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Short filmTranscript
00:00I don't want to stay here. Let's get out of here.
00:09Don't worry. We'll get out of here.
00:11What? We'll get out in an hour?
00:13You've been giving me the same excuses for years.
00:15You think we'll get out in an hour?
00:17Don't worry. Listen to me.
00:19Where are you? Where are you right now?
00:21I'm at home.
00:23You're lying. You're not at home.
00:27You're going there again, aren't you?
00:30Look, I don't enjoy going there either.
00:33You do enjoy going there.
00:35You do enjoy taking someone else's leave.
00:37So what if I don't? I'm like you.
00:40I was born in a gutter.
00:42But I don't want to die in a gutter.
00:44Got it?
00:45And do you have the money for the rent you pay in Dubai?
00:50Why don't you understand? You killed Pappu for money.
00:54Why do you keep reminding me of this?
00:56That's enough.
00:58If you go there again, I'll...
01:00What will you do?
01:01Go to hell.
01:04Hey, Roxy, listen to me.
01:07Hey!
01:14It's the massage guy.
01:19Who does he know?
01:22Roxy.
01:25A childhood friend of mine.
01:27What does he do? Is the massage your thing?
01:33I don't know, sir.
01:35Didn't you say he was a childhood friend?
01:37No, sir.
01:42Is this battery your friend too?
01:45I don't know him, sir.
01:48I don't know him, sir.
01:51He'll keep calling to ask about Roxy.
01:56What does he do?
01:58How would I know, sir?
01:59How would you know?
02:01Sir.
02:03Peter Fernandes.
02:05Put him on.
02:08Sit.
02:15Yes.
02:17This...
02:19What did Roxy do?
02:21How would I know, sir?
02:23How would I know?
02:26How would I know what you goons do?
02:29The police know everything.
02:35If I knew, I would have called you and interrogated you.
02:38I would have put you behind bars.
02:39It's your job to interrogate, sir.
02:41Will you teach me my job now?
02:42No, sir. Who am I?
02:44I'm just saying that I don't know what you're asking me.
02:49What do you know?
02:54My friend is dead, sir.
02:58No one will catch the killer.
03:01That's all I know.
03:08I'll catch the killer.
03:10He won't help me.
03:14Ask me whatever you want.
03:16I'll tell you what I know.
03:19Where were you on Saturday night?
03:23I was at the wedding, sir.
03:25If you want, I have a photo.
03:27I asked for a photo.
03:30Show me.
03:33Kamble.
03:34Sir.
03:35Check it.
03:37What were you talking to Roxy about at 1.30 at night?
03:42Nothing.
03:44I asked her at home and called her, but she didn't pick up.
03:47We spoke for a minute and 47 seconds.
03:49That's all.
03:50Hold the next minute and a half, sir.
03:52She spoke later.
03:54Why?
03:56How would I know why?
03:59You've been sitting here for 3 hours.
04:01How would I know why?
04:03You've been sitting here for 3 hours.
04:04How would I know why?
04:05Don't give me the wrong answer.
04:07Sir.
04:09The photo is correct, sir.
04:16What's this?
04:17This?
04:19I fell off the train when I was a kid.
04:21The wound looks fresh.
04:23Did you have a fight?
04:24You need a connection to fight in Mumbai.
04:29What do you think, Dev?
04:30Who killed her?
04:32I don't know, sir.
04:39The day you catch her,
04:43you just need 15 minutes with her.
04:47What will you do?
04:51Will you massage her?
04:59Go.
05:19Sit down.
05:29Okay.
05:31Sit.
05:42Where's Sumil?
05:46He's in Nagaland.
05:47On a college trip.
05:50Nagaland?
05:52I don't know.
05:54He's in Mumbai.
05:55In Nagaland?
05:57I don't know.
05:58Call him and find out.
06:00I don't think so.
06:03Where was Sumil on the night of 14th?
06:06He left on that day.
06:10Where were you that night?
06:16At home.
06:18Are you sure?
06:23What kind of question is this?
06:25I'll ask the question here.
06:27You just answer.
06:28Okay?
06:30I don't want to answer.
06:32If you have a reason to accuse me,
06:34I have a right to know that first.
06:39Right.
