• 2 months ago
BELA LUGOSI MEETS A BROOKLYN GORILLA
| Comedy, Horror, Sci-Fi | 1952 |

Plot:
Two goofy entertainers meet a mad scientist on a jungle island.

Crew:

• Directed by: William Beaudine
• Written by: Tim Ryan
• Starring: Bela Lugosi, Duke Mitchell, Sammy Petrillo, Charlita
• Produced by: Maurice Duke
• Music by: Richard Hazard
• Cinematography: Charles Van Enger
• Edited by:

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Transcript
00:00:00
00:00:30
00:00:36
00:00:43
00:00:49
00:00:55
00:01:00This jungle, the vast wilderness of giant lush foliage,
00:01:05of tropical birds and fierce animal life.
00:01:08The killer tiger.
00:01:10The cunning hyena.
00:01:12The deadly python that can crush a giant elk.
00:01:17The proud lion.
00:01:19A fierce lioness stalking a prey to feed her young.
00:01:23And the buzzards, the scavengers of the jungle,
00:01:29soaring lower, ever lower, eager to devour the dead or the dying.
00:01:35Kill or be killed, this is the law of the jungle.
00:01:40And here, what have we here?
00:01:42Who are these men?
00:01:44What can they possibly be doing in this cruel tropical wilderness?
00:01:48
00:01:53Tuna, tuna, howdy.
00:01:55
00:02:01Come on, Roccos, I hear you, Boogie.
00:02:04Boogie.
00:02:05
00:02:11Hey, I'll give you one way up.
00:02:13Hey, drop it off.
00:02:15
00:02:20
00:02:25
00:02:30
00:02:35
00:02:40
00:02:45
00:02:50
00:02:55
00:03:00
00:03:05
00:03:10
00:03:15
00:03:20
00:03:25
00:03:30
00:03:35
00:03:40
00:03:45
00:03:50
00:03:54I've yet to discover who is these men.
00:03:56Well, not yet, Father.
00:04:01Look, Father.
00:04:04I think one of them is named Mervin.
00:04:07Mervin?
00:04:08Mervin?
00:04:11Who said that?
00:04:13Which one of you is Mervin?
00:04:17Our lady, you got us mixed up with two other guys.
00:04:20My name is Nona.
00:04:24Hiya, Nona.
00:04:26My name is Nona.
00:04:29Hiya, Nona.
00:04:30I'm Duke Mitchell.
00:04:31How do you do?
00:04:33Where are we?
00:04:34What place is this?
00:04:35This is the most southern fringe of the Zamboanga group.
00:04:38The island of Cola-Cola.
00:04:40Cola-Cola?
00:04:41Sounds like a commercial for some bubble water.
00:04:43How did we get here?
00:04:44Some of our men found you lying in the jungle
00:04:46and carried you here.
00:04:47Yeah, what do we owe for carrying charges?
00:04:49Ha-ha!
00:04:51Getting carried charges, funny wine.
00:04:53Let's ramp it up here, lady.
00:04:56Oh, come here.
00:04:58How did you get lost in the jungle?
00:05:00Well, we were on our way to do a show for the boys in Guam.
00:05:03We were in a plane high over the Pacific.
00:05:05Sammy goes to look for the powder room, and he couldn't find it.
00:05:08I went there to show him.
00:05:09I walked through the wrong door.
00:05:11Like a dope he follows me.
00:05:12Yeah, lucky thing we had our parachutes.
00:05:14Well, there we were, lost in a vast wilderness.
00:05:16We lived on wild berries and raw fish.
00:05:18Which is much better than the raw fish living on us.
00:05:20You have nothing to worry about.
00:05:22My father, the chief, will see that you're well cared for.
00:05:25Me?
00:05:26Chief Rokos, king of this island.
00:05:28Well, gee, you sure look super, chief.
00:05:30Super, chief, get it?
00:05:31Ha-ha!
00:05:32Ha-ha-ha-ha-ha-ha-ha!
00:05:35Shh!
00:05:36Hiya, chief.
00:05:37I'm Duke Mitchell.
00:05:38This is my partner, Sammy Petrillo.
00:05:40You know, Mitchell and Petrillo,
00:05:41songs, dances, and snappy patter.
00:05:43Have tuxedo, we'll travel.
00:05:45And not this far.
00:05:46Welcome to our island.
00:05:48We are honored.
00:05:49Our house is yours.
00:05:51Yeah, well, remind me to get some new wallpaper in here,
00:05:53will ya?
00:05:54Shh!
00:05:55Bongo, bongo!
00:05:56A pale coley howl and poi poi.
00:05:59Ah, clambang, clambang!
00:06:08Tonight, we have great luau.
00:06:12We have great luau.
00:06:15To celebrate you, my people will sing and dance for you.
00:06:20Gee, that sounds great.
00:06:21We'll be likewise, I'm sure.
00:06:23I have this one.
00:06:24Shake it, shake it, shake it.
00:06:25Go, go, go, go, dad, go.
00:06:27Hey, cut it out.
00:06:29Don't mind my friend.
00:06:30He's young.
00:06:31He's foolish.
00:06:32No doubt.
00:06:33Come.
00:06:36See that?
00:06:37You made the chief mad.
00:06:38That's OK.
00:06:39He wasn't a good dancer anyway.
00:06:40You know, someday I'm going to let you
00:06:41fry in your own grease.
00:06:42Can't you make a chicken fat?
00:06:44Maybe.
00:07:12Whoever hid it, eat him off the floor.
00:07:14What's the matter?
00:07:15Can't they afford chairs?
00:07:16Shh!
00:07:17Sola vaga canta.
00:07:18Hm?
00:07:19What's that, man?
00:07:20Sola vaga canta.
00:07:21No, royal rito canta.
00:07:22Yala for a malo.
00:07:23Mala sock!
00:07:24Abro no cano carogo.
00:07:27OK, bongo, bongo.
00:07:29So sweet.
00:07:30So sweet.
00:07:31So sweet.
00:07:32So sweet.
00:07:33So sweet.
00:07:34So sweet.
00:07:35So sweet.
00:07:36So sweet.
00:07:37So sweet.
00:07:38So sweet.
00:07:39So sweet.
00:07:40Since when do you talk a native language?
00:07:42I just started today.
00:07:43Well, what'd he say?
00:07:45What'd he say?
00:07:46I don't even know what I said.
00:07:47Now, don't hit me, Duke.
00:07:48He hates me in the head.
00:07:59That's a wonderful dance they're doing.
00:08:01My people are happy to entertain you.
00:08:03Well, Sammy and I really appreciate it.
00:08:05Yeah, well, I'd be more entertained
00:08:06if I had a pretty girl to talk to.
00:08:08Hey, girl, why don't you Duke have all the meat and potatoes?
00:08:10Meat and potatoes?
00:08:12Don't mind my friend.
00:08:13He speaks in a vernacular.
00:08:14I don't?
00:08:15Gee.
00:08:16Gee, I want a girl just like the girl the other.
00:08:21That's easy.
00:08:22I'll call my sister.
00:08:23You have a sister?
00:08:24Yes.
00:08:25Oh, boy.
00:08:31Coloma.
