Category
🎥
Short filmTranscript
00:00♪♪
00:06Tell me, Mom.
00:07Ah, Sanem.
00:08How are you, dear?
00:10Fine, Mom.
00:11I'm going to work.
00:12Well, listen.
00:13Don't sit in front of the air conditioner.
00:15You know it's not good.
00:16Thank you, Mom.
00:17It looks delicious.
00:18You can catch a cold.
00:19We'll talk later.
00:20Yes, Mom.
00:21Don't worry.
00:22Hello, Mrs. McVeigh.
00:23How are you?
00:24Ah, Mr. Jan.
00:25Good morning.
00:26Sanem, how are you?
00:27JJ, what are you doing at my parents' house?
00:29Ah, it's a long story.
00:32I think it would be better to hang up the phone
00:34out of respect for the rest of us.
00:36It's true.
00:37You're right.
00:38Goodbye, dear.
00:40Are we leaving?
00:43I'm not going with you.
00:44I'm going in a taxi.
00:45A taxi?
00:46And why?
00:47It's just that you forgot everything.
00:49I don't know who I am to you.
00:51And since we work together,
00:52I don't think it's appropriate for my boss
00:54to take me to work every day.
00:56Did you get up in a bad mood?
00:58No, not at all.
01:00Stay alone and listen to your heart.
01:03You need it.
01:05Do you usually get up like this
01:07or is this your morning mood?
01:10Because that wasn't in the book.
01:12That wasn't funny.
01:15Hello?
01:17Good morning.
01:18Can you send me a taxi to Mrs. Mirivan's farm?
01:22What do you mean no?
01:27Okay, I'll wait.
01:31What?
01:33Okay, thanks.
01:36Get in the car.
01:38No, you get in first.
01:42Okay, me first.
01:58Why don't you understand my problem?
02:00Someone has to answer the phone in the office
02:02and that's you.
02:03So if you don't like your job, I'm sorry.
02:06Calm down, Dere.
02:07You don't have to yell at me.
02:09But why are you talking so loud?
02:11I remind you that I am a shareholder of this company.
02:13I was hoping to have an office
02:15and you tell me to be a receptionist
02:17and take the phone.
02:18Do you think that's normal?
02:19You're not doing anything.
02:20The truth is that you have no initiative.
02:22That vase is more productive than you,
02:24so you're going to answer the phone and period.
02:27Listen, I told you not to yell at me
02:29because you're still doing it.
02:30I'm thinking about JJ and don't bother me.
02:32I don't feel like arguing.
02:34Good morning.
02:35Good morning.
02:36Good morning.
02:37Good morning, people.
02:38How are you?
02:39Good morning.
02:40How are you?
02:41Good morning.
02:42Good morning.
02:43Good morning.
02:44Why have you come together?
02:45Because today I have decided to close a chapter
02:47in my friendly life.
02:48Now I live with Sanem's parents.
02:50I hope you're calmer.
02:52I see.
02:53It seems that now I understand all this.
02:55Listen.
02:56That's right.
02:57Don't mix your private life with work
02:59or I won't have a choice but to fire you.
03:01Musa, if you're not going to answer the phone,
03:03at least look for someone.
03:04Yes, that's it.
03:05There's no need.
03:06I'll take care of it.
03:07Don't make Musa make a mistake.
03:08JJ, you break my heart.
03:09Good morning.
03:10Good morning.
03:11You do that?
03:12Quietly you look more beautiful.
03:13You hurt my feelings.
03:14Hello, good morning.
03:15Good morning.
03:16Good morning.
03:17Hey, we thought we should look for a new receptionist.
03:20Yes, of course.
03:21We need one.
03:22We need to make a meeting.
03:23What?
03:24What's going on?
03:25If you had listened to us for two minutes,
03:27you would know.
03:28We need to call a meeting urgently.
03:30We'll solve it.
03:31Don't worry.
03:32Let's go to the meeting room.
03:34Okay.
03:35We have to make a meeting.
03:37Yes.
03:38And where are you going?
03:39We are shareholders,
03:40so we have to be at the meeting.
03:42Let us pass, Cleopatra.
03:44I agree with this guy.
03:46Listen.
