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In this Turkish series Sen çal kapimi “You Knock on My Door”, talk about great love between two young people. Eda Yldyz is a young and charming florist; she dreams of getting a prestigious education abroad. Only she has to face great financial difficulties and there will come a moment when there is practically no money left to pay for expensive training. Ed is not going to just give up, and she decides to seek help from private foundations. After all, she had been striving for her dream for so long, she couldn’t just refuse it.
A young guy named Serkan Bolat responds to her request. The family of the protagonist of the Turkish series “Sen Çal Kapımı” with English subtitles owns a large company, and he decided to provide a scholarship for Eda. Some time passes and for some reason Serkan begins to reduce the private scholarship for the girl. Eda, of course, decided to find out exactly why it was happening. And then Serkan sets a condition for Eda, and if she fulfills it, then he will return full funding for her further studies abroad. Only Ed will have to play the role of Serkan's bride and tell everyone that they are supposedly engaged. The girl was shocked by such a statement and for this reason her hatred of the impudent guy only increased.
#loveisintheair #handelercel #eda
In this Turkish series Sen çal kapimi “You Knock on My Door”, talk about great love between two young people. Eda Yldyz is a young and charming florist; she dreams of getting a prestigious education abroad. Only she has to face great financial difficulties and there will come a moment when there is practically no money left to pay for expensive training. Ed is not going to just give up, and she decides to seek help from private foundations. After all, she had been striving for her dream for so long, she couldn’t just refuse it.
A young guy named Serkan Bolat responds to her request. The family of the protagonist of the Turkish series “Sen Çal Kapımı” with English subtitles owns a large company, and he decided to provide a scholarship for Eda. Some time passes and for some reason Serkan begins to reduce the private scholarship for the girl. Eda, of course, decided to find out exactly why it was happening. And then Serkan sets a condition for Eda, and if she fulfills it, then he will return full funding for her further studies abroad. Only Ed will have to play the role of Serkan's bride and tell everyone that they are supposedly engaged. The girl was shocked by such a statement and for this reason her hatred of the impudent guy only increased.
#loveisintheair #handelercel #eda
Category
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TVTranscript
00:003.
00:01I'm not fit to learn from your mistakes.
00:07This lie is a necessity, or I'm not fit for you.
00:15But a light in your eyes, the beat of my heart, the sound of my heart.
00:26But a light in your eyes, the beat of my heart, I'm not fit for you.
00:36Turn your face to the sky, look at the star of love.
00:43It will shine, it will go out, I know.
00:50Everything happens, everything ends.
00:54A star slips through the sky.
00:58Everything happens, everything ends.
01:02Loneliness always keeps the mirrors frozen.
01:20Everything happens, everything ends.
01:24A star slips through the sky.
01:28Everything happens, everything ends.
01:32A star slips through the sky.
01:36Everything happens, everything ends.
01:40A star slips through the sky.
01:44Everything happens, everything ends.
01:49Oh, this girl.
01:53I hope she didn't run away.
01:55She didn't even answer her phone.
01:56I'm going crazy.
01:57Anything can happen.
01:58Aida, everything can happen.
02:00We cannot say anything.
02:03Mello, check the app on your phone.
02:07Huh, right.
02:11I can't see.
02:13But why?
02:14Why?
02:15Why?
02:16Because I removed her from Aida's phone so that she doesn't know that I'm with Kaan.
02:22Oh, you're so mellow.
02:23What's all this mellow?
02:24Bravo mellow.
02:26That's enough of you guys.
02:27All of you are mellowing together.
02:30How would I know?
02:32Because of Kaan's attitude, I lost faith in love.
02:35Now I can't even find my friend.
02:36I don't know where she went.
02:38I still think that she's with Sir Kaan.
02:40That's right.
02:41How can that be?
02:42When she doesn't even know where Aida is.
02:45You guys are too much.
02:50Well...
02:51What?
