When Savva's parents go on vacation, they leave their teenage son in the willing hands of his fortyish female tutor. The two share a mutual attraction and quickly develop a close, personal relationship, studying more anatomy than French.
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Short filmTranscript
00:00:00You
00:00:30You
00:01:00Oh
00:01:12It is a nice of a
00:01:14You
00:01:23We need to know what's to do mr. Potovkin stupidity I'm going to examine we
00:01:28Predicted a little go over there. We'll show you what we make up a snobby
00:01:32pretty dinky
00:01:36Time to be a nice it's a repetitive. Yes, you some you don't go pop over me a propane price
00:01:45We'll show the multi's ma bolshieva shashti a status of them at the moment you must be
00:01:53So I give it a yeah, you're an emalchik. I'll talk to him. We'll make it
00:02:00not to do it in it's a
00:02:03Nadia's a book. I'm sure to hold your polo boy. That's my wish you post upish at army of muzzle pistol. Oh, don't worry
00:02:10Oh
00:02:40I
00:03:10I got are you are?
00:03:40You
00:04:10You
00:04:40Oh
00:05:10-♪♪♪
00:05:40My name is Anna Germanova.
00:05:43Tell me, Sal, are you an Abitur?
00:05:45Yes.
00:05:47I'm usually taught by senior students or those who enter the postgraduate program.
00:05:51Tell me, is there a university where foreign literature is a subject of entrance exams?
00:05:57This is a Russian-French high school.
00:06:00Three years here, two in France.
00:06:02Foreign literature is not part of the entrance exams.
00:06:06The guys who study there told me that in the second or third interview,
00:06:10they ask for French literature.
00:06:12And here I have a complete failure.
00:06:14Okay, I understand you.
00:06:16And what exactly would you like to add?
00:06:19Well, in general, Flaubert, Balzac, Hugo.
00:06:25What did you read?
00:06:28Father Griot?
00:06:29No.
00:06:30Rejected?
00:06:32A man who laughs?
00:06:34No.
00:06:35Madame Bovary?
00:06:36Madame Bovary.
00:06:38I really didn't read it, I saw a movie.
00:06:40You saw a movie?
00:06:42Yes, I really like movies.
00:06:44And it's faster.
00:06:46Do you like movies?
00:06:47No.
00:06:48Okay.
00:06:49First, read Madame Bovary.
00:06:51Do you have a book?
00:06:52Uh-uh.
00:06:55And for the next meeting,
00:06:57write a two-page text on the topic of the tragic collapse of the illusion.
00:07:01Well, let's finish for today.
00:07:04Already?
00:07:07I just got here.
00:07:09What are we going to talk about if you didn't read anything,
00:07:12but just watched a movie because it's faster?
00:07:14I will not take money from you for today's lesson.
00:07:34Madame Bovary.
00:07:35Madame Bovary.
00:07:36Madame Bovary.
00:08:03Madame Bovary.
00:08:04Madame Bovary.
00:08:05Madame Bovary.
00:08:34Hello, Sala.
00:08:35You're late.
00:08:36Yes.
00:08:40What is it?
00:08:41I brought you something to watch.
00:08:43You said you didn't like movies,
00:08:45but what if you like it?
00:08:47It's a horror movie.
00:08:48There's such a well-wrapped plot.
00:08:51Wolf's mouth.
00:08:52Wolf's mouth.
00:08:53Wolf's mouth.
00:08:54Wolf's mouth.
00:08:55Wolf's mouth.
00:08:56Wolf's mouth.
00:08:57Wolf's mouth.
00:08:58Wolf's mouth.
00:08:59Wolf's mouth.
00:09:00Wolf's mouth.
00:09:01Wolf's mouth.
00:09:02Wolf's mouth.
00:09:03Wolf's mouth.
00:09:04Why watch it?
00:09:05Who knows.
00:09:06It's full of adrenaline, stuff like that.
00:09:09Adrenaline.
00:09:10I see.
00:09:11Come in.
00:09:12Okay.
00:09:42...for teenage thinking.
00:09:45The first thing that comes to mind of an unprepared reader
00:09:47is to blame him.
00:09:49To read her image as vulgar,
00:09:51as chaste,
00:09:52and as you wrote it.
00:09:54A lustful woman.
00:09:57But you can...
00:09:58I'm not a teenager.
00:10:02Yes, I said that.
00:10:03It's in a good way.
00:10:05I understand.
00:10:06But I'm not a teenager.
00:10:09And who are you?
00:10:11I'm a young man.
00:10:21It's not easy for a modern young man
00:10:23to understand Emma's tragedy.
