Category
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CreativityTranscript
00:00I don't know what I asked you for.
00:02You sent me a message.
00:03As soon as you see it,
00:04you're going to be like,
00:05Gizdani of Hara.
00:07Yes, yes, yes.
00:08Take it.
00:10What is Gizdani?
00:11You don't know what Gizdani is?
00:12No.
00:13That's why it's Gizdani!
00:14So, listen to me.
00:15We have to do something
00:16with the photo
00:17that we uploaded to your site.
00:18It's a mess.
00:19People come in to read your text,
00:21they see this,
00:22and they know
00:23that it's Gizdani.
00:24So, listen to me.
00:25We have to do something
00:26with the photo
00:27that we uploaded to your site.
00:28It's a mess.
00:29So, listen to me.
00:30We have to do something
00:31with the photo
00:32that we uploaded to your site.
00:33It's a mess.
00:34So, listen to me.
00:35We have to do something
00:36with the photo
00:37that we uploaded to your site.
00:38It's a mess.
00:39So, listen to me.
00:40We have to do something
00:41with the photo
00:42that we uploaded to your site.
00:43It's a mess.
00:44So, listen to me.
00:45We have to do something
00:46with the photo
00:47that we uploaded to your site.
00:48It's a mess.
00:49So, listen to me.
00:50We have to do something
00:51with the photo
00:52that we uploaded to your site.
00:53It's a mess.
00:54So, listen to me.
00:55We have to do something
00:56with the photo
00:57that we uploaded to your site.
00:58What did I say?
00:59No, Michalis.
01:00Yes.
01:01Our slogan is
01:02first we live,
01:03then we write,
01:04then we live.
01:05When someone
01:06reads your article
01:07and sees this photo,
01:08what do you think
01:09he will believe
01:10that he has lived?
01:11I want to believe
01:12that he will leave
01:13the photo aside,
01:14see the title of the article
01:15and that will
01:16logically lead him
01:17to open the article.
01:18Wrong.
01:19He will see the photo.
01:20We are in the era of the image.
01:21People don't read.
01:22They see the image.
01:23And this image
01:24is shouting.
01:25The only thing
01:26I have experienced
01:27is personal disappointments,
01:28nights at the table
01:29with friends
01:30and drinking too much
01:31for me to go
01:32to my girlfriend's wedding.
01:33At some point
01:34I had put a kiss
01:35from my neck
01:36and at the last moment
01:37I changed my mind.
01:38Excuse me,
01:39does this photo
01:40say all this?
01:41You have to change the photo.
01:42And what should I put?
01:43This is who I am.
01:44These are my clothes.
01:45I am a journalist
01:46who doesn't speak
01:47with the image
01:48but with the words.
01:49Ok, please,
01:50tell me the last thing
01:51you believe.
01:52Of course I believe it.
01:53What we write is the essence.
01:54No, the other thing
01:55you said
01:56is the essence.
01:57So,
01:58we are here
01:59to advertise.
02:00Your texts
02:01are just a background
02:02for a pop-up advertisement.
02:03But no one
02:04will see the text
02:05when they see
02:06the lost link
02:07between a man
02:08and a sword.
02:09So, finally,
02:10you have to take
02:11a professional photo
02:12with your wife.
02:13You just bring
02:14a t-shirt
02:15that shouts
02:16that you are alive
02:17and do something
02:18with the trash bags
02:19under your eyes.
02:20You are like a panda.
02:21She is Danish.
02:56Listen to me.
02:57I don't want to be a burden.
02:58I think we have
02:59more important things
03:00to talk about.
03:01Just choose one.
03:02Which one do you like?
03:03Oh, God.
03:04The bear.
03:05It's a rabbit.
03:06Whatever it is.
03:07Can we close them
03:08and continue with our topic?
03:09We can.
03:10Just another bear
03:11and another rabbit.
03:12It's not nice
03:13to put them together.
03:14You each have
03:15your own identity.
03:17So,
03:18we are here
03:19because you want
03:20to create
03:21a limited edition logo
03:22for the limited edition
03:23Genua beer
03:24which Genua
03:25is limited.
03:26It's not limited.
03:27It's niche.
03:28This edition
03:29won't be limited.
03:30Only 100 bottles
03:31will be released.
03:32Also,
03:33we don't want a logo.
03:34We have a logo.
03:35Now,
03:36we just want
03:37a symbol
03:38that will characterize
03:39our limited product.
03:40Yes,
03:41this is the official
03:42definition of the logo.
03:43We want an image
03:44that shows
03:45the freedom
03:46of Genua beer.
03:47A logo.
03:48An opticalization
03:49of the symbolism
03:50of the nakedness
03:51of a free bird.
03:52Nice.
03:53So,
03:54in order to create
03:55this symbol,
03:56image,
03:57opticalization,
03:58we have found
03:59a street visual
04:00installation artist
04:01from Chile.
04:02Amazing.
