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Short filmTranscript
00:00Your parents are still in the U.S.?
00:07They have to wait until they release Tamara's body.
00:14Does your offer still exist?
00:16What offer?
00:17The one with the walk.
00:19I really want to go to Vincent's later, but I still have some time before that.
00:23Unfortunately, I don't have any time.
00:25Please excuse me.
00:31You didn't want to talk to me?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how uncomfortable I am right now.
01:00I'm sorry.
01:16What was that?
01:18Vincent and me?
01:22It was so real.
01:24My feelings, so real, but...
01:27After everything he did for me, it makes sense that I think of him.
01:32He risked his life for me.
01:36I would do anything for him.
01:39But do I really love him?
01:57So, this will be your seat, Mr. Müller.
02:04Manuel?
02:05No.
02:07We'll take care of the rest.
02:10Thank you, Mr. Schwarzwald.
02:11You're welcome.
02:18Aren't we too old for games like this?
02:21Games?
02:23I don't feel like going for a walk and I have a lot to do.
02:26Going for a walk was your idea.
02:29Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:37The trial against me has been suspended.
02:40I have nothing to do with this sleeping pill with Christoph.
02:44You even said that you believe me again.
02:46I believe you too.
02:47But then I don't understand.
02:49There's nothing to understand.
02:51The thing with the two of us...
02:53It just doesn't work.
02:55Please accept it, finally.
03:00Yes.
03:01All right.
03:02All right.
03:19That was ten euros for Tamara.
03:21I only found out a few years ago.
03:25My schoolmates always laughed at me because I never got anything from the kiosk.
03:30My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it because we couldn't find the owner anyway.
03:43And I should buy something from the kiosk.
03:48It was all her savings.
03:54She always protected me.
03:56And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:10I have to go now.
04:12Can I leave you alone?
04:14Yes, it's totally okay. I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:20You'll call me if you need anything.
04:22Yes. The zombies will be there soon.
04:28Tell me, if you really meant it with the help at the funeral.
04:33I would be so grateful.
04:35Do you have time tomorrow?
04:37I'll take the time.
04:40And now go to your Theo and say hello to him in front of me, okay?
04:44I hope you'll get some rest.
04:46I know.
04:58I love you.
05:06Tamara! Hi!
05:08Sorry I'm calling you back now. I had visitors.
05:11Yes, everything is great!
05:13It's going better than I thought.
05:15How are you?
05:20Vincent.
05:23I'm so happy and relieved that you're feeling better again.
05:28I was very worried about you.
05:31When I woke up earlier, Anna was there.
05:37I think she sat here for hours.
05:43Man!
05:46Maybe there's still a chance for Anna and me.
05:50Anna is the woman of my life.
05:59But you really have a long history.
06:02So much has happened.
06:04You mustn't forget that, Vincent.
06:07Yes.
06:09I'm getting my jealousy on Philip under control.
06:12Okay.
06:16I would really like you to be happy together.
06:21But...
06:23In order to succeed...
06:26...you have to leave your past behind.
06:30And you have to start anew.
06:36How's it going with Katja?
06:39How's it going with Katja?
06:42Sometimes we're very close again, and I can feel her feelings for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:55Maybe she still doesn't forgive you for the painting of Anton Hagen?
07:00Even if she forgave me, I lied to her.
07:04I lied to her.
07:07She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20How should I leave?
07:37Keep going, keep your distance.
07:40Watch out.
07:42Don't be scared!
07:44Keep going.
07:46And now a bit to the left.
07:49I'm going to stay.
07:50How long will it take?
07:52We'll be there soon.
07:53You said that before.
07:57Why are we even in Tölz?
07:59I really don't have that much time.
08:01We're totally overslept and I have to go back to work.
08:12Welcome to Lois.
08:17Wow.
08:20You've already told me a lot, but it's so beautiful.
08:26Did you expect a breakfast?
