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Short filmTranscript
00:00You
00:30Do
01:00You
01:30La la la la la la la la la la paja Rossell Nadal
01:34La, la, la, la, la, la, la, la.
01:38La, la, la, la, la, la, la, la, la.
01:58¿Qué hace esta mujer aquí otra vez?
02:00¡Ya le gustó venir!
02:02Es sociada de esta campa ni.
02:03He gave Mr. Jehan a car campaign in exchange for participating.
02:07I don't think Mr. Emre would like to see that woman in the office.
02:10Do you think that woman came here without Mr. Emre's approval?
02:14He knows it and he agrees.
02:16They may reconcile, remember what I'm telling you.
02:21Oh, Güliz, you've been very positive, don't you think?
02:23And what's wrong with that?
02:27Very well, here is the work program that we will follow.
02:30Güliz, send this by mail, okay?
02:32And Sanem, you will call these people.
02:34They will all be at the set at six in the morning.
02:38JJ, bring me the cast alternatives.
02:40I don't want anyone to say a single word to Aylin
02:43about everything they're doing, is that understood?
02:45Yes, of course.
02:47JJ, you take care of the catering.
02:49That's right, I'll take care of it.
02:51Good morning.
02:55Are you okay?
02:55I didn't expect it.
02:56I even ran out of breath.
03:00Did you start without me?
03:01Aylin, we've been working for a long time without you
03:04and as you can see, we don't need you.
03:06We had this meeting and everyone knows what to do.
03:09Go have some tea or just go and take a walk as a tourist.
03:13Don't be childish, Deren.
03:14I worked on this project for months.
03:16Do you understand?
03:17Get to work.
03:19We'll record tomorrow.
03:20Get to work.
03:22Where are you going?
03:23I said we're done.
03:24We're not done, quiet.
03:26I can't believe this.
03:28Aylin, aren't you going to wait in the meeting room?
03:32I know the way.
03:33Jan's on her way, I called him.
03:36And I don't want you to be late.
03:38We don't have much time.
03:39And don't make that face, you look horrible.
03:43She's evil.
03:44She's always been like that.
03:46I want everyone to get ready.
03:47In ten minutes, we'll meet in the meeting room.
03:50JJ, you're coming with me.
03:51Okay.
03:53Gülis, that woman is scary.
03:55She's evil and she's got a dark side.
03:58I don't doubt she sleeps in a coffin.
03:59How could she be with that woman?
04:01I don't understand Mr. Enre.
04:03It's something I couldn't stand.
04:05Working with the ex in the same office,
04:07that may seem very modern, but not for me.
04:10Just like Mr. Jan.
04:11He's separated from Polen, but,
04:13however, she keeps coming to the office to see him.
04:17I really don't think they're separated.
04:19I think they're back.
04:20Ms. Polen changed her return ticket.
04:22Really?
04:25See?
04:25It was as I predicted.
04:27I knew they were coming back.
04:29I wish them the best.
04:31I hope they're very happy.
04:33And that they never have any problems.
04:37I'll see you later.
04:39We'll compare the budgets with Aylin's.
04:42Are you sure about Aylin?
04:44She'll be here all the time.
04:45It doesn't matter.
04:46If it doesn't bother you.
04:48How are you doing with her?
04:50Slow.
04:53If you agree, there's no problem for me.
04:57Brother, thank you for everything.
05:00It's nothing, Emre.
05:02I talked to Polen this morning.
05:04Did you finish with her?
05:06She doesn't show it, but she's very sad.
05:08Why did you do it?
05:10You know, things were not right.
05:14Things were not right?
05:16Is that all you can say?
05:19If you want, we can talk.
05:24Mr. Jan, Aylin is here.
05:26We prepared the meeting, but they're nervous.
05:29I'll go over there.
05:41Where is Yeye?
05:42She's in spiritual therapy.
05:44I'd like to be in spiritual therapy too.
05:51We have new ideas about the shoot.
05:53I think we can work with them.
05:55Aylin gave me the file this weekend about that.
05:58There's nothing missing.
05:59Let's not risk modifying it.
06:01So let's work on that.
06:14Aylin, we'll take care of the other organic products.
06:16Deren will inform you and share the details.
06:18I hope there's no problem.
06:22Okay.
06:24There will be a team of 60 people.
06:26The clients will take eight people.
06:28Mrs. Remedy will not come.
06:30Levent will come tomorrow.
06:33Levent? I haven't talked to him.
06:36Who's seen Levent?
06:38Sanem, I think you've seen Levent.
06:41He told you if you could come.