06:48Jyotin Pheri is your student, right?
06:50Yes.
06:56I have a right to know.
07:02Right?
07:21Now, as an investigating officer,
07:23I have a right to know
07:26how a son of a great journalist
07:29is connected to the murder of two gurus.
07:39Look, Shiva.
07:42I think there's some misunderstanding.
07:46I don't know why they have Sunil's number.
07:51But you know that
07:53he can't be a murderer.
07:56Now,
07:58this is my right
08:00to pick up the suspect,
08:02put him in custody,
08:03and question him.
08:05Right?
08:07Kamble.
08:09Sir.
08:10Take his son wherever he is.
08:12Sir.
08:13I'm sorry, Shiva.
08:15Shiva, I'm sorry.
08:17Why are you sorry?
08:18What's there to be sorry about?
08:19No.
08:20Are you my enemy?
08:21Yes.
08:24I suspect him.
08:25Prove that he's innocent.
08:26Guilty until proven innocent.
08:30Get me a cup of tea.
08:48All the kidney transplants in the last three days,
08:52the donor and the patient,
08:54find out everything.
08:56Kalpana.
08:58Not yet.
09:02The food's not ready yet.
09:03I called and asked for it.
09:12What the hell, Luqman?
09:13Sorry, sorry, sorry.
09:14I was just kidding.
09:15Sorry.
09:16You scared me.
09:17Sorry.
09:21What are you doing here?
09:23I came to see you.
09:24Why?
09:31Have you ever seen me wearing this?
09:34That's why I brought it.
09:37Why are you wasting your time?
09:42Give me a chance.
09:44Please.
09:48What do you want, Luqman?
09:50I just want to make you happy.
10:17I'm sorry.
10:18Firdaus!
10:19What?
10:20Firdaus!
10:25Look, Shiva.
10:28What time is it?
10:31You should be careful.
10:33Do you know where your wife is?
10:36She's at the office party, Babu.
10:39I don't know where she is.
10:41I don't know where she is.
10:43I don't know where she is.
10:45I don't know.
10:47Where is she?
10:48At the party.
10:50You don't care.
10:51That's why you're like this.
10:53If you cared,
10:55your wife would be at someone else's house
10:57and your son wouldn't be at someone else's house.
11:02Whose house?
11:04Oh, shit!
11:06Rohan, ask your dad to buy a GT5.
11:09It has amazing graphics.
11:11Ask your dad.
11:12My dad is refusing.
11:14Rohan, are you coming?
11:15Let's eat fritters.
11:17No.
11:21Why have you kept this here?
11:23Who will keep this on the roof?
11:25Give it to me.
11:27Go.
11:28What happened?
11:34Why are you looking at me like that?
11:37Nothing will happen to me.
11:39Nothing.
11:41I'm so tensed.
11:42Leave that job.
11:44I want to build a house in the village.
11:48I want to give a donation to Rohan's international school.
11:52Leave that job.
11:54That school has a donation of 7 lakhs.
11:57And you're giving him a video game instead of saving money.
12:00Is it necessary to fulfill all his demands?
12:05By the way,
12:07he has one more demand.
12:09What else?
12:11He wants to have a younger sister.
12:15Dream about it.
12:17Hey!
12:19I'll dream about it.
12:20That's how I'll fulfill my dream.
12:22I'll give you a brush.
12:24Freshen up and go to sleep.
12:26Okay?
12:27Dad is here.
12:29Shiva.
12:31How many times have I told you
12:32not to send him to Durga's school?
12:35Rohan is his friend.
12:37Is there only one friend in the entire school?
12:38Him?
12:39He's my junior.
12:40He's a third-class man.
12:43Shiva.
12:44Have some respect for your father.
12:45Are you a beggar?
12:47Do you want to be a martyr?
12:48What are you saying, Shiva?
12:51Don't you understand?
12:53Arav.
13:05I don't deserve a father.
13:06Do you want to ruin your son's life?
13:12Thank you so much, Machala.
13:14You always come through, man.
13:16Okay?
13:18Okay.
13:20Right.
13:21Text me.
13:22Did you find out anything about Sunil?
13:25Stop worrying, Millie.
13:27You won't throw him out of the house, will you?
13:28You're too much.
13:29He's our son.
