From dancers to barbers! Tine-testing daw ni Jim Salas ang kanyang new-found barber skills sa kapatid niyang si James Salas!
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FunTranscript
00:00We walk hand in hand, we dream together. We giggle and laugh like kids forever.
00:12We're two different people, but we're having fun. We talk about anything under the sun.
00:19We are sisters, we are friends. We've got magic that never ends.
00:27I got you sis, you got me. The best of friends we'll always, always be.
00:39We always have fun, being together. You know me the best, we're friends forever.
00:46Through good times and bad, I'm here for you sis, right by your side.
00:52Hit or miss, we are sisters, we are friends. We've got magic that never ends.
01:01I got you sis, you got me. The best of friends, the best of friends.
01:09The best of friends we'll always, always be. We are sisters, we are sisters.
01:22We're two different people, but we're having fun. We giggle and laugh like kids forever.
01:31We're two different people, but we're having fun. We've got magic that never ends.
01:38We're two different people, but we're having fun. We're two different people, but we're having fun.
01:47I don't know what he's going to do.
01:51It's a bit confusing.
01:53It's a bit new.
01:55You know what it means.
01:57What does it mean?
01:58Just got lucky.
01:59Correct!
02:00Who else?
02:01I don't know.
02:03I can't do it.
02:05Yes, we can't do it.
02:06We're here with the people who made it popular.
02:09Yes, let's start with the Waikor dancers.
02:17Hello!
02:39Hello!
02:47Hello!
03:02Hello!
03:04I'm Rani.
03:06Hello!
03:14That was great.
03:16You've been dancing for 23 years.
03:18Yes.
03:20It's good to see you when you're 50.
03:2350 and you're still like that.
03:25Okay, next!
03:27We'll be joined by the funky, funky, funky
03:31The Tigers!
04:29That was 10,000.
04:31The funky, funky was cool.
04:33But it was too much.
04:35Universal Motion Dancers!
05:05The Funky, Funky, Funky was cool.
05:07But it was too much.
05:09The Funky, Funky, Funky was cool.
05:11But it was too much.
05:13Our favorite dancers before, here in Sisilay,
05:17Hello Now!
05:29We are sisters.
05:35We are sisters in the dance.
05:41Hello Now!
05:45Okay, from Universal Motion Dancers,
05:48Wowie De Guzman.
05:54Jerry Oliva.
05:56James and Jim Salas.
05:59From The Tigers, we have Georgia Alenar.
06:02Ed Palacios.
06:07Bicore Dancers, the youngest here,
06:10Joy!
06:12Joy!
06:14You're the youngest, right?
06:16Joy Cancio.
06:18Hello!
06:20Good morning.
06:22You really got in line for the Who's Dance?
06:24Yes.
06:26You really got in line for the Who's Dance?
06:28Let's start.
06:30What are you going to do today?
06:32Eda and Jojo.
06:34Ladies first.
06:36Ladies first.
06:38Well, right now,
06:40I'm the Director for Corporate Communications
06:42at UGC Tibayang Group.
06:44That's far.
06:46Corporate Communications, dancing.
06:48It's sort of related, actually.
06:50Because dance is a form of communication.
06:52Because dance is a form of communication.
06:54That's why you're dancing there, right?
06:56Not necessarily.
06:58Hey, maybe he'll form a dance crew there.
07:00I'm with the Office of
07:02Congressman Ed Shalcita.
07:04But still, you sing, right?
07:06Yes.
07:08And then, the show business side,
07:10Alpha Records, Master J,
07:12I have CD out.
07:14That's it.
07:16Correct.
07:18I'm still dancing and
07:20doing theater.
07:22Oh, you're still dancing.
07:24I'm traveling to Japan.
07:26Very lucrative.
07:28What about Jim?
07:30Jim?
07:32I'm training in cutting.
07:34Hair?
07:36Where are you training?
07:38So, you're making your brother practice.
07:40Yes, sometimes.
07:42How's James?
07:44He's still alive.
07:46His wife said,
07:48He's still alive.
07:50How's James?
07:52What are you doing now?
07:54I have a modeling agency.