06:44I don't know.
06:46We didn't talk about that.
06:49Okay.
06:51Then we have to call him.
06:52Sanem, write it down.
06:53Of course.
06:59Ayhan, I'm glad you could come.
07:02I can't go out, but you can come whenever you want.
07:04This place is amazing.
07:07Sanem has great ideas.
07:09She takes beauty to any place.
07:11I've always liked her ideas since I was a kid.
07:15Sure.
07:15You know what?
07:16I think this place is very romantic.
07:19I think you could tell someone here.
07:21It's true.
07:22I told Sanem the same thing.
07:23I told her, if I had a girlfriend,
07:25I could ask her hand here, but I don't have a girlfriend.
07:28Now I'm single.
07:29Oh, no?
07:31It doesn't matter.
07:31Love is overrated.
07:33I don't have a boyfriend either.
07:35Really?
07:36No.
07:36Can I tell you a more private secret?
07:38Sure.
07:40You ask me if you can tell me a secret
07:42and you start drinking coffee?
07:44Come on, don't leave me in the lurch.
07:46Tell me.
07:47I've never had a boyfriend.
07:52You've never had a boyfriend?
07:55Never?
07:55Yes, never.
07:57You didn't give anyone the opportunity to be your boyfriend?
07:59But how is it possible that you've never had a boyfriend?
08:01Tell me why.
08:02Why didn't you give anyone the opportunity?
08:04And why are you telling me?
08:06I don't understand why you told me.
08:07I don't want that responsibility.
08:09I don't understand why.
08:10I don't understand why you had to tell me this
08:12at this very moment.
08:16Are you serious?
08:17It's just that I've never been interested in anyone before.
08:21What did you say?
08:22What do you mean you've never been interested in anyone?
08:24Are you looking for the perfect man?
08:26Of course, you won't be satisfied with just anyone.
08:29Tell me what you've done with your life
08:30in the last 20 years, Aihan.
08:31What's wrong with you?
08:32Why are you yelling at me?
08:34What's wrong with you?
08:34I think it would be better if I leave.
08:36No, no, no, don't leave, please.
08:38I'm a little stressed.
08:39That's all.
08:39And the boyfriend thing made me relax.
08:41You see, I'm very relaxed.
08:44Really?
08:44It helps you relax?
08:46So, are you okay now?
08:47Yes, very well.
08:48Great.
08:48Give me five.
08:49Give me five.
08:50But it's late and I have to go.
08:53You have to go?
08:54Yes, I'm leaving.
08:56Good.
08:56Remember to keep your energy.
08:57I will, I will, yes.
08:58Good, see you.
08:59Take care.
09:00Have a good time.
09:04With what he told me,
09:05I have a great power and a great responsibility.
09:08Very big.
09:09Coffee.
10:18Thank you very much for the organic eggs.
10:21You helped us a lot with the order.
10:23No problem.
10:23See you, Nihat.
10:24Very well.
10:25See you later.
10:26Metkibeh.
10:29Did you leave the store alone?
10:31Rami will take care of it.
10:33I asked him and he said he would help me.
10:36But I actually came here to return the store.
10:39What did you say?
10:41Really?
10:42Great.
10:44You're amazing.
10:46Final decision?
10:47That's right.
10:49I got bored of just sitting around.
10:53And then crazy things happen to me,
10:55like giving away what's in the store
10:56to the people who are going to pass by.
10:57Don't do that.
10:58I shouldn't do it.
11:00But if I get bored, I just think of things.
11:03I start to suspect everything.
11:05And I also make things in my mind.
11:06And then I think we better go back to our store.
11:11No, Metkibeh, I can't.
11:12I'm very busy.
11:13Take care of it for a couple of days
11:15and then I'll see what I can do.
11:17Because now I'm very busy.
11:18You can't.
11:19No.
11:20You can't go to the set.
11:21What are you saying?
11:22What's going on?
11:22Why not?
11:23Why can't I go to the recording set?
11:25It's a wild place.
11:26It's a world of perdition, Nihat.
11:29A dangerous world?
11:30No, woman.
11:31There's nothing dangerous.
11:33Everything is organic.
11:34I won't tell you again.
11:36No.
11:36Wait.
11:36This is very important.
11:38Osman is not here.
11:39I can't leave the store.
11:40But we'll talk later calmly, my little cake.
11:44My delicious cake.
11:46My sweet cake.
11:48Don't be angry, please.
11:49I won't be angry.
11:50Good.
11:51Then I'll wait for you at the store.
11:53Yes.
11:54Very well.
11:54Very well.
