مدي 1 تي في : مع صدفة - 29/10/2024
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00:00Hello and welcome to a new episode of your daily and artistic show, Patwork.
00:19I'm happy to be here with you as always to present you some news, works and innovations in the artistic field.
00:26So, let's get started.
00:30Hello again. I suggest that we go and discover what guests we have in this episode.
01:30Guests of today's episode are the future of the electronic scene, the collective of the DJs Soudfa,
01:50and we will get to know their 3 members.
01:53First of all, on my right is Hamza, and your nickname is Kiki.
02:02Thank you very much.
02:05And on my left is Mohamed, and his stage name is Kendall.
02:14And on my right is Yusuf, how are you?
02:18I'm fine, thank you.
02:20And on your left is Mohamed, how did the Soudfa collective start?
02:26Soudfa started when Hamza and I were young, so we grew up together.
02:33Then we met in one of the artists' programs in Gaza,
02:37and then we got together and started producing tracks for electronic music.
02:43When did the Soudfa collective start?
02:46In 2023.
02:48So a year ago?
02:50Yes, a year ago.
02:52But each one of you already has a solo career?
02:57Yes.
02:58Can you tell us about your style and your relationship with DJing?
03:03Honestly, I officially started with electronic music in 2019.
03:07My first track was the electronic track, which was a fusion of electro and metal.
03:12Honestly, this is what allowed me to continue and gather all the elements that I already have.
03:18So that I can be who I am now, and I don't have to write in Soudfa.
03:23Do you contribute to Soudfa by writing lyrics?
03:26Of course, yes.
03:27You write the lyrics?
03:28Yes, I write the lyrics.
03:29And always in Dereja?
03:30Always in Dereja.
03:31But most of your tracks are in Dereja, but the others are in English.
03:38What is your relationship with DJing?
03:40To be honest, 70% of our music is in Dereja.
03:46The first thing we focus on is Dereja.
03:49Our Moroccan music.
03:51And what we have to do to reach it.
03:54Hamza, what is your voice like?
03:57Youssef is the one who writes the lyrics and the one who sings.
04:00This is a 100% Soudfa track.
04:03If there were other collaborations, he could be with other artists.
04:07There are collaborations with other artists from the UK and France.
04:13But it's a 100% Soudfa track.
04:15If someone sings, it's Youssef.
04:18Youssef, can you sing live?
04:21I was thinking about it.
04:24A lot of international DJs do it now.
04:26I was thinking about it.
04:28I was thinking about how to structure it.
04:31How to play it live.
04:34But I was thinking about how to do it.
04:36How to DJ it.
04:38Do you go out of the standard DJ set?
04:40Or do you use other instruments?
04:42Like a hybrid DJ set.
04:44Which needs a very precise setup.
04:46Which needs a lot of preparation.
04:48Like an autotune or something like that?
04:50If the singer needs an autotune,
04:52he can use it.
04:54So it's homogeneous.
04:56It's like preparing a DJ set.
04:58Hamza, what is your relationship with electronic music?
05:04I started DJing in 2016-2017.
05:09I was still a student.
05:11Then my relationship with music stopped.
05:14Because I started working with it.
05:16But after that, Candle and I went back to electronic music.
05:20I met Kabbou and we said,
05:22we listen to a lot of music.
05:24We are DJs.
05:25Why can't we create our own music?
05:27And that's how my relationship with music production started.
05:30Mohamed, what is your schedule?
05:34Because I've already watched you.
05:36Thank God.
05:37It's hard for a couple to understand each other.
05:39But for three people to understand each other,
05:41it takes an hour and a half.
05:43And the music, as you know,
05:45needs to be in tune.
05:47Half a second is very important.
05:49And I noticed that one of you is pressing a button,
05:52the other one is mixing,
05:54one of you is increasing the volume.
05:56It's like you're rehearsing.
05:59What are you rehearsing?
06:01There is a bit of preparation.
06:03A bit?
06:05A bit of preparation.
06:07For example, Hamza and I,
06:09when we see the tracks,
06:11we play the whole structure.
