(Adnkronos) - “Noi raccontiamo una grande tragedia familiare, non ci sono voyeurismi o morbosità”, al contrario, “mostriamo il circo mediatico che ha scatenato il caso di Avetrana”. A dirlo all’Adnkronos è Pippo Mezzapesa, in occasione della presentazione di ‘Qui non è Hollywood’ alla 19esima Festa del Cinema di Roma. Basata sul libro ‘Sarah la ragazza di Avetrana’ scritto da Carmine Gazzanni e Flavia Piccinni, la serie - disponibile da oggi su Disney+ - ripercorre in 4 episodi il delitto di Sarah Scazzi. Nel cast Vanessa Scalera nel ruolo di Cosima Misseri, Paolo De Vita in quello di Michele Misseri, Giulia Perulli in quello di Sabrina Misseri, Imma Villa in quello di Concetta Serrano, Federica Pala in quello di Sarah Scazzi, Anna Ferzetti in quello della giornalista Daniela, Giancarlo Commare in quello di Ivano e Antonio Gerardi in quello del Maresciallo Persichella. Diretta dal regista Pippo Mezzapesa, che ne ha scritto anche la sceneggiatura insieme ad Antonella W. Gaeta, Davide Serino, Carmine Gazzanni e Flavia Piccinni, la serie - accompagnata dal brano ‘La banalità del male’ di Marracash - è prodotta da Matteo Rovere, una produzione Groenlandia.
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00:00The disappearance of Sara is now a national case.
00:03Leave Sara alone.
00:05We are waiting for her with open arms.
00:11You are a very united family here, aren't you?
00:18I dream about her every night.
00:24They took Sara's body.
00:25God would have confessed.
00:28Michele, you know what you have to say.
00:35You don't know what happened.
00:37She was your niece.
00:39Niccolo is definitely in an absolutely non-voyeuristic context.
00:44In a non-morbid context.
00:47On the contrary, he tried to exorcise all this.
00:51We have told a great family tragedy.
00:56The tragedy that turned a family upside down.
01:01We tried to investigate the context in which the evil developed
01:08and the consequences of this evil, of this tragedy.
01:13These chronicle cases obviously trigger curiosity.
01:22The case of Avetrana was emblematic.
01:26The media circle that turned the community of Avetrana upside down.
01:34There is a reason for this.
01:37Maybe it's because when evil is born from a daily routine,
01:48everyone recognizes it.
01:50Everyone is afraid of it.
01:52Everyone tries to exorcise it in some way.
02:02They called you to interrogate you, Dad.
02:05You have to go to Taranto, to the court, to tell the facts.
02:09Dad, Gioia will give you the torment.
02:13He wants to trap us, he has an obsession.
02:21What can I say?
02:22You have to stay silent.
02:24Otherwise he will tell you everything he wants, even what you haven't done.
02:28He wants to eat your brain.
02:33Dad, look at me.
02:36Can you tell us something before you tell him?
02:38What are you talking about?
02:40You don't know anymore.
02:42I don't recognize you anymore.
02:44You've become so thin.
02:46You don't say a word.
02:49You mean everything to us, Dad.
02:58Did Sara do something?
03:00No, no.
03:01We did the job of moving the viewer from his seat
03:07to the eyes of the protagonists of this drama.
03:12There is no judgment in this.
03:14The job is to become the body of the dream of the director
03:20so that the audience can live from the inside.
03:24As far as I'm concerned,
03:26this physical transformation was necessary,
03:29so I had to gain 22 kg, cut and pull my hair.
03:33This physicality gave me a deep sense of frustration.
03:41Living with a body that doesn't belong to you.
03:44These are feelings that I brought back to the character's emotions.
03:48We have done a huge amount of work
03:53that we loved so much
03:55and we are proud to have participated in something like this.
04:02Your son is dead.
04:04Mine is still alive.
04:07This is the only truth that matters.