11:54All right.
11:55I'll see you at the store.
11:56Yes, woman.
11:57All right.
11:57Goodbye.
12:00I didn't lose him.
12:02Goodbye.
12:08Yayaya, I'm thinking of fresh colors.
12:10Let's try this.
12:11All right.
12:13And what is that?
12:14Leave it.
12:15Come.
12:16Forget it, Yayaya.
12:17I think we'd better try this.
12:18All right, Deren.
12:19It's fine.
12:21Yayaya, this can't be an alternative.
12:24Leave it.
12:26What is this?
12:27How do you want the model to wear a purple shirt
12:30with this heat?
12:31I know this goes very well with your black soul,
12:33but it's a color that absorbs positive energy.
12:36You call this fashion?
12:37Is this really your fashion concept?
12:40Do you want to ruin my reputation?
12:42You only ruined your reputation.
12:44And I doubt you can recover with this.
12:47I can't breathe.
12:48I'll go out to get some air, or I'll have a panic attack.
12:50Stop, Yayaya.
12:51I already did this when you dedicated yourself
12:53to copying under my orders.
12:54Leave it.
12:55That's called karma.
12:56He's my client, and I decide it.
12:57What karma are you talking about?
12:58Let go of him.
12:59Let go of him.
13:00Enough.
13:00I'm going to choose.
13:01I'm going to choose.
13:02I want you to let go of him now.
13:03What is it now?
13:04Let go of him.
13:06Let go of him.
13:12That's enough.
13:13What are you doing?
13:15The shirt isn't yours.
13:17Look at what you caused.
13:18You're wrong.
13:19Do you understand?
13:21I will decide what color it will be.
13:22Aren't you ashamed of everything you did?
13:25You have to behave.
13:27If you keep fighting like girls,
13:28this job won't go well.
13:30What a shame.
13:31You look like preschool girls.
13:39Oh, God.
13:41Do you agree?
13:46I'll go make you some coffee.
13:48I'll be right back.
13:50But what did I do?
13:51I can't believe I yelled at you.
13:53Why did I scold my bosses?
13:55They're going to fire me.
13:57I'm sure they'll feel better with the coffee.
14:02You urgently need two people
14:04for the creativity section.
14:06I'm glad I found you.
14:11Such a jerk.
14:32Do you want to tell me something?
14:33No.
14:34Then why are you looking at me?
14:35What?
14:36Yes, you.
14:37I was just watching around.
14:39Did I even look?
14:41Yes, that's... that's right.
14:45Yes.
14:47Are you coming to my office?
14:49Here is better.
14:50Sanem, please, to my office.
14:52Please, come.
14:53Okay.
14:58Sit down, Sanem.
14:59Good morning, Polen.
15:00Good morning, Sanem.
15:04The charts for the commercial are these.
15:07Review them too.
15:08Choose the one you think is more convenient.
15:11And then we'll let Levent know.
15:13Because you don't want him to wait, right?
15:16But of course I don't want him to wait.
15:18Sanem, Levent is a very smart man.
15:21Yesterday he gave me the impression that they seemed very attracted to each other.
15:25I think that's good.
15:27The night must have been long.
15:29I think so.
15:32Is it your new love?
15:34If so, I want to know first.
15:37Who knows?
15:40Who could know?
15:42Or it may be an old love of the past that resurfaces.
15:48You check the files.
15:50Please.
15:54John.
15:55How is your shoulder?
15:56Better, better, thanks.
15:58Even so, you must be careful because your stones will help you to a certain extent, right?
16:02You tempt your luck.
16:07We were happy to share the story of the stones with you.
16:10But you saw that you are not the only one.
16:12You had to do it again, Sanem.
16:17Is it your allergy again?
16:19Of the allergy?
16:22Of the allergy I am better.
16:23That is, apparently I am already immune.
16:28Forget the tea.
16:29I had it prepared.
16:30I'll bring it.
16:31No, no.
16:32Review the designs and I'll bring them.
16:34Don't worry.
16:36Do you want tea?
16:37I'm fine, thanks.
16:38Can I have a coffee?
16:39Of course, honey.
16:50Hey, Mr. John is addicted to tea.
16:54He loves it.
16:55He talks a lot about tea.
16:57It's just that we both like it a lot.
17:00He knows a lot of flavors.
17:03It shows that he grew up in the Black Sea area.
17:07He told me a few things about his life.
17:11That's why I know about tea.
17:13No, Sanem.
17:14You have nothing to do with that area.
17:16John has been all over the world, but never in the Black Sea.
17:19He was there when he was little.