00:10:25Your text is full of condemnation.
00:10:28Do you think Flaubert was human?
00:10:30I think so.
00:10:32For example, Charles Baudelaire admired Emma.
00:10:34He said that
00:10:36the author gave the heroine all the qualities of a man.
00:10:38Imagination,
00:10:40energy for action,
00:10:42zeal...
00:10:44What do you think, Sava?
00:10:46What is Emma's mistake?
00:10:48She...
00:10:50She wanted to live like in novels.
00:10:52Yes.
00:10:54In our time, literature was pushed out
00:10:56by your favorite cinematographer.
00:10:58And instead of living like in novels,
00:11:00she had to live like in a movie.
00:11:02Of course, as you said,
00:11:04Emma's consciousness is clouded
00:11:06by romantic literature.
00:11:08But all her actions
00:11:10are helpless attempts
00:11:12to free herself
00:11:14from the pressure of the prose of life,
00:11:16from its grayness.
00:11:18And she does it
00:11:20as she feels,
00:11:22as she understands,
00:11:24as she can.
00:11:26If this is a famous tired phrase
00:11:28of Flaubert,
00:11:30Madame Bovary is me.
00:11:32And maybe it was the answer
00:11:34to all the accusations of moral insults
00:11:37that led to the release of the novel.
00:11:39And maybe he, just like Emma,
00:11:41aspired to a high ideal in his life.
00:11:43But the ideal of our ordinary life
00:11:45is impossible.
00:11:47It does not exist.
00:11:49I want you to find a detailed description
00:11:51of Emma's portraits by the next meeting.
00:11:53Emma's portraits change
00:11:55depending on the point of view
00:11:57of the person looking at her.
00:11:59We'll talk about it at the next lesson
00:12:01and move on.
00:12:03Okay.
00:12:05Why don't you just throw them out?
00:12:07What?
00:12:09The flowers.
00:12:11There is an unopened bud.
00:12:13You just didn't notice it.
00:12:19See you, Savva.
00:12:21Are you on Facebook?
00:12:23No.
00:12:25I'm not on Facebook.
00:12:27Oh, you're probably classmates.
00:12:29No, I'm not anywhere.
00:12:31Goodbye, Savva.
00:12:33Goodbye, Anna German.
00:12:59Hi, Gosha.
00:13:02No, we didn't leave.
00:13:06In three days.
00:13:08I told you.
00:13:10You got it all wrong again.
00:13:14I'll call you when they leave.
00:13:16Yes, yes.
00:13:20Goodbye.
00:13:32Well, that's great.
00:13:34You just copy everything.
00:13:36Otherwise, it's still difficult to understand
00:13:38according to the stories.
00:13:40Dad, listen, can you tell me
00:13:42how you cook steak?
00:13:44Yes, I want to cook.
00:13:46Yeah, now.
00:13:48Yeah.
00:13:50Oh, that's how.
00:13:52And I'll do it right away.
00:13:54Yes, I'll do it right away.
00:13:56Yes, I'll do it right away.
00:13:58Yes, I'll do it right away.
00:14:00Yes, this is my first attempt.
00:14:02Yes, this is my first attempt.
00:14:04Well, I thought I could just throw the meat
00:14:06in the pan and everything would work out.
00:14:08Yes, I found it, yes.
00:14:10There were already a couple of classes.
00:14:12Okay, thanks, Dad.
00:14:14Hi, Mom.
00:14:16All right, bye.
00:14:30Hello.
00:14:36Wait a minute.
00:14:40Hello.
00:14:42Yes.
00:14:44Yes, yes.
00:14:48Yes.
00:14:55Hey, what are you waiting for?
00:14:57What?
00:14:59What?
00:15:09Hello, Sava.
00:15:11Come in.
00:15:17My pipe broke here.
00:15:23There was a little dripping there.
00:15:25I tried to
00:15:28twist the tap a little harder,
00:15:30but it was dripping.
00:15:34I wanted to call the plumber,
00:15:36but no one picked up the phone anywhere.
00:15:38Everything was paralyzed on the weekend.
00:15:45That's it.
00:15:47I blocked the tap.
00:15:49There will be no water now.
00:15:51The plumber needs to come
00:15:53and fix everything.
00:15:55If you need water, it will go to the bathroom.
00:15:58Okay. Thank you, Sava.
00:16:00You're welcome.
00:16:02You just saved me.
00:16:14Is this your mom?
00:16:20I'm sorry.
00:16:22I didn't have enough water today.
00:16:24This is the freest shirt I've ever found.
00:16:26I can do it like this.
00:16:28No, you don't have to.