07:56More on commercials and print ads.
07:58Where are you getting talents?
08:00And he's the one cutting.
08:02Right?
08:04You need styling.
08:06What do you say to your talents?
08:08Hey, Jim is the one cutting your hair.
08:10If it's not you,
08:12it's the job.
08:14Wowie.
08:16Wowie, what are you doing?
08:18I'm still a mainstay.
08:20I'm still a semi-regular
08:22in Bubblegum.
08:24I'm also in theater.
08:26Besides, you're surfing.
08:28I don't know yet.
08:30You're just starting.
08:32As in the beach?
08:34As in with the board?
08:36Yes, in San Juan La Union.
08:38Really? You're surfing?
08:40It's fun. I want to stay there.
08:42It's fun to surf.
08:46I have my own business.
08:48I'm having a party packaging business right now.
08:50We used to handle
08:52kiddie parties,
08:54wedding, and birthdays.
08:56So you're providing
08:58entertainment.
09:00Actually, it's in line with the entertainment.
09:02We have a host,
09:04a host clown.
09:06Your bar clown is also dancing.
09:08He needs to dance.
09:10He's dancing.
09:14There are times when I'm requested
09:16to dance.
09:18Really?
09:20Yes, I said yes.
09:22How about when you debut?
09:24You're the one choreographing.
09:26All the amenities,
09:28like the souvenirs,
09:30we do it.
09:32We used to plan for you
09:34so you don't have to do anything.
09:36You're the celebrant.
09:38You get the dress, you get the gown.
09:40I have to pay for it.
09:42That's all you have to do.
09:44I'll pay for it.
09:46I'll pay for it.
09:48The celebrant is just attending the party.
09:50He doesn't have to pay.
09:58What's your business now?
10:00My husband came back
10:02because I married one of our co-dancers,
10:04Dingoy.
10:06It was just the two of us.
10:16You don't know that, right?
10:18What does that mean?
10:20Let's not give it
10:22any meaning, okay?
10:26He managed...
10:28We have a water store now,
10:30a refilling station of purified water.
10:32It's like...
10:34No.
10:36Most of the time, I'm just at home.
10:38Housewife.
10:40During his absence,
10:42at the store,
10:44I take care of it.
10:46I'm just an assistant.
10:48She's a full-time housewife.
10:50Do you have a mom?
10:52Just one.
10:54Miss Joy.
10:58I'm working in Itbulaga
11:00as a stage director and choreographer.
11:02And then,
11:04I'm managing the sex bomb
11:06and dance focus.
11:08She's the original sex bomb.
11:10That's why you guessed, right?
11:12I knocked you out.
11:14Let's not tell them that.
11:18Of course, we missed you.
11:20Why did you stop?
11:24Why did we stop?
11:26Why did you stop?
11:28The music stopped.
11:30Why did you retire?
11:32I didn't retire.
11:34I just matured.
11:36For one,
11:38there's a scarcity of dance shows now.
11:40If you will notice,
11:42we only have game shows.
11:44We don't have...
11:46He's making an appeal.
11:48We only have KOD
11:50and Easy Dancing.
11:52Most of the variety shows
11:54now have their own
11:56in-house dancers.
11:58We don't have dancing shows anymore.
12:00You know, Janice,
12:02our time back then...
12:04You'll be invited.
12:06After dancing in this show,
12:08you'll be seen
12:10an hour after.
12:12An hour after again.
12:14The dance groups back then
12:16were that glamorous.
12:18But now, it's limited to only
12:20certain shows.
12:22The in-house dancers.
12:24So, that's how it is.
12:26Lack of venue.
12:28What about you?
12:30UMD?
12:32Well, Wawi still dances.
12:34But he's still an artist.
12:36I was the first to leave the group.
12:38I finished my contract with them.
12:40At that time,
12:42I was paired with Judy Ann.
12:44So, I became an artist.
12:46But they continued.
12:48But after a while, they disbanded
12:50because they had their own stable jobs.
12:52Do you know anyone else?
12:54Aside from Wawi.
12:56Actually,
12:58every time, for example,
13:00I have a show outside,
13:02they'll ask me,
13:04where are your UMD group members?
