khyber Beats Classic !! Pushto Music History Program !! Sardar Ali Takkar Say About Pushto Muisc History ..
GUST : Sardar Ali Takkar
GUST : Sardar Ali Takkar
Category
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LearningTranscript
00:00As-salamu alaikum, dear viewers. I am Harkalewa from Khyber Beats Classics.
00:06Before we start our program, I would like to tell you something about Khyber Beats Classics.
00:13Our program Khyber Beats Classics is about historical music, historical poets, and historical musicians.
00:24We will talk about them, we will talk to you on the phone, we will listen to your opinions.
00:32In this program, we will discuss different topics.
00:39Our guest today is a very important guest. He is Sardar Ali Takar.
00:48Let's talk to him. Sardar Ali Takar.
00:52Mr. Takar, I am Harkalewa in this program.
00:57As I said, this is not a historical program, but we will talk about the history of music.
01:04We will talk about poets, how poets came together.
01:11We will talk about different types of music.
01:20But before we start, I would like to tell you that we will start from the beginning, from the history of music.
01:32Mr. Takar, as you know, there is a lot of history.
01:36How and when did historical music start?
01:43There is a lot of history in Pushto music, but there is also a lot of history in Pushto music.
01:51One of the most well-known figures, or authentic information, is that the Pushto drum singer was Toriyawana.
02:05He is mentioned in the Rigveda Vedas.
02:10In the Rigveda Vedas, it is said that he was a very good singer in the universe, in the living creatures.
02:19He was a very good singer.
02:22Indra Mahadevi was a very good singer.
02:31Because he was a warrior, he fought wars.
02:36Indra Mahadevi helped him fight against the Shia and the Pidan tribes.
02:45In that war, Indra Mahadevi fought with Indra Mahadevi.
02:49Indra Mahadevi saved Indra Mahadevi from the enemy.
02:55Indra Mahadevi was a very good singer.
02:58One of the drummers was Toriyawana.
03:03When we came to Kanishka, we met another musician.
03:08His name was Aswa Kosha.
03:12He was a Buddhist.
03:15He had a very beautiful voice.
03:17He had a very beautiful composition.
03:20He preached Buddhism through his beautiful voice and composition.
03:27He brought people to Buddhism.
03:30This was the time when Islam came to light.
03:33At that time, there were other people too.
03:36But this is just an example.
03:38During this time, another person came.
03:41When Islam came, after Islam,
03:43apart from other people,
03:45apart from the common people who were interested in music,
03:48apart from them, there were a few names.
03:50One of them was Adil Shah Soori.
03:53He was from Shir Shah Soori.
03:55The other was Islam Shah Soori.
03:57And the last one was Baaz Mohamed Aaf Malwa.
04:00These were the people who worked hard for music.
04:05This was the result of the hard work and struggle of these people
04:12that has led us to today's Pushto music.
04:16You said that Soori came to Afghanistan.
04:25In return, you will tell us how he became a singer in Afghanistan
04:32and how he came to our region.
04:38I will tell you something about Afghanistan.
04:46In Afghanistan, the music of the Rumba school was established in 1911.
04:55This was when Malalai came to the school.
04:58His teacher was Khalid Rajabbaig.
05:02His art teacher was Mahmood Farah Afandi.
05:06He was one of them.
05:08Nadir Shah's brother, Shah Wali, started this school during his time.
05:13Nadir Shah's brother, Shah Wali, started this school during his time.
05:19The second school was established in 1911.
05:24It was established in Babur Pabagh.
05:27The teacher was Khalid Rajabbaig.
05:30His art teacher was Mahmood Farah Afandi.
05:37In the early days of Afghanistan, music was established as an institution.
05:44It is not fully established in Pakistan.
05:48There is no proper institution for music in Pakistan.
05:52Apart from the National College of Arts, there is no such institution.
05:57There is no such business.
05:59This was established in Afghanistan at that time.
06:02Afghanistan moved to Saghir.
06:07I have a question about Saghir.
06:12Dear viewers, I would like to ask you to look at this set.
06:17You will get a special feeling.
06:21Will you get it or not?
06:23Very beautiful environment.
06:27The people who live in different parts of the world,
06:34UAE, Dubai, Saudi Arabia,
06:38there are many such countries.
06:41If you look at this set,
06:43you will get the feeling that you are with us.
