مدي 1 تي في : مع غازي - 11/11/2024
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00:00Welcome to a new episode of your daily and artistic show, Patchwork.
00:20We are happy to be here with you every night to share with you some news,
00:25works and innovations in the artistic field.
00:28So, with your permission, let's start now.
00:34Hello again.
00:36I suggest that we all go and discover what is the guest of today's episode.
00:55Welcome to a new episode of your daily and artistic show, Patchwork.
01:25Welcome to a new episode of your daily and artistic show, Patchwork.
01:27Welcome to a new episode of your daily and artistic show, Patchwork.
01:29Welcome to a new episode of your daily and artistic show, Patchwork.
01:31Welcome to a new episode of your daily and artistic show, Patchwork.
01:33Welcome to a new episode of your daily and artistic show, Patchwork.
01:35Welcome to a new episode of your daily and artistic show, Patchwork.
01:37Welcome to a new episode of your daily and artistic show, Patchwork.
01:39Welcome to a new episode of your daily and artistic show, Patchwork.
01:41Welcome to a new episode of your daily and artistic show, Patchwork.
01:43Welcome to a new episode of your daily and artistic show, Patchwork.
01:45Welcome to a new episode of your daily and artistic show, Patchwork.
01:47Welcome to a new episode of your daily and artistic show, Patchwork.
01:49Welcome to a new episode of your daily and artistic show, Patchwork.
01:51Welcome to a new episode of your daily and artistic show, Patchwork.
01:53Welcome to a new episode of your daily and artistic show, Patchwork.
01:55Welcome to a new episode of your daily and artistic show, Patchwork.
01:57Welcome to a new episode of your daily and artistic show, Patchwork.
01:59Welcome to a new episode of your daily and artistic show, Patchwork.
02:01Welcome to a new episode of your daily and artistic show, Patchwork.
02:03Welcome to a new episode of your daily and artistic show, Patchwork.
02:05Welcome to a new episode of your daily and artistic show, Patchwork.
02:07Welcome to a new episode of your daily and artistic show, Patchwork.
02:09Welcome to a new episode of your daily and artistic show, Patchwork.
02:11Welcome to a new episode of your daily and artistic show, Patchwork.
02:13Welcome to a new episode of your daily and artistic show, Patchwork.
02:15Welcome to a new episode of your daily and artistic show, Patchwork.
02:17Welcome to a new episode of your daily and artistic show, Patchwork.
02:19Welcome to a new episode of your daily and artistic show, Patchwork.
02:21Welcome to a new episode of your daily and artistic show, Patchwork.
02:23Welcome to a new episode of your daily and artistic show, Patchwork.
02:25Welcome to a new episode of your daily and artistic show, Patchwork.
02:27Welcome to a new episode of your daily and artistic show, Patchwork.
02:29Welcome to a new episode of your daily and artistic show, Patchwork.
02:31Welcome to a new episode of your daily and artistic show, Patchwork.
02:33Welcome to a new episode of your daily and artistic show, Patchwork.
02:35Welcome to a new episode of your daily and artistic show, Patchwork.
02:37Welcome to a new episode of your daily and artistic show, Patchwork.
02:39Welcome to a new episode of your daily and artistic show, Patchwork.
02:41Welcome to a new episode of your daily and artistic show, Patchwork.
02:44Welome Ghazial M'arouf from your studio, Patchwork,
02:46Welcome Ghazial M'arouve from your studio, Patchwork,
02:48Welcome Ghazial M'arouve from your studio, Patchwork,
02:54Welcome Ghazia, I want to know about your inspirations,
02:57and your beginnings.
02:59How was your first contact with music?
03:03That's over 2009,
03:07It was my hobby that discovered me.
03:11That's not what I discovered.
03:12Tell us how.
03:15I used to play a lot of music and listen to artists.
03:20And I started as any artist.
03:22I started with some difficulties,
03:24some difficulties,
03:25and the lack of possibilities.
03:27I started as an artist.
03:28Did you start with playing or singing?
03:30I started with playing.
03:31Ok.
03:32I started with playing.
03:33There was no such thing.
03:34In the Middle East, there was playing.
03:36And I started with playing.
03:37I was playing.
03:38Because my favorite song was Albutar.
03:39And little by little,
03:40little by little,
03:41the music developed
03:42so I started making music.
03:43Ok.
03:44How did you create your studio?
03:47I had a lot of ideas, honestly.
03:49At first,
03:50I was doing it for the hobby.