06:13Kabbou is more on the effects.
06:15We see how it goes,
06:17what we're going to play at the party,
06:19what we're going to play first,
06:21and so on.
06:23It depends on the party,
06:25how it goes,
06:28and sometimes we improvise.
06:30Exactly.
06:32In the past, there was no such thing as
06:34a Lego, a star,
06:36or a DJ.
06:38Now, how long does it take
06:40to get the lead?
06:42Three people at the same time.
06:44Honestly, we didn't have that.
06:46Each of us went to a group
06:48and told them,
06:50in the past, a red taxi was three people.
06:52A red taxi was three people.
06:54Because each of us
06:56did something,
06:58and that's how it went.
07:00Kabbou, staying with you,
07:02how do you see the development
07:04of electronic music in Morocco?
07:06Many festivals,
07:08and there are still many festivals,
07:10there are extraordinary spots
07:12in Morocco for electronic music
07:14nationally and internationally.
07:16It brings tourism, it brings economy,
07:18and we discovered
07:20that there is a large community,
07:22a large audience,
07:24that loves electronic music.
07:26Yes.
07:28Honestly, electronic music in Morocco
07:30is very young.
07:32There are festivals,
07:34but not many.
07:36As we see,
07:38the artists in Morocco
07:40are starting to support it.
07:42If we see that
07:44we are doing well,
07:46we can do something.
07:48Hamza, how do you see
07:50the development of electronic music?
07:52If we compare it
07:54with 2015, 2016, 2017,
07:56there weren't many events.
07:58I think it was one of the biggest
08:00events in Morocco,
08:02but apart from that,
08:04we didn't hear many events.
08:06But today,
08:08I think only in one month
08:10you can find four or five events.
08:12This is a good thing
08:14for the public.
08:16Everyone can find it,
08:18except for the style of the music
08:20that they don't like.
08:22But electronic music
08:24has many genres.
08:26If there are specific events,
08:28everyone can be interested
08:30in electronic music.
08:32Mr. Mohamed,
08:34many famous Moroccan DJs
08:36came to Morocco.
08:38Are there still
08:40more famous DJs
08:42coming to this destination?
08:44What kind of music do you want
08:46to present?
08:48What kind of support?
08:50It's good to bring
08:52international DJs to Morocco
08:54so that they can meet
08:56their fans here.
08:58But at the same time,
09:00we have to support local DJs.
09:02For example,
09:04Moroccan festivals
09:06need support from Moroccan artists.
09:08At least 50% of Moroccan artists
09:10and the other 50%
09:12are international DJs.
09:14At the same time,
09:16there are many festivals
09:18but we have to support local DJs.
09:20Sometimes,
09:22you find a lot of festivals
09:24that you announced
09:26and then you cancel them.
09:28For example,
09:30Sarab.
09:32After the lineup,
09:34the booking of DJs,
09:36people buy their tickets
09:38and mobilize.
09:40Tourism is moving.
09:42Airplanes, Airbnbs, hotels,
09:44but we have to keep the image
09:46of Morocco moving forward.
09:48So that international DJs
09:50can come to Morocco.
09:52Exactly.
09:54But the big festivals
09:56that are known
09:58are Oasis and Moga.
10:00And of course,
10:02there are many others
10:04that support Moroccan programming.
10:06Exactly.
10:08And the other 20%?
10:10It depends.
10:1240-50%,
10:1460% for example.
10:16But these two festivals
10:18are the ones that have
10:20an impact on the electronic scene in Morocco.
10:22Youssef, are we still
10:24witnessing an underground scene,
10:26a commercial scene,
10:28a house of the general public
10:30or an electro scene?
10:32Or is there no more of this style?
10:34Or is there an intervention of this style?
10:36Honestly, there is still a little bit.
10:38We still see the difference
10:40between commercial music and non-commercial music.
10:42And house music.
10:44Yes, house music.
10:46But I don't think
10:48there is a need to make music
10:50other than good music.
10:52It's enough.
10:54What do you think?
10:56What do you think of this point?
10:58I want to continue
11:00what Youssef said.
