• 3 months ago
Transcript
00:00:00Locura sangrienta.
00:01:00Oh, Romano.
00:01:29I know.
00:01:30But you were supposed to go into the ladies room.
00:01:32Oh, the subway.
00:01:36I need to find the subway.
00:01:37No, Romano.
00:01:38You really don't care about such a dirty place.
00:01:41Dr. Vandis told me.
00:01:45It's time for me to go.
00:01:47My mother's waiting for me.
00:01:50Romano, let's go to the daycare and do your exercises.
00:01:53But Dr. Vandis said I could go home.
00:01:57Oh, really?
00:01:58I have to find the subway, or I'll never be able to leave.
00:02:02Romano, come with me.
00:02:04Let's go.
00:02:21Come closer. Come here.
00:02:23I want you to meet this new colleague of mine.
00:02:27His name is Romano.
00:02:34How are you?
00:02:35Fine.
00:02:36No! No! No! No!
00:02:52Dr. Vandis, did you sign Romano Hunter's papers?
00:02:56Dr. Vandis?
00:02:57What?
00:02:58Did you authorize Romano Hunter's departure?
00:03:01Who?
00:03:02Romano Hunter.
00:03:05That one over there.
00:03:07Ah, yes.
00:03:08Dr. Kruger asked us for a new patient relationship.
00:03:12How can you keep giving patients permission in such a bad state as Romano?
00:03:16He's the fifth in the last two weeks.
00:03:18I think I know more about these issues than you, Dr. Gilmore.
00:03:23I'm sure of one thing.
00:03:25Your knowledge and experience are...
00:03:27...decimononic.
00:03:34Dr. Anderson, I don't understand how you can justify and release Romano.
00:03:38You can't even think about it.
00:03:40Joan, you know full well that we are saturated and undernourished.
00:03:44Dr. Kruger's rehabilitation program benefits us.
00:03:47With fewer patients, we could better deal with serious cases.
00:03:53Look.
00:03:54The highs of the last two weeks.
00:03:58I'm sure none of them are dangerous now.
00:04:02Doctor, it's precisely...
00:04:04Joan!
00:04:05In a perfect world, we would have kept them all until they were cured.
00:04:09In this real world, we barely have enough money for a few.
00:04:15Kruger's idea is to return them to society as smoothly as possible.
00:04:19I think he's wrong in this case.
00:04:23Fine.
00:04:24If he's so interested in Romano, we'll keep him.
00:04:27Although I'll have to put him under his custody.
00:04:30Of course.
00:04:31Very well.
00:04:32Consider it done.
00:04:36Take the block.
00:04:37Let's see, where should this go?
00:04:39Better now?
00:04:40Like this.
00:04:41What is this patient doing here?
00:04:43Everything's fine, Dr. Kruger.
00:04:45Dr. Anderson agreed to suspend his departure.
00:04:48I'm not talking about Romano.
00:04:50What is this man doing here?
00:04:52Who?
00:04:53John?
00:04:54John Howard?
00:04:55Yes, John Howard.
00:04:56I haven't done anything.
00:04:57I haven't behaved badly.
00:04:58Why didn't he tell me he was going to take care of him?
00:05:01I didn't know.
00:05:02He was on the list we had discussed.
00:05:05At least, I think.
00:05:06Yes, he was on the list.
00:05:07Go away.
00:05:08God.
00:05:09He knows our budget doesn't allow us to waste time.
00:05:12Now the system is saturated with two more patients.
00:05:15But I gave the order to five patients.
00:05:17There must be a mistake in this.
00:05:19I'm sure there were five patients on the list.
00:05:21There must be a mistake here.
00:05:23Romano, go back to your seat.
00:05:26John Howard.
00:05:28I'm sure I signed the list for John Howard.
00:05:31We can't afford to...
00:05:32There's no need to continue.
00:05:34There must be justified reasons for him to stay.
00:05:38Dr. Gilmore told me Romano wasn't ready to leave.
00:05:42Dr. Anderson would think it was too soon for John.
00:05:46I hope she's right.
00:05:48It would be a crime to prevent this man from reintegrating into society,
00:05:52if only he could do it without any problems.
00:06:12We're here.
00:06:15I'll take care of the food.
00:06:22Hello, Ruth.
00:06:24Can I use the computer for a moment?
00:06:27You're trying to show me what you know how to do.
00:06:32Perfect.
00:06:34Has Dr. Kruger found out?
00:06:36Do you think he would come if he didn't know?
00:06:39Okay, call me if you need me.
00:06:41Very well.
00:06:53John Howard.
00:07:17Howard.
00:07:19John Howard.
00:07:21Howard Johns?
00:07:52Who's there?
00:07:54I'm going to kill you!
00:07:56Get out!
00:08:02No, Paul! Don't do it!
00:08:04Come here!
00:08:11No! Please, no!
00:08:14Oh, God!
00:08:21No!
00:08:27No!
00:08:29Dr. Daniel, come to the third floor.
00:08:32Come to the third floor, please.
00:08:35I'll go this way.
00:08:51Come on.
00:09:22What do you want?
00:09:24I want to see one of the patients.
00:09:27You know that without Dr. Kruger's permission, no one can come in here.
00:09:31I'm a doctor, don't you remember?
00:09:33You're not allowed to come in here.
00:09:36Besides, this is a hospital.
00:09:39You can't come in here.
00:09:42I'm a doctor.
00:09:44You're not allowed to come in here.
00:09:47Besides, this is a hospital.
00:09:50You can't help these people.
00:09:52They don't have brains to examine.
00:09:55They're living dead.
00:09:57We have them chained up and fed 24 hours a day.
00:10:01There's not much you can do.
00:10:04I think that's a very broad judgment.
00:10:06Even if you want to work with the dead,
00:10:09you must have Dr. Kruger's permission.
00:10:12But...
00:10:13Talk to Kruger.
00:10:15Dr. Gilmore.
00:10:21Women's College, Barreto.
00:10:30Goodbye. Enjoy your holidays.
00:10:33I'll see you when you have the suitcases.
00:10:36Goodbye.
00:10:38Hello, Barbara.
00:10:40Enjoy your holidays.
00:10:42Thank you. Goodbye.
00:10:45Goodbye.
00:11:16No! No!
00:11:19No!
00:11:21Aah!
00:11:23Aah!
00:11:25Aah!
00:11:27No!
00:11:29No!
00:11:31Aah!
00:11:33Aah!