04:03I have sent you
04:04an indicative budget
04:05in Excel.
04:06Do you agree?
04:07Josefa doesn't
04:08do it for money.
04:09He does it
04:10because he believes
04:11in our vision.
04:12Well done,
04:13Josefa.
04:14But the budget
04:15is not enough.
04:16How is that possible?
04:17You just said
04:18he doesn't do it
04:19for money.
04:20Yes,
04:21Josefa chooses
04:22based on feeling.
04:23But we can't have
04:24a feeling
04:25for more than
04:26one euro.
04:27The feeling
04:28has to become
04:29a logo with this money.
04:30We want a logo.
04:31We want a symbol
04:32that...
04:33A logo.
04:34And specifically
04:35for a special edition
04:36of the beer.
04:37So, you have to
04:38find something
04:39cheaper.
04:40Okay?
04:41Okay.
04:42But what you say
04:43makes me very
04:44sad, Gata.
04:45And I'm very
04:46sad, Lagos.
04:47Isn't that Kunel?
04:48Not now, Lagos.
04:50We're back.
04:51My love,
04:52how was school
04:53today?
04:54Perfect.
04:55The teacher told us
04:56the day after tomorrow...
04:57The day after tomorrow.
04:58Yes, the day after tomorrow
04:59that we have
05:00a drawing class
05:01and whoever wants
05:02can bring
05:03their drawings.
05:04Well done, my love.
05:05How nice.
05:06What else should I bring?
05:07This one
05:08with the beach,
05:09this one
05:10with the park
05:11and this one
05:12with the forest.
05:13Initially,
05:14wow,
05:15how nice.
05:16Michalis!
05:17Yes?
05:18What do you think?
05:19Perfect.
05:22Incredible
05:23and so
05:24different.
05:25How different?
05:26I don't know.
05:27What do you like
05:28the most?
05:29Before you start,
05:30try to be
05:31as supportive
05:32as you can
05:33with your peers.
05:34Encourage them
05:35in a logical way.
05:42It's better
05:43than the last one.
05:44The last one
05:45we threw in the trash.
05:47We don't need
05:48to throw it in the trash.
05:50As I see it,
05:51we'll take it
05:52and put it in a tupperware
05:53for 4-5 days,
05:546.
05:55And then?
05:56And then we'll throw it
05:57in the trash.
06:13Maybe it's not
06:14the style that suits you.
06:15Which style
06:16do you think
06:17suits me?
06:18Something a bit more
06:20orchestral.
06:22Do you have something
06:23only with violins?
06:24And I see
06:25on the screen
06:26a spider.
06:27It probably
06:28went to make
06:29a website.
06:32Then
06:33I saw
06:34two astronauts
06:35on the keyboard.
06:36They tell me
06:37where to go.
06:38I tell them
06:39where to go.
06:40No,
06:41I,
06:42let me start again,
06:43sorry,
06:44two astronauts
06:45on the keyboard
06:46where to go.
06:47And they tell me
06:48let's go
06:49to the space bar.
06:53I tell them
06:54the space bar
06:55is
06:56when you enter...
06:57Bravo!
06:58Bravo, Stavros!
06:59It's enough!
07:00You made us laugh!
07:01I'm going
07:02because my mouth
07:03is dry.
07:05When you do,
07:06guys,
07:07your reaction
07:08to anything they do
07:09is only one.
07:10Extreme enthusiasm.
07:11Dad, dad,
07:12look how far
07:13I'm going to jump.
07:17Bravo, Tasso!
07:18That was
07:19amazing!
07:20Oh my god!
07:21We're talking about
07:22the new tentacle!
07:24Milto!
07:25You support
07:26what you see
07:27with what you have
07:28and what you don't.
07:29Wow!
07:30What a great ballerina!
07:31I'm not a ballerina,
07:32I'm a mermaid.
07:34What a great mermaid!
07:36Ballerina,
07:37mermaid!
07:38Yes!
07:41Bravo, bravo,
07:42my joy, bravo!
07:43Mom, I'm not done.
07:45I'm sorry, baby, I'm sorry.
07:46When you become a parent,
07:47you become
07:48your children's
07:49biggest fan.
07:58Did you
07:59come up with that
08:00on your own?
08:01Yes.
08:02I don't believe it.
08:04Come on!
08:06Do you have
08:07private lessons?
08:08No.
08:09No?
08:10Then you're
08:11just born
08:12musicians.
08:13I don't believe it.
08:14Let's play another one.
08:15Oh, come on!
08:26Personally,
08:27I can't
08:28choose
08:29one favorite.
08:30It's impossible.
08:31Don't ask me.
08:32The theme of the exhibition
08:33is
08:34spring.
08:36Spring, of course,
08:37spring.
08:39It's
08:40always so spring.
08:42Spring
08:43on the beach,
08:44spring in the park,
08:45spring on the mountain.
08:47Spring on the mountain
08:48is not spring.
08:49Oh,
08:50so this one
08:51probably isn't.