00:08:32Yes?
00:08:33Come here.
00:08:34Well, we, she's got a sister, and she's all for me, doogie.
00:08:37So, lots of luck.
00:08:40Yes?
00:08:41I have a very nice friend for you.
00:08:43Oh?
00:08:44See?
00:08:45A little one.
00:08:46Doogie, and it's all for me.
00:08:48Ah!
00:08:50Doogie, no, no, no!
00:08:53Oh, I like.
00:08:55Go.
00:08:59This is Saloma.
00:09:01This is your sister?
00:09:02My baby sister.
00:09:04Saloma, this is Sammy.
00:09:06It's a nice knowing you.
00:09:07So long, Salami.
00:09:12Saloma like you.
00:09:14Saloma think you beautiful.
00:09:16Saloma needs glasses.
00:09:18You eat.
00:09:19I don't want to eat, thank you.
00:09:21You eat.
00:09:22No, I told you I don't want to eat.
00:09:24Hey, Doogie, I got to get away from this blimp or she'll kill me.
00:09:27Well, you ask for it.
00:09:28I got it.
00:09:29When I'm locked in the corner, do a routine.
00:09:31Go.
00:09:32Great.
00:09:33You eat.
00:09:34Oh, that's what I get.
00:09:35Eat me like a skull in a shirt.
00:09:37What are you trying to feed me for?
00:09:38You're not my mother.
00:09:39You can't feed me.
00:09:41Saloma, no falafel.
00:09:43Oh, no falafel.
00:09:45After all, I've been eating for a long time.
00:09:47I know how to feed myself.
00:09:48I've been feeding myself ever since I was a little boy.
00:09:50Do you understand?
00:09:55No falafel.
00:10:05No falafel.
00:10:33Oh, well, good evening, ladies and gentlemen.
00:10:34And welcome to Showtime at the Royal Tahitian.
00:10:36And what a wonderful show we have lined up for you tonight.
00:10:38You know, as you know, this is my first visit
00:10:40to the beautiful island of Cola Cola.
00:10:41And I want to say that the climate is wonderful.
00:10:43It really makes a guy feel full of Pepsi.
00:10:45Get it?
00:10:46Cola, Pepsi?
00:10:47Pepsi, Cola?
00:10:53Gentlemen of the jury, I'd like to ask the prisoner one question.
00:10:56Have you ever been up before, Judge Smith?
00:10:58I don't know what time does Judge Smith get up.
00:11:04You want to hear a funny one?
00:11:05On the way over to the island, the fellow
00:11:07stopped me at a coconut tree.
00:11:08And he said I hadn't had a bite for three days.
00:11:10You know what I did?
00:11:11I bit him.
00:11:15What did he say?
00:11:28Hi.
00:11:30Well, I knew you'd get one of them eventually.
00:11:32Oh, I have a million of them.
00:11:33Well, will you listen to this one.
00:11:34Listen to this one.
00:11:35Did you take a bath this morning?
00:11:36Why, is there one missing?
00:11:47I thought I told you to wait in the truck.
00:11:49You danced with Saloma?
00:11:52Oh, that's ridiculous.
00:11:53Oh, come on, dance.
00:11:55Left your motor running, kid.
00:11:57I don't want to dance with you.
00:11:58Leave go on the arm, will you?
00:11:59You're breaking all of them.
00:12:00Will you let go of the arm already?
00:12:02Saloma.
00:12:03Wait, leave go on me.
00:12:04Don't get physical, all right?
00:12:05Can't leave go on me.
00:12:06Saloma.
00:12:07I'll grab a salsinha.
00:12:08Don't hate me, please.
00:12:12Do you think perhaps she is too rough?
00:12:14Probably doesn't know her own strength.
00:12:19Saloma.
00:12:20Tola damba vita.
00:12:24Anda homa.
00:12:25Wala tandra.
00:12:27My father says, do you wish to dance for us?
00:12:30Well, I don't dance, but I'll do eight or 10 tunes for you.
00:12:33Well, that's fine.
00:12:34All right.
00:12:39OK, folks, let's wrap it up.
00:12:42You.
00:12:44Now you.
00:12:47You.
00:12:51Do I want you?
00:12:53Oh, my, do I?
00:12:56Maybe.
00:12:57Indeed I do.
00:13:01Do I need you?
00:13:04Oh, my, do I?
00:13:07Maybe.
00:13:08Of course I do.
00:13:13Do you know that I'm the one who found you?
00:13:19That's why I'm always hanging around you.
00:13:24Do I love you?
00:13:27Oh, my, do I?
00:13:29Maybe.
00:13:31Indeed I do.
00:13:33Saloma, I think you're beautiful.
00:13:35Do I want you?
00:13:38Oh, my, do I?
00:13:41Maybe.
00:13:42Indeed I do.
00:13:46Do I need you?
00:13:49Oh, my, do I?
00:13:52Maybe.
00:13:54Of course I do.
00:13:57Do you know that I'm the one who found you?
00:14:03That's why I'm always hanging around you.
00:14:08Do I love you?
00:14:11Oh, my, do I?
00:14:14Maybe.
00:14:16Indeed I do.
00:14:20Maybe.
00:14:22Indeed I do.
00:14:27Maybe, maybe, maybe, maybe, maybe.
00:14:29Of course I do.
00:14:32Oh, baby.
00:14:35Yes, sir, baby.
00:14:38Oh, baby.
00:14:40Indeed I do.
00:14:50Boy, look at that moon.
00:14:52You wouldn't think it was the same one that was shining over the Bronx, Brooklyn, Coney Island.
00:14:55But it is.
00:14:56Yeah, but it's so much bigger and brighter out here.
00:14:58You sure have a beautiful place to live in.
00:15:00I've heard about places like this, read about it.
00:15:03In fact, I've even seen them in movies.
00:15:05Never really expected to be here, though.
00:15:07Yes, we have everything here to make us happy.
00:15:10A calm, peaceful atmosphere.
00:15:13No noisy streetcars or automobiles.
00:15:15No rushing around in and out of subways.
00:15:17No smoky factories smudging up the air we breathe.
00:15:20Say, how come you know about these things?
00:15:22And how come you talk like a cop?
00:15:24Perhaps it's because I went to college.
00:15:26Come again?
00:15:27I was sent to your country to be educated.
00:15:29Someday I will be queen of this island.
00:15:32My people would like their queen to be smart.
00:15:34Well, what do you know?
00:15:41Sammy!
00:15:43You know, I kind of hate to leave this place.
00:15:46Then why go?
00:15:47Huh?
00:15:48Do you have to go?
00:15:49Well, we're part of an entertainment group.
00:15:51We're due to entertain the boys on Guam.
00:15:53In fact, we're overdue.
00:15:54How do we get off this island?
00:15:56Do any ships stop here?
00:15:57Oh, yes.
00:15:58A ship stops once every two months.
00:16:00Oh, we'll have to do better than that.
00:16:02Perhaps Dr. Zaber can help you.
00:16:04Dr. Zaber?
00:16:05Yes.
00:16:06He's the only white man on the island.
00:16:08Well, how come we haven't seen him?
00:16:09Where is he?
