La Promesa Ep 443 Completo - La Promesa Cap 443 Completo - La Promesa RTVE Serie
La Promesa Ep 443 Completo:
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La Promesa Ep 443
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La Promesa 443 Completo
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La Promesa Ep 443 Completo:
La Promesa Cap 443 Completo
La Promesa Cap 443
La Promesa Ep 443
La Promesa Ep Completo
La Promesa 443 Completo
La Promesa Completo
La Promesa RTVE
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FunTranscript
00:00♪
00:03♪
00:06The wheels have the radios broken.
00:09Man, between the ones that are broken,
00:11the ones that are rusty and the ones that are missing,
00:14you might as well buy some new ones.
00:17No.
00:18These will do.
00:20I'll build some new radios with the rods of some umbrellas.
00:24Ah, well, look.
00:25There are old umbrellas in the van.
00:27They might be useful to you.
00:29I'll look for them later.
00:30When I'm done with this,
00:31I'll start working on something else.
00:33Of course. You have work to do.
00:35The chain is full of robin.
00:38I've seen it.
00:39I'll try to save it by putting it in gasoline.
00:42So you're going to have work for several days.
00:44You're going to be entertained with that bike of yours.
00:46I don't think I'll finish it in a couple of weeks.
00:48Wow.
00:49I was hoping you'd learn how to ride very soon.
00:52Santo, couldn't you help him?
00:54Uh, no.
00:55I don't even touch that chain for all the gold in the world.
00:59Don't worry, Maria.
01:00This is a piece of cake.
01:02As soon as I put it in gasoline,
01:03I'll rub it with a brush later.
01:05Ah, well, look.
01:06I can help you with that.
01:07You don't need a lot of knowledge.
01:09And you're working on the rays and the rods of the umbrellas.
01:12Are you sure you want to take care of this?
01:14Look, if you help me with the saddle,
01:16I'm happy.
01:17I don't want to get you in trouble.
01:19I got in because I want to.
01:21Besides, we took it out of a dead rat
01:22and the sooner we start,
01:23the sooner we can ride the bike.
01:25That, of course.
01:28What are you doing, looking at this mess?
01:30As soon as Mrs. Arco sees you,
01:31she's going to be happy.
01:32She's in a dog mood today.
01:33As if that were a novelty.
01:36Yes.
01:37We'd better get back to work as soon as possible.
01:43I'm going to work, too.
01:44And I'm going to take this to the attic.
01:49Marcelo, wait.
01:50Wait.
01:52I have to talk to you.
01:54What's wrong?
01:56Marcelo, it's not the newspaper.
01:58I don't understand.
02:00What's in today's newspaper?
02:01You're in search and capture.
02:03What?
02:05And besides the photograph,
02:06did the newspaper say anything else?
02:07No, I don't know.
02:08I haven't been able to see it well.
02:09Have the gentlemen seen it?
02:10I don't know.
02:12But if they haven't seen it,
02:13they won't take long to do it.
02:14Your face occupied almost the entire page.
02:17We have to destroy that page anyway.
02:20You know it.
02:21I'm not lost, Teresa.
02:22And not just that newspaper.
02:23There's another copy.
02:25Another one?
02:26Yes, another one.
02:27The one that archives the major.
02:29But Don Ropulo is under arrest.
02:30But Mr. Pellicer will do it.
02:31And what do we do?
02:32I don't know.
02:37I guess we have to wait.
02:40Wait until tonight
02:41so that the major archives the newspaper
02:43and tomorrow destroy the page with the photograph.
02:45And what do the gentlemen have?
02:47Watch what they do to him.
02:50And pray that no one sees the photograph.
02:58I didn't see Romulo in a bad mood.
03:00But that place is not a place for a man his age.
03:03Will we ever stop talking?
03:05Bad things are coming, Cruz.
03:07Yes, I know.
03:08But everything will change.
03:10For now, what we have to do
03:12is everything possible to keep him free.
03:14Well, but without making too much noise, Alonso.
03:17We're not going to start an unnecessary scandal
03:19with Mr. Domo.
03:20Well, if we have to make noise, we will.
03:22What for?
03:23Has it served any purpose?
03:24So many calls and so many telegrams?
03:26All we've done to free Manuel?
03:28The truth is, no.
03:29We would bother important people.
03:31And all for an employee.
03:33Romulo has been faithful to us for many years.
03:36You yourself have admitted it.
03:37Well, more faithful to you than to me.
03:40I'm glad you played with my supposed death.
03:42We needed discretion.
03:44At the cost of hiding it from me, right?
03:47It looks like you're taking pleasure in deceiving me.
03:49It was the only way to save Pia, and you know it.
03:52Brave excuse.
03:54You have a very bad idea, Alonso.
03:55It's not an excuse.
03:56It's a fact, Cruz.
03:58By the way, now that Pia is safe,
04:01I don't want her back here.
04:03And why is that?
04:05Because I, who am the lady of this house,
04:07have decided so.
04:09That's not a reason.
04:10And she needs to work.
04:12It has already become clear to me that you do not need me
04:15to protect that woman's interests.
04:17So mind your own business.
04:20Cruz, don't be unfair.
04:22I've already told you that we needed to be very discreet.
04:24Of course.
04:25And since I'm a gossip and a gossip,
04:27you have to leave me alone, right?
04:28It's not that.
04:29Then what is it?
04:30You have to understand the situation of that poor woman.
