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00:00Let's all play, What's My Line?
00:19And now, let's meet this week's What's My Line panel.
00:29First, that dashing, daring, devilish, delirious, debonair Don Juan of TV, Soupy Sales.
00:43Thank you, Johnny Olsen.
00:45And right now, it gives me a great pleasure to introduce you to a brand new recording star on the horizon.
00:49A lady who has an album out entitled, Those Were The Days.
00:53Here she is, Phyllis Newman.
00:59Thank you, Soupy.
01:05I'd like to introduce a handsome, talented actor from London who has flown in just for What's My Line.
01:11Mr. Gawne Granger.
01:12Yeah.
01:13It gives me great pleasure to introduce the one and only Miss Arlene Francis.
01:24And now, the new owner of Tammy Grimes Sheepdog, our master of the hounds, Wally Bruda.
01:46His name is Bear and he looks it.
01:48He does indeed.
01:50But welcome to What's My Line.
01:52During the next 30 minutes, you're going to meet some interesting people engaged in the most unusual occupations,
01:56which we hope will baffle our panel of experts.
01:58And in addition, the panel will face a mystery celebrity guest just a bit later on.
02:02But now, are you ready?
02:03Yes.
02:04Yes, we are.
02:05Okay.
02:06Put on your blindfolds.
02:07Oh, no.
02:08Oh, no.
02:09Oh, yeah.
02:11Put on your blindfolds, panel.
02:13Very good.
02:14It's the Duchess.
02:15Everyone blindfolds in place?
02:17The Duchess.
02:18Okay.
02:19So, will our first challenger enter?
02:20And sign in, please.
02:21Gary Brouwer.
02:22Where are you from, sir?
02:23From New York City.
02:24From New York City.
02:25All right.
02:26Panel, may I tell you that Gary Brouwer deals in the most unusual occupations,
02:28which we hope will baffle our panel of experts.
02:30And in addition, the panel will face a mystery celebrity guest just a bit later on.
02:32But now, are you ready?
02:33Yes.
02:34Yes, we are.
02:35Okay.
02:36Put on your blindfolds.
02:37Oh, no.
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05:42May I tell you, panel, that Mr. Brower is the man that makes your blindfolds.
05:47And he made the blindfolds for the, of course, for What's My Line for many, many years, haven't you?
05:52Yes, for many years.
05:54For many years.
05:55For many years.
05:56But who are you employed by?
05:57What is your company name?
05:58Eve's Costume.
05:59Eve's Costume Company.
06:00Well, what's so special?
06:01We have one here by me.
06:02Right.
06:03What is so special about the What's My Line blindfolds?
06:06Well, they have to be custom-made because they, so they wouldn't disturb the hair and the face and they feel all right.
06:13And that's why you have the rather wide pieces of plastic in them.
06:16Right.
06:17So they won't mess up.
06:18And lined with velvet, you know.
06:19Oh, lined with velvet, no less.
06:21I think for the ladies.
06:22And what are these?
06:23That's only for the ladies.
06:24It's the pearls around it.
06:25And pearls all the way around the edges.
06:27Uh-huh.
06:28How much does one cost?
06:29Oh, I'll tell you later.
06:31Oh, yeah.
06:32Expensive?
06:34Um, no, not really.
06:37But I'd rather not mention it now.
06:39Okay.
06:40Well, what do you do when you're not making masks for our panel?
06:42I make hats for the theater, for movies and Broadway.
06:46And various costuming, I guess.
06:49Yes, but strictly hats, though.
06:50But strictly in the hat business?
06:52Yes.
06:53And, well, is there still a big thriving business for this in the theater?
06:57In the theater, yes.
06:58Only in the theater, yes.
06:59But no place else?
07:01Not really, no.
07:02And a few people left in this business, so it keeps me very busy.
07:06Well, how did you happen to get into a field like this?
07:09Well, I started clothes designing in Europe.
07:12But then I started to make hats because it's easier, more economical.
07:16And before I knew it, I was stuck with it.
07:18You know, and that's it.
07:19Well, we're delighted that you can make blindfolds for our panel.
07:21And thank you so much for being with us on Watch My Life.
07:24We'll be back to meet another challenger as Watch My Line continues.
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09:38Go on, tell me, what do you call blindfolds in England?
09:41Oh, um, eye-peeper-stoppers.
09:44Eye-peeper-stoppers.
09:45Eye-peeper-stoppers, yes.
09:47Oh, that would be difficult. All right.
09:48Well, you can have a you-peeper-stopper as well.
09:52I won't get into that.
09:53You would have a you-peeper-stopper and I would have an eye-peeper-stopper.
09:55But if you put it on me, it would be a you-peeper-stopper.
09:57And if I put it on you, then it would become a you-peeper-stopper
09:59onto an eye-peeper-stopper.
10:00Goodbye, everybody.
10:01I think it's time for our next challenger to enter.
10:03And sign in, please.
10:10Mr. X.
10:15Mr. X, where are you from?
10:17I'm from New York City.
10:18From New York City. All right.
10:19Panel, may I tell you Mr. X is self-employed and deals with the service.
10:23And as a further hint, let me tell you that Mr. X does something rather unusual with fire.
10:28And now let's show the audience exactly what Mr. X does with fire.
10:33I'll remind you he is self-employed. There's a service.
10:35And let's begin with Soupy.
10:38He's self-employed and it's a service.
10:40It has to do with fire.
10:41He starts.
10:42He starts. No, he roasts marshmallows.
10:44Let's see.
10:45Mr. X, is this a fire?
10:49It's a fire.
10:50It's a fire.
10:51It's a fire.
10:52It's a fire.
10:53It's a fire.
10:54It's a fire.
10:55It's a fire.