00:11:45♪
00:11:55♪
00:12:15♪
00:12:25♪
00:12:35♪
00:12:45♪
00:12:55♪
00:13:05♪
00:13:15♪
00:13:25♪
00:13:35♪
00:13:45♪
00:13:56Oh, my God.
00:14:04Doctor!
00:14:06♪
00:14:16♪
00:14:26♪
00:14:36♪
00:14:46♪
00:14:56♪
00:15:06♪
00:15:16♪
00:15:26♪
00:15:36♪
00:15:46♪
00:15:56♪
00:16:06I'm talking about John Howard.
00:16:08I think he released a wrong patient in his place.
00:16:11Really? And what led him to that brilliant conclusion?
00:16:14Look at the state of the computer.
00:16:16How did he get this?
00:16:18I didn't allow him to access the files.
00:16:21He put a murderer on the street.
00:16:25Instead of the real John Howard, he released Howard Jones, a dangerous psychopath.
00:16:31How did you get that information?
00:16:33I checked the L Pavilion.
00:16:35I found Howard Jones' bed empty.
00:16:37And an exit permit.
00:16:41He was in the Pavilion?
00:16:43Someone had to check it.
00:16:46How the hell did he get into the L Pavilion?
00:16:50He can't get in there without authorization.
00:16:53Authorization? What authorization?
00:16:56Howard Jones didn't need it to get out of the L Pavilion.
00:17:00Tell me what he's doing with those poor people.
00:17:02As soon as he releases them, he puts them in plastic bags.
00:17:06You don't have to scream. I can hear you.
00:17:12Doctor, what is he going to do?
00:17:15He can't leave a criminal like Jones wandering around the city.
00:17:19Considering his background, he's a real danger on the streets of Manhattan.
00:17:24Has anyone told you?
00:17:26No, not yet.
00:17:28I wanted you to be the first to hear the good news.
00:17:32And now I'm going to Dr. Anderson's office.
00:17:34I don't think it's necessary to bother Dr. Anderson for now.
00:17:38I have a meeting planned with her.
00:17:40I can inform her personally.
00:17:43Is that all?
00:17:45I think so.
00:17:47If they release Howard Jones, I think we can find him without much trouble.
00:17:51Believe me, you don't have to worry.
00:17:54Agree?
00:18:02Now you'll inherit 100 dollars.
00:18:06You're ruining me.
00:18:09Boardwalk.
00:18:11Boardwalk?
00:18:1250.
00:18:16If you need a loan, let me know.
00:18:19I already need it.
00:18:21Jane, why are you in such a hurry?
00:18:23Your parents won't be back in three days.
00:18:26It's not like Brockport, but it could be interesting.
00:18:31Par-Place. I've got you.
00:18:34I can't believe it.
00:18:36It's your turn, Lorraine.
00:18:38She always gets Par-Place.
00:18:40I've got you.
00:18:42I've got you.
00:18:44I've got you.
00:18:46I've got you.
00:18:48I've got you.
00:18:51I've got you.
00:18:55Why don't you come with me to Fort Lauderdale?
00:18:58I'm sure you'll enjoy it.
00:19:00With all those guys?
00:19:02What makes you think they'll notice this little face?
00:19:07Pam, it's not my fault your parents didn't give you money to leave.
00:19:11I want some pictures of you before I leave.
00:19:14All right.
00:19:15Miss Lorraine, please come to dinner.
00:19:21Come on, Lorraine.
00:19:24Listen, girls.
00:19:25Just a minute.
00:19:26I can't find...
00:19:27Stop!
00:19:28Stop!
00:19:29Stop doing that!
00:19:30You whore!
00:19:32Stop it!
00:19:33Stop it!
00:19:34Listen to me.
00:19:35It's all right.
00:19:37You shouldn't show everyone your nakedness.
00:19:40We're not everyone.
00:19:42We're alone.
00:19:43Don't worry.
00:19:44It's all right.
00:19:46We were just kidding.
00:19:48We were just kidding.
00:19:50Yes.
00:19:51I'm sorry.
00:19:53I guess I went too far.
00:19:57You can't play with temptation.
00:20:02A little temptation isn't bad.
00:20:04It can be stimulating.
00:20:06Don't say that, Pam.
00:20:07It's not funny.
00:20:09You should get ready.
00:20:12You're supposed to catch the plane.
00:20:16Yes.
00:20:17Your flight leaves at 7.
00:20:19I haven't packed my bags.
00:20:21Listen.
00:20:22Let's go to Fronton.
00:20:24Why don't you say goodbye before you leave?
00:20:26All right, Pam.
00:20:27And be careful.
00:20:28Don't catch a cold.
00:20:30I'm warning you both.
00:20:32Don't be silly.
00:20:34I don't have time for your childish jokes.
00:21:16I love you.
00:21:46I love you, too.
00:22:16I love you, too.
00:22:38Pam?
00:22:40Cherry?
00:22:43Come on, girls.
00:22:47Are you there?
00:22:53Pam?
00:22:57Cherry?
00:22:59Pam?
00:23:16Pam?
00:23:35I called this meeting to discuss the grave error
00:23:38discovered by Dr. Gilmore
00:23:40due to the similarity of names
00:23:42of two of our patients.
00:23:45A permission was accidentally signed
00:23:48to a man declared socially dangerous by justice.
00:23:52This could cause a huge problem.
00:23:56Dr. Anderson, I apologize on behalf of my team
00:23:59and on behalf of myself.
00:24:01But fortunately, I have discovered
00:24:03that the problem has been purely administrative.
00:24:06Howard Jones, the patient in question,
00:24:08has not been discharged, as some colleagues believe.
00:24:11What do you mean?
00:24:13Well, it's very simple.
00:24:15See, Howard Jones has not been discharged,
00:24:18as his papers indicated.
00:24:20The files should say,
00:24:22dead.
00:24:24I don't understand.
00:24:26Then why was John Howard not discharged on the same day?
00:24:29We must have realized it ourselves.
00:24:32You can see that while Howard Jones's file says,
00:24:36discharged,
00:24:37John Howard's file says wrongly,
00:24:40dead.
00:24:41An obvious confusion of the files.
00:24:43After the murder of university students in Barrington,
00:24:46he was declared innocent of mental disorder
00:24:48and admitted to this hospital.
00:24:50He died of natural causes on September 27.
00:24:53All right, thank you very much.
00:24:55We have been very lucky that no one dangerous
00:24:57has been discharged.