13:06Jerry, when he went to Japan,
13:08they asked him,
13:10where are your group members?
13:12I still recall them when I see them.
13:14For me, sometimes, they'll say,
13:16James! Oops! No, I'm Jin.
13:18Is that so? Sorry.
13:20Because they're confused.
13:22For me,
13:24our talents,
13:26they'll say,
13:28you're in UMD,
13:30where are your group members?
13:32I'll tell them,
13:34they have their own jobs.
13:36So, a lot of people say,
13:38it's such a waste,
13:40you finished so fast,
13:42and you're still here.
13:44You know,
13:46we, as a group,
13:48really miss them.
13:50Especially,
13:52when I talk to Ate Bulagap,
13:54oh, this is the opening 80s,
13:56maybe you want to join VICOR?
13:58Don't live on your dreams!
14:00She's always like that.
14:02No, but you know,
14:04you can join too.
14:06There was a time
14:08when the VICOR group
14:10contacted me for that opening number.
14:12But you?
14:14It's hard because
14:16you're rehearsing, you're technical,
14:18you're blocking,
14:20and you can't dance.
14:22It's tense.
14:24No, because Joy,
14:26if she wants to dance,
14:28she'll ask to join the VICOR.
14:30Because she's not dancing.
14:32She'll ask to join the VICOR.
14:34She'll dance,
14:36and if she wants,
14:38there are liftings.
14:40Joy, you just say,
14:42oh,
14:44I can't hear the ending.
14:46You won't be able to join the VICOR.
14:48Wait, let me tell you something.
14:50Even if you're both left-footed,
14:52just stay there.
15:12Okay,
15:14it's time to dance
15:16down memory lane.
15:18Of course, through the years,
15:20you've danced a lot.
15:22There are things you can't forget
15:24that you did or
15:26that you did accidentally.
15:28Maybe one thing that
15:30stands out,
15:32I remember very vividly
15:34because we were struggling
15:36college students,
15:38so we were
15:40hard not to get the card.
15:42So we had to
15:44dance at a certain
15:46more exclusive
15:48school here in
15:50Merion College, I think.
15:52It was Merinoll.
15:54And Jojo was driving
15:56maybe
15:58in the 1960s, there was a fancy sports
16:00car.
16:02After the dance,
16:04the car wouldn't start because I left
16:06the radio open.
16:08You left the radio open?
16:12So right after the dance,
16:14everyone was bidding us
16:16goodbye.
16:20They walked us back to the parking lot.
16:24So I had to think fast.
16:26I said, you sit in the car
16:28and I'll
16:30jump start it.
16:32I stood in front of the hood.
16:34And then I pushed.
16:36It was fortunate enough,
16:38there was an embankment of the contest.
16:40It was just enough nudge for the car
16:42to start.
16:44So I was a bit
16:46nervous.
16:48Of course, I was a bit nervous.
16:50Forma ever?
16:52Yes.
16:54We'll stay here with you.
16:56No, it's okay.
16:58No, we'll stay here.
17:00We'll push the car.
17:02You'll push the car?
17:04Yes.
17:06What are your stories like?
17:08I'm sure you had some embarrassing moments
17:10or did you fall off the stage?
17:12I had
17:14a one-time show
17:16I'm not sure if it was in Tuguegara
17:18or somewhere else.
17:20I was doing a backflip at that time.
17:22We had 8 microphones
17:24in front of us.
17:26We were also singing at that time.
17:28Of course, when you performed,
17:30people were shouting
17:32your energy.
17:34I was supposed to do only 2 backflips.
17:36I felt like I was going to do 3
17:38but I was thinking of 2.
17:40All the 8 mic stands
17:42fell down when I jumped.
17:44I was just looking at them
17:46and it tickled me.
17:48But they kept shouting, right?
17:50Of course, they were laughing.
17:52They were enjoying it.
17:54That's a good thing.
17:56I was dancing while they were still shouting.
17:58That's a good thing, right?
18:00There was a time when I was kicking
18:02and they were shouting.
18:04You were kicking at the same time, right?
