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00:00THE NIGHT BEFORE
00:07Guys, could you please take them to the alley?
00:12To the left, not to the right.
00:15We have to leave the hallway open.
00:21Pedro, wouldn't it be better if you talked to Mr. Fermin?
00:23About what?
00:25So you can rest a little, so you can go home.
00:27The two guys can do your job perfectly.
00:29No, no, no. I want to stay here.
00:31Since I'm going home, I'm going to turn the matter around.
00:34No, I don't want to.
00:35I prefer fatigue to nervousness, Antonia.
00:38Okay, I understand.
00:40And if I tell you the truth, I also prefer to have you closer.
00:43Because if my soul falls at my feet, I'm sure you haven't slept at all.
00:46And neither do you. I know you.
00:52Do you want to talk? Maybe it will relieve you.
00:55I don't know, Antonia. I don't know.
00:58I'm afraid.
01:00I can't deny it.
01:04This feeling of walking between life and death.
01:07Honey, don't say that, please. You're going to get out of this.
01:09Yes.
01:10Yes.
01:11But just by operating, Antonia.
01:13Just like that.
01:16Good morning, Mr. Fermin.
01:18Good morning.
01:20I'm sorry, but...
01:22I couldn't help but listen to you.
01:24I am very happy that you have finally decided to carry on with the operation.
01:29Yes, that's right.
01:30I have no choice.
01:31Also, knowing that you are in good hands.
01:34In the best.
01:35Ramiro Quiroga is a great surgeon.
01:37One of the most reputed in Spain.
01:39An eminence, come on.
01:41Thank you, Mr. Fermin.
01:43I would always be grateful to him because I would never have been able to pay for these medical expenses.
01:48Friend Pietro, this is the last time I repeat it to you.
01:52I don't want to hear you talk about money ever again.
01:56What I want is to hear you laugh and sing your tarantellas and your arias.
02:00Enjoy your ice cream and eat your sweets, as always.
02:03The other thing is trifles.
02:06Understood?
02:09And of course I can stop working until the day of the operation.
02:12You just have to ask.
02:14No, no.
02:15I prefer to work, Mr. Fermin.
02:16Very good.
02:17Although I need help, but I prefer.
02:19As you wish.
02:20I'm going to tell Teresa and Mrs. Lázara.
02:24Have a nice day.
02:33It would be better if you leave.
02:36I don't want them to hurt you because of me.
02:40I love you.
02:41I love you very much.
02:43Everything will be fine.
02:51Ballesteros, just listen to me.
02:54Think about it, really.
02:57But are you sure?
02:59Then you don't leave me another option.
03:03Can I?
03:07Of course I'll call you.
03:08Yes, when I finish managing all these matters.
03:12Goodbye, Ballesteros.
03:17Are you okay?
03:18Are you okay?
03:19I noticed something altered on the phone.
03:21Do you already have the actress or do you need more tests?
03:24No, no, no.
03:25No more tests.
03:28Ballesteros has already decided.
03:31And the person he has chosen is you.
03:37It's a joke.
03:38No, no, no.
03:39It's not a joke.
03:40He is completely impressed with you, your talent, your spontaneity,
03:44the way you act on camera.
03:45He is completely convinced that you are the only person who can play that character.
03:51But I'm not an actress.
03:52Well, you should, because if Ballesteros has something, it's smell.
03:57I don't know if he has smell or not, but I don't want to put my life upside down,
04:01spend a thousand dead hours on set, those early mornings.
04:05Well, he doesn't get up so early either, and besides, he charges well.
04:09Tell him thank you very much, but no.
04:13Anything else?
04:15No.
04:18You see,
04:22Laura, I know the situation is not easy.
04:29I wouldn't like to pressure you, but
04:33Ballesteros has threatened to leave the film if you don't accept this role.
04:39After the failure of The Shadow of Love, the company's numbers don't come out.
04:44Yeah, but I don't understand it. What do I have to do with this?
04:46What does it have to do with me?
04:47No, no, no, this has nothing to do with you.
04:51It's just that I've put everything I had on the line.
04:57And if Ballesteros leaves, it's over.
05:01I need you to accept that role. I beg you.
05:03It's not my fault that that film didn't work or that you invested all your money.
05:07Why do you blame me?
05:09I'm not explaining myself clearly.
05:13I've tried everything with this man.
05:16But he only loves you. You.
05:19I'm going to have to talk to Inés.
05:21Because I figure it's not going to be funny.
05:23And if it is, I'm sorry, but I'm not going to do it.
05:25I know I'm the last person who has the right to ask you for something.
05:28But if you don't help me, I'll ruin it.
05:31Agustín, it's not about whether you have the right or not.
05:34Inés is my sister and she's also your partner.
05:40What's going on here?
05:46Well, well, well, it was special.
05:49Well, what do I mean by special? It was magical.
05:51It's as if we hadn't stopped seeing each other.
05:56It seems you've spent half your life with Leonora and you've seen each other twice.
05:59Well, the important thing is quality, not quantity.
06:02Right?
06:04Well, don't blow on it, you should be happy to have Leonora as your mother-in-law.
06:08Besides being beautiful and attractive, she's vital, eloquent.
06:13I like her more and more every day.
06:15Elias, I'll tell you just once.
06:17Stop trying to seduce my mother-in-law.
06:19Let's not go back to the old ways.
06:20Come on, Librero, I'm a respectful man.
06:22After Leonora gave me pumpkins, I'm not going to keep being mean to her.
06:26Well, I don't know about her, but you're all day going on about how pretty she is,
06:30how good friends you are, how much fun you have.
06:32Well, that's the way it is.
06:34And besides, how funny she is.
