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Transcript
00:00:00♪
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00:02:46Good evening.
00:02:48Good evening.
00:02:49Is there anything I can do for you?
00:02:51I don't happen to have a small penknife or an axe.
00:02:53Ha ha ha! No, no, no.
00:02:55Well, may I use the end of your cigar?
00:02:58But what for?
00:02:59Ah, there by hangs the table.
00:03:01Ha ha ha!
00:03:03I left half of it in my room, and the keys with the porter.
00:03:06Perhaps my key will fit your door.
00:03:08Ha ha, that's hardly like that.
00:03:09Ha ha! But this is a continental hotel, you know.
00:03:12♪
00:03:15Ah! You've done me a great, a great service.
00:03:20Now, if you ever need a little brimstone...
00:03:23I will come down and see you.
00:03:25You'll get a warm welcome.
00:03:29You're not going to the carnival by any chance?
00:03:31Oh, no, no, no.
00:03:33Neither am I.
00:03:35Carnivals are a waste of time.
00:03:36Ha ha ha!
00:03:39A wicked waste of time.
00:03:42Absolutely.
00:03:43Ha ha ha!
00:03:45♪
00:04:05I'll be seeing you.
00:04:06Have a good celebration.
00:04:07♪
00:04:19Take them out.
00:04:20Hand over everything that's safe.
00:04:23Oh!
00:04:24Oh!
00:04:25Oh!
00:04:26Oh!
00:04:27Oh!
00:04:28Mr. Arwood, you will have your little joke.
00:04:31A fine night for the fireworks, Ethelred.
00:04:34The fireworks?
00:04:35Ah, yes.
00:04:36Have you heard anything of the gentleman?
00:04:37I'm expecting him.
00:04:38Oh, let me see.
00:04:39Oh, yes, monsieur.
00:04:40That will be Mr. Fenton.
00:04:41No, no, no.
00:04:42Fenton, Fenton.
00:04:43F-E-N-T-O-N.
00:04:44It's very important.
00:04:46No, sir.
00:04:47We should be here by now.
00:04:48Yes, sir.
00:04:49Did you make our reservations on the Riviera Express tonight?
00:04:52Oh, monsieur, we live to the last moment.
00:04:54All I get is a two-bed sleeper, the last on the train.
00:04:56Okay, what's the damage?
00:04:58Sixteen hundred francs.
00:05:01I'll toss you double or nothing.
00:05:02Oh, but, monsieur...
00:05:03Come on, come on, give me a crank, give me a crank.
00:05:04Oh!
00:05:06Tail.
00:05:08Head, you win.
00:05:11I seem to be unlucky with tails tonight.
00:05:13Oh, monsieur, but never before in my life have I gambled.
00:05:17Never?
00:05:18Never, monsieur.
00:05:19Well, I won't be the first to push a woman down with bat.
00:05:22I can't do it.
00:05:24Ethelred, I've saved you from a life of folly.
00:05:28From now on, my movements will be very uncertain, Ethelred.
00:05:32From now on, my movements will be very uncertain, Ethelred.
00:05:46Then we'll have to have just one more little drink
00:05:51And we'll all do what we want
00:05:55Go home and have a little drink
00:05:59And we'll all do what we want
00:06:07Myra, I beg your pardon, my sense of direction disappeared sometime.
00:06:18That face seems distinctly familiar.
00:06:21Don't tell me it's coming back.
00:06:25I know.
00:06:26You're the fellow who emancipated my tail.
00:06:30Any fellow who may see...
00:06:34Any fellow who pulls my tail out of the door is my friend for life.
00:06:39This definitely calls for a little drink.
00:06:45Pardon me.
00:06:55What's yours?
00:06:56Is this any good?
00:06:58Huh?
00:06:59Silence means consent.
00:07:00Absolutely.
00:07:07Say when.
00:07:10Say when.
00:07:15You've been drinking, sly dog.
00:07:17I'll give you a little tip.
00:07:19It's the wrong bedroom.
00:07:23My experience is always the right one.
00:07:26Come on.
00:07:27Come on!
00:07:28Drink!
00:07:53Excuse me, are you in a hurry?
00:08:09Yes.
00:08:10So am I.
00:08:11Speed it up a little.
00:08:12Hey, you can't do that.
00:08:16This is a matter of life and death.
00:08:18You're pretty.
00:08:20You're drunk.
00:08:22Is that all?
00:08:24Well, since you've been so polite, perhaps you could tell me which is Mr. Harwood's room.
00:08:28Oh, right over there.
00:08:30Did you say Harwood?
00:08:31Yes.
00:08:32Well, that's a funny thing.
00:08:33That reminds me of something.
00:08:35I'm Harwood.
00:08:36Here's my tail.
00:08:37Well, how do you do?
00:08:38I'm from the Worldwide Insurance Company of New York.
00:08:40Well, at the moment, I'm fully insured, but you ought to clean up in this place.
00:08:43I'm supposed to meet you here.
00:08:45Oh, I'm sorry.
00:08:46Oh, I'm sorry.
00:08:47Oh, I'm sorry.
00:08:48Oh, I'm sorry.
00:08:49Oh, I'm sorry.
00:08:51I'm supposed to meet you here.
00:08:52I'm called Fenton.
00:08:53I'm sorry I'm late.
00:08:54Fenton?
00:08:55Yes.
00:08:56Oh.
00:09:05Why aren't you a man?
00:09:07For usual reasons.
00:09:09Why didn't you say in your telegram you were a woman?
00:09:11That recurred to me.
00:09:12You can't be very observant.
00:09:15I just found a body.
00:09:17Really?
00:09:18You know, a body with a beard.
00:09:20All the best bodies have beards.
00:09:21No, this is serious.
00:09:22I'm going down the hall to report it.
00:09:26Now, don't take this too big.
00:09:28I don't want to scare anybody, but I found a dead body in the room next to mine.
00:09:33A body?
00:09:34That's right.
00:09:35Which room, sir?
00:09:36210.
00:09:37210?
00:09:38Oh, that will be part of Mr. Wagner's suite.
00:09:41Thank you very much for telling me.
00:09:42I will have the chambermaid take it away at once.
00:09:45This is on the level.
00:09:46Get the police.
00:09:48Good night for the fireworks, Ethelred.
00:09:50Wise guy.
00:09:52Get me the manager.
00:09:53Your name really, Ethelred?
00:09:55Yes.
00:09:56No.
00:09:57Who's here?
00:10:00A dead body.
00:10:02Where?
00:10:03Mr. Wagner's room.
00:10:05I'll come at once.
00:10:13There.
00:10:15It's gone.
00:10:18The body's gone.
00:10:19The body's gone.
00:10:20Did you hear that?
00:10:21The body's gone.
00:10:22I wish I would feel better in the morning.
00:10:25He thinks I'm drunk.
00:10:26Tell him.
00:10:27He's drunk.
00:10:29I mean about the body.
00:10:30Well, I didn't see it.
00:10:32Listen.
00:10:33I belong to Taggart and it's American detective agency.
00:10:36I'm the European representative.
00:10:38Mr. Harwood must have his little joke.
00:10:40Am I or am I not a detective?
00:10:42I don't know.
00:10:43How do you feel about it?
00:10:45Now, listen.
00:10:46I'm sick of this.
00:10:48There's a perfectly peaceable visit.
00:10:49I find a body, throw no fault of my own,
00:10:51and everyone treats me like a lunatic.
00:10:53A man was sitting in that chair murdered.
00:10:55I saw him.