02:55I think...
02:59I know a little.
03:01So?
03:03Just a little.
03:04Not much.
03:05How much do you know?
03:06Will you tell me clearly about this?
03:09Well...
03:12Sir Kaan came.
03:13When he asked...
03:15Maybe I told him.
03:17Mellow, why didn't you tell me from the beginning?
03:20So what could I do?
03:21I was too emotional.
03:24Someone else was also yearning for their love.
03:26I didn't like it, so I told him.
03:31There.
03:32He's not answering his phone either.
03:33I can't wait any longer.
03:34Let's go.
03:35Come on.
03:36Yes, this will be right.
03:37Come on, let's go to Sir Kaan's house.
03:39I can't wait any longer.
03:41I'll stay here.
03:42If Aida comes, she should meet someone.
03:44You three go.
03:46Exactly.
03:47I'll be right back with my bag.
03:51Come on, Mellow, let's go.
03:53I'm not going.
03:54Why should I go?
03:55I'll stay with Jherin.
03:56Come quietly, Mellow.
04:01Don't be my mother.
04:12Here you go.
04:30It's getting cold, isn't it?
04:32Yes.
04:33Come with me.
04:35Yes, so...
04:36Everything is done now.
04:48So...
04:50We can remove these handcuffs.
04:54What do you mean?
04:57You could have removed the handcuffs, but you didn't.
05:01Yes, Aida.
05:03Yes, Aida.
05:08Yes, Aida.
05:12Because I liked it.
05:15The great award-winning architect Sir Kaan Bullard...
05:17thought he could get rid of the handcuffs.
05:20Did you really think that?
05:21You're so creative, Sir Kaan.
05:26Open it.
05:27As you wish.
05:33Here you go.
05:47What kind of a person are you?
05:48I can't believe it.
05:50Really?
05:55Why would anyone do such a thing?
05:57Are you asking me that?
05:59Are you asking me...
06:00why would anyone do such a thing?
06:06By the way, your smile...
06:09tells me that...
06:11you liked it too.
06:14Anyway, there's one more thing.
06:18Here you go.
06:19Oh, so this was there.
06:22It's getting cold.
06:24I'll go get some wood.
06:26Where are you going?
06:27You made me wait for so long to talk to you.
06:30Talk to me.
06:36There's no one here.
06:41Mello.
06:42What?
06:44There's no trace of Sir Kaan and Aida here.
06:47Then, okay.
06:49Let's call Aida.
06:51She's not picking up.
06:52Oh, dear.
06:57Let's open this and see if they're inside.
07:00What are you doing?
07:01Have you gone mad, Figan?
07:03You're not a locksmith to open the door like that.
07:06Tell me the truth.
07:07Isn't this your job?
07:08Yes, Mello.
07:09Shut up for two minutes.
07:10Fifi.
07:11Don't act like a fool.
07:12Let's go.
07:16What's going on?
07:18What's going on here?
07:19Hello, Mr. Fifi.
07:20Hello.
07:21Hi.
07:22Hello.
07:23Hello.
07:25So, are you all here just to say hello?
07:27What happened?
07:30What happened?
07:31Have you seen Mr. Sir Kaan?
07:33No, we haven't.
07:34We came here to look for Aida.
07:36We wanted to meet her today, but we couldn't.
07:39Do you know where she is?
07:41She's not here.
07:42Keep the hairpin in your pocket.
07:44Where's Mr. Sir Kaan?
07:45I don't know.
07:46I don't think much now.
07:49But we should be with Aida.
07:51No, don't say that.
07:53What do we do now?
07:55Shall we go?
08:00Hello, Jherin.
08:01Sir Kaan wants to talk to me.
08:03Maybe he wants to apologize to me.
08:05That's why I'm waiting.
08:07Yes, I'll tell you everything.
08:09We'll talk later.
08:10Okay?
08:11I'll call you.
08:16Okay.