06:36Come on, have fun.
06:37Go back to the salon and take care of the clients.
06:39You've had enough rest.
06:40Well, I'm going inside. Excuse me.
06:46I can't take it anymore.
06:47I can't take it anymore.
06:48With Elias or with your mother-in-law?
06:49With Elias, with my mother-in-law, with the boy.
06:52And that I have you.
06:53I still haven't thanked you for the walk you gave Leon yesterday with Teresa.
06:58And for leaving us alone with Trini for a while.
07:00That's what friends are for, right?
07:02Well, yes.
07:03Look, quite the opposite of what mothers-in-law are for.
07:05Or at least mine.
07:06It's just that going in through the house, I already have her on top of me.
07:09Looking over my shoulder.
07:11Let's see, what has the lady of the house told you now?
07:13Look, I don't even know anymore.
07:15What I know is that she doesn't stop repeating all the time
07:17that with you at home she never knows what can happen to you
07:20and that I do everything for the good of the family.
07:22It's just that the colonel is here.
07:25What is clear is that she is not a saint of your devotion.
07:27Well, neither are you.
07:28Hey, and Trini, what does she do with so much growth?
07:30Not half, among you.
07:31What is she going to do?
07:32She does what she can.
07:33After all, Leonora is her mother.
07:35It's hard for her to be the opposite.
07:36I mean, to be impartial.
07:41Don't look at me like that.
07:42It's true.
07:43The other day we wanted to make potato omelette for dinner.
07:47And the lady appears and says no.
07:49That of omelette, nothing.
07:51That it's a lot of fritanga, that a lot of oil is used and everything is lost.
07:54Come on, she likes to send it to her house and everyone's.
07:57Also with an energy.
07:58I put the radio to listen to the news or whatever.
08:02Or whatever.
08:04And what does my mother-in-law say?
08:06That there is none.
08:07Indeed.
08:08That there is none because Leon is sleeping,
08:09or because he doesn't like the news they give,
08:11or because his head hurts.
08:12I don't know, what do you think?
08:14Well, terrible.
08:15Because she lives very well in your house.
08:16Well, no.
08:17Leonora doesn't seem to live very well.
08:18That everything seems bad to her.
08:19Especially what has to do with the kid and how she does things.
08:23Don't worry, Miguel.
08:24We all have our manias.
08:25What happens is that your mother-in-law has hers and those of half Madrid.
08:28Yes, but if it were just for the manias.
08:30I'm a zero on the left in my house.
08:33If I don't feel like arriving tonight,
08:36how will it be that I'm going to stay doing inventory
08:38to arrive a little later?
08:41Well, at least you get some money out of the problem.
08:44And the suffering with rooms is less suffering.
08:47No way, not that.
08:48Don Salvador doesn't pay me.
08:50But I prefer to lose money in the bookstore than to lose patience in my house.
08:56I would like to tell you that this is going to be a streak of nothing,
08:58but you have Leonora very installed.
09:01Come on, don't even get her out with hot water.
09:12Are you going to explain it to me?
09:15Agustín, do you know something that I don't know?
09:18Well, there's something I could tell you, yes.
09:22Very well, and are you going to explain it to me, please?
09:26Ballesteros has decided for someone,
09:29but the actress doesn't want to do the role.
09:32And why doesn't she want to do it?
09:34Is she going to make another movie or what?
09:36I don't know how to tell you this and I don't know how you're going to take it either.
09:41The actress who has chosen Ballesteros is Laura.
09:47Are you kidding me?
09:48No, no, no, absolutely.
09:49I already told you that he had reviewed the tests of all the actresses
09:53and he has seen how your sister has given the reply
09:55and he is sure that she has outdone them all in charisma.
09:58So I had no choice but to offer her the role.
10:02What have you done, what?
10:04But if I told you that I didn't see her working as an actress ...
10:06Inés, I had no choice.
10:08Inés, I ...
10:09Laurita, please.
10:12Agustín, give me an explanation.
10:23By the way, have you seen the Pedraza?
10:25They told me they were in the living room.
10:26Yes, yes, they were here having breakfast.
10:29I have barely been able to talk to them.
10:30They were very worried about the flood of the store.
10:33Not for less.
10:35I was there at the first hour.
10:36I wanted to see what state the store was in.
10:39Tell them not to worry.
10:40I have given Paula a card with the phone number of the squad,
10:43of the operators who usually come here always to the living room.
10:49What's wrong with you? You are as if you had left.
10:52Nothing.
10:53I was thinking about the Pedraza and the opinion you have of their marriage.
10:59And?
11:00And, well, I've been looking especially at them this morning
11:03and I find it hard to believe that they are not a well-meaning couple.
11:07How obvious that you are a man without evil, dear.
11:11Does that mean that you have the evil that I lack?
11:14No.
11:15And excuse me if I'm annoying.
11:17But it is noticeable that your dear friend Emiliano
11:20makes life with other women.
11:22This marriage is a couple.
11:26It is not that I distrust your criteria, Lázaro, but I am very surprised.
11:32When Emiliano arrived at the boarding school, he was an inoffensive young man.
11:36Everyone messed with him.
11:38I did nothing but protect him,
11:40because if not, those kids would have eaten him.
11:44But people change, Fernando.
11:47You are still the same person as at that time.
11:50For the love of God, you will be kids.
11:52Yes, yes, yes, of course.
11:53But there are features that accompany us all our lives and ...
11:59Emiliano has always been a very noble young man.
12:04It is strange that he spends his life alternating with women, what do you say?
12:09As you can see when you have a predilection for someone.
12:12You can see it in the look, that we are already getting to know each other.