00:24:59But this type of error has no excuse.
00:25:02It is not acceptable.
00:25:04Dr. Anderson, may I ask a question?
00:25:06What have they done to Howard Jones's body?
00:25:09Cremation is routine.
00:25:12Gentlemen, what happened in this case?
00:25:15I doubt that the Department of Investigation
00:25:17can take advantage of an incinerated body.
00:25:20Dr. Kruger is more familiar than I am with this case.
00:25:26In cases where the patient dies without treatment or family,
00:25:29the normal procedure is to incinerate him.
00:25:31Is that what happened?
00:25:33Yes, Virgil did it last week.
00:25:35Can I see the death certificate?
00:25:37What certificate?
00:25:39It should be available.
00:25:41Dr. Gilmore, why do you care so much?
00:25:43Please, please, can you be quiet for a moment?
00:25:47Joan, I have no problem getting you a death certificate.
00:25:50Now.
00:25:52Well, these documents are stored in the files.
00:25:55Of course.
00:25:57But it will take several days to get the information.
00:26:00When I discovered the error,
00:26:02I sent the documents to the court for their correction.
00:26:08Dr. Kruger, Joan, can you come here for a moment, please?
00:26:22It has been a very unfortunate accident, Doctor.
00:26:26I think they have rushed their program a little.
00:26:30And I want you to stop it.
00:26:32Study it in depth.
00:26:34From now on, our attitude with patients...
00:26:36Stop it.
00:26:38It is more important not to make mistakes.
00:26:40Very well.
00:26:42Joan, how long has he been with us?
00:26:44Four months.
00:26:46Only four?
00:26:48He must have worked every weekend.
00:26:51Does he want to take the next one?
00:26:53So he can forget about this place for a few days.
00:26:56I think it's a good idea.
00:26:59All right. I'll see her on Monday.
00:27:01And by then, all the papers of the late Howard Jones will be ready.
00:27:06All right.
00:27:23He will recover in some time.
00:27:26It is not good for a psychiatrist to accumulate too much stress.
00:27:30Two patients from Pavilion L were psychiatrists.
00:27:34Goodbye.
00:27:56Goodbye.
00:28:26Goodbye.
00:28:28Goodbye.
00:28:30Goodbye.
00:28:55Is there no one?
00:29:01Hello.
00:29:03Hello.
00:29:05Could you take me to the sheriff, please?
00:29:08Yes, of course.
00:29:12It's me.
00:29:14Sheriff Liggett.
00:29:16What can I do for you?
00:29:21My name is Joan Gilmore.
00:29:23I am a psychiatrist at Chris Hadden Hospital in Manhattan.
00:29:27Is it possible to see the police files on one of my patients, Howard Jones?
00:29:33Why?
00:29:35Well, as I told you, he's my patient.
00:29:38And I would like to know some details about him.
00:29:42The only details you need about that son of a bitch is that he's crazy.
00:29:47He's not crazy, Sheriff. He's sick.
00:29:50Oh, yeah?
00:29:52Look, Dr. Gilmore, do you see this?
00:29:55Yes.
00:29:56Well, I wasn't born with this.
00:29:58Mr. Jones gave it to me.
00:30:01Tell me, why is he here?
00:30:07By mistake, he was discharged from the hospital on Wednesday.
00:30:10And considering his illness and his condition,
00:30:13I want to find him and put him under some kind of surveillance
00:30:16before he hurts himself or hurts someone.
00:30:19Wait a minute. Do me a favor. Let's start again.
00:30:23He tells me he was discharged. Why?
00:30:26There was an administrative error and they may have discharged him instead of another patient.
00:30:31Tell me, can you help me?
00:30:33I'm not even sure if it would be possible for him to return, but...
00:30:37That worm would crawl all the way here even if they left him at the very end of the world.
00:30:43Anyway, I think we should find him.
00:30:47All right, Dr. Gilmore. Thank you for the information.
00:30:53Listen.
00:30:55Wait till tomorrow.
00:30:57I have to check what he told me before I can give him information about our files.
00:31:02If he talks to the hospital, they'll tell him Jones is dead.
00:31:06What?
00:31:08It's just a possibility.
00:31:11Are you kidding me? Let's clear things up.
00:31:14Is that bastard really dead or are we just making up stories?
00:31:19He may be dead.
00:31:21Why don't you go to the local newspaper office?
00:31:25They'll give you the information you need.
00:31:28It would be better if I could see the police files.
00:31:32Try the newspaper. It's your best lead.
00:31:36Thank you, Sheriff. I appreciate your help.
00:31:39You're welcome. And please, don't tell anyone.
00:31:52Are you Valerie?
00:31:54Listen, Val. Get me Mark McGowan right now.
00:31:57And find the number of the mental hospital in Manhattan.
00:32:02Cresshaven. Cresshaven.
00:32:05All right.
00:32:07I want to talk to someone in charge of Howard Jones' case.
00:32:13All right. Thank you, Val.
00:32:18Hello, Mark.
00:32:21Hello.
00:32:47Hello.
00:32:48Yes?
00:32:50Can I help you?
00:32:51I hope so. The Sheriff said yes.
00:32:53I'm investigating an article about Howard Jones.
00:32:57Could you show me your microfilms?
00:33:01We don't have microfilms here.
00:33:03All right, Anne.
00:33:04Why are you investigating Howard Jones?
00:33:07Anne, I'm in charge of that.
00:33:09You have work to do. You shouldn't waste your time on this.
00:33:13Who's wasting their time?
00:33:16All right. If you want to see past editions, you can do that.
00:33:20But you could spend a month in there and not find what you're looking for.
00:33:24They're not in order.
00:33:25What?
00:33:26Mark has a lot of interests outside the newspaper.
00:33:29That's why I can't work without you, dear Anne.
00:33:32Mark is Paul Barton.
00:33:36Take care of him.
00:33:39So, you're interested in the killing of college girls, aren't you?
00:33:44Yes.
00:33:46Our newspaper was exhausted for three months.
00:33:49It's about the school committee.
00:33:53Tell him I'm talking to a writer.
00:33:56What's her magazine?
00:33:59National Report.
00:34:01A writer from National Report.
00:34:04She works as a psychiatrist at Cresthaven.
00:34:08The Sheriff called her.
00:34:10Mark McGuire.
00:34:11Joan Gilmour.
00:34:12Hello.
00:34:14I'd like to know more about Burrington's favorite son.