18:06It happened.
18:08It was a slow motion.
18:12No one got injured because of that?
18:14No.
18:18What about you?
18:20You didn't kick at the same time, right?
18:22Joy did.
18:24She did?
18:26That's why I loved it so much.
18:28That's what happened.
18:30Come on, Jeremy!
18:32We were in a turban from head to toe.
18:34It was the best costume ever.
18:36When I came down the stairs,
18:38I was turning around.
18:40I didn't know how to stand.
18:42I said, Butch,
18:44come and attack me.
18:46I was in a turban.
18:48But of course, I didn't know
18:50what to do.
18:56Can you imagine that?
18:58Imagine that from the stairs
19:00to the exit of the camera,
19:02Butch was holding her.
19:04I fell down.
19:06Maybe it was like that.
19:08I fell down.
19:10But how do I exit?
19:12How do I stand?
19:14Butch was holding me.
19:16At that time,
19:18Joy was in a turban.
19:20She had a lot of hair.
19:22In a group,
19:24there were a lot of mistakes.
19:26She was always the one.
19:28She was the comedian.
19:30You forgot the step.
19:32You really made a mistake.
19:34Sometimes,
19:36the sound was miscued.
19:38The sound was miscued.
19:40Suddenly, in the middle,
19:42I was like, Why am I doing this?
19:44It has to be natural.
19:46It just comes out naturally
19:48when you hear the sound.
19:50When the sound was miscued,
19:52it should be different.
19:54Your feet were following,
19:56but your mind was wrong.
19:58You were smiling.
20:00And your reaction,
20:02for example,
20:04when you're on standby,
20:06you're like that.
20:08You're really arrogant.
20:10Then suddenly,
20:12the sound was different.
20:14Then you stopped.
20:16Then you looked at the host.
20:18You couldn't shout.
20:20The sound was like that.
20:22We were like that.
20:24Were you able to continue?
20:26Did you still continue?
20:28No, not yet.
20:30It's different, right?
20:32It happened to us.
20:34It's hard.
20:36I remember
20:38when we were in Stars,
20:40they always make fun of me.
20:42They always remember that.
20:44What happened?
20:46We were facing the camera.
20:48One line.
20:50Diagonal.
20:52I saw myself in the camera.
20:54I was like that.
20:56I was straight.
20:58I didn't know.
21:00They were doing something else.
21:02We were facing each other.
21:04Why are we facing each other now?
21:06You know, I was reasoning.
21:08I was reasoning in my song
21:10because I heard it.
21:12It's a bad reasoning.
21:14I don't know what to say.
21:16You're so bad.
21:18Did you hear it?
21:20Did you hear what you ate?
21:22And that day,
21:24it didn't happen to us.
21:26If the song is different,
21:28you won't get paid.
21:30I need to know the password.
21:32That's how it's recorded.
21:34You promote different colors.
21:36We made it popular.
21:38The color on the right
21:40and the color on the left.
21:42During the baguette time,
21:44the rainbow colors.
21:46You're wearing red here.
21:48Just think of a combination that doesn't match.
21:50We're wearing it.
21:52We feel like it matches us.
21:54And a lot of people agreed.
21:56Even Jelly agreed.
22:00You can see Jelly.
22:02She's wearing red.
22:04She's wearing a violet color.
22:06I'm the one who's wearing violet.
22:08It's Janice.
22:10I'm the one who's wearing mint.
22:12You made it.
22:14Why can't I do it?
22:16That's why it's bad.
22:18It should be in formal wear.
22:20It's ugly.
22:22Don't do it.
22:26Aside from what you did earlier,
22:28what other famous steps
22:30did you do during your time?
22:32Just one.
22:34Famous or favorite steps.
22:36For us, it's the grind.
22:38Is this the grind?
22:40Our dance is called
22:42Jazz Funk.
22:44Jazz Funk.
22:46The famous one is the grind.
22:48Is this the grind?
22:50Yes.
22:56Grind.
22:58Do we have music?
23:00Just them.
23:02Impromptu.
23:04He said it's impromptu.
23:06Master J.
23:12That's the grind.