00:16:10He lives on the other side of the island.
00:16:12He's a scientist working on an experiment in evolution.
00:16:15He's very clever.
00:16:17And we are in the midst of a war.
00:16:19He's very clever.
00:16:20And we are in the midst of a series of...
00:16:22Did you say we?
00:16:23Yes.
00:16:24You see, he hired me as his assistant.
00:16:26Oh.
00:16:27Tomorrow I shall take you to him.
00:16:29He'll be very glad to see you both, I'm sure.
00:16:32Oh, great.
00:16:36Hey, you!
00:16:37Doggie!
00:16:38What?
00:16:41Oh, never mind.
00:16:43You want that, or where are you?
00:16:51Run for your life!
00:16:55Run for your life!
00:16:59Go on, get out of here!
00:17:00Run for your life!
00:17:04Sammy!
00:17:05Maybe I should run for mine, too, Mel.
00:17:07Sammy!
00:17:13Sammy!
00:17:19Oh, pardon me.
00:17:22Sammy!
00:17:25Sammy!
00:17:43Let me alone, will you?
00:17:45Get out of here and let me alone.
00:17:58Here we are.
00:17:59Well, thanks for seeing me home.
00:18:02That's the custom of the island.
00:18:04No kidding.
00:18:05Yes, that's right.
00:18:06Well, there's a switch.
00:18:07What other custom is there?
00:18:09Yes, that's right.
00:18:10Well, there's a switch.
00:18:11What other custom is there?
00:18:13Oh, many quaint ones.
00:18:16I shall tell them to you sometime.
00:18:18Well, that'll be peachy.
00:18:20I must go.
00:18:21It's getting late.
00:18:23Good night.
00:18:24Wait a minute.
00:18:26You can't take a guy home and then leave him with just a good night.
00:18:29No?
00:18:30No.
00:18:40Help!
00:18:41Doggie!
00:18:42Help!
00:18:43Doggie!
00:18:44Let me go!
00:18:45Let me go, will you?
00:18:47See?
00:18:48Saloma bring you home, yes?
00:18:50Yeah, thanks loads, but you didn't have to go out of your way.
00:18:53Shut up, cuckoo.
00:18:55It's a custom of the island.
00:18:57Right?
00:18:58Right.
00:18:59Well, we better go.
00:19:01Until tomorrow?
00:19:04Come, Saloma.
00:19:06Come, Saloma.
00:19:09Good night, my little one.
00:19:10Get out of here.
00:19:11Get out of here.
00:19:12Get out of here.
00:19:13Get out of here.
00:19:14Bye.
00:19:15Yeah, wait for me in the glove compartment, will you?
00:19:20Well?
00:19:21Well what?
00:19:22Well, aren't you going to carry me across the threshold?
00:19:25Get out of here.
00:19:27Let me see you.
00:19:33How much farther do we have to go?
00:19:35Oh, not very much.
00:19:37Boy, now I know how Livingston felt when he couldn't find Stanley.
00:19:40You have that wrong.
00:19:41It's just vice versa.
00:19:43Vice what?
00:19:44Vice versa.
00:19:45Livingston didn't find Stanley.
00:19:47Stanley found Livingston.
00:19:49This is a vice versa?
00:19:51That's right.
00:19:52That's right.
00:19:55What are you looking for?
00:19:57I expect two tons of salami to come out here charging after me at any minute.
00:20:00Oh, don't worry about that.
00:20:01She won't.
00:20:02None of my people venture very close to the castle.
00:20:05It is forbidden.
00:20:06Castle?
00:20:07What castle?
00:20:08The castle where Dr. Szabo lives and works.
00:20:10Well, how come you go there and work?
00:20:12I don't share all the beliefs of my ancestors.
00:20:15Where is this castle?
00:20:17There it is.
00:20:19Cozy little shack.
00:20:21I wish it was on 42nd Street and Broadway.
00:20:2342nd and Broadway?
00:20:26What kind of a crack is that?
00:20:27Well, if it was on 42nd and Broadway, we'd be standing in front of the automat.
00:20:31And boy, could I use a good cup of coffee right now.
00:20:35Come on, Duke.
00:20:37Hey, hey, hey, wait for me.
00:20:45This looks like death not only took a holiday, but he got a hangover from taking it.
00:20:50Oh, this looks like sing-sing.
00:20:51I got to get out of here.
00:20:52What are you worrying about?
00:20:54Well, I ain't worried.
00:20:56Just wish I was back in Brooklyn playing the low-east picking, that's all.
00:21:02Good morning, Chula.
00:21:03Morning.
00:21:04Tell Dr. Szabo I am here and I bring two white visitors.
00:21:07I tell master.
00:21:10Close the door.
00:21:11Close the door.
00:21:12Close the door.
00:21:13All right.
00:21:20Master.
00:21:21Now, what is it, Chula?
00:21:22Why do you disturb me?
00:21:24The girl, she is here.
00:21:26Since when does she has to be announced?
00:21:28She has two men with her.
00:21:30White men.
00:21:32White men?
00:21:34Who are they?
00:21:35I not know, master.
00:21:37Come on, Doogie, let's go.
00:21:38The doctor's probably busy and besides, I forgot something at the hut.
00:21:41What?
00:21:42I forgot to stay here.
00:21:43I'm getting out of here.
00:21:44Relax, Cuckoo.
00:21:45You want to get off this island, don't you?
00:21:47Sure, I want to get off the island.
00:21:49Well, the doctor's going to help us get off, isn't he?
00:21:51Yes.
00:21:52Dr. Szabo's a very brilliant man.
00:21:54Brilliant man, huh?
00:21:55Anybody who lives in a creep joint like this must be a moronic idiot.
00:21:58Good morning.
00:22:01I'm Dr. Szabo.
00:22:03Welcome to my creep joint.
00:22:08Oh, gosh, I'm sorry, Mr. Idiot.
00:22:10I didn't mean to call your creep joint a creep joint.
00:22:12Oh, think nothing of it.
00:22:14Doctor, I would like you to meet my friends.
00:22:16Yes?
00:22:17Hi, Doc.
00:22:18I'm Duke Mitchell.
00:22:19This is my partner, Sammy Petrillo.
00:22:21We were on our way to do a dig.
00:22:23Don't I know you from someplace?
00:22:25I don't think so.
00:22:33Hey, Doogie, come here.
00:22:36I think I know where you know this guy from.
00:22:38Where?
00:22:39Ain't this the fellow that goes around with the hands and the faces,
00:22:41biting people on the neck and wearing capes?
00:22:43You're crazy.
00:22:45Watch out for bats.
00:22:47Wait a minute, I'll prove it to you, won't you?
00:22:49Dr. Szabo?
00:22:50Yes?
00:22:51Would you do me a favor?
00:22:52What is it?
00:22:53Make a face.
00:22:54What?
00:22:57Thanks.
00:22:58See?
00:22:59What did I tell you?
00:23:00Now go over and apologize.
00:23:01I ain't gonna do it.
00:23:02Come on, you embarrass me.
00:23:03Go over and apologize.
00:23:05Come on.
00:23:09Dr. Szabo?
00:23:10Yes?
00:23:12What do you go around scaring little children for?