03:47Today we have enough problems.
03:49I don't want any more.
03:51Go put the ad to look for the receptionist.
03:54Yes.
03:55Hurry up.
03:56Move.
03:57I'm going crazy.
04:00Did you hear how he yelled at me?
04:01Hey, I don't use sticks.
04:02I have fish ears.
04:05Artur Capello?
04:07Where did you get the idea?
04:08I don't know.
04:09It was the first thing that came to mind.
04:11He was about to leave.
04:12In short, Mrs. Sim thinks we're going to work with Director Artur Capello,
04:16but he doesn't really exist.
04:19Let's do this.
04:21Deren calls Mrs. Sim and organizes a meeting.
04:24Tell her it's about the director.
04:26What?
04:27Let's go and tell her that we couldn't reach an agreement with him,
04:30that he asked for a lot of money, and so we got rid of the issue.
04:36It's already solved.
04:38Okay.
04:39I'll call him right away.
04:40Good.
04:42I'd like to talk to you alone for a moment, if you'll excuse us.
04:45Now you want me to leave?
04:47Yes.
04:49Let's go.
04:50This is between brothers.
04:52Sit down.
04:57Look, Jan.
04:58Yesterday Leila was up to it and knew how to manage the situation.
05:01I think it's unfair that she's still my secretary.
05:03She deserves a better position, if you agree.
05:05We promote her to account executive.
05:07Do you agree?
05:09If we have that campaign, it's thanks to Leila.
05:11So...
05:13Yes, I agree.
05:16She's going to feel very motivated.
05:19Zanem, I couldn't ask you.
05:20You ran out of the cabin.
05:22Where did you go?
05:24No, it's nothing important.
05:25Forget it.
05:27But if I know you, something's wrong with you.
05:29Tell me.
05:30Well, you'll see.
05:31The evil king is back.
05:35Let's see, pay attention.
05:36I have an announcement to make.
05:38The evil king will speak.
05:43Listen, everyone.
05:45If we have this campaign, it's basically thanks to Leila.
05:49Over the years, she has gained a lot of experience,
05:51so if she agrees,
05:53we promote her to account executive.
05:56Congratulations.
05:57Congratulations, Leila.
05:58What a great job.
05:59You deserve it.
06:01Good job.
06:02Excellent.
06:05Thank you very much.
06:07No, thank you.
06:08You deserve it, Leila.
06:11Yes, excuse me.
06:12Mr. Yan, Mr. Yan.
06:13I also want to have a position of more responsibility.
06:16If you could consider my situation, it would be great.
06:19Of course, JJ.
06:20Thank you, super friend.
06:23What are you doing?
06:24I just talked to Mr. Asim's assistant.
06:27He told me he had to go on a trip urgently,
06:29but he'll take care of his brother in an hour.
06:33Shall we go, Zanem?
06:34Sure.
06:35Congratulations, Leila and JJ.
06:37Maybe they'll take care of you too.
06:38Yes, let's hope so.
06:41Congratulations to you too.
06:48Don't go this way.
06:49Let's go along the coast.
06:50No way.
06:51Forget it.
06:52This way is better.
06:53Really?
06:54Yes, that's right.
06:55Asim again.
06:56Another meeting with him.
06:57Again you ask me to go along the coast.
06:59And I'm sure we'll take twice as long.
07:01Forget it.
07:02Let's go this way.
07:03But if you take that road, we'll find a jam.
07:05My navigator says so.
07:07No, trust my intuition.
07:08I'm going to go down the road I know.
07:10You can go down and take a taxi.
07:12I won't stop you.
07:14Very good, Yandivid.
07:15You know the traffic very well.
07:17And you don't mind the jam?
07:18Go ahead.
07:19Yes, I'm going to go down the road I know.
07:22Make it clear.
07:37You told me to go down and take a taxi.
07:39I didn't do it.
07:40Just for education.
07:42Sanem, I'm already pretty tense because of the traffic.
07:44Don't overwhelm me anymore.
07:47If you had listened to me, we wouldn't be stuck here.
07:50I'm warning you, Yandivid.
07:52Yes, that's true.
07:54We couldn't make it to the first meeting
07:56and we had to lie so that they would invite us again.