06:48You are with ABT.
06:50You are here with us.
06:52You are chatting with us.
06:54You are chatting with us.
06:57We are also here with you.
06:59You are chatting with us.
07:01I would like to tell you that this is a historical program.
07:07It is a historical music program.
07:09It is very important for you to live it.
07:13You should live it.
07:15If I live it, you should live it.
07:18Mr. Takar,
07:20when we came to Saghir from Afghanistan,
07:23I was not able to understand
07:28how the first song of Pushto was recorded in Saghir.
07:34I will ask this question to you.
07:36I will continue from Afghanistan.
07:39Before that, I will ask this question to you.
07:42Then we will continue.
07:46There are different music schools in Afghanistan.
07:51One is Kandahar Music School.
07:53The other is Nengarhar Music School.
07:56The third is Logar Music School.
07:58And the fourth is Paktia Music School.
08:02Now, when I ask you about Saghir,
08:06about Pushto and about our region,
08:10I will tell you that
08:12until now,
08:14as far as I know,
08:16and as far as we have heard from our elders,
08:18from our teachers,
08:20the longest song that was recorded here
08:24was recorded in 1905.
08:26The singer's name was Gauhar Jan.
08:30Do you remember the song?
08:34I do not remember the song.
08:36It was recorded by Gauhar Jan in 1905.
08:42After that,
08:44there was a series of recordings in Delhi.
08:46Two of our famous singers have recorded in Delhi.
08:50There are many examples of those singers.
08:52The music that we play
08:56is divided into three parts.
09:00One part is the part that was recorded in Delhi.
09:04At that time, there were many famous singers.
09:08Abdullah Jan, Ustad Sabzali Khan,
09:10Inzar Gul, Akram Khan,
09:12Mobin, Chishti Chaman Jan,
09:14Mehrunaisa.
09:16Then there was Uzair Khan.
09:20Everyone has their own department.
09:24For example,
09:26I will talk about Abdullah Jan.
09:30Abdullah Jan has become a famous singer in Pakistan.
09:34The music that he played at that time
09:38was not played by our people today.
09:42Why?
09:44He had a lot of talent.
09:48He had a lot of talent.
09:50That music was composed by his father.
09:54His father's music was composed by Bajan.
09:56He had composed Bajan, the Indian religions song.
10:02That was written in a temple.
10:04That was written in a temple.
10:06That was written in a temple.
10:10That was composed by his father.
10:12That was his style.
10:14In his own mouth,
10:16that was his style.
10:18That was his style.
10:22Abdullah Jan used both of his songs,
10:24Inshallah, when we have the next program, we will talk about the singers one by one.
10:32Dear friends, I would like to tell you that in every program we talk about the singers,
10:37about the musicians, about the singers, about the poets.
10:44We talk about them in detail in every program.
10:49Mr. Takar, please tell us about the musical genres in Bar-e-Saghir.
10:55Especially in Bar-e-Saghir, there are different genres of music.
11:00What are those genres and how did they develop?
11:03And what are their characteristics?
11:07First of all, as I said, this is the time when we have the least number of recordings.
11:13When we had the least number of recordings,
11:16at that time Radio Pakistan was in its infancy.
11:19Now, Radio Pakistan is in its infancy and this is what has been recorded.
11:24This is the time when we have the least number of recordings.
11:27I gave you an example of how Zarkhan, Muzaffar Khan, Inzer Gul, Sobat,
11:33Sobat from Margoz, Tershi Chaman from Sholayab, Nisa Sholayab.
11:39All of them were recorded at that time.
11:42And they have reached the level of Radio Pakistan.
11:47Some of them have made recordings with Radio Pakistan.
11:50Many people have continued their recordings.
11:54At that time, because the tradition was of Charbet, Sandoor, Bagat, Tape,
12:02and Ulasi Sandoor.
12:05So, this was a period.
12:08And then there was another period.
12:11I remember one story.
12:14I have heard that Tape was given the name because
12:21when this Tape was recorded,
12:24as you know, when this Tape was recorded,
12:27at that time it was in its infancy.
12:30And when the Qurban was recorded, it was Tape.
12:33So, this Tape was given the name because of that.
12:37Was it like that or not?
12:39I don't know about that.
12:42I don't know about history.