03:53Little by little,
03:54I found myself in the music industry
03:56without any feelings.
03:57I found myself
03:58in the music industry.
03:59Then I said,
04:00why don't we have a big studio
04:02that is in our area?
04:04We have a big studio
04:05in the whole of Morocco,
04:06thank God.
04:07We are talking about the success of your studio and the distribution of your music
04:11and how it works, but tell us a little bit about the difficulties you face in your hobby
04:17In my hobby, I face a lot of difficulties, especially in my field
04:21For example, at that time, if I had to do something other than in the media field
04:27My work is related to the PC and the media field a lot
04:32So, if I had to do something, I would face difficulties
04:35In 2006, 2007, 2008, 2008, I had very little to do
04:40I had very little to turn into something, or an idea, or something difficult
04:43For example, you couldn't find a sound engineer
04:45I couldn't find him, and I couldn't find the material
04:48People don't know that the studio's material is expensive
04:51So, you start with a little bit less material, and you try to do your best
04:55There were difficulties even in the materials
04:57The materials were the ones that gave us difficulties
04:59You know that the hardware, the material, the software, and the team in the studio
05:04It's not easy
05:05It's not easy to have material and everything
05:08It's not easy to get to know you and to serve you
05:10The material is expensive, and there is good material, and there is the occasional material
05:16But if there is the occasional material and the occasional material
05:19It's not something that serves you well
05:22Waqar, how were you able to bring the possibilities?
05:25How were you able to convince people that they should have a place in the studio?
05:32I used to read
05:33I started from reading
05:35I started from reading, I didn't stop reading
05:37You didn't stop reading
05:38I used to work as an artist
05:39I used to go to parties and events
05:42I used to take pictures at events and events
05:44And I used to collect money
05:45Where did you start?
05:46In Teghsaleen
05:47I was born in Teghsaleen
05:48I was born in Teghsaleen
05:50I was born in Teghsaleen, Khenifran
05:52I used to go to parties and events
05:56I used to work with artists a lot
05:59I used to collect money and buy material for the studio
06:02What made you decide to go to parties and events?
06:10I had an ambition
06:12I had an ambition since I was young
06:14I always wanted to be an artist
06:18I always wanted to be an artist
06:22Why did you decide to be an artist and not an artist?
06:25Why did you decide to be an artist and not an artist?
06:30I didn't choose to be an artist
06:32I didn't choose to be an artist
06:34I didn't choose to be an artist
06:36But because of my experience and because of what I was doing for people
06:40People started coming to me to work
06:44People started coming to me to work
06:48It became a hobby
06:50Today you have a studio in Khenifran
06:53Yes, I have a studio in Teghsaleen
06:55In Khenifran
06:57Do you still work in the area?
06:59Yes, I still work in the area
07:01I have a dream to do a project in my country
07:03I want to see my grandparents' land
07:05I want to see the area where I was born and where I grew up
07:07This is my dream
07:08Do you belong to the city or to nature?
07:10I belong to nature more than the city
07:13Your ideas come to you
07:15Your music comes to you
07:17The artists come to me and say that this place has blessings
07:22This is what encourages the artists to come to you
07:27Yes, it is a good area with nature
07:30It is a good place to be
07:33It is a good place to be
07:35You don't have to work hard
07:37You have to play a role in the composition of the music
07:41You have to be comfortable
07:43The success of your work comes from nature
07:45You don't have to go out a lot
07:47You don't have to live in a place with a lot of nature
07:49You have to be clean and give excellent work in the market
07:53How long did it take you to get out of the studio?
07:58A long time
08:00A lot
08:02You said a lot
08:05I don't have a childhood
08:08How did you get out of the studio?
08:10I didn't have a childhood
08:12I didn't have a childhood
08:14I didn't have a childhood
08:16I lived my whole childhood with the material, the fabric and the thread
08:21This is your daily life
08:24Yes, this is my daily life
08:26I wanted to dominate more
08:28But today you have a studio
08:30My friends who have a studio said to me
08:34They told me to play for 7, 8 or 10 hours
08:37Before we feel we can continue
08:39Honestly, in the law of music production
08:43There should not be a limit in mixing
08:47There are three stages
08:49There is the stage of recording
08:51There is the second stage of mixing
08:54And there is the mastering
08:56These mixing stages can take a little time
08:593 or 4 hours
09:01And the final stage is the mastering
09:05Which should not take more than 4 hours
09:084 hours?
09:10Yes, 4 hours
09:12And then you go back to the studio
09:14You go back to the studio
09:16How do you learn?