23:20Let's do this.
23:24We were asked a lot.
23:26The dying inside.
23:28The stars.
23:30I hope you comprehend.
23:32Okay.
23:34Stand up.
23:36Like this.
23:38Don't do a backflip.
23:40Don't do a backflip.
23:42Don't do a backflip.
23:44You might land and not stand.
23:48Hurry.
23:50You're so fast.
24:02The dark of the stars.
24:06Straight into your eyes.
24:10The dark of the stars.
24:14I hope you comprehend.
24:18Wow.
24:22You're so fast.
24:28You're not included in Master J's album.
24:30You're not included in Master J's album.
24:34That's a reminiscence.
24:36I set that up.
24:38Oh my gosh.
24:42I hope you comprehend.
24:44Yes.
24:46Finally.
24:48I'm so excited.
24:52I'm so excited by the Pointer Sisters.
24:56The story is 30 minutes long.
24:58I'm with you.
25:02Wait a minute, Pointer Sisters.
25:04I'm not included.
25:08We're gonna make it happen.
25:12I'm so excited.
25:14I can't get enough.
25:18I'm gonna lose control.
25:20I think I like it.
25:22I'm so excited.
25:24I'm so excited.
25:26I'm so excited.
25:28I'm so excited.
25:32I'm gonna let you be there.
25:36We have a challenge.
25:38You're gonna dance to this music.
25:42But you're gonna use your signature dance steps.
25:48Where's the music?
25:50Music.
25:52Music.
25:56Music.
25:58Music.
26:00Music.
26:02Music.
26:04Music.
26:06Music.
26:08Music.
26:10Music.
26:12Music.
26:14Music.
26:16Music.
26:18Music.
26:20Music.
26:22Music.
26:24Music.
26:26Music.
26:28Music.
26:30Music.
26:32Music.
26:34Music.
26:36Music.
26:38Music.
26:40Music.
26:42Music.
26:44Music.
26:46Music.
26:48Music.
26:50Music.
26:52Music.
26:54Music.
26:56Earlier, Jojo, you said that your dance is
26:58Jazz Funk.
27:00Do you know how to do Cha-Cha?
27:02Boogie?
27:04I like Ballroom.
27:06Ballroom.
27:08It's in his age.
27:10Hip-Hop.
27:14How about you, boys?
27:16Not really.
27:18But it's easy to teach.
27:20I have a question.
27:22Is it an advantage for you
27:24when you're dancing?
27:26Disco.
27:28Is it an advantage for you?
27:30Actually, it's an advantage.
27:32Because when they see you,
27:34when they know that you're a dancer,
27:36and you go to the dance floor,
27:38they'll wait for you.
27:40They'll watch your moves
27:42and see if your dance is good.
27:44Actually, I was with
27:46my dancers when we went to the disco.
27:48All the people were looking at me.
27:50I said, my dancers are good.
27:52All the people were looking at me.
27:54Because I won.
27:56I feel like I'm a dancer.
27:58Maybe they're just looking at you, Jelly.
28:02Maybe I'm beautiful.
28:04No, don't do that.
28:08Next question.
28:10What is the dance that
28:12is hard for you to dance?
28:14Is there a dance like that?
28:16For me, it's hard when the dance is sweet.
28:18Because it's hard to stop.
28:24What is the dance
28:26that is hard for you?
28:28Is it hip-hop?
28:30No.
28:32What I had difficulty was with
28:34Boogie.
28:36My mom used to egg me.
28:38But I never really get to enjoy it.
28:40Because
28:42I'm off.
28:44Because it needs
28:46your basics.
28:48So when they say you're a dancer,
28:50does that mean you can do any dance?
28:52No.
28:54When they say you're a dancer,
28:56you can do any dance.
28:58You have to learn.
29:00You have to learn.
29:02Because it's just practice.
29:04Practice makes perfect.
29:06Okay, teach me. I will follow.
29:08You just said
29:10because you're a dancer,
29:12you have to be able to do it.
29:14Let's try that UMD
29:16will do the grind.
29:18Of the Tigers.
29:20UMD, you're like a tiger.