17:21Oh, I didn't know.
17:22Let's not talk about that.
17:23Why?
17:24Why?
17:25He got lost in the fog when he was a kid.
17:27He was lost for hours.
17:29And then, of course, that fog phobia
17:32comes out on occasion.
17:35Anyway, John is a reserved man.
17:38He doesn't talk to anyone about himself.
17:41Except for me.
17:44I was very surprised that you knew that cabin he has.
17:49I didn't know anything about her.
17:54It was an accident.
17:57Mr. John was going to take some prints in that cabin
18:02and I just accompanied him.
18:05I understand.
18:16Thank you very much.
18:18I put a little sugar in it.
18:20You remembered.
18:22You're welcome.
18:28Mr. John, I can't work here.
18:30Why?
18:32I don't have my computer,
18:35but I'll check the designs and I'll make some prints
18:40and I'll give them to you.
18:42I promise you it won't take...
18:44It won't take long.
18:46Cheers.
18:47Thank you very much.
18:58Mekibe.
19:00What does your husband have in his hands?
19:02How can I know?
19:03I can't see anything.
19:05Look, look.
19:06Severset is there.
19:07I'll freeze him.
19:09Look, there comes that fool.
19:11It's okay, it's okay.
19:12I have it.
19:13Don't worry.
19:14Tell him to come.
19:18Muzafer.
19:20Come here.
19:21I'm coming.
19:22I'm coming.
19:23I'm coming.
19:24Muzafer.
19:26Come here.
19:27I'm in a hurry.
19:28I told you to come.
19:29Yes.
19:33Come closer.
19:35What's that?
19:37What do you have there?
19:41My back.
19:42I'm sorry, mother-in-law.
19:43It may seem that I enter your house without permission,
19:46but I have your keys.
19:48Don't worry.
19:49You're safe with me.
19:51Son.
19:53What is this?
19:55Why are you taking him to my house?
19:57Why do you have keys?
19:59But what is all this, Muzafer?
20:01Please, answer me.
20:03One moment.
20:04I don't have time to give so many explanations.
20:06Mother-in-law, why can't I have your keys?
20:08Am I not like family?
20:10I'm like the son he never had.
20:12Besides, keep in mind that I changed my mind about Osman.
20:15I made a self-criticism and I realized that it was my fault.
20:18Now neither you nor I have a good job.
20:20So my question is,
20:22would you be willing to reconsider the marriage?
20:25If you want, we can sit down and talk about it calmly.
20:28I remember you said you would.
20:30Muzafer, you're driving me crazy.
20:33Why?
20:34You're entering our house.
20:36Just tell me what you're doing.
20:38It's the recording menu.
20:40We prepared it.
20:41Neither you nor I are about to enter the world of advertising.
20:44How about that?
20:45But Osman's freezers are not enough,
20:47so I put them in yours.
20:49They must stay fresh.
20:51I have to go.
20:52See you later.
20:53It can't be.
20:55Wait, I'm coming.
21:01I'm glad I left.
21:13All good?
21:14Of course.
21:15I made the phone calls.
21:17Now I'm preparing the price list.
21:19I'll give it to Derin and you.
21:21So you work here and not in my office
21:23because you don't have a computer.
21:25Am I right?
21:26That's right.
21:27And that handkerchief?
21:29Maybe this will be useful to you.
21:32I asked it especially for you.
21:35What is it?
21:50Thank you so much!
21:52I was tired of going up and down all day.
21:55It will be very useful to me.
21:57I appreciate it.
22:02Why did you hug him?
22:04Because you're thanking me.
22:06But it's okay.
22:07I'm not uncomfortable at all.
22:09Did I say it or did I think it?
22:14Yes, you thought it, but you also spoke it.
22:17You said it pretty loud.
22:22Sanem, not again.
22:26Well...
22:27Good.
22:29Well...
22:31Yes.
22:34I hope it's useful to you.
22:36Good.
22:37Yes, I hope you enjoy it.
22:39Come to my office.
22:41The files Levente is waiting for.
22:44You have to work on them.
22:46You know that.
22:47Okay.
22:49But maybe you'd rather talk to Levente in person
22:53to review the designs with him.
22:57No, I'll review other things with Levente.
23:00Other things?
23:01What will you review with him?
23:02Do you have...
23:03Is something going on between you two, Sanem?
23:06No, nothing?
23:07I forgot to ask you.
23:09How was your night with Levente?
23:11Excuse me, are we talking about work?
23:13No.
23:14Okay.
23:15Can I have my handkerchief back?