09:18You learn in the field of reality
09:22Yes, in the field of reality
09:24With experience
09:26Which school is the best?
09:28This is the best school
09:30The one I was in
09:32If I had a problem with something
09:34And I couldn't fix it
09:36I could fix it
09:38No problem
09:40Thank you
09:42What made your studio grow?
09:44And during your time
09:46Thanks to your efforts
09:48Stars started to come to you
09:50Because I have a lot of experience in Morocco
09:54I have a lot of names
09:56It is the quality
09:58And people say
10:00And I can't say it
10:02But they say it is a great place
10:04Where you can film
10:06Where you can relax
10:08Where you can do everything
10:10Have you ever thought about
10:12Creating a new studio?
10:14Or a studio in Kazan, Rabat?
10:16I have ideas
10:18But not in my area
10:20I prefer that area
10:22Because I want to be close to the people
10:24Of that beautiful area
10:27What is the added value of this studio?
10:29Compared to other studios?
10:31With all the studios
10:33The added value
10:35Is the live performance
10:37Live performance
10:39If artists missed this live performance
10:41For years
10:43In the beginning
10:45People were not able to perform live
10:47Now in studios in America
10:49Or in Europe
10:51People perform live
10:53In Morocco
10:55Artists go to the studio
10:57And make music
10:59Digital music
11:01And you are one of the artists
11:03You record this
11:05And another one
11:07And another one
11:09And so on
11:11And so on
11:13And so on
11:15And so on
11:17And so on
11:19And so on
11:21And so on
11:23Props to you
11:25So is it in the same quality?
11:27It is on a very high quality
11:29The quality of the live performance
11:31Because it is so close to yourself
11:35Not just singing alone
11:37Like other artists
11:39Like this one
11:41I bring the quality
11:43Of the performance
11:45Same frequency
11:47I have a similar voice
11:49And your voice is beautiful
11:51Is it difficult to organize a music band and prepare it with your own material and instruments in the studio?
11:58It's difficult, live is difficult in terms of possibilities.
12:00At least you have to prove yourself.
12:02It's difficult, yes. It's difficult to save money.
12:05You have to see the people who are able to do it.
12:07Even live, it's a bit difficult.
12:09You have to see the people who are able to do it.
12:12It's not about the live performance.
12:13The live performance is not the performance of a normal audience.
12:16Can we say that your specialization is Amazigh music?
12:21My first specialization is Amazigh music.
12:24I studied Amazigh music a lot and it gave me a lot of opportunities to get into popular music.
12:32It gave me a chance to get into popular music.
12:34Was it because of the region? Because of the family?
12:37Yes, because of the region and the intimacy.
12:41In that region, you have to start with the studio first.
12:46Thank God, the Amazigh music is great and we got popular music out of it.
12:51Do you think that today is the return of the popular music in Morocco?
12:59Yes.
13:00What do you think?
13:02Yes, thank God, it's back.
13:04Because of a lot of people and because of the work they do for me,
13:10I got popular music.
13:12I recently got popular music from Studio Ghazi.
13:14I got a lot of views.
13:15Why do you think you got more views?
13:19Because of the live performance.
13:22It's what made popular music and what made people love it.
13:24It's not about the artist.
13:25They want to perform live.
13:27But they don't know how to perform live and how to do it.
13:30It's difficult for them to find a good quality, a good venue,
13:34and the right people to perform live.
13:38I have an important question for those who are watching us.
13:42Do you think that you have a value that people come to you and register?
13:47What is the symbol that encourages the artist to register his creativity?
13:55In my work, I do both.
13:59There are those who do their work and pay for it.
14:04And there are those who pay me.
14:06I have a symbol.
14:08And there are those who pay me to do my work on my YouTube channel.
14:13And I help them with some money and encourage them.
14:17And there are those who tell me that they want to do their work to be seen.
14:23There are a lot of people who tell me that they want to do their work to be seen.
14:27So you can do it in your studio.
14:30And you can give it for free.
14:33Yes, depending on the value of the artist.
14:37And what the artist does in the market.
14:39How did you deal with Dawood?
14:43Dawood is a person who is dear to me.
14:47He is a great artist.
14:49He came to me at the beginning.
14:52He is a legend.
14:54He is a great artist.
14:56And he is one of the people who encouraged me.
14:58I thank him.
15:00You can thank him.
15:02You can thank him in every way.
15:05How did you deal with Khadija Atlas?
15:08Khadija Atlas belongs to my region.