00:10:57Well, monsieur, if you'll excuse me.
00:10:58Get this.
00:10:59I'm not leaving here until you call the police.
00:11:01Take my advice.
00:11:02Forget it.
00:11:03Let's see.
00:11:05He was sitting there.
00:11:07I brought a drink down from that table.
00:11:10Well, mademoiselle, I don't think monsieur will require us any longer.
00:11:15We have a train to catch.
00:11:17We have a train to catch.
00:11:20Bonsoir, mademoiselle.
00:11:21Bonsoir, monsieur.
00:11:23Bonsoir, monsieur.
00:11:25Exceptionally fine night for the fireworks.
00:11:28Yes, isn't it?
00:11:29Mademoiselle.
00:11:40Next time I discover a body, I'll get it to sign an affidavit.
00:11:43We have exactly 15 minutes to get to the station.
00:11:45Station.
00:11:47I can't go to Scotland like this.
00:11:48The Scots would never understand.
00:11:49We must catch that train.
00:11:51Lady Belton is expecting us.
00:11:53Belton?
00:11:57Lady Belton is the lady who's lost the jewelry that you and I have got to find.
00:12:01Does that penetrate?
00:12:03Oh, yes, I remember.
00:12:04You're snooping around for some insurance company.
00:12:06Ah, the alcoholic clouds are clearing.
00:12:08How long will you be?
00:12:10Like that.
00:12:11One minute to strip, one minute to dress.
00:12:12I'll be back in a minute.
00:12:14Hey, make it two minutes.
00:12:16I'll finish packing for you.
00:12:18Make it snappy now.
00:12:21Why did you come all the way to Nice to meet me?
00:12:23I waited three days in London, sitting on my hotel chair.
00:12:29Oh.
00:12:30Then I cabled your New York office.
00:12:33What did they say?
00:12:35They said there's only one way to get Hollywood.
00:12:38Fetch him.
00:12:40I knew they'd speak highly of me.
00:12:42Have you got any spare underwear?
00:12:45Why, are you short?
00:12:47Try the top drawer.
00:13:12Say.
00:13:13Yes?
00:13:14Why did the old dame send for a tankerton man?
00:13:16Lady Belton is 100% American.
00:13:18Third husband, Lord Belton.
00:13:20First two disposed of by tankertons.
00:13:22Well, I suppose we've got to go.
00:13:24But what an opportunity to miss.
00:13:26Here's a perfectly good dead body.
00:13:28This is a very commonplace world.
00:13:30Bodies don't disappear.
00:13:31And when a man has had too much to drink, he's drunk.
00:13:33Is that clear?
00:13:35Perfectly.
00:13:36Here you are.
00:13:40Oh, uh, have you got everything?
00:13:42Everything.
00:13:44Everything.
00:14:04Here you are.
00:14:05Merci, monsieur.
00:14:07This is a double sleeper.
00:14:08You forget, I thought you were a man.
00:14:10I hoped I'd remove that impression.
00:14:12You have.
00:14:14Um, where are you going to sleep?
00:14:16Well, that's easy.
00:14:17Right here.
00:14:18Well, everything's taken.
00:14:19Where am I going to sleep?
00:14:20I don't care.
00:14:22Well, that's very sweet of you, dear.
00:14:24Just a minute.
00:14:26Oh, uh, scratch my back, will you?
00:14:29Can I do anything for you, monsieur?
00:14:31Yes, scratch his back.
00:14:33Oui, madame.
00:14:34Where are you, monsieur?
00:14:36Outside.
00:14:38Oui, monsieur.
00:14:42Hope you find crumbs in my bed.
00:14:45Well, I've always got the other one.
00:15:08Oh.
00:15:09Oh.
00:15:10Oh.
00:15:11Oh.
00:15:12Oh.
00:15:13Oh.
00:15:14Oh.
00:15:15Oh.
00:15:16Oh.
00:15:17Oh.
00:15:18Oh.
00:15:19Oh.
00:15:20Oh.
00:15:21Oh.
00:15:22Oh.
00:15:23Oh.
00:15:24Oh.
00:15:25Oh.
00:15:26Oh.
00:15:27Oh.
00:15:28Oh.
00:15:29Oh.
00:15:30Oh.
00:15:31Oh.
00:15:32Oh.
00:15:33Oh.
00:15:34Oh.
00:15:35Oh.
00:15:36Oh.
00:15:37Oh.
00:15:38Oh.
00:15:39Oh.
00:15:40Oh.
00:15:41Oh.
00:15:42Oh.
00:15:43Oh.
00:15:44Oh.
00:15:45Oh.
00:15:46Oh.
00:15:47Oh.
00:15:48Oh.
00:15:49Oh.
00:15:50Oh.
00:15:51Oh.
00:15:52Oh.
00:15:53Oh.
00:15:54Oh.
00:15:55Oh.
00:15:56Oh.
00:15:57Oh.
00:15:58Oh.
00:15:59Oh.
00:16:00Oh.
00:16:01Oh.
00:16:02Oh.
00:16:03Oh.
00:16:04Oh.
00:16:05Oh.
00:16:06Hello, hello.
00:16:07How are you?
00:16:08How are you?
00:16:10Hello, hello.
00:16:11How are you?
00:16:12How are you?
00:16:40How are you?
00:16:41How are you?
00:16:42How are you?
00:16:43How are you?
00:16:44How are you?
00:16:45How are you?
00:16:46How are you?
00:16:47How are you?
00:16:48How are you?
00:16:49How are you?
00:16:50How are you?
00:16:51How are you?
00:16:52How are you?
00:16:53How are you?
00:16:54How are you?
00:16:55How are you?
00:16:56How are you?
00:16:57How are you?
00:16:58How are you?
00:16:59How are you?
00:17:00How are you?
00:17:01How are you?
00:17:02How are you?
00:17:03How are you?
00:17:04How are you?
00:17:05How are you?
00:17:06How are you?
00:17:07How are you?
00:17:08How are you?
00:17:10with us at this time.
00:17:31Now listen,...
00:17:33F, E, N, T, O, N.
00:17:37F for Fiddle, E for Henry, N, never mind, T, Turtle.
00:17:42It's not English.
00:17:44Long legs is right, but I can't help it.
00:17:47Try it, sir.
00:17:49Oh, no, no, try it.
00:17:51Listen, if we only knew the name, maybe we could find it.
00:17:55Maybe the young American lady, Cal Fenton.
00:17:59Cal Fenton?
00:18:00F-E-N-T-O-N, Fenton, Fenton, Fenton.
00:18:03Yes, yes, yes.
00:18:05He lives in the room next door.
00:18:07Yes, next door.
00:18:08Next door?
00:18:09Next door, yes.
00:18:10Oh, you mean Cootie.
00:18:11Well, we'll let them wait.
00:18:12I've got to see her first.
00:18:13Hello.
00:18:15Goodbye.
00:18:16I mean, thank you very much.
00:18:22Hello.
00:18:26Oh, why the face?
00:18:28What's the idea of not being heard?
00:18:30You disappointed?
00:18:31Well, you might have been heard a little bit.
00:18:33Why did you come out?
00:18:34Well, I didn't quite come out, but I was on my way.
00:18:38Oh, how's your knee?
00:18:40Pretty good.
00:18:44What are you doing?
00:18:45I'm looking up the trains to Scotland.
00:18:48In a 902 timetable?
00:18:50They've all got that by now.
00:18:54Get me the police.
00:18:55What are you calling them for?
00:18:56Curiosity.
00:18:57Get me the police.