00:16:30Put it on yourself.
00:16:36It suits you.
00:16:43Well, shall we start?
00:16:45Yes.
00:16:47Okay.
00:16:49Emma's description.
00:16:51This is her portrait with Charlie's eyes,
00:16:53when he saw her for the first time.
00:16:55Her eyes were really beautiful.
00:16:57Brown.
00:16:59They seemed black,
00:17:01and the eyelashes looked at us
00:17:03with some direct courage.
00:17:05The cheeks of the girl were pink.
00:17:07Between the two buttons of her corsage
00:17:09was stuck like a man's turtle neck.
00:17:11This is a testimony
00:17:13of her manly side,
00:17:15which the plumber talked about.
00:17:17Okay, go on.
00:17:19This is Emma's eyes of a million.
00:17:21But this is not so much
00:17:23a description of her appearance
00:17:25as an impression she made on him.
00:17:29Pure feminine qualities
00:17:31were absent in the image
00:17:33he had created for himself.
00:17:35They were no longer valuable to him.
00:17:37His imagination was more and more
00:17:39torn from the ground,
00:17:41and exactly in the apotheosis
00:17:43with divine lightness
00:17:45it was carried to the top.
00:17:47And Rudolf.
00:17:50Her eyes were black,
00:17:52her legs were cocky,
00:17:54and her manners were like that of a Parisian.
00:17:56Where the hell did she come from?
00:17:58Okay. What do you think, Sava,
00:18:00which of Emma's portraits is the most accurate?
00:18:02I knew you would ask this question.
00:18:04I don't think so.
00:18:06Charles only saw what he had never seen before.
00:18:08Hair, grace.
00:18:10And Leon
00:18:12only saw
00:18:14the object of inspiration.
00:18:16As if she were not a human,
00:18:18but an ideal for devoting verses.
00:18:20And Rudolf only saw the body.
00:18:22I found another portrait.
00:18:24A special one.
00:18:26And I think it is her portrait
00:18:28with the eyes of a flambeau.
00:18:30She was beautiful
00:18:32in that indescribable beauty
00:18:34that nourishes joy,
00:18:36inspiration, success,
00:18:38and which, in essence,
00:18:40is nothing but harmony
00:18:42between temperament and circumstances of life.
00:18:44Enthusiasm, sorrow,
00:18:46experience, pleasure,
00:18:48eternal youthful dreams.
00:18:50All this was as necessary
00:18:52for her gradual spiritual growth
00:18:54as the necessary fertilization
00:18:56of flowers, rain, wind, and sun.
00:18:58And now she suddenly opened
00:19:00in all the fullness of her nature.
00:19:02The cut of her eyes was as if
00:19:04created for the beloved gaze.
00:19:06It seemed that the artist,
00:19:08experienced in temptations,
00:19:10laid curls of hair on her nape.
00:19:12And when the secret of love
00:19:15was revealed,
00:19:17they fell carelessly
00:19:19with a heavy wave.
00:19:21The voices of Emma's movements
00:19:23became softer.
00:19:25Something piercing,
00:19:27but elusive,
00:19:29even came from the folds
00:19:31of her dress,
00:19:33from the bend of her legs.
00:19:39I think that Flaubert
00:19:41cannot hate her.
00:19:45Savva, I thought
00:19:47that for your preparation
00:19:49we don't need such a deep discussion
00:19:51that we had with you.
00:19:53But I'm interested.
00:19:57Me too.
00:20:15I love you.
00:20:17I love you too.
00:20:45I love you.
00:20:47I love you.
00:20:49I love you.
00:20:51I love you.
00:20:53I love you.
00:20:55I love you.
00:20:57I love you.
00:20:59I love you.
00:21:01I love you.
00:21:03I love you.
00:21:05I love you.
00:21:07I love you.
00:21:09I love you.
00:21:11I love you.
00:21:13I love you.
00:21:15I love you.
00:21:17I love you.
00:21:19I love you.
00:21:21I love you.
00:21:23I love you.
00:21:25I love you.
00:21:27I love you.
00:21:29I love you.
00:21:31I love you.
00:21:33I love you.
00:21:35I love you.
00:21:37I love you.
00:21:39I love you.
00:21:41I love you.
00:21:43I love you.
00:21:55Get team down that way.
00:21:59Where to?
00:22:01Here we are!
00:22:03Meet my sister Anya.
00:22:05Hi, Anya.
00:22:07Hi.
00:22:09She is a teacher of literature.
00:22:11Step, go to Aunt Anya. She has a present for you.
00:22:21Happy birthday, Step.