07:59Now what are we going to do?
08:00Make up another lie?
08:01We're halfway there.
08:02Who knows when we'll get to the meeting.
08:05It's not that bad.
08:06You wanted us to spend more time together, right?
08:08Well, look, this is a great opportunity.
08:15Hey, wait.
08:16Tell me, beautiful.
08:17What are you doing, Sanem?
08:18Where are you going?
08:19To Khadikov.
08:20Can you take me to Oscudar?
08:22I'm not going there.
08:24Sanem, what are you doing?
08:25What's wrong with you?
08:26Solving the problem.
08:27That's what I do.
08:29Come on, get in.
08:30Sanem, are you going to leave?
08:32That easy.
08:33Don't be silly, Sanem.
08:34Very easy.
08:35It can't be.
08:36This girl is not only crazy, she's completely crazy.
08:44Sanem, hey!
08:45It's better to have a motorcycle than a last model car.
08:48To one side.
08:49I have to go.
08:53That's it.
08:58Ah, it's there.
08:59It's that house.
09:00It's that house.
09:01It's that house.
09:02It's that house.
09:03It's that house.
09:04It's that one.
09:05Right there.
09:06Oh, I'm going to get off.
09:10Oh, I appreciate it.
09:15Oh, my leg fell asleep.
09:16No, it's nothing.
09:18Well, this is for you.
09:19Very good, thank you.
09:21See you later.
09:29What's up?
09:30Sanem, I called you several times.
09:31Why don't you answer?
09:33Well, because I was on the motorcycle.
09:36Oh, yes, it's true.
09:37If you answer, it's because you're sure you're here.
09:39Yes, and where are you?
09:41Coming.
09:42I'll be there in 20 or 25 minutes.
09:44Well, in 25 minutes exactly.
09:47Entertain me a little more while I get there.
09:49How am I going to entertain you for half an hour?
09:51You can think of something.
09:52You can.
09:53Wait.
09:54Don't you trust me?
09:55Don't you think I can talk to that man alone?
09:57No, no, no.
09:58I didn't mean to say that.
09:59Well, you're insinuating it.
10:01But what are you saying?
10:02I'm the director of the agency.
10:03Or at least that's what they tell me.
10:05I have to be at the meeting, don't you think?
10:07Stop it, Jan.
10:08It's okay.
10:09I'll entertain you as best I can.
10:10Now, if you'll excuse me, I'm going to hang up.
10:12Why don't you want to be late?
10:23Guman Art.
10:26And then Mr. Jan's car broke down.
10:28And he had to call the crane in the middle of the traffic.
10:31And of course, not to make you wait,
10:33I decided to take a taxi and I came here.
10:36But don't worry, Mr. Jan will be here soon.
10:38Miss, you've told me several times.
10:40I understand the situation.
10:41But I have another meeting later,
10:43so let's start with Mr. Jan, please.
10:45Really?
10:46First of all, my niece Aisha,
10:48who runs the advertising department,
10:50will be in charge of this campaign, okay?
10:52Very well.
10:53I have a question.
10:54What happened to that foreign director?
10:56Because I understood that they wanted to work with him specifically.
11:02He has a lot of talent.
11:04It's amazing.
11:05The success chases him.
11:06He's a very good director.
11:07And his fees are very high.
11:09I can imagine.
11:10You know, famous directors.
11:12And how much is he asking for?
11:17I can't tell you.
11:20I'll write it down.
11:27I'm still writing.
11:28I'm writing.
11:31Is it going to stop?
11:33Not yet.
11:36To give you an idea,
11:38this is the amount.
11:45In euros?
11:47In euros?
11:48No, dollars.
11:50It's a lot.
11:51Correct.
11:52Besides,
11:54I can't bother my brother
11:55the first day he leaves me in front.
11:57So,
11:58I'll tell you what we're going to do.
12:00I'll pay myself
12:02that amount in my pocket.
12:03What?
12:05No, wait.
12:06How are you going to pay that?
12:07What's wrong? Isn't that what you asked for?
12:09Well, ready.
12:10Yes, but ...
12:11But what?
12:13Arthur is a very important director.
