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00:00:00I think you'll find Sir the sovereignty to not guilty of
00:00:05a crime.
00:00:05The.
00:00:27Hello Mr Colby good evening my dear I know how troubled you are but I will soon
00:00:34have you out here I want to caution you not to tell anyone of the location of the
00:00:39diamond mine not even your heart but I've already told Mr Wainwright.
00:00:47That's unfortunate. Has come in here you know when he
00:00:53comes tell him not to mention the diamonds to anyone diamond I wish I'd never
00:00:59heard of the cause of all of our trouble.
00:01:04It's.
00:01:19Why this is the same handwriting as the note that warned me against.
00:01:23Miss. Give me that.
00:01:31With this to work from I may be able to help you I'm connected with the police but
00:01:36don't tell anyone you're out he don't know me I'm working out of Calcutta.
00:01:43Now get some rest my idea and I'll come in tomorrow and give you the progress I
00:01:48mean good night.
00:01:53Thank you.
00:02:18Thank you.
00:02:23Thank you.
00:02:25Thank you.
00:02:52Your.
00:02:55Your.
00:03:09When I was going to.
00:03:25Go.
00:03:29A country was coming through the Raja of Rambo and the stroke of its paw has
00:03:35changed the destiny of Robert Grant a young American who bore a strange resemblance
00:03:40to the Raja. To save the Raja's people from the evil intentions of Prince
00:03:45Dakar who plotted to seize the throne Grant assumed the dying rulers identity until
00:03:51the rightful heir could arrive and take command. Dakar's confederate a hunter named
00:03:56Harris accused Grant of having murdered the Raja proof of Grant's innocence exists in
00:04:03the form of a letter written by the Raja which Grant has just recovered from Harris
00:04:08after a long chase through an African jungle.
00:04:11Grant tells his story to Commissioner Wainwright of the Secret Service who agrees
00:04:16to send him back to Rampur with the letter so that he may be cleared of the murder
00:04:21charge and expose Dakar's plot against the throne. That night Wainwright is murdered in
00:04:28his office and the Raja's letter is stolen from the safe. Grant who was on the scene when
00:04:33the police arrived is charged with the crime. Meanwhile his friend Muriel Armitage
00:04:39whom Wainwright arrested for the murder of a woman known as Mrs. Lassalle by an elephant
00:04:44which has seized her in its trunk.
00:04:46Why did I just came in when I heard the shot?
00:04:48You can tell that to the authorities.
00:04:57Open up that door.
00:04:59Open up that door.
00:05:01Open that door.
00:05:03I'm glad you're here.
00:05:05I said come on down here.
00:05:14Come on down here.
00:05:30Help! Help!
00:05:32Stop that noise. I'm the only one around here that can help you.
00:05:35Oh Mr. Harris! Please!
00:05:40I'll make him let you go when you tell me where those diamonds were found.
00:05:45Oh, I'll tell.
00:05:47I'll tell.
00:05:57Call off that beast Harris. Quick!
00:06:00Drop her to her own. Drop her!
00:06:02Drop her!
00:06:11The last time we met Grant, you relieved me of a letter signed by the Raja Rambor.
00:06:15I want it back. I gave it to Wainwright.
00:06:18Wainwright?
00:06:19Yes, and once he put it in the safe, he was murdered tonight and the letter has disappeared.
00:06:23Then why did you turn the evidence over to him?
00:06:25Because I wanted to be sent back to Rambor so that my part in that affair could be cleaned up.
00:06:29Yeah? Then what are you doing here?
00:06:31I thought you had stolen the letter and I was after it.
00:06:33Well that's a far-fetched story Grant.
00:06:35I'm going to take you to Wainwright's home and see if you're telling the truth.
00:06:38I can't go back there. They suspect me of the murder.
00:06:40All the more reason why you should go back.
00:06:43Drop it Kuro.
00:06:45Now get moving.
00:06:46Drop that gun Harris.
00:06:50Drop it unless you want this gun to speak.
00:06:52Maybe you'd understand that kind of language.
00:06:56Now Grant, take that pistol and make yourself scarce.
00:07:01All right.
00:07:07Harris, travel in the other direction.
00:07:28That foreigner sure made fools of us.
00:07:30We'd better double back. He may be hiding somewhere.
00:07:42Muriel.
00:07:44Muriel.
00:07:49I came to tell you that Wainwright has been killed.
00:07:52I know. I heard you tell him Mr. Harris.
00:07:54I wanted you to know that it was your gun that shot him.
00:07:57In case you're asked, don't let anyone know that I gave Tom the gun yesterday.
00:08:03You don't think Tom did it, do you? Where is he?
00:08:05He has disappeared.
00:08:07But I'm sure he didn't kill Wainwright.
00:08:09Whoever did it was after the letter that was locked in the safe.
00:08:12Well who could it possibly have been?
00:08:15There are only a few of us who know about the letter or the diamond.
00:08:20It couldn't have been Harris.
00:08:23What about the man with the black glasses?
00:08:25I'm afraid we can't suspect him. He saved me from Harris just now.
00:08:29That leaves the old lady.
00:08:31Mrs. Colby? Oh, she's the one person who didn't do it.
00:08:34She's a secret service agent.
00:08:36Mrs. Colby? A secret service agent?
00:08:39That's strange.
00:08:40She asked me not to say anything about it to anyone.
00:08:43I shouldn't have betrayed her confidence.
00:08:45It'll go no further.
00:08:47That leaves Peterson.
00:08:49He's the one I'll have to go after.
00:08:52I must go now. The police are after me.
00:08:55Yes.
00:09:04Yes. One ticket only to Calcutta.
00:09:08When is the sale?
00:09:10Ten o'clock. That's very good.
00:09:13His name is Peterson.
00:09:15Olaf Peterson.
00:09:17No, no. Peterson.
00:09:18P-E-T-E-R-S-O-N. Peterson.
00:09:22Yes.
00:09:25Yes.
00:09:53Good morning, Mrs. Colby.
00:09:56Good morning.
00:09:57And no thanks to you that I am here to say it.
00:10:00If it hadn't been for Mr. Peterson,
00:10:02who took pity on me yesterday when you ran away and left me in that Arab camp,
00:10:06goodness only knows what would have happened to me.
00:10:09You were going in to see Mr. Peterson?
00:10:11I was.
00:10:12Until you came along.
00:10:19Come in.
00:10:26Just in time to pack your bags.
00:10:29I didn't come for your bags.
00:10:32I didn't know that you were sailing.
00:10:34Hell!
00:10:35You're the man I want to see.
00:10:37Where are you running off to?
00:10:40Wendy bought seasick.