13:30Come on.
13:31Sit here.
13:32Come.
13:33I'm coming.
13:36I'm coming.
13:37I'm coming.
14:05Lakshman?
14:06Yes?
14:07Aunty?
14:09Aunty, someone's here for you.
14:11I'm coming.
14:15My name is Peter.
14:17Your son Lakshman used to work in our NGO.
14:20In our organization.
14:22So his salary was pending.
14:24I had to pay him.
14:25Can I come in?
14:26Yeah.
14:27Yeah.
14:30Lakshman had a file from our organization.
14:33Yeah.
14:34I don't know anything about it.
14:38You can check it out.
14:40Where?
14:45Did you know any Sunil, Lakshman?
14:49No.
14:50Is he the same?
14:52What do you mean, the same?
14:55No, no.
14:57Nothing like that.
15:00Did you go to college, Lakshman?
15:02I didn't go to college.
15:04He did a gym course.
15:07He mortgaged my ring.
15:09And I gave him the money for the fees.
15:12But nothing happened.
15:14The money was gone.
15:16My ring was gone too.
15:33Why are you wearing a helmet?
15:36The killer shot me in the head.
15:41You can mix it in tea too.
15:47Drink it.
15:48It's just sugar.
16:02Yes, sir.
16:03Who do you want to meet?
16:05I wanted to talk to you about waterproofing.
16:10Who did you talk to?
16:12Your chairman, right?
16:13Who? Mr. Noshal?
16:15Yes.
16:17He's over there.
16:18He's the one I wanted to talk to.
16:21Sir!
16:23Sir!
16:25Sir!
16:27Sir!
16:29Sir!
16:31Sir!
16:33Mr. Noshal!
16:34I want to meet you.
16:35Yes, send him in.
16:36Okay.
16:42Let's go.
16:46Hello, sir.
16:47Hello.
16:48Hello.
16:49Hello, sir.
16:51Sir, I...
16:55I'm a friend of Vaidyalingam.
16:58I'm here to check his flat.
16:59801?
17:00Yes.
17:01Vaidyalingam has shifted to Coimbatore.
17:03Yes.
17:04He called me this morning.
17:06I've checked his flat.
17:08I have the keys to his flat, sir.
17:10So...
17:12I'm very worried.
17:14There's been a bad incident in your society.
17:17What's your name?
17:18Peter Fernandes.
17:19Your friend is a very nice man.
17:22Yes, sir.
17:23He also praises you a lot, sir.
17:25He says the best society he's living in.
17:27But what can I say, sir?
17:29Suicide has ruined our society.
17:33It's been 12 years and nothing like this has ever happened here.
17:37Never.
17:38Very unfortunate, sir.
17:41But, sir, how did this happen?
17:43What happened?
17:44What can I say, sir?
17:46They were strange people.
17:48They used to live together.
17:50They used to say that they were husband and wife.
17:52But that boy...
17:53Yes.
17:54He used to stay outside the house all night.
17:58He used to live on the 7th floor.
18:01Oh.
18:02The 7th floor.
18:03Yes.
18:04Does anyone still live there?
18:06No.
18:07She lives there.
18:09His wife?
18:10But looking at her clothes, it doesn't look like she's a widow.
18:14It looks like a film heroine.
18:16Society has changed a lot, sir.
18:18There are no more people like you, sir.
18:21Pleasure meeting you.
18:22Pleasure meeting you.
18:24Okay, same.
18:53Mrs. Desai?
18:55Me?
18:56I'm Peter Fernandes.
18:58I'm a journalist, ma'am.
19:00I want to interview you for a women's magazine.
19:02Sorry.
19:03I'm not interested.
19:04I can make you famous, ma'am.
19:08Trust me.
19:10Your story is very inspiring, ma'am.
19:13I mean, at such a young age, after your husband's death,
19:17you're coping up with life very strongly, ma'am.
19:23Your story will be very inspiring for youngsters.
19:26Trust me.
19:28Our readers would love to know more about you, ma'am.
19:34Which magazine, sir?
19:36Mary Chanel.
19:37It's a very popular magazine in France, ma'am.
19:40It's going to be launched in India.
19:42Come.
19:50Beautiful photographs.