11:02I think that in every field
11:04there are always purists
11:06who don't want to be in that field.
11:08They listen to underground music
11:10that many people don't listen to.
11:12But I think that with time
11:14electronic music is becoming more popular in Morocco.
11:16People who listen to it
11:18only once in a while
11:20don't like it.
11:22They are not interested in
11:24what we call commercial music.
11:26But there are always purists
11:28who listen to electronic music a lot.
11:30They go and listen to new songs.
11:32Songs that we don't hear a lot.
11:34I think this is in every field.
11:36Pop music is always
11:38the most accessible commercial music.
11:40And underground music
11:42is the one that needs to be played a lot.
11:44Do you prefer
11:46festivals to be specialized
11:48in a specific style
11:50or to be diversified
11:52to attract a large audience?
11:54It depends on the vision of the festival.
11:56For example,
11:58one of the biggest festivals
12:00is Oasis.
12:02Their ideology is
12:04to offer people
12:06new styles.
12:08It's to nourish the culture
12:10of the festivals.
12:12However,
12:14their objective is
12:16purely commercial.
12:18Of course, they have a 100% commercial lineup
12:20to attract more people.
12:22They have DJs who do music videos
12:24and so on.
12:26They are the top two.
12:28Another question
12:30is about platforms.
12:32Can we listen to your music
12:34on platforms?
12:36Not YouTube,
12:38Spotify, Apple Music, Deezer?
12:40Our music is available
12:42on all platforms.
12:44Spotify, Deezer,
12:46SoundCloud,
12:48Apple Music.
12:50Can we find a full set?
12:52We don't have a full set yet.
12:54Why?
12:56We want to sell the experience
12:58of the people who come to watch us
13:00and those who haven't yet.
13:02This is what we want to sell.
13:04The majority of DJs have SoundCloud,
13:06but not many people
13:08use it.
13:10When the public comes
13:12to listen to our music,
13:14they say,
13:16it's good, we should come
13:18every time to listen to it.
13:20We have a surprise for you.
13:22You will perform
13:24a song that hasn't been released
13:26yet.
13:28This is the first time
13:30that a collective of DJs
13:32are on a daily show.
13:44Another question
13:46is about DJs
13:48coming from Utrecht.
13:50Of course.
13:52Of course.
13:54Of course.
13:56As you can see,
13:58the singer has his mic,
14:00we can hear his voice,
14:02but you can't hear it.
14:04Is it because you are outside
14:06or is it because you are inside?
14:08Most of the DJs
14:10are working with their spouses.
14:12What do you mean by that?
14:14The spouses are watching us.
14:16We can't hear you.
14:18I want to say
14:20that this is not a joke.
14:22Many DJs
14:24don't know
14:26how to perform
14:28a song.
14:30They don't know
14:32how the audience
14:34will react.
14:36This is what I want to say.
14:38I have heard
14:40many talented
14:42Moroccan DJs
14:44say that the most important thing
14:46is to read the crowd.
14:48Do you have anything to say about that?
14:50Of course.
14:52When you prepare a set,
14:54you can select the genre
14:56and the songs you want to play.
14:58But when you are in front of the crowd,
15:00you don't know what they want to hear.
15:02Sometimes,
15:04you give them
15:06what they want to hear
15:08and then you give them
15:10what you want to play.
15:12Can you adapt?
15:14Of course.
15:16You have to adapt.
15:18You have to adapt.
15:20So, you programmed it.
15:22You can leave it as it is.
15:24Yes, you can play with it
15:26or close it.
15:28It depends on the vibe
15:30and the people
15:32in front of you
15:34to experience the music.
15:36Let me give you an example.
15:38The singers
15:40used to play with the crowd
15:42and in some episodes,
15:44they increased the volume.
15:46Do you think that the audience
15:48can increase the volume?
15:50Of course.
15:52If you want the audience
15:54to be in front of you,
15:56you have to give them everything.
15:58There are some players
16:00who don't want to play
16:02in this event
16:04but if you want the audience
16:06to be in front of you,
16:08you have to give them everything.