08:25Why did you have to cut the wood?
08:27You could have left by now.
08:29I'm cutting the wood to light the fire.
08:32So that it doesn't get cold in the evening.
08:35And so that we can talk for a long time.
08:38Okay.
08:39I'll be waiting.
08:40Okay.
08:46Okay.
08:59Miss Aida.
09:00I'm Smith, the keeper of your cottage.
09:03Mr. Sir Kaan is here.
09:04What did you say?
09:05Sir Kaan is at the cottage?
09:08He didn't tell me anything about this.
09:10Miss Aida, I don't know.
09:11But there's a girl with him.
09:14There's a girl with him?
09:17And that girl...
09:19Does she have a strange attraction?
09:21Tell me.
09:22I don't know, Miss Aida.
09:25Okay.
09:26When he leaves, let me know.
09:28Okay?
09:29Hang up.
09:37Bon Appetit.
09:39Hello, Miss Aida.
09:41Hello, Mrs. Aida.
09:42Hello.
09:43Hi.
09:45Hi.
09:46Come, come.
09:47Won't you sit down?
09:49No, thank you.
09:52Miss Elliot, when I saw you, I thought I was at work.
09:57I still have a job.
09:59If Aida and Sir Kaan separate, you might fire me too.
10:02I don't care if Aida and Sir Kaan separate.
10:06Good, good.
10:08How did you come here, Miss Eiffel?
10:10You look like you've come here with a wedding procession.
10:15I had a lot of fun.
10:17Me too.
10:19We came here looking for Aida.
10:21Sir Kaan must know where she is.
10:25Sir Kaan has gone to the cottage.
10:27And Aida is with him.
10:30My brother-in-law is so romantic.
10:33What nonsense is she talking?
10:36This is very romantic.
10:38You haven't been there for a long time.
10:40Sir Kaan was right.
10:41What's romantic about it?
10:42And anyway, he's broken up with her.
10:45I'm not talking about you, Miss.
10:48They were engaged, but now they're separated.
10:51Exactly.
10:52So they're separated.
10:54And Shalime is alone.
10:55No.
10:56Aida told us, when we were supposed to meet today.
10:59Tell me, what are they doing together in the cottage?
11:02What are you trying to say?
11:04That my son has kidnapped Aida and kept her there?
11:07No, no, Mrs. Aida.
11:09Aida is not a kid who can be kidnapped.
11:12If he wanted to talk to her, he could have told her.
11:16That's great.
11:17So you're saying that Aida has kidnapped Sir Kaan?
11:21Let me tell you, he's not a kid either.
11:23I'm sorry.
11:25First of all, enjoy your food.
11:29And you're wrong.
11:32Sir Kaan followed Aida.
11:34Aida didn't follow Sir Kaan.
11:38How can you be so sure, Mille?
11:41Sir Kaan came to ask me, and I told him.
11:47Okay, fine, fine.
11:49They'll come.
11:50I think you should eat something.
11:52We'll also find out why they went there.
11:55You guys go ahead, don't worry.
11:57Come on, girls.
11:58Let's go.
11:59Mrs. Aida, have a nice day.
12:01Thank God.
12:03It's good that they left.
12:05Seeing them makes my head explode.
12:09You see, Selen.
12:10When two people get married,
12:12two families get married too.
12:16Okay, fine.
12:17Forget all that.
12:18Here, look at the album.
12:22Maybe.
12:29Oh, look.
12:30You look so pretty.
12:36Aida.
12:44It's done.
12:47Tell me.
12:48I'm listening.
12:52Kaan's Aida.
12:56Are you serious?
12:59Aida.
13:00What do I have to hear?
13:01And what are you saying?
13:02What do you want to hear?
13:05Nothing.
13:06You tell me.
13:08She has hurt both of us.
13:10And also broken Malik's heart.
13:13You hurt me too.
13:14Did you forget?
13:15Yes.