23:17What are you saying?
23:18This is not your handkerchief anymore.
23:19This is my handkerchief.
23:20Please give it to me.
23:21You still dare to say it's yours.
23:23But it's my handkerchief.
23:24Of course not, I found it.
23:25Mr. Chamero, it's mine.
23:26I don't understand why you keep insisting that it's yours.
23:28Then I'll take it by force.
23:29Catch it, come on.
23:31Please, catch it.
23:35I can catch it.
23:36I don't want to see that.
23:37If you catch it, it's yours, come on.
23:42And you give it back to me?
23:43Of course.
23:45I will.
24:05Why does everything have to be so hard?
24:08Bravo, you got it.
24:09Are you happy now?
24:11Mr. Chamero, I'm just worried about you.
24:14This is Rosa, and everyone here knows it's mine.
24:17Tell me what Polen will say if she sees the handkerchief.
24:19Polen saw it and there was no problem.
24:21She didn't mind.
24:22And why?
24:25Oh, hello, Polen.
24:28Oh, I'm tired of working,
24:30and I better go see the archives.
24:32That's fine.
24:34Well, I'm going to my office.
24:36See you.
24:41I'll see you there, Polen.
24:43Okay.
24:44I'll be right there.
24:45What do you need?
24:47Where are the magazines?
24:48They're in the back, in the corner.
24:55Did you see them?
24:56Oh, I think so.
24:57Very good.
25:01What do I do?
25:02How do I put them?
25:03Muzafer?
25:06Who are you talking to?
25:08You're a big mother.
25:09This is delicious.
25:10It's good to see you.
25:11Put it there.
25:13Be careful.
25:17Let me get comfortable here.
25:19Haizun, Haizun, what are you doing in my kitchen?
25:22I didn't take you out of my house.
25:24What are you doing?
25:25Answer me!
25:26We're not here to have fun.
25:27We're here to help your husband, stupid.
25:29Not just him.
25:30We're partners in this job.
25:31The help is for both of us.
25:33Son, I'm going to clean the shelf.
25:35Or my cupboard will get dirty.
25:37Enough!
25:39Get out!
25:40This is my refrigerator and it's not dirty.
25:43I can put my husband's dishes.
25:45Get out!
25:46Your husband's dishes are my dishes because I cooked them.
25:50All those dishes are part of the menu that will lead to thirst.
25:53Because I did want to help you and you didn't.
25:55Mother, please, enough.
25:57They're ours and I say ours because we're all a team.
26:00You have nothing to worry about.
26:01Well, I have to go to work.
26:03See you, mother-in-law.
26:04Muzafer, why don't you react to me?
26:06Quiet.
26:07What's wrong with her?
26:08Look at her.
26:09She doesn't want to react.
26:11See you later.
26:12Look at her, look at her.
26:13I have to go.
26:14Calm down, mother.
26:15You have to control yourself.
26:25Leila, there's a mistake here.
26:28I signed an annual contract with this company
26:30and I got a discount.
26:32I'll check it, Mr. Emre.
26:34So...
26:38Yes, Mr. Emre, it's correct.
26:42How can you have all these details in mind?
26:44I'm surprised.
26:45It's our job, Leila.
26:47Keep the business afloat.
26:49Let's keep the company afloat.
26:57Mr. Emre, have you seen Miss Aylin?
27:00Uh-huh, I saw her.
27:02Mr. Emre, if you don't want to see Miss Aylin,
27:04I can tell you that she's busy.
27:06I'll take your notes and then I'll let you know.
27:08It's not necessary.
27:09I've talked to her before.
27:11Thank you very much.
27:13Yes, sir.
27:16You're only objecting because I said so.
27:18Otherwise, there would be no problem.
27:20Instead of arguing with me, you should...
27:22I know you very well, Aylin.
27:23Everything you do is a mess.
27:25All right.
27:26I guess all the preparations are over.
27:28Unfortunately, we have to go.
27:31Unfortunately, we have some problems.
27:33What are those problems, Deryn?
27:35Deryn is the one who can't find a way to work as a professional.
27:38Aylin, let me warn you.
27:39This is not your fight arena.
27:41We're partners, but don't test my patience.
27:43All right?
27:44I want that file in 15 minutes.
27:52All right, here are the files.
27:54Two for you, Miss Aylin, and two for you, Deryn.
27:58All right.
28:00So everything is ready for the shoot.
28:02There are only three points left.
28:04Dress code, slogan, and model.
28:10Deryn, please don't insist.
28:12I remind you that I graduated from fashion school.
28:15Really?