19:53Would you like to see my photographs?
19:55Of course, ma'am.
19:57They should be on the cover page.
20:01Please, have a seat.
20:12After you.
20:20So, Mrs. Desai…
20:23You can call me Himali.
20:32So, what happened with Suraj?
20:38Why do you want to know about him in my interview?
20:41Correct.
20:44Look, we will create sympathy for you from your husband's story.
20:50I mean, the impact your husband's death has had on you,
20:55I want the readers to feel the same.
20:58That's why it's very important to know about Suraj.
21:02What did Suraj like, what didn't he like?
21:06Did Suraj support you in your career or not?
21:11I mean, who were his friends?
21:14Suraj had no friends.
21:28Do you know him?
21:33Excuse me?
21:34No, I mean, you or your husband?
21:37Why would I or my husband know such people?
21:40And anyway, these media people are crazy.
21:43Gay, lesbian, gay, lesbian.
21:44Do you know how disgusting all this is?
21:46Yes, it has become too much these days.
21:51Look, I…
21:52Ma'am, your photographs are very beautiful.
21:55But if we had to exclusively shoot photos for the cover story,
21:59would you do it?
22:06Look, I understand.
22:08Whatever you're asking is very personal.
22:12And I'm very uncomfortable in sharing all this.
22:15I'm sorry, I don't want to do this interview.
22:18Ma'am, it's a very big magazine.
22:20It has a reader base of 15 million.
22:21Trust me.
22:23Please think about it.
22:26Sorry, I don't want to do it.
22:32Okay.
22:34I respect your wish.
22:38My card.
22:40Just in case, if you change your mind, please call me.
23:09Sir, a Mr. Peter Fernandez has come to meet you.
23:14Peter Fernandez?
23:15Yes, sir.
23:16Where is he?
23:17Sir, he's sitting in your office.
23:23Hello.
23:24Peter Fernandez!
23:27That's great!
23:28Long time, man.
23:29Long time, long time.
23:31What is this, man?
23:33Along with your work,
23:34you have also taken retirement of two people.
23:36Who said that I retired?
23:37What do you mean?
23:38It's my official job to bring home vegetables for seven days.
23:42Do you know?
23:43There are 60 types of carrots.
23:45What are you saying?
23:46You haven't changed.
23:47Sit, sit.
23:48Will you have tea?
23:49Yes.
23:54Hello.
23:55Yes, send two cups of tea.
23:58And tell me, how is it?
23:59What is this?
24:00This is the file of the Mahi murder case.
24:03This is the file of the Mahi murder case.
24:05He is handling your agenda.
24:08Man, I need the details of this case.
24:12I thought you have come to meet me.
24:15You have come for this.
24:16Tell me one thing.
24:17Have you started working again?
24:19Have you joined the agenda?
24:21No.
24:22So?
24:23I am working at my level.
24:25Individually.
24:27Look, Peter.
24:28This work is being handled by the agenda.
24:30If you want the details,
24:31you can talk to him.
24:32You were talking about big things just now.
24:34Friendship, retirement.
24:36You forgot.
24:37Peter.
24:38Friendship is different and this is different.
24:40This is official work.
24:41I can't do anything.
24:42Really.
24:43I am sorry.
24:44Why are you sorry?
24:46Come on.
24:47I understand.
24:49Thanks.
24:55This is the biggest example of hit and run.
24:57How MLA and MP
24:58take undue advantage of their power
25:00and increase corruption.
25:02Look at our file report.
25:03In this you will clearly know
25:05how the police
25:07helped in saving the real killer.
25:09Guys, see my office on the side door.
25:12Manager, look there.
25:15Who are you?
25:16Sit down.
25:17Ma'am, you go inside.
25:30Sit down.
26:00Well done.
26:24We must have made a mistake.
26:27How do we know
26:31that we are making a mistake?
26:37Sir, I think we shouldn't
26:39rule out the female killer.
26:41What evidence do we have?
26:43A lipstick,
26:44a long hair,
26:46whose DNA report doesn't have a follicle.
26:51This hair must be someone else's.
26:53It could be Vick's.
26:57Sir, it was Lal Bravi.
26:59Oh yes.
27:01The woman committed the murder,
27:02took off her bra and left.