13:16And now I want to fix everything.
13:20You have an ecological hotel project.
13:22This was your idea.
13:24So now,
13:25we'll take everything from her that is mine and yours.
13:28We can do this together.
13:29I have nothing to do with this.
13:32So did you bring me here to give me a job?
13:37No, just that.
13:39So what?
13:42It's raining a lot.
13:45Who else brought me here?
13:47Who else brought me here?
13:49Tell me.
13:51Look,
13:52I know you're mad at me.
13:55So now you're going to say that you're right and I'm wrong?
13:58Look, you were wrong, Aida.
14:00If you had paid a little attention,
14:04this wouldn't have happened.
14:07So instead of apologizing to me,
14:09you brought me here to tell me I was wrong?
14:11No, no.
14:12Listen to me.
14:13I don't want to listen to anything.
14:15Aida,
14:16I really don't understand.
14:18Sometimes I think you're crazy.
14:20Let me finish what I have to say.
14:22I don't want to talk.
14:23I'm leaving.
14:24Okay, fine.
14:25Let's go.
14:26Sarkar,
14:27I don't want to stay here with you for a moment.
14:29I'll leave on my own.
14:30Aida, we're on a mountain.
14:32How are you going to leave?
14:33If I need to, I'll jump off.
14:35I just want to stay away from you.
14:41Aida!
14:43Aida!
14:47Aida!
14:48What, Aida?
14:49What do you want from me?
14:59Aida!
15:13Let's go inside.
15:14It's raining heavily.
15:15I'm leaving, Sarkar.
15:19I didn't know you couldn't stand me.
15:22So you stay here.
15:23I'll leave on my own.
15:29Aida!
15:40So what are they doing on the mountain?
15:44Sometimes I get weird thoughts.
15:49Get out.
15:53He asked me.
15:54I told him.
15:56He came to look for me.
15:57He found me.
15:58The one who looks for you always finds you.
16:01He was so loud that I didn't want to hear his name again.
16:05Will someone tell me what he's doing there?
16:08They were going to talk.
16:10Why does he follow her around?
16:13Did he send you as a spy?
16:16Do I really look like a spy to you?
16:18I'm glad to hear that.
16:20You think everything is a joke, right?
16:22But I'm not joking.
16:23Yeah, I'm not either.
16:25Enough, Aida.
16:26Do I always have to see this monkey in your house?
16:29No.
16:30What has he been doing there for so long?
16:33Aifur aunty, Aida has never lied to you.
16:36And she has never hidden anything from you.
16:38When she comes, we'll all know where she was and what she was doing.
16:42Jaren, I'm not saying that she's hiding anything from me.
16:46But what is she talking about?
16:48I mean, why is she talking?
16:51What does she want?
16:53Oh, I'm tired.
16:58Melo, Diya, go to sleep.
17:01Come on, honey. Go to sleep.
17:24I'm staying at Sarkar's house today.
17:27But without Sarkar.
17:54What are you doing?
18:18What are you doing?
18:20What have you done?
18:23I'm so sorry.
18:25I thought you were a thief.
18:27That's why I put this spray on you.
18:30I'm so sorry.
18:32What nonsense are you talking?
18:34And tell me, from which angle do you think I'm a thief?
18:37Are you okay?
18:39No, not at all, Aida.
18:41Forgive me, but I said what I thought.
18:45I'm sorry.
18:47I'm here.
18:48I brought something for you.
18:50You...
18:52You can even stare with your eyes closed.
18:54Come on, let's clean your face.
18:56Come with me.
18:57Come on, let me clean your face.
19:01Farid.
19:05Let's do something together.
19:07Why don't we watch a movie?
19:09You'll like it.
19:11Actually, I have to meet my friends.
19:14I'm getting late.
19:15We'll watch it later.
19:17Good night.
19:18Good night.
19:24Good night.
19:33Are you okay now?
19:35No, I don't know anything, Aida.