00:34:19He wants to talk to you.
00:34:22I'll be right back.
00:34:28Hi, Paul.
00:34:30There's a hotel here.
00:34:31What do you think? You want to know more about Jones, right?
00:34:34Yes.
00:34:35As a good reporter, you'll be a former student of the residence...
00:34:41...in question.
00:34:42It's the winter break.
00:34:44It's right around the corner.
00:34:46I'm sure there will be rooms in the residence.
00:34:49And we already have you in the crime scene.
00:34:53You'll have a patient and I'll have an article.
00:34:55It's a really good idea.
00:34:58But how could I get a former student?
00:35:01Anne, from the office.
00:35:03She belongs to the Omega Club.
00:35:05We'd like to borrow your ring.
00:35:08So you've thought it through, haven't you?
00:36:08Girls, if you see Lorraine in Fort Lauderdale...
00:36:11...tell her I'm a little upset she didn't say goodbye to me.
00:36:15Don't take it seriously. You know how she is.
00:36:17Yes, she's a snob.
00:36:19But she's from the Brotherhood. Don't forget your things.
00:36:22Goodbye.
00:36:23Goodbye.
00:36:26Excuse me.
00:36:27Hello.
00:36:28My name is Joan Gilmour.
00:36:30I was a member of the Omega Club in Boston.
00:36:33I thought I might spend the night here.
00:36:36It's the right week.
00:36:38We hardly have any vacations.
00:36:40I'm Sherry.
00:36:41I'm Anne.
00:36:42I'm Jane.
00:36:43Nice to meet you.
00:36:44You should ask our tutor, Mrs. Collins, for permission.
00:36:48Here she is.
00:36:50I'm Mrs. Collins.
00:36:52Welcome, Miss Gilmour.
00:36:54Can you help her pack her bags?
00:36:59My room is in front of hers.
00:37:01You can visit me whenever you like.
00:37:03Great.
00:37:06You can stay in Lorraine's room.
00:37:08We'll keep your things and show you everything.
00:37:12It's going to be fun.
00:37:14I feel younger.
00:37:16Let's go.
00:37:25It's fantastic.
00:37:27You must be happy here.
00:37:29It's not much on vacation without the girls in the way, but...
00:37:32Omega is the best club on campus.
00:37:35Is it true what I heard about this club?
00:37:38What did they tell you?
00:37:40That someone was murdered here a long time ago.
00:37:43Yes.
00:37:44It was the murder of the president.
00:37:46Please, Sherry.
00:37:47I don't want to hear about that.
00:37:49So it's true?
00:37:50Yes.
00:37:51With blood, guts and everything.
00:37:53Sherry, you're making me sick.
00:37:56Well, what happened?
00:37:58It was a long time ago.
00:38:00We don't even know the whole story.
00:38:02Does Mrs. Collins know anything?
00:38:04Probably.
00:38:05She's always been here.
00:38:07She's an old hag.
00:38:09She's always spying on us.
00:38:11If someone knows everything, it's her.
00:38:14But I never want to hear about it.
00:38:16Can we change the subject, please?
00:38:19Omega shouldn't worry about a little blood.
00:38:22Let's go.
00:38:23I'll show you the school.
00:38:25Okay.
00:38:27I'll see you later.
00:38:34Okay.
00:39:04Hello.
00:39:05Oh, Miss Gilmore.
00:39:07Come in, please.
00:39:09I completely forgot that you were coming.
00:39:13I'm currently Dr. Gilmore.
00:39:16Oh.
00:39:17Excuse me.
00:39:18I'm going to have a...
00:39:20I'm going to have a...
00:39:22I'm going to have a...
00:39:24I'm going to have a...
00:39:26I'm going to have a...
00:39:28I'm going to have a...
00:39:30I'm going to have a...
00:39:32I'm going to have a...
00:39:34I'm going to have a...
00:39:36I'm going to have a...
00:39:38I'm going to have a...
00:39:40Of course, Miss Collins.
00:39:42It must be very difficult to take care of those girls.
00:39:45Yes.
00:39:46When you take care of them,
00:39:48that's when they leave.
00:39:50Would you like to sit down?
00:39:58Do you live alone?
00:40:00Yes.
00:40:01And it's very difficult.
00:40:05The girls are everything I have now,
00:40:09since Francis is not here.
00:40:13Francis is my son.
00:40:16He loved me.
00:40:18He used to bring me fresh flowers every morning.
00:40:25But God took him away.
00:40:31Would you like a jerez?
00:40:33No, thank you.
00:40:37Do you have children?
00:40:39No, I don't.
00:40:41Children are a gift from heaven.
00:40:46I protect my girls from everything.
00:40:48I try to protect them against diseases,
00:40:51against bad grades, against bad boyfriends...
00:40:55And deaths.
00:40:57You were the tutor when it happened, right?
00:41:00What kind of doctor are you?
00:41:02I'm a psychiatrist, Mrs. Collins.
00:41:05You have no right.
00:41:07You know you have no right.
00:41:10It must be very difficult.
00:41:12I'm sorry.
00:41:13Yes, it's difficult.
00:41:15I can't sleep at night.
00:41:18I have nightmares.
00:41:21Talk to me about it.
00:41:23You'll feel better.
00:41:26It was a terrible night.
00:41:31Howard, he was the guardian.
00:41:36And he used to leave for a week for Christmas.
00:41:41Always for Christmas.
00:41:44The week of hell, as the girls call it,
00:41:48that particular night, he came back.
00:41:53He was... He could be...
00:41:55He was so disobedient.
00:41:58He started spying on the girls.
00:42:08He was 19 years old.
00:42:12What are you laughing at?
00:42:16Those girls from Omega were very special.
00:42:20And he knew it.
00:42:22Jones' criminal is watching us.
00:42:28What do you propose, Laurie?
00:42:30Let's get rid of the newbies and have fun with him.
00:42:34Good idea.
00:42:37The newbies went through a real hell.
00:42:42Then they did the same to poor Howard.
00:42:47They tried to get him drunk.
00:42:56He was so frightened.
00:42:58Finally, he struck back.
00:43:06No!
00:43:26None of them survived.
00:43:36He couldn't take it anymore.
00:43:38That was it.
00:43:40Jones was spying on one of his initiation ceremonies.
00:43:44And they decided to mess with him.
00:43:47He couldn't take it anymore.
00:43:51And his mind exploded.
00:43:53It's not exactly as Norman Rockwell describes it.
