At a historic Istanbul hotel, a journalist is thrust into the past and must stop a plot that could change the fate of modern Turkey.
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00:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:19A horrific truth about women's abduction has emerged.
00:22An unknown man is trying to take away women's rights from them.
00:28This man, who hates women, is trying to take away women's rights from them.
00:33We have to protect the rights given to us by European countries.
00:37Women who oppress women cannot be held captive in their homes.
00:45Ataturk had already warned that such mentality would be present even after a century.
00:50This is why it is our duty to fight for the protection of those rights till our last breath.
00:58This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
01:18You finished it so quickly.
01:19Wow!
01:20We don't have much time.
01:29Why are you provoking him?
01:31I mean, even if you don't want to, the killer will be more irritated by this news.
01:36Who are you to ask me questions?
01:39I am the reporter whose news gets published the most here.
01:43So what? Are you jealous of me?
01:45Not at all. You are not fit for this.
01:48If you are done arguing, can I read this article?
01:51Sorry.
01:52Okay.
01:57Okay, we can publish this article.
02:01This letter is a proof.
02:04So I want you to give it to the commissioner yourself.
02:07Okay.
02:08I will go to the commissioner. He won't listen to this.
02:11Okay. After that, both of you find out about the symbol of this letter.
02:15Okay, ma'am. I will find out.
02:17She is new. She doesn't know anything.
02:20This new girl went inside the LNE's den in a day and you couldn't go yet.
02:24Both of you will have to work together.
02:26No, ma'am. I don't want to work with her.
02:28If you keep being stubborn like this, I will send both of you to cover a football match.
02:34Do you still want to say something?
02:47Why did the police take Halit?
02:48Commissioner Qadri is a close friend of Mr. Halit.
02:52So there is no need to get suspicious.
02:54No, I saw him. So I just asked.
02:59Mr. Halit has told me to drop you at Mumtaz palace.
03:03If God wills, you will be successful there.
03:06Yes, if God wills.
03:08Let's go.
03:14You want to take my place in the newspaper, right?
03:16Forget it.
03:18Oh God, why do you want to cut me?
03:20You are trying to snatch my case from the beginning. I know it very well.
03:24If I had any such intention, I would have snatched it by now.
03:27I have been working on this case for many months.
03:31Are you crazy?
03:34One day I will be successful.
03:36And if you think I will share it with you, then this is your big mistake.
03:40I have come to find my mother.
03:43Who is your mother?
03:46Who is she?
03:48I won't tell you.
03:50Wait a minute.
03:52The women who have been kidnapped are not your mother's age.
03:56Are you hiding something from me?
04:18Come in.
04:30Good morning, ma'am.
04:31Yes.
04:32My name is Alfred.
04:33I am the new steward.
04:35From Hampshire, England.
04:38Come in.
04:44I am sorry.
04:45I spoke too much in anger.
04:49Sabia ma'am was right.
04:51We should help each other.
04:54If you want to talk about your mother, then you can talk to me.
05:05Alit.
05:08What are you doing here?
05:11I came to give a statement to Khanderao.
05:13Because someone has put a false accusation on me.
05:17What accusation?
05:20Nowadays, whoever I see is doubting me.
05:25What are you doing here?
05:28We are getting late.
05:33Don't tell anyone about this letter.
05:35Understood?
05:40Let's go.
05:46Interesting.
05:48Is that all you want to say?
05:50Won't you do anything?
05:52You told me.
05:53I don't know who sent this.
05:56This could be a joke of a school kid.
06:01So, even a school kid understood that there is only one kidnapper.
06:04But you don't understand.
06:07You journalists know everything.
06:09But you don't know what your limit is.
06:13Good.
06:14Now, you both can go.
06:18By the way, at least try to find out who sent this.
06:23So, now you will teach the commissioner how to do his job.
06:27Please, go.
06:29The exit is that way.
06:37Let's go.
06:48Today's women are so ill-mannered.
07:06Let's go.
07:37Alfred.
07:38Sir.
07:40Let's have a chat.
07:46Please, sit down.
07:47I'm quite fine like this, sir. Thank you.
07:50Good.
07:53You come with stellar recommendation, Mr. Alfred.
07:57Thank you, sir.
07:59Good.
08:01You come with stellar recommendation, Mr. Alfred.
08:04But I'd like to know more about you.
08:07Gladly.
08:08But first, sir, I found this on the ground.
08:14I'll make sure all your valuables are safely stored from now on.
08:17You can never be too careful these days.
08:24Give it to Alfred.
08:26Sure. Thank you.
08:35Tell me, Alfred.
08:37Who will win this goddamn war?
08:39It's not my place to have opinions on such matters, sir.
08:44I'm only here to serve you.
08:47Is that so?
08:50Where in England are you from?
08:52Hampshire, sir.
08:53Thank you, sir.