12:45And if you remember that story,
12:48you don't use this Tape.
12:51You put it in your mouth,
12:54and you use it like a headphone.
12:57You put it in your mouth,
13:00and you use it like a headphone.
13:03So, inshallah, we will come to this topic one by one.
13:07We will talk about Tape, Sandoor,
13:10Nimaki, Bagat, Charbet,
13:13Nazm, Ghazal.
13:16Inshallah, this is just the beginning.
13:19We will talk about all of them.
13:22This was one period.
13:25The second period was Radio Pakistan.
13:28Radio Pakistan was known for its music.
13:31It was known for its services.
13:34This was the period
13:37when Ghazal entered our music.
13:40Ghazal entered our music.
13:43And this was a big stone,
13:46a big stone,
13:49because our music was very fast.
13:52It was very fast music.
13:55Charbet, Badala,
13:58the story we told you,
14:01Nimaki, Bagat,
14:04this was our music.
14:07Nimaki,
14:10the first part was Nimawi,
14:13and Bagat is a nation, right?
14:16and Bagat is a nation, right?
14:19Bagat is a song,
14:22but this was also used
14:25by Mujahideen.
14:28For example,
14:31in Afghanistan,
14:34they say,
14:37this was used for humor.
14:40This was used for humor and romance.
14:43Inshallah, we will talk about this
14:46in the show.
14:49This is the intro.
14:52We will give you a general view.
14:55Dear viewers,
14:58this is an introductory program
15:01of Khyber Beats Classics.
15:04We will discuss one topic
15:07in detail.
15:10One day we will talk about Tapa,
15:13another day we will talk about poetry,
15:16and now we will talk about
15:19each topic in detail,
15:22and we will talk about
15:25everything.
15:28We will talk about Tapa,
15:31poetry,
15:34and music.
15:37We will talk about
15:39Shinkhalay Nare,
15:42Babu Lala, Kakri Ghare.
15:45It is a song of love, and it is the name of the song of Kakal.
15:51When the name of Kakal is taken from his father,
15:56it is the story of his brother's marriage to his enemy.
16:01It is in his song.
16:04The people of Kakal call him Angeh and Mataloon.
16:09Angeh Mataloon!
16:13It is a song that is the name of the wedding day.
16:18It is a song of separation,
16:22separation of father and son,
16:26separation of husband and wife,
16:30separation of husband and wife,
16:34separation of husband and wife,
16:38How did you start with Ghazal?
16:41This was the second phase of music in Pakistan.
16:45In Afghanistan, if you look at a Lehwani singer,
16:52a Lehwansar or a Majzoob type of person,
16:55they sing Ghazal in a very different way.
17:00When Ghazal started in Pakistan,
17:04Khilwamad Hidayatullah Ahmad Khan
17:11started Ghazal and then Khilwamad and Hidayatullah.
17:18There was a lot of contribution to Ghazal at that time.
17:20Gulnar Begum was also Ghazal.
17:23When Ghazal came to Pakistan,
17:26we wrote letters to the people
17:29asking them to listen to Ghazal on the radio.
17:35You mean to say that there was no Ghazal concept before?
17:42No, not at all.
17:44Ghazal in music is like a poem.
17:46Ghazal in music is like a poem.
17:49Ghazal in music is like a poem.
17:51Ghazal in music is like a poem.
17:53Ghazal in music is like a poem.
17:54Ghazal in music is like a poem.
17:55Ghazal in music is like a poem.
17:56Ghazal in music is like a poem.
17:57Ghazal in music is like a poem.
17:58Ghazal in music is like a poem.
17:59Ghazal in music is like a poem.
18:00Ghazal in music is like a poem.
18:01Ghazal in music is like a poem.
18:02Ghazal in music is like a poem.
18:03Ghazal in music is like a poem.
18:04Ghazal in music is like a poem.
18:05Ghazal in music is like a poem.
18:06Ghazal in music is like a poem.
18:07Ghazal in music is like a poem.
18:08Ghazal in music is like a poem.
18:09Ghazal in music is like a poem.
18:10Ghazal in music is like a poem.
18:11Ghazal in music is like a poem.
18:12Ghazal in music is like a poem.
18:13Ghazal in music is like a poem.
18:14Ghazal in music is like a poem.
18:15Ghazal in music is like a poem.
18:16Ghazal in music is like a poem.