00:19:00Well, that's service.
00:19:01Oh, uh...
00:19:02Monsieur Turbet.
00:19:03Nous avons pris le rapport du mécanicien.
00:19:06Oh, Monsieur Turbet, Assistant Prefect of Police?
00:19:09Yes, I am.
00:19:10You've lost some of your property?
00:19:12Well, it wasn't exactly mine, although I did see it first.
00:19:16Perhaps Monsieur will explain.
00:19:17My name is Harwood of the Tankerton Detective Agency, New York City.
00:19:21Oh, very glad to see you, Mr. Harwood.
00:19:23They transferred him to Europe so they could get some work done over there.
00:19:27The witty lady on my left is Miss Fenton of the Worldwide Insurance Company of New York, one of their major risks.
00:19:33Delighted to meet you, Miss Fenton.
00:19:34How do you do?
00:19:35How do you do?
00:19:36Please sit down.
00:19:37Oh, thank you.
00:19:38You know, uh, Monsieur Turbet, I have a theory.
00:19:40I believe the Paris Express was deliberately wrecked.
00:19:43That's more than a theory, Mr. Harwood.
00:19:45We have proof that the signals were tampered with.
00:19:49Have you any idea who did it?
00:19:51Not yet.
00:19:52The most difficult type of criminal to find is a madman without a motive.
00:19:59Always supposing he is a madman and hasn't a motive.
00:20:02Why do you say that?
00:20:06Last night at the Hotel Gallico in Nice, I found a dead body.
00:20:10You would bring that up.
00:20:13A body of a man with a beard.
00:20:15Later on, it disappeared.
00:20:17The beard?
00:20:18The body!
00:20:19After the smash, I saw that body in the wreckage.
00:20:22What?
00:20:23I'll swear I saw the same body twice.
00:20:25I don't doubt it.
00:20:27In my opinion, the murderer tried to conceal it.
00:20:29But why wreck a train to do it, Mr. Harwood?
00:20:32What better place to hide a leaf than in a forest?
00:20:34Huh?
00:20:35And where is the body now?
00:20:37Fortunately, it was burned in the wreck.
00:20:39Very unfortunate.
00:20:40But leave it to me, Mr. Harwood.
00:20:41In France, we work different to America.
00:20:43And you can rely on me.
00:20:45I shall leave every stone turned up.
00:20:47That's right.
00:20:48Don't turn down anything.
00:20:52I'll give you a little proposition, Mr. Turbey.
00:20:54I'll bet you $5,000 even that I catch the man who wrecked this train.
00:20:58You're betting me, Paul Turbey, $5,000,
00:21:02that you will catch this maniac?
00:21:04That's the idea.
00:21:05It's a lot of money, Mr. Harwood.
00:21:08But how is it you say in English?
00:21:10Never look in the gift of a horse's...
00:21:13I know what you mean.
00:21:14Well, I accept.
00:21:16Fine, good.
00:21:18I cannot talk any longer.
00:21:20That's all right, that's all right.
00:21:21Goodbye, Mr. Harwood.
00:21:22Goodbye.
00:21:23Oh, uh, I think we ought to start even.
00:21:28Clue number one, plucked from the bearded body.
00:21:35If you will pardon me for turning up the first stone.
00:21:38Come on.
00:22:06I hope you realize I'm making a great concession in letting you crawl here.
00:22:09Thank you, Carol.
00:22:11My name's Fenton.
00:22:12Thank you, Fenton.
00:22:14Sir?
00:22:15Good afternoon, Fenerbahce.
00:22:16I'd like to see the gentleman who lives here.
00:22:18What name should I tell you?
00:22:19Oh, well, he wouldn't know it,
00:22:20but I think he'll see me if you tell him it's in connection with Wagner.
00:22:23Heinrich Wagner.
00:22:25Very good, sir.
00:22:26If you'll come inside.
00:22:27I'd love to.
00:22:30After you, little woman, after you.
00:22:33So you're digging up that body again,
00:22:35and you told me you were going to visit a sick friend.
00:22:37Maybe he is sick.
00:22:38Well, I'm going.
00:22:39No, you don't.
00:22:40Oh, yes, I am.
00:22:41Listen, behave yourself.
00:22:42If you'll come this way, madam.
00:23:03It's an old French custom.
00:23:09Oh, I hate disturbing you like this,
00:23:11but it's rather important.
00:23:12Won't you sit down?
00:23:16I ran across a friend of yours yesterday,
00:23:18Heinrich Wagner.
00:23:19Oh, yes.
00:23:20And I gathered that he was on his way here to see you.
00:23:22Oh, yes, he was.
00:23:23He was?
00:23:24Oh, yes, he was.
00:23:25Oh, yes, he was.
00:23:26Oh, yes, he was.
00:23:27Oh, yes, he was.
00:23:28Oh, yes, he was.
00:23:29Oh, yes, he was.
00:23:30Oh, yes, he was.
00:23:31And I gathered that he was on his way here to see you.
00:23:33Have a cigarette.
00:23:37I don't exactly know how to tell you this, but...
00:23:39A light?
00:23:41Thanks.
00:23:43It may be a bit of a shock to you.
00:23:49Heinrich Wagner was on the Paris Express last night.
00:23:54Well?
00:23:56The train was wrecked.
00:23:57Wrecked?
00:23:59But Wagner?
00:24:01Killed.
00:24:04Dear, dear, dear, dear, dear.
00:24:06I did not even know there had been a wreck.
00:24:09This is a great shock to me.
00:24:11Yeah, it was a great shock to us.
00:24:13It must have been.
00:24:15Particularly to...
00:24:17My wife?
00:24:18Oh, yes.
00:24:19Yes, wasn't it, darling?
00:24:20Oh, yes.
00:24:22See, I'm afraid she's not quite herself.
00:24:23I spoiled her night's sleep, and she's a little upset.
00:24:27How unfortunate.
00:24:31Poor Wagner.
00:24:33He was to have visited me here today.
00:24:36I was wondering why he had been detained.
00:24:39Of course, you understand he is only a business acquaintance.
00:24:43A friend of a friend.
00:24:45Oh, quite, quite.
00:24:46Nevertheless, it is not very pleasant to hear these things.
00:24:50Will you have a drink?
00:24:52Oh, no thanks, no thanks.
00:24:53No, no, he, Darren, it goes to his head immediately.
00:24:56Doesn't it, darling?
00:24:58Yes, darling.
00:24:59Well, we won't trespass on your time any longer.
00:25:01It was most considerate of you to come.
00:25:03I hate to spring on you like this, but I thought it best to tell you.
00:25:05I am extremely grateful.
00:25:07Goodbye, Mr...
00:25:08Goodbye, and thank you.
00:25:12That's a fine print you have there.
00:25:15Buenos Aires Racecourse, isn't it?
00:25:17Do you know South America well?
00:25:18No, not at all.
00:25:19I have taken this place furnished.
00:25:21Goodbye again, and thank you.
00:25:23Goodbye.
00:25:25Come on.
00:25:42Fenton, do you wear corsets?
00:25:44I do not.
00:25:45I thought so.
00:25:46Are you wired up in any way?
00:25:47What?
00:25:48Any hairpins?
00:25:49No.
00:25:50Why?
00:25:51I'm going to pick his lock.
00:25:52Pick his what?
00:25:53His lock.
00:25:54Tonight, all being well.
00:25:55All being well?
00:25:56We should be in Scotland by now.
00:25:58Roaming in the gloaming with you, Fenton,
00:26:00appeals to me much more than breaking haggis with Lady Belden.