09:02Only Professor Anstock can tell you about this symbol.
09:05He's one of the greatest experts on the ancient European symbols.
09:08I helped him in another case.
09:11He's a German Jew.
09:13When Nazi rule began there, he left everything and came here.
09:19Some of the angels look like Iris, but they're not.
09:24It looks like the eyes of Horus and Iris have been combined.
09:28I've read all the Greek and Egyptian tales,
09:30and many ancient civilizations didn't have such a symbol.
09:35Look, I don't want to mislead you,
09:39but I think this is definitely a symbol of a group.
09:43And no doubt, there's a reason behind it.
09:46These eyes, these wings,
09:49like I'm saying, we're all watching.
09:53We're everywhere.
09:56Or we're many, but our goal is one.
10:01This is a symbol of a person who has a passion for power.
10:06But at the same time,
10:08he has a deep sense of inferiority,
10:11which makes him do all this.
10:13But at the same time, he has a deep sense of inferiority,
10:15which makes him do all this.
10:34Next time you accuse me,
10:38I won't spare you.
10:41Understood?
10:44Understood?
11:01Who, Halit?
11:03Really?
11:05Who told you?
11:08Are you sure it's Halit?
11:13Okay, thank you for telling me.
11:16I'll take you to dinner.
11:18You've heard such good news.
11:20I'll hang up.
11:22Were you listening to me?
11:24Why did you mention Halit?
11:26You'll find out when you read my article.
11:43Okay.
12:14Here's the money.
12:15Follow that car.
12:35Excuse me, where's Mr. Naeem's room?
12:37It's on the corner.
12:39You're welcome.
12:44Hello, Mr. Naeem.
12:45How are you feeling now?
12:48Who are you?
12:49I'm a reporter.
12:50I have some questions for you.
12:52I don't want to answer any questions.
12:54Get out of here.
12:55I'll just ask you one question.
12:56You don't have to worry.
12:57About Halit...
12:58Wait.
12:59I'll deal with you later.
13:01God have mercy.
13:02God have mercy.
13:03God have mercy.
13:04Mr. Naeem,
13:05did Halit say anything to you?
13:07Tell me.
13:10Look,
13:11I spoke to the angel of death.
13:14Tell me the truth.
13:15God have mercy.
13:16God have mercy.
13:17He told the police that
13:18Halit kidnapped his granddaughter, Laila.
13:20And this is confirmed
13:21because a police informant told me.
13:24He saw Halit's actions with his own eyes.
13:27God have mercy.
13:28God have mercy.
13:29God have mercy.
13:30God have mercy.
13:31Is this true?
13:32God have mercy.
13:33God have mercy.
13:34God have mercy.
13:35God have mercy.
13:38This drink is for our success.
13:42God willing, you'll get the keys soon.
13:44God willing.
13:53Why did the police take you in the morning?
14:01I help them in some matters.
14:05What matters?
14:07Mr. Ahmed,
14:09apart from us,
14:10eight men and eight women are sitting here.
14:14They are spies from different countries.
14:17And everyone's attention is on this.
14:30If this is strong,
14:31shall I order something else?
14:33No, no need.
14:39You two talk.
14:42Then I'll drop you at Mumtaz's bungalow.
14:49Mr. Naeem said that
14:50he saw Halit's car
14:52in front of his bungalow
14:53when Laila was kidnapped.
14:58I think he's lying about the keys too.
15:01Maybe he has them.
15:05Send me to Mumtaz's place
15:07He must be trying to get out of his way.
15:12Breaking news!
15:13Breaking news!
15:14Women's enemy's breaking news!
15:19Breaking news!
15:20Breaking news!
15:21Women's enemy's breaking news!
15:38Women's enemy's breaking news!
15:50Why hasn't anyone picked up the phone?
15:52Wait!
15:54Don't pick up.
15:56That's why ma'am has told everyone not to pick up.
15:58Why?
15:59Because of your article.
16:01This phone has been ringing since morning.
16:03Everyone is fed up.
16:04That's good.
16:05We'll get it sooner or later.
16:08People will give us tips.
16:09But how will we follow up on so many tips?
16:12Do we have so many people?
16:15Don't just stand here.
16:16Go and find Halit.
16:18If he were my fiancé,
16:20he would have found out everything by now.
16:35Phone ringing
16:47Hurry up.
16:48The repair should be done by next week.
16:53Mr. Qadri,
16:54you'll have to hurry up.
16:57I have been looking for you, miss.
17:00I don't really like to talk with you.
17:04Alone?
17:05Perhaps I can buy you a drink.
17:17You're not welcome here anymore.
17:24Halit,
17:25you can't push Alfred Hitchcock out like this.
17:29I should have killed him.
17:30I'm the only one who got him out.
17:32Halit,
17:34I need to talk to you.
17:39How long will it take
17:41to know someone
17:45and trust them, Isra?