18:17Ghazal in music is like a poem.
18:18Ghazal in music is like a poem.
18:19Ghazal in music is like a poem.
18:20Ghazal in music is like a poem.
18:21Ghazal in music is like a poem.
18:22Ghazal in music is like a poem.
18:23Ghazal in music is like a poem.
18:24Ghazal in music is like a poem.
18:25Ghazal in music is like a poem.
18:26Ghazal in music is like a poem.
18:28Ghazal in music is like a poem.
18:29Ghazal in music is like a poem.
18:30Ghazal in music is like a poem.
18:31Ghazal in music is like a poem.
18:32Ghazal in music is like a poem.
18:33Ghazal in music is like a poem.
18:34Ghazal in music is like a poem.
18:35Ghazal in music is like a poem.
18:36Ghazal in music is like a poem.
18:37Ghazal in music is like a poem.
18:38Ghazal in music is like a poem.
18:39Ghazal in music is like a poem.
18:40Ghazal in music is like a poem.
18:41Ghazal in music is like a poem.
18:42Ghazal in music is like a poem.
18:43Ghazal in music is like a poem.
18:44Ghazal in music is like a poem.
18:45Ghazal in music is like a poem.
18:47Ghazal in music is like a poem.
18:48Ghazal in music is like a poem.
18:49Ghazal in music is like a poem.
18:50Ghazal in music is like a poem.
18:51Ghazal in music is like a poem.
18:52Ghazal in music is like a poem.
18:53Ghazal in music is like a poem.
18:54Ghazal in music is like a poem.
18:55Ghazal in music is like a poem.
18:56Ghazal in music is like a poem.
18:57Ghazal in music is like a poem.
18:58Ghazal in music is like a poem.
18:59Ghazal in music is like a poem.
19:00Ghazal in music is like a poem.
19:01Ghazal in music is like a poem.
19:02Ghazal in music is like a poem.
19:03Ghazal in music is like a poem.
19:04Ghazal in music is like a poem.
19:06Ghazal in music is like a poem.
19:07Ghazal in music is like a poem.
19:08Ghazal in music is like a poem.
19:09Ghazal in music is like a poem.
19:10Ghazal in music is like a poem.
19:11Ghazal in music is like a poem.
19:12Ghazal in music is like a poem.
19:13Ghazal in music is like a poem.
19:14Ghazal in music is like a poem.
19:15Ghazal in music is like a poem.
19:16Ghazal in music is like a poem.
19:17Ghazal in music is like a poem.
19:18Ghazal in music is like a poem.
19:19Ghazal in music is like a poem.
19:20Ghazal in music is like a poem.
19:21Ghazal in music is like a poem.
19:22Ghazal in music is like a poem.
19:23Ghazal in music is like a poem.
19:25Ghazal in music is like a poem.
19:26Ghazal in music is like a poem.
19:27Ghazal in music is like a poem.
19:28Ghazal in music is like a poem.
19:29Ghazal in music is like a poem.
19:30Ghazal in music is like a poem.
19:31Ghazal in music is like a poem.
19:32Ghazal in music is like a poem.
19:33Ghazal in music is like a poem.
19:34Ghazal in music is like a poem.
19:35Ghazal in music is like a poem.
19:36Ghazal in music is like a poem.
19:37Ghazal in music is like a poem.
19:38Ghazal in music is like a poem.
19:39Ghazal in music is like a poem.
19:40Ghazal in music is like a poem.
19:41Ghazal in music is like a poem.
19:42Ghazal in music is like a poem.
19:43Ghazal in music is like a poem.
19:44Ghazal in music is like a poem.
19:45Ghazal in music is like a poem.
19:46Ghazal in music is like a poem.
19:47Ghazal in music is like a poem.
19:48Ghazal in music is like a poem.
19:49Ghazal in music is like a poem.
19:50Ghazal in music is like a poem.
19:51Ghazal in music is like a poem.
19:52Ghazal in music is like a poem.
19:53Ghazal in music is like a poem.
19:54Ghazal in music is like a poem.
19:55Ghazal in music is like a poem.
19:56Ghazal in music is like a poem.
19:57Ghazal in music is like a poem.
19:58Ghazal in music is like a poem.
19:59Ghazal in music is like a poem.
20:00Ghazal in music is like a poem.