19:37I think I'll never be able to see again.
19:42Now you can talk with your eyes open.
19:45No, I think you haven't done it properly yet.
19:51What happened?
19:56Now you can see.
19:58Miracle.
20:07I like this dress.
20:10It's my size.
20:13Really?
20:15Yes, really.
20:18I think the whole house is filled with water.
20:21I hope the media doesn't find out...
20:23...that there's a flood in Sarkan Bolat's house.
20:28The streets are flooded.
20:30So, I think we'll have to stay here for the night.
20:34Okay.
20:40And if we stay here...
20:43...come, I'll show you the guest room.
20:46Come on.
20:51Are you serious?
20:53Yes.
20:56Okay, fine.
21:05Come.
21:16Are you drenched?
21:18Yes.
21:22Let's go upstairs.
21:34Come on.
21:43It's wet here too.
22:05So, sir...
22:11This is the only dry bed.
22:17If you don't mind...
22:20...can we sleep together?
22:23Do we have any other choice?
22:26Okay, we'll sleep here.
22:30Okay, then.
22:34Okay.
23:04What are you doing?
23:07I'm getting ready to sleep.
23:10Turn that side and sleep.
23:14What?
23:15Turn that side and sleep.
23:17I always sleep on the right side.
23:19It's good for our heart.
23:25So, try something different today.
23:27Turn that side and sleep.
23:34Okay.
23:36It's very dangerous.
23:50No, I'll try to sleep on the right side.
23:53I might fall asleep.
24:04Okay.
24:20Aida.
24:23Aida.
24:26It's very wet here.
24:29Can I...
24:32...come closer to you?
24:34Just a little.
24:35Actually, the water is dirty.
24:37The water is dripping from the ceiling.
24:39I don't want to fall sick.
24:41If you want to fall sick, go ahead.
24:44But stay there.
24:47Good night, Sarkhan Bulat.
24:51Good night, Aida Yildiz.
25:01Good night, Aida Yildiz.
25:31Good night.
26:01Good night.
26:31Hello.
26:37Hello.
26:39Aunt Aifer is cooking according to her ketogenic diet.
26:42Please don't touch her.
26:45I don't want this ketogenic diet.
26:57I'm fine. I'm absolutely fine.
27:02I'm fine.
27:04I'll handle it.
27:06I'll handle it well.
27:08I'm telling the truth.
27:26Tell me one thing.
27:27Where will I get this ear?
27:28If I go to his office, he won't let me in.
27:32What happened?
27:33This girl keeps roaming around like a ghost.
27:35She has stopped eating.
27:37She keeps crying all the time.
27:38If I find out where she is, I'll break her head.
27:41Does she get so angry that she'll really break someone's head?
27:44Yes, absolutely.
27:45You should also stay away from her.
27:47Aida.
27:48Listen, I'm sleepy right now.
27:50I'll call you later.
27:52She hasn't woken up yet.
27:54She won't understand what you say.
27:57Aida.
28:02One minute.
28:04Aida.
28:05Aida, you...
28:07Aida, listen to me.
28:09You were alone, right?
28:13Aida.
28:14Aida.
28:15I'm sleepy.
28:19I was never happy to see you.
28:22Now tell me where I'll get this ear.
28:24Because of this matter, all of us have lost our minds.
28:28Airdham, what are you doing there?
28:30One second.
28:32Hello, Mr. Sarkar.
28:34Hi, we're just leaving from here.
28:37As soon as Aida wakes up.
28:38If I ask you, will you come to the wedding office?
28:43Bring some sweets with you.
28:46Why don't we distribute them among the neighbors?
28:49What do you say, Mr. Sarkar?
28:51Tell me, Mr. Sarkar.
28:54Aida.
29:04Aida.
29:08Are you serious?
29:12Aida.
29:19Come on.
29:21Come on, I'll drop you home.
29:24No, there's no need.