27:03Very good.
27:05It was Bravi.
27:07Sir,
27:08every 6 serial killers in the US
27:09have a woman.
27:11And most of them are not caught
27:12because no one thinks
27:13that they can also be killers.
27:18Let's assume it's a woman.
27:19What is the motive?
27:21Sir, hate crime.
27:22Homophobia.
27:26One possibility is
27:29that this woman's husband
27:30had an affair with these two goons.
27:33I heard a story some time ago.
27:36A woman's daughter
27:37had an affair with a girl
27:38from her school.
27:40Women are also goons,
27:41you know.
27:44That woman killed
27:45her daughter and lover.
27:46Her own daughter?
27:52Yes.
27:53Her own daughter.
27:56Okay.
28:10No, sir.
28:11I'll take the cab.
28:27No.
28:46Ma'am, if they don't pay us,
28:48we can't work.
28:49We'll just roam around.
28:51What will you do?
28:53If you take a taxi,
28:54how many people will sit?
28:56No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
29:26hello
29:53Okay.
29:55Okay.
30:14It's hurting. You hit me really hard.
30:16You could have hit me harder.
30:18I've already been hit really hard.
30:20It's not funny.
30:21Nonsense.
30:22See.
30:24Why do you act so childish?
30:27Are you a kid?
30:31You're not a mother.
30:32Should I get you ice cream?
30:38You didn't feel anything, did you?
30:51No.
31:21No.
31:37Where's Aarav?
31:41Why?
31:43What do you want to do now?
31:44Leave it.
31:46You scolded me a little too much yesterday.
31:51What's in it?
31:55Look at this.
32:04It's imported.
32:08That's what you wanted, right?
32:15Yes.
32:21He's studying on the terrace.
32:25Watch out.
32:35Aarav.
32:42What is it?
32:43Nothing.
32:45Let me see.
33:03Who gave this to you?
33:10Rohan.
33:13Rohan.
33:43Rohan.
33:53Do you know what people like us call you?
33:56Hmm?
33:58Good.
34:03You think it's funny?
34:06I was scared.
34:09I thought your mother didn't get you married.
34:13But she did.
34:20I can't do it.
34:25I can't marry a girl.
34:29I know.
34:31That's why I'm asking you to marry me.
34:36What's the point of saying that?
34:38You've already married everyone.
34:44What traffic.
34:52What are you doing?
34:58Hrithik.
34:59I'll be back.
35:04Hrithik.
35:08Oh God.
35:09What have you done to the room?
35:11Firdous.
35:13Hello, aunty.
35:14Hello.
35:16Did you give her the surprise?
35:17Yes.
35:18Weren't you two wrestling?
35:21You fell asleep.
35:22You said you'd check my knees.
35:24Mom, I'll do it in the morning.
35:25Shut up.
35:26Look, my knee has been hurting for the past two weeks.
35:29Can you check it once?
35:30Mom, she has a headache.
35:31Let her sleep.
35:32Are you both asleep?
35:34I thought you were going to sit and chat all night.
35:37Exactly.
35:38I thought you were going to sit and chat all night.
35:40Exactly.
35:41Hello, uncle.
35:43Hello, dear.
35:44How are you?
35:45Mom, dad.
35:46Go away.
35:47Do you disturb your friends?
35:50See?
35:51Your friend is so angry with me.
35:53Is this how you talk to your mom?
35:55No, right?
35:56Mom, did you leave the kitchen window open?
35:58I can hear it.
36:00Check if the window is open.
36:02It's nothing.
36:03Sit comfortably.
36:04Go and check if the cat is here.
36:05Oh God.
36:06I don't feel like getting up when you sit.
36:09Mom, you go now.
36:10I'm going.
36:11Tell me, why didn't you eat?
36:13Mom, we ate outside.
36:14Are you going to wake us up?
36:16I'm going.
36:17Go, mom.
36:18We have to go to work in the morning.
36:20I'm going.
36:21Go to sleep.
36:23Good night.
36:24Good night, mom.
36:32You said you were going to come tomorrow.
36:34Shut up.
36:35Mom.
36:36It's good.
36:37We could have died together.
36:39You're thinking too much.
36:44You'll sleep like this?
36:45Yes.