15:11And there is no one who does not know Khadija Atlas.
15:13She is a star.
15:14Khadija Atlas is a star.
15:15She is a great artist.
15:16And she is one of our role models.
15:17Aisha Maya.
15:18Aisha Maya is an Atlas artist.
15:21She is a great artist.
15:23She has a beautiful voice.
15:25And I like her.
15:26What kind of artists do you want to work with?
15:28In the future.
15:30A lot of artists.
15:32Give me the names.
15:34I want to work with Abel Aziz Al Satee.
15:36With Dawoodia.
15:38I want to work with them.
15:40A lot of artists.
15:42Dawoodia.
15:44Yes, Dawoodia.
15:46I want to work with Dawoodia.
15:48I want to work with Abel Aziz Al Satee.
15:50A lot of Amazigh artists.
15:54We will now go to the part
15:56where we will focus on the singers
15:58and their releases.
16:00We will focus on the dance music
16:02of the artist and star,
16:04Saad Al Mujarrad.
16:06And we will discover a snippet
16:08of his last song,
16:10in the form of a video clip,
16:12titled Saafa.
16:18Saafa.
16:48Saafa.
17:18Saafa.
17:48Saafa.
17:50Saafa.
17:52Saafa.
17:54Saafa.
17:56Saafa.
17:58Saafa.
18:00Saafa.
18:02Saafa.
18:04Saafa.
18:06Saafa.
18:08Saafa.
18:10This is a snippet
18:12of the last song of the artist
18:14Saad Al Mujarrad.
18:16This video clip was shot
18:18in the French capital.
18:20It was shot by Hussam Al Hussaini,
18:22who is always involved
18:24in the production of the video clips.
18:26The lyrics of the song
18:28are by Khaled Vernas.
18:30I will now go back
18:32to our guest of the day,
18:34Ghazi, who is known in the studio.
18:36Ghazi, what is it to bring back
18:38the singer and the video clips?
18:40It is necessary.
18:42I was an artist in the beginning.
18:44It is necessary for me
18:46to do something.
18:48What do you prefer?
18:50A musician or a singer?
18:52I prefer a musician.
18:54Everyone has his own speciality.
18:56My speciality is not the song,
18:58but the musician.
19:00But your love for the Amazigh song
19:02may motivate you
19:04to do something creative
19:06and sing it.
19:08It is necessary.
19:10In the studio,
19:12you see a lot of songs.
19:14One day, you forget to watch them.
19:16Especially that the musicians
19:18are your friends.
19:20Yes.
19:22Can you tell them to come
19:24and try something?
19:26Good.
19:28The problem I have here
19:30is time.
19:32There are a lot of artist's works
19:34and they don't have time
19:36to work on them.
19:38But it is necessary
19:40to do something.
19:42What are the videos
19:44you watch on your YouTube channel?
19:46Can you share with us?
19:48There are a lot of them.
19:50Give us the names.
19:52There are a lot of popular works.
19:54There are a lot of them.
19:56There are artists from the region,
19:58stars...
20:00There are a lot of popular artists
20:02like Kazaa and Rabat.
20:04There are a lot of popular artists.
20:06Ghazi,
20:08there are a lot of people
20:10who want to open a studio
20:12or a company.
20:14They have talent.
20:16They want to open a studio,
20:18a record label,
20:20an idea,
20:22a project,
20:24to help.
20:26What is your advice?
20:28It is not necessary
20:30to be from a big city.
20:32It is not necessary
20:34to be from a big city.
20:36What is your advice?
20:38What is your advice?
20:40First of all,
20:42everyone who likes
20:44music,
20:46the bad thing is
20:48that the field
20:50is not yours.
20:52It is not yours.
20:54But if you have the will
20:56and you want the field,
20:58there is one thing
21:00you can do.
21:02It is patience.
21:04Patience is the first thing
21:06you can do.
21:08You have to work hard and be patient.
21:10I hope that
21:12this advice was
21:14helpful.
21:16Any last words, Ghazi?
21:18My last words are
21:20thank you, my brother.
21:22Thank you for the technical team.
21:24Thank you to all the Moroccans
21:26who trusted me.
21:28Thank you to my mother.
21:30Thank you to my wife
21:32God bless you.
21:34God bless you.
21:38This is the end of today's episode.
21:40Thank you to the technical and artistic team.
21:42You can watch
21:44episodes of Patchwork
21:46on our official social media pages
21:48as well as
21:50on the official website of
21:52MedianTV.com.
22:02www.median.co.uk