her go.
38:08No, sorry, sorry, sorry, sorry, sorry.
38:10Sorry.
38:11No, no, I didn't want to.
38:14Val, do you see what you did, Juan?
38:17Instead of being jealous, why don't you support her?
38:19If you love her so much, support her.
38:21I've always supported her, Mar.
38:23But she hasn't understood me.
38:27Come, come, come, come.
38:30Let me talk to him.
38:32Go ahead.
38:38Okay.
38:39And please tell Mr. Arturo that I won't be long.
38:43No, let's see, Mar.
38:44No, no, no, no way.
38:45I'm full of coffee.
38:46I can't go to that audition.
38:48No.
38:49Please, make time with them.
38:51Please, please, I'm begging you, sister.
38:55Okay, don't be late.
38:58I promise you, I won't be long.
39:00No.
39:17This house never ends.
39:20My daughter, Camila, I have her very spoiled.
39:24I admit it.
39:25She's the youngest, right?
39:26The youngest.
39:27Yes.
39:28I also have my youngest daughter very spoiled.
39:31Oh, really?
39:32Well, Camila needs to be asked what she wants for breakfast.
39:34But yes, she can't miss the red fruits.
39:39I saw that your family is very important to you.
39:42Oh, yes.
39:43My family is my whole life.
39:46I do everything for them.
39:47I've always thought that it's useless to have such a beautiful, perfect house
39:52if those of us who live in it are not happy.
39:55Yes, but you have money for your employees to take care of everything.
40:00You and your husband could travel all over the world and buy whatever you want.
40:05Yes, but it's not like that.
40:07That's not the real wealth.
40:11The real fortune is to be close to the people you love.
40:15Yes, of course.
40:16Yes, yes.
40:17That's why I always pay so much attention to my children, my husband.
40:21He works very hard to give us all this, and it's not free.
40:25So what do I do?
40:26I make sure that they don't lack anything,
40:28neither my husband nor my children.
40:30I give them all my love, all my attention.
40:33Yes.
40:34You know what?
40:35I completely agree with you.
40:38That is the secret of happiness.
40:41Love.
40:42That's right.
40:43Let's go.
40:47Wow.
40:49I got lost.
40:51Mrs. Cecilia.
41:00This elevator will take you directly to the floor where Mr. Portilla's room is.
41:04Thank you very much.
41:06Hey, do you know if the people from your team have arrived yet?
41:08I don't know.
41:09I just know that he's coming a little late.
41:12Excuse me.
41:29I already talked to Mrs. Garcia.
41:31And what did you think?
41:33Very good.
41:34I think it will work very well.
41:35Will it only be for a few days?
41:37No.
41:38You will see that you will not have any complaints about my work.
41:42Oh.
41:43Are you okay?
41:44Oh.
41:45It's just that I got a stab.
41:47My head has been hurting for many hours.
41:49Go rest and while I make you some tea.
41:52No, no, no.
41:53I can't.
41:54I have to take advantage of the fact that my husband is not here to finish one of the birthday gifts I have for him.
41:58The lady paints very well.
42:00She made several of the paintings in the house.
42:03Yes, yes, of course.
42:04Something that someone as fine as you would do.
42:07Paint.
42:08You have great talent.
42:10Hey, you should sell them.
42:13There is a lot of money in this world of painting.
42:16Well, thank you for your advice, right?
42:18But no.
42:19What is done with love cannot be paid with money.
42:23Yes, yes.
42:24I also think the same.
42:26You are absolutely right.
42:34Oh, my God.
42:39Oh, my God.
42:41I don't know what this is.
42:51Hello.
42:53Good evening.
42:57Of course.
42:58I just needed a minute or two to start.
43:02Hello.
43:05Something I can do to get rid of this damn stain.
43:11Hello.
43:15Oh, and not with all the heels.
43:28She is Mrs. Garcia.
43:30Mrs. Garcia was going to be working with us,
43:33helping Mrs. Cecilia.
43:35Nice to meet you.
43:37Welcome.
43:41Show her where things are, please.
43:43And explain to her the schedules of everyone in the house.
43:46Oh, no.
43:47I'm not going to need you to explain so much to me.
43:49Mrs. Cecilia already told me almost everything.
43:52And the truth is that I learn fast.