28:16I can't believe it.
28:17It hurts my head just to hear it.
28:19Take care of the dress code, but the slogan is mine.
28:21And you can choose the model too.
28:23It must appear at the beginning.
28:25Leave the juice on the table and go.
28:27Pick whoever you want.
28:28Because what I want now is to work separately
28:30because I really can't stand you.
28:33This is the list.
28:34I'll give it to you.
28:46Did you want to be an actress when I was here, Goulis?
28:49Do you still want to be one?
28:51No.
28:52Of course.
28:53Yes, I have hope that one day I will be.
28:56Then you'll start tomorrow.
28:58Are you serious?
28:59I'll be the juice girl?
29:01I can't believe it.
29:02This is a dream.
29:03Miss Eileen really doesn't know how much I appreciate it.
29:06From now on, I will start working on my character.
29:08Thank you very much.
29:09Goulis.
29:12And that's how you motivate the employees.
29:14And you'll get them to get much more involved in the job.
29:17That was a free lesson.
29:23That was missing.
29:24Apparently, now this woman is putting me to the test.
29:27Think positive, Deren.
29:33I'm sorry, Mr. Henry.
29:39Hi, Mom.
29:40Oh, Leila.
29:41Guess who asked your father for help with your recording?
29:45Did he help Osman?
29:46Ah, Osman.
29:48He wasn't able to do it all,
29:50so he went to ask that woman, Aysun, for help.
29:53Well, Mom, what's wrong with that?
29:54Huh.
29:55Seriously.
29:56What's wrong with that?
29:58That's got a lot of things wrong.
30:00I have two daughters working for that company.
30:03Why is Aysun preparing the food and not me?
30:05JJ is in charge of that, Mom.
30:07I don't know what they're doing.
30:09I don't know who JJ is.
30:11Mom, what can I do?
30:12Throw all that food away?
30:14Mom, let's use them this time.
30:16And next time, you can do it without a problem, Mom.
30:18Isn't there an option?
30:19Of course there is.
30:20And you'll see.
30:22They'll be surprised.
30:25Oh, what are you going to do, Mom?
30:52Very good.
30:53The agency program has been downloaded.
30:55Now you can work on that program.
30:57Thank you very much.
30:59I have problems with computers.
31:01I even like the typewriter better.
31:04I'm very good at typing with it.
31:06You're a special woman, Sanem.
31:08You're a special woman.
31:10You're a special woman.
31:12You're a special woman.
31:14You're a special woman.
31:16You're a special woman.
31:18You're a special woman.
31:20You're a special woman.
31:21You're a special woman.
31:22You're a special woman.
31:23You're a special woman.
31:26Emre says you have great photographic memory.
31:28He's very proud of you.
31:30Yes, as does Jean.
31:34Oh, thank you, but you're overdoing it.
31:37Uh, I think you and Mr. Jean were getting along again.
31:42If that's what I thought.
31:43So they solved their problem together?
31:45Uh, we've been together for a long time, Sanem.
31:54Our only problem is that we've been far apart.
31:57The only person who is closer to him is me.
32:02But I decided to stay to be close to him.
32:05That's why.
32:06Yes, that's why.
32:08And for nothing else.
32:10Well, I'll go upstairs, Sanem.
32:12I'd like to get to know you better.
32:15When you're available, let me know so we can go out for dinner.
32:18But of course, I'd love to.
32:20Very well, then we'll see each other.
32:22See you later.
32:23Bye.
32:24Hey, you're so modern.
32:26Now you're going to have dinner with the boyfriend of the man you love?
32:29Let him accompany you and order some sushi.
32:32I want you to shut up!
32:33The truth hurts, Sanem.
32:35I said shut up!
32:43Did you check the filming budget?
32:46I checked it twice.
32:48Everything is fine.
32:49Excellent.
32:54May I come in?
32:56Leila, I appreciate everything.
32:58We'll continue later.
32:59Yes, of course.
33:01Very well.
33:08We couldn't see each other today.
33:12I miss working here.
33:14The energy of a big company is different.
33:17You don't even care to ask for my opinion.
33:19You go straight to Jan and offer him business.
33:22Actually, I was there to talk to you.
33:25But when I saw Jan, I felt guilty.
33:28And I offered him the business.
33:32Offer him a car project.
33:34Instead, you're here.
33:36Not a bad idea.
33:37I think your strategy was good.
33:39I agree with your plans.
33:44Emre, please stop looking for tricks or plans
33:47in everything I'm doing.
33:49Besides, I won't always be here.
33:51I'll come from time to time.