29:24You can do it.
29:26I tried.
29:30Oh, his bag is like that.
29:32Clear.
29:34Your pants are nice.
29:36Wow.
29:38Where did that come from?
29:40You're good.
29:42Hurry up.
29:44Hurry up.
29:46I want to see.
29:48Jelly, come on. Join us.
29:50Don't be jealous.
29:54Like that.
29:56You're good, Wally.
29:58Wally, I'll hold your bag.
30:00Go down.
30:06Your bag needs a ball pen.
30:08Like that.
30:16Okay.
30:24The Tigers are new.
30:26It's here.
30:28Make UMD's butterfly.
30:30One of you, teach them
30:32how to make a butterfly.
30:34Is that what I said earlier?
30:36You're the original.
30:38I saw you when I was young.
30:42Teach them.
30:44Hurry up.
30:52Is that really a drum?
30:54Imagine you're in a cave.
30:58Oh, it's Christian inside.
31:06You're good, Joy.
31:08Come on.
31:10Yes.
31:18Yes.
31:20Yeah.
31:22Jelly.
31:24Jelly.
31:26Jelly.
31:30Is that right?
31:32Yes.
31:36Okay.
31:46Okay.
31:48Next.
31:50This is exciting.
31:52The Tigers will do
31:54Just Got Lucky.
31:56You just got lucky.
31:58They don't need to teach you anymore.
32:02Really?
32:04That's how it is when you're old.
32:06That's how it is when you're old.
32:08It's easy to get tired.
32:18Jelly.
32:20Jelly.
32:24Jelly.
32:26Jelly.
32:32Hello.
32:34I'm watching Baguette.
32:36Are you watching Baguette?
32:38Yes, I'm watching Baguette.
32:40Right?
32:42Who's in Baguette?
32:44Who?
32:46Who's in Baguette?
32:48I told you, that's your time.
32:52In fairness, you're the first one
32:54to get tired.
32:58We got tired.
33:00Hi.
33:02We're going to do a Sis Challenge.
33:04Since we're already dancing,
33:06how about you, Tigers,
33:08dance again?
33:10Just like our Sis Challenge earlier,
33:12you will dance your signature step
33:14or whatever
33:16to the tune of
33:18Stupid Love.
33:24Okay.
33:30Here we go.
33:54Oh,
33:56that's too much.
33:58Stupid.
34:06Catch the Sex Bomb dancers
34:08in a one-of-a-kind dance concert
34:10at the live station on April 27
34:12and May 16.
34:24We are sisters.
34:28Always, always be.
34:30We are sisters.
34:32We are sisters.
34:38Of course, we thank
34:40our friends here from
34:42Cabuya, Laguna.
34:46And from San Mateo, Rizal.
34:48Rizal.
34:54And the magic star,
34:56Wawid Iglesias.
35:00Our lady of Assumption College.
35:08Thanks.
35:10Okay.
35:12Let's start right away.
35:14Let's warm up.
35:16You, Universal Motion dancers,
35:18are not yet?
35:20What is it?
35:22It's really Sis Challenge, promise?
35:24Sis Challenge!
35:30You are...
35:32You can borrow
35:34our props.
35:36You are going to
35:38butterfly.
35:40You are going to butterfly.
35:42But while you are
35:44doing this, you need to
35:46hold the props.
35:48And you are going to
35:50dance in the light.
36:14You are going to butterfly.
36:22You are going to butterfly.
36:24You are going to butterfly.
36:26You are going to butterfly.
36:28You are going to butterfly.
36:30You are going to butterfly.
36:32You are going to butterfly.
36:34You are going to butterfly.
36:36You are going to butterfly.
36:38You are going to butterfly.
36:40You are going to butterfly.
36:42You are going to butterfly.
36:44You are going to butterfly.
36:52You won
36:54the candle.
36:58At least this is a challenge.
37:00Of course, in your
37:02dancing career, there are
37:04artists who can dance.
37:06I know that
37:08you have a
37:10dance team.
37:12Do you dance, Jelly?
37:14How about you,
37:16Jelly? Do you dance?
37:18Dancing is easy.