00:23:14What are you doing?
00:23:15What's the matter with you?
00:23:18Don't mind him, Doc.
00:23:19He thinks you're the guy that goes around biting little kids on the neck.
00:23:22You know what I mean?
00:23:27It's him.
00:23:31Doctor, my friends fell out of a plane and landed on the island.
00:23:34They would like to get back to civilization.
00:23:37I told them you could help them.
00:23:38That's possible.
00:23:39Thank you, Doctor.
00:23:41It may take several days to make arrangements.
00:23:43In the meantime, please accept my hospitality.
00:23:46Allow me to furnish you with suitable clothes.
00:23:48Gee, thanks, Doc.
00:23:49But no capes, huh?
00:23:51Oh.
00:23:53Chula.
00:23:56Yes, Master.
00:23:57Take this man to my room.
00:23:58Yes, Master.
00:23:59Pick out anything you want from my wardrobe.
00:24:02When you have changed, Chula will bring you to the study.
00:24:06Follow Chula.
00:24:07Come.
00:24:09A most interesting training.
00:24:12Strange.
00:24:14But interesting.
00:24:16Really think so?
00:24:17Oh, what a charming cousin.
00:24:27It was very thoughtful for you to bring these men here.
00:24:31I'm sure I can help them.
00:24:33I was hoping you would.
00:24:35I would do anything for you in my power.
00:24:38Please, Dr. Zabor.
00:24:40I'll be in the laboratory, Doctor.
00:24:58Why do you treat me so coldly, my dear?
00:25:01Do you know I love you?
00:25:03I want you.
00:25:05Now, what is wrong?
00:25:07Why do you not accept my love?
00:25:10Please, Doctor.
00:25:11Must we go over that again?
00:25:13Yes, we must.
00:25:22Certainly nice of you to fix us up like this, Doc.
00:25:24Yeah, I always wanted a Palm Beach suit.
00:25:26Thanks.
00:25:27Very happy to do it.
00:25:29It's quite a drug store you got here.
00:25:31It's quite a drug store you got here, Doc.
00:25:34This is my laboratory.
00:25:36Laboratory?
00:25:37No kidding.
00:25:39Hey, Duke, look.
00:25:41Looks like the monkey house in the brown suit, doesn't it?
00:25:44Only smaller, of course.
00:25:46They are my guinea pigs.
00:25:48Guinea pigs?
00:25:49Look like monkeys to me.
00:25:56They are monkeys.
00:25:58Silly boy.
00:26:01They are so monkeys.
00:26:03Certainly they are monkeys.
00:26:05But they are also guinea pigs for the reason that I use them in my experiments.
00:26:09Do you understand?
00:26:10Yes.
00:26:11Now.
00:26:13Hey, Doc.
00:26:14What's this?
00:26:15Streptococcus.
00:26:16Yeah, no kidding.
00:26:18Hello, Streptococcus.
00:26:20Don't mind my friend.
00:26:21He has a one-syllable brain.
00:26:22I can see that.
00:26:24What kind of experiments are you making, Doctor?
00:26:26Oh, I'm performing a series of experiments in evolution.
00:26:30Evolution?
00:26:31What's evolution?
00:26:32Scientists have proven that all living things originated in a process of evolution.
00:26:37They also know that there is a growth force that tends to make genetic changes physiologically and morphologically.
00:26:45Chimpanzees and gorillas are the highest members of the ape family and are the ancestors of man.
00:26:53Darwin, in his provisional hypothesis of pangenesis, assumes that every living cell contains a gemule,
00:27:00which is a hypothetical granular.
00:27:04I have found a chemical formula that simulates the growth force.
00:27:08And when nature takes years, I can, in a matter of hours, make a complete embryonic metamorphosis,
00:27:17both physiological and morphological.
00:27:20Do you understand?
00:27:22Sure.
00:27:23What?
00:27:24Yeah.
00:27:25You mean you understood him?
00:27:26Uh-huh.
00:27:27What did he say?
00:27:28What did he say?
00:27:29Well, he was just trying to tell you that due to the great lines of the cerebrium,
00:27:31which have been perplexed by the fact of the way the last type of dog had its first origin,
00:27:34you cannot confuse tyrannical and spasmodic conditions when it is inevitable that he is a satellite of inconvenience.
00:27:39Shut up!
00:27:40No embryonic physical morphosis.
00:27:41I understand that.
00:27:44Memphis, here he is.
00:27:47Master, Pepe Bordeaux, here to see you.
00:27:55In conclusion, I'd like to add that if you took the embryonic metamorphosis, the only thing...
00:27:58Shut up!
00:28:04What's he filming it about?
00:28:05Oh, Ramona isn't mad. She just wants to play.
00:28:08Come, I'll show you.
00:28:12Well, Ramona?
00:28:14Do you like our friend?
00:28:16Do you want to come out?
00:28:18No, don't let her out.
00:28:19Don't let her out.
00:28:20Oh, Ramona's a pet.
00:28:22She's very tame.
00:28:23Watch.
00:28:26All right, Ramona.
00:28:28Open the door.
00:28:30Open the door.
00:28:31Come to Ramona.
00:28:34That's a good girl.
00:28:37Come on out now.
00:28:38Come on.
00:28:40That's a good girl.
00:28:41I want you to meet my friend.
00:28:43Shake hands.
00:28:44Shake hands with Dookie.
00:28:45Shake hands.
00:28:46Good girl.
00:28:47And I think I want you to kiss Sammy.
00:28:48No, no, no.
00:28:49Get her out of here.
00:28:50I don't want to.
00:28:51No, I don't want to.
00:28:52No, no.
00:28:53Get her out of here.
00:28:54Oh, she won't hurt you, Sammy.
00:28:59You know something, Dookie?
00:29:00What?
00:29:01She's a little like a raging, huh?
00:29:02Yeah.
00:29:08Pepe has come for some acid for his batteries, Nona.
00:29:10Very well, doctor.
00:29:12Come on, Ramona.
00:29:13That's a good girl.
00:29:14Is she OK?
00:29:15That's a good little girl.
00:29:19All right, Pepe.
00:29:21This is Pepe Bordo.
00:29:22Mr. Mitchell.
00:29:23Hi, Pepe.
00:29:24How are you, Mr. Bordo?
00:29:25Pepe is representing the law on the island.
00:29:28Oh, a cop, huh?
00:29:29As you call them, a cop.
00:29:31My friends are from America.
00:29:33How did you get here?
00:29:35There has been no boat for months.
00:29:37Oh, we just dropped in.
00:29:43They parachuted from a plane.
00:29:45Oh.
00:29:46Pepe has the only means of outside communication
00:29:48on the island, a small, wireless outfit.
00:29:51Gee, maybe he can get us off this island.
00:29:53Why, with some passing ship or something?
00:29:55Yeah, you know, one that's called...
00:29:57What does that mean?
00:29:59Well, my transmitter only carries to the neighboring island.
00:30:03A little over 100 miles.
00:30:05But some ship may pick her up.
00:30:06I shall try.
00:30:07Oh, thanks a lot.
00:30:09Gee, that'll be peachy.
00:30:10Here you are, Pepe.