12:15I have always considered him a little brother.
12:17And I have been very proud of his achievements.
12:19That is why I have invested all my capital in his company.
12:23Because I know it will give us great benefits.
12:25And also because it is a way to celebrate his return.
12:29I'm sure it's a good decision.
12:31Anyway, you don't trust me on financial matters.
12:34Neither pinche nor corto.
12:37This is the last one, right?
12:39Well ...
12:41By the way,
12:43have you spoken to the boys?
12:45Yes, I have already spoken to them.
12:47And I have made it clear to them to do absolutely everything that Pietro needs.
12:52Perfect, then we are done.
12:55What plans do you have for later?
12:57Well, I had thought of going to the jewelry store in the square.
13:00Yes, my boss thinks it's very clear.
13:02Your boss thinks it's great.
13:04And by the way, tell Don Martín to put everything on my account.
13:08Sorry, sorry.
13:10On our account.
13:12Now I know both.
13:14True.
13:15My God, Teresa, how quiet she has become.
13:18No, I just arrived, but if I come at the wrong time ...
13:21No, not at all. I was leaving.
13:29Sit down, Teresa, please.
13:31Thank you very much.
13:34Can I help you with something?
13:37Look, Antonia, this shawl ...
13:39This shawl would look great on you.
13:42Yeah, well, I'm not in the mood for shawls right now, really.
13:45But woman, focus on these clothes and that way it clears up a little.
13:48I really appreciate your care, but ...
13:52I spoke to Pietro.
13:54And he has decided to have surgery.
13:57But that's good news.
14:00Come on, it's good to be short.
14:02Yes, yes, it's the best for him, but ...
14:05Well, it takes away from us that it is a delicate situation and that he is having a very bad time.
14:09But has something else happened?
14:12Because I'm very afraid, Esperanza.
14:15We have been told that it is a risky operation and that ...
14:19that it can cause a spill.
14:21I just think about it and I get sick.
14:24Well, get rid of that bad body.
14:26Because if it is to endure, Pietro endures what is not written.
14:29That will not be able with him.
14:31And besides, you have it, right?
14:33That having someone important in these situations has been a long time.
14:37Yes, yes, but ...
14:39But it's difficult.
14:40I really try to be encouraged and get him up.
14:44But there are times when it's hard for me to pretend that ...
14:48Well, the situation is very complicated and it hurts me.
14:51But that's normal.
14:53The weird thing would be that you don't worry about him.
14:55But come on, everything will be fine.
14:57Don't worry, huh?
14:58Well, if after the operation he needs more time in the hospital ...
15:01I double the shifts he needs, I swear.
15:04Trini, in the hospital he will be just in time.
15:06Because look, look what I have here.
15:10What a bunch of stamps you bring me.
15:13Well, I have prayed for all of them for you two.
15:16First, the Virgin of the Victory of Lepanto that Paula brought me.
15:20A day of motorcycle excursion.
15:22Yes.
15:23Well, she took the Ottomans out of the country.
15:26Oh, imagine what she can do for Pietro.
15:28Of course.
15:29Then there is San Judas Tadeo, another one who dances.
15:32Look how handsome.
15:33He is the boss of the impossible causes.
15:35There are difficulties, but there is nothing difficult.
15:37There is nothing difficult here.
15:38Because with such a good surgeon, this is going to be sewing and singing.
15:42Yes, that's true.
15:43Because the doctor wants to achieve an eminence.
15:46Well, in fact, if Don Fermín trusts him so much, it will be for a reason, right?
15:49Well, of course.
15:50All this is a chore.
15:51But Pietro has everything in front of him.
15:53Because he has the surgeon, you ...
15:56The stamps.
15:57Well, and with how stubborn he is.
15:59Yes, it's true.
16:00If for one thing or another, it has to go well.
16:06For God's sake, let it go well.
16:08If something happens to Pietro, I'll die.
16:10But please, get up.
16:12If he starts crying, I'm going to start crying too.
16:15And me too.
16:16No, no, really, I'm not going to set up a little number.
16:19What I'm going to do is ...
16:21Take a little air.
16:23Shall we accompany you?
16:24No, no, I'd rather go alone.
16:29We have left her alone.
16:34Ma'am, sorry to bother you.
16:37Pepita, what did I tell you before entering the library?
16:40That I didn't want anyone to bother her.
16:42But she has a visitor.
16:44At this hour?
16:46Nobody is waiting.
16:47Who is it?
16:48It's Mr. Morel.
16:52César Morel?
16:54Yes.
16:56César Morel?
16:59How strange.
17:02Let him in.
17:15Thank you, Pepita.
17:17You can leave.
17:18Excuse me.
17:21Very good, Mrs. Pedraza.
17:23Sorry for not warning you that I would come.
17:26Is it a bad time?
17:27Don't worry, it's not a bad time.
17:30Although I confess that I miss seeing you here.
17:33After that, let's say, conversation you had with Emiliano.
17:38Nothing to worry about.
17:40I think you underestimate my husband.
17:42No, I don't underestimate him.
17:44But I don't think he's committing any crime.
17:47Although he is at risk.
17:50Can I know why he's at risk?
17:53Because I don't think it's to give me the earrings.
17:56No.
17:58I've come to bring you your gloves.
18:01He forgot them at my place when he came for the budget.
18:08And was it really worth it to take this risk just to give me my gloves back?
18:12That's right.
18:14When I realized that I had left them, you had already left.
18:17I had no choice but to bring them to you.
18:20Do you mind?
18:22No, not at all.
18:25Quite the opposite.
18:28You are a very brave and gentlemanly man.
18:32I suppose you would learn it in France.