08:29Lois, a beautiful restaurant with a beautiful name.
08:39I'm so hungry.
08:41I have to go, unfortunately.
08:43Yes, and I have to cook the main course.
08:45I have a very special idea for tomorrow.
08:47And what are you cooking?
08:48Yes, you'll find out when it opens tomorrow.
08:51Is it fusion cuisine or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:07Damn.
09:08What's going on?
09:10Well, they wanted to come this afternoon to take over the kitchen.
09:13And now they've moved it.
09:14When?
09:15It doesn't say.
09:17I mean, if they don't take over, I can forget about the opening tomorrow.
09:21Call them and explain the situation to them.
09:24They can't do that.
09:26The authorities can do anything.
09:28I have to call them urgently.
09:29Let's see.
09:30If they can't change anything here, it'll look really bad.
09:38I can't imagine how terrible it must be to lose your sister.
09:42I can't either.
09:44I think it's good for you that I'm here for her now.
09:47Yes, absolutely. She needs you now.
09:49How are you?
09:51You seem to be relatively fit.
09:53Relatively, yes.
09:56I'm fine.
09:58I mean, Vincent gave me a new life.
10:01I heard he's feeling better.
10:03Yes, luckily.
10:04He's over the mountain.
10:06I'm really happy that with the internal bleeding...
10:09If something had happened to him because of that, I would never have forgiven myself.
10:13But everything went well.
10:15You two will now lead a healthy and normal life again.
10:18A beautiful one.
10:21I dreamed of him.
10:23And?
10:24And...
10:26We kissed.
10:27What?
10:28Lale, it was just a dream.
10:30Dreams often tell us the truth that we can't see for ourselves.
10:35I was worried about Vincent and thought about him all the time.
10:39And I was just so incredibly grateful to him.
10:41And that's probably why I kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, yes?
10:50No.
10:51Anna, I'm totally neutral. Can't you see that?
10:54You know, I'm just in chaos.
10:57I don't know what I'm feeling or what I'm not.
10:59And for whom and if at all.
11:03It was just a dream.
11:05Okay.
11:07I have to go, unfortunately.
11:09I'll help Stella with the preparations for the funeral.
11:12Tell her all the love from me, yes?
11:14I will.
11:18You tell me if you need anything.
11:20I will.
11:26What can I bring you?
11:28Oh, please bring me a green tea.
11:31With pleasure.
11:32Thank you, Sabrina.
11:33Good morning, Mr. Director.
11:35Good morning, Sabrina.
11:40Good morning.
11:42Good morning.
11:43Oh, sorry.
11:44I didn't want to bother you.
11:47But I need your help.
11:51Did something happen?
11:52No, no, no, no.
11:53Don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted us about the art magazine we had signed.
12:03That's great.
12:04That's exactly what we wanted.
12:05Yes.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:09And how can I help you?
12:11The journalist is traveling with a colleague today.
12:15You could take care of her and give a short lecture about Hagen.
12:23A lecture?
12:24Well, I'm not an art expert.
12:27Yes, but you know everything about him.
12:29Yes, I've dealt a lot with his life and his art.
12:33But if there are any technical details...
12:36Oh, you're talking to me about Hagen's art with such passion.
12:40You'll feel it and get infected.
12:45It's the chance for the Fürstenhof.
12:47And you're family.
12:49Do you want to leave me hanging?
12:51That limits you to emotional oppression here.
12:54Yes.
12:55You're talking about the painting, about Hagen's art.
12:59I'll show you the places where he got his inspiration.
13:02And the rest?
13:03Well, the rest is his charm.
13:06I won't get out of this anyway, will I?
13:09No.
13:12Yes, of course.
13:13I know you have fixed appointments.
13:15But I had a fixed appointment.
13:18I mean, what should I do?
13:19If you don't come by today, I can forget about the opening tomorrow.
13:23Yes, I understand that.
13:25But you have to do something.