08:52Maybe you should
08:53make a new one?
08:54Yes.
08:55Bravo, bravo, baby,
08:56we're waiting
08:57to see you
08:58get excited.
08:59Bravo.
09:00How nice!
09:01Why make a new one?
09:02Will something change?
09:03Hello!
09:04How are you?
09:05Hello!
09:06Look,
09:07my sister got a gift!
09:08Gift?
09:09What gift?
09:10It's not your birthday
09:11or your birthday,
09:12it's not Christmas
09:13or Easter,
09:14it's nothing.
09:15It's my pleasure.
09:16I don't understand,
09:17do I need an excuse
09:18to get a gift from my nephew?
09:19Someone would say
09:20you need to discuss it
09:21with me first.
09:22Who says that?
09:23I say that.
09:24I repeat,
09:25I say that.
09:26Look,
09:27a harmonium!
09:28Wow!
09:29A normal harmonium,
09:30not a kid's one.
09:31Yes, dad,
09:32look!
09:33I'm looking
09:34and I see
09:35big speakers
09:36and from what I see
09:37it doesn't have
09:38any sound.
09:39What are you doing
09:40to our harmonium
09:41without speakers?
09:42After the speakers,
09:43the most important thing.
09:44I'm going to put it in
09:45and start playing.
09:46Bravo, my love,
09:47bravo!
09:48We'll be here
09:49and we'll listen to you.
09:50How nice!
09:51Are you crazy?
09:52Why did you get him
09:53a professional harmonium?
09:54Because he told me
09:55he's been looking for it
09:56for a while
09:57and you haven't got it yet.
09:58And you didn't ask
09:59why we haven't got it for him?
10:00I guessed
10:01because you don't have money
10:02because of your
10:03average salary.
10:04Don't you miss
10:05the opportunity
10:06to give it back?
10:07The reason why
10:08we don't get it
10:09is because Tasos
10:10and the music
10:11had a fight
10:12when he was born.
10:13He's trying to escape
10:14the shackles of harmony.
10:15Look!
10:16Do you see here
10:17that Tasos
10:18doesn't keep a triangle?
10:20Don't you have money
10:21for a triangle?
10:22No, mom,
10:23Tasos
10:24doesn't keep a triangle
10:25because he's
10:26hitting it wrong.
10:27Wrong
10:28the triangle.
10:29There's no one
10:30who's hitting it wrong.
10:31We go to houses
10:32and they kick us out
10:33in the good evening
10:34while we're sleeping.
10:35Once they kicked us out
10:36maybe the triangle
10:37isn't the right organ
10:38for him.
10:39It's very important
10:40for children
10:41to have contact
10:42with music.
10:43Music cultivates
10:44children's souls.
10:48Does he sound to you
10:49like a soul cultivator?
10:50You have to give him
10:51time.
10:52Not all children
10:53are born talented
10:54like your sister's son.
10:56You know what?
10:57You're right.
10:58And I say
10:59apart from time
11:00I'll give him space.
11:01He'll come to your house.
11:02Mom, dad!
11:03How did you like
11:04the first song?
11:05My love!
11:06That's what we were saying.
11:07It's amazing.
11:08I can't believe it.
11:09Well done.
11:10Guys, I don't know
11:11what you're saying
11:12but I think we have
11:13something to do
11:14with Mozart's reincarnation.
11:15Who is he?
11:16He's a very
11:17very famous composer.
11:18Is he the one
11:19who sells chocolates
11:20and eats at my house?
11:21Yes.
11:22He irritates me a lot.
11:23He does the same thing
11:24every time.
11:25He goes and buys
11:26something for them
11:27to make them look good
11:28and he lets us
11:29deal with the consequences
11:30like he did with Skate.
11:31Do you remember?
11:32Do you know what he told me
11:33the other day?
11:34He told me
11:35that he was going to
11:36give me lessons
11:37of patience.
11:38Are you serious?
11:39Patience?
11:40Who does he think
11:41we are?
11:43Look, if everything
11:44goes well
11:45in a week or two
11:46he'll be bored.
11:47My love,
11:48I can't wait
11:49for two weeks
11:50and Tasos
11:51can't start
11:52with something
11:53and then give it up.
11:54Okay,
11:55I'll change my answer.
11:56Resignation
11:57is the only way.
11:58Let me tell you something.
11:59Do you see
12:00a young,
12:01modern journalist?
12:02I see a very
12:03modern journalist.
12:04I see some holes,
12:05some wrinkles
12:06and a bit of hair.
12:07My love,
12:08why don't you try
12:09something more classic?
12:10Like what?
12:11Like...
12:12Here.
12:13A jacket,
12:14a tie,
12:15a shirt.
12:16Think about it.
12:17A smart,
12:18sophisticated
12:19journalist,
12:20right?
12:21I've already thought about it
12:22and Tony said
12:23that I look like
12:24the owner
12:25of a newspaper
12:26and newspapers.