37:24I can't forget
37:26the shooting of Puto.
37:28Do you know the closing?
37:30The one with the credits.
37:32The finale of the movie. We danced
37:34in a city circle.
37:36We wore blue stripes.
37:38Jelly is so funny.
37:40The circle was so big.
37:42She had to run
37:44to the other side.
37:48Jaja.
37:50They had to run
37:52to the other side.
37:54Jaja.
38:00Do you have a dance team?
38:02Actually,
38:04Rufa, Gretchen,
38:06and Guapings.
38:08Guapings is our backup.
38:10Lady Lee is one of them.
38:12When we started,
38:14almost all of the artists
38:16were our backup.
38:18Especially when they promote a movie
38:20and they want to dance.
38:22Who do you wish to dance with?
38:24Now?
38:26Or before?
38:28Now?
38:30Actually, the sisters.
38:32We've wanted to dance for a long time.
38:34Okay.
38:36Let's give them a chance.
38:40We told my wife not to join
38:42so that we can be partners.
38:44That's why he said
38:46he'll dance with Jelly.
38:48Sister love.
38:50Go, Jelly.
38:52Don't be like that.
38:54Jenny, come here.
38:56I want a butterfly.
38:58Why me?
39:00Jenny wants a butterfly.
39:02It's just a joke.
39:04Don't say too much.
39:26It hurts.
39:28It hurts.
39:30You're a left-footed person.
39:32Is that true?
39:34We're both left-footed.
39:36I don't believe that.
39:38I didn't know how to dance before.
39:40What happened to you?
39:42You don't know how to dance?
39:44No.
39:46They taught me how to dance.
39:48I really don't know how to dance.
39:50I don't believe that
39:52everyone can't dance.
39:54Everyone can learn.
39:56Some are just better than others.
39:58That's how it is.
40:00What about the offbeat people?
40:02They're really offbeat.
40:04It's hard to do that.
40:06Yes.
40:08If you make the dancers offbeat,
40:10they can't do it.
40:12I'm really bad at it.
40:14When I watch a disco,
40:16I'll go like this.
40:18You can't do that.
40:20Because they're offbeat.
40:22They're really offbeat.
40:24So you're a talent.
40:26I don't want to teach.
40:28I'm just a talent.
40:30You want to be a talent?
40:32I don't want to.
40:34It depends on the talent fee.
40:38This is the last question.
40:40Seriousness.
40:46You can ask this question.
40:50So they'll believe you.
40:52I'm not credible.
40:54A lot of people are discouraged
40:56to be a dancer.
40:58How can you convince them
41:00that dancing is not a good job?
41:02It's a good job.
41:04It's lucrative.
41:06It's not bad.
41:08Explain how you
41:10improved as a person
41:12because of dancing
41:14that you can't learn
41:16if you're not a dancer.
41:18It's serious.
41:22I don't know.
41:28Look at the elders.
41:34Like any other job,
41:36you have to love what you're doing.
41:38Your effectiveness
41:40will show
41:42both in your personal side
41:44and in your craft
41:46because you have a responsibility
41:48to the people who are watching you.
41:50So maybe dancing.
41:54Maybe that's why they say
41:56it's a moral issue.
42:02Dancers,
42:04if you get into this kind of profession,
42:06it's like,
42:08it's the movement.
42:10It's too provocative.
42:14We live in a society
42:16where our norms and morals
42:18are being violated.
42:20They think
42:22that if you're a dancer,
42:24you're a man,
42:26you're a woman.
42:28If you're not a man,
42:30you're a woman.
42:38The trick is,
42:40if you get into this kind of job,
42:42the trick is,
42:44in everything that you do,
42:46maybe dancing,
42:48maybe singing,
42:50or advertising,
42:52or anything for that matter,
42:54you have to love what you're doing
42:56so that you will be responsible
42:58to yourself and to your craft
43:00and eventually to those people
43:02watching you,
43:04they will appreciate you.
43:06How about you?
43:08Actually,
43:10it's almost the same.
43:12Whatever you want to do,
43:14you have to do it
43:16to follow your heart.