00:22:29Step, come on, hug her, like family.
00:22:35Anya, sit down with Petro Anatolyevich.
00:22:41Anya, Petro Anatolyevich.
00:22:43Hello.
00:22:44By the way, Petro Anatolyevich is very similar to our father.
00:22:47So strict, a real Siberian.
00:22:50We are from Zaboykaly, we have a village of more than a hundred years.
00:22:52How good it is!
00:22:54Who is good?
00:22:56This is not a village where everyone knows each other,
00:22:58they arrange constant feasts.
00:23:00There is no one on the street, everyone sits in their homes.
00:23:02It's cold, slimy.
00:23:04We have a father German, a mother Vera, the kingdom of heaven.
00:23:07Sometimes they don't say a word to each other during the day.
00:23:09It was so fun that when Anya finished school,
00:23:11she immediately went to the city.
00:23:13But then, a few years later, I followed her.
00:23:15Stepka, happy birthday!
00:23:17Stupid name.
00:23:19Step, now the old Russian names are in fashion,
00:23:22so you are in our trend.
00:23:25That's it, I went hot, I'll check.
00:23:28Petro Anatolyevich, take care of Anna German.
00:23:31By the way, Petro Anatolyevich manages a furniture factory
00:23:34and knows almost everything about furniture.
00:23:37Okay, go ahead.
00:23:39Marina told me a lot about you,
00:23:41but she never said that you were so beautiful.
00:23:48Let's drink to our acquaintance.
00:23:59What classes do you teach?
00:24:04I don't work at school.
00:24:06I teach private lessons at home.
00:24:10I'm very good at reading.
00:24:12I rarely manage to do it,
00:24:14but when I manage to do it, I read to my heart's content.
00:24:17I have the whole collection of James Hedley Chase.
00:24:21Well, not all of it, of course, but a lot of books.
00:24:24It's impossible to get rid of it. Have you read it?
00:24:27No, but I know it.
00:24:30Yes, literature is a high business.
00:24:35I do furniture, but I'm not all that.
00:24:40Although I love my job,
00:24:42but I feel that I can't fully express myself.
00:24:46Do you like the forest?
00:24:48I love the forest.
00:24:50I have a dacha in Sosnovy Bar.
00:24:52Well, it's just a fairy tale.
00:24:54If you like the forest, come to my dacha.
00:24:56I invite you. I have a quadricycle.
00:24:58Adrenaline is just over the top.
00:25:00I'll teach you.
00:25:02We'll make a barbecue.
00:25:04A bathhouse.
00:25:06And how do we go to the bathhouse?
00:25:08Separately?
00:25:10As you wish.
00:25:14You know, I can do both.
00:25:18You decided to catch me, didn't you?
00:25:22Petr Anatolyevich, are you married?
00:25:24Yes.
00:25:26I was.
00:25:28I'm divorced.
00:25:32Marina told you that I'm a lonely woman?
00:25:38Marina said that she has a charming sister.
00:25:42She did.
00:25:46And you decided to invite me to a date at the bathhouse?
00:25:50Anya!
00:25:52Come to the kitchen with me.
00:26:00Anya, dear, what are you doing?
00:26:04Who did something bad to you?
00:26:06Why are you doing this to people?
00:26:08Couldn't you just talk to him?
00:26:10Why did you insult him?
00:26:12Marina, call me a taxi.
00:26:14Do you think I'm flirting with you?
00:26:18It's too late to flirt with you.
00:26:20What do you want?
00:26:22Couldn't you spend 15 minutes with your family?
00:26:26Aren't you interested in how we live?
00:26:32If you want, I can pretend that I'm interested.
00:26:36What clinic do you go to?
00:26:38How is your health?
00:26:42What does Kostya have at work?
00:26:46Did you buy shoes for Anya?
00:26:48You should buy them now.
00:26:52Anya, what are you doing to yourself?
00:26:56I'm not doing anything to myself.
00:27:00I can't make myself interested in what I'm not interested in.
00:27:06I'm not interested.
00:27:12But if you want, I can pretend.
00:27:18Let's go.
00:27:28Petr Anatolyevich,
00:27:30I'm sorry.
00:27:48I'm sorry.
00:28:18I'm sorry.
00:28:48What are you doing here?
00:28:50I knocked on the door. It wasn't locked.
00:28:52I'm sorry.
00:28:54Lyosha didn't knock.
00:28:56You came 15 minutes earlier.
00:28:58I told you the time was fixed.
00:29:02Lyosha? Who is he?
00:29:04A student.
00:29:06Do you have other students?
00:29:08Of course.
00:29:12Take a seat.