18:37I didn't know you were aware of my biography.
18:42There is a lot of mystery around you.
18:45And I like to be well informed.
18:48And what do you think of that information?
18:52It's not as fierce a lion as it looks.
19:00Thank you very much.
19:02Look, I think this blouse is very modern.
19:05But it will look good on me.
19:07Yes, take it. There's always time to leave.
19:10Hello. How can I help you?
19:13I'm glad it's over.
19:15Look, we have a big problem.
19:18What's going on? Don't you decide? Don't you see sizes?
19:21No, no. It just so happens that...
19:24...since the prices are so good, we've left the job in a hurry.
19:28In such a hurry that we forgot the sign.
19:31Well, what she's saying is that...
19:33...well, that we came from home without money.
19:36But of course, since the prices are so good, it's an opportunity that we couldn't miss.
19:40So we're asking ourselves...
19:43...if it would be possible to leave some clothes and pay for them at another time.
19:47Of course, without a woman. No problem.
19:50Well, that's great.
19:52So, I want this, and also this.
19:55And me.
19:56This one.
19:58And this one too.
20:00When I put it on in town, I'm going to look like a rich girl.
20:04Oh, well, and Antonio's dress too. He had to go, so...
20:08This would be all, right?
20:10Very well, then. Have you been able to try it on?
20:13No, it's just that since it's so wet, I don't see why it fell here with the water.
20:17But come on, don't worry, because...
20:19...with these beautiful dresses and these serrano bodies, we're going to look great.
20:23Well, we'll be back tomorrow, and we'll pay for the clothes and take them with us.
20:27As you wish. If you want, you can take them today, and tomorrow we'll adjust the bills.
20:31Are you sure?
20:32In fact, they would do me a favor.
20:34All the wet clothes you can take out of the store, better.
20:37So I'll keep them, and you can take them.
20:41No, no, no, no, no, no, no, no, no, no, no.
20:42It's not necessary, woman.
20:44If we take them like this, yes, in the end, we'll have to put them in a bag in the wardrobe, so...
20:48Of course.
20:49Besides, we're going to the box.
20:51Oh, if this store didn't exist, we'd have to invent it.
20:54Thank you very much, beautiful.
20:56You're welcome.
20:57Let's go.
20:58Goodbye.
21:07What the hell is this?
21:11Wow, little sister.
21:13I've been trying to cheer you up, but I see that you're overdoing it.
21:16Of spirits and customers.
21:18That's what it's like to sell clothes at half price.
21:21I don't win, but at least with everything that's been wet, I don't lose money.
21:26I can see it now, turning the omelette around.
21:29You're all messed up.
21:31Do you have any idea how this could have been flooded?
21:34Well, it seems like it was a pipe that broke in the back of the store.
21:38But I don't know, it's something that surprises me, because when we set up the store, everything was in order.
21:43I don't know, but it's already fixed.
22:04Let's go.
22:05Come on.
22:07Let's go.
22:33Ivan?
22:35Ivan?
22:36Are you listening to me?
22:37What were you saying?
22:39I don't understand what happened, where were you?
22:41Remembering.
22:43Of?
22:44That I have things to do.
22:47See you later.
22:48Goodbye.
22:54Now you are the one who is mysterious to me.
22:57May I know what else you have discovered?
23:00That you are a man of many worlds.
23:03Plenty of rumors.
23:05Surely some unfounded.
23:08But I know for a fact that you have no cause pending with justice.
23:14I see you very well informed.
23:17Do you take the same trouble with the biography of the whole world?
23:24That you will have to discover.
23:27It will be a pleasure.
23:29By the way, I have reviewed the budget and I see that it is a man of his word.
23:34It is a very fair price.
23:36I already told you.
23:37Price of a friend.
23:39With everything that has happened between us, we had to fix the laziness.
23:43I believe so.
23:45My son has told me that he will stop by your place today.
23:48You and your sister have managed to convince him.
23:51I see that they are very persuasive.
23:54Could you convince him too?
23:56I would love to be able to invite you to a cocktail at the Madrid Cabaret.
24:01He is very kind.
24:03But I don't usually go to nightclubs.
24:07At my age it is rare to go to such places.
24:10At your age?
24:11Yes.
24:12Is there an age limit to have fun?
24:15I assure you that the Madrid Cabaret is the perfect place to have a good time.
24:19I assure you.
24:21Even so.
24:23I am a married woman.
24:25And if I did it, it would have to be with my husband.
24:29Then better another time.
24:33I won't steal more time from you.
24:35It has been a pleasure.
24:42It is fortunate that the flood stopped in time.
24:45Otherwise, it would have been a fatal start for your daughter's accident.
24:50It was a good scare, yes.
24:52But look at Paula.
24:54She is smarter than hunger.
24:57In every crisis I see an opportunity.
24:59You must be very proud of her.
25:01I am.
25:02I have been for a long time.
25:06It is very difficult, Fermin.
25:08So for a long time I am proud and for a long time I would prefer her to be with Chichi.
25:14Well, tell me what brings you here.
25:16I suppose you have come to be interested in your investment in my business.
25:19No, no, not at all.
25:20I have deposited my capital in your hands.
25:22So I am completely calm.
25:25Wow.
25:26I thank you for what I get.
25:29You look like an excellent humor.
25:31How does it show that you are just married?
25:32Yes, yes, yes.
25:33I must admit that I am very unfortunate.
25:36Not even in my best dreams
25:38I thought that at this point in my life I would be so happy.
25:41Much less that I would be married to a woman who understood me so well.
25:45Yes, if you look happy, yes.
25:47Take advantage.
25:48I don't want to be cynical, but that lasts as long as it lasts.