00:10:42I lost all my animals.
00:10:44And I got to go to India to get some more tigers.
00:10:47By the way, could you let me have some lions on credit?
00:10:51Well, I guess that can be arranged.
00:10:53Well, I guess that can be arranged.
00:10:54They picked him up on the way back
00:10:56and they'll pay you as soon as they deliver him to the New York Zoo.
00:10:59What was the affair last night?
00:11:01The murder of Wainwright.
00:11:03Yeah?
00:11:05Who do you suppose did that?
00:11:10Come in.
00:11:15The baggage ship is now ready to go.
00:11:23Never mind the baggage now.
00:11:24I'll call you when I want to.
00:11:54You will have to excuse me.
00:11:56The steamship pigeon I have to go see about.
00:11:59Sure.
00:12:00I'll see you before the boat sails.
00:12:02Yeah, yeah.
00:12:23Good night.
00:12:53Good night.
00:13:14Wendy, I saw you in the baggage ship.
00:13:17You mean you saw me?
00:13:19Yes.
00:13:23Good night.
00:13:24Good night.
00:13:54How goes the quest for the Rauchard's letter?
00:13:57Very correct.
00:13:59Good.
00:14:01Then it was you who murdered Commissioner Wainwright last night.
00:14:05No.
00:14:06Someone shot him from the window when I was at the safe.
00:14:10How did you know that?
00:14:12Think you know?
00:14:14No, I don't.
00:14:15I don't.
00:14:16I don't.
00:14:17I don't.
00:14:18I don't.
00:14:19I don't.
00:14:20I don't.
00:14:21I don't.
00:14:22Think you, in the matter of a throne, my master leaves anything to chance?
00:14:27There never was a time when thy movements were not checked by other agents.
00:14:32The letter, please.
00:14:44What you do?
00:14:46Fool.
00:14:47Dost thou not know that the whole virtue of this paper is the secret writing on the back?
00:14:56Strange there is no reaction.
00:14:58This should bring out the disappearing ink.
00:15:03This is not the real letter.
00:15:05It's an imitation.
00:15:07Not the real letter?
00:15:08How do you know that?
00:15:10Because if it were, the secret writing would appear.
00:15:14I don't understand that.
00:15:16That's been the paper that was in the safe.
00:15:19Grant stole it from Harris and then gave it to me and I.
00:15:22There you have it.
00:15:23Harris set a trap and Grant walked into it.
00:15:26Harris must still have the real paper.
00:15:29That has been a slick fowler.
00:15:31Then go and get it.
00:15:32If thou would claim the reward my master offers.
00:15:35Good.
00:15:36I get it.
00:15:47Stay where you are and don't make a move.
00:15:56You might be able to fool Peterson, but you can't fool me.
00:16:02I've been listening to your hocus-pocus about this disappearing ink and it hands me a laugh.
00:16:07I know that's the real letter and I want it.
00:16:10I know that's the real letter and I want it.
00:16:17Produce that letter quick.
00:16:19I threw it in the basket.
00:16:21I saw you throw it in the basket.
00:16:23But this is another new trick of yours and you're not going to get away with it.
00:16:27You tell me where that letter is or you'll never get out of this room.
00:16:41Get around here.
00:16:56Hello.
00:16:57Grant?
00:16:58Peterson took that letter out of the basket.
00:17:00And he is now at Harris' compound.
00:17:03Hello?
00:17:04Grant?
00:17:05Peterson took that letter out of the basket.
00:17:07And he is now at Harris' compound.
00:17:12Hello?
00:17:14Hello?
00:17:21So...
00:17:23This is just a new game, Harris.
00:17:26You knew Peterson took that letter all the time.
00:17:28And he's now at your compound.
00:17:33Sit down in that chair.
00:17:48Put your hands behind you.
00:17:51I'll see that you don't disappear this time.
00:18:03Come on.
00:18:33Come on.
00:18:45Who are you?
00:18:51If I were sure that Peterson had that letter,
00:18:53I'd finish you right now.
00:19:04Come on.
00:19:30Yes, indeed.
00:19:31Well done, Mr. Lind.
00:19:33Praise be, Dollar Master.
00:19:35What use may it be?
00:19:36With this, I expect to buy the secret of the diamond piece.
00:19:40From whom?
00:19:41From the Arbitrator.
00:19:43Take this to the prison and offer it in exchange for information about the deal of diamonds.
00:20:01Thank you.
00:20:31Miss Armitage.
00:20:33I have a message for you.
00:20:39You may not remember me.
00:20:40I am a confidant of Mustafa.
00:20:42Yes?
00:20:43My master has a proposition for you.
00:20:46Mustafa seeks the location of the diamonds.
00:20:49In exchange, there's a paper to offer,
00:20:52which you know is of great value to Mr. Grant.
00:20:55And why do you think I'm interested in anything concerning Mr. Grant?
00:20:59It is no secret that Mr. Grant has helped you and your brother out of many difficulties.
00:21:04See?
00:21:05My master trusts you.
00:21:08Now, tell where the diamonds are hidden.
00:21:12Well...
00:21:30Hey!
00:21:44Hey, mean business, Harris.
00:21:46I want to read a paper with the rancher's signature.
00:21:49The paper in the chansel and the wastebasket with the real letter.
00:21:53You let him trick you, you fool.
00:21:55You call me fool, but I ain't been fooling now.
00:21:58Well?
00:22:07Hold him, he does not...
00:22:09Jimmy!
00:22:26Jimmy!
00:22:27Come on!
00:22:39A tiger, which he was hunting, slew the Raja of Rampur.
00:22:43And the stroke of its paw has changed the destiny of Robert Grant,
00:22:47a young American who bore a strange resemblance to the Raja.
00:22:51To save the Raja's people from the evil intentions of Prince Dakar,
00:22:56Grant assumed the dying ruler's identity until the rightful heir could arrive and take command.
00:23:01Dakar's confederate, a hunter named Harris,
00:23:04accused Grant of having murdered the Raja.
00:23:07Proof of Grant's innocence exists in the form of a letter written by the Raja,
00:23:12which will also convict Dakar of plotting against the throne.
00:23:16An agent of Dakar, a Swede named Peterson,
00:23:19is trying to recover the letter from the Raja,
00:23:22but he is not able to do so,
00:23:24because the letter is in the form of a letter
00:23:27An agent of Dakar, a Swede named Peterson,
00:23:30is trying to recover the letter so that his master may destroy it.
00:23:34But the letter has come into the possession of Mustafa,
00:23:37an Arab innkeeper, who knows where he can dispose of it to his own advantage.