00:26:02Yes, but we...
00:26:03But, gin a body, meat a body, especially a dead one.
00:26:06Something must be done.
00:26:08Hence, I'll have to bust into that gent's flat.
00:26:10Hence, you bust into it alone.
00:26:12Of course.
00:26:13This is a man's job.
00:26:14Oh, is it?
00:26:15Well, I'll go and find one.
00:26:16I knew I could count on you.
00:26:24Careful!
00:26:26Stupid!
00:26:28I thought you weren't coming.
00:26:30So did I.
00:26:31I know.
00:26:32It's the mother instinct.
00:26:33Uh-huh.
00:26:35Careful!
00:26:37Stupid!
00:26:39I thought you weren't coming.
00:26:41So did I.
00:26:42I know.
00:26:43It's the mother instinct.
00:26:44Uh-huh.
00:26:50Dead right.
00:26:53Lift him up, lift him up.
00:27:00Call this fella tomorrow.
00:27:02Tell him to assure you.
00:27:03Tell him to insure with the world wide.
00:27:05Tomorrow I'll be in jail.
00:27:18Shut the door.
00:27:33Careful.
00:27:46Have you got another one?
00:27:47No.
00:27:50I've got it.
00:27:53Yes, you've got it.
00:27:56We certainly came prepared.
00:27:57Let's go.
00:27:58Shhh.
00:27:59Well, I'm going.
00:28:00No, you don't.
00:28:03What was that?
00:28:04Your beads.
00:28:06Get away, stupid.
00:28:14Where are you?
00:28:17Ethelred, where have you gone?
00:28:20Ethelred!
00:28:25Shh.
00:28:26It's all right.
00:28:27I did it.
00:28:28I did it.
00:28:29Oh, well, if you think you can scare me.
00:28:30Well, they're gone.
00:28:34Shh.
00:28:43Same in the bedroom.
00:28:44Everything moved.
00:28:46I wonder why that fellow wanted to get out so quickly.
00:28:49Maybe his lease was up.
00:28:52Fenton, I'll do the thinking.
00:29:03Five minutes fast.
00:29:16Find our missing friend and we'll have the solution.
00:29:18To what?
00:29:20Hello.
00:29:22What's this?
00:29:23The Lord Mayor-elect and the sheriffs of London request the honor of the company of Axel Hoyt and party
00:29:29at dinner at Guildhall on Saturday, the ninth day of November, 1931.
00:29:341931.
00:29:35We're a bit late for the party.
00:29:37Well, we know four important facts.
00:29:39Our friend's name is apparently Axel Hoyt.
00:29:41Yes.
00:29:42His address was on Wagner's cuff.
00:29:43Yes.
00:29:44He runs away.
00:29:45Why?
00:29:46I don't know.
00:29:47Because he thinks I know something.
00:29:48Yes.
00:29:49I don't know.
00:29:50I don't know.
00:29:51Because he thinks I know something.
00:29:52Yes.
00:29:53I'm going.
00:29:54Where?
00:29:55To Scotland.
00:29:56I'm sick of playing tag with a hangover.
00:29:57I am, though.
00:30:03I really am.
00:30:05The old place won't be the same without you.
00:30:09Oh, forget this wild goose chase and come with me to Scotland.
00:30:18It's getting a little chilly out there.
00:30:19After all, we are supposed to be doing a job together.
00:30:21What do you say?
00:30:23Let's sit down.
00:30:24What?
00:30:25Sit down.
00:30:28What was that?
00:30:30It's the neighbors complaining again.
00:30:31It was somebody shooting at us.
00:30:33You wouldn't fool me.
00:30:35Ethelred, you were right.
00:30:36There was a body.
00:30:37It was put on that train.
00:30:38And all those people were killed just to...
00:30:40You're not going through with this.
00:30:42Of course I am, but I've got to get you out of here first.
00:30:44I'm staying.
00:30:45Oh, you're not.
00:30:46Oh, you think I'm scared, do you?
00:30:47Well, you're wrong.
00:30:48Oh, Ethel!
00:30:49Are you dead?
00:30:50Yes.
00:30:51How do we get out of here?
00:30:53Well, they say an army marches on a stomach.
00:30:55Let's join the army.
00:31:00And then what?
00:31:02Find Axel Hoyt.
00:31:03I haven't got a clue.
00:31:05You forget, Fenton.
00:31:07Axel Hoyt was at the Guildhall five years ago.
00:31:19And so, ladies and gentlemen,
00:31:21we leave the most ancient room in the Guildhall.
00:31:25Noting, as we pass along,
00:31:27the beautiful dark oak paneling on either side.
00:31:30See description in official guidebook.
00:31:32Available from myself,
00:31:35priced sixpence.
00:31:37Follow me, please.
00:31:39Gather round, please.
00:31:41Just gather round and I'll endeavor to explain.
00:31:44Now, hanging on the walls,
00:31:46we have a series of photographs
00:31:48of the annual Guildhall banquets
00:31:50for the past 15 years,
00:31:53from 1921 to 1935 inclusive.
00:31:58At these banquets,
00:32:00as many as 3,000 guests
00:32:02have been known to sit down to table at one time.
00:32:06Follow me.
00:32:08The Guildhall was rebuilt in 1411
00:32:11and was damaged in the great fire in 1666,
00:32:15which emanated, as we know,
00:32:16from Pudding Lane and finished in Pycon.
00:32:19Now, this, of course, was before my time,
00:32:21but I might as well tell you
00:32:23that according to history,
00:32:25this old place originally was an old manor.
00:32:31You see before you
00:32:33several handsome portraits
00:32:35of former London mayors,
00:32:37aldermen, and city officials.
00:32:41There is an amusing story told
00:32:43of the gentleman in the portrait
00:32:44now facing us
00:32:46and known to posterity
00:32:48as one of the first Lord Mayors of London.
00:32:52It is related that
00:32:54as he was in the act
00:32:56of stepping from his coach,
00:32:58one of the horses,
00:33:00excited by the occasion,
00:33:02reared up and stamped heavily
00:33:04into a puddle,
00:33:06splashing the mayor's robes
00:33:08and casting a cloud
00:33:10over his inauguration.
00:33:12Undismayed, he turned
00:33:14to his attendants and remarked,
00:33:16is this how my worthy city greets me?
00:33:19A bon mot,
00:33:21which not only saved an awkward situation,
00:33:23but caused him to be known
00:33:25ever afterwards
00:33:27as a man of ready wit and humor.
00:33:29And that ends
00:33:31our little tour today,
00:33:33ladies and gentlemen.
00:33:35In the course of my day's work,
00:33:37I walk three and three-quarter miles
00:33:39and am not due for pension
00:33:41till 1941.
00:33:44I thank you.
00:33:49Thank you very kindly.
00:33:59This way out, miss.
00:34:11Lock that door.
00:34:23Nice work.
00:34:26Nature and the law.
00:34:28700 faces waiting to be fed.
00:34:30So that's a guild hall banquet.
00:34:33Look, there's a boy's head.
00:34:35No, that's the mayor.
00:34:37Look.
00:34:38Where?
00:34:39See that fellow?
00:34:40Yes.
00:34:41He owes me $5.
00:34:42Look at this.
00:34:44Wagner.
00:34:46Before he was a body.
00:34:48Note the beard.
00:34:50Benton, the plot thickens.
00:34:52Axel Hoyt.
00:34:54In person.
00:34:56So Hoyt knew Wagner five years ago.