25:51I hope it lasts many years.
25:56And you, how are you with Maruja?
26:02Sorry, sorry.
26:03I didn't want to bother you with the question.
26:06You don't bother me.
26:08No.
26:09You are my soul mate.
26:11My brother.
26:12If I don't tell you these things, who am I going to tell them to?
26:15I'm glad to hear that.
26:17You'll see.
26:21When I came back to Argentina,
26:22after going through boarding school here in Spain,
26:26I fell in love with a young woman.
26:29Well, that would be before meeting Maruja, right?
26:32Yes.
26:34Young people.
26:36Uncautious.
26:38We started a relationship.
26:40It was a clandestine relationship.
26:42We were not of the same social class.
26:45But there, in the hacienda,
26:48I don't know, everything seemed possible.
26:52The fact is that my father found out.
26:54At first he wasn't too angry.
26:58I suppose he considered it to be
27:00a kind of entertainment for me.
27:03Maybe he had had similar feelings.
27:07From the look on your face,
27:08it seems to me that for you it was more than entertainment, right?
27:12And when I told him that it was serious,
27:16when I told him that I wanted a future with that woman,
27:21he told me that it would never be an option,
27:23that he would never allow me to marry someone who didn't have my status.
27:30And then I met Maruja.
27:33A good woman, with many qualities.
27:37But if you want me to be completely honest,
27:40I've never been in love with her.
27:43Nor have we come to understand each other completely,
27:45beyond what is necessary to give birth to our children.
27:51I never imagined that your relationship would be like this.
27:56I have never stopped thinking about that woman,
28:00the one I abandoned,
28:03the one I gave up.
28:06She made me feel alive,
28:09happy,
28:10cheerful.
28:14And I don't know, Fermin,
28:15I think I've spent all my life looking for what she gave me in other women.
28:23What Maruja has never been or will never be able to give me.
28:28I'm sorry, Emiliano, that you weren't free to choose
28:33the woman you had to share your life with.
28:36But even so,
28:37I still consider that Maruja is an exceptional woman.
28:41She is.
28:43In fact, she has been as unlucky as I have been.
28:46And how does she handle all this?
28:49I've never cheated on her.
28:51Never.
28:53In her day, I told her about the existence of this woman.
28:56I asked her for discretion.
28:58And well, she takes it with as much dignity as she can.
29:03I'm sorry.
29:05I'm sorry, I'm sorry, Emiliano.
29:08I'm not judging you, of course,
29:10but from the outside,
29:12you look like such a well-matched couple.
29:15Do you think so?
29:17Well, I suppose that the force of habit,
29:19the inertia of the days.
29:24Maruja and I are a perfect marriage for our children,
29:27for society, for business.
29:30She lives devoted to her foundation,
29:32and I like to support her.
29:35I respect her.
29:37I appreciate her.
29:39And do you still miss her?
29:41I mean the woman you fell in love with.
30:03Mom.
30:05What's wrong? You're short of breath. Is something wrong?
30:08Mom, you have to be nice to Miguel.
30:11Come on, daughter.
30:13Come on, sit on the sofa,
30:15he's going to give you a piggyback ride.
30:17You know what?
30:19With your legs up,
30:21they say it's very good for articulation.
30:23Like this, like this.
30:25That's it.
30:27Thank you, I haven't stopped all day.
30:29You work too much.
30:30I don't know if being a bad worker is a good idea.
30:33Well, have you listened to me or not?
30:36You have to try not to cut Miguel short.
30:39He's very tired.
30:41We've had enough with Leon.
30:43Yes, yes, I understand you.
30:45Talk, talk, I'm listening to you.
30:47You tell me.
30:49But later.
30:51Because now look what I have.
30:53I just made you a lemonade.
30:56Look, fresh, sweet,
30:58as you like it.
31:00Very good.
31:02And then I'm going to make you a fillet,
31:04without fried potatoes,
31:06but with peas,
31:08that suck your fingers.
31:11And that silence?
31:13Have you slept already, Leon?
31:15Today, yes, like Liron.
31:17I gave him the bottle, I bathed him,
31:19and he has fallen down.
31:21Oh, you don't know how much I appreciate it.
31:23Oh, normal.
31:25Oh, daughter, thank goodness you see how well I come to you
31:27and how much I help you.
31:28You can't live without me.
31:30Yes, I see it, yes.
31:32And the truth is that I don't know how we could thank you.
31:34Yes, women,
31:36for these things we are more avid.
31:38We know what to do.
31:40Well, we even know how to do several things at the same time.
31:42But Miguel, oh daughter,
31:44it seems that instead of blood he has horchata.
31:46That's it, that's it, a moment.
31:48That's what I was telling you, okay?
31:50Let's see, you have to treat Miguel with more tact,
31:52with more affection.
31:54You can't say those things.
31:56Enough already.
31:58What daughter?
32:00Do I have to be all day on top
32:02so that he doesn't make a mistake after another?
32:04Please, look, look, look, look,
32:06how little he gets, Edito,
32:08he's neither for the house nor for the child.
32:10He's like an elephant in a muck.
32:12I know Miguel is not at your level,
32:14but to be a man he is not bad at all.
32:16Plancha, wow, much better than me.
32:18And about the child, well, I don't know, I don't know.
32:20We are learning.
32:22No, Trini, no.
32:24Don't make an effort.
32:26You already have very long days
32:28so that all this is more or less in order.
32:30I don't complain, but daughter, daughter, daughter,
32:32you have to push him.
32:34I'm not going to be here forever.
32:38No, no, I'll take care of it.
32:47It's pure magic.
32:51It worked with you too.