12:27What are you talking about?
12:28Okay, I see it.
12:29Are you serious?
12:30You're the one
12:31who told me that.
12:32Many things have changed
12:33since then.
12:34Times have changed.
12:35Well,
12:36you know what?
12:37If I go on
12:38a long journey
12:39through time
12:40and I dare
12:41to wear
12:42a GOTTASOL
12:43shirt,
12:44well,
12:45look at me
12:46and tell me
12:47if I look
12:48like
12:49a reckless
12:50and dangerous
12:51journalist.
12:52No one knows
12:53what you're going to write
12:54afterwards.
12:57Very good.
12:58Yes,
12:59yes,
13:00I hear you,
13:01but
13:02if I go on a journey
13:03through time
13:04and I dare
13:05to wear
13:06a GOTTASOL
13:07shirt,
13:08well,
13:09look at me
13:10and tell me
13:11if I look
13:12like a reckless
13:13and dangerous
13:14journalist.
13:15No,
13:16I dare
13:17to wear
13:18a GOTTASOL
13:19shirt,
13:20well,
13:21I hear you,
13:22I dare
13:23to wear
13:24a GOTTASOL
13:25shirt.
13:26No,
13:27I dare
13:28to wear
13:29a GOTTASOL
13:30shirt,
13:31well,
13:32look at me
13:33and tell me
13:34if I look
13:35like a reckless
13:36and dangerous
13:37journalist.
14:00We followed
14:01what you told us yesterday,
14:02we did a big
14:03brainstorming session
14:04and I think we have it.
14:05We left painters,
14:06think tanks,
14:07street artists
14:08and AI creators
14:09and searched on the net.
14:10Because what you're looking for
14:11is usually already
14:12out there.
14:13And you just
14:14have to find it.
14:15And we found it.
14:16To be precise,
14:17we didn't find it,
14:18but this found us.
14:19Ready,
14:20light
14:21and
14:22free of rights.
14:23Well done, guys.
14:24I'm very happy
14:25about that.
14:26Sarah,
14:27I'm proud to present
14:28to you the new symbol
14:29of the 20th edition
14:30beer,
14:31CHENUA.
14:34Excuse me,
14:35what is this?
14:36She likes it.
14:37I can't speak
14:38because of the pain.
14:39We felt the same
14:40when we saw it.
14:41We were about to
14:42hit it with a tattoo.
14:43But you didn't hit it.
14:44Not yet,
14:45but soon.
14:46Look at it.
14:47Magnificent
14:48but without flex.
14:49A symbol
14:50that says to the world
14:51I'm here,
14:52whether you want me
14:53or not.
14:54Clearly,
14:55whether you want me
14:56or not.
14:57His fingers
14:58are the symbol
14:59of the 20th edition
15:00beer,
15:01CHENUA.
15:02Guys,
15:03listen to me.
15:04I'm proud
15:05because no one
15:06should be ashamed
15:07of what it is.
15:08Sure,
15:09but this bird
15:10should be born
15:11from its feathers.
15:12It's so unstainable
15:13and environmental
15:14friendly.
15:15Look at it
15:16with the name.
15:17CHENUA.
15:18Guys,
15:19listen to me.
15:20We can't
15:21use this thing.
15:22Why?
15:23Because it has
15:24been used
15:25in the past.
15:26I told you,
15:27someone has seen it.
15:28Ok, ok.
15:29We can talk
15:30to the company
15:31that has used it
15:32and buy it.
15:33Mom!
15:34Yes,
15:35listen to me.
15:36I have to leave you now.
15:37I'm sending you
15:38some links to read.
15:39Links
15:40about a horse?
15:41Links
15:42with the history
15:43of Greece.
15:44We'll talk tomorrow
15:45and please,
15:46until then,
15:47do whatever you want
15:48not tattoos.
15:49Mom!
15:50Yes,
15:51my love.
15:52Show me
15:53a complete
15:54geography
15:55for the exhibition.
15:57Oh,
15:58I can't believe it.
15:59Do you like it?
16:01Good question,
16:02I like it.
16:03Really,
16:04of course,
16:05I like it.
16:06It took me
16:07two whole minutes
16:08to make it.
16:09Two whole minutes,
16:10wow!
16:13You didn't want
16:14more time,
16:15right?
16:16Because if you want,
16:17you have time
16:18until tomorrow.
16:19No,
16:20it's ready.
16:21It's ready,
16:22I can see it.
16:23And,
16:24clearly,
16:25we're talking
16:26about spring.
16:27Spring,
16:28well done,
16:29you got it
16:30from my mouth.
16:31Spring in general?
16:32No.
16:33No?
16:34Spring
16:35in the park?
16:38No.
16:39Spring
16:40in the sea?
16:42No.
16:44Spring
16:45in the forest.
16:46In the forest,
16:47of course,
16:48clearly.
16:50The season
16:51when
16:52nature
16:53blooms,
16:54gives birth
16:55to colors.