00:29:14Well,
00:29:16Balzac?
00:29:22Your father is very boring.
00:29:24Tell him,
00:29:26a vulgar, greedy,
00:29:28and gluttonous provincial woman.
00:29:44Are you going to have someone else?
00:29:46No.
00:29:48You're the last one.
00:30:00Here is your CD.
00:30:02I looked at it.
00:30:04How do you like it?
00:30:06It's nonsense, I understand.
00:30:08It was a joke.
00:30:10But maybe it was a little scary?
00:30:14A little.
00:30:30Lyosha?
00:31:00Lyosha!
00:31:02Lyosha!
00:31:04Lyosha!
00:31:06Lyosha!
00:31:08Lyosha!
00:31:10Lyosha!
00:31:12Lyosha!
00:31:14Lyosha!
00:31:16Lyosha!
00:31:18Lyosha!
00:31:20Lyosha!
00:31:22Lyosha!
00:31:24Lyosha!
00:31:26Lyosha!
00:31:28Lyosha!
00:31:48This is for you.
00:31:50You're the last one.
00:31:52I looked at it.
00:31:58Sava, it wasn't necessary.
00:32:03You didn't have to buy flowers.
00:32:06I know.
00:32:08I bought them for myself.
00:32:11Why for yourself?
00:32:13I wanted them to smell like yours.
00:32:17The flowers were near my bed.
00:32:21You can't keep lilies near your bed.
00:32:25You can get burned.
00:32:27Sava, what is this nonsense?
00:32:30Never bring flowers again.
00:32:34Say it again.
00:32:37What?
00:32:39My name.
00:32:44Sava.
00:32:46Again.
00:32:51Sava.
00:32:53Say it.
00:32:55Kiss me, Sava.
00:33:03Kiss me, Sava.
00:33:19Yes, hello.
00:33:20Agar left.
00:33:22Just yesterday.
00:33:24I was busy. I'm getting ready.
00:33:27Yes, I'll arrange it.
00:33:29No, don't get wet.
00:33:31On the weekend.
00:33:32I don't know, I didn't want to.
00:33:34Yes, call me.
00:33:35There's chicken in the oven.
00:33:38I also baked pancakes for you.
00:33:40They're on the table.
00:33:41I covered them with a towel so they wouldn't get cold.
00:33:43Did you see?
00:33:45If you want.
00:34:45Hello.
00:35:09I found you another tutor.
00:35:14She's a very good tutor.
00:35:17Even more qualified than me.
00:35:20I don't know how much high qualification you need to prepare.
00:35:25But it's a plus.
00:35:27She has time now.
00:35:29She can practice with you.
00:35:36What is it, Sava?
00:35:40Get dressed.
00:35:44Get dressed.
00:36:07Open your eyes.
00:36:31Open your eyes.
00:37:00Open your eyes.
00:37:26Open your eyes.
00:37:31Good.
00:37:36I agree with another tutor.
00:37:42I'm sorry.
00:37:45It's probably too early for a joke.
00:38:44It's okay.
00:39:14You're so beautiful.
00:39:26I'm telling the truth.
00:39:30Always?
00:39:34Mm-hmm.
00:40:03Mm-hmm.
00:40:27Mm-hmm.
00:40:55Mm-hmm.
00:41:24Mm-hmm.
00:41:52Mm-hmm.
00:41:53Mm-hmm.
00:42:01Hello.
00:42:02Hello.
00:42:03My name is Dima. I'm moving into your apartment, so we'll be neighbors.
00:42:07Nice to meet you.
00:42:09Nice to meet you, too.
00:42:11I'll come by one day to get some salt and sugar for you.
00:42:14I live in apartment 67. What's your address?
00:42:20We have a 24-hour grocery store in our house.
00:42:23Goodbye.
00:42:31Goodbye.
00:43:01I'm sorry, I can't answer. Why are you even texting?
00:43:04The motorcycle is broken.
00:43:06It's not broken.
00:43:08It's not broken.
00:43:11It's not broken.
00:43:14It's not broken.
00:43:18It's not broken.
00:43:20Listen, he's just a little bit mad.
00:43:22He doesn't know what he wants.
00:43:24As soon as I came to him, he answered right away.
00:43:27Sorry, I can't answer. Why are you texting at all?
00:43:29Motorcycle is a cool thing.
00:43:32Nobody needs a motorcycle.
00:43:34No, I ride my bike more.
00:43:36By the way, the bike parade is coming soon. Who's going?
00:43:38I'll definitely be there. And Vadik will be at the motorcycle school.
00:43:41Sam, why are you so stupid?