32:53Do you think Miguel could do something like that?
32:56Well, no.
32:58It's very difficult.
33:00I wish I had learned this
33:02when we were both alone,
33:04that we couldn't even sleep.
33:06Well, you don't need to,
33:08because your mother is here to do it.
33:10Don't forget, my girl.
33:12Thank you, Mom.
33:14Are you okay?
33:16Yes.
33:29Good afternoon.
33:31Mercedes.
33:33Here I am.
33:35I come in peace.
33:37Good afternoon.
33:39I'm glad to see you in such a good mood
33:41and that you have accepted my invitation
33:43to return to our place.
33:45Well, I have decided that it would be best
33:47to forget what happened.
33:49More than anything,
33:51because this is one of my favorite places in Madrid
33:53and because you are much nicer
33:55than your brother.
33:56It would be a shame
33:58to lose a client like you.
34:00Hi, Iván.
34:02I'm glad to see you here.
34:05I was just telling your sister
34:07that I'm back because she's very nice.
34:09I don't know if I can say the same about you.
34:13I repeat my apologies
34:15and I hope I can change her mind.
34:17What happened will not happen again.
34:19I understand that you have re-trained,
34:22but I notice you are calmer than the other day
34:24and less aggressive.
34:26It will not happen again.
34:28I like your attitude,
34:30although there is something
34:32you should not forget.
34:34The other day you caught me by surprise.
34:36What were you going to hit me with?
34:38Well, I think it's all said and done.
34:41We should not talk about you again.
34:43Of course not.
34:45Because if it is repeated
34:47and you do not act in betrayal,
34:49I will crush you.
34:51I insist that I think
34:53we should move on.
34:54In fact,
34:56from now on
34:58we will consider you a preferred client.
35:03Great.
35:05Since everything is clear,
35:07as usual.
35:09Of course.
35:11We have reserved a table next to the stage
35:13so you can enjoy the jazz performance
35:15we have tonight.
35:17Thank you very much, Mercedes.
35:19Now we'll bring you your glass.
35:22Well, little brother,
35:24what comes ends well.
35:26I see you very optimistic with Ivan.
35:28I do not want to have problems,
35:30but I doubt he knows how to have fun without them.
35:32But if we can avoid them
35:34and not lose a good client,
35:36better.
35:38If it weren't for the patience I've had,
35:40we would have had a problem again.
35:42Better to be calm.
35:44I'm glad you're so calm.
35:46We get along very well, little brother.
35:48Yes, very well.
35:50By the way,
35:52have you talked to the distributor about the order?
35:54I'm sorry, I won't do it tomorrow.
35:56I've had more important things to do.
35:58Ah, more important things like what, for example?
36:01Well, for example,
36:03visit Mrs. Pedraza.
36:05Really?
36:07Have you gone back to Mr. Emiliano's house?
36:09That's right.
36:11I forgot the gloves at the store
36:13and I thought it was convenient to take them.
36:15She is a very kind woman.
36:17Of course, of course.
36:19Let's see if you've gotten out of a mess
36:21and you're going to get into another, much fatter.
36:22Serve the glass.
36:43I can finally see you.
36:46What a longer and more complicated day.
36:49Thank God,
36:50Paula's store flood has not gone any further.
36:54By the way,
36:56do you know what happened to my daughter?
36:58Seeing that she had spoiled the genre,
37:00she decided to put the garments at half price.
37:02They were taken off her hands.
37:04I think she inherited an instinct for business.
37:09Although I tell you something else,
37:11this actually gives me reason.
37:13Because I told her that at those prices,
37:15the working women
37:17were not going to be able to pay them.
37:18Well, if you lower it to half, yes.
37:20But that cannot be done continuously, right?
37:22It would not be profitable.
37:25No?
37:27Of course.
37:30Has something happened?
37:32No, no.
37:34It's just that I'm giving a lot of turns
37:36to Rodrigo's studies.
37:38You know that for me it is the most important thing.
37:40If you could give a push in that scholarship,
37:42I would appreciate it very much.
37:44But Pepita, think a little.
37:46You pressured me to put him in my company.
37:49We have made him a man of law and order,
37:51and now you ask me to give up on him.
37:53Rodrigo wants to be a doctor.
37:55I think that if he has worked for you,
37:57he has made so much effort,
37:59and he has assumed the great help you say,
38:01reason to help him fulfill his dream.
38:05No.
38:07I need it.
38:09I'm sorry.
38:11I'm sorry, but there will be no scholarship for Rodrigo.
38:13But why?
38:15Don't you appreciate him?
38:17You've seen him grow up, you know what he's worth.
38:19It doesn't make sense that you don't want to help him.
38:21But I'm not helping him.
38:24In any case, he won't stay with you forever.
38:26Why not?
38:28No, tell me, why not?
38:30What's wrong with that?
38:32Look, Pepita, I don't want to talk about this now.
38:35I come here to see you in a good mood,
38:37and you receive me with long faces.
38:39That's why I already have my wife.
38:41It's Rodrigo's future.
38:43I'll have to say something, I'm his mother.
38:45Yes, wife.
38:47Now I don't want to go to bed with you.
38:49No, of course not.
38:51Or are you going to force me to stay by your side like my son?
38:54Don't talk to me like that.
38:58Are you going to force me, Emiliano?
39:00Are you going to force me?
39:03That's what cowards do,
39:05who don't know how to get things the other way.
39:15Let's go.
39:45Hello?
39:59Hello?
40:01Honey?
40:03Lower your voice, man.
40:05My mother is trying to sleep.
40:07You don't know what I'm going to do.
40:09Why did you come so late?
40:11What happened? Did something happen?