12:15Since he asked us so much money,
12:16we didn't insist.
12:17And it turns out that now he is very busy.
12:19I don't know if he will have time
12:20to do our campaign.
12:21Miss Sanem,
12:22with that money you can convince him.
12:24His agency is well known
12:25and the sum is very quantitative.
12:26It's decided.
12:27Don't talk anymore.
12:28Sure, sure.
12:29I'm sure the money will convince him.
12:30But I'm not very sure about something.
12:32Wait.
12:33Do you want to show him the figure?
12:34Yes, I already told you.
12:35I'll pay him.
12:36I'm sorry.
12:37How are you?
12:38Hello.
12:39How are you?
12:40Sanem will have explained the situation to you.
12:41It's okay.
12:42Everything has been resolved.
12:43You will work with the director you want.
12:46Excellent day.
12:50What are you talking about?
12:52They are millionaires, Jan.
12:54They have a lot of money.
12:55They are very rich.
12:56Goodbye.
13:06You just had to tell a simple lie, Sanem.
13:08How did you get me in this mess?
13:10I can't believe it.
13:11And how am I going to know?
13:12If he said he was willing to pay that amount,
13:15what could I do?
13:16You could make up another lie.
13:18You're an expert, aren't you?
13:19If you listened to me,
13:20instead of complaining,
13:21you would have arrived on time for the meeting.
13:24And now what do we do?
13:25Tell me what we do.
13:26If you want, we go back to the coast,
13:28and maybe a miracle happens
13:29and we find Arthur Capello.
13:32Arthur Capello.
13:33Capello, Capello, Capello.
13:34What else?
13:35That guy doesn't exist.
13:36Don't talk to me like that, Jan.
13:37I swear you're going to drive me crazy.
13:39Yes, you wrote it in your book.
13:41Not in that sense.
13:42I mean, you're stressing me out.
13:43Come on, come on.
13:44Look who's talking.
13:46My novel is a love story,
13:47an authentic one,
13:48and I assure you
13:49that you were also crazy about me.
13:51You can't imagine how much you were in love
13:53with me.
13:55Deren calling.
14:00Deren, are you on speaker?
14:01How was the meeting?
14:03Fantastic.
14:04Sanem has a surprise for you.
14:05We'll get in the car and she'll explain it to you.
14:13I don't like lies
14:14and I don't like hiding things from people,
14:16but there's no other way.
14:19Let's think of something
14:21for Arthur Capello.
14:23We said he had experience,
14:24so he'll be about 70 years old.
14:26Where is this Arthur from?
14:28Iraqi.
14:29No, it's English from Spanish parents.
14:30The Iraqi thing was invented by J.J.,
14:32but actually Mr. Capello is Spanish
14:34and lives in England.
14:36Perfect.
14:37Very good.
14:38Bravo.
14:39Bravo.
14:40Let's see.
14:4270 years and intellectual.
14:45Does he speak English and Spanish?
14:47That's right.
14:48Of course.
14:50We'll have to find an unknown actor.
14:52Then start calling the casting agencies.
14:55There's another problem.
14:56If it's about such a famous director
14:58who's had so much success,
15:00we'll have to create a website.
15:02I'll take care of that, friend Jan.
15:04Oh yeah?
15:05How are you going to do it?
15:06He said create a website.
15:07No instructions to make coffee?
15:09Shut up, Mediche.
15:11Enough.
15:12We'll take care of it.
15:13You don't know how to create websites either.
15:15Em recognized a hacker
15:17who worked with Aileen.
15:18Remember?
15:19He said Aileen.
15:20He named Aileen.
15:21Yes, I remember.
15:22How could I forget?
15:23Good.
15:24We'll have to find him.
15:25All right.
15:26I'll take care of that.
15:27Well, then.
15:28See you later.
15:29We'll find the actor.
15:32J.J., you wanted more responsibility, right?
15:35Help us with the casting.
15:36Go get a laptop.
15:37Of course, friend.
15:38And?
15:39I'm going to work at that table.
15:42And that?
15:44What?
15:46Well, I don't want to bother you, Mr. Jan.
15:48And besides, everything stings me.
15:50Do you have an allergy?
15:51Well, no.