00:30:11Oh, thank you.
00:30:12And thank you to the doctor.
00:30:13My pleasure.
00:30:14Gentlemen, it's been a pleasure.
00:30:15Same.
00:30:16Good-bye.
00:30:17Same here, too.
00:30:18And don't forget...
00:30:20I'll see you through the door.
00:30:26Wow, it'll be great if we can get a ship to stop here, won't it?
00:30:29Sure will.
00:30:30Sooner the better.
00:30:31Gee, Nona, why don't you tell us there was a wireless outfit on this island?
00:30:34I... I just didn't think, I guess.
00:30:37Well, if the ship stops here, we can go right out to Guam.
00:30:42Gee, honey, what's the matter?
00:30:44Nothing.
00:30:45Come on, baby, don't feel that way.
00:30:48Come on, baby.
00:30:49Smile.
00:30:53It's getting awful sticky around here.
00:31:07What do you want?
00:31:08What?
00:31:09What do you want?
00:31:10What?
00:31:11What are you doing?
00:31:18That's pretty cute, you know.
00:31:23What are you doing?
00:31:28Help!
00:31:29Dookie, get me out of here!
00:31:30Help, Dookie!
00:31:31Dookie, get me out of here, will ya?
00:31:38You know something?
00:31:39I don't like the way that Dr. Zaber looked at you a couple of times tonight.
00:31:42And do you know something?
00:31:43I don't think Dr. Zaber liked the way you looked at me a couple of times tonight either.
00:31:47Well, it's just too bad.
00:31:49I don't know if I like the idea of living here or not.
00:31:51Why not?
00:31:52Well, it's too far from the village.
00:31:54And you.
00:31:55But I'm there every day.
00:31:56Yeah, but you're always busy.
00:31:58You can always take me home at night.
00:32:01Well, I guess that'll have to do until I can think of something better.
00:32:05I shall have my father invite all of you to dinner some night soon.
00:32:08Would you like that?
00:32:10I can hardly wait.
00:32:14Anything else, Master?
00:32:17No.
00:32:18Go to bed.
00:32:19Good night, Master.
00:32:20Good night.
00:32:27Fine thing.
00:32:28He knows I'm afraid to be left alone.
00:32:32Oh, I wouldn't think of letting you go home alone.
00:32:34I'll see you home.
00:32:36Well, thank you very much.
00:32:37But wouldn't Sammy like to come along?
00:32:39Oh, no.
00:32:40Sammy wouldn't like to come along.
00:32:41Sammy's tired.
00:32:42Sammy's tired.
00:32:43Sammy's tired.
00:32:44How does he know I'm tired?
00:32:47Come to think of it, I am a little tired.
00:33:36Oh!
00:34:06What?
00:34:14Is that you, Duke?
00:34:16It's about time you got home.
00:34:24Why still? Will you go to sleep?
00:34:30Cut it out. Will you go to sleep?
00:34:37Hey, Duke.
00:34:38What's with the angora patch?
00:34:48Ramona.
00:34:49How did you get up here?
00:34:52Come on. You got to go back to your cage.
00:34:55Come on now, Ramona. Let's go.
00:34:59There, baby. Come on.
00:35:07What are you doing with Ramona?
00:35:09What am I doing with Ramona?
00:35:11Are you kidding?
00:35:12I'm upstairs sleeping in my own bed.
00:35:14And very peacefully, mind you.
00:35:16Next thing I know this, it's there and me right in the kitchen.
00:35:19The whole thing's very ambiguous.
00:35:21Take her back in her cage.
00:35:23What?
00:35:24Take her back in her cage!
00:35:27All righty!
00:35:37All right, Ramona.
00:35:39Now it's time to go beddy-bye.
00:35:41Get into your cage.
00:35:44Oh, I know you know.
00:35:46You're not going to lock me in again.
00:35:49All right. We'll go out on the deck tonight.
00:35:58Now what do you want?
00:36:02Oh, you want us to sit down and rock you to sleep, huh?
00:36:05Oh, okay.
00:36:10Come on, Ramona. Up we go.
00:36:12And over.
00:36:16Rock-a-bye baby on the treetop
00:36:20When the wind blows
00:36:22Cut that out now, Ramona. You got to go to bed.
00:36:24The cradle will rock
00:36:27Do I want you, oh my
00:36:30Do I, baby
00:36:32Need I do
00:36:33Do I need you
00:36:36Rock-a-bye baby on the treetop
00:36:40When the wind blows
00:36:43The cradle will rock
00:37:04Why do I love you?
00:37:06Why do I love you?
00:37:08Why do I love you?
00:37:10Why do I love you?
00:37:12Why do I love you?
00:37:14Why do I love you?
00:37:16Why do I love you?
00:37:18Come on.
00:37:32Boy, what a light, what a moon.
00:37:34Can reach right up and touch it.
00:37:36Well, good night.
00:37:39Sammy in bed?
00:37:40No. Still in the laboratory.
00:37:43In the laboratory? What's he doing in there?
00:37:45Putting Ramona to bed.
00:37:48Babysitting with a chimp?
00:37:50This I gotta see.
00:38:01Oh, no.
00:38:02Now I didn't see that one.
00:38:05Good night, Cuckoo.
00:38:12Chief Rock is honored to have Prince Doctor
00:38:15visit his humble abode.
00:38:18And how goes the scientific work?
00:38:21Good, I hope.
00:38:22Huh?
00:38:23Oh, yes.
00:38:24Fine, fine.
00:38:26Everything is progressing satisfactorily.
00:38:29That is good.
00:38:30Mm, this is great.
00:38:32Try this.
00:38:34Hey, I like that.
00:38:48Hey, Duke, get a load of that, will ya?
00:38:54Does he sleep with that thing on?
00:38:57You eat.
00:38:58Look, I told you 40 times, get out of here.
00:39:01Now I gotta feed myself.
00:39:02You gotta eat to grow fat.
00:39:05Get out of here.
00:39:07Now I gotta eat my own food.
00:39:10Duke, will you make a stop already?
00:39:12Fight your way out of it, kid.
00:39:13She outweighs me.
00:39:17Oh, no.
00:39:18Oh, no.
00:39:47Oh, no.
00:40:18Oh, I get it.
00:40:19You're gonna cut that door.
00:40:20I'm gonna go out this door, and then we're gonna meet over here.
00:40:23Right?
00:40:24All right, so everybody's here.
00:40:25Oh, by the way, here's the boat.
00:40:26You get two guns back on it.
00:40:28Let's give this a hang.
00:40:47Sammy?
00:41:00Sammy?
00:41:10What are you laughing about?
00:41:11I was just thinking, I had to fall out of a plane to meet you two.
00:41:16Baby, when we get back to the States, we'll have a big wedding with all the trimmings.
00:41:21But darling, my father will probably wish me to be married here with the full tribal ceremony.
00:41:26Okay, okay, we'll get married in a car bond by a motorman if you want.
00:41:31Just so it's you.
00:41:37This belonged to my great-great-grandmother.
00:41:40In your country, it is the custom for the man to give his sweetheart an engagement ring.
00:41:46Here.
00:41:52This is the custom.
00:41:54Where'd you learn that tune?