04:33Her life and that of her son were in danger.
04:35I understand that perfectly, Alonso.
04:37What doesn't fit in my head is that you leave me aside
04:39as if I were a plague.
04:41So you know what I'm telling you?
04:42Then you decide.
04:43But now I'm going to decide.
04:45Pia is not coming back.
04:47I see that this is not against Pia, but against me.
04:50It may be.
04:51And now she's going to pay so you can punish me.
04:54So maybe you'll think twice before cheating on me again.
05:08Come.
05:09What's up?
05:11Where are you taking me?
05:13Where no one can hear us.
05:16What do you want?
05:17What's wrong with you?
05:19What's wrong with me?
05:21And you're going to act like a fool.
05:23I don't know what you're talking about, really.
05:25Telling Mrs. Candela and Mrs. Simona who I am.
05:28They know.
05:29Lope, what are you saying? But you told them yourself.
05:31Yes, yes, but I thought they hadn't believed it.
05:34So now you're telling people that I'm Duques' daughter
05:36to see if they believe it or not.
05:37No, no, it wasn't like that.
05:39Let's see, they started to realize that you get very serious
05:41when your mother came.
05:42And they started asking me a lot of questions.
05:44Well, it was enough not to answer.
05:45Don't you know how to be quiet or what's wrong with you?
05:47Yes, I know, Vera.
05:50But in the end it's true that I got away.
05:52But I assure you that I thought they hadn't believed it,
05:54but they started laughing.
05:55I'm laughing a lot with all this.
05:57Vera, I did it to get out of the way, I promise you.
06:01I thought they had taken it as a joke.
06:03And now what do I do, Lope?
06:05What do I do?
06:06Well, what we're going to do is talk to them
06:07so that they don't say anything.
06:09They're going to talk and the whole palace will find out.
06:11No, that's not going to happen, I promise you.
06:13Don't you know Mrs. Candela and Mrs. Simona or what?
06:16They'll tell everyone who goes through the kitchens.
06:18Well, I'm going to talk to them.
06:19They're trustworthy.
06:20If we tell them it's a secret, they won't open their mouths.
06:22That's what I told you, look.
06:25I can't trust you anymore.
06:38I'm sorry to receive you like this, sir, in these conditions.
06:44It's the same cell you visited me in a little while ago.
06:49I bring you a book.
06:50Thank you very much, sir.
06:52I know better than anyone that the hours in this place can seem eternal.
06:56Who was going to tell us a few weeks ago that we were going to stay in such a hotel?
07:02Do you need a blanket?
07:05Don't you have anything else to warm up?
07:06That's all there is, sir.
07:09At least I see you have a hot coffee to warm up.
07:11Well, yes.
07:12Hachicoria, but still hot.
07:15Hachicoria?
07:20He gave me a coffee and wouldn't let me die of cold.
07:24But he didn't give you anything else?
07:26No.
07:27He gave me a coffee and wouldn't let me die of cold.
07:30But at least they have allowed me to stay alone in the cell.
07:35The sergeant told me that they didn't make distinctions between people here.
07:38That you are being tortured.
07:39I'm not going to allow something like that.
07:40I'm going to talk to him right now.
07:41I thank you, sir, but you'd better not.
07:43How can I not do it?
07:45I'm not going to allow something like that.
07:46No, listen to me.
07:48Sergeant Burlina is very much his own.
07:50And if he pressures him, then maybe instead of improving things, he makes them worse.
07:55That man hasn't managed to take the measure yet.
07:59Of course, he has a peculiar character.
08:03I assure you that when they told me that they were letting me go because they had found the real murderer,
08:07at no time did I imagine that they were referring to you.
08:09I didn't imagine it would end here either.
08:15Why did he say that you were the one who killed Gregorio?
08:19The important thing is that you are free and you can continue with your life.
08:23Your life also matters.
08:24I don't have a woman waiting for me to marry me.
08:27In fact, no one is waiting for me.
08:29Don't say that.
08:31In the promise, there are many people waiting for you.
08:34They can continue without me.
08:35I have already lived most of my life.
08:37It is unfair that it prevents you from enjoying your best years.
08:41You didn't kill him, did you?
08:43Look, that doesn't matter now.
08:45Look, that doesn't matter now.
08:47The important thing is that this is over.
08:50But how is it going to matter?
08:52Mr. Baeza, I'm not going to allow you to spend the rest of your life in bars just to get rid of me.
08:56I'm an adult.
08:57Let's say this is like an early retirement.
09:04You can try to take away all the importance you want, but it won't convince me.
09:08This is a real mess and I'm not going to allow it.
09:10But you are innocent.
09:12It is unfair that you are locked up.
09:13The point here is not that they lock up an innocent person or another,
09:16but that they lock up the real murderer and we are neither.
09:20Well, in a way, I do have some guilt.
09:24For God's sake, Mr. Baeza, you won't go back with the scoundrel who allowed me to get involved in this matter.
09:28But it's the truth.
09:29No, it's not.
09:30I got involved because I wanted to.
09:31I should have prevented it.
09:36That doesn't justify me being locked up, nor does it justify you being locked up.
09:40I assure you that I'm going to do everything I can to get you out of here.
09:43I don't think it's going to be easy.
09:45Well, no.
09:48And even less after your imprudence, to put it mildly.
09:53But I promise you, Mr. Baeza, I'm going to deal with the murderer.
09:57And you won't have any other choice but to set him free.