36:48I'm not coming today.
36:56Good morning, sir.
36:57Look.
37:02Your son gave it to me.
37:06Sir, actually...
37:07I don't know anything about this.
37:09I'll ask Rohan.
37:10What will you ask?
37:12Hit the stick.
37:14He's studying today.
37:15He'll meet you at the brothel tomorrow.
37:20Hello.
37:24Badama Hospital.
37:26Okay.
37:27Prabhani.
37:33Badama Hospital?
37:34It's a big hospital for kidney transplants.
37:37More than half the operations take place in Mumbai.
37:41But Mr. Pitle said the kidneys won't be suitable.
37:44Then how will the operation take place?
37:46That's right.
37:47Even if the operation doesn't take place,
37:49the appointment will take place.
37:51Once we get the appointment list,
37:53and we find out who cancelled the appointment,
37:57we can get the lead from there.
37:59But if the killer killed for the kidneys,
38:01then why is the name of the next victim written on his hand?
38:07We'll find out.
38:26Call your MD.
38:28Regarding?
38:29Regarding?
38:35One second, ma'am.
38:39Hello.
38:46Yes.
38:53Okay, ma'am.
38:57Sorry, ma'am.
38:58It's confidential. I can't share.
38:59Okay.
39:00I'll get the warrant.
39:02You spoke to him on the phone, right?
39:03Let me know.
39:09Hello, Mr. Gawande.
39:11Yes, sir. The police came to the hospital just now.
39:16You want the warrant?
39:18Yes, sir.
39:21Look, I got Mr. Gawande's personal phone.
39:24What if I say the hospital has nothing to do with the double murder?
39:29Sir, you may be right.
39:31But the 100% surety will be after the investigation, sir.
39:35What if I say I'm 100% sure?
39:45Sir, if he's not hiding anything,
39:47then why isn't he giving the record?
39:53Sir.
40:05Sir.
40:17Sir?
40:24What are you hiding?
40:26Tell me. Tell me the password.
40:33I understand.
40:35You must have a personal photo with your wife.
40:39You must have abused me on text messages.
40:41There are 50 things to hide.
40:45To take out a pearl,
40:47you don't have to turn the whole ocean upside down.
40:54This double murder has nothing to do with Badama Hospital.
40:59I've found that out.
41:02Now you find out
41:05whose connection this is.
41:24Found it, sir.
41:28What now, sir?
41:35We are missing something.
41:44Hey, where are you?
41:47Hey, where are you?
41:53I'm speaking.
41:56Hey, where are you?
42:00Sir.
42:07Sir.
42:14Look at this.
42:16There's a company logo on this index card.
42:19This is a French company.
42:21This company doesn't have a presence in India
42:24or any supply chain.
42:26Then where did it come from?
42:28I spoke to some luxury paper vendors in Kulhava.
42:31This unique brand
42:33must have either come from France
42:35or taken it from somewhere in Europe.
42:37It means the killer is upper class.
42:40You are getting more and more into the case.
42:43One upper class killer,
42:45two lower class victims
42:47and now this third target,
42:49a middle class police officer.
42:52Hmm.
42:54Alok, this is Peter.
42:57I'm reading your write-up.
42:59The one about Suraj Desai.
43:01You already knew Suraj Desai?
43:04Oh, okay.
43:06So, did you meet his wife Himali?
43:11You didn't meet her?
43:13Then where did you get all this information from?
43:15I mean, from any of his relatives or friends?
43:17What?
43:20Seriously?
43:23Oh.
43:25No, no. No stress, pal.
43:27But what a brilliant write-up, huh?
43:30Let's go.
43:32Let's go. Let's go. Bye.
43:35This is the so-called journalist.
43:39He wrote the entire write-up
43:41without talking to a single witness.
43:43Shit.
43:46What's this?
43:48Hmm.
43:50A modern treatment for homosexuality.
43:53Nature has created for making a relationship
43:56between man and woman.
43:58Don't joke.
44:00I'm not joking.
44:02This is a scam. It's bogus.
44:04If all this was working,
44:06none of this would have happened.
44:08That's not the point.
44:10We have to talk to someone, right, Junaid?
44:11Someone who knows something about all this.
44:16I'm thinking.