00:42:15That used to be my favorite tune in college.
00:42:17No kidding?
00:42:18That's right.
00:42:19Well, it's one of the tunes in our rags.
00:42:21Really?
00:42:24Yeah.
00:42:25It's a really good tune.
00:42:26Really?
00:42:27Yeah.
00:42:28Really?
00:42:29Yeah.
00:42:30Really?
00:42:31Yeah.
00:42:32Really?
00:42:33Yeah.
00:42:34Really?
00:42:35Yeah.
00:42:36Really?
00:42:37Yeah.
00:42:38Really?
00:42:39Yeah.
00:42:40Really?
00:42:41Yeah.
00:42:42Really?
00:42:43Yeah.
00:42:44Really?
00:42:45Yeah.
00:42:46Really?
00:42:47Yeah.
00:42:48Really?
00:42:49Yeah.
00:42:50Really?
00:42:51Yeah.
00:42:52Really?
00:42:53Yeah.
00:42:54Really?
00:42:55Yeah.
00:42:56Really?
00:42:57Yeah.
00:42:58Really?
00:42:59Yeah.
00:43:00Really?
00:43:01Yeah.
00:43:02Really?
00:43:03Yeah.
00:43:04Really?
00:43:05Yeah.
00:43:06Really?
00:43:07Yeah.
00:43:08Really?
00:43:09Yeah.
00:43:10Really?
00:43:11Yeah.
00:43:12Really?
00:43:13Yeah.
00:43:14Really?
00:43:15Yeah.
00:43:16Really?
00:43:17Yeah.
00:43:18Really?
00:43:19Yeah.
00:43:20Really?
00:43:21Yeah.
00:43:22Really?
00:43:23Yeah.
00:43:24Really?
00:43:25Yeah.
00:43:26Really?
00:43:27Yeah.
00:43:28Really?
00:43:29Yeah.
00:43:30Really?
00:43:31Yeah.
00:43:32Really?
00:43:33Yeah.
00:43:34Really?
00:43:35Yeah.
00:43:36Really?
00:43:37Yeah.
00:43:38Really?
00:43:39Yeah.
00:43:40Really?
00:43:41Yeah.
00:43:42Really?
00:43:43Yeah.
00:43:44Really?
00:43:45Yeah.
00:43:46Really?
00:43:47Yeah.
00:43:48Really?
00:43:49Yeah.
00:43:50Really?
00:43:51Yeah.
00:43:52Really?
00:43:53Yeah.
00:43:54Really?
00:43:55Yeah.
00:43:56Really?
00:43:57Yeah.
00:43:58Really?
00:43:59Yeah.
00:44:00Really?
00:44:01Yeah.
00:44:02Really?
00:44:03Yeah.
00:44:04Really?
00:44:05Yeah.
00:44:06Really?
00:44:07Yeah.
00:44:08Really?
00:44:09Yeah.
00:44:10Really?
00:44:11Yeah.
00:44:12Really?
00:44:13Yeah.
00:44:14Really?
00:44:15Yeah.
00:44:16Really?
00:44:17Yeah.
00:44:18Really?
00:44:19Yeah.
00:44:20To your health, my good doctor.
00:44:22To yours.
00:44:33Mighty Chief Ruckus, I thank you for your hospitality.
00:44:37But it grows late.
00:44:39And I have much to do tomorrow.
00:44:41Good night.
00:44:42My pleasure.
00:44:43You come.
00:44:51Good night.
00:44:58Many kisses.
00:45:00She taught marriage.
00:45:02She give boy necklace very serious.
00:45:06Very interesting.
00:45:08Very interesting.
00:45:20Chula.
00:45:45Yes, Master.
00:45:46Open the cage.
00:45:50All right, open it.
00:46:06Pick it up.
00:46:18All right, lay her down.
00:46:42She will be big like gorilla, no?
00:46:46No, I think not.
00:46:54I think not.
00:47:04Master, she is back to little monkey.
00:47:07What is wrong?
00:47:09Nothing is wrong, Trot.
00:47:11Nothing.
00:47:14Now I can change a man into a gorilla.
00:47:20Man to a gorilla.
00:47:23Not me, Master.
00:47:24Not Chula.
00:47:26Please.
00:47:27No, Chula.
00:47:29Not you.
00:47:38Good morning, Chula.
00:47:39Morning.
00:47:43Good morning.
00:47:44Good morning.
00:47:45I'm sorry I'm late, Doctor.
00:47:46Perfect.
00:47:47You're right, my dear.
00:47:48I slept late myself this morning.
00:47:51I have a surprise for you.
00:48:14It wasn't strong enough.
00:48:17It worked, but it wasn't strong enough to hold.
00:48:24What did you say, Doctor?
00:48:26It wasn't strong enough.
00:48:28I thought I...
00:48:30Nothing, my dear.
00:48:35Good morning, Ramona.
00:48:36Come and shake hands.
00:48:39How are you today?
00:48:41Oh, I forgot to bring you something.
00:48:45When are we going to get out of here, Duke?
00:48:47How should I know?
00:48:48Yeah, about what you care.
00:48:50You're happy here.
00:48:51You got Nona.
00:48:52After all, where are you going to find a Nona in the Bronx?
00:48:54You know you got something there, chump?
00:48:56Me?
00:48:57The two-legged blimp's got me crazy.
00:48:59I nearly froze to death last night in those trees trying to get away from her.
00:49:02Imagine me trying to do a Tarzan.
00:49:05I ain't got the bill for it.
00:49:07Well, I'll go look up this guy Pepe.
00:49:09See if he's contacted any ships.
00:49:11You want to come along?
00:49:13Want a salami?
00:49:14No, thanks.
00:49:15All right.
00:49:19Oh, try to keep out of Ramona's cage, will you?
00:49:22Very funny.
00:49:23Very funny.
00:49:24Ha, ha, ha, ha.
00:49:29Keep out of Ramona's cage.
00:49:32You think I am an idiot or something?
00:49:38Hiya, baby.
00:49:41So early in the morning.
00:49:44Well, I'm on my way to see Pepe.
00:49:46We got to get back to the States.
00:49:47I'll go with you.
00:49:48All right.
00:49:52Oh, Nona.
00:49:53Yes?
00:49:54I need you in the lab.
00:49:59Very well.
00:50:02You'll never find Pepe's place by yourself.
00:50:05Go to my father.
00:50:06He'll get you a guide.
00:50:07All right.
00:50:08I'll see you later.
00:50:39Good morning, everybody.
00:50:45Hello, hello, hello, hello.
00:50:51Good morning.
00:50:55Good morning.
00:50:59Hiya, Pop.
00:51:03Good morning.
00:51:07Answer, boy.
00:51:08Answer, boy.
00:51:09Where'd he get that one?
00:51:11Oh, well.
00:51:14How about a little step to cock-eye?
00:51:15Step to cock-eye.
00:51:16Never mind that.
00:51:24When you get through with that, will you make me a morphine?
00:51:31Master.
00:51:38I think that will be all for today, Nona.
00:51:43Why don't you take our guests along with you to the village
00:51:46to meet your friend, Duke?
00:51:48All right, Doctor.