40:12No, because I had to stay doing inventory,
40:15because the bookshop was a bit messy,
40:17and with the news and the returns,
40:20there was no one to clarify.
40:22If it weren't for my mother,
40:24next time try to come earlier,
40:26because I also come back from work
40:28and sometimes I don't know how to sleep.
40:30Yes, you're right, I'll take that into account.
40:32Do you know where my slippers are?
40:34They are not in their place.
40:36My mother has changed them,
40:38she has left them in the room
40:40because she says that at the entrance it is very vulgar.
40:42You're right.
40:44Sure.
40:46Whatever the sergeant says goes to mass.
40:48Look, Miguel, my mother is helping us a lot.
40:51Okay?
40:53If we are overwhelmed, for God's sake,
40:55can you make an effort and be a little more kind to her?
40:57Yes, I understand that she wants to help us,
40:59but what do you want me to tell you?
41:01I'm fed up, this is my house,
41:03and many times, no, many times, no,
41:05always, always I feel like an intruder.
41:07It's temporary.
41:09Temporary? Until when?
41:10No, your mother came with the intention
41:12of making a fool of herself.
41:14No, no, no, no, no, no,
41:16my mother did not come with any intention,
41:18so please stop exaggerating and getting obsessed with the subject.
41:20My mother, when she sees that you and I
41:22get along better with Leon,
41:24she will leave and that's it.
41:26And look, thanks to her,
41:28we can have these magnificent talks,
41:30you and me, if dinner is ready.
41:32What did Mollejas do?
41:34Mollejas?
41:35Yes.
41:37Well, I'd rather have a can of tuna
41:38and have a little peace.
41:40But why do you say this?
41:42But if you don't stop making an effort, my mother.
41:44Yes, make an effort.
41:46If I were a fly, I would kill myself with a broom.
41:48But why do you say that?
41:50Well, because it may be a charm with you and the child,
41:52but as a mother-in-law, what do you want me to tell you?
41:54It's a disgrace, it doesn't even let me breathe.
41:56That loud voice,
41:58temper it, you're going to wake up the kid.
42:00But if I have an angelic voice.
42:02Angelic voice with devil's tongue,
42:04I see you very strange, I see you coming.
42:06Look, Leonora.
42:08I don't want you to regret it.
42:13You see?
42:15A charm.
42:17I am the luckiest man on the planet.
42:19Look, Miguel, this is not easy for me either, okay?
42:21But you're going to have to think of a way
42:23to get along better with my mother,
42:25because it is what it is, okay?
42:27She's behaving very well and she's helping us a lot, man.
42:29But if I, I understand that.
42:31But you don't realize that if we continue like this,
42:33our marriage is in danger,
42:35our intimacy is in danger,
42:36our communication, our tranquility.
42:38Of course, because you only think about the bad.
42:40Because you don't want to admit
42:42that if it weren't for her, we would be lost.
42:44But no, of course, you think about intimacy,
42:46in your slippers, and ...
42:48Look, please, take it.
42:50Take a lemonade
42:52and refresh yourself a little bit
42:54and leave me alone.
42:56Very good.
43:00Well, yes, it has come out good for you.
43:02My mother did it.
43:07You had a fantastic idea
43:09about lowering the garments.
43:11Existences have run out, haven't they?
43:13Yes, and surely it has been a good strategy
43:15to let us know.
43:17The best way out
43:19is that women wear the garments
43:21and talk to each other.
43:23So, why do I notice you worried?
43:25Because between what we previously sold
43:27and the success of this campaign,
43:29we are practically without existences.
43:31And what do you mean by that?
43:33Well, I mean,
43:34we are practically without existences.
43:36Wow.
43:38From now on, it is impossible to reposition the genre.
43:40And it is a shame,
43:42because surely this has caught the attention,
43:44the word has spread,
43:46and new customers will arrive
43:48whom I will not be able to serve.
43:50Don't get yourself in trouble before the wound, woman.
43:52It is that if you saw how happy they left,
43:54they were happy, and so was I.
43:56And it must continue to be,
43:58even if you have to close the store for a few days
44:00until the new merchandise arrives.
44:02How long will that take?
44:04It is what they usually take normally, Paula.
44:07Closing the store for a week
44:09would be a complete disaster.
44:11Just now that we are starting to make noise,
44:13closing from night to morning ...
44:15It is that if you approach this store,
44:17because they have told you about it
44:19and you find it closed, you will not return.
44:21And couldn't the order be accelerated?
44:23That is very complicated.
44:25You already know that the warehouse is located
44:27in Alcázar de San Juan,
44:29in the middle of a railway junction.
44:31I am afraid that the supplier has no choice
44:32but to send the clothes by train,
44:34and the trains have their times.
44:36What other alternatives can there be?
44:38Because if you close the store now,
44:40it would be a disaster.
44:42I don't know if I can think of anything else.
44:44Don't worry.
44:46You always come up with something and you solve it.
44:49This time I don't know what to tell you, Rodrigo.
44:53I have been attending customers all day
44:55and I am completely exhausted.
44:57It is natural.
44:59You are taking on many responsibilities.
45:00It is a lot even for you.
45:03Maybe there is no other remedy
45:05than to close for a week,
45:07even if I don't like it at all.
45:10Well, he had me on the phone for about ten minutes
45:13and in the end,
45:15I didn't want to alarm her,
45:17but I did tell her about the operation, Pietro.
45:20I understand.
45:22Don't worry.
45:24Marta is like a daughter to us.
45:26She has every right in the world to know.
45:28I see.
45:30I know it is unfair,
45:32but I think it is important
45:34that we count on her love and support.
45:36Yes, really.