00:34:58Let's see what the others can tell us.
00:35:00Look here, exhibit A.
00:35:02Strapping wench
00:35:04with comhither eyes.
00:35:06Definitely has style.
00:35:08Next tour,
00:35:10who would you say would be in C?
00:35:15B, typical pillar of the British Empire.
00:35:18C,
00:35:20might be anything from a cabinet minister
00:35:22to a Portuguese sanitary inspector.
00:35:24It couldn't be that, it has no epaulets.
00:35:26Well, look here.
00:35:28Oh, definitely a personage.
00:35:30Member of the male sex.
00:35:32Obviously an untidy smoker.
00:35:35There you are, Benton.
00:35:37This group is our only link to Hoyt.
00:35:40The question is, how are we going to trace them?
00:35:43Benton, you're not attending.
00:35:46I'm studying the gown exhibit A is wearing.
00:35:49Don't be feminine, I'm thinking.
00:35:51You better leave the thinking to me.
00:35:55A gown as smart as that one can be traced.
00:36:00Benton, you're a genius.
00:36:05Madame, I can trace this very gown.
00:36:07The Maison Popette supplied it
00:36:09to Miss Elizabeth Wentworth,
00:36:13Grantley House, Buckley.
00:36:15Buckley?
00:36:17Yes, Buckley.
00:36:19A little village in the West Country.
00:36:21Thank you so much.
00:36:23Cut that out.
00:36:25Good afternoon.
00:36:27Good afternoon.
00:36:38It's time for Lady Benton's telegram.
00:36:41What are we going to tell her today?
00:36:43Tell her the plane was delayed by the fog.
00:36:45What fog?
00:36:47The fog that delayed the plane.
00:36:49What plane?
00:36:51That's right.
00:36:53Is this the way you're going to look
00:36:55for Elizabeth Wentworth?
00:36:57Yeah.
00:36:59Well, where are we going to find her?
00:37:01Look.
00:37:07I'm delighted to see so large an assembly tonight.
00:37:11Of course, as you know,
00:37:13the proceeds will go to aid the funds
00:37:16of that splendid organization,
00:37:18the Pilgrims of Peace.
00:37:21It is a special honor to us tonight
00:37:24that the prizes will be presented
00:37:26by the President of the Pilgrims,
00:37:28none other than our old friend,
00:37:30Sir Charles Webber.
00:37:32Who, together with our dear Miss Elizabeth Wentworth,
00:37:44and her band of loyal helpers,
00:37:47are so soon setting forth
00:37:49on their voyage of charity and goodwill
00:37:53on the peace mission ship,
00:37:55the John Murdoch.
00:37:57Two birds with one stone.
00:37:59Excuse me.
00:38:01Now.
00:38:05She's gone.
00:38:10She's sitting at the third table.
00:38:12She's going to play.
00:38:14Remember, please,
00:38:16the losing lady will move up
00:38:18the third table,
00:38:20and the winner will move down
00:38:22the third table.
00:38:23Remember, please,
00:38:25the losing lady will move up,
00:38:27the losing gentleman will move down.
00:38:30The winning couples will keep their seats.
00:38:45Hearts up.
00:38:54That means the losing gent moves down, doesn't it?
00:38:57Which way is down? I'm a stranger here.
00:39:00That way.
00:39:02Good.
00:39:04And the winning couples keep their seats.
00:39:06I know.
00:39:12What did he say were trumps?
00:39:14Hearts.
00:39:16And I don't think we need trouble to play this hand.
00:39:19Oh.
00:39:21That makes me the losing gent, eh?
00:39:24It does.
00:39:26You move down.
00:39:28I know, thank you.
00:39:30And I move up.
00:39:32Correct.
00:39:34I'll be seeing you.
00:39:40Well, I move down, eh?
00:39:42Yes.
00:39:44Yes.
00:39:46You must be lucky in love.
00:39:47One moment, please.
00:39:49Have you ever played this game before?
00:39:52No.
00:39:54You know nothing whatever about it.
00:39:56That's funny.
00:39:58That's what they said at the last table.
00:40:00Now you go down and I'll go up.
00:40:02Goodbye.
00:40:08All change, please.
00:40:10Final game.
00:40:17Say, how are you doing?
00:40:19Fine. Go below now, there's my table.
00:40:21Goodness, this game's hard on your feet.
00:40:23On your what? Scram, scram, go on.
00:40:28Hearts, sir.
00:40:30Your card.
00:40:34How do you do?
00:40:36How do you do?
00:40:38How do you do?
00:40:40Three points will make me safe for first.
00:40:42I've just been comparing notes with Mr. Crocker.
00:40:45Excuse me, but haven't we met somewhere?
00:40:47I think not.
00:40:49If you play sensibly, young man, the pig is mine.
00:40:52I'll do my best.
00:40:54Your lead, I think.
00:40:56See, what was it?
00:40:58I've got it.
00:41:00Guildhall Banquet, 1931.
00:41:02Yes, I'm sure it was 1931.
00:41:04We had soup.
00:41:06I've certainly been to banquets at the Guildhall.
00:41:08You were with a business acquaintance of mine.
00:41:10You know, that fellow, the limp.
00:41:12What's his name?
00:41:14Hoyt, Hoyt.
00:41:16Hoyt, Hoyt, Axel Hoyt, that's it.
00:41:18Young man, I only need three points for that sucking pig.
00:41:23Now, if there's any more talking, I shall call the vicar.
00:41:26I'm sorry.
00:41:29Funny thing, I ran across Hoyt in Paris a few weeks ago.
00:41:33I think not.
00:41:35Oh, yes, yes, I'm sure of it.
00:41:37You see, Mr. Hoyt died three years ago.
00:41:40Died?
00:41:41Yes, in the district.
00:41:43I was present at the funeral.
00:41:49Oh, you chump, I ace!
00:41:51Where's the big loss?
00:41:53Where's Mr. Kenny?
00:41:55It's a scandal.
00:41:57I only needed three points.
00:41:59I only needed three points.
00:42:01Don't let your passions rise over a game of cards.
00:42:04Yes, but...
00:42:06Remember, Mrs. Forsyte, that life is not a highway strewn with flowers.
00:42:08Oh!
00:42:09I lost the pig!
00:42:11Then console yourself with a cask of cider.
00:42:13I won't! I won't!
00:42:15I want my pig!
00:42:17He's stolen my pig!
00:42:19He's in league with Mr. Crocker!
00:42:21It's all a plan to get my pig!
00:42:34Who is he?
00:42:36I don't know.
00:42:37Says he saw Hoyt in Paris.
00:42:39Didn't you tell him Hoyt was dead?
00:42:41Yes.
00:42:43I wonder how much he knows.
00:42:45Yes, I wonder.
00:43:01You see, monsieur,
00:43:03owing to the signals being reversed and to the curve in the line,
00:43:05the driver had no time to pull up.
00:43:07Then it was a deliberate wreck.
00:43:09Yes, that is my opinion.
00:43:11Have you any idea who did it?
00:43:13You will pardon me, monsieur,
00:43:15but that is what you call in English a leading question.
00:43:18May I say that the characteristics of this wreck
00:43:20are similar to those of the Bordeaux Express and Harvill Smash?
00:43:23Bordeaux?
00:43:25Harvill?
00:43:27Yes, positively.
00:43:29Thanks. And the motive?
00:43:31Motive? Motive? Who can say?
00:43:32I take it special precautions have been taken
00:43:34on every French railway.
00:43:36On French railways? Yes.