00:43:43You're stupid yourself. Of course I'll go.
00:43:45They're looking at you.
00:43:47Who?
00:43:48Right behind me.
00:43:50Just look carefully. Don't move.
00:43:59Let's drink to the end of the beginning.
00:44:01To the end of the beginning.
00:44:08I've never played football.
00:44:14Listen carefully.
00:44:16I've never played football.
00:44:20I've never painted my eyelashes.
00:44:24I've painted them.
00:44:28Happy New Year.
00:44:30Stop doing this nonsense.
00:44:32I've never had sex at home.
00:44:42Okay, I've never finished tea at one five.
00:44:47What five? You have only three.
00:44:52I've never got a two for a test in chemistry.
00:45:02I've never...
00:45:05I've never had sex with an excellent student.
00:45:12That's it.
00:45:16I've never...
00:45:19I've never...
00:45:22I've never...
00:45:25I've never...
00:45:28I've never...
00:45:31I've never...
00:45:34I've never...
00:45:37I've never...
00:45:40I've never...
00:45:42I've never...
00:45:45I've never...
00:46:13I've never...
00:46:16I've never...
00:46:19I've never...
00:46:22I've never...
00:46:25I've never...
00:46:28I've never...
00:46:31I've never...
00:46:34I've never...
00:46:37I've never...
00:46:39I've never...
00:46:45Hi.
00:47:10Hi.
00:47:12I thought you wouldn't come today.
00:47:17Did you have a good time?
00:47:20Let me feed you.
00:47:23You're grumpy.
00:47:25Does your head hurt?
00:47:29Anya, please sit down.
00:47:39Sit down.
00:47:47I got drunk yesterday.
00:47:53I don't remember well.
00:48:03I slept with my classmate.
00:48:10How did it...
00:48:14How did it happen?
00:48:40Does your head hurt?
00:48:45Did you hear what I said?
00:48:49I heard.
00:48:57Let's take a pill anyway.
00:49:02I don't understand you.
00:49:10What did you expect?
00:49:15Did you want me...
00:49:19...to scream and cry?
00:49:24Did you want me to run around the room in hysteria?
00:49:30Did you want me...
00:49:34...to run around the room in hysteria?
00:49:37Did you want me...
00:49:39...to run around the room in hysteria?
00:49:50Savva, you're a young and handsome guy.
00:49:55You should meet...
00:49:58...young, beautiful...
00:50:02...carefree girls.
00:50:07It's good.
00:50:12Let everything end well now.
00:50:19You told me the truth.
00:50:22I'm very grateful to you for that.
00:50:28It's almost impossible to hear such truth from a man.
00:50:34What's her name?
00:50:38Maryana.
00:50:42It's a beautiful name.
00:50:45Drink.
00:51:03Drink.
00:51:07Drink.
00:51:15Drink.
00:51:27What do you want me to do?
00:51:34This.
00:51:45This.
00:52:15Drink.
00:52:45Drink.
00:52:49Drink.
00:52:53Drink.
00:52:57Drink.
00:53:15Drink.
00:53:45Drink.
00:53:48Drink.
00:53:51Drink.
00:53:54Drink.
00:54:07Hello, Savva.
00:54:09Hello, Natalia Stepanovna.
00:54:11Hi.
00:54:12Hi.
00:54:13I'm waiting for you.
00:54:16I left something in your room. I want to take it.
00:54:19What?
00:54:24Let's go.
00:54:43Let's go.
00:54:52How can you lose something like that?
00:54:55I didn't lose it.
00:54:57I left it.
00:54:59So I could come back later.
00:55:05It's stupid, isn't it?
00:55:08No.
00:55:12Someone told me that your attic is not locked.
00:55:16Let's go to the roof.
00:55:19I'd love to.
00:55:21But I have an exam soon. I need to prepare.
00:55:28Okay.
00:55:41Listen.
00:55:44If it's because of what happened, don't do it.
00:55:48I broke up with my boyfriend.
00:55:50I wanted to feel better.
00:55:53I've liked you for a long time.
00:55:56But I'm not going to drag you down.
00:55:58I don't need anything right now.
00:56:00It was and it was.
00:56:01Deal?
00:56:03Deal.
00:56:06Savva.
00:56:09Savva.
00:56:11Poor girls.
00:56:14Let's be friends.
00:56:16Okay.
00:56:20And from time to time, if you want, we'll have sex.
00:56:27I was kidding.
00:56:30Although I wasn't kidding.
00:56:35I was kidding.
00:56:38Bye.
00:56:39Bye.
00:57:05Come in. It's open.
00:57:21I thought we were in time.