43:18Wherever you're more comfortable,
43:20if you really want to dance,
43:22do it.
43:24Like for me,
43:26when I was dancing,
43:28my mom really didn't like it
43:30because she said
43:32nothing would happen to me.
43:34I grew up there,
43:36so I didn't have a job there.
43:38So I thought,
43:40it's okay.
43:42We're from Subic.
43:44So I just followed
43:46what my heart told me.
43:48So that's it.
43:50So you think if you don't become a dancer,
43:52you won't become Waui de Guzman?
43:54No, not really.
43:56That's why I'm here today
43:58because I'll be a man.
44:04Let's say I'm a man.
44:06Life is a continuous
44:08process of learning.
44:10You learn different things at school,
44:12at work,
44:14even at home.
44:16And then one of the most advantages
44:18of being a dancer is you meet a lot of people.
44:20And when you meet a lot of people,
44:22you have many influences.
44:24You meet a lot of influences.
44:26You learn a lot.
44:28So those who want to be a dancer,
44:30just back to the basic,
44:32love your work.
44:34That's the basic, that's the bottom line.
44:36Love your work.
44:38Correct, Waui!
44:40Yes, father.
44:42And
44:44there's nothing wrong
44:46with dancing.
44:48What's important is
44:50you're enjoying your life, right?
44:52That's what you want,
44:54so you won't have any regrets.
44:56Like that.
44:58Right, Chris?
45:00Because of course,
45:02we have talents.
45:04We're blessed, right?
45:06We were given talents.
45:08Let's share.
45:10Just like what they're doing,
45:12they're choreographing.
45:14They're sharing their talents.
45:16They're learning something.
45:18Save your last dance
45:20for us here at SIS.
45:22We'll be back.
45:30We are sisters.
45:32Always,
45:34always be.
45:36We are sisters.
45:38We are sisters.
45:40SIS would like to thank
45:42Bambi Fuentes,
45:44Salon de Manila,
45:46Chloe for our eyewear,
45:48Optical Works,
45:50Wade Shoes,
45:52Janeline Shoes,
45:54Balloon Creations,
45:56Adidas,
45:58Durastar,
46:00Luxaflex by Hunter Douglas
46:02for our vertical blinds,
46:04Republic Asahi,
46:06Zencest,
46:08FNH, and Union Square.
46:10Of course,
46:12we would like to thank
46:14Luxaflex by Hunter Douglas
46:16for our vertical blinds,
46:18The Barnyard,
46:20Play and Display, JBL Furniture,
46:22Grant Flora, Union Square,
46:24Balloon Creations,
46:26Wade Shoes, Salon de Manila,
46:28Janeline Shoes, Bambi Fuentes,
46:30Bayo, Chloe for our eyewear,
46:32Optical Works, Durastar,
46:34Republic Asahi,
46:36Hirewire Internet Service Providers,
46:38and Zencest.
46:40Okay.
46:42Like we said, once a dancer,
46:44always a dancer.
46:46Let's go, dancers!
46:48Everybody, let's dance!
46:56Angelina
46:58Vamos a empezar
47:00Bailaremos en el piso
47:02Y también en el sillón
47:04El chacha por la casa
47:06Y luego al reventón
47:08Chacha por la noche
47:10Y chacha con la luz
47:12Si tú estás conmigo
47:14El chacha eres tú
47:16Angelina
47:18Baila asà señorina
47:20Angelina
47:22Pero que tú sé que es
47:24Angelina, Angelina
47:26Mi bella señorina
47:30Oh, Angelina
47:32Angelina, Angelina
47:34Baila asà señorina
47:36Angelina
47:38Hazlo de nuevo otra vez
47:40Angelina, Angelina
47:42Mi bella señorina
47:44Baila otra vez
47:46Baila, baila
47:48Baila
47:50Baila
47:52Baila
47:54Baila
47:56Baila
47:58Baila
48:00Angelina
48:02Si te gusta
48:04No puedes, ves
48:06Esta hecho para dos
48:08Y no cabemos tres
48:10Tengo reservaciones
48:12Para ir a cenar
48:14Angelina
48:16Vamos a empezar