13:26I don't know what...
13:28Tomorrow morning?
13:29But it would be...
13:31Okay, tomorrow morning.
13:32Wonderful.
13:33Then come by tomorrow morning.
13:35Of course, you are also cordially invited.
13:37Okay, thank you very much.
13:38See you tomorrow.
13:39Bye.
13:40The reception doesn't take that long.
13:41And then you have the kitchen available tomorrow.
13:43Yes, I do.
13:44But I actually wanted to rehearse the menu.
13:47I didn't think about that.
13:49Oh, it doesn't matter.
13:51I just jump into the cold water.
13:53Or you cook the menu in another kitchen rehearsal.
13:57That's nice.
13:58But your living room kitchen isn't much bigger than mine.
14:01It's just too small.
14:03But not the kitchen of the prince's court.
14:07Really?
14:09That would be perfect, of course.
14:11But what do your sisters say?
14:13They certainly don't agree with that, do they?
14:15You take care of the ingredients.
14:16I'll take care of my chefs.
14:27Maybe Lale is right.
14:37The dream showed me my true feelings for Vincent.
14:41But are they really strong enough?
14:44I have to be 100% sure that I love him.
14:48Otherwise I will only hurt him.
14:55Yes.
14:59May I?
15:02Come in.
15:03I'll be gone in a minute.
15:16I want to apologize to you.
15:19I should have understood that you were very worried about Vincent.
15:25I was with him at the intensive care unit.
15:27Thanks to Michael.
15:31I heard he's getting better again.
15:34Yes, the antibiotic worked.
15:37I'm glad. Really.
15:40I hope he'll get well again soon.
15:43He will.
15:49And ... between us ...
15:54Is everything okay?
15:58Can you accept my apology?
16:03Accepted apology, yes.
16:10Is there anything else I can do for you?
16:13I'm free right now, we could go for a walk.
16:15Thank you, but my mother will be here soon.
16:25Oh yes, Apollo is doing really well.
16:27He is ...
16:29Fit.
16:31Yes, fit.
16:32Nice, I'm glad.
16:54I don't know how to handle all this.
16:56I have no idea about funerals.
16:58We'll do it together, I already have a list.
17:00Hi Stella.
17:02I'm really sorry.
17:04If there's anything I can do ...
17:06Sit with us.
17:08No, I'm in a hurry, I have to work right now.
17:10I'll just get something to take with me.
17:12Okay.
17:14It's best if we contact a funeral home in Cologne.
17:18Your parents live in Cologne, right?
17:20Have you talked to them about whether it should be a funeral or not?
17:25They leave the decision to me.
17:27What about the transfer from the USA?
17:31I don't know.
17:32Maybe we can call your parents, they can sort it out on site.
17:35You know, my parents are totally overwhelmed.
17:37They want me to take care of everything on my own.
17:40And when I just think about funerals and cremation ...
17:43I'm so scared of it.
17:49How about a forest cemetery?
17:51Is there one in Cologne?
17:53I don't know.
17:54We'll figure it out.
17:57Is there one here?
17:59A very nice one, actually.
18:02Lale ...
18:04Would you accompany me?
18:06Because I'd like to see what it's like.
18:09And I don't dare to go alone.
18:11Yes, of course, I've already postponed all appointments for the afternoon.
18:14Oh, thank you.
18:15Great.
18:16I mean, I don't know how I should manage without you.
18:23You're welcome.
18:29There's no one here today, is there?
18:30I have to ...
18:31Take mine.
18:32Really?
18:54These are just key points.
18:55Hagen's artistic progress.
18:57His preferred music.
18:58Yes, how the painting style has changed with the progress of his mental illness.
19:04Yes, the notes from his son's diary.
19:08Ah!
19:09Mr. Sonnenbichler just told me that we are expecting two journalists from an art magazine.
19:13Yes, we were just talking about that.
19:15That's wonderful!