29:25I'll take a taxi to the main road.
29:27I can go alone.
29:29So, I don't even have the right to drop you home?
29:34Sarkar has already started the valet service.
29:38I'll go myself.
29:40I don't understand what you want.
29:44I left my work for you.
29:46I went to the garden with you.
29:48I put handcuffs on your hands.
29:50What do you want?
29:53You asked me for help for this psychological hotel, right?
29:56So, I'll do it.
29:58For one day.
29:59Just for Melu.
30:00Do you understand?
30:01Okay.
30:02For one day.
30:03I don't know what I have to do.
30:05You'll find out.
30:07We have 24 hours.
30:09Last 24 hours.
30:11I agree.
30:12Then you'll go your way.
30:14And I'll go mine.
30:18Okay.
30:34Can you please give me some bread and water?
30:38I'm not hungry.
30:40But I just want to be with you.
30:44I swear, I feel very bad.
30:46I can't see him like this.
30:47I think he's satisfied with his condition.
30:50We're very happy that you're back, Melu.
30:52Yeah.
30:53But I'll still break Kankarada's head.
31:00Ada is coming.
31:04I'm just trying to make some space for myself in her world.
31:08You're doing the right thing.
31:09Stay here.
31:11Ada, you came alone?
31:14Where's the whole wedding procession?
31:18I spoke to Sarkar yesterday.
31:20Yeah?
31:21But something didn't work out between us.
31:24He asked me to help him with Kankarada.
31:27Yeah, it didn't work out.
31:28But you two were together all night.
31:30It was so romantic.
31:32Actually, Sarkar had left.
31:35But it rained so hard that he had to come back to fill water on the road.
31:40And there was water dripping from the roof.
31:43I don't think anything like that happened.
31:45The cow ran into the mountains?
31:47What's going on?
31:48So tell me, what happened to the cow?
31:51What happened to the mountains?
31:53Did they all catch fire?
31:54Enough, Ada.
31:55I don't want to hear anything.
31:59What did you talk to him about?
32:01We didn't talk.
32:02He just asked me for help.
32:04Why don't you understand that he's confusing you?
32:06It's not like that.
32:07I don't believe it.
32:08You know, all of Ada's friends came here yesterday.
32:11I don't know what they said in front of Selen.
32:14Did Selen get insulted?
32:16Look, tell me one thing.
32:19Are you with this girl to get Selen?
32:22Or are you really starting to like this girl?
32:25We had a lot to talk about.
32:28I left a voice mail for you.
32:30Didn't you hear?
32:31No.
32:32Selen and Verit are getting separated.
32:34You should talk to Selen.
32:39I have some work to do.
32:41If you don't mind, can I go now?
32:44I have to go now.
32:46Good day.
32:47See you.
32:51I've been watching these companies since they started.
32:55They're all new.
32:56But if you look at it, a lot has changed in the last four months.
32:59If they keep growing, why do they need our investment?
33:02Because with your investment, they can grow faster.
33:05And because of that, their risk will be less and their growth will be maximum.
33:09I understand.
33:10Some of them are very promising.
33:13But we need to study them in more detail.
33:16Of course.
33:18Mr. Alptekin, I know you hired me because Selen wanted me to.
33:22But now I want to prove myself.
33:26It's not like I hired you just because Selen told me to.
33:29I know very well that you're fit for this job.
33:35I hope you know that I don't take my decisions at the behest of others.
33:40I know, of course. You're right.
33:41Good.
33:42All right, then.
33:44Now talk about the reporting and the price and make a file.
33:47And finalize everything and show it to the board of directors.
33:50I'll take care of all this.
33:52Thank you again for your time.
33:53I'll take your leave now.
33:54I'll see you soon.
33:55No problem.
33:56I always have time for such things.
33:59Thank you again. Goodbye.
34:01Bye.
34:10Why did Farid come here?
34:12He had some ideas about the holding.