16:10Today, in late 2024,
16:12the clichés and ready-made ideas
16:14are still present.
16:16What do you think about this?
16:18Is it still the case?
16:20I don't think that the DJ
16:22profession is 100% established
16:24in Moroccan society.
16:26However,
16:28there are some places
16:30that respect the status
16:32of the DJ artist
16:34and there are other places
16:36that haven't been
16:38recognized yet.
16:40Youssef, what do you think?
16:42I agree with him.
16:44So, you don't consider
16:46the DJ as a profession?
16:48No, I don't consider it as a profession.
16:50I don't listen to DJs
16:52who only play in front of the audience.
16:54Only in front of the audience?
16:56Or do you listen to songs
16:58of other artists?
17:00I don't listen to DJs
17:02who only play in weddings.
17:04Or only in a wedding?
17:06No, I don't understand.
17:08But if you want to play music,
17:10you can play music
17:12but if you want to perform,
17:14you have to perform.
17:16So, if you have a composition
17:18or a lot of previous work,
17:20you have to value it.
17:22Yes, and the difference
17:24is the music.
17:26If you have a good product
17:28or a good project,
17:30there is a difference between a DJ
17:32and a DJ-producer.
17:34We have two minutes left.
17:36Before the surprise,
17:38I would like to ask
17:40about the live set
17:42of Soudfa
17:44for the first time
17:46in three minutes.
17:48Let's start with your qualities
17:50and weaknesses.
17:52Let's start with Youssef's.
17:54He is a hard worker
17:56and his weakness is
17:58that he is always late.
18:00He is a hard worker
18:02and his weakness is
18:04that he is always late.
18:06Youssef is always late.
18:08Quality of Jelo!
18:12Defo is a perfectionist.
18:14Youssef?
18:16Candle and a word
18:18about Hamza.
18:20He is a hard worker
18:22and his weakness is
18:24that he is always late.
18:26He is a hard worker
18:28and his weakness is
18:30that he is always late.
18:32Hamza is a hard worker
18:34and his weakness is
18:36Hamza works, and to be honest, he convinces me a lot, he convinces me a lot.
18:47He doesn't convince you, Hamza.
18:50He convinces me.
18:51He convinces me.
18:52He convinces me.
18:53He says he convinces me a lot.
18:55No problem.
18:56You can do it.
18:57Simo is the organization.
19:00Simo, for those who don't know, he's the organizer behind it.
19:07His weakness is that he's always on time.
19:11That's his weakness.
19:12He's always on time.
19:13He's the only one who's always on time.
19:16The only one who's always on time.
19:17May God bless you.
19:18Any last words, Hamza?
19:19To Ali Youssef or to...
19:20The last words to Ali Youssef.
19:22Thank you very much.
19:23You're welcome.
19:25It's an honor to present the electronic music scene in Patchwork.
19:29I have a lot of projects that we want to do.
19:322025 is a big year for us.
19:34We need to release 100 per month, God willing.
19:38And the surprise, as you said, is that we're going to release a song.
19:45It's going to be a replay.
19:46I don't know what we're going to start with.
19:48Whether it's rap, pop, or electronic music.
19:51We call it teasing.
19:54So 2025, God willing, we're going to make it public.
19:58Any last words, Youssef?
19:59Thank you very much.
20:00You're welcome.
20:01And I'll see you soon.
20:04Bravo, Kendal.
20:05We're waiting for the EP that's going to be released on November 30, God willing.
20:09Great.
20:10And the song you're listening to now, Mix Your Life, what's it called?
20:12The track.
20:13It's an EP by the three trackers.
20:15It's called Same Feelings.
20:17So we're waiting for it to be released on the platforms on November 30, God willing.
20:20Bravo.
20:21It's going to be released soon at the Electro Festival.
20:25It's the future of the Electro scene.
20:27God bless you.
20:28And good luck in the future.
20:29This is the end of today's episode.
20:30We still have 5 minutes left for the surprise.
20:32I'm Jingle, and I'm with you, God willing, and your brother, and our daughter, Patchwork.
20:51God bless you.
20:52God bless you.
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