00:43:57No, not exactly.
00:43:59All right, Dr. Gilmore.
00:44:02How does it feel to be a reporter for the Barrington Boys?
00:44:05I didn't think about that.
00:44:08But I still think about all the people in the hospital.
00:44:11And about Jones.
00:44:13It's too hard on yourself.
00:44:16It's not your responsibility to take care of each patient 24 hours a day.
00:44:20Leave something for the other doctors.
00:44:23I don't trust the other doctors.
00:44:25I think something is terribly wrong with Chris Haddon.
00:44:28I know what it is.
00:44:29Really?
00:44:30Of course.
00:44:32It's...
00:44:35a conspiracy.
00:44:38They're spying on you.
00:44:40They'll get rid of you while we're sitting here talking.
00:44:43The devilish Dr. Kruger is...
00:44:46on the hook.
00:44:47He's prepared.
00:44:48He's willing to jump.
00:44:51All right, I'm sorry.
00:44:53I guess I sound a little melodramatic, don't I?
00:44:58I don't think I'm doing too well.
00:45:01I think you are.
00:45:02I'm not so sure.
00:45:04What if I'm wrong? What if he died last week?
00:45:07What if he didn't die?
00:45:09Good.
00:45:10If that's the case, I'll find Jones here in Barrington.
00:45:14Then I'm forced to offer myself as a gentleman.
00:45:17What?
00:45:18To protect you.
00:45:20It's my duty.
00:45:22I must protect you.
00:45:24Stay with you all night.
00:45:27He's very trusting, isn't he?
00:45:40Hello.
00:45:41Good morning.
00:45:42Hello.
00:45:43Good morning.
00:45:44Did you have a good time last night?
00:45:46It was wonderful.
00:45:47What would you like for breakfast?
00:45:49I'll just have coffee, thank you.
00:45:52Do you remember that murder you told us about yesterday?
00:45:55Yes.
00:45:57I can show you where it happened.
00:46:00Great.
00:46:01When?
00:46:02Right now.
00:46:03Now?
00:46:04Why not?
00:46:05All right.
00:46:07Are you coming with us?
00:46:08No, I'd rather not go.
00:46:10All right.
00:46:11Let's go.
00:46:27They used to have reunions in the cellars, but now we can't.
00:46:31Why not?
00:46:32Because of the murders.
00:46:37Where did he live?
00:46:38In the room where we keep the suitcases.
00:46:41Here it is.
00:46:57Here it is.
00:47:03The problem is that no one knows where exactly it happened.
00:47:08If you look closely, you can still find bloodstains all over the wall.
00:47:15Hey!
00:47:16What are you doing down here?
00:47:18There's no class anymore.
00:47:19Get your asses out of here.
00:47:21I'm sorry, Mr. Huckley.
00:47:22We were on our way to the warehouse to pick up the suitcases.
00:47:25We're leaving right now.
00:47:26All right.
00:47:27Get out of here.
00:47:28But don't get in where they don't want you to.
00:47:30Understood?
00:47:32Watch out for the rats.
00:47:34They get bigger and more aggressive every year.
00:47:37Rats?
00:47:38Rats?
00:47:54I didn't know it smelled so bad.
00:47:57Let's get out of here.
00:47:58Oh, shit.
00:47:59I thought omegas were sweeter.
00:48:01Immune to a smell like that?
00:48:02Impossible.
00:48:04I'm getting out of here.
00:48:05It's disgusting.
00:48:08Let's go to town.
00:48:09Do you want to come with us?
00:48:11No, thank you.
00:48:12You go ahead.
00:48:13I think I'll stay to wonder around a bit.
00:48:16I'll see you tonight?
00:48:17Sure.
00:48:18If you can find the way out.
00:48:22Goodbye.
00:48:23Goodbye.
00:48:38I'll see you tonight.
00:48:39Goodbye.
00:49:08How are you?
00:49:15How are you?
00:49:25Why don't we go outside?
00:49:30It's nicer.
00:49:33Let me go!
00:49:34Help!
00:49:35What's going on here?
00:49:36Someone's in there.
00:49:37They just grabbed me.
00:49:42What happened to the light?
00:49:46A fuse must have gone out.
00:50:07I can't see anything here.
00:50:11Damn girls.
00:50:12You always get into everything.
00:50:16Come on.
00:50:17Get out of here.
00:50:19Come on.
00:50:20Hurry.
00:50:21Damn it.
00:50:22I have things to do.
00:50:37Hello?
00:50:38Can you put me through to Dr. Anderson, please?
00:50:41From Dr. Gilmore.
00:50:43One moment, please.
00:50:46Sherry?
00:50:51Johan, how are you?
00:50:53I'm fine.
00:50:54I'm fine.
00:50:55I'm fine.
00:50:56I'm fine.
00:50:57I'm fine.
00:50:58I'm fine.
00:50:59I'm fine.
00:51:00I'm fine.
00:51:01I'm fine.
00:51:02I'm fine.
00:51:03I'm fine.
00:51:04I'm fine.
00:51:05Johan, how are you?
00:51:06Why are you calling me on your day off?
00:51:08Doctor, listen.
00:51:09I found Howard Jones.
00:51:11He's in the bar.
00:51:12I saw him.
00:51:14What did you say?
00:51:15I found Howard Jones.
00:51:16The psychopath who's supposed to be dead.
00:51:19And you saw him?
00:51:20Yes.
00:51:21He's here at Club Omega.
00:51:22If you've caught him, I'll send an ambulance.
00:51:25No.
00:51:26I was alone and I couldn't stop him.
00:51:27But I know it's him.
00:51:28Okay, Johan.
00:51:29Stay there.
00:51:30I'll send some kind of help as soon as possible.
00:51:32I can't wait.
00:51:33I don't think I've hurt anyone, but it would take three hours and it's very dangerous.
00:51:38I'm going to the sheriff's office.
00:51:39The sheriff won't be able to stop him.
00:51:41Wait for our people to arrive.
00:51:43They can do it.
00:51:44Doctor, I don't trust our people.
00:51:47Okay.
00:51:48Be careful.
00:51:56This composition is a good job.
00:51:59I'll expand it.
00:52:00Good.
00:52:03Okay.
00:52:19I have to see Mark.
00:52:20Where is he?
00:52:21Do you have my ring?
00:52:23Please, where is Mark?
00:52:25Alejo.
00:52:26Oh, Mark.
00:52:27I've seen him and he attacked me.
00:52:28King John?