33:53I want to be here for you.
33:57I'm here.
33:58You see me.
33:59But that's not enough.
34:01I want to be by your side all the time.
34:03At home, in the office, outside.
34:05I'll do everything to make you forgive me, Emre.
34:07I did this for you.
34:09I mean it.
34:12For me?
34:15How sweet, Aylin.
34:17It's the truth.
34:19Believe it or not, it's true.
34:21I'm not lying.
34:23You know I...
34:24I love you.
34:26See you.
34:29Are you coming to the recording?
34:31Just for a while.
34:33I have a lot of work.
34:38Yes, we're ready for tomorrow.
34:40Yayay, I hope the menu comes out well.
34:42I don't want any problems.
34:44Trust me.
34:45I even rented a truck to store the food.
34:47Oh, excellent.
34:49Everything will be fine.
34:50I think...
34:52Why do you talk to them without my consent?
34:54What's wrong with you?
34:55That's your job.
34:56You know perfectly well that that's something that doesn't belong to you.
34:59You haven't called them for more than an hour.
35:01It's your fault.
35:02Customers deserve punctuality.
35:03Aylin, I have a very discreet relationship with that customer.
35:06But I know what you want to do.
35:08Stay away from my customers or I promise you'll regret it in the end.
35:13I'll see you tomorrow at the set.
35:15I have to go.
35:16Good.
35:17Everyone can go.
35:18Come on, come on, you can go.
35:19Come on, come on, come on, come on.
35:21It's part of the plan.
35:22What am I saying?
35:23I swear I'm going to kill that woman.
35:25I can't stand her anymore.
35:27Uh, Deren, calm down.
35:28I have a question about those who eat fruit from the ground.
35:31Uh, fruit trees or something like that.
35:33Fruit trees.
35:34Fruit trees, yes, very good.
35:35Hey, if instead of picking up the fruit from the ground,
35:38we buy it in the store, do you think they notice the difference?
35:41Of course, JJ.
35:42If the customer wants a fruit to fall to the ground,
35:45that's what we'll give him.
35:46Go pick up the fruit under the trees.
35:48Of course.
35:49There are things that are not discussed.
35:51Of course, of course, we'll do what you ask.
35:53I'm disgusted, but...
35:54Uh, Deren, I'm done.
35:56I prepared the shipments and I have everything ready.
35:58Do you need anything else?
35:59Very good, Sanem.
36:00I see that you are very hardworking today.
36:03And look, before I wanted to leave the job.
36:05I'm glad you're back in the end.
36:07Thanks to you, everything is better.
36:09But if that woman doesn't like anything, what's wrong with her?
36:13Hey, she's a little weird.
36:15It doesn't matter.
36:16It has nothing to do with you.
36:17JJ, did you save the menu for the recording?
36:20In the end, who will do it?
36:21Osman will do it, the prom...
36:22Sanem.
36:24The butcher.
36:26Yes, Osman.
36:27Yes.
36:28He's the promised of...
36:29He takes off the ring of the meat...
36:31I mean, the finger.
36:32He takes it off when he works, yes.
36:34If not, he can cut himself.
36:36Osman, Osman, he's a very good man.
36:38I mean, he's a man.
36:39Oh, friends, you don't know, of course.
36:42Sanem and Osman are done.
36:46They already decided it.
36:47It's true.
36:49But Gülis, please, let's keep this between us.
36:52No one should find out.
36:54But this can't be kept secret forever.
36:56Even if I don't say it, people will find out for sure.
36:59It would be better if I said it.
37:00Tell him.
37:01Listen, guys.
37:05Sanem and his fiancé are done.
37:12Applause is not necessary.
37:14Yes, yes, it was.
37:15These people have a problem.
37:17Since not everyone has a partner,
37:19they will celebrate the bachelor party.
37:21If you get married, they will applaud you.
37:22And if you don't get married, they will do it too.
37:23What happened, Sanem?
37:24No, nothing happened.
37:25Oh, don't worry.
37:26Impossible.
37:32Very good.
37:33I think that's enough for today.
37:37I'll go see my mother.
37:39Maybe I'll stay there tonight.
37:41Okay.
37:42Can you leave me at her house?
37:44Maybe we can eat something before she goes with her.
37:47Yes, okay.
37:48Can.
37:50Everything is fine.
37:51If you want, we can review the text to see what you think.
37:55Uh, Deren, I have to take Polen somewhere.
37:58I'll check it.
38:02Better send it to me by mail.
38:04I'll check it at home, okay?
38:05Yes, okay.
38:09Oh, how smart is this woman.