15:52Not in that sense.
15:53Oh, but what's wrong with you?
15:55It's a metaphor.
15:56A metaphor?
15:57Uh, he doesn't want company.
15:59Nothing to do with the allergy.
16:01Oh, it stings me too.
16:02Although it's just a little.
16:03No, it's not true.
16:04It's just a metaphor.
16:08What do you think of that one over there?
16:10I see him well.
16:11Yes, it may be that he works.
16:13What's wrong with you?
16:14Oh, calm down.
16:19Okay.
16:23I'm going to write down the number of that agency.
16:28Listen to me.
16:29Look for Neme in the depths of your heart.
16:32And even if you don't find her,
16:35Never ever let go of her hand.
16:55I don't remember her.
16:56And I understand it's because of that accident.
17:00But why don't I feel anything?
17:02I don't understand.
17:04I don't understand.
17:05I don't understand.
17:06I don't understand.
17:07I don't understand.
17:08I don't understand.
17:09I don't understand.
17:10I don't understand.
17:11I don't understand.
17:12I don't understand.
17:13I don't understand.
17:14I don't understand.
17:15I don't understand.
17:16I don't understand.
17:17I don't understand.
17:18I don't understand.
17:19I don't understand.
17:20I don't understand.
17:21I don't understand.
17:22I don't understand.
17:23I don't understand.
17:24I don't understand.
17:25I don't understand.
17:26I don't understand.
17:27I don't understand.
17:28I don't understand.
17:29I don't understand.
17:30I don't understand.
17:31I don't understand.
17:32I don't understand.
17:34I don't understand.
17:35I don't understand.
17:36No normal.
17:37I don't understand.
17:38I don't understand.
17:39I don't understand.
17:40I don't understand.
17:43At last!
17:44Of course!
17:46It's Arthur Capelo!
17:48There he is!
17:49Here he is!
17:50Let me see.
17:51His name is Arthur.
17:54Yeah.
17:55I think this is great.
17:57It's perfect.
17:58Yes it would fit.
18:01Bravo Zanem.
18:02I get it. Oh, man, I thought that that row he didn't English fluido por que vivió varios años en, Inglaterra
18:11Jamemos a su agencia
18:14Ya lo hice esta trabajando en una obra de teatro el viejo y el mal pues podemos ir a verla
18:20está bien acepta
18:22algo más
18:23Toma mi bolsa y ahora
18:25De la llama en re y averigua como van muy bien ahora mismo le llamo
18:31El teatro es para mí una forma de vida
18:34se van resolviendo los problemas que maravilla pero una vez más no cuentan con nosotros se reúnen y deciden pero nosotros quedamos fuera
18:41porque te preguntarían a ti tu opinión es
18:44intrascendente pero no entiendo por qué no cuentan conmigo soy un veterano en esta empresa
18:48veterano si encontramos a un actor de 70 años ese si es veterano tienes idea de cuántos años tengo musa mi pueblo es un sitio
18:55particular bueno pero no estamos hablando de eso
19:00No
19:11No me parece que la obra tenga mucho éxito es que es verano es normal
19:18si claro supongo que la gente está de vacaciones
19:22los artistas le ponen mucha pasión a su trabajo
19:25pero claro esas cosas no van con usted señor
19:30señor gianotra vez y como le llamo
19:35Sanam que pasa quieres decirme algo y no te atreves
19:48Hola capitán hola
19:50háblenos del olor del mar el mar es nuestra madre grande y generoso
19:55háblenos del idioma del mar llévenos a él a su belleza
20:00y a su camino
20:05Si este mar esta unión esta conexión es o es lo que nos acercará siempre
20:12Sí
20:27Sí bravo san eme encontramos a artur capello bueno lo encontraste tú eres la mejor
20:34Te dicen dos palabras amables y se te olvida todo que rápido te convence chica
20:40Si tienes razón por supuesto que la tengo solucionaste el problema solo hago mi trabajo señor ya
20:58Buenas tardes buenas tardes que tal somos de la agencia fi criárica podemos ver al señor ayati claro que si estará encantado
21:06estupendo por aquí