17:49I don't know.
17:52How would I know?
17:56This is happening for the first time in my life.
18:02One moment.
18:08Just one moment is enough.
18:12Do you know why?
18:15Why?
18:20Because a heart recognizes another heart.
18:24We may have met today,
18:27but our hearts are connected.
18:31We have met before.
18:37They have known each other for many lifetimes.
18:41But you're doubting me as if I'm a stranger.
18:45Because of the door of truth.
18:49What can I do?
18:53You're hiding so many things from me these days.
18:56The door of truth
18:57increases what's inside a person.
19:01And I have more than enough love for you.
19:08But what's inside you?
19:10Think about it.
19:16If that's what's inside me,
19:20meet me in the evening.
19:28Did you read the article in Tan?
19:30Yes, I did.
19:32It's really a brave thing to do.
19:34I don't dare to do that.
19:36Neither do I.
19:37Especially at a time like this.
19:40Halime.
19:43If I tell you that I saw the kidnapper,
19:44will you believe me?
19:46What?
19:47I'm telling the truth.
19:48But I'm afraid to tell the police.
19:50What if the kidnapper comes after me?
19:52That's what I'm afraid of.
19:54Alfred.
19:56Madam.
20:00Thank you, Alfred.
20:08You can go.
20:15Hey.
20:16Lily.
20:17Tell me.
20:18What?
20:19Who was that man?
20:20What man?
20:21You just said that you saw the kidnapper.
20:24Oh, yes.
20:26I don't know how I forgot such a big thing.
20:30I have to meet someone in Turquoise.
20:33Can you ask your butler to drop me off?
20:38If you don't mind.
20:51Madam.
20:52Thank you, Alfred.
21:22I troubled you, Mr. Ahmed.
21:25Please forgive me.
21:27Alfred.
21:30You?
21:32Halime's husband, Mumtaz.
21:34I heard he sells chrome to the Nazis.
21:36You went there to expose him, didn't you?
21:41No one should know about this.
21:43They won't.
21:45Don't worry.
21:49Halime is my old friend.
21:52But her husband, Mumtaz.
21:54I hate that man.
21:55Halime.
21:59If Halime finds out how to get rid of him, she'll be happy.
22:04I heard you by mistake.
22:07Have you seen the kidnapper?
22:09Have you seen him?
22:24He's not a man.
22:28He's a woman.
22:31I don't remember his face.
22:33But I can't forget his red hair.
22:37You know what he did?
22:38He made Halime smell something.
22:40And dragged her to the car.
22:44Did you see the license plate?
22:46How could I?
22:47I was in shock.
22:49I don't remember anything about the car.
22:54Except the color.
22:58It was blue.
23:00We should go to the police.
23:07Please, Lily.
23:12Okay.
23:14Let's go.
23:22Lily, thank you so much.
23:23You're welcome.
23:24I hope they find him.
23:27I'll drop you home.
23:30Okay.
23:32Esra...
23:34I'll go.
23:36Okay.
23:37Take care.
23:39I will.
23:44Don't do anything stupid.
23:46I'm trying to convince her.
23:48Mr. Ahmed, I'm just a kid.
23:50You always give me advice.
23:53Okay.
24:06I love you.
24:08I love you too.
24:36Come on.
25:00Come on, Lily.
25:06Let's go.
25:21Here.
25:23Another glass.
25:29Cheers.
25:32Cheers.
25:36Cheers.
25:45I should go.
25:48But why?
25:50Please wait, Mr. Ahmed.
25:55I don't know why I'm drawn to you.
26:11Lily...
26:17I should go.
26:22But why?
26:30Because I'm scared.
26:31I'm scared.
26:36Don't I scare you?
26:38No, not at all.
26:39You're beautiful.
26:42What are you scared of?
26:47Making the impossible possible.
26:52Can't we be together?
26:58Yes, Lily.
27:01I mean...
27:05I won't be able to make you understand now.
27:07But...
27:09No, that's enough.
27:11Go away.
27:14Forgive me.
27:31I love you.
28:01I love you.
28:31I love you.
29:01I love you.
29:03I love you.
29:32I love you.
29:34I love you.
30:01I love you.
30:32I love you.
30:33...
30:34...
30:35...
30:36...
30:37...
30:38...
30:39...
30:40...
30:41...
30:42...
31:01They're wrong.
31:03♪
31:06Ayesra?
31:07♪
31:11I don't understand whether to tell the police or not.
31:14Sabiha ma'am.
31:15♪
31:18What is it?
31:20I've come for you.
31:22♪
31:26Madam Ayesra,
31:28I read your article like everyone else.
31:31I want you to go alone to the address
31:33given below this evening
31:35when I hand you over to Ms. Laila.
31:39♪
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32:23Laila?
32:26♪
32:31Laila?
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32:50Laila?
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33:02Aah!
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