09:59I appreciate it.
10:00But why don't you let him be?
10:02Isn't he old enough with his marriage?
10:06Yes, I have.
10:07Yes, I have.
10:10But why would I marry Hanna knowing that you're taking my place?
10:13But I do this to a good cause.
10:17I know.
10:20But I also know that it's something I can't allow.
10:38Doña Petra.
10:39Don't you have any manners, María Fernández?
10:42Excuse me.
10:46May I come in?
10:47Come in.
10:49And now talk.
10:51What about the fact that Doña Pia is not going to work at La Promesa again?
10:55That's a decision made by Mrs. Marquesa, who is in charge of this house.
11:00And you haven't said anything?
11:02I tried to mediate, María.
11:03But Mrs. Marquesa insisted that she doesn't want her back here.
11:06And what do you mean she doesn't want to give her a job?
11:08With how good she is?
11:09Why?
11:11Pia is going to have to look for a job elsewhere, María.
11:14No one is going to give a job to a woman with a small child.
11:17Even if she presents herself as a poor widow,
11:20she feels sorry for her.
11:22The widow of a criminal.
11:24That only makes things worse.
11:26She can always leave her son to the woman she loves.
11:29But she doesn't want to give him a job.
11:31She can always leave her son to the woman who raised him.
11:34And shut up, she's a mother.
11:36And separate her from her son?
11:37What solutions you have brought!
11:41María Fernández.
11:43Pia's life is not my problem.
11:45This is a decision of Mrs. Marquesa and there is nothing more to talk about.
11:48And what was Mrs. Marquesa thinking?
11:50She doesn't have a bit of humanity.
11:53Have a little respect when you talk about Mrs. Marquesa.
11:56The one who doesn't respect us is us.
11:58Otherwise, she wouldn't leave Doña Pia on the street.
12:01Mrs. Marquesa is the owner of this house, María.
12:03And therefore she is the one who decides who works and who doesn't here.
12:07So be very careful with what you say or you'll end up on the street like Pia.
12:12You're having a good time with this whole thing, aren't you?
12:15What do you mean?
12:17Because you're enjoying seeing Doña Pia on the street.
12:19Without a job.
12:21And without a place to die.
12:24You've come in through that door saying nonsense and from what I see you're going to leave like this.
12:27No, it's nonsense.
12:28Everyone here knows that you're the one who doesn't want Doña Pia around.
12:32That's not true.
12:34Come on, Doña Petra.
12:37You can think whatever you want.
12:39But now get out of here.
12:43So I'm leaving.
12:44But first I'm going to tell you something.
12:47You may be enjoying seeing Doña Pia suffer.
12:50But one day you'll be the one who suffers.
12:53I've done nothing but suffer and be ignorant.
12:58And now get out of my sight.
13:00Now.
13:03Come on!
13:05And close the door!
13:17Rómulo is still resigned to his fate.
13:19Rómulo is still resigned to his fate.
13:22He's willing to remain locked up as long as I remain free.
13:25He's going to go with his principles until the end, regardless of the consequences.
13:28We have to do something for him, Father.
13:31It doesn't look good, Manuel.
13:33He's been accused of a very serious crime.
13:34It will be difficult for him to remain free.
13:36I know.
13:39I think what matters is to get him to renounce his confession.
13:42No.
13:43That would only serve to lock you up again, son.
13:46I don't care.
13:47You don't care? How can you care?
13:49But we'll do everything we can. Don't worry.
13:52Father, you should see how they keep him in that cell.
13:55He doesn't even have a sad blanket to cover himself from the cold.
13:58We'll try to improve his conditions.
14:01That's not enough.
14:03We must find the real murderer of Gregorio.
14:08And as soon as possible.
14:10I promise I'll do everything I can.
14:15Okay.
14:20Good.
14:23Now, if you'll allow me, I'm going to the service area.
14:27I want to give Mr. Rómulo some souvenirs.
14:30Father.
14:31Wait, Manuel.
14:33I just remembered that we received a letter for you.
14:37A letter?
14:38Yes.
14:43Does it have the seal of the Marquises of Mujer?
14:44Yes, we saw that.
14:45We thought it was strange that they wrote to you and not to us.
14:48We have a good friendship with them.
14:57Yes, it's strange.
14:59In fact, I think I've received a letter from the Marquises in my life.
15:02Is it because of your detention?
15:04They know you've been in the barracks.
15:06No, mother, it's not that.
15:08In fact, it's not even from the Marquises, it's from Jacobo, his son.
15:11Oh, your running mate from when you were a vagabond.
15:13Yes, that one.
15:15And what does it say?
15:17Does he know anything about the detention?
15:19No, mother.
15:22He writes to me because he has just arrived in Spain after a while living abroad
15:26and it seems that he wants to celebrate a snack at his palace with his lifelong friends.
15:32Well, I think it's a great opportunity
15:35to show that in the house of Luján everything is great.
15:40Please, mother.
15:42Please, mother, don't go on like this.
15:44Your mother is right.
15:46If someone has heard the rumor that you were detained,
15:49they will see that everything has gone to nothing.
15:52You know what?
15:54They are right.
15:56Yes, it will be a snack with trusted friends.
15:59There won't be many people.
16:01I think it's a wise decision on your part, son.
16:05It's time for you to go out a little more, to get some fresh air.
16:08And if along the way you meet a young woman, the better.
16:12Actually, I don't need to meet any young woman, I already know one.