21:11Muchas gracias chicos gracias por venir ha sido un placer pues diles que pasen
21:24Hola felicidades gracias que tal señor ayati estuvo maravilloso tengo la piel de gallina una gran interpretación que realismo muchas gracias señorita
21:34es un halago
21:36disculpe
21:40Ahora si díganle yo soy yan director de la agencia son ms del equipo creativo encantado es un placer para mí
21:47nos gustaría ofrecerle un papel
21:49de verdad
21:51Pues que alegría mi último papel fue la serie la granja interpretada al mayordomo
21:57en un papel largo pero lo tuve que dejar por un accidente un caballo me dio una patada fuerte
22:02Ay lamento escuchar eso. Si fue una pena desde entonces no me han salido más papeles en la tele
22:08Es un anillo
22:11No
22:13Digamos que interpretará a un protagonista no me diga bien me parece estupendo
22:22Si es que me puse un poco nervioso
22:28Interpretará el papel de un director extranjero
22:33Si habla inglés con fluidez verdad
22:37Si por supuesto por supuesto que si es un papel perfecto para mí si claro es una oportunidad excelente que suerte
22:47Señor jayati si quiere ver a un poco más de agua termine el vaso estoy bien cálmate
22:59Sanem llama a una ambulancia actúa esto no es actuación mira
23:04no está respirando puede que sea un infarto
23:07Entiendo
23:12Hola emergencias
23:14Así es un hombre desmayado el señor ayati como que no es un actor famoso
23:20Sanem no pienso darle respiración de boca a boca los dos tenemos barba el boca a boca yan
23:26De esa prisa y manda una ambulancia nada que es urgente
23:29Está bien lo haré pero pensaré en alguien más
23:32Es
23:35Increíble mira que desmayarse por cierto que bueno que lo acompañamos al hospital
23:41Claro que otra cosa podíamos hacer
23:44Le dio un infarto no podíamos dejarlo ahí tirado por suerte sigue con vida cuando se recupere le ofrecemos hacer un anuncio para que
23:51Podemos ayudarlo no necesita está pasando una mala racha estoy de acuerdo tenemos que ayudar a ese pobre hombre
23:58En cierto modo me siento algo responsable
24:01Me pasa igual
24:06Haré un bocadillo quieres
24:08Si buena idea voy a prepararte déjame ayudarte excelente idea si tú quieres el té está aquí verdad si toma lo que necesites
24:31Sí
24:47Aunque no recuerde nada del amor que sentíamos creo que
24:51Lo entiendo de verdad y eso
24:56Si me has mirado así durante dos años
24:59tiene que haberme afectado
25:01y
25:32A
25:33Ver sanemi que fueras un helado te derrites con cada palabra que te dice porque no eres un poco más fuerte
25:40De qué hablas no sé a qué viene eso hoy estamos cansados por eso tengo esta mirada
25:44Yo no creo que esa mirada sea de cansancio sabes
25:50No se te escapa una
25:53Pues aunque no lo creas
25:55Fue un día muy largo fuimos al teatro y luego tuvimos que ir al hospital
26:00Estoy cansada por eso te pongo estos ojitos
26:04Porque mirando me descansas
26:09No para nada
26:11En realidad no te miraba estaba ensimismada
26:15Siempre cambias de opinión no soy rara es que tú no lo entiendes preparate quiero tomar una taza
26:22Yo no voy a hacer el te hazlo tú hasta mañana
26:28Se molesta
26:30Te ofendí
26:32Como si yo no supiera prepararme uno
26:35Y si quiero comer
26:42El bocadillo quedó delicioso no es por nada pero qué bueno está es una delicia
26:51Y
26:56Espero que se te haya pasado al cansancio le pusiste queso al bocadillo
27:03Pero te juro que no te miraba
27:10No grites mañana trabajo y necesito dormir
27:15Ahora me manda carita sonrientes cuántos años tiene por favor ya madura
27:21Por favor san em si es cierto si lo estabas mirando
27:25Si quieres callar ahora no tengo ganas de oírte ya basta
27:33Me voy que grosera no te lo decía así porque te tomas todo como algo personal
27:39que día tan intenso llevo
27:42Yo te lo dije
27:44Te crees muy importante por ser el jefe
27:51Por si
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