00:23:42Mustafa knows that Muriel Armitage, who has been arrested on a murder charge,
00:23:47is interested in helping Grant to recover the letter.
00:23:50He sends his man, Ildaren, to call on Muriel in prison and offer her the letter,
00:23:55in exchange for telling him the location of a rich diamond deposit.
00:23:58A mysterious man wearing black glasses
00:24:01steals up outside the cell window with a gun in his hand.
00:24:05Now, you will tell where the diamonds are hidden.
00:24:10Well, there...
00:24:26He's dead.
00:24:28He's the murderer.
00:24:29No, no, no, I didn't do it.
00:24:32Take him to the inspector's office.
00:24:34What happened?
00:24:35Wait here.
00:24:40But I tell you, I didn't do it.
00:24:43Cut me from the window.
00:24:46Oh, please.
00:24:48I didn't do it.
00:24:51I didn't do it.
00:24:55Meanwhile, Grant, disguised as a Hindu,
00:24:59has visited Harris' animal compound in the hope of recovering the letter.
00:25:03Peterson is there on the same errand,
00:25:06and both are trapped by Harris among the animal cages.
00:25:10In one cage is Harris' ferocious ape man, Beamy,
00:25:14trained to obey his master.
00:25:24Beamy.
00:25:26Beamy.
00:25:28Beamy.
00:25:30Beamy.
00:25:32Beamy.
00:25:34Beamy.
00:25:36Beamy.
00:25:38Beamy.
00:25:40Beamy.
00:25:42Beamy.
00:25:44Beamy.
00:25:46Beamy.
00:25:48Beamy.
00:25:50Beamy.
00:25:52Beamy.
00:25:54Beamy.
00:25:56Beamy.
00:25:58Beamy.
00:26:00Beamy.
00:26:02Beamy.
00:26:04Beamy.
00:26:07Beamy.
00:26:10You saved my life, Chan.
00:26:12Peterson, you fool!
00:26:14That isn't Chan.
00:26:16He's your worst enemy.
00:26:18What are you talking about?
00:26:20And he tricked you into giving him that letter.
00:26:23What nice you speak.
00:26:25That's why this man is no white man.
00:26:28Open his shirt and see for yourself.
00:26:30I already see. Do as he says.
00:26:33Plain killing is too good for him.
00:26:57I know a better way to handle it.
00:26:59Never mind.
00:27:01I want to get that letter.
00:27:03Then I'll send him back to prison.
00:27:05Where I sent him once before.
00:27:20That letter you had was not real.
00:27:22It was a fake.
00:27:24Did you make a copy of it?
00:27:26No.
00:27:27Well, then there is no copy.
00:27:29He had the original, the one that belonged to me.
00:27:32Come on, give me a hand.
00:27:38Your carelessness in allowing the prisoner to smuggle this weapon into prison will cost you dearly.
00:27:45But I tell you I did not have the gun.
00:27:47It was thrown in through the window by the person who fired the shot.
00:27:50Can you describe that person?
00:27:52No.
00:27:54You're still determined to withhold the errand which sent the Arab to see you.
00:28:00Well, I hope.
00:28:02I have been warned that if I tell, my brother will pay for it with his life.
00:28:07You believe that threat?
00:28:10After what has happened yet.
00:28:13I told Mr. Wainwright and three hours later he was murdered.
00:28:17Do you know who killed Wainwright?
00:28:19Here is the man who killed Wainwright.
00:28:23According to our records, Wainwright was killed by a white man.
00:28:28This man is white under the stain that covers his face.
00:28:34You may have difficulty proving the murder,
00:28:36but you will have no difficulty in returning him to prison at Rampore where he was serving a life sentence.
00:28:42He has a record?
00:28:43Yes.
00:28:44This man is Robert Grant, the American who tried to steal the throne of the Rajah of Rampore.
00:28:49That's a lie, Harris.
00:28:51Is there an existence written by the Rajah which proves my innocence?
00:28:54Yes.
00:28:55And where is the letter?
00:28:56I have it.
00:29:04How did you get this?
00:29:06The Arab gave it to me for the information that he wanted.
00:29:10Why did the Arab think this was of any value to you?
00:29:17I knew that I would do anything I could to help Mr. Grant.
00:29:29I think I understand.
00:29:32Under the circumstances, I'll have to return Grant and this letter to Rampore by the boat which sails tonight.
00:29:41Why, that's exactly what I've been working for.
00:29:44I'll return the prisoner to her cell.
00:29:48Put Grant under guard.
00:30:06I may call on you again for more information.
00:30:08Very well, sir.
00:30:10Take care.
00:30:11You too, Inspector.
00:30:21You were leaving on the boat that sails tonight, Peter?
00:30:23What sails?
00:30:25Well, I've got a letter from Prince Dacre.
00:30:27He's got no business in Rampore.
00:30:29What schedules do you have?
00:30:34A defunct chopper.
00:30:36Be for yourself.
00:31:05Well, I thank you, Mr. Grant, but I can't afford to take chances.
00:31:25Well, it's okay with me.
00:31:26You don't want to get to Rampore with that letter half as much as I do.
00:31:29At least I can give you the dress of honor.
00:31:32Well, thanks.
00:31:33It's nothing, anyhow.
00:32:31Well, I'll see you later.
00:33:28Bye-bye.
00:33:57Bye-bye.
00:34:24I tell you, he was not on that ship last night.
00:34:35They changed my mind and didn't sail.
00:34:37This radiogram says...
00:34:39I don't care what it says.
00:34:40No radiogram.
00:34:41He was not on that boat.
00:34:43You swear it'll come to Mr. Harris.
00:34:44He can prove it.
00:34:46Mr. Harris will be here any minute.
00:34:47We'll see.
00:34:50There he is now, Inspector.
00:34:52Ah, there you are, Harris.
00:34:53Please tell that policeman that I watched last night.
00:34:58I'm afraid I don't know what it's all about, Inspector.
00:35:00They are trying to tell me Ed killed a man last night on a ship Ed didn't sail on.
00:35:05Murder.
00:35:06You may as well know the rest, Mr. Harris.
00:35:15I never would have suspected my friend capable of such a crime.
00:35:19That's hardly the point, Mr. Harris.
00:35:22Mr. Peterson asked us to send for you.
00:35:24Said you could prove an alibi for him.
00:35:27Only you shouldn't have dragged me into this.
00:35:30You know I know nothing of your move last night.
00:35:33What?
00:35:35You say that to me?
00:35:39You don't expect me to perjure myself, do you?
00:35:42I'm sorry, but I don't know anything about where Mr. Peterson was last night.
00:35:46He told me he was sailing.