00:43:38But a madman of this kind may turn up anywhere.
00:43:42Yes, of course.
00:43:44Well, thanks very much, monsieur Bordeaux. Good day.
00:43:47Bonjour, monsieur.
00:43:54C'est marqué urgent.
00:43:56Urgent, voyons.
00:44:03Donnez-moi mon par-dessus et mon chapeau.
00:44:06Bien, monsieur.
00:44:11Voilà, monsieur.
00:44:13Merci.
00:44:15Ah, c'est américain.
00:44:18Nous partons en Angleterre.
00:44:20En Angleterre?
00:44:22Oui, en Angleterre.
00:44:24Ah, c'est américain.
00:44:26Nous partons en Angleterre.
00:44:28En Angleterre?
00:44:30Oui, en Angleterre.
00:44:32Mais où, monsieur?
00:44:40Là.
00:44:51First I meet a dead man who was alive,
00:44:53then I meet a living man who died three years ago.
00:44:55There appears to be some minor oversight.
00:44:57Well, if you're trying to get a look at Hoyt's death certificate
00:44:59in here, you're wasting your time.
00:45:00Days of filling out forms.
00:45:02Leave it to me.
00:45:04You better let me handle it.
00:45:06No, not to.
00:45:08Listen, I know. I was brought up in the insurance racket.
00:45:10I'll do it.
00:45:17Good morning.
00:45:19Good morning.
00:45:21Won't you sit down?
00:45:25Now, what can I do for you?
00:45:27Well, I came here to make an inquiry.
00:45:28I'll do the talking.
00:45:30It's like this, I...
00:45:32It's all right, it's all right. I know.
00:45:34There's no need to be bashful.
00:45:36Is it a girl or a boy?
00:45:38Oh, a boy.
00:45:42Your first experience?
00:45:44Oh, no, no.
00:45:46No, we have a little girl as well.
00:45:48Yes.
00:45:50Really?
00:45:52And what is the new baby's name?
00:45:54Oh, um...
00:45:55Haepelthwaite.
00:45:57Axel Stanislaus Hoyt Haepelthwaite.
00:45:59Well, that's rather strange.
00:46:01There was a Mr. Axel Stanislaus Hoyt
00:46:04died in this district, you know.
00:46:06Oh, yes.
00:46:08Mrs. Haepelthwaite's uncle on...
00:46:10Wasn't he there?
00:46:12Yes, on Mother's Sock.
00:46:17So you're naming the new baby after him?
00:46:19Well, we want to,
00:46:21but we're not quite certain how to spell Stanislaus.
00:46:23There are two ways of spelling it, I believe, aren't there, dear?
00:46:26Yes, there are.
00:46:28There's S, T, O, or is it A?
00:46:31Yeah, well, that's very simple.
00:46:33Oh, Pilgweed.
00:46:35Yes, sir?
00:46:37Just bring me the index of deaths for 1933.
00:46:39Yes, sir.
00:46:41You know, the present is part of my duty
00:46:43is the registering of births.
00:46:45Deaths depress me.
00:46:47Marriages, I'm not so sure about.
00:46:49But I always say it takes a birth
00:46:51to brighten up my morning.
00:46:53Oh, thank you.
00:46:55Now then.
00:46:57Aight, aight, aight, aight.
00:47:01I've got it.
00:47:04Here we are.
00:47:06Oh, thank you.
00:47:08You know, dear, his death was certified
00:47:10by our old friend Dr. Evans.
00:47:12He helped our little Henrietta into the world.
00:47:14Remember, darling?
00:47:16Yes, we must look him up.
00:47:18He's moved, you know.
00:47:20Yes, he's at Bellevue now.
00:47:21Outside Bexford.
00:47:23Oh, really?
00:47:25Yes, I'll give you his address.
00:47:27Well, thank you.
00:47:29He's retired now.
00:47:31Yes, about three years, I think.
00:47:33Yes.
00:47:35He's coming to money.
00:47:37Well, I, so I understand.
00:47:39Well, there we are.
00:47:43Well, I, goodbye.
00:47:45Goodbye.
00:47:47Goodbye.
00:47:49Goodbye.
00:47:51Some people.
00:47:53Oh, yes.
00:47:55Yes, thank you very much.
00:47:57Goodbye.
00:47:59Goodbye.
00:48:05Good day, is Dr. Evans in?
00:48:07Dr. Evans left the house a quarter of an hour ago
00:48:09to catch the train for Southampton.
00:48:11When will he be back?
00:48:13I don't know.
00:48:15It was very sudden, a telephone call.
00:48:17Does the train go directly to Southampton?
00:48:19No, the doctor left to change at Barwell.
00:48:21Can't say. He's a doctor. He ought to know. Come on.
00:48:42Look, I can see the train.
00:48:44Yeah, there she is. We've got to get to Barwell before her.
00:48:52Are you sure you've got the brake off?
00:48:54Quit being funny. This is the only car they have in the garage.
00:48:58They must be doing over a hundred by the smell.
00:49:04Hey, we're gaining. Good boy. What have you done to her?
00:49:07We must be going downhill.
00:49:10That's level crossing.
00:49:16I'll be seeing you at dusk.
00:49:19Why should you do that? It's very uncomfortable.
00:49:22Don't talk to me while I'm driving. You make me nervous.
00:49:30Look.
00:49:32What?
00:49:33There's a lorry.
00:49:35I saw a lorry once in Pittsburgh.
00:49:38Yes, but it's right across the track.
00:49:40What?
00:49:41Yes, look. The train.
00:49:45Do something.
00:49:48Yeah.
00:50:02Too late, friend.
00:50:12And before we could reach Dr. Evans, he was killed in the wreck. That's all.
00:50:16As chief constable of the county, the next move is yours.
00:50:19So I take it you're suggesting foul play?
00:50:21Suggesting.
00:50:22I had that in mind.
00:50:24How do you suppose that motor lorry got there?
00:50:26Well, you see...
00:50:27Oh, by the way, did my telephone call from South America come in yet?
00:50:29Not yet, sir. South America's a long way off, sir.
00:50:32Yes, it is.
00:50:37It is a long way.
00:50:39What about that lorry?
00:50:41When I was looking over the wreckage, I made a discovery.
00:50:44Yes?
00:50:45The license on that lorry expired ten days ago.
00:50:49So what?
00:50:50Well, it's no offence, you know.
00:50:52Of course, you're going to call in Scotland Yard.
00:50:54No, I don't want any interference from those jacks in office.
00:50:57Look.
00:50:59Hello, my friend.
00:51:00Monsieur Turbay.
00:51:02How are you, my friend?
00:51:03Monsieur Turbay, I'm fine, thanks. How are you? Come right in.
00:51:05Hello, Mr. Hinton.
00:51:06Well, this is a pleasant surprise seeing you.
00:51:08Yes, you are surprised to see me so soon.
00:51:10But the French police are very quick, you know.
00:51:12I have just come up from the wreck.
00:51:14All the time, I am only a step behind you.
00:51:17Well, I hope you haven't tripped.
00:51:18This is Captain Fitzgerald, Chief Constable of the county.
00:51:20Monsieur Turbay, the French police.
00:51:22I've heard a lot about you.
00:51:23He's been investigating that big French wreck I was talking to you about.
00:51:26Well, we should be glad of your assistance.
00:51:28Though I have the matter well in hand.
00:51:30But he slipped.
00:51:31No doubt you have already found the wrecker.
00:51:33Come, come, Mr. Turbay.
00:51:35Rome wasn't built in a day, was it?