16:15And I think it's the right time for Hanna to accompany me.
16:20But what are you saying?
16:22That it is the perfect time to introduce Hanna to society.
16:25Let's see, Manuel, how to introduce her to society?
16:28You can't go to the Palace of the Ships accompanied by a snake.
16:31But what do you want?
16:33To see how they take her to the service rooms?
16:34Stop it, Manuel.
16:36We've come this far with this nonsense.
16:38You know what?
16:40This letter was sent to me, not to you.
16:42So, I think I'm going to invite whoever I like.
16:47See you later.
16:53Come on, man, what we were missing.
17:04Come on.
17:09But is this the luggage you are carrying?
17:11Yes, I'm just wearing some clothes.
17:14And are you sure you won't be short?
17:16You yourself told me that the trip would take you several days.
17:20Are you sure you have written everything down?
17:23Yes, Mr. Arcos, I have reviewed several times the list that Mr. Baeza dictated to me.
17:27Very good, then go now.
17:29And one thing, I don't want you to entertain yourself too much.
17:31I'll go straight to do the errands and once I'm done, I'll be back.
17:34I hope so.
17:36Don't be hasty and you'll end up wandering around.
17:39Don't worry, it will be going and coming back.
17:45Why are you dressed like that?
17:47Mr. Baeza left me some errands.
17:51And what exactly did he order you to do?
17:54I'm going to pick up some things for the Marquis.
17:57First to Puebla de Tera and then to Villalquino.
18:00It's strange that you didn't tell me anything.
18:02Well, you already know that Mr. Baeza doesn't always find out about everything, neither you nor me.
18:09Come on, boy, go now, I see that you are going to lose your management.
18:13Yes, Mrs. Arcos.
18:15See you later.
18:29See you later.
18:44I have found Mr. Romulo with great strength and more courage than I expected.
18:49And won't he be disappointed with what he confessed?
18:53It seems not.
18:55I just can't imagine that man killing anyone.
18:59Neither you nor anyone who knows him, Curro.
19:02And I assure you that I will not allow him to be sentenced for a crime that he did not commit just to save me.
19:07And that sergeant that you gave him the list, doesn't realize that?
19:12You have to think that after all he is a civilian guard and he has a duty.
19:16He cannot invalidate a testimony just because he has a palpitation.
19:20Mr. Baeza has declared himself guilty and that is the only thing that matters.
19:24And what are we going to do? Why can't we keep our arms crossed?
19:28I gave you my word that I'm not going to do it.
19:31But Mr. Romulo wants us to move on with our lives and you know what?
19:35I think he's right.
19:37We can't be complaining all the time.
19:43So precisely for that, to honor Mr. Baeza's wish,
19:49I have a plan for the two of us.
19:52Jana, I'm going to introduce you to my friends.
19:56It's time to introduce you to society.
20:13You are very quiet today, miss.
20:16It seems to me.
20:18I have little to tell you.
20:22There is always something to tell.
20:25Another thing is that you don't feel like talking to me.
20:30No, that's not it, Simona. I don't want to bore you by talking about me and Pelayo.
20:34You never bore me.
20:36Talk to me about the count or whatever you want.
20:39I'm here to listen to you.
20:41About the count?
20:44Well, I haven't seen him in days.
20:47Not to eat or dine?
20:49Not for that.
20:52The house is big, but I don't know if it's big enough.
20:56It's clear that I ran away so as not to have to give myself an answer.
21:00Well, if that man is doing that, he's not very brave.
21:05One thing is to have doubts and another is to run away that way.
21:10No, he's behaving like a coward.
21:13And time goes by.
21:16And soon I won't be able to hide my belly.
21:18Yes, and not just the belly.
21:21Then the dizziness, the suffocations, the cravings ...
21:25I know, I know.
21:27And as for Mrs. Marquesa, I'm sure she's one of the first to realize it.
21:32That's why if Pelayo doesn't do anything, I'll have to move the file.
21:36And what are you going to do, miss?
21:39I'm going to ask him to break his promise.
21:42Miss, if he does that,
21:44if he does that, that man will never want to be the father of the child.
21:49That's what he's making me understand with his silence.
21:52And if Pelayo doesn't talk, I'll have to do it for him.
21:55Yeah, but think that if he does, what happened to this man is over.
22:00As he is working, I think it's all over and more than over.
22:04Yes, he has had plenty of time to think about it and make a decision.
22:09And I'm not going to give him another day.
22:12And what are you going to do?
22:15Take care of your son alone?
22:18I have no choice.
22:22But do you know how much that will cost you?
22:26Yes, I have already thought about it.
22:29Rumors all over the country, that they look down on me wherever I go.
22:33That Cruz takes advantage of me to get me in trouble and ...
22:36A great disgrace for my father.
22:39And you still want to do it?
22:42Well, no, I don't want to, Simona, of course not.
22:45But it's what I have to do.
22:48Do you see another solution?
22:51No, no, and ...
22:53And I'm no one to give advice.
22:56But I'll only tell you one thing.
22:58That rushes are bad advisors.
23:01But you yourself have said that Pelayo has had enough time.
23:05Yes, yes, I'm sorry if I repeat myself.
23:07But think.
23:10He is asking the count to be the father of a creature that is not his son.
23:17Okay.
23:20Okay, and I'll think about it before I take that step.
23:23Okay.
23:34Hanna, it's not going to be a gala dinner or anything like that.