38:11Now she already has a personal driver.
38:13Is it with me, Deren?
38:15But of course not.
38:16And I don't want to unload my anger on you,
38:18so don't come near me.
38:20But what did I do?
38:23But what did I do?
38:28Did something bad happen?
38:31What's going on?
38:32Zanem and his fiancée broke up, so...
38:36So Zanem was engaged?
38:40And now they see him.
38:41Wow, this girl is fast.
38:47Are we leaving?
38:48Yes, of course.
38:49The truth is that things were not right.
38:51We always argue a lot.
38:52Communication and understanding are very important.
38:55So we're done.
38:57Besides, our families didn't get along very well, let's say.
39:00Yes, you can't say that.
39:01What should I do?
39:02Tell things?
39:03Very well, gossip is over.
39:05To work!
39:10Mr. Chan, I was already going to your office to work with my computer.
39:14Zanem, I have to go.
39:16Send me an email and I'll review it at night.
39:18Okay, see you later.
39:19See you later.
39:20See you later, Zanem.
39:21See you later, Polen.
39:28Ending the relationship was the best.
39:30Well, it was handsome.
39:31But it's okay.
39:39Can we go? I'm scared.
39:41Well, I'm not afraid, but I'm stressed.
39:43Shall we go?
39:44Don't stress yourself.
39:45The woman is not at home, but you have to be careful.
39:48Friends, where are you going?
39:49This is a private property.
39:51I did this when I was 13 years old.
39:54If this woman finds them, she's going to kill them.
39:57This woman will not hesitate to cut them into pieces and then bury them in this garden.
40:01Musafer, we told you to come, but not to scare us.
40:04Get down.
40:05Seversed, what are you doing there?
40:06If you don't get down, they'll catch us for sure.
40:08Get down.
40:09Seversed?
40:10How many times do I have to tell you?
40:12My name is Musafer.
40:13Please understand.
40:14Zanem told you that?
40:15Zanem does.
40:17He can call me whatever he wants.
40:19If he wants to call me love, he can do it.
40:21Or do you want to call me love?
40:23Are you crazy?
40:24Why would I have to call you my love?
40:25I would just call someone like Ayhan.
40:31Since it's a woman.
40:32But just because of that, you don't have to call her that.
40:35Do you understand?
40:36Get down.
40:37Musafer, hurry up.
40:38We have a lot to do now.
40:40Okay, I'm going.
40:41How did you get up here?
40:43Everything itches.
40:44Let's see if I don't get hurt.
40:48There's nothing on the floor.
40:49Are we going to wait for them to fall or what?
40:51We can't be here all day.
40:53Mevki, come on.
40:54Don't drive me crazy.
40:55You made me come running.
40:56Tell me, what's going on?
40:58It's my food.
40:59It's delicious.
41:00And Aysun's tastes horrible.
41:01Are you serious?
41:02Why do you want to do that?
41:03It doesn't make sense.
41:04You're making the same dishes she already made.
41:07Dad, what's going on?
41:08I don't know, daughter.
41:09Some kind of cooking contest from your mother.
41:11No!
41:12Don't touch him.
41:13Get your hands away.
41:14Justice will come soon.
41:16Justice will come soon?
41:18What do you mean by that?
41:20I don't understand.
41:21I'll explain.
41:22These are Aysun's dishes.
41:25And these are your beautiful mother's famous dishes.
41:29We'll see what food she wins.
41:31And here we come.
41:32To eat.
41:33Don't touch anything.
41:34Wait.
41:35Of course, when they try them, they'll like mine.
41:39Sure, that's normal.
41:40But someone neutral is the one who should try them.
41:43Do you need someone neutral?
41:45Yes.
41:46I hope you haven't invited a TV chef,
41:49because you can do it.
41:50I know you.
41:52Yes, he's here.
41:53Open, Sanem.
41:54I'm tired of your fights with Aysun.
41:56I'm going to open the door and come back to see what I eat.
41:59I'll eat your part.
42:00I hope we can eat something.
42:02No!
42:03Give it back to the plate.
42:04Give it back, I said.
42:06Don't touch it.
42:07No.
42:15No.
42:16No.
42:17No.
42:18No.
42:19No.
42:20No.
42:21No.
42:22No.
42:23No.
42:24No.
42:25No.
42:26No.
42:27No.
42:28No.
42:29No.
42:30No.
42:31No.
42:32No.
42:33No.
42:34No.
42:35No.
42:36No.
42:37No.
42:38No.
42:39No.
42:40No.
42:41No.
42:42No.
42:43No.