00:51:49Come along, Sammy.
00:52:09Good, Shula.
00:52:10Very good.
00:52:12We must make sure he does not come to until we're finished.
00:52:25Dad.
00:52:27Put him into the cage.
00:52:28Take off his clothes.
00:52:32Remember, Nona, you promised to protect me from Tawami.
00:52:35You mustn't be afraid of her.
00:52:36She's only a baby.
00:52:37Yeah, baby elephants.
00:52:39Hey, look.
00:52:40You can grow on these trees out here, don't they?
00:52:42Why, it's my necklace.
00:52:44Yeah, that's right.
00:52:45It's the one Dukey had on.
00:52:47I wonder how it got here.
00:52:48It's awful careless with his jewelry.
00:52:51Don't tell him we found it.
00:52:53I want to tease him about losing it.
00:52:54Make him worry a little before I give it back.
00:52:57All right.
00:53:03That's it.
00:53:21How long will it take, Master?
00:53:23I don't know.
00:53:24Quiet.
00:53:35Oh, you are back, my little one.
00:53:37Remember, Nona, you promised.
00:53:39No, Saloma.
00:53:40Nonga pasca nonga.
00:53:42Just a little?
00:53:43Not a little.
00:53:44Oh.
00:53:45Did our father supply Duke with a guide to go to Pepe's?
00:53:48Duke not come here.
00:53:50Sure?
00:53:51Not sure.
00:53:54He must have gone to find Pepe alone.
00:53:56That's bad.
00:53:58Dogar.
00:53:59Osmo.
00:54:12What did you call?
00:54:13To look for Duke.
00:54:14Good.
00:54:15And hurry.
00:54:16Rados now.
00:54:17Let's go back to Dr. Zabor.
00:54:20He may have turned back looking for this.
00:54:21All right.
00:54:22Come on.
00:54:23Me go too.
00:54:24No, Saloma.
00:54:25No, no.
00:54:26A thousand times no.
00:54:29No, no.
00:54:30A thousand times no.
00:55:19Now let's see if my lovely Nona will prefer you to me.
00:55:48Suppose he ain't here.
00:55:49Then what?
00:55:50Then he must be lost in the jungle and we better go find him before it's too late.
00:55:53Duke, come out, come out, wherever you are.
00:56:01Maybe he's hiding.
00:56:04Duke?
00:56:05Hide his clothes in there.
00:56:07And put Ramona in there too.
00:56:16Or he's being Duke.
00:56:20Go get him.
00:56:22Maybe he's in the laboratory.
00:56:24Come on.
00:56:32Doctor, the Duke come.
00:56:34Where he come from?
00:56:39Another step in my experiment, my dear.
00:56:42Ramona is now a gorilla.
00:56:44Ramona?
00:56:45Ramona?
00:56:46Yes.
00:56:47Boy, I'd hate to have to rock her to sleep now.
00:56:52Do you intend to advance her one more step?
00:56:54To the human level?
00:56:55No.
00:56:56I don't blame you, Doc.
00:56:58There's a stupidest looking gorilla I ever saw.
00:57:02Did Pepe have any good news for our friend, Duke?
00:57:05I don't know.
00:57:06We can't find him.
00:57:07He must be lost in the jungle.
00:57:12Some of my people are searching for him.
00:57:15Sammy, I think we'd better go back to the village.
00:57:17Not me.
00:57:18I'm tired of chasing around.
00:57:19I'll wait here.
00:57:21Well, for longer, Ramona.
00:57:22And don't take any wooden bananas.
00:57:44Chula, if Duke should return, bring him to the village.
00:57:47Yes, my friend.
00:57:49Let's go, dear.
00:58:01Wait, wait, what are you trying to say, Ramona?
00:58:03Wait, wait, what are you trying to do, Ramona?
00:58:05I don't understand you.
00:58:06What?
00:58:15Oh, good, oh, uh-huh.
00:58:22Three words, three words.
00:58:27First word, first word.
00:58:31Pupil, pupil.
00:58:35Lash, my lash.
00:58:37Brow, brow.
00:58:39Eye, eye, eye.
00:58:42Second word, second word.
00:58:44Ear.
00:58:45No, no, sounds like, sounds like.
00:58:47Sounds like.
00:58:49Bang.
00:58:51No, uh-uh.
00:58:53Hiss, hiss, hiss.
00:58:55Hiss, no, no, no.
00:58:59Uh, uh, bang, bang.
00:59:02Ramp.
00:59:03Sounds like ramp, ramp.
00:59:07Sam, ham.
00:59:09Ma'am?
00:59:10Lamp, lamp, lamp.
00:59:12Wait, wait, wait a minute, Ramona.
00:59:13I can't hear you with all that noise.
00:59:15You wait right here, I'll be right back.
00:59:18Look, when you're crying out there, now you're confusing me enough.
00:59:24Ramona.
00:59:28Then who are you?
00:59:37Duke's clothes.
00:59:39How'd they get there?
00:59:41And where'd he go?
00:59:43Without them?
00:59:45Oh, this is all very confusing.
00:59:49Look, look, look, what are you trying to tell me?
00:59:51I don't understand a word.
00:59:52What am I, dumb or something?
00:59:54Now don't, don't answer that.
00:59:56No, if only Duke were here, he'd figure it out.
00:59:58He's a smart one.
00:59:59Little Ramona, big Ramona.
01:00:01Eight gorillas.
01:00:02Jungle's natives.
01:00:05What an interesting cranium.
01:00:06Makes me nervous with all this stuff.
01:00:08I'm a young kid, I got a lot of talent.
01:00:10I don't, I don't want to go through all this stuff.
01:00:12Do I love you?
01:00:15Oh my, do I?
01:00:18Baby, did I do?
01:00:22Do I?
01:00:23Did you?
01:00:25Oh my, do I?
01:00:27Baby, did I do?
01:00:31Dookie!
01:00:33Dookie, what have they done to you?
01:00:35How did you get like that?
01:00:37Oh, Dookie, watch, watch.
01:00:38No, I don't understand, Dookie.
01:00:39What am I going to do with you?
01:00:42Key, key, we got to get the key.
01:00:43Where, where's the key?
01:00:53Oh, Dookie.
01:00:54Ah, Dookie, you don't know your own sense.
01:00:56Come on, we got to get out of here.
01:01:22All right, all right, all right.
01:01:23Stop making wasted party and stuff.
01:01:25Let's go up there and find how I can figure this thing out.
01:01:37Father, they have not found Dook.
01:01:39No, he not come to my place.
01:01:42We must find him, father.
01:01:43Oh, father, something has happened to him.
01:01:50We will find him.
01:01:54I'm sure he's safe, my dear.
01:01:59Father, we've got to find him.
01:02:13When you were human, you did all the thinking for the both of us.
01:02:17And with nothing but my poor little brain to help us.
01:02:23And don't look at me, will you?
01:02:42We got to get that screwy doctor to change her back again.
01:02:46What if he hasn't got the combination?
01:02:49Oy vey.
01:02:52Aw, don't cry, Dookie.
01:02:54Just think what a sensation we'll be when we get back home.
01:02:57I can see it all now.