00:35:48If he didn't...
00:35:49You are lying, you devil.
00:35:51Lying used to get me out of the way.
00:35:54You would see me hang for murder just because you think I would interfere with your plans.
00:36:00You!
00:36:07Take him back to hell.
00:36:11My time has come.
00:36:12I'll get you now.
00:36:14Don't leave me alone.
00:36:16I'm tired.
00:36:41There's the man we're after.
00:37:12It is useless, Harris.
00:37:16None but an oriental can solve an oriental's magic.
00:37:25Do you know what I ought to do to you?
00:37:27Yes.
00:37:29But I am too valuable to you.
00:37:32If I can succeed where you have failed, I should be worth much to you.
00:37:39Do you think you can bring back the writing on this paper?
00:37:43I know money, Fritz.
00:37:46What's your price?
00:37:47The use of your ape man, Bimmy.
00:37:49To do what?
00:37:50The Armitage girl is in prison.
00:37:52If she were in my quarters, I think she'd tell where the diamond is.
00:37:57Go ahead.
00:37:58Get busy.
00:38:02When I have the girl, it will be plenty of time for this.
00:38:09A fine bargain.
00:38:11I bring you the girl, and then you say you can't bring back the writing.
00:38:15Don't forget, my friend, that even if I do fail to bring back the writing,
00:38:19you do seek the information about the diamond.
00:38:23We are still partners.
00:38:27It's a bargain.
00:38:30But don't you try to double-cross me this time, Mustafa.
00:39:01Here's his trail.
00:39:15On this way.
00:39:51Bimmy!
00:39:57Bimmy!
00:40:27Bimmy!
00:40:58Bimmy!
00:41:08A ferocious man of terrific strength,
00:41:11captured in the African jungle and trained to obey his master,
00:41:15has seized Muriel Armitage and knows the location of a rich diamond mine,
00:41:19which Mustafa, the arid henkeeper, is schemed to possess
00:41:23in spite of the strict government regulations against illicit diamond mining.
00:41:28The ape man's master, Paris, has aided Mustafa to capture Muriel
00:41:33because the Arab knows the secret of restoring invisible ink.
00:41:37Paris has a letter which is worth a fortune
00:41:40if he can restore the message that was written on the back of invisible ink.
00:41:44The letter, written by an Indian Rajab just before he died,
00:41:48is the only evidence that can clear Robert Grant, a young American
00:41:52who was a fugitive from justice, charged with having murdered the Rajab.
00:41:57While Grant is being hunted through the jungle by a detachment of police,
00:42:02he is treated by a lion, and capture or death seems inevitable.
00:42:07I am Bruce. Bruce.
00:42:37Burn, burn, burn, burn, burn, burn, burn, burn.
00:42:53Burn, burn, burn, burn, burn, burn.
00:42:58The bar's on the window.
00:43:00Take this is going to be
00:43:06Peter said. You should have
00:43:09a five minute visit. Thank you. So much it says it's a lot of
00:43:15a lot like job for bars are all.
00:43:17For. Let me out of this
00:43:24area they tell you I didn't do it. I just heard about your being arrested that
00:43:31pain of outrage ain't ever what's on that steamboat and that's how I feel like
00:43:36you're right you can't just come and play pinocchio with me you had
00:43:40a perfect hour by that you get me out of this you know I didn't do it besides you
00:43:46been in the secret service. Don't let anybody hear you say that.
00:43:53I didn't even know not even to the police. I've had one setback this morning
00:44:00this armortage has disappeared out of her set. This appears you mean she's been
00:44:07a straight. She must have been removed by people who are not her friend.
00:44:16The man with the black. Do you suppose that's been house in disguise that's
00:44:21another thing I don't want to know about the man with
00:44:25a black mask is the key to the whole mystery and he doesn't know why I think.
00:44:33Very. Real I must be going.
00:44:41You've been going to the police after
00:44:43a man with
00:44:44a black mask or kid that you've ever heard about the man with
00:44:47a black mask. Unless you want to keep the same faith as me.
00:45:14You.
00:45:24What about the girl you have to keep us by the problem going for me. Where is she
00:45:32the door.
00:45:43The. Play.
00:46:13The.
00:46:13The.
00:46:40Well. Are you ready to talk I wouldn't tell the police
00:46:43where the diamonds are why should I tell you we'll find
00:46:46a way to make you talk.
00:46:58Did she talk no but she will I've got
00:47:01a plan to make her talk like it. She's ready for any kind of
00:47:05a getaway. First thing.
00:47:13To. Make
00:47:20me. Actually get resolved. I still
00:47:26have one more minute for play. I'm not going out to be something really.
00:47:33The way.
00:47:43It's.
00:48:02I've had these cry report to me at war.
00:48:13For. The morning
00:48:23it's called Good morning Mikey.
00:48:43I'm.
00:49:02Off it. Yes it's called the elephant right away.
00:49:07It's. Bring down
00:49:13a truck with all these right away the car will be waiting at night and.
00:49:37Make an exact copy of this side of the paper and bring to me at war.
00:49:50Be gone I am in a hurry.
00:50:08Yes.
00:50:11What do I.
00:50:19Have to.
00:50:24Believe.
00:50:37He's well done.
00:51:07I want.
00:51:16Well what luck. I have. I think I know something about
00:51:23the copy of the. If
00:51:33you can't find a way to bring this writing back. I'll find someone who will.
00:51:40I cannot help you. But we will be more fortunate in our quest for the diamond.
00:51:48Remember we are together.
00:52:33I'm.
00:52:45He's taking the bait but he just went to the back of you.
00:53:00I'm not.
00:53:03Not going to.
00:53:20Get the horses and we'll start.
00:53:34What's the meaning of this is the man who murdered the officer on board ship he
00:53:38has the right to. Take him away.
00:53:50We will go.
00:54:04To.
00:54:17Let it go but.
00:55:03It's. All right.
00:55:15All right.
00:55:34You will never get out of this town without the priest getting you and I want
00:55:38them to get me and take me back to ramp or with this letter.
00:55:52So you thought you'd pull me with
00:55:53a fake. Yes on a very clever one Harris only one thing you overlooked with
00:55:59a watermark on the paper. Dirty. What was that we're going to do with this
00:56:05kind of your business.
00:56:30You.
00:56:35Don't. Get.
00:56:36Girl.
00:56:57Where's the stuff he's not here you're lying I'll find him.
00:57:07You.
00:57:14Well I think I know nothing of the girl.
00:58:07So.