00:52:29Yes, we must do something quickly.
00:52:30Have you seen Aliget?
00:52:31No.
00:52:32Do you want to come with me?
00:52:33Yes.
00:52:34Maybe he'll convince him to move his ass.
00:52:35Let's go.
00:52:41Sheriff.
00:52:42Wow, wow, wow.
00:52:44The sexy psychiatrist is back.
00:52:47Are you still looking for the psychopathic ghost?
00:52:50He's at the university and I'm afraid he's going to hurt someone.
00:52:53Have you seen that son of a bitch?
00:52:54Yes, I've seen him.
00:52:57Sheriff, there are girls on campus right now.
00:52:59If we don't do something, a tragedy will happen again.
00:53:01Don't worry, Mark.
00:53:02Don't worry.
00:53:05The doctor told me he could be dead.
00:53:08Anyway, I'm waiting for the hospital to give me information.
00:53:12But I'm telling you I saw him at the university.
00:53:15The guard was with me.
00:53:17Hackler?
00:53:18Has Hackler seen him too?
00:53:19Well, not exactly.
00:53:20He had already left when we got back.
00:53:23I don't know how, but he must have hidden somewhere.
00:53:25I understand.
00:53:27I found his identification plate.
00:53:32Oh.
00:53:33Anything else?
00:53:35Joan.
00:53:36Are you sure it was Jones?
00:53:38Look, I talked to the hospital yesterday and they told me you had never seen Jones before.
00:53:43So how do you know it was him?
00:53:45It's him.
00:53:46He probably thinks it's the girls who hurt him a long time ago.
00:53:50Have you seen him, Mark?
00:53:51No, I wasn't there.
00:53:52And doesn't it seem strange to you?
00:53:53Pick up the phone, will you?
00:53:55Speak.
00:53:57Yes, put me on.
00:53:58It's Creshaven Hospital.
00:53:59Creshaven.
00:54:01Talk to Dr. Anderson, Sheriff.
00:54:03Yes, Dr. Kruger.
00:54:04No, you must talk to Anderson.
00:54:06Hey, put me on.
00:54:07Do you hear me?
00:54:11Speak.
00:54:12Yes, Dr. Kruger.
00:54:13Did you receive my call?
00:54:15Yes, I think it was one of our ex-patients.
00:54:17Mr. Howard Jones, right?
00:54:19An ex-patient?
00:54:21Yes.
00:54:22Yes.
00:54:23Unfortunately, he died last week.
00:54:25He was under our care.
00:54:28Yes, a sad case.
00:54:30Truly sad, but without hope, I'm afraid.
00:54:34Mrs. Anderson?
00:54:36Yes, yes, she's here.
00:54:38Wait a minute, Sheriff.
00:54:39I'll put her on now.
00:54:43Yes, Sheriff.
00:54:44That's right, Howard Jones is dead.
00:54:47If you turn on your teletype,
00:54:48we'll send you the death certificate right now.
00:54:58It's the best news since the mayor died.
00:55:01I don't care what they say.
00:55:03You don't understand.
00:55:04They're hiding something.
00:55:06Listen to me.
00:55:07Did you want proof that Jones is dead?
00:55:09Well, Dr. Anderson is pleasing her.
00:55:13I'm glad that madman isn't loose around here.
00:55:18He's around here, Sheriff.
00:55:21Look, miss.
00:55:22Forget it.
00:55:23I don't want any more problems.
00:55:26Listen.
00:55:27Dr. Anderson from Cresthaven,
00:55:29the person you wanted to talk to...
00:55:31No, I mean, the person you forced me to talk to,
00:55:34said he was dead.
00:55:37Well, here's his damn certificate.
00:55:41And here's Dr. Anderson's signature.
00:55:45That's enough for me.
00:55:47You're right.
00:55:48What a mistake.
00:55:50It can't be Jones.
00:55:51It's Jones.
00:55:52He's at the university.
00:55:54And it's dangerous.
00:55:55I'm going back there.
00:55:57Wait a minute.
00:55:58Let's talk first.
00:55:59Forget it.
00:56:00Yeah, forget it.
00:56:01Why don't you just get the fuck out of here
00:56:03and let me eat in peace, huh?
00:56:07Just because the goddamn broad is so good-looking
00:56:09don't mean we all have to think with our dicks.
00:56:12Huh?
00:56:13Right?
00:56:19Let's see if we can settle this once and for all.
00:56:23I hope so.
00:56:26We have to bring Jesse and Virgil here immediately.
00:56:30Why?
00:56:32Because they know him pretty well
00:56:34and have the right means to deal with him.
00:56:37They've forced us to certify the death of Howard Jones.
00:56:41What would happen if they found him alive?
00:56:45You're not suggesting we kill him, are you?
00:56:49Kruger.
00:56:50I want you to find Jesse right now
00:56:53and send him to the hospital as soon as possible.
00:56:55Do you understand?
00:57:01What are you suggesting?
00:57:03Do you understand?
00:57:09Jesse.
00:57:14Take his medication.
00:57:16They know him pretty well.
00:57:18Don't let anyone suspect anything.
00:57:19I don't want any trouble.
00:57:21We want him back.
00:57:22And it's very important that no one finds out.
00:57:25Dr. Gilmore too?
00:57:29Yes.
00:57:41Joan, at least you want to talk to me.
00:57:43Tell me why you haven't supported me.
00:57:45What did you want me to do after seeing the certificate?
00:57:48I don't know.
00:57:49I was just hoping you'd trust me more.
00:57:52I'm here, aren't I?
00:57:53You haven't been very convincing in there.
00:57:58Wait a minute.
00:58:04Do you believe me now?
00:58:09A prick.
00:58:11This proves it.
00:58:16All right.
00:58:17You win.
00:58:20But we won't say anything until we know more.
00:58:23There's no need to scare the girls for no reason.
00:58:27All right.
00:58:28I'll agree as long as I know they're safe.
00:58:39Hi, girls.
00:58:40Hi.
00:58:41This is Mark.
00:58:42So this is Mark.
00:58:44Hi, Mark.
00:58:45Hi.
00:58:46Those idiots destroyed the wheels of my car.
00:58:48What idiots?
00:58:49You know, those guys from the Summit College.
00:58:52It's their way of having fun.
00:58:54Wait till they get here.
00:58:55They'll have a lot of fun.
00:58:57Will you be quiet?
00:58:58They've just messed up all my holidays.