44:18Yes, so...
44:20So...
44:22Should we talk to Leslie?
44:24I won't talk to Leslie.
44:26Why?
44:28I won't talk to Leslie.
44:30But why?
44:32He's also...
44:34Yeah, but I mean...
44:36I'm not going to talk to him.
44:38Then call him.
44:39But do something.
44:41Sir?
44:44What's this?
44:46Surin Fernandez's file.
45:05Come in.
45:10Oh!
45:13Peter Fernandez, the great!
45:16In our poor house.
45:18What did you say?
45:20He brought his picture?
45:22Is it done?
45:26Oh, come on, Peter boy.
45:29What went wrong in the parade?
45:31Are you assuming?
45:33In that parade,
45:35there were tea vendors,
45:36policemen,
45:38so many of them were there.
45:40What does that mean?
45:42All against?
45:44Seriously?
45:46It's not what you think it is.
45:48Then what is it?
45:50You have to give me a promise.
45:52That you won't tell Millie what I'm about to tell you.
45:55Give him.
45:57Come on.
46:01You...
46:02You...
46:04You must have heard about the Mahim murders, I'm sure.
46:09Go on.
46:11In the phone records of both the victims,
46:14we found Sunil's number.
46:16Oh!
46:19This can't just be a coincidence, can it?
46:22That two people died.
46:24Both were gay.
46:26And both were at the Mahim station.
46:29I don't understand what to do.
46:32I need your help.
46:34Peter boy.
46:36You don't like my choices.
46:38You don't like my preferences.
46:40Yet you came to me for help.
46:42Do you think I'm responsible for all the gays in the city?
46:50For the past few days,
46:54Sunil is not at home.
46:57His phone is also switched off.
47:02I can't talk to him.
47:04I just want to know more about this matter.
47:08If you can help me, then...
47:16You know what?
47:18You're one lucky guy, Peter Fernandez.
47:21Leslie is going to give you exactly what you want.
47:26So, here's the deal.
47:28The Mahim station's toilet
47:31has always been a gay prostitution den.
47:35It's at the very end of the toilet platform.
47:38And these ordinary people never go there.
47:41I need a location.
47:43You used to go there too?
47:45Of course.
47:47During my salad days.
47:49When I was kicked out.
47:52Wait a minute.
47:54Are you trying to judge me, Mr. Fernandez?
47:57Come on, man.
47:59What do you think?
48:01Why do people go there?
48:05It's not about sex all the time.
48:09Let me make it easier for you.
48:11Just think about it.
48:13How would your life be without Millie?
48:18Empty?
48:20Lonely?
48:24You know, every gay person lives their life with this feeling.
48:30Sometimes, they just crave for a human touch.
48:34But that's not possible in this repressed society.
48:37They're scared.
48:39If the boss kicks them out of the job,
48:42what do they do? Where do they go?
48:45That's why they go to such places.
48:49You understand, Peter boy?
48:51Time for medicine?
48:53Thank you, darling.
49:02Sit, sweetheart. Come on.
49:04Come here.
49:08Good boy.
49:12I don't want to hear anything from you.
49:15Tell me now.
49:17What's the matter now?
49:19I'll tell you right now.
49:23It's nothing, sweetheart.
49:25It's a wedding.
49:27I get bored sitting at home.
49:29Now...
49:31If he can't do it, he'll get into trouble.
49:34Then...
49:36Actually, our society's watchman has been missing for a week.
49:40You probably don't know.
49:42So...
49:44I spoke to the secretary of our society.
49:47So I said...
49:49I'll do the watchman's job.
49:51What?
49:53Baba.
49:55Baba.
49:57Have you lost your mind?
49:59Which secretary?
50:01Give me the old man's number. I'll talk to him.
50:03Why? Why would you talk to him?
50:05He didn't come to me.
50:07I went to him myself.
50:09So you went to yourself to defame the family?
50:11Didn't you think about what the society would say?
50:13What would they say? Let them say.
50:15I don't care.
50:17I care!
50:19I still have a little respect left.
50:20Shut up! Why did you defame me?
50:22Talk to me politely.
50:24If I see you and the old man together again,
50:28you'll see.
50:30Now you talk to me politely.
50:34Baba, you won't do this.