00:58:14A ferocious ape man of terrific strength captured in the African jungle and
00:58:19trained to obey its master has seized Muriel Armitage and carried her to
00:58:24an Arab in where she is held captive. Muriel knows the location of
00:58:28a rich diamond mine which Mustafa the Arab innkeeper is scheming to possess in
00:58:33spite of the strict government regulations against illicit diamond mining.
00:58:38The ape man's master Harris has a stop at the capture Muriel because the Arab
00:58:44knows the secret of restoring invisible. Harris has a letter which is worth a
00:58:49fortune if he can restore the message that was written on the back in
00:58:53disappearing me. Mustafa succeeds in restoring the vanished message but keeps
00:58:58the real letter and gives Harris an imitation. Muriel prompted by a decoy
00:59:03note which she believes was written by her brother Tom overpowers an Arab
00:59:07servant girl takes her clothes and escapes meanwhile Robert Grant a young
00:59:12American has stolen the fake letter from Harris believing it to be the evidence
00:59:17he needs to clear himself of a murder charge discovering the fake he goes in
00:59:22search of Mustafa and learns that he has gone in pursuit of Muriel as Grant
00:59:27starts to leave the room where Muriel was in prison a trap door is sprung
00:59:32under his feet.
01:00:02He was not get away he would follow the masters and he would get the girl.
01:00:32And.
01:00:44A moment I fear I would not be able. To lead us to the diamond.
01:00:53You know.
01:00:54It's.
01:00:59You can't get it. We follow the.
01:01:24The.
01:01:37Chalk is glad that if people were able to serve you I'll show you to a place
01:01:42where you may rest oh thank you but I'm in great pain and must hurry on as soon
01:01:48as my heart is found.
01:01:54To. You may go. I'll never forget your kindness and
01:02:02I'll tell my people of the friendship of your tribe.
01:02:11But you're white girl you're magic to lay low our king.
01:02:19I have no part in his death.
01:02:21Or. Vengeance to the flair of our king.
01:02:29Have you forgotten what the spirit of our king said to us at the cave. He has
01:02:33fulfilled his promise he had her brought into our hands prepare to sacrifice.
01:02:40Get to your magic and see if you can bring words from the departed.
01:02:51To.
01:02:59Valuable to us you go back to the camp it's what fighting men are there I stay
01:03:05here to see what happened.
01:03:20To.
01:03:39Wait a bit old man I didn't know it was you when I fired this is Tom I'm going to
01:03:43teach you know if you're really going to come up I can see you.
01:03:47Oh well this is
01:03:51a relief I hope that what brings you here I didn't know anybody knew I was hiding
01:03:55here I didn't know until I found your note to Muriel I came here to warn her that
01:03:59Mustafa let her escape so they can follow her and find the diamond my note to
01:04:03Muriel I didn't write any note to her.
01:04:10Why isn't this yours. I didn't write this what can it mean.
01:04:17It means that the staff of plan the whole thing to make me or you'll lead him to
01:04:20the diamond I didn't you pass around the trail out here no I left the trail because
01:04:24I wasn't very well ahead of me but what about me or you supposing they overtake
01:04:28you know you wait here in case you're right I'll go back along the trail and see
01:04:33what I can do to prevent her being followed.
01:05:17The girl is held prisoner in the black village with stuff or he has sent me to
01:05:21our own camp to get men to rescue her rescue her for what they accuse her of
01:05:25having killed our age key the tribe is clamoring for her life is the sacrifice I
01:05:31thought this was another of your lying tricks I.
01:05:35I swear it is the truth whether it's the truth or not I don't force me to believe
01:05:39you go on.
01:05:46You're.
01:06:11Faithful to the words of your dead.
01:06:17As I promised that the king's mouth I have delivered into your hand the author
01:06:23of my death but the white girl pay with her blood for the blood of your king.
01:06:36We go to the chamber of condemn God well I guess we're ready but she escaped even
01:06:42now.
01:07:12No.
01:07:42I.
01:08:04Hear you hear you up this way.
01:08:13I.
01:08:17Heard of our king cries for justice but the sacrifice we brought.
01:08:42To.
01:08:56White girls magic is great but who will find her trail will it lead through the
01:09:02unseen air.
01:09:13The.
01:09:29Very.
01:09:43Deep.
01:09:55Spirit of our dead king cries for revenge.
01:10:00To this magic has failed.
01:10:04Killer of our king has escaped.
01:10:06I.
01:10:09Like with death to all who are with the prayer of our king.
01:10:16You are one who has come to help you.
01:10:20Yes.
01:10:22My.
01:10:24Can follow the trail of the murderer no matter where it is.
01:10:29The spirit of our dead king has sent him with the magic of his devil to help us.
01:10:34Now we follow with the devil I believe.
01:10:37What way though loyal to the memory of our dead king.
01:10:42We go.
01:10:44Well.
01:10:46Why.
01:11:05Why.
01:11:20You're going to come to the case.
01:11:25All right.
01:11:34I.
01:12:34War cries of African savages resound through the jungle as they follow the trail of Muriel Armitage, whom the natives suspect of having caused the mysterious death of their king.
01:12:55Muriel, disguised as an Arab girl, is on her way to join her brother Tom in a cave where he is hiding from his enemies.
01:13:03She is trailed by an Arab named Mustafa, who believes that she will lead him to the location of a rich diamond mine.
01:13:11The warriors are led by a white man named Harris, who is seeking to recover a letter which is worth a fortune to him.
01:13:19The letter, written by an Indian Rajab just before he died, is the only evidence that can clear Robert Grant, a young American who is a fugitive from justice, charged with having murdered the Rajab.
01:13:31Grant has aided Muriel in her efforts to rejoin her brother, and while she is running toward the cave, Grant is crouching in the branches of a tree beneath which Mustafa must pass, unaware that he has intruded upon the lair of a hungry leopard.
01:14:16Harris agrees with Decker.
01:14:42I don't know how you managed to bring up the disappearing ink.
01:14:45I'm sure of lives to you.
01:14:47This will free me of the murder charge against Dick Decker of plotting against the throne.
01:15:11Before he gets away, he's hidden the white girl somewhere.
01:15:15We must find them both.
01:15:41I don't know how you managed to bring up the disappearing ink.
01:15:43I'm sure of lives to you.
01:15:45This will free me of the murder charge against the throne.
01:15:47We must find them both.
01:15:49Before he gets away, he's hidden the white girl somewhere.
01:15:51We must find them both.
01:15:53Before he gets away, he's hidden the white girl somewhere.
01:15:55Before he gets away, he's hidden the white girl somewhere.
01:15:57Before he gets away, he's hidden the white girl somewhere.
01:15:59Before he gets away, he's hidden the white girl somewhere.
01:16:01Before he gets away, he's hidden the white girl somewhere.