00:59:01I had to leave an hour ago and the trip lasts five.
00:59:04What a way to start a vacation.
00:59:06Have you called the police?
00:59:07No phone.
00:59:08They cut the lines.
00:59:09And Mrs. Collins, her phone doesn't work?
00:59:12Mrs. Collins is not at home.
00:59:14She always leaves the house closed.
00:59:16I know it's going to be a nuisance, but I just want to get out of here.
00:59:20Could you leave me near the lake?
00:59:22It's a couple of miles down the road and my sister and her boyfriend are camping there.
00:59:26They can take me with them in the morning.
00:59:29Excuse us for a moment.
00:59:31Joan.
00:59:36Where would I find a guy like that?
00:59:38I want to get out of here.
00:59:40I can't take it anymore.
00:59:41What do you want to do?
00:59:43We have no reason to worry you.
00:59:45What if they did?
00:59:47Well...
00:59:49I don't know, we can't all go in your car.
00:59:53I won't leave them alone.
00:59:55All right, all right.
00:59:56Let's see what you think.
00:59:58My house is in the lake.
01:00:00I'll leave Jane there.
01:00:02I'll call a mechanic from my house and I'll be back in half an hour.
01:00:08All right.
01:00:11Really?
01:00:12All right, girls, listen.
01:00:14It may seem like a joke,
01:00:16but to be sure, I want you to lock yourselves in the house.
01:00:19I'll take Jane and I'll be right back.
01:00:22All right.
01:00:23You can call George's gas station and ask him to come and fix the wheels.
01:00:28Goodbye, girls.
01:00:29Goodbye.
01:00:30Goodbye.
01:00:31We'll see you around.
01:00:33All right.
01:00:34Let's lock up.
01:00:35I'm going upstairs to get changed and I'll be down in a minute.
01:00:38All right.
01:00:39Let's lock up, then.
01:00:40As you wish.
01:00:55Oh, my God.
01:00:56What's going on?
01:00:58Stay in the car.
01:01:00My sisters!
01:01:01Jane!
01:01:02What happened?
01:01:03Get back in the car!
01:01:04Stay there!
01:01:06Stay there!
01:01:07Stay back there!
01:01:08Jane, stay there!
01:01:09Where are they?
01:01:11Paul! Susan!
01:01:12What happened?
01:01:13Please!
01:01:14Damn it! Get back there!
01:01:16Susan!
01:01:19Paul, what happened?
01:01:21Where are they?
01:01:30Oh, my God!
01:01:32Susan!
01:01:35Get back!
01:01:36Susan!
01:01:37Susan!
01:01:38Oh, no!
01:01:39Guys!
01:01:40Oh, my God.
01:01:41Susan!
01:01:42We gotta help her!
01:01:43We gotta help her!
01:01:44Oh, my God!
01:01:45Susan, no!
01:01:46Come on!
01:01:47Get out of here!
01:01:48Susan, no!
01:01:49We gotta help her!
01:02:07Come on, Liggett, get off the goddamn phone!
01:02:33Jane, I want you to do something for me.
01:02:36I'm going back to the boarding school, you understand?
01:02:38You have to call the sheriff.
01:02:40Can you do it?
01:02:42For the love of God, Jane, you have to help me!
01:02:45Here's the sheriff's number.
01:02:47Tell him what happened at the camp.
01:02:49Tell him I'm going to the boarding school right now.
01:02:51Tell him to go there as soon as possible.
01:02:54Can you do it?
01:02:55Yes.
01:02:57Call him.
01:02:59Until he answers, okay?
01:03:01Yes.
01:03:06Oh, God.
01:03:08Oh, God.
01:03:10Oh, God.
01:03:20It's not his car.
01:03:22Bingo, Virgil.
01:03:24Let's have fun.
01:03:36For her.
01:04:00You know, I think you're exaggerating with all that.
01:04:03I mean...
01:04:05The boys at the university are always making jokes like that.
01:04:09They enjoy scaring us.
01:04:13Has someone locked the basement door?
01:04:15Why?
01:04:16The boys don't know the basement tunnel.
01:04:18And even if they did, they couldn't get in through there.
01:04:21Oh, my God.
01:04:35Oh, my God.
01:04:42It's back there.
01:04:52No.
01:04:56No.
01:04:58Stop.
01:05:00Go to hell.
01:05:03Don't move.
01:05:05Don't move.
01:05:07Oh, God.
01:05:08I'm so unlucky today.
01:05:32Don't move.
01:05:57Don't move.
01:06:00John.
01:06:02They're going to kill me.
01:06:04John, come here.
01:06:06They're going to kill me.
01:06:08John.
01:06:10They're going to kill me.
01:06:17Shady.
01:06:19Pam.
01:06:30Pam.
01:06:39You idiots.
01:06:40You're crazy.
01:06:41You almost killed me.
01:06:43I'm sorry, sir.
01:06:44We're from the hospital.
01:06:45Chris Harper.
01:06:46They're from the hospital.
01:06:47Thank God.
01:06:48She was right.
01:06:49John's here.
01:06:50He's dangerous.
01:06:51We have to get him.
01:06:52Look, sir.
01:06:53We're just looking for Dr. Gilmore.
01:06:54You don't understand.
01:06:55He could kill someone if he didn't...
01:06:57Bring me my things.
01:06:58I'm going to look for them.
01:07:17Dr. Gilmore.
01:07:20We want to talk to you.
01:07:22John's here.
01:07:24He's already killed two people.
01:07:25Help me.
01:07:26Of course.
01:07:29Dr. Gilmore.
01:07:31Come with me, my dear.
01:07:34Don't be afraid.
01:07:36No.
01:07:37Take her.
01:07:49Come on, doctor.
01:07:51Let's go.
01:07:54Jesse.
01:07:55Take her.
01:08:02All right, doc.
01:08:05I'm going to shoot some thoracil right up your ass.
01:08:09Messiah and mighty.
01:08:11Turn you into a dumb piece of meat.
01:08:15Our meat.
01:08:18He's got the door locked.
01:08:22Damn it.
01:08:23I'm going to fix that bitch.
01:08:35No.
01:08:39No.
01:08:47No.
01:08:53No.
01:09:17No.
01:09:48Jesse.
01:09:49Jesse.
01:09:50Jesse.
01:09:51Jesse.
01:09:52Jesse.
01:09:53Hey.
01:09:54Let's go.
01:09:55Let's go.
01:09:56They're getting away.
01:09:57All right.