43:54And what is not good, I will surely understand during the march.
43:57I don't think it's that difficult.
43:59Well, this house works very precisely.
44:02Oh, no, well.
44:03I am a very precise woman.
44:05Don't worry.
44:08Very precise.
44:10I'm more worried that the cooks are up to what Mrs. Cecilia wants.
44:17Mr. Luis is coming in.
44:20Shall we prepare dinner when Mr. Luis arrives?
44:22Yes, so that the whole family can have dinner together.
44:26Mrs. Cecilia already told me.
44:28I assure you that I am well fixed.
44:30I don't miss a thing.
44:33Well, let's get to work.
44:41This is useless.
44:49Oh, my back hurts.
44:54A little bit like this.
44:57Like this.
45:03Do you really think that by doing this you are going to win the contest?
45:07This is something serious and professional.
45:09We don't need vulgar women like you.
45:12How dare you?
45:13How dare you sell yourself just like that for a contest?
45:17Really?
45:18You will never be the image of this brand.
45:21I don't know what you're thinking.
45:23But to begin with, you are very wrong.
45:25I'm waiting for Arturo Portilla.
45:27No, don't worry.
45:29Apologize to him because he won't come.
45:31But I think this will be more than enough for you to be happy here.
45:56I accept problems and poverties
46:00Believing blindly in their promises
46:04I don't wish anyone my experience
46:09Used, abandoned and giving sorrows
46:13He left with my innocence in his suitcase
46:18The ambition now is my advisor
46:25Whatever it costs, I'll get up
46:29I know I'm worth a lot and now I'll charge
46:33Castillo, money, last name
46:38I make my own destiny
46:43Whatever it costs, I'll dominate
46:47And I'll have everything I want
46:51Not for free, borrowed or paid
46:55I want it all in one go
46:59So that I cry, so that someone else cries
47:04So that the world cries
47:13I'm not going to let you treat me like this.
47:15Who do you think I am?
47:17It's obvious, isn't it?
47:18He's a jerk.
47:19You don't like to be reminded of what you do, is that it?
47:22I can't believe your boss sent someone like you.
47:25You're an employee who shouldn't work for such an important brand.
47:28I guess they sent me because I know how to deal with problems.
47:32And above all, I know how to deal with women like you.
47:38Mar, really?
47:41Is this really what you want?
47:43To come to a hotel at night and beg someone?
47:48Is that what you want?
47:50I thought the only thing you wanted was for us to be together.
47:53To get married and be apart again.
47:56Without your mom or mine stopping you.
48:00That's why we made the plan to send your mom to the Portilla house.
48:04Us.
48:06I know, Juan.
48:08But I wouldn't mind working as a model.
48:10I like doing that.
48:12No.
48:13No, those are just dreams that your mom has put you in.
48:18You and I love each other.
48:20You don't need that life.
48:23The only thing that matters is being together.
48:33I don't want to lose you.
48:35Neither do I.
48:37You don't have to do any of this.
48:40These are just your mom's dreams, not yours.
48:44Let's get better.
48:51Well, it's okay.
48:53Let's go. I'll take you.
48:55But what about Valeria?
48:57Send her a message and tell her to see her at your house.
48:59So we can take advantage of the time to be together.
49:01Before your mom comes back.
49:03Okay.
49:04I'll send you some tacos.
49:06Okay.
49:07Leave it to me. I'll send her a message.
49:30My love.
49:32You fell asleep while you were drawing.
49:36I love these moments when I can see you.
49:39You're such a beautiful woman.
49:45Cecilia.
49:52Cecilia.
49:54Cecilia, what's wrong?
49:55Are you okay?
49:56Say something. React to Cecilia.
49:59Cecilia.
50:06Cecilia.
50:07Cecilia, please talk to me.
50:09Cecilia, for God's sake.
50:17Yes, 911.
50:18Come, please. It's an emergency.
50:21I don't know what's wrong with my wife. Come here.
50:23It's urgent.
50:26Everything will be fine, my love. I promise you.
50:29Everything will be fine, my love.
50:30Sir, what's wrong with her?
50:32I don't know.
50:33What does she want?
50:34She's not reacting.
50:35Help me, please.
50:36For the love of God.
50:37Help me. Help me.
50:39My love.
50:41My love.
50:42My love.