00:51:37No.
00:51:38Wait a minute, friend.
00:51:39Oh, sit down, please.
00:51:40Get us a drink.
00:51:41What?
00:51:42No, not you.
00:51:43Sit down.
00:51:44Let's have a drink.
00:51:45Bring them over here, will you?
00:51:48Now, I'm sure that both these wrecks are the work of one man.
00:51:52Someone who wanted both Wagner and Dr. Evans put out of the way.
00:51:55Gone?
00:51:56Now, this man, Axel Hoyt, knew both of them.
00:51:59He also had a definite motive for bumping off Dr. Evans.
00:52:02Bumping?
00:52:03Oh, we've got them.
00:52:05A fake death certificate, fixed up by the doctor for him.
00:52:08You mean Evans knew too much?
00:52:10Sure.
00:52:11Probably Wagner did, too.
00:52:13It's my belief that they're all running some racket together.
00:52:16Oh, la, la, la, la.
00:52:18My $5,000 are in danger.
00:52:21Well, are you putting out the description of this man Hoyt?
00:52:24Certainly.
00:52:26What does he like?
00:52:28That is he.
00:52:29But until we know a little more,
00:52:31it is better to say nothing of the wreck,
00:52:34or of the death of Evans.
00:52:36Certainly.
00:52:37All right.
00:52:38Well, I must be getting back to the station.
00:52:40But don't lose any sleep over this.
00:52:43We'll catch the blighter.
00:52:46Well, I must go, too.
00:52:50I am following up a little idea of my own in this case.
00:52:55I am following up a little idea of my own in London.
00:53:02Say, Mr. Howard, you played fair with me.
00:53:05I will do the same with you.
00:53:07How is it you say?
00:53:08Honesty is the best politics.
00:53:10Tried but true.
00:53:11Come on.
00:53:12Let it go, let it go.
00:53:13Ah.
00:53:14Well, you recognize this?
00:53:19That's the link from Wagner's cuff.
00:53:21Yes, which you gave me.
00:53:23Now look.
00:53:27They're exactly alike.
00:53:29But this one I found on the body of Dr. Evans a few minutes ago.
00:53:36Have you any idea what this design stands for?
00:53:39Perhaps, perhaps not.
00:53:41But it might prove what you said just now,
00:53:44that they were both in the same tennis racket.
00:53:47Oh, not a racket.
00:53:50Keep it.
00:53:51Thank you, thanks.
00:53:52Au revoir, mademoiselle.
00:53:54Au revoir, monsieur.
00:53:55Au revoir, au revoir.
00:53:56Your telephone call from South America, sir.
00:53:58Oh, thank you.
00:53:59Come on.
00:54:00This way, sir.
00:54:04Where does it belong now?
00:54:06Hello?
00:54:08Hello, is this the Buenos Aires police?
00:54:10Can you hear me?
00:54:12This is Howard of Tankerton's here.
00:54:14Oh, is that you, Gonzales?
00:54:16Did you get my cable?
00:54:18Good.
00:54:21Say, listen.
00:54:22Did you get anything on Axel Hoyt?
00:54:26Fine.
00:54:28Fine, I thought you'd know him.
00:54:30Here, hold on.
00:54:31I'll take it down.
00:54:32Give me a pencil quick.
00:54:35I'm done running.
00:54:37What?
00:54:39Yes?
00:54:42All right, that'll do nicely.
00:54:44Thank you, Gonzales.
00:54:45Thank you very much.
00:54:46Bye.
00:54:47Come on, now don't be funny.
00:54:48Let me have that quick.
00:54:50That's what the cufflink stands for, don't you see?
00:54:54Pilgrims of Peace.
00:54:57So that's their racket.
00:54:59Yes.
00:55:06So that's their racket.
00:55:07Yes.
00:55:36Oh, for me?
00:55:50Hey, there's Lizzie.
00:55:52Yes, with her boyfriend.
00:55:54And all the other dogs.
00:55:59Take a look around.
00:56:00I'm going to stay here.
00:56:02Ladies and gentlemen, Sir Charles Webber
00:56:05would like to say a few words.
00:56:14My dear friends, no effort has been spared
00:56:19in this great endeavor by our people
00:56:22to bring relief to the oppressed victims of war.
00:56:27In a few moments, our little band
00:56:30will be en route for Bordeaux.
00:56:33We greatly appreciate the kindness of those
00:56:36who are seeing us off at the boat train.
00:56:38Miss Elizabeth Wentworth will be sailing with us
00:56:41on the peace ship from Bordeaux
00:56:43to organize the nursing staff.
00:56:52While Father Blanchard of Paris
00:56:55will come with us to take charge
00:56:58of the spiritual side of our mission.
00:57:07I, myself, will superintend
00:57:09the organization of supplies.
00:57:11Now, I don't want you to think
00:57:14that your task is finished.
00:57:18There he is.
00:57:19Who?
00:57:20The man who saw you in Paris.
00:57:23Yes, yes, that is the man.
00:57:25It rests with you to further the cause of peace at home
00:57:30until, by the very force of public opinion,
00:57:34disarmament, and by that I mean total disarmament,
00:57:39is brought to this war-weary world.
00:57:43That's all.
00:57:45That's all.
00:57:52Good speech, don't you think?
00:57:55Yeah, yeah, fine, fine.
00:57:58Our American friend here again.
00:58:00Again?
00:58:02He won't bother us anymore.
00:58:08Are you a newcomer?
00:58:10In a way.
00:58:11Then you haven't heard my little poem.
00:58:13I dedicated it to the sailing of the peace ship.
00:58:15I'll recite it to you, if you like.
00:58:17No, no, don't bother.
00:58:18No, it's no bother.
00:58:19I call it man.
00:58:20Oh, humanity, in thy name,
00:58:21is such desecration wrought that thou must bow thy head in shame,
00:58:25blush at the very thought of it.
00:58:29Oh, man.
00:58:30Oh, man, if you don't mind.
00:58:31Pilgrims, awake!
00:58:32Dawn streaks are popping.
00:58:34Throttle the war-gods while they're sleeping.
00:58:36You throttle them.
00:58:37You roll it.
00:58:38Strangle these pestilent puppets of fate.
00:58:40You strangle them.
00:58:41You strangle our simple souls with hate.
00:58:43Come here.
00:58:44Aren't these poets, too?
00:58:45No, but there's a lot more yet.
00:58:47I see the clash of symbols cease.
00:58:48All right, all right.
00:58:49Put me over here.
00:58:50Yes.
00:58:51I see the clash of symbols cease.
00:58:53Humanity, renew its lease.
00:58:55A million voices whisper peace.
00:58:57Peace in our time.
00:58:58Perfect peace.
00:59:07Go there!
00:59:28The girls are out!
00:59:32Don't lose your temper.
00:59:34The boys were only playing.
00:59:36We might as well do this thing right.
00:59:38Take the pin out.
00:59:40Here you are, boys. There's something to play with.
00:59:42Who's the lucky fellow?
00:59:44Church!
00:59:46Come on, let's go now!
01:00:04I haven't had a solid meal for days. When do we eat?
01:00:26When I win that $5,000, you can stop yourself sick.
01:00:32You seem very confident, Mr. Harwood.
01:00:34Don't tell me. I know that voice.
01:00:37Well, Monsieur, you see, I turn up again.
01:00:40So do I.
01:00:41So do I.
01:00:42Well, it looks like it's going to be a very interesting trip, Monsieur Turbay.
01:00:44Yes, and what's more, I have two Scotland Yard men with me.