23:38Just a snack with Jacobo and my friends.
23:41Manuel, let's see, I don't know them anymore.
23:43But if I've only heard of them once.
23:45That is precisely why the time has come for you to meet my fiancée, don't you think?
23:50I don't know.
23:54My love, what are you afraid of?
23:58They are trustworthy people.
24:00They will treat you with the same affection they treat me with.
24:03Yes, but they will be used to talking to dukes and marquises, not just anyone.
24:09You are not just anyone.
24:11That's what I think.
24:13Besides, you have much more class than many noble daughters I know.
24:17Exactly.
24:19What if I'm not up to it?
24:22It's a meeting of friends, you don't have to be up to it.
24:26We just have to go there and enjoy.
24:29Yeah, but surely you want to talk about your things and I'm not going to have anything to contribute.
24:34Let's see, Hanna.
24:36For example, now, you have nothing to contribute when we talk about him and me.
24:39That's it.
24:41Many times it makes more sense what you say than what comes out of our mouths.
24:44It's not the same with you.
24:46I know you very well.
24:47And you will meet my friends.
24:49And you will like them very much, you'll see.
24:53They will like a maid very much.
24:58They will like a maid who saved my life from a fatal accident.
25:02A maid who assisted a doctor in an operation.
25:06There has been a death.
25:09And a maid who knows all kinds of herbs and has lived this life more than many of the roosters out there.
25:17Besides, nothing would happen if you were a simple maid.
25:22But you are much more than that.
25:24Exactly.
25:27Much more.
25:29Maybe I'm a maid, but I'm very good at keeping company.
25:48Dear.
25:53What brings you here so late?
25:55I've been busy with some business in Lujan.
25:58How did the dress test go?
26:00Good, good, no more.
26:02Have you had time to send the telegram to your friend from Guidiriz?
26:06Yes, I did, so I hope that colonist Abate Farias talks to him about our wedding today.
26:12How good.
26:13It would be great if he was the one in charge of the social echoes of our link.
26:17Well, let's see what my friend tells us.
26:20I feel that everything is finally going well.
26:24I hear you are happy, yes.
26:26I have reasons.
26:30And this is one of them.
26:34What is it?
26:36Open it.
26:43And this date?
26:45I don't know.
26:47That's right, the date of our wedding.
26:50In two months we will be husband and wife.
26:53Ah?
26:55But is it final?
26:57What's wrong?
26:59It seems like you're not happy that we're getting married.
27:02Yes, yes, yes, but well, there are two months left.
27:04I don't know, I'm a little dizzy.
27:06Don't worry, two months is a long time.
27:08What's wrong with you?
27:10Is it that you're nervous about the date?
27:14No, no, it's just that there's not much time left.
27:17But everything is in order.
27:19The banquet is ready.
27:21You're going to talk to your friend about Kityriz and you've already done the dress test.
27:25Yes, but there are many things to prepare.
27:27But don't worry.
27:29The most important thing to decide is the date.
27:32And it's already done.
27:34It's already done for you.
27:35No, because you haven't consulted me.
27:37Didn't I consult you on the wedding menu?
27:39No, but this is different.
27:41I had to take the date on the flight.
27:43I found out by chance that there was a gap in the Cathedral of Seville.
27:48And of course, I rushed to book it.
27:50In the Cathedral of Seville?
27:52On the main altar.
27:54As you will understand, I could not miss this opportunity.
27:57No, of course.
27:59Not everyone gets married in the cathedral.
28:01No, in fact, very few people.
28:03And between them, you and me.
28:05What?
28:12Well, Manuel has insisted that I have to meet his friends.
28:16Well, what are you complaining about?
28:18That he's great, that he wants to show off as a girlfriend?
28:20And you're also going to meet very important people.
28:22Teresa, I don't measure people's importance based on their titles.
28:25You're right. One is no more for inheriting a title or a family farm.
28:28Well, more than important, I meant interesting.
28:31And I'm sure Mr. Manuel's friends are.
28:32How lucky you've been, Pájara.
28:34Luck? Well, I don't see luck anywhere.
28:37What do you mean?
28:39You're going to attend a postman's snack and eat the best sweets.
28:42And you're going to find out about the nobles.
28:45I don't know.
28:47Woman, why are you so cross?
28:49Well, because until now I had gone to this kind of party as a servant and not as a guest.
28:54Let's see, don't turn around anymore.
28:56You have told us that there will not be so many people at that meeting, right?
28:58No, Manuel has promised me that there would not be more than six people, so ...
29:02Well, I hope it's a normal snack.
29:04Well, you better tell us.
29:06Will it be the best situation for Manuel to introduce you to society?
29:09With few and good friends.
29:11At an informal meeting.
29:13That's what I was thinking.
29:15Yeah, but ...
29:17I don't know, I think everyone is going to be aware of how I speak, of what I say ...
29:20Oh, I think you're giving yourself a lot of importance.
29:23Those people will have something better to do than be aware of you.
29:25I mean, and more if there is a good condom.
29:28Well, I don't think so, María, because I am the fiancée of his friend.
29:31And I am a maid.
29:33So they will want to see how I speak, how I take the covers, if I behave well, badly ...
29:38Or rather, they will be talking about their things.
29:41Which is what you do when you get together with good friends.
29:43Of course, that's how it will be.
29:45Because a snack is not enough.
29:47I wish they had invited me to a dance in a palace.