16:56Yes,
16:57I've drawn
16:58flowers,
16:59trees,
17:00and birds.
17:02And,
17:03well done,
17:04my love,
17:05it's amazing,
17:06well done,
17:07well done.
17:08I'm going to record
17:09the music.
17:10Yes.
17:11Are you sure
17:12you need it?
17:14Mom!
17:15I'll be right back!
17:16I'm coming!
17:20Yes?
17:21It's quiet
17:22now,
17:23is the concert over?
17:24It's over,
17:25yes,
17:26but
17:27unfortunately
17:28it starts again
17:29in ten minutes.
17:30So soon?
17:31Yes, my love,
17:32it's from twelve
17:33until five,
17:34and from five and ten
17:35until twelve.
17:44Michalis!
17:46Michalis!
17:47Yes?
17:49How are you?
17:50Very well,
17:51and you?
17:52What are you doing?
17:53Open the door.
17:54You promised
17:55you wouldn't get mad.
17:56No.
17:57Then I won't open it.
17:58Michalis,
17:59I'll count to three
18:00to open the door.
18:01One.
18:02Come on,
18:03Sara,
18:04I'm not five years old.
18:05Two.
18:06You're offending my conscience.
18:07Two and a half.
18:08Okay, okay,
18:09I'll open it.
18:16I can't believe it.
18:18What is this?
18:19I don't know,
18:20I went to Stavros' shop
18:21and I don't understand
18:22what happened.
18:23What do you mean,
18:24my love,
18:25without understanding it?
18:26Are you crazy?
18:27Yes, I mean no.
18:28I don't know,
18:29this girl
18:30comes to your mind.
18:31She's like the Jedi
18:32from Star Wars.
18:33You tell her,
18:34I think these clothes
18:35don't suit me.
18:36And she tells you,
18:37they suit you.
18:38And then you say,
18:39yes,
18:40they suit me.
18:41And then you go
18:42and look in the mirror
18:43and you say,
18:44clearly they don't suit me.
18:45And then she comes
18:46and tells you,
18:47they suit you.
18:48And then you say,
18:49not just they suit me,
18:50they suit you.
18:51I can't believe it.
18:52Stavros
18:53didn't tell you anything?
18:54He did.
18:55What did he say?
18:56To get this butterfly.
18:57I don't know why
18:58I expected something better
18:59than Stavros.
19:00He got it himself
19:01so we can match them.
19:02I've told you again,
19:03we have to do something
19:04with Stavros.
19:05Yes, you've told me again.
19:06The pants,
19:07why did you get them?
19:08The photo
19:09should be in the middle and above.
19:10Politio told me
19:11it brightens me.
19:12It doesn't brighten you.
19:13It brightens me.
19:14It doesn't brighten you.
19:15It doesn't brighten me.
19:16I don't know what to do
19:17to look cool and young.
19:18I think
19:19this train is cool.
19:22Oh, my love.
19:26My sweet Michalis.
19:28Look,
19:29I don't want to upset you
19:30the way you are now.
19:32But you were never
19:33in this train.
19:35Okay.
19:37I was.
19:38You weren't.
19:39I wasn't.
19:40No, my love.
19:41You were never cool.
19:43I've known you for so many years
19:44and I've seen your photos
19:45since you were a kid.
19:46Since you were 25
19:47you looked like a dad.
19:48You look like a dad.
19:49Here, you take photos
19:50for five days
19:51and in Greece
19:52you are the teacher
19:53and you take care of the kids.
19:54Come on, baby.
19:55Don't be like that.
19:57Please.
19:58Anyway,
19:59that's the reason for me.
20:00That's why I fell in love.
20:01That's why I love you.
20:12Tasouli,
20:13how's it going?
20:14Perfect, dad.
20:16I can see it.
20:19When you have kids,
20:20you support them
20:21in whatever they do
20:22to make them confident.
20:24And you expect them
20:25to have the right confidence.
20:27Those who make them
20:28want to continue
20:29but also to be surprised.
20:30Mom, look.
20:32My joy is wonderful.
20:34I want to do it again.
20:35To make the tree
20:36even better.
20:38My love,
20:39the tree is already amazing.
20:41For your artistic eye
20:42maybe.
20:46Good job, Tasouli.
20:47It's getting better.
20:48Yes,
20:49but we still need
20:50a lot of practice.
20:51I'm sure
20:52you'll find it.
20:53I'll find it
20:54when I manage
20:55to practice for 10,000 hours.
20:58But in reality
20:59all this support
21:00sometimes creates
21:01excessive self-confidence.
21:03It creates
21:04a monster of confidence
21:05with big ambitions.
21:07Mom,
21:08I want to be a teacher.
21:09I want to be a teacher.
21:10I want to be a teacher.
21:11I want to be a teacher.
21:12I want to be a teacher.
21:13I want to be a teacher.
21:14Mom, look.
21:17Perfect.