00:57:25We could postpone the class today.
00:57:35Let's go.
00:57:56Savva, there are people here. They can see us.
00:58:04Let's go.
00:58:25Why are you afraid they'll see us?
00:58:31Because it's wrong.
00:58:38She's got black liquid running down her mouth.
00:58:42What?
00:58:44Emma.
00:58:47She was changed into a wedding dress.
00:58:50The waitresses wanted to fix her hair.
00:58:53They touched her.
00:58:56And she's got black liquid running down her mouth.
00:59:27Hello.
00:59:30Did you want to tell me about the call?
00:59:33Yes.
00:59:36I'm sorry.
00:59:39I'm sorry.
00:59:42I'm sorry.
00:59:45I'm sorry.
00:59:48I'm sorry.
00:59:51I'm sorry.
00:59:54Did you want to tell me about the call?
00:59:57I'll fix it.
01:00:24Savva?
01:00:27Oh, hi.
01:00:30Hi.
01:00:33What are you doing here?
01:00:36I was seeing off my sister at the choir.
01:00:39What are you doing here?
01:00:42Visited a friend.
01:00:54Yali yali ya ha ha ha ha
01:00:57Yali yali ya ha ha ha ha
01:01:00Yali yali ya ha ha ha ha
01:01:05To the familiar goose?
01:01:24We're going to walk around the city and see what it's like to live in the city.
01:01:34We're going to walk around the city and see what it's like to live in the city.
01:01:44We're going to walk around the city and see what it's like to live in the city.
01:02:14We're going to walk around the city and see what it's like to live in the city.
01:02:24We're going to walk around the city and see what it's like to live in the city.
01:02:34We're going to walk around the city and see what it's like to live in the city.
01:02:44We're going to walk around the city and see what it's like to live in the city.
01:02:54We're going to walk around the city and see what it's like to live in the city.
01:03:04We're going to walk around the city and see what it's like to live in the city.
01:03:14We're going to walk around the city and see what it's like to live in the city.
01:03:24We're going to walk around the city and see what it's like to live in the city.
01:03:34We're going to walk around the city and see what it's like to live in the city.
01:04:04We're going to walk around the city and see what it's like to live in the city.
01:04:14We're going to walk around the city and see what it's like to live in the city.
01:04:24We're going to walk around the city and see what it's like to live in the city.
01:04:34We're going to walk around the city and see what it's like to live in the city.
01:04:44We're going to walk around the city and see what it's like to live in the city.
01:04:54We're going to walk around the city and see what it's like to live in the city.
01:05:04We're going to walk around the city and see what it's like to live in the city.
01:05:14We're going to walk around the city and see what it's like to live in the city.
01:05:24We're going to walk around the city and see what it's like to live in the city.
01:05:34We're going to walk around the city and see what it's like to live in the city.
01:05:44We're going to walk around the city and see what it's like to live in the city.
01:05:54We're going to walk around the city and see what it's like to live in the city.
01:06:04We're going to walk around the city and see what it's like to live in the city.
01:06:14We're going to walk around the city and see what it's like to live in the city.
01:06:24You said you'd come. I met them.
01:06:28They all left. I couldn't stop.
01:06:38Are you trying to explain yourself?
01:06:42It's noble.
01:06:47It's not nice to make a girl wait for you at the entrance.
01:06:53It's not manly.
01:06:55What?
01:07:02Did you want it to be like that?
01:07:06Stop right there.
01:07:08You lied to me.
01:07:13What did you say?
01:07:16That she'd wait for you?
01:07:18And then you'd go for a walk?
01:07:20Mariana.
01:07:22She happened to be here.
01:07:24I've been fooled by women for years.
01:07:29But that's who I am.
01:07:35How can I look at you from the side?
01:07:44With your eyes?
01:07:47Like this?
01:07:51The table wasn't here.
01:07:55The curtain was there.
01:07:59You laughed at me and my friends.
01:08:02You told me how well you were getting along with me.
01:08:06It's the dream of every half-ripe boy and experienced woman.
01:08:12But here's the problem.
01:08:14I'm not experienced at all.
01:08:16Young man, you're a boy.
01:08:18A little boy.
01:08:20Go home!
01:08:22Go home!
01:08:42I've always been two steps away from him.
01:08:48Two steps.
01:08:52Two steps.
01:09:22Two steps.
01:09:52Two steps.
01:10:15Are you okay?
01:10:17I'll get you some water.
01:10:22I'll get you some water.
01:10:43Sava.
01:10:48I...
01:10:50I'll be right back.
01:11:21Water.
01:11:23Water.