34:14He wanted to talk to me about them.
34:17So, what did you think?
34:19If we work on it, we can get a lot out of it.
34:24That's a good thing.
34:27Excuse me.
34:29Yes, Engin.
34:31Understood.
34:33No, no. Don't cancel.
34:36There's no need. I'll find someone.
34:39Okay.
34:40I'll see you later.
34:45You still play billiards, don't you?
34:49If you say, can I call our new consultant?
34:55Or are you afraid of something?
34:59What do you say?
35:00Call him.
35:02I'm not afraid of competition.
35:06Okay.
35:07I'll call Farid.
35:09Good.
35:35So, are we ready, guys?
36:02Are you ready, girls?
36:04We are ready!
36:11Well done!
36:12And do you know how to play, Farid?
36:14Today, I'll use my skills to impress Salim.
36:18That too, by defeating Sarkar Bulat.
36:20You haven't been able to defeat him yet.
36:22Tell him that you'll start from today.
36:24Let's see.
36:25I don't need to impress anyone anyway.
36:30Aydan and I have been living separately for many years.
36:34Uncle Alptekin, I'm just like your son.
36:36Please don't worry.
36:38And don't say all this in front of everyone.
36:40And among all of you, I'm the unluckiest among all the girls.
36:44Because I never understand girls.
36:46What should I do?
36:47Hey!
36:48Is there a show going on here?
36:50Don't irritate me by standing here.
36:52Go and find some other place to fish.
36:54Go, go, go. Get out of here.
36:56Everything goes according to him.
36:58Despite his mistake, he doesn't even apologize.
37:01He just does as he pleases.
37:03But this won't continue anymore.
37:05Not anymore.
37:06This won't continue.
37:11I don't know anything about men.
37:13But I keep telling Engin about girls.
37:15So that he can impress Peral.
37:19I'm always unlucky.
37:22I'm telling the truth.
37:23My entire relationship was bad.
37:26Look, Engin.
37:27A girl holds your hand and takes you on the path of success.
37:32You'll be successful out there.
37:34But at home, only she will rule.
37:38Is this lamb?
37:40This is fine for me.
37:41No.
37:42Not for me.
37:43It's useless to expect anything from you.
37:47You just show some feelings.
37:50No, all this doesn't work on me.
37:52What will go away if you tell your feelings?
37:55Maybe the other person will like it.
37:57But no.
37:58No.
37:59No.
38:00No.
38:01No.
38:02No.
38:05I don't know anything.
38:06But he'll have to do what I say.
38:09The best choice for you is them.
38:17Your first love.
38:18I think they should be friends.
38:20If you can't live without her, then maybe this is love.
38:25One day we'll get true love.
38:28I'm sure.
38:29We were born for love.
38:31I think you'll know when she comes.
38:34She'll look into your eyes and say, don't go.
38:37Don't leave me.
38:38She'll look into your eyes and say, don't go.
38:41Everyone needs something.
38:46These women are very mixed.
38:48And these men are very simple.
38:50If we don't think too much, we can enjoy openly.
38:53If we don't think too much, we can enjoy openly.
38:58That's it.
39:08I think I got it.
39:14Hurry up.
39:15Wait.
39:20I got it.
39:21Didn't you put it in?
39:22No.
39:23Put it back in the water.
39:24You caught two fish.
39:26What are you looking at?
39:27Put it back in the water.
39:28Don't be crazy.
39:29Why throw it?
39:30We'll put it in the bucket.
39:31I'll put it in the bucket.
39:40What a coincidence.
39:41A star is falling.
39:43It's nothing like that.
39:45It happens many times a day.
39:47I've already told you that the star of your life is...
39:51Eda Yildiz.
39:53And without your knowledge, all your wishes have come true.
39:57What is this?
40:02Look at it, please.
40:22Look at it.
40:23Look at it.
40:52Look at it.
40:53Look at it.
40:54Look at it.
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