19:16I mean, a good article, that's a great PR for the Prince's Court.
19:20I can welcome the two ladies and tell them a little bit about Anton Hagen.
19:23Yes, as you yourself tried to sell the hotel and have it demolished so that you can come to the painting.
19:30I will hold the lecture about Anton Hagen.
19:32Very good.
19:33I can gladly support you.
19:36I've got it under control.
19:38Katja, I really like to help.
19:40Positive PR is also in my interest.
19:42Yes, yes, but the lecture is almost finished.
19:44Yes, but ...
19:45It's taken care of.
19:46Come, Katja, let's go.
19:47Let's go.
20:03Come in.
20:06Am I disturbing you?
20:08Huh?
20:09I've been here for three minutes.
20:11How do you know I'm here?
20:13I have connections.
20:15Ah, yes.
20:17How are you today?
20:20Much better.
20:22Now that the fever is gone.
20:23And now that you're here.
20:26You really scared me.
20:32Anna.
20:33Sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo.
20:42And we'll play darts with Lale and Tiro.
20:44Yes, but you get well first, okay?
20:47Don't take any risks.
20:49Promise me.
20:51Your word.
20:59Oh, today is 20 o'clock.
21:00The farewell concert of Bernd Baru.
21:03I completely forgot.
21:05Oh, you bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:10He's just one of the best guitarists for me.
21:13If only there was.
21:14That would have been the last chance to see him.
21:17Oh, man, I'm sorry.
21:20It's okay.
21:23Maybe you can play something for me?
21:26Believe me, you won't hear that.
21:30I'll see, maybe there's a live transmission.
21:36Um, I completely forgot.
21:38Michael wanted me to come to the blood pressure test.
21:41I'll come back later, okay?
21:43Okay.
21:44I'm here.
22:06So, come in, please.
22:14Here we have the work.
22:17You must be proud to have such a treasure in your possession.
22:20Absolutely.
22:21For our hotel, this is a huge gain.
22:23And for me personally, too.
22:25I've admired Anton Hagen's work for a long time.
22:27And that he created his last work here,
22:31makes it something very special.
22:33Absolutely.
22:35Yes, and now I hope that I can tell you something new about Anton Hagen
22:39You know the artist much better than I do.
22:42That remains to be seen.
22:44We look forward to any new information.
22:46Well, please take a seat.
22:48With pleasure.
22:55So, you have already heard that the artist has spent his last years here in the area.
23:00We have now excavated the diaries of his son.
23:04In them, he describes in great detail the daily routine of his father.
23:08Is there also something about Hagen's mental illness?
23:11Yes.
23:13Hello?
23:14Ah, there you are.
23:15Excuse me for the interruption.
23:17I would like to welcome you personally.
23:19Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:23Lisa Bühm.
23:24Hello.
23:25My colleague, Roberta Reit.
23:26Nice to meet you.
23:27Nice to meet you, too.
23:29Yes.
23:30Wonderful work, isn't it?
23:31You must know that I am, to a certain extent, the rediscoverer.
23:37But crazy, isn't it?
23:38Hidden for centuries behind a wall.
23:42You know, I'm a huge fan of Anton Hagen.
23:45Would it be okay if I stayed?
23:47Yes, please.
23:48Of course.
23:50Yes, then please continue.
23:52I'm a big fan.
23:56So?
23:57We discovered our passion for an artist together.
24:00And, you could say, cultivated it.
24:04Back to your question.
24:06The artist's mental illness can be clearly read from the diaries.
24:12Ah, yes.
24:13Okay.
24:17Ah, it was so romantic.
24:18The perfect evening.
24:19I'm glad.
24:20Yes.
24:21Michael and I really needed this.
24:23We're both so busy, and then here...
24:27Hey, if you're going to be released soon,
24:30then we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't decided yet,
24:36but it shouldn't take long.
24:42And how's Vincent?