01:16:03Before he gets away, he's hidden the white girl somewhere.
01:16:05Before he gets away, he's hidden the white girl somewhere.
01:16:07Before he gets away, he's hidden the white girl somewhere.
01:16:09Before he gets away, he's hidden the white girl somewhere.
01:16:11Before he gets away, he's hidden the white girl somewhere.
01:16:13Before he gets away, he's hidden the white girl somewhere.
01:16:15Before he gets away, he's hidden the white girl somewhere.
01:16:17Before he gets away, he's hidden the white girl somewhere.
01:16:19Before he gets away, he's hidden the white girl somewhere.
01:16:21Before he gets away, he's hidden the white girl somewhere.
01:16:23Before he gets away, he's hidden the white girl somewhere.
01:16:25Before he gets away, he's hidden the white girl somewhere.
01:16:27Before he gets away, he's hidden the white girl somewhere.
01:16:29Before he gets away, he's hidden the white girl somewhere.
01:16:31Before he gets away, he's hidden the white girl somewhere.
01:16:33Before he gets away, he's hidden the white girl somewhere.
01:16:35Before he gets away, he's hidden the white girl somewhere.
01:16:37Before he gets away, he's hidden the white girl somewhere.
01:16:39Before he gets away, he's hidden the white girl somewhere.
01:16:41Before he gets away, he's hidden the white girl somewhere.
01:16:43Before he gets away, he's hidden the white girl somewhere.
01:16:45Before he gets away, he's hidden the white girl somewhere.
01:16:47Before he gets away, he's hidden the white girl somewhere.
01:16:49Before he gets away, he's hidden the white girl somewhere.
01:16:51Before he gets away, he's hidden the white girl somewhere.
01:16:53Before he gets away, he's hidden the white girl somewhere.
01:16:55Before he gets away, he's hidden the white girl somewhere.
01:16:57Before he gets away, he's hidden the white girl somewhere.
01:16:59Before he gets away, he's hidden the white girl somewhere.
01:17:01Before he gets away, he's hidden the white girl somewhere.
01:17:04He came from the cave in the mountain.
01:17:07That is where he has hidden the girl.
01:17:12Are you hurt?
01:17:13No, I'm all right.
01:17:14But I'm afraid something has happened to Tom.
01:17:16He wasn't here when I came.
01:17:18Why, I left him here just before I went to the african camp.
01:17:21Oh, I'm sure that something has happened to him.
01:17:23He might be in the crater.
01:17:25You better look.
01:17:26Oh, yes.
01:17:33A. White girl was spirited away by means of powerful magic paper with spirit writing on.
01:17:44Search him and you will find it.
01:18:04Come across with that letter or I'll tell these blacks that it was you that killed their king.
01:18:11Remember they are my friend.
01:18:14All I have to do is to tell them of the poison that you carry the kind that killed their king.
01:18:23I do not.
01:18:25Grant hold me up and take it from.
01:18:28What is this you two men talk about.
01:18:32I can't believe that if you had not stopped us we find the man who has the paper where is he.
01:18:41By many will find the trail.
01:18:45Really.
01:18:47Trail by.
01:19:02All the one.
01:19:05What was that you.
01:19:09Did you see the man with the black man.
01:19:11No he's a type of what you can't.
01:19:17Well did you see my brother.
01:19:21What will you do if he was here a long ago if he was he would be the man in the black.
01:19:28If possible.
01:19:29But that's.
01:19:38Right I'm arresting you for the murder of women you're making a mistake.
01:19:44Oh no I'm not I told you Mrs Colby was a secret service operator but I didn't tell you she was investigating the way in my murder and I'm arresting you for the murder of Mrs.
01:19:54Was that.
01:19:56Now I'm just an old fool but I wouldn't hesitate to use this gun if I had to.
01:20:55There is a white girl you are OK.
01:21:03If you speak in people's language tell them I am an officer of the law and these people are my prisoners I'm afraid they'll likely save them all the trouble of hanging Grant.
01:21:14This is the man with the magic paper he has a white woman with him.
01:21:24.
01:21:34Oh that was your game you did bring back the writing and save me the trouble.
01:21:42Paper magic I give paper medicine man magic do no harm.
01:21:49So.
01:21:54.
01:22:11White.
01:22:14White.
01:22:17I returned.
01:22:18My.
01:22:24.
01:22:40White girl has to keep it a bit I was going to get her from the village before the fact.
01:22:54.
01:22:55.
01:22:56.
01:22:57.
01:22:59.
01:23:20.
01:23:22.
01:23:24.
01:23:25.
01:23:26.
01:23:28.
01:23:29You know what I want you to talk.
01:23:34I don't tell you if you help me rescue my sister I have no time for that you tell me where the guy I won't be.
01:23:46You know all I have to do is stand aside to give my men at all their.
01:23:54I'm ready.
01:24:11Watch these two.
01:24:13This paper with magic words spired away a white girl who killed our king.
01:24:25The paper must be reduced to ashes and the girl sacrificed.
01:24:32Let the magic paper be burned.
01:24:38Law, please, hold.
01:24:43Burn them.
01:24:47I'm sorry about the Roger's letter.
01:24:50After you've gone through so much to get it.
01:24:53If it's burned, you'll never be able to clear yourself.
01:24:57It's you I'm thinking of.
01:25:00If there were only some way I could get you out of here.
01:25:04Man, follow.
01:25:09Woman, follow.
01:25:25Soldier, follow.
01:25:35You wait here until you get my signal.
01:25:50I was afraid you might think me lacking in the courtesy which always exists between our tribes.
01:25:57So I send my men home and I come back.
01:26:02It is well, my brother.
01:26:04Remain and watch the witch doctor burn the magic paper and the sacrifice of the witch woman.
01:26:22Your brother is outside with my men.
01:26:25Watch my signal.
01:26:27I help you get away.
01:26:29I don't believe you and I wouldn't trust you.
01:26:36Go.
01:26:52Come here, brother. Come here.
01:26:59Come here, brother.
01:27:29Come here.
01:27:59Come here.
01:28:01Come here.
01:28:03Come here.
01:28:05Come here.
01:28:07Come here.
01:28:09Come here.
01:28:11Come here.
01:28:13Come here.
01:28:15Come here.
01:28:17Come here.
01:28:19Come here.
01:28:21Come here.
01:28:23Come here.
01:28:25Come here.
01:28:27Come here.
01:28:29Come here.
01:28:31Come here.
01:28:33Come here.
01:28:35Come here.
01:28:37Come here.
01:28:39Come here.
01:28:41Come here.
01:28:43Come here.