01:11:45Hey.
01:11:50Hey.
01:12:20Hey.
01:12:31Good God, he's home.
01:12:37Isn't he home?
01:12:40I'll show him.
01:12:42Sava?
01:12:47O!
01:12:50O!
01:13:00Do you have an exam next week?
01:13:02Yes.
01:13:05O, can you talk normally? Or is it all in your mouth? What's going on?
01:13:09It's all right, Mom.
01:13:12Thank you, Mom.
01:13:14The dumplings turned out great.
01:13:16Did you make them yourself?
01:13:20I did, son, I did. On the plane.
01:13:22I made them and thought,
01:13:24when we get back, our Sarushka will be hungry.
01:13:28Leave it to me. I'll wash the dishes myself.
01:13:41No, it's that way.
01:13:43That way? You're shouting from another room. Do you think I can see you?
01:13:46You put everything new on the bed for now.
01:13:48And for the blue bag, wash it right away.
01:13:50All right. I'll wash it later.
01:13:53Tolya, you were wearing this shirt there, and now you're going to wash it here.
01:13:57What do we have here?
01:13:59Ah, son!
01:14:01Son, guess what we brought you.
01:14:05What a nice present.
01:14:07Well, what can you bring from Venice?
01:14:10What originality!
01:14:12That's right, a mask.
01:14:14Mercutio, it's such a shame you're a Gorazzo.
01:14:19Sava, what's wrong with you?
01:14:23Lyuba, it's all leaking.
01:14:25What? Where?
01:14:37I don't know.
01:15:07VENICE
01:15:37VENICE
01:15:39VENICE
01:15:41VENICE
01:16:06I can't take it anymore.
01:16:11I can't take it anymore.
01:16:41I can't take it anymore.
01:17:11I can't take it anymore.
01:17:42VENICE
01:17:53You can never fully describe a dream.
01:17:56There's always something left out of the words.
01:17:58As if in real life, these words are too convenient a tool
01:18:02to describe all these feelings and sensations we experience in a dream.
01:18:06And it turns out that between a dream and reality,
01:18:08it's not just a borderline dream.
01:18:10You're sleeping, and then you wake up.
01:18:12It's the impossibility to translate a dream into real life.
01:18:16Because in a dream, other feelings and definitions
01:18:19have other laws that we don't know about in real life.
01:18:24I told you a very interesting story, didn't I?
01:18:28Now you have to tell Masha to delete my phone number
01:18:31and never call me again.
01:18:33No, I understand you very well.
01:18:35Sometimes I wake up from a dream for so long,
01:18:38and I dream about something powerful that I've never experienced in real life.
01:18:42And it's very confusing.
01:18:44Because you wake up, you've already experienced something in a dream,
01:18:47and there you perceive everything as true.
01:18:49But in real life, you don't find similarities to the past.
01:18:54And it's so confusing.
01:18:57You're so boring.
01:18:59You're such a jerk, Masha.
01:19:03I won't have anyone at home today.
01:19:06Come over.
01:19:08Okay, I'll call.
01:19:10Come over.
01:19:12I'd be happy.
01:19:14I'll call.
01:19:33I'll call.
01:20:03I'll call.
01:20:33I'll call.
01:20:53Hi.
01:20:55Hi.
01:21:03Hi.
01:21:33Hi.
01:21:35Hi.
01:21:37Hi.
01:21:39Hi.
01:21:41Hi.
01:21:43Hi.
01:21:45Hi.
01:21:47Hi.
01:21:49Hi.
01:21:51Hi.
01:21:53Hi.
01:21:55Hi.
01:21:57Hi.
01:21:59Hi.
01:22:01Hi.
01:22:03Hi.
01:22:05Hi.
01:22:07Hi.
01:22:09Hi.
01:22:11Hi.
01:22:13Hi.
01:22:15Hi.
01:22:17Hi.
01:22:19Hi.
01:22:21Hi.
01:22:23Hi.
01:22:25Hi.
01:22:27Hi.
01:22:29Hi.
01:22:31Hi.
01:22:33Hi.
01:22:35Hi.
01:22:37Hi.
01:22:39Hi.
01:22:41Hi.
01:22:43Hi.
01:22:45Hi.
01:22:47Hi.
01:22:49Hi.
01:22:51Hi.
01:22:53Hi.
01:22:55Hi.
01:22:57Hi.
01:22:59Hi.
01:23:01Hi.
01:23:03Hi.
01:23:05Hi.
01:23:07Hi.
01:23:39♪♪
01:23:49♪♪
01:23:59♪♪
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01:24:19♪♪
01:24:29♪♪
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