29:49What are you saying, María?
29:51Yes, like in fairy tales.
29:53And so I would have something more to tell you.
29:55I'm not going to hear those things.
29:57Well, over time you will have to attend that kind of dances, parties and events.
30:01So go getting the idea.
30:03Because it is the life of the nobles and you are going to be one of them.
30:06So try to have as much fun as you can.
30:08And get rid of that Moinanda face that anyone would change for you.
30:11So enjoy and don't overwhelm yourself.
30:20When you have something to tell me, Mr. Pellicero, do it before.
30:23Do it before.
30:25It is very late and I should already be in bed.
30:28What do you want?
30:30We have to square the shifts for tomorrow.
30:33I already did my job.
30:35And I have squared the shifts of the maids.
30:38Have you made any available in case I need any reinforcement?
30:41As always, Mr. Pellicero.
30:43The shifts that worry me the most are those of food and dinner.
30:47But if you look at the shifts well, you will see that at those hours there are always two free maids.
30:51Better.
30:53Marcelo is still very green and I am worried that he will make a mistake.
30:57Well, if he is not able to assume even the slightest responsibility,
31:01maybe we should put him on the street, don't you think?
31:04It's not that either.
31:06The boy is already starting to carry out his tasks safely.
31:08You just have to be a little more patient.
31:10And we can always keep pulling some of the available maids.
31:13Well then, I'm going to rest.
31:16Wait.
31:18Mrs. Petra.
31:19Do you know when my son will return?
31:21I imagine it will take several days because the orders of the Marquis were from different towns.
31:28I see.
31:32You know, I still find it very strange that Mr. Baeza did not inform me of that trip.
31:38Well, if you miss him so much, why don't you visit him in the barracks and ask him?
31:44His directors were very clear about us.
31:48We have to focus on getting the job done and making sure his absence is not noticed.
31:54And that is why I left Santos.
31:57Precisely to meet Mr. Baeza's directives.
32:01And now if you don't mind, I'm leaving. I'm very busy.
32:04Yes, I know that you are always very busy.
32:08And not only with your tasks.
32:12What do you mean, Mr. Pellicer?
32:14Mr. Pellicer.
32:16Come on, Mrs. Arcos. We have already talked about this matter.
32:19It is very clear that your only intention is to get me in trouble with my son.
32:23And that takes your time.
32:25Come on, Mr. Pellicer.
32:27When Santos came to this house, his relationship was already quite bad.
32:31And you have made it worse.
32:33Blame me if that is your wish.
32:36But don't fool me anymore, Mr. Pellicer.
32:39This is only your responsibility.
32:42And now if you don't mind, I'm going to rest.
32:54Have a good rest.
33:24Good morning.
33:25Good morning.
33:32Here I bring you your breakfast.
33:35I guess you are used to something more succulent.
33:39But we can't afford many expenses here.
33:42I can see that.
33:44Would you leave a relative of yours without a blanket in a place as cold as this?
33:49No relative of mine claims to have killed anyone.
33:55It's been a bad night.
33:59The truth is that these beds are not the most comfortable.
34:03They say that hard mattresses are good for the back.
34:07That's what they say.
34:09I prefer my wool mattress.
34:11Although you have no choice but to get used to what there is.
34:14Yes, that's what I propose.
34:16Because I see that this is going to take a long time.
34:19You know, recently I went through the promise and talked to some of the servants.
34:25And for what? If you can tell me if you have already had the culprit.
34:28Let's say that there are still some loose ends to be resolved.
34:33For example, the whole matter of the false death of Mrs. Adarre.
34:37I already told you the reason why that farce was set up.
34:41Let's say that I have reached a dead end.
34:43So I have decided to start again from the beginning to see what escapes me.
34:48You have not reached any dead end.
34:50You have the murderer here.
34:54Ah, I see.
34:56I imagine your job is to doubt.
34:58That's right.
35:00I have to contrast testimonies, look for contradictions.
35:04Have you found him?
35:05Not for the moment.
35:07I was talking about the death of Mrs. Adarre with the ladies Expósito and Fernández.
35:14I would not tell you anything different from what I already told you.
35:17Your testimonies coincide exactly with his.
35:20The truth has a way.
35:22Yes, it may also be that you tell them what they have to tell.
35:25After all, those women are your subordinates.
35:28What would I do with something like that?
35:30That's what I would have to find out if I found out that they were lying to me.
35:33I think you're wasting your time.
35:36In any case, it's my time.
35:43Well, now I would like to ask you about another matter.
35:46The death of Mr. Castillo.
35:48We have not talked enough about this subject.
35:50Come on, Mr. Baeza, don't be so protestant.
35:53You have something better to do here than to talk.
35:55Well, ask me what you want to do.
35:57How exactly did the death occur?
36:00I already told you.
36:01I shot him in the chest.
36:03Did you do it with the gun that Mr. Manuel was carrying?
36:06No, no, I did it with a private weapon of mine.
36:09A weapon that I had kept in a drawer for years.
36:11Can you tell me why an old man has a gun?
36:15Because you never know.
36:17Where is that weapon now?
36:19I got rid of it, I threw it away.
36:21Where? I need to find it.
36:23I don't remember, but maybe I could point it out on a map.
36:27I'll bring you one right away.
36:29I'll bring you one.
36:51No matter how many times I turn it, I can't get it into my head.
36:56Mr. Baeza killed someone, it's impossible.