01:02:59Sammy Petrello and Duke Mitchell, the singing gorilla.
01:03:04We will kill them.
01:03:05We may even play the palace.
01:03:10Don't cry, Nona.
01:03:12They find Dook.
01:03:14For real, they find him.
01:03:18Everybody look for him.
01:03:20They find him honest.
01:03:25Don't cry, my child.
01:03:31Master.
01:03:40It's about Dook.
01:03:42No, my dear.
01:03:43Ramona is a loose.
01:03:47She's dangerous.
01:03:49If she comes here, you have my permission to kill her.
01:04:05Look, don't worry.
01:04:06We can get a nice apartment near the Bronx Zoo.
01:04:08And you can go over to the monkey house and visit any time you want.
01:04:37Look, will you cut out the hysterics?
01:04:40We got to think now.
01:04:43Quiet, quiet.
01:04:45Quiet!
01:04:47Quiet!
01:04:49Now sit down.
01:04:50We got to think this over.
01:05:05You can't stay here forever.
01:05:09If I take you to the village alive, I'll kill you before I can explain.
01:05:12Explain?
01:05:15Who can explain this?
01:05:17They'll probably think I'm a sugar.
01:05:18Then they'll kill me too.
01:05:22Well, we got to take a chance.
01:05:23Come on, get up.
01:05:26Wait a minute.
01:05:27I'll put some clothes on you.
01:05:28Maybe that'll fool them.
01:05:54There's something that ought to do it, Dookie.
01:05:59Here, this will cover you up.
01:06:00Put it on.
01:06:02What are you doing?
01:06:04What are you climbing?
01:06:05Here, put it on.
01:06:10Will you put it on?
01:06:11Now look, Dook Mitchell.
01:06:13I'm running this game, you understand?
01:06:15And I'll talk back.
01:06:17Yeah, now put it on, because we got to get out that door.
01:06:31Dookie.
01:06:33Dookie, this is you over here, ain't it, Dookie?
01:06:37This is you, ain't it, Dook?
01:06:41Come on, Dookie, tell me it's you, will you?
01:06:47Dookie.
01:06:49Dookie, please.
01:06:51Tell me it's you, will you, Dook?
01:06:54Come on, sing.
01:06:56Dance.
01:06:57Do something, will you?
01:06:59Do I love you?
01:07:01Oh, my.
01:07:03Do I.
01:07:04Baby.
01:07:06Oh, come on, Dookie, come on.
01:07:24Come on, Dookie, let's go.
01:07:26Let's go.
01:07:27Come on, Dookie, come on, hurry up, boy.
01:07:35You hurt this time, master?
01:07:50No.
01:07:51No.
01:07:52Get my rifle.
01:07:53You must kill him.
01:07:54Come on, Dookie, let's go, boy.
01:07:56Hurry up, will you?
01:07:57Come on.
01:07:58Come on, don't let him get us, boy.
01:08:03Come on, let's go.
01:08:04Hurry up, will you?
01:08:09Don't let him love you, Dook.
01:08:10Don't let him love you.
01:08:13Don't let him love you, Dook.
01:08:14Don't let him love you.
01:08:36Come on, Dookie, this is no time for romance.
01:08:38Look.
01:08:40Come on, tell her you'll see her later and let's get out of here.
01:08:53No, no, no, wait, wait.
01:08:54Get out of here, boy.
01:08:57It's only Dookie Miss, you know what?
01:08:58It's only my partner, Dookie Miss, you know what?
01:09:00Come on, Dookie.
01:09:04No, no, no, wait, wait, wait.
01:09:06Put that away.
01:09:07It's only Dook.
01:09:08Oh, no.
01:09:09What crazy thing, this?
01:09:10Was Dook that Dr. Zaber chained into a gorilla, not Ramona?
01:09:20Dook, is it really you?
01:09:26Oh, Dook, my darling, what have they done to you?
01:09:31We'll find Doctor.
01:09:32He'll pay for this.
01:09:33You won't have to find me.
01:09:36This is a very touching scene, my dear.
01:09:39Step aside, my dear.
01:09:41Oh, no, no.
01:09:43Step aside.
01:09:47No, no, Dook, Dook, what are you, nuts?
01:09:49Come on back, Dookie.
01:10:05Sammy, Sammy.
01:10:07Dook, Dook, I don't want to die, Dook.
01:10:10I'm too young, I have so much talent.
01:10:12I don't want to die.
01:10:14Come on, wake up, will you?
01:10:16Let's go, hey, come on.
01:10:19Come on.
01:10:21Dook, Dookie's not a gorilla anymore.
01:10:24Gorilla?
01:10:25What are you talking about?
01:10:31Where am I?
01:10:32Where are you?
01:10:33You're in our dressing room of the Jungle Hut, the safe New Jersey, and we're on next.
01:10:38Let's go, come on.
01:10:39Boy, what a dream.
01:10:40Hurry up, straighten up.
01:10:44Come on, will you?
01:10:46Come on, Chuck, Dookie, I'm going.
01:10:53Hello, Dookie.
01:10:54Hi, baby, how'd it go?
01:10:55Sensational.
01:10:56What a crowd.
01:10:57We really killed them.
01:10:58Really?
01:10:59Good luck, honey.
01:11:00Chief Ranko's.
01:11:02Hot work, huh, Pop?
01:11:03Oh, yeah?
01:11:04You're not kidding.
01:11:05Bye-bye, baby.
01:11:06Bye.
01:11:07Coco, come on.
01:11:11Watch it, Pop, watch it.
01:11:13Pepe.
01:11:14What?
01:11:15Nothing, nothing.
01:11:21You are...
01:11:22Hurry up, you're on next.
01:11:26What kept you?
01:11:27Oh, Dookie, the most awful thing happened.
01:11:29And you'd better get some laughs this time, or you'll be collecting unemployment insurance.
01:11:35Dr. Zanemore.
01:11:39What's the matter with you?
01:11:41Oh, Dookie, I just saw everybody in my dream.
01:11:43Chew looked at me, and that's the guy that says, what it is, there's been cranium right over there.
01:11:47Well...
01:11:56Oh, now.
01:12:14Where's my little Tarzan?
01:12:17Hiya, doll.
01:12:18And now, ladies and gentlemen, those two fireballs of fun, Duke Mitchell and Sandy Petrillo.
01:12:23Come on, Dookie.
01:12:28Come on, break it up.
01:12:30Come on.
01:12:31Gee, you're not so bad.
01:12:43Good evening, ladies and gentlemen.
01:12:44Hey, Dookie, Dookie, look.
01:12:46There's the Nuwa bird.
01:12:47Nuwa bird?
01:12:48Yeah, don't you know what a Nuwa bird is?
01:12:50No, what's a Nuwa bird?
01:12:51It's a bird that lays square eggs, and he goes...
01:12:58Play, boys.
01:13:02Do I love you?
01:13:05Oh, my, do I?
01:13:08Maybe.
01:13:10Indeed I do.
01:13:14Maybe.
01:13:16Indeed I do.
01:13:20Maybe, maybe, maybe, maybe, maybe, because I do.
01:13:25Because, baby, yes, baby.
01:13:31Because, baby, indeed I do.

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