24:43I heard he's back to normal.
24:46Yes, luckily.
24:47He's doing better.
24:49And I'd like to do something good for him.
24:52Something that makes him happy.
24:53Have you thought of something?
24:56Yes.
24:58The guitarist Bernd Barrow is giving his farewell concert tonight,
25:02and Vincent is a huge fan.
25:04Okay, but a concert in a wheelchair is a bit...
25:07No, no, no.
25:08I don't want to bring Vincent to the concert,
25:10but rather the concert to Vincent.
25:13Anna, I know you're very grateful to him,
25:16but just because you inherited a lot...
25:18I don't want to engage Bernd Barrow,
25:20but rather persuade him by telling him Vincent's story.
25:23Ah, okay, yes.
25:24Okay, yes, maybe.
25:25Isn't this Barrow known for his social engagement?
25:29And I did some research,
25:30and tried to call the concert organizers,
25:33and his agents,
25:34but unfortunately no one reached them.
25:37I think that's a bit difficult.
25:39I also read on his fan page
25:42that he was housed in Fürstenhof,
25:44but unfortunately I can't go there.
25:48Okay.
25:49So you want me to persuade him.
25:51I also read that he loves apple strudel.
25:56All right,
25:57it's a deal.
25:58But no guarantees.
26:04Yes, I'm happy too.
26:06Yes, so you're a cook.
26:08He's a wonderful cook.
26:10Yes.
26:11No offense, but...
26:13we're looking for someone.
26:15Or do you want to leave us?
26:17Not at all.
26:18But it could happen
26:20that I get sick,
26:21or that I need a vacation.
26:23And it wouldn't be bad
26:25if we had a worthy representative.
26:27Yes, it wouldn't be bad.
26:29Louis has an excellent reputation.
26:31A lot of experience,
26:32the best witnesses,
26:33and Mrs. Sonnenbichler also appreciates him a lot.
26:35I like to cook passionately.
26:37Passion is important.
26:39But it also has to taste good.
26:42How would it be if Louis
26:44cooked in our kitchen today?
26:46You try and judge
26:49Yes.
26:50That's a sensible suggestion.
26:53Let's see if you can convince me
26:56like Mrs. Bergmann.
26:58Thank you, Mr. Seifelt.
27:00See you at dinner tonight.
27:02See you tonight.
27:09Classically for art in the 18th century,
27:11Hagen also painted in the Bucolic style.
27:14These rural idylls,
27:15he really succeeded in them.
27:17Yes, I think so too.
27:19Especially this utopia
27:21of a harmonious,
27:22nature-bound life
27:23in an idyllic landscape
27:24seems to be particularly important to him here.
27:26Well, utopia.
27:30If I look at the painting like that,
27:32it has a lot of
27:35current, concrete.
27:38For example,
27:39the two main protagonists,
27:41they seem to be
27:42at first glance
27:43in a love dance
27:44to turn around each other.
27:46But on the second level,
27:48it's about something completely different.
27:50It's about
27:51the mystery of the woman.
27:54Look at the deviant attitude
27:56of the dancer,
27:57the gaze turned away
27:58from her admirer.
27:59He, on the other hand,
28:00is completely naive,
28:01hesitating at the moment,
28:03longing for her love.
28:05Maybe the dancer just doesn't know
28:08how it feels
28:09about the lady.
28:10Yes, exactly.
28:11Exactly.
28:12The misunderstanding
28:13is written in his face.
28:15He asks himself,
28:16where is the dance leading to?
28:21And that raises
28:22completely different questions.
28:23Is this due to the Bucolic style
28:25or is the mood of the scenery
28:27actually as gloomy
28:28as it seems?
28:30In art,
28:31much is not as it seems.
28:34Yes, but that is
28:35in the long run
28:36rather distressing
28:38than exciting.
28:40The viewer wants to be able
28:41to rely on something.