36:59But if he turned white when he went to the kitchen,
37:02he wouldn't be surprised that he was a rabbit.
37:05No, he wasn't.
37:07But it's clear, because he said he killed Gregorio.
37:10To save Mr. Manuel.
37:12What a man.
37:14Well, I think that when the river sounds, it brings water.
37:17And it seems to me that in this case it brings a lot.
37:19Why do you say that, Mrs. Petra?
37:21Because no one confesses to a crime as big as this.
37:26Just because.
37:27Because yes.
37:29Are you calling Mr. Baeza a murderer?
37:31No, I haven't said that much.
37:33But I don't defend him like others do.
37:36And what are you basing yourself on to say that?
37:38In my instinct, Mrs. García, that I don't usually fail.
37:41In your instinct, she says.
37:43It's a shame that judges don't sentence you for your instinct.
37:45María.
37:47Did he tell a lie?
37:49María is right.
37:51He didn't murder someone seriously.
37:53He has evidence to accuse someone.
37:55And what greater proof than a confession.
37:57That was to free Mr. Manuel.
37:59To get him out of the dungeon.
38:01Of course.
38:03Time will tell.
38:05Are you also a fortune teller?
38:07With the witch I wouldn't be surprised.
38:09No, María Fernández.
38:11I only have two fingers up.
38:13And if a king recognizes his guilt,
38:15why should I defend him?
38:21María Fernández.
38:23María Fernández.
38:25I just received a complaint from the Count of Ayala.
38:27Apparently, your room wasn't made in time,
38:29or to your liking.
38:31Why are you telling me?
38:33Didn't you have to make that room?
38:35I think it was like that yesterday.
38:37No, not today.
38:39Today I had to make, according to the quadrant,
38:41the room of Miss Catalina and Miss Martina,
38:43but not that one.
38:45So who didn't make the room of the count as it was supposed to be?
38:47I didn't have to either.
38:49Neither did I.
38:50Mr. Arcos, you should know.
38:53Well...
38:55Right now I don't remember
38:57the maid assigning that room to him.
38:59But in any case, the Count of Ayala
39:01should have spoken to me
39:03if he has a complaint about any maid,
39:05and not with you.
39:07The count will complain to whoever he wants, Mr. Arcos.
39:09You should know how things work around here
39:11after working so many years on this.
39:13Don't give me that look, Mr. Pellicer.
39:16It's not my fault.
39:18Oh, no? And whose fault is it?
39:20You're responsible for making the maid's rooms.
39:22And if there's a room that hasn't been put in that quadrant
39:25to clean it, it's your fault.
39:27The rooms were all assigned, as usual.
39:30And there must have been another maid
39:32who hasn't read the quadrant properly.
39:34I see.
39:36You, as always, are blaming others, aren't you?
39:39Let's see if you start at once
39:41to take responsibility for your own mistakes.
39:43But how dare you?
39:44She's strong.
39:48If it's hard for a relationship to work,
39:50imagine everyone around you talking about you.
39:53Let's see.
39:55It's normal for people to talk about a relationship
39:57as peculiar as Jara and Manuel's.
40:00And especially at the beginning.
40:02A noble with a maid.
40:04You always have to talk about that.
40:07And how's your sister doing?
40:10She's strong.
40:12She'll hold on.
40:14Nothing on her side.
40:16She has more arrests.
40:18And nothing is going to stop her.
40:22She's got character, yes.
40:24So,
40:26do you think that wedding will work out?
40:28Yes.
40:30For what concerns them, yes.
40:32Another thing is what my uncles, the Marquises, are trying to do.
40:35And what can they do?
40:37Everything in their power to cancel the wedding.
40:39I assure you.
40:41I hate social norms.
40:42Manuel is a man of his word.
40:44He should be able to do whatever he wants.
40:46I see.
40:48But I think my aunt has...
40:50Do you want to play badminton?
40:52I want a rematch for the defeat the other day.
40:54I'm still tired.
40:56The game we played yesterday left me exhausted.
40:59Yes, me too.
41:01It was very tough.
41:03Did you play yesterday?
41:05Because I didn't know anything.
41:07Yes.
41:09In the afternoon.
41:10Yes, I don't know.
41:12Maybe we forgot to tell you.
41:14I thought that when you told me
41:16you couldn't come to the wedding dress test,
41:18it was because of something...
41:20important.
41:22Well, it wasn't that important.
41:26But it was fun, right, Curro?
41:28Yes.
41:29Yes.
41:36The girls jumped between Mr. Pellicer
41:39and María Mandrajo.
41:41Why?
41:43Because it's known that the room of Count Ayala wasn't made.
41:45Whose fault was it?
41:47I imagine it was María Mandrajo's.
41:49She wouldn't do well on the board.
41:51Although that woman won't admit
41:53she was wrong in life.
41:55No, that never happened in this house
41:57and it won't happen now.
41:59It's better not to cross paths with her
42:01than what's left of her.
42:03It's better that she doesn't cross paths with me
42:05because in the end I won't be able to contain myself
42:07and I'll end up telling her four things about Doña Pia.
42:09No, no.
42:11What's least convenient for you now
42:13is having her with her.
42:15You're right.
42:18You have to be focused
42:20on the snack with Don Manuel's friends.
42:22María, I promise I don't stop thinking about that.
42:24I've gotten so involved that...
42:26No, woman.
42:27You know why?
42:29Because he loves you.