21:19Can we stick them
21:20on the wall?
21:21On the wall?
21:22Basically,
21:23I want to sell it.
21:24What do you mean
21:25you want to sell it?
21:26It's 1,503,000 euros.
21:33Good job, Tasouli.
21:34It's getting better.
21:36Yes,
21:37but I want to start
21:38writing my own pieces.
21:40I'm already working on one.
21:41Listen.
21:45Listen.
21:48You know there are
21:49teacher pianos, right?
21:50Yes,
21:51but I don't think
21:52I want to teach them.
21:54Our kid says
21:55you don't need a teacher piano
21:56because it will
21:57limit his creativity.
21:59Excuse me,
22:00did Tasos say
22:01the word will limit
22:02his creativity?
22:03Yes.
22:04Something like that.
22:06Anyway,
22:07to be honest,
22:08my love,
22:09have you heard
22:10about sensory improvement?
22:11I have,
22:12but Tasos doesn't talk about it.
22:13I put him to see
22:14some tutorials
22:15on YouTube.
22:16He learned something.
22:17Of course,
22:18at first he said
22:19he didn't think
22:20he was a genius,
22:21but fortunately,
22:22I convinced him.
22:23Michalis,
22:24are you out of your mind?
22:25You've let our kid
22:26wander alone
22:27in the wild west of YouTube.
22:28Of course.
22:29I made him
22:30a list of videos
22:31and told him
22:32to see what's on the list.
22:34And what's that?
22:35A three-year-old Chinese
22:36is making the video.
22:38The two girls.
22:44Mom, look!
22:45Mom, look!
22:46Where is it?
22:47Yes, my love,
22:48I saw it, my joy.
22:49It's perfect.
22:50Oh,
22:51how nice.
22:52And the others, too.
22:54Joy.
22:55Are all these drawings
22:56in the exhibition
22:57from the same school?
22:59No,
23:00from the same school.
23:01Are all these drawings
23:02from the same school?
23:03Yes,
23:04and the previous school.
23:05Oh, and the previous school.
23:06I see.
23:07Aren't they kids
23:08in the same class?
23:09What?
23:10Nothing.
23:11Mom, look!
23:12Mom, look!
23:13It's Anastasia!
23:14Oh.
23:16It's so nice
23:17to see you here.
23:18Oh.
23:19Here.
23:20This is
23:21Vasiliki's drawing.
23:22Oh,
23:23it's amazing.
23:25And this is
23:26Pedra's drawing.
23:27Oh,
23:28well done.
23:29Anyway,
23:30they did a great job.
23:31They are all
23:32incredible drawings.
23:33Okay,
23:34not all of them.
23:35Did you see this?
23:36What is this?
23:38I suppose
23:39it's from the previous school.
23:40Previous school?
23:41No,
23:42it's impossible.
23:43Pedra did this
23:44when she was 18 months old?
23:46And Augustus,
23:47I remember,
23:48did this
23:49when he was 14 months old.
23:51He took the marker
23:52and did this.
23:53I don't get it.
23:54Why do they
23:55have to include
23:56all the drawings?
23:57Come here.
23:58I thought
23:59we were in a painting exhibition
24:00and not in a moujoura exhibition.
24:03Hi.
24:04Hi.
24:05I'm sorry
24:06for interrupting.
24:07These moujouras
24:08you've been talking about
24:09are my daughter's.
24:10Really?
24:11Yes.
24:12How old are they?
24:1360.
24:15And they are not moujouras.
24:16They are spring.
24:18You just can't understand
24:19the art.
24:20But I'll explain.
24:21Spring.
24:23This is a flower,
24:25a bird,
24:26a tree,
24:27or...
24:28Is this the tree?
24:30No.
24:31Where was the tree?
24:32Anyway,
24:33there is a tree here,
24:34okay?
24:35Okay.
24:36Okay,
24:37whatever you say,
24:38don't get mad at me.
24:39Don't get mad at me.
24:40I'm not mad at you.
24:42What did we make
24:43for your moujouras?
24:44Me?
24:45Yes.
24:46She made this.
24:47And she made this for me.
24:49Very nice.
24:51I can see it.
24:52It's a house,
24:54flowers,
24:55a tree,
24:56the sun,
24:57a rainbow!
24:58Bravo!
25:00And wonderful human figures.
25:02Amazing!
25:03Thank you very much.
25:04You're welcome.
25:06They made them
25:07by themselves.
25:08They made them
25:09all by themselves.
25:11So you decided
25:12to get photographed, right?
25:14This is me,
25:15and I'm okay with
25:16what I am.
25:17I brought you some of my things.
25:18Take a look.
25:19Hat,
25:21glasses,
25:23scarf,
25:24cross.
25:25You have to stop
25:26going to this store.
25:27Ready.
25:28Whenever you want,
25:29you can change
25:30and I'll sit here.
25:31I don't have anything to change.
25:32I'll put these on.
25:33I'm ready.