28:46What do you think
28:47this supposed love dance
28:48of the two will lead to?
28:52Well, I think maybe
28:54the two are just dancing
28:55with each other.
28:56No, no,
28:57this is much more.
28:58It's not that simple.
29:00Well, for me,
29:01this scene is quite clear.
29:03The dancer turns away
29:04because she finally
29:05wants to look ahead.
29:06This is, so to speak,
29:07the intersection
29:08between her past
29:09and her future.
29:13Really?
29:14Really.
29:18Well.
29:22Art, yes,
29:23it really
29:25opens up
29:26interpretations
29:27in many directions.
29:29But thank you,
29:31thank you
29:32for your assessment.
29:35Yes, well,
29:36if I am not
29:37needed here anymore,
29:40then I wish you
29:41a wonderful time
29:42here at our
29:43Prince's Court.
29:45Thank you very much.
29:55Good.
29:56So,
29:57where was I?
30:10You were right,
30:11he is really beautiful.
30:13Yes, the one near Cologne
30:14should be beautiful, too.
30:16Yes,
30:17Tamara will like that.
30:20She loved nature so much.
30:24I miss her so much.
30:31I miss her so much.
30:34I miss her so much.
30:37I miss her so much.
30:40She also loved the water.
30:44Swimming,
30:45surfing,
30:46diving.
30:51Is it okay for you
30:52if we stay here for a moment?
30:53Sure.
30:54It's just a little cold.
30:56I see.
30:58I also have hot tea with me
31:00and something to eat.
31:05Did you plan a picnic?
31:08No,
31:09I just thought
31:10when we walk through
31:11the cold forest,
31:13I don't want you
31:14to catch a cold.
31:16Besides,
31:19when we went to the café
31:20this morning,
31:21I also didn't get
31:22a bite.
31:23Sorry, that was stupid of me.
31:25It's okay.
31:34Fresh cheese with date tomatoes.
32:03Well, Mr. Parus
32:04is having breakfast right now,
32:06but I can't just
32:07talk to him like that.
32:09Okay, that means
32:10if I happen to
32:11go to the restaurant now,
32:13then I could
32:14meet him there by chance.
32:16Yes, possibly,
32:17but unfortunately not necessarily.
32:19That means
32:20that he would also
32:21talk to you.
32:22I can be very charming.
32:24There is no doubt about that.
32:26But
32:27Mr. Parus is a
32:29well, let's say
32:30a bit complicated guest.
32:31Especially when a concert is about to start,
32:33then he doesn't want
32:34to talk to anyone.
32:35And you can't
32:36talk to him
32:37because of the concentration.
32:40I would try it
32:41hypothetically anyway.
32:43Anna needs my help.
32:44She really wants to
32:45surprise Vincent.
32:47Hey, Nicole.
32:48Philipp, hey,
32:49excuse me,
32:50I have to do something.
32:54What
32:55is going on with her?
32:56Yes,
32:57you heard it,
32:58she has to
32:59do something.
33:01I just heard
33:02that it's about
33:03a surprise.
33:04Maybe I could
33:05be helpful.
33:07Yes, but
33:08unfortunately I can't
33:09tell you
33:10because I don't
33:11know exactly
33:12what it's about.
33:14Okay,
33:15no problem.
33:17Yes.
33:24Auri,
33:25could you get me
33:26Majorano and Estragon
33:27from the greenhouse,
33:28please?
33:29Estragon is gone
33:30and needs
33:31a little help.
33:32I see.
33:33Okay,
33:34let's go.
33:35What are you waiting for?
33:36She can do that
33:37as soon as
33:38she has my herbs.
33:39Your herbs can wait,
33:40I have to flame now.
33:42My herbs don't
33:43like waiting
33:44because
33:45the herbs are for
33:46the chef in this kitchen
33:47and therefore
33:48feel very important.