42:31Yeah, but sometimes we do things
42:33for the people who love us the most
42:35and who hurt us.
42:37I don't think this is one of them.
42:39What's going to hurt you
42:41meeting Don Manuel's friends?
42:43I don't know, María,
42:45but maybe I'll say something I shouldn't
42:47and I'll put it in a bad place.
42:49No, I don't think that'll happen.
42:51Besides, Don Manuel is very proud of you.
42:53I wish I could be as proud of him as he is of me.
42:55What are you saying, Hanna?
42:57Enough.
42:59And move on.
43:01María, but...
43:03I'm still afraid of being with those men.
43:05I'm sure that even though they're men,
43:07they're good people and that's why they're Don Manuel's friends.
43:09I know, María.
43:11That's it. You're looking for trouble, Panoé.
43:14Maybe it's true.
43:16Of course it's true.
43:18Don Manuel wants you to know his world
43:20because he's in love with you.
43:23And not everyone is that lucky.
43:25Why do you say that?
43:27No reason.
43:29No, I know you.
43:31You told me the other day
43:33that you had a good time with Salvador, right?
43:36Yes, it wasn't bad.
43:38Are you sure?
43:42Yes, well, it wasn't much,
43:44but I don't know.
43:46You don't know what?
43:48You haven't discussed it with him
43:50and you haven't told me.
43:53No, Hanna,
43:57the happiness that we felt before,
43:59Salvador and I being together,
44:01wasn't there anymore.
44:03Well, it was just a meeting.
44:05Maybe he was tired
44:07or maybe you were.
44:09I don't know.
44:11I'm not talking about that.
44:13If Salvador and I don't want that, I'm sure.
44:15But...
44:18I don't know, it's not the same as before.
44:27I don't know.
44:35How was the dress test?
44:37Did your mother like it?
44:39Yes.
44:41We have to do some retouching,
44:43but yes.
44:45Well, it always happens.
44:47Will there be more tests
44:49or is this the last one?
44:51I think one or two more.
44:53Yes.
44:55I'm sure your mother was very happy
44:57to have a moment like this with you.
44:59Although, well,
45:01in this case it was the opposite of normal.
45:05Why? What do you mean?
45:07That it is natural
45:09that the mother accompanies the daughter
45:12to do the dress test.
45:14Yeah, but as you know,
45:16my father died, so my mother was left widowed.
45:19Yes, a tragedy.
45:23But well,
45:25you got through and that's what matters.
45:27I'm sure your mother loves
45:29that you're helping her with everything.
45:32Yes.
45:38Martina, is something wrong?
45:40What could it be?
45:43I don't know, you seem pretty cold to me.
45:50No.
45:54Actually,
45:57I'm worried
45:59about Curro.
46:01About Curro?
46:04Yes, I can feel it.
46:08I don't know,
46:10I feel it distant, with me.
46:12Well,
46:14I understand that it's normal
46:16for him to be exhausted
46:18with all the problems he must have.
46:20Because of the memories
46:22of everything that happened to him in the war.
46:24Yes, and not just that.
46:25What do you mean, not just that?
46:27No, of course, what he has here in the promise
46:29is not trivial either.
46:32Are you talking in general
46:34or are you referring to something specific?
46:36Come on, Martina,
46:38Curro has already told me about Jana.
46:43I admit that I was stunned
46:45when he confessed to me that Jana is his sister.
46:52I don't know if I'll be able to forgive you.
46:54Vera, you were lying to me for months
46:57and I forgave you.
46:59Lope, the last thing I expected at this moment
47:01is for you to blame me for this.
47:03No, Vera, I'm not blaming you for anything, really.
47:05I defended my life,
47:07that's why I didn't tell you.
47:09Because I was afraid that all this would come to light
47:11and look where you are.
47:13I should never have told you.
47:15That's over.
47:17That's still happening.
47:19I can't get it out of my head.
47:21And since Matilde arrived,
47:24and haven't you thought that it's time
47:26for Matilde to return to her house?
47:28I understand that it was a decision of Mrs. Marquesa
47:30not to work here at the palace again,
47:32but if you could mediate with her ...
47:34Unfortunately,
47:36I'm afraid I can't do anything about it.
47:38Her condition as a mother, a widow ...
47:40I am aware
47:42that it will be difficult for her to find a job.
47:44Perhaps we are condemning her to indigence, sir.
47:46We have brought you some dresses for you to choose from.
47:49Yes, thank God.
47:54We would have loved to call the fashion designer,
47:56but there was no time,
47:58so you will have to choose
48:00between one of the dresses of my sister Leonor.
48:02I hope you will look like a glove.
48:04They are beautiful.
48:06But what the hell does that woman have in her head?
48:08She has not respected me,
48:10she has slept with the first one who passed.
48:12Why don't you tell me all this on your way to your room?
48:14And without raising your voice.
48:16Leave me alone.
48:18I'm not for your advice
48:20to calm down and think things over calmly.
48:21I don't want to.
48:23But, sir ...
48:25Leave me alone, I said!
48:27It's true that I love him, but ...
48:29I don't really know who he is.
48:31What do you mean?
48:33That I don't know him.
48:35The only references I have of him
48:37are because he was a friend of Cruz.
48:39I see.
48:41It is not a baggage of precisely trust.
48:43Leave us alone until we call you.
48:48I have not asked you to take the newspaper.
48:52No, of course, sir.
48:54Why are you so interested in taking it?