25:34These mean the hoodie
25:35and the pants with the lace?
25:36Lace?
25:38Isn't the photo
25:39from the inside out?
25:43Hey, Stavroudis!
25:44That's what we said.
25:45Didn't we say
25:46to wear something younger?
25:47I don't have anything younger
25:48and I don't want
25:49to wear anything younger.
25:50Okay,
25:51can you at least
25:52get rid of
25:53that fur of yours,
25:54please?
25:55It's worse.
25:56It's like being
25:57a municipal councilor.
25:58I opened a button
25:59to make it look
26:00a little tight.
26:01Do something!
26:02The opposite
26:03of clickbait.
26:04You know I'm here
26:05and I'm listening to you.
26:06That's what needs to change.
26:07Let me tell you,
26:08if we dried your hair
26:09a little,
26:10did you get a haircut
26:11or did you put
26:12a bandage on your tongue?
26:13It doesn't matter.
26:14Let's go.
26:18Are you sure
26:19you don't want souvlaki?
26:22So,
26:23they can't swim, right?
26:25No, they can't.
26:27If they can't swim,
26:28how do they take a bath?
26:30I don't think
26:31they take a bath.
26:32If they don't take a bath,
26:33can I not take a bath
26:34either?
26:36No,
26:37you're going to take a bath
26:38right now.
26:39Oh, okay.
26:40Okay.
26:42Did you have a good time today?
26:43Yes, I had a great time.
26:45I want you to know
26:46that I'm very proud of you
26:47and of the painting
26:48you made.
26:50Can we hang it?
26:52Of course,
26:53we can hang it.
26:54To be exact,
26:55we have to hang it.
26:58Not there.
27:00Here.
27:02Here, huh?
27:03Where I sit
27:04and work.
27:05Are you sure?
27:06Yes.
27:07Yes.
27:11It doesn't even show.
27:12More here.
27:13Here?
27:14No, a little more here.
27:16There.
27:19Now we're doing something.
27:20It's like I'm watching
27:21a journalist
27:22who's interested
27:23in what he's experienced.
27:24Show me
27:25a mysterious look.
27:26No.
27:27Imagine
27:28that the camera
27:29is your girlfriend.
27:30Look at her.
27:31No.
27:32Do a sweet love.
27:33No.
27:34Do you have
27:35at least another look
27:36other than that
27:37light look
27:38you had earlier?
27:39Look,
27:40at this point
27:41I'm angry
27:42and very angry.
27:43What do you want?
27:44Should I suggest something?
27:45Say it.
27:49Oops.
27:51Oops.
27:53Hello?
27:54My boy,
27:55what a list I have.
27:57Jean Paul Belmondo
27:58made you, huh?
28:01Go on.
28:02Pefariki.
28:04I'll never forgive you for this.
28:06Are you talking to me?
28:07I can't see.
28:08You'll see.
28:10Guys, look.
28:11If we can't find something
28:12for the special edition of the beer,
28:13we can use
28:14the logo we have.
28:15This way,
28:16we'll be able
28:17to manage our budget
28:18for something more necessary.
28:19We don't exist
28:20without a symbol.
28:21The logo
28:22will make our bottle
28:23glow up.
28:24Let me remind you
28:25that we have a logo.
28:26We have to do
28:27the extra.
28:28Mom!
28:30Excuse me for a minute.
28:31Give me a minute
28:32and I'll be right back.
28:34Okay.
28:39I can't believe it.
28:40Sophie, tell me
28:41that you see
28:42what I see.
28:43I believe it.
28:45Do you see
28:46how chaos
28:47creates harmony?
28:48Say less.
28:50Do you see
28:51how relativity
28:52reveals the essence?
28:53Say less.
28:55Five lines,
28:56one symbol.
28:57Say less.
28:58Say no.
28:59So, I'm here.
29:00What did we say?
29:02Guys?
29:05Everything's fine.
29:07I'm telling you,
29:08they want it
29:09for the special edition logo.
29:10This?
29:11Yes.
29:12The painting of joy?
29:13The Black Spring?
29:15Yes, the Black Spring.
29:16They told me
29:17that they found here
29:18what they've always been looking for,
29:19Senua's pendant.
29:21In these lines?
29:22Yes.
29:23Did you tell Chara?
29:25I told her, of course,
29:26and she was excited.
29:27And then she told me
29:28that she would sell it
29:29for 1,503,000 euros.
29:31Oh, look at that.
29:32Even if we were
29:333 euros,
29:34we wouldn't be disappointed.
29:35My love,
29:36how did the photo shoot go?
29:38Do you remember
29:39telling me
29:40that I was never cool?
29:41Yes, I remember.
29:42You were right.
29:45Wow, my love,
29:46you're amazing,
29:47you're a doll, bravo!
29:48Chara,
29:49are you doing
29:50what we do to our kids?
29:51Yes.
29:53It's bad.
29:54I know.
29:55Mike Pottinger.