01:09:58Let's go.
01:09:59All right.
01:10:00Let's go.
01:10:01Let's go.
01:10:17They've come through here.
01:10:21The rest of the house is locked.
01:10:26Yes.
01:10:39Shh.
01:10:40On the other side.
01:10:43On the other side.
01:10:46On the other side.
01:10:48On the other side.
01:10:59Nothing.
01:11:02Yes, down there.
01:11:16It's him. Watch him.
01:11:37This way.
01:11:46It's him.
01:12:07Wow!
01:12:09Look who we have here.
01:12:12All wrapped like a Christmas present.
01:12:16Be careful, Jesse. Jones is here too.
01:12:24Hello, Dr. Gilmore.
01:12:27I have something that will surely delight you.
01:12:34Urge!
01:12:36Jones!
01:12:41Jesse, the cattle pup!
01:12:47Dumb son of a bitch, almost killed me!
01:12:49That's enough. That's enough, Jesse!
01:12:57Hey.
01:12:59I came to save you, Doc.
01:13:02I came to save you, Doc.
01:13:05To bring you home.
01:13:08Home to what, Al?
01:13:11Home forever.
01:13:13You don't live in debt now.
01:13:20Shit, Virgil, I can't see a goddamn thing.
01:13:23Turn on the light, you moron.
01:13:25Come on, you do it for me. I'll owe you a big one.
01:13:29Don't bruise her too much.
01:13:34I don't want you to worry.
01:13:39Don't worry.
01:13:41Don't worry.
01:13:46You won't be lonely.
01:13:48What the hell?
01:13:50You're gonna get lots of special attention.
01:13:52Special attention?
01:13:55Yeah, that's it.
01:13:56The motion of the ocean.
01:14:02Jesse!
01:14:22Jesse!
01:14:52Jesse!
01:15:22Jesse!
01:15:52Ah!
01:16:22Fuck.
01:16:52Fuck.
01:16:53Fuck.
01:16:54Fuck.
01:16:55Fuck.
01:16:56Fuck.
01:16:57Fuck.
01:16:58Fuck.
01:16:59Fuck.
01:17:00Fuck.
01:17:01Fuck.
01:17:02Fuck.
01:17:03Fuck.
01:17:04Fuck.
01:17:05Fuck.
01:17:06Fuck.
01:17:07Fuck.
01:17:08Fuck.
01:17:09Fuck.
01:17:10Fuck.
01:17:11Fuck.
01:17:12Fuck.
01:17:13Fuck.
01:17:14Fuck.
01:17:15Fuck.
01:17:16Fuck.
01:17:17Fuck.
01:17:18Fuck.
01:17:19Fuck.
01:17:20Fuck.
01:17:29No!
01:17:30No!
01:17:50Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh
01:18:20shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh
01:18:50shh, shh
01:18:52shh
01:18:53shh
01:18:56shh
01:18:58shh
01:19:00shhh
01:19:01oh
01:19:10um
01:19:11♪♪
01:19:18♪♪
01:19:26♪♪
01:19:34♪♪
01:19:44♪♪
01:19:54♪♪
01:20:04♪♪
01:20:14♪♪
01:20:24♪♪
01:20:35♪♪
01:20:45♪♪
01:20:55♪♪
01:21:05♪♪
01:21:15♪♪
01:21:25♪♪
01:21:35♪♪
01:21:45♪♪
01:21:54George!
01:21:55Oh, no! No!
01:21:57♪♪
01:22:09Socorro!
01:22:11♪♪
01:22:15Francis.
01:22:18Oh.
01:22:21Francis.
01:22:23Perdóname.
01:22:25♪♪
01:22:29No!
01:22:31No!
01:22:33No!
01:22:35No!
01:22:37Rameras!
01:22:39¡Tú! ¡Tú y todas!
01:22:42¿Por qué has matado a mi hijo?
01:22:45¡Rameras! ¡Zorras!
01:22:48¡Tú! ¡Tú, zorraza!
01:22:53¡Jajaja!
01:22:55¡Dejad en paz a mi hijo!
01:22:59¡Dejad a mi hijo tranquilo, Rameras!
01:23:02¡Sois unas zorras!
01:23:04♪♪
01:23:07Y así la historia se repite de nuevo con el descubrimiento de 11 cuerpos brutalmente asesinados.
01:23:13La tragedia ha ocurrido otra vez en el pequeño pueblo de Barrington, Nueva York, 17 años después del Domingo Óscar.
01:23:20Cuando ocurrió semejante tragedia, las chicas del Delta Omega...
01:23:24...con aquel terrible suceso que ocurrió al norte de la ciudad.
01:23:27¿De acuerdo? ¿Tiene usted razón?
01:23:29Además, ante la opinión pública, ni usted reconoce ese hecho de una forma...
01:23:32Un momento, pero tengo que dejarla. Tengo que dejarla.
01:23:35Sherry Bliggett, un momento más, por favor.
01:23:42Reconozco que en su momento detuve a la persona equivocada.
01:23:46Howard Francis Jones era su hijo.
01:23:49La señora Collins mató a las chicas hace 20 años.
01:23:55Ella me contó todo lo ocurrido entonces.
01:23:58El chico era ilegítimo.
01:24:02Tuvo al niño en secreto y sola.
01:24:04Le dio sus afecidos.
01:24:07Y luego le consiguió un trabajo en el campus, así podía vigilarlo.
01:24:10Siendo mudo, no podía defenderse.
01:24:14Yo no diría eso, Mark.
01:24:18A raíz de este suceso, la administración del hospital de Cresshaven...
01:24:22...ha sido suspendida, pendiente de una investigación criminal.
01:24:26Aquí Ralph Miller, cadena KTN.
01:24:29Devolvemos la conexión.
01:24:35Así que te marchas, ¿eh?
01:24:37¿No te dejas nada?
01:24:39Mark, tengo que volver.
01:24:41Oh, casi me olvidaba del anillo.
01:24:47Bueno, tendrás que venir a Nueva York a buscarlo.
01:24:50No, lo que voy a hacer es volver a mi oficina como un profesional y trabajar.
01:24:54Es la historia más sensacional ocurrida aquí en 20 años.
01:24:58¡Al diablo con eso!
01:25:20Subtítulos realizados por la comunidad de Amara.org
01:25:50© AMARA.ORG
01:26:20© AMARA.ORG
01:26:50© AMARA.ORG
01:27:20© AMARA.ORG
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