33:49Oh,
33:50and my pastis
33:51feels even more important
33:52because the chef
33:53in the chef's kitchen
33:54is about to
33:55try the flamed dish.
33:57Maybe
33:58someone forgot
33:59that he is
34:00I don't know, I got lost in the sound.
34:02Well, in our kitchen, there are just few words.
34:06Then it's time for you to get to know a decent working climate.
34:09In my kitchen, we all treat each other kindly.
34:13Yes, boss!
34:16Oh no!
34:18Annalena, can you please get a bottle of pastis?
34:21I'll do it.
34:23Cheers!
34:28Hey, what are you doing here?
34:30Hey.
34:31I thought you were taking care of two important guests.
34:34Yes, they are eating right now.
34:37Hopefully, they won't mind this action.
34:40What action?
34:42Markus just interrupted me during the lecture.
34:44Wait a minute, what kind of lecture? Why?
34:47He completely ignored me in front of the journalists.
34:51I can only hope that they didn't understand what was going on.
34:56I thought he understood you again.
34:59What do I know?
35:01It was about Anton Hagen.
35:03Markus provoked me and then it escalated.
35:07In any case, I made it clear to him in front of the journalists that this has no future with us.
35:13What?
35:15But you love him, don't you?
35:17And now you lied to him because of me.
35:20It is what it is.
35:24But actually, you're even now.
35:27I mean, you both lied to me once.
35:30Nonsense! As if it had anything to do with it.
35:36Mom, I just want you to be happy.
35:38And it's all my fault.
35:41I just don't want to talk about it anymore.
35:43Enjoy your break.
35:52So?
35:56Is it torturing you?
35:59Is it your revenge for what?
36:03My honest opinion?
36:05Yes, tell me.
36:07Is it too much for you?
36:10Excellent. It tastes fantastic.
36:12You can save it for the torture.
36:16I'm glad you like it.
36:17The poor Mr. Saalfeld.
36:19If he tries this and I have to teach him that you can't make a representation here.
36:22Now wait for the opening.
36:24Who knows, maybe I'll have a lot of time soon.
36:26The restaurant will be a huge success.
36:30I owe it to you, too.
36:32You're just...
36:39What's going on here?
36:42Is passion cooking for you?
37:02Yes, please.
37:08So...
37:09The jeweler Schneider sends his regards and hopes that the gift will arrive well.
37:14Yes, I had so much on my mind, I didn't manage to pick it up myself.
37:18No problem.
37:19For Mrs. Schwarzbach, let's say for the future Mrs. Saalfeld.
37:25You must have chosen something beautiful and she will be very happy.
37:28That's the plan.
37:30Oh...
37:32Mrs. Johannsen will die in the next few days because of a death in the family.
37:44How is she doing now?
37:48I followed her advice and was nice to her.
37:51I even took a mistake she made.
37:55And that didn't work?
37:57Yes, we're friends now.
38:01But Stella is so upset because of her sister's death.
38:05And Lale is standing by her side, of course.
38:07I can understand that.
38:10But?
38:14I don't know.
38:16When I came from the jeweler, the two of them were sitting by the lake and had a picnic.
38:20And Stella smiled so happily.
38:25Do you think she's just pretending to be sad?
38:29I don't know, something's wrong again.
38:32I mean, her parents don't even care about the funeral of their own daughter.
38:37And this morning at the lover's, she looked so satisfied.
38:42No one looks like that who's sad.
38:45It wouldn't be possible for her to pretend to us all.
38:49And?
38:52Well, you were right about your suspicion.
38:56Yes, but that's a completely different matter.
38:58I mean, deceiving your own sister's death.
39:00Who does that?
39:04Tom Dammann.
39:05He deceived his own death to get me out of the way.
39:11There's nothing that doesn't exist.
39:19Of course we have the facilities for your conference.
39:22Yes.
39:25That's how we do it.
39:26Goodbye.
39:33Goodbye, Anna.
39:38I think that's it.