45:38Don't justify yourself.
45:40She wouldn't have liked it if you hadn't told her.
45:42Well, no.
45:44She offered to come to the operation
45:46in case we needed her.
45:48What a good girl.
45:50Have you missed her a lot?
45:52Yes, a lot.
45:54How is she?
45:56Fine, fine.
45:58She has been great.
46:00In the end,
46:02her plans, which seemed crazy,
46:04turned out well.
46:06They deserve all the luck in the world.
46:08Yes.
46:11How are you?
46:13Me? Fine.
46:15Fine?
46:17Fine, yes.
46:19I try not to think about it too much,
46:21but...
46:23Well,
46:25you don't face such a complicated situation
46:27every day, darling.
46:28Yes, I know.
46:30The operation seems very complicated,
46:32but the alternative was worse, wasn't it?
46:36What am I going to do?
46:38I don't like any of the two options.
46:41Well, what you have to do is be positive, Pietro.
46:44Yes.
46:46There is a lot of progress
46:48in these diseases right now,
46:50in science.
46:52Besides, Dr. Quiroga is an eminence,
46:54the best specialist.
46:56I know, I know.
46:59But sometimes it happens to me that I think
47:02that not even the best doctor knows everything, right?
47:07The human body is a mysterious machine, Antonio.
47:13Something can go wrong, right?
47:16And...
47:18And one thing is to be positive,
47:20but another thing is to be deceived.
47:22No, I'm not asking you that.
47:25Antonio, I...
47:27I want to tell you something.
47:31If I don't get out of the operation,
47:33you have to promise me that...
47:35No, no, Pietro, don't go on.
47:37Don't even think about it, because that's not going to happen.
47:41Antonio.
47:43Antonio, listen to me.
47:45This can happen.
47:48You understand, right?
47:51It's better if you don't think about it.
47:53I understand.
47:54But look at me.
47:57I have to put my affairs in order.
48:02You understand, right?
48:08I need to write down my last wills.
48:12Antonio, I'm not very fine,
48:14and I wanted to dictate it to you.
48:16Pietro, I'm not going to write any letter,
48:18because it won't be necessary.
48:20I need to do it, Antonio.
48:22I'm sorry to tell you this,
48:24but I'm not going to write any letter, Pietro.
48:28Antonio, I would be irresponsible if it weren't like this.
48:32I'm not going to write any letter,
48:34because we have all the time in the world left.
48:39All the time we deserve.
48:41After everything we've fought for, Pietro.
48:44Now what?
48:48No.
48:50Antonio, listen to me.
48:55We can't turn our backs on reality.
48:58You understand, right?
49:00Please, help me.
49:02Pietro, please, don't ask me to listen to you.
49:04You can die because I don't want to.
49:06Please, I can't.
49:16Are you clear on what business you want to embark on?
49:19Well, I have several ideas.
49:22But I need to mature them.
49:24And above all, I would like to know
49:26that I have the confidence of my father
49:28to be able to tell them,
49:30and that he gives me his opinion about it.
49:32And if you start by telling your mother,
49:34to vary?
49:36But I had no other option, I promise you, Inés.
49:38Really, I was even going to fire Ballesteros,
49:40but I can't do this,
49:42I can't delay the shooting any longer.
49:44We have to reschedule it as soon as possible
49:46to stop the losses.
49:48I've seen that Paula's store is closed.
49:49I imagine that the flood
49:51must have been a big setback for her.
49:53No, quite the opposite.
49:55Yesterday she sold all her stock.
49:58She had no choice but to travel to Alcazar de San Juan
50:01to buy more merchandise.
50:03Was someone talking about my mother?
50:05Well, we were just talking about
50:07how good a couple she makes with Elias.
50:09Can you imagine that they end up together?
50:11No, no, no, no, please, I'm not kidding.
50:13I don't want a boyfriend for my mother,
50:15much less for Elias.
50:17But it's true that you would have to think
50:19about who I want to marry.
50:21Who, me?
50:23Yes, of course, you.
50:25I've been thinking about the conversation
50:27we had the other day,
50:29about working at the factory,
50:31and I don't think it's the most convenient thing.
50:33So I'm willing to show you
50:35that I'm also able to run my own business.
50:37Here we have, teacher,
50:39for what I need when I don't need it.
50:41Come on, Elias,
50:43I just want to ask the three of you a favor.
50:45Whatever you want, Pietro,
50:47count on us.
50:49I don't want to hear any excuses.
50:51Otra ya se habría marchado
50:53si la tratan como lo hiciste tú ayer conmigo.
50:55¿No estás hablando en serio?
50:58Estoy seguro de que todo va a salir bien.
51:01Dofeminio, quiero que usted sea mi albaceo.
51:05Por favor.
51:07Between Elias and Leonora,
51:09the spark has already blown.
51:11We just need to give them a push
51:13so that the flame lights up again.
51:15Yes, but that flame behaves risky.
51:17We're talking about Elias.
51:19If he falls in love with her,
51:21he'll kick your mother-in-law out of the house to court her.
51:23And if he scares her,
51:25your mother-in-law will take the door and leave
51:27to lose sight of her.
51:29Maruja Pedraza speaking.
51:31Who do I have the pleasure of talking to?
51:33Mom, we have a conversation in the middle
51:35and I was hoping we could continue with it
51:37where we left it.
51:42Mrs. Pedraza, are you still there?
51:44Yes, yes, sorry.
51:46So what do you say?
51:47I'm sorry, but I have a gap at dinner time.
52:02Your work at the foundation has absorbed you.
52:06That's right.
52:10I can't get it out of my head.
52:17I can't get it out of my head.