01:28:45Come here.
01:28:47Come here.
01:28:49Come here.
01:28:51Come here.
01:28:53Come here.
01:28:55Come here.
01:28:57Come here.
01:28:59Come here.
01:29:01Come here.
01:29:03Come here.
01:29:05Come here.
01:29:07Come here.
01:29:09Come here.
01:29:11Come here.
01:29:13Come here.
01:29:15Come here.
01:29:17Come here.
01:29:19Come here.
01:29:21Come here.
01:29:23Come here.
01:29:25Come here.
01:29:27Come here.
01:29:29Come here.
01:29:31Come here.
01:29:33Come here.
01:29:35Come here.
01:29:37Come here.
01:29:39Come here.
01:29:41Come here.
01:29:43Come here.
01:29:45Come here.
01:29:47Come here.
01:29:49Come here.
01:29:51Come here.
01:29:53Come here.
01:29:55Come here.
01:29:57Come here.
01:29:59Come here.
01:30:01Come here.
01:30:03Come here.
01:30:05Come here.
01:30:07Come here.
01:30:09Come here.
01:30:11Come here.
01:30:13Come here.
01:30:15Come here.
01:30:17Come here.
01:30:49and savages who are preparing to sacrifice her in revenge for the mysterious death of
01:31:07their king, Muriel Armitage is imprisoned in a hut. While in the jungle outside the
01:31:12navy village, her brother Tom is waiting with some Arab horsemen in the desperate hope of
01:31:17rescuing her. Bob Grant, a young American, has tried to rescue Muriel, but is himself
01:31:23a prisoner. Grant's failure is due to the crafty scheming of his enemy, Harris, who
01:31:29is watching his chance to get hold of a letter which the savages are going to burn because
01:31:33they believe it is a magic paper. The letter is worth a fortune to Harris, but is even
01:31:39more precious to Grant, because it is the only evidence that can clear him of a murder
01:31:45charge. Meanwhile, in a town not far away, Olaf Peterson has been arrested on a charge
01:31:52of having killed a police officer while trying to get hold of the letter.
01:31:57You bent want to let me out of this jail? Maybe they find out I didn't do it, huh?
01:32:02Don't make me laugh. They're just going to book you for another murder.
01:32:06Murder? They didn't kill nobody.
01:32:09Take your breath and smell it for Wainwright.
01:32:12Wainwright? He bent and murdered.
01:32:14Sure, you're the one that murdered him.
01:32:16A-1 killer.
01:32:27Is this the man you saw robbing the safe in your office the night you were shot?
01:32:34Yes, he's the man.
01:32:36You recognize him as the man who shot you?
01:32:39No, the shot was fired from the window by a man in black glasses.
01:32:44A man in black glasses?
01:32:47Yes, you're a confederate.
01:32:49No, I don't have nothing to do with that fellow. I don't even know who he is.
01:32:53What were you doing at Wainwright's safe?
01:32:55A-1...
01:32:56Don't try to lie out of it. We've checked a few fingerprints with those on the safe.
01:33:00I'd advise you to make a clean breath of it, Peterson.
01:33:05All right, let's go talk.
01:33:09This Gulf League guilty to the charge of murder.
01:33:12What did you take out of the safe?
01:33:14A piece of paper.
01:33:15Sir Raja's letter?
01:33:16Yes, the letter that Raja Rampur wrote when he was dying,
01:33:19telling his brother to come quick and take the throne,
01:33:22so his cousin Prince Thakur couldn't stir up any political trouble.
01:33:26What did you want with the letter?
01:33:28Prince Thakur hired me to get the letter so he could destroy it.
01:33:31That's the reason I've been in Lubanga to see Harris.
01:33:34You mean Harris had the letter?
01:33:36Yeah, he'd been trying to bring out the secret writing on the back of the letter,
01:33:40so he could blackmail Prince Thakur.
01:33:43That's the thing with other information about Mr. Harris.
01:33:46Yes.
01:33:47The Arab Mustafa assured me that the squad I sent to arrest Harris
01:33:52would find the letter on him.
01:33:56Where's Harris?
01:33:57Well, then if not of his, let the lions on us.
01:34:00We had to run for our lives and Harris escaped.
01:34:02Escaped?
01:34:03Harris is a bandit of the jungle.
01:34:06The guards are now following him and we came back for reinforcements.
01:34:09He's headed for the black camp.
01:34:11It was not the barest enfront of it.
01:34:13He must not escape.
01:34:15Get what men you need.
01:34:16I'm going with you.
01:34:21If you've been telling me the truth, Peterson,
01:34:23I can promise you a short sentence.
01:34:25He tell you the cold truth.
01:34:28All I want is to get spare with that fellow Harris.
01:34:33Well, Grant, as you're finished,
01:34:35once that letter goes up in the smoke,
01:34:37you'll never be able to prove that you didn't kill the Raja.
01:34:40They'll hang you when they get you.
01:34:42I may never get the letter, Harris,
01:34:45but that won't stop me from you over to the police site.
01:34:50You'll never live to see the police.
01:34:53These ladies will never get the letter.
01:34:55They'll hang you when they get you.
01:34:57They'll hang you when they get you.
01:34:59They'll hang you when they get you.
01:35:01You'll never live to see the police.
01:35:03These ladies will finish you off
01:35:05as soon as they're through with the Armitage girl.
01:35:18Who are you?
01:35:22I know you do not trust me,
01:35:24but I bring you word from one who need your help.
01:35:27What word? From who, Mustafa?
01:35:30The Armitage brother is outside with my men.
01:35:33We plan to rescue her.
01:35:35What's your plan?
01:35:37To rush the hut where she's tied up?
01:35:39She is no longer tied up in the hut.
01:35:42The old lady of whom you know
01:35:44managed to get her out disguised as a witch doctor.
01:36:00Come on!
01:36:03Come on!
01:36:18Come on!
01:36:22Come on!
01:36:30Come on!
01:36:37Come on!
01:36:49Stop!
01:36:53Come on!
01:37:00Come on!
01:37:08Come on!
01:37:15Come on!
01:37:17Come on!
01:37:23Come on!
01:37:30Come on!
01:37:50Come on!
01:38:00Come on!
01:38:15The white witch has escaped.
01:38:19This is the word from the white devil.
01:38:21Slay them all!
01:38:30If you hurt me,
01:38:32the devil will kill you.
01:38:35Kill him!
01:39:00Come on!
01:39:22Don't be afraid.
01:39:24I told you your brother was waiting for you.
01:39:26Come!
01:39:30Come!
01:39:57Come here!
01:39:59Thank God you're safe.
01:40:01How did you know where to find me?