39:40Did she say that?
39:44We had a disagreement yesterday.
39:50She did forgive me, but she was very reluctant.
39:55Actually, she just wanted to get rid of me.
39:58Maybe she's still a little angry.
40:01But if she has accepted your apology, it doesn't mean that she will forgive you.
40:06She planned a special surprise for Vincent.
40:08Yes, because she is grateful to him.
40:10And what are you doing here?
40:11You're blowing up Trübsal.
40:13Do you think that will help you?
40:15Do you have any other instructions for me?
40:17Yes, act before it's really too late.
40:21You love this woman, so fight for her.
40:33You're right.
40:47I love you.
41:03Hey.
41:05Hey.
41:06How are you?
41:09Good.
41:10Like before you were here.
41:12And like ten minutes ago when you wrote to me.
41:17What?
41:18Close your eyes.
41:20Why?
41:21Vincent, close your eyes.
41:25What are you up to?
41:26Don't cheat.
41:31Later.
41:32Later.
41:48Bernd Barrow?
41:50If you can't go to the concert, the concert will come to you.
42:10I hate this.
42:17I've got the pieces.
42:19But you always stitch this up.
42:21My love.
42:23My love.
42:26Waitless for forever and a day.
42:47Yes.
42:48Markus, why can't you just stay out of it?
42:50I'm just fed up with the way you treat me.
42:54I can feel that there are still feelings.
42:56But every time we get closer, you push me away again.
42:59That's not true.
43:00It is!
43:01But it's still about that stupid painting.
43:03I thought you'd forgiven me.
43:04I did too.
43:05Katja, I was there for you.
43:07I supported you with the wine.
43:09I thought I showed you that you can trust me.
43:13What are you talking about?
43:14What's the problem?
43:16I won't let you talk to me like that.
43:18Katja!
43:20Katja!
43:26Oskar?
43:27I'm looking for Philipp Brandes.
43:29Yes.
43:30May I ask you for your name?
43:31Hey, you can't do that.
43:35If anyone asks for me, I'm out of the house.
43:37Yes.
43:39Mr. Brandes.
43:41Philipp.
43:43Excuse me, I don't have time right now.
43:46Just for a moment, please.
43:49Do we know each other?
43:51Not as well as we should.
43:55You still have the same eyes as your mother.
44:06Yes.
44:08I'm your father.
44:15I'm your father.
44:27Thank you very much.
44:28That was incredible.
44:29I'll never forget that.
44:30My pleasure.
44:31I couldn't refuse such a wish.
44:33All the best to you and...
44:36get well soon.
44:40Thank you, too.
44:41It was beautiful.
44:46Hm.
44:49I can't believe it.
44:51You're incredible.
44:57You've said that a few times now.
45:03I love you.
45:06And I never stopped loving you.
45:12I don't want to put pressure on you.
45:14And I don't expect anything from you.
45:16But I have to...
45:18I have to ask you this.
45:23Can you imagine...
45:26that we try it again together?
45:45That's enough.
45:46You can't just burst in like that.
45:50I'm so sick of you running away from me.
45:54We'll sort this out.
45:58You're right.
46:02It can't go on like this.
46:08I...
46:09I...
46:14It's true.
46:16I...
46:20Me, too.
46:29I love you, too.
46:39If it's true...
46:41What?
46:42That...
46:44Stella's sister is really dead.
46:46What?
46:48Stella is behaving strangely.
46:50In one moment she's crying and in the next...
46:54I saw her smile.
46:56Your menu will be perfect.
46:57At least the main course I was allowed to try yesterday.
47:00Yes, I hope the guests think so, too.
47:02And the restaurant critics.
47:04I miss Mara so much.
47:06Tears are not a sign of weakness.
47:10It's not the only reason why I cried.
47:13She told me her family is poor.
47:15How could she leave for the USA?
47:17She told me something about savings and inheritance.