01:00:48Look, they're outside.
01:00:50Oh, boy. You think of everything, don't you?
01:00:53I will be honest. I have not yet the evidence.
01:00:56I've got plenty.
01:00:57Oh, Mr. Harwood, to suspect is not enough. You must prove it.
01:01:00I tell you, I'm on the right track.
01:01:02Give me an hour and I'll satisfy you that I've won the $5,000.
01:01:07Very well, Mr. Harwood.
01:01:09If you do that, I will be very glad to pay you $5,000.
01:01:13That's practically paid.
01:01:29Where are your men?
01:01:30In the excavation.
01:01:31Good. Now, the moment I light a cigarette, you go and bring them in.
01:01:34Very well.
01:01:35Good night.
01:01:43Do you mind if we join you, Mr. Charles?
01:01:44How do you do, Miss Wentworth?
01:01:45I don't know who you are, sir, but we've known...
01:01:47Tonight, please.
01:01:50Well, I see you've embraced the church since we met in Paris, Father Hoyt.
01:01:55My name is Blorstar. What's the meaning of this?
01:01:58Boy, I'm glad you're not Hoyt, Father.
01:02:01For he's wanted in Buenos Aires.
01:02:03Really?
01:02:04For gun running.
01:02:05Really?
01:02:06Yes. Hoyt came to this country three years ago.
01:02:09As you can see from these.
01:02:12The Argentine police got wise to the fact that he was in England and applied for his extradition.
01:02:17So Hoyt decided to die.
01:02:19It's well known that you can't extradite a dead body.
01:02:22But Hoyt needed a cover.
01:02:24So he found one.
01:02:25Something quite above suspicious.
01:02:27The Pilgrims of Peace.
01:02:30What on earth are you talking about?
01:02:32Listen to this cable.
01:02:33From the chief of police of Bordeaux.
01:02:38I've searched John Murdoch.
01:02:40Cases aboard contain arms and ammunition.
01:02:42Await full information.
01:02:45Hello, Blor...
01:02:46Ah, ah, ah, Father.
01:02:47My good sir, if you imagine we are going to sit here and...
01:02:50All right. It's no use.
01:02:54What are you going to do?
01:02:55Nothing.
01:02:56At the moment I'm not interested in ships.
01:02:58I prefer trains.
01:02:59Trains?
01:03:00Yes, Hoyt.
01:03:01I'm looking for the man who murdered Heinrich Wagner.
01:03:04Murdered him?
01:03:05And put his body aboard the Paris Express.
01:03:08This morning Dr. Evans was also killed in a train smash.
01:03:11Evans?
01:03:12Spit!
01:03:13Two train wrecks.
01:03:14Two Pilgrims.
01:03:16Now listen, Hoyt.
01:03:17Whoever killed these men was someone who knew they were dangerous to him.
01:03:20Someone who had something to conceal.
01:03:23Someone who was in France at the time of the first wreck
01:03:26and in Barwell on the scene of the second.
01:03:28Someone who was dead.
01:03:50What are you doing?
01:03:51Sit tight.
01:04:15Come on now, what was Turbay doing with you at the Guildhall?
01:04:17Turbay?
01:04:18Yes, Turbay.
01:04:19Why?
01:04:20There.
01:04:21He was on the same racket, wasn't he?
01:04:22Getting arms out of France for you.
01:04:24Why, for a high police official it would be easy.
01:04:26Turbay was on the scene of the French wreck
01:04:28and present just after the Barwell smash this morning.
01:04:30And he's here now?
01:04:31Here?
01:04:32Turbay, on this street?
01:04:34Yes.
01:04:35You mean he murdered Wagner and Evans?
01:04:37I'm sure of it.
01:04:51Tell me, what was the matter?
01:04:52Did Turbay try to back out?
01:04:54Yes.
01:04:55The French government got suspicious.
01:04:57So you instructed Wagner to exercise pressure.
01:04:59Wagner obeyed instructions and Turbay killed him.
01:05:02But you can't win a war by wiping out one regiment.
01:05:05He had to kill the rest of you.
01:05:06But why?
01:05:07Because pretty soon you would have found out
01:05:09that he'd been double-crossing you.
01:05:10That the arms weren't aboard the John Murdoch.
01:05:13But the cable says the arms are aboard.
01:05:15The cable says the arms are aboard.
01:05:17Read this, Fenton, will you?
01:05:19Shall not require your services.
01:05:21Local policeman found jewels behind bar.
01:05:24Lady Melton.
01:05:30Why did he kill Evans?
01:05:32To throw me off the scent.
01:05:34Yes, but why did he give you those cufflinks?
01:05:40To get us on this train.
01:05:42He knew we'd follow it up.
01:05:43That's right.
01:05:44Don't you see?
01:05:45If Turbay could wreck this train, he'd...
01:05:47Turbay wouldn't wreck a train he was traveling on himself.
01:05:50He might get off.
01:05:51Off a train going 80 miles an hour?
01:05:53No.
01:05:54This train isn't going 80 miles an hour.
01:05:56It's practically stopped.
01:05:58What?
01:06:02It has stopped.
01:06:03What's happened?
01:06:08What kind of a train is this?
01:06:10It's the same as the last one.
01:06:13We're cut off.
01:06:30This way!
01:06:42No!
01:07:12What is this?
01:07:13No one's finished yet.
01:07:15Defending the world to the world.
01:07:29A restaurant coat slipped from the boat express into the Pitmore Tunnel,
01:07:32brought about a collision which resulted in death and injury for many
01:07:35in the express train.
01:07:37A boat express into the Pitmore Tunnel brought about a collision
01:07:39which resulted in death and injury for many in the express which followed.
01:07:43Early reports state that among the killed in the restaurant car
01:07:46was Sir Charles Webber, Miss Wentworth and Father Blanchard,
01:07:49organizers of the Pilgrims of Peace Movement,
01:07:52who were on their way to embark upon their mission,
01:07:54and two American citizens, Mr. Edward Harwood and Miss Carol Fenton.
01:07:58This week, a local train was derailed at Barwell in the West Country,
01:08:02and only the week before was the disaster which enveloped
01:08:04the Riviera Express in the south of France.
01:08:07In that case, it has already been established that the signals
01:08:09were deliberately reversed by some man or men
01:08:12whose ghastly trade is wholesale murder and butchery.
01:08:15Mr. Harwood and Miss Fenton, it is now revealed,
01:08:18were unofficially investigating the other wrecks.
01:08:20You always were an untidy smuggler.
01:08:23One naturally asks whether the malice of the wrecker
01:08:25was in this case directed against them.
01:08:28It seems quite certain that this latest of the sightings
01:08:30was not pure misconduct.
01:08:33The investigation has shown that there was no flaw
01:08:35in either the approach or the way of the rolling stockings.
01:08:39After all, everything was done by craft,
01:08:41and there was no mistake in the arrangement of the stockings.
01:08:44Perhaps within the matter of a few moments later,
01:08:47the work of rescuing the stockings was carried out.
01:08:53The whole of Europe is asking the same question.
01:08:56Who is the insane criminal responsible
01:08:58for these most ghastly crimes of our century?
01:09:01When and how will he be brought to justice?
01:09:08You again? So soon?
01:09:10Sooner.
01:09:11What is it this time?
01:09:12We want to get married.
01:09:13Married?
01:09:14The children insisted on it.
01:09:16Oh.
01:09:17That's right.
01:09:19You young people.
01:09:22You young people.
01:09:28You young people.