01:40:03I was in the cave
01:40:05when the natives took you away.
01:40:07You were?
01:40:09Why didn't you answer me when I called?
01:40:11Just as I saw you coming,
01:40:13the man in the black glasses
01:40:15hit me from behind.
01:40:17When I came to,
01:40:19the natives were taking you away.
01:40:21The man in the black glasses?
01:40:23Yes.
01:40:25And you'd never guess who he is,
01:40:27right?
01:40:33Mr. Gray!
01:40:35Are you frightened?
01:40:37I saw you shoot Tom Robert, didn't you?
01:40:39You must be crazy.
01:40:41Don't you know I'm a secret service operator?
01:40:43I don't care who you are.
01:40:45I saw you shoot him.
01:40:51Get going.
01:40:57Is he hurt badly?
01:40:59No, just a flesh wound.
01:41:01But he's still unconscious.
01:41:03Well, I've got the criminal that shot him.
01:41:05Well, she told me she was a secret service agent.
01:41:07That's what I've been trying to tell this fool.
01:41:09But he won't believe me.
01:41:11Well, if you are, you can easily prove it.
01:41:13Why did you shoot him?
01:41:15Well, that's why you're always looking for my brother.
01:41:17So you could shoot him.
01:41:19I don't care who you are.
01:41:21I saw you shoot him.
01:41:23I don't care who you are.
01:41:25But you're always looking for my brother.
01:41:27So you could shoot him.
01:41:43Well, Inspector.
01:41:45Oh, Grant.
01:41:47What's the problem?
01:41:49Why, the natives thought Miss Armitage here had killed their king.
01:41:51That's the second murder I've heard Miss Armitage accused of.
01:41:53I only hope she's as innocent of Mrs. LaSalle's death
01:41:55as I know she is of the king's murder.
01:42:03Your brother shot?
01:42:05Who did it?
01:42:07This old lady here, Mrs. Colby.
01:42:09She claims she's one of your secret service agents.
01:42:11One of my agents?
01:42:13I never saw the woman in my life.
01:42:15Then those credentials she carries must be false.
01:42:17You'll find them in that bag.
01:42:23These credentials are genuine enough
01:42:25and they solve the mystery
01:42:27of the death of Mrs. LaSalle.
01:42:29At the time of her murder,
01:42:31she was investigating
01:42:33the mysterious output of diamonds
01:42:35that was flooding the market.
01:42:37Is that why you killed her?
01:42:39I don't know.
01:42:41I don't know.
01:42:43I don't know.
01:42:45I don't know.
01:42:47I don't know.
01:42:49I don't know.
01:42:51Is that why you killed her?
01:42:53To prevent her discovering
01:42:55the source of this output?
01:42:57I'm not telling you anything.
01:42:59But I can tell you everything.
01:43:05I'm all right now. Help me up.
01:43:21The man with the black glasses
01:43:23and the mysterious man
01:43:25who shot at you, Miss Armitage,
01:43:27from my camp
01:43:29and the mysterious man
01:43:31who shot Wainwright in his office.
01:43:33How did you learn
01:43:35of his disguise, my boy?
01:43:37Well, it was the night
01:43:39Wainwright was shot.
01:43:41I was pretty mad at him
01:43:43for having arrested Muriel.
01:43:45I was on my way to his office
01:43:47to have it out.
01:43:50I was on my way to his office
01:43:52to have it out with him
01:43:54when I discovered this man
01:43:56crouching outside the window
01:43:58with a gun in his hand.
01:44:00Before I could interfere,
01:44:02he fired and ducked away.
01:44:04I followed him to a room
01:44:06in the Continental Hotel,
01:44:08which I later learned
01:44:10was supposed to be occupied
01:44:12by Mrs. Colby.
01:44:14I watched for my opportunity
01:44:16to get into the room,
01:44:18and I saw the blue clay.
01:44:20The diamonds are at the bottom
01:44:22of this whole business.
01:44:24This man had discovered the mine
01:44:26and was working it secretly,
01:44:28knowing that if he should report it,
01:44:30they'd get it.
01:44:32When I stumbled on it by accident,
01:44:34he followed me to town
01:44:36and fired at me
01:44:38from the balcony outside Harris' room
01:44:40to keep me from telling the secret
01:44:42to Mrs. LaSalle.
01:44:44I had no idea that Mrs. LaSalle
01:44:46was the woman over whom I lost my head.
01:44:48Quite right.
01:44:50We know all about that.
01:44:52So go, Mustafa.
01:44:54Why only go to tell my men?
01:44:56Never mind your men.
01:44:58We've taken care of them already.
01:45:00Don't you have nothing
01:45:02against me?
01:45:04Oh, yes, we have, Mustafa.
01:45:06If you have nothing else to hold him on,
01:45:08I can be a witness that it was he
01:45:10who killed the native king.
01:45:12How do you know?
01:45:14Well, I was a prisoner in his camp.
01:45:16They thought I was out of my head.
01:45:20Were you not afraid
01:45:22that his sister and her friends
01:45:24had followed you from the black camp?
01:45:26By this time, they have all been
01:45:28slain in vengeance
01:45:30for the black king's death.
01:45:32They killed the king?
01:45:34No.
01:45:36But I make the blacks think they did.
01:45:38These little boys and daughters
01:45:40leave no mark.
01:45:42It was easy to make the blacks believe
01:45:44that the king died
01:45:46from the white girl's magic.
01:45:48Search him.
01:46:00Take the prisoners away.
01:46:02Take the prisoners away.
01:46:06Take this man, too.
01:46:10Leave a couple of the horses
01:46:12for Miss Armitage and her brother.
01:46:26Well, Inspector,
01:46:28I guess you'll have to send me back to Ramphore.
01:46:31Have you got hold of the Rajah's letter again?
01:46:33No.
01:46:35I'll never be able to prove my innocence
01:46:37now that the letter is gone forever.
01:46:39What do you mean?
01:46:41The blacks thought it was a magic document
01:46:43and burned it.
01:46:56The Rajah's letter?
01:46:58But where did you get it?
01:47:00I was behind the altar
01:47:02and managed to steal it without being seen.
01:47:08Don't try to follow any of you.
01:47:30Don't try to follow any of you.
01:48:00Don't try to follow any of you.
01:48:30Don't try to follow any of you.
01:48:32Don't try to follow any of you.
01:48:59We saw him fall.
01:49:01how it happened yes it was Bimmy that frightened the horse. Congratulations Grant that paper
01:49:09will not only clear you but it will win the thanks of many people for removing the menace
01:49:17of Prince Decker. Look that ape man is coming down the hill.