29:56He changed my name
29:57because he says
29:58that a citizen
29:59is like a broken lawyer
30:00and he wanted something younger.
30:01My love,
30:02I'm sorry.
30:03It's okay.
30:04Mom, Dad,
30:05I want to tell you something.
30:06What is it, Tassouli?
30:07I've decided
30:08to stop being single.
30:09What?
30:10Why?
30:11So much talent
30:12is wasted?
30:13Why, Tassouli,
30:14what happened?
30:15I started watching
30:16tutorials on YouTube
30:17and I found something
30:18that interests me more.
30:19What did you find?
30:20The first step
30:21is always the foundation.
30:22Mom,
30:23don't move,
30:24the foundation
30:25won't blend well.
30:26Encouraging your kids
30:27is one of the basic duties
30:28of a parent.
30:29If your kids were athletes,
30:30you would be
30:31their biggest fan.
30:33That crazy guy
30:34on the court
30:35without a t-shirt
30:36who's been playing
30:37for a month
30:38and hits a big ball,
30:39that's him.
30:40Yes,
30:41sometimes
30:42all that encouragement
30:43can turn into a boomerang.
30:44Other times, of course,
30:45it can surprise you
30:46in a very positive way.
30:47Maybe our world
30:48would be better
30:49if this encouragement
30:50we give to our kids
30:51was given
30:52to the adults as well.
30:53My love,
30:54I'm sorry,
30:55but you couldn't
30:56support him.
31:02Please.
31:03Sara,
31:04tell us a few words
31:05about the logo of Finika
31:06that Stef and Sophie wanted.
31:08Oh,
31:09about the logo of Hoontas,
31:10yes.
31:11The only two words
31:12I have to say
31:13are
31:14ignorant,
31:15dangerous.
31:16Michalis,
31:17now you have
31:18another name?
31:19Yes,
31:20you can call me
31:21Mike Po,
31:22like I'm a cool trapper.
31:23So,
31:24you're cool
31:25because
31:26I think
31:27going to work
31:28with someone else
31:29is a very good idea.
31:30Also,
31:31not to sign my name
31:32with these
31:33tragic articles
31:34that I have to sign
31:35is a very good thing.
31:36Sara,
31:37did you get mad
31:38when they said
31:39that Hara's drawing
31:40wasn't good?
31:41I got mad.
31:42I was outraged.
31:43Who is she
31:44to say
31:45about my daughter's drawing
31:46that it's not good?
31:47Because she doesn't
31:48understand art,
31:49because she doesn't know,
31:50because she's used to
31:51seeing
31:52fancy painted houses
31:53with chimneys?
31:54Do you think
31:55they weren't right?
31:58I have something to say.
31:59Mom,
32:00look.
32:01Hold my beer
32:02with my daughter's
32:03drawing on it.
32:05And one last thing.
32:06How does it feel
32:07that Tassos
32:08started doing
32:09make-up?
32:10Ah,
32:11what a sexy
32:12question that is.
32:13Really,
32:14how sexy?
32:15I mean,
32:16you have to put
32:17labels on everything.
32:18On everything.
32:19Anyway,
32:20I don't know
32:21what to say.
32:22I don't know
32:23what to say.
32:24On everything.
32:25Anyway,
32:26I think they should
32:27leave.
32:28And you should know
32:29that I prefer
32:30the term
32:31face painting.
32:32Ah,
32:33I don't believe it.
32:38Do you like it?
32:43What do you mean
32:44you want to sell it?
32:45It's 1,100...
32:471,100,000.
32:49What do you mean
32:50you want to sell it?
32:51It's 1,100,000,503 euros.
32:54There's a red light
32:55and I'm going to look there.
32:58I'm just going to say
32:59whatever you told me
33:00I didn't understand.
33:01What are you promoting?
33:02You don't understand.
33:03I'm just saying
33:04don't get me wrong.
33:05You don't understand
33:06what I'm talking about.
33:10So,
33:11you decided
33:12to photocop...
33:13What did you say?
33:14You blocked me.
33:15Photocopier.
33:16Photocopier.
33:17Photocopier.
33:18You photocopied me, right?
33:20Four,
33:21three...
33:22It was a big mouth
33:23and I got coffee in it.
33:25I'm sorry, let's go.
33:26I don't have coffee.
33:27Two,
33:28one,
33:29go.
33:30So, you decided
33:31to photocop...
33:33Don't.
33:34It's mine.
33:35Shh, shh.
33:36I'm talking,
33:37I'm talking,
33:38I'm talking
33:39about the Greek language.
33:40Guys, what are you saying?
33:41I know it.
33:42Let's go.
33:43Three,
33:44two,
33:45one,
33:46go.
33:47It's an attack.
33:48There's just
33:49an English word in it.
33:50Let's go.
33:51Yes,
33:52as if they were going to me.
33:53And then I throw them.
33:54You go.
33:55What do you mean
33:56as if they were going to me?
33:57As if they were possible.