10:56It's a fire.
10:57It's a fire.
10:58It's a fire.
10:59It's a fire.
11:00It's a fire.
11:01Is this what you do...
11:04I don't know.
11:05Check, please.
11:08Is what you do connected in any way with show business?
11:13In the broadest sense, I would have to say that there is a slight connection between what he does and show business.
11:18Well, like...
11:19I think it'd be very difficult for you to pursue that particular point much farther than you already have
11:24because it would only lead you down the primrose path from whence you do not wish to go.
11:29Right.
11:30Ted Wally.
11:33Mr. X, you have something to do with fire.
11:37Do you...
11:42I don't know.
11:44Do you go around and give any...
11:45Do you ever give any kind of demonstrations that have anything to do with fire?
11:48Oh, yes.
11:49Many, many demonstrations.
11:50Oh, really?
11:51Oh, yes.
11:52Do you, by any chance, go around and, like, to say schools are public functions talking about fire?
12:01No.
12:02No, that's one down.
12:04No.
12:05Can I...
12:06Can rule out, then...
12:07This will get me a yes answer.
12:09I've just been preparing you.
12:11I can then rule out eating or spitting up fire.
12:14I mean, with those people.
12:15Yeah.
12:16You can eliminate that.
12:17Yes.
12:18Well, you know those people that eat it and then they're hot.
12:20They go like that.
12:21You mean a fire eater.
12:22A fire eater.
12:23You're not...
12:24I'm ruling out that you're a fire eater, okay?
12:26And you don't start them, clearly, because nobody would start fires.
12:31And you're not...
12:32You're not...
12:33May I rule out that you're connected with the fire department?
12:35No, I'm not connected with the fire department.
12:37That's fine.
12:38I can rule out that you're connected with the fire department.
12:39Rule that out.
12:40So you travel around.
12:41Now, could the fire have anything to do with cooking?
12:44Cooking?
12:45No, not really.
12:46No, not really.
12:47No, no.
12:48It's not the same fire used for cooking.
12:49No.
12:50It's a crackly fire.
12:52Do the people who come to see you about this...
12:55Yes.
12:56They do come to see you.
12:57Oh, yes, definitely.
12:58Well, when they come to see you about this, you instruct them, do you?
13:00You give them some sort of...
13:02I mean, it's...
13:03Yeah, well...
13:04No.
13:05And that's three down.
13:06We go to...
13:07No.
13:08Do they come to see you because you do something that entertains them with this fire in any way?
13:12No, I wouldn't say that.
13:13No.
13:14That's not the primary reason.
13:15Four down.
13:16Soupy?
13:17Well, the reason he's known...
13:19...as Mr. X...
13:21Look, they got the laughing twins over there on that end of the panel.
13:25It's that time of...
13:30Cheer down, will you?
13:33The reason Mr. X...
13:34Can you do the moo for us?
13:35If you signed your name, we would recognize that name.
13:39It's like a famous trademark.
13:41There might be a degree of recognition.
13:43Recognition.
13:44Now, who would we know that...
13:46Who would we know that...
13:47You're not smoking the barrel.
13:53I don't...
13:54This is a farce.
13:55Is this service...
13:57Is there a product...
14:00No, no product.
14:01No, it's a service.
14:02It's a service.
14:03It's been established.
14:04It's a service.
14:05Now, is this performed...
14:06No, it's my turn.
14:07I got...
14:08No, not yet.
14:09I'm just anticipating.
14:10Is this service performed outside?
14:12Oh, that doesn't...
14:13No.
14:14Okay, Phyllis Newman.
14:15Let's get down to basics.
14:17Mr. X, I come to where you are
14:20for some reason that I can't imagine
14:22to see you do something with, to, or about fire.
14:26That has not been established.
14:27I'm asking.
14:28Oh, well, then that's a no.
14:29No, I didn't mean I'm asking.
14:30That's a no.
14:31Juan Graves, you don't actually do anything with it,
14:33but you talk to me about it.
14:34Does anyone have any idea...
14:35He rubs two Boy Scouts together and gets a...
14:38No.
14:40Let me tell you that I...
14:41Let me tell you that...
14:43Now, our challenger is Paul Mollet,
14:46and Paul Mollet styles men's hair with fire.
15:01But Mr. Mollet is the proprietor
15:03of one of the oldest and best-known barbershops
15:05here in the city of New York,
15:07and probably is one of the world's best-known barbers as well
15:10as a result of his...
15:11You're a Lexington, aren't you, Mr. Mollet?
15:13That's correct, yes.
15:14You mean you burn the hair?
15:15Yeah.
15:16To do what?
15:17I flame it, to groove it, to thin it out,
15:20and to blend hair, and you don't have to use spray on it.
15:23And the Egyptians actually started this.
15:25And the Egyptians started the whole thing.
15:26Oh, I see.
15:27Well, you know, Mr. Mollet,
15:28we don't happen to have any old Egyptians around here,
15:31but we do have the pride of Piccadilly with us,
15:33who is none other than Don Regers.
15:35Could you give us a little demonstration
15:37of exactly how this is done?
15:38Would you really?
15:39Okay, well, let's find out what it's like.
15:41Johnny Olsen.
15:42There's Johnny Olsen.
15:43He's going to give us a big hand.
15:47All right, barber chair is here.
15:49Go on.
15:56Actually, no, seriously, I think this is for a play.
16:00You're ready, yeah.
16:02Are you in town long?
16:10Excuse me.
16:14I'll get rid of the polish in my suit.
16:17Is this dangerous, Paul?
16:19I'll first set you up a little bit, so this way we don't fire up your jacket.
16:22Oh, thank you.
16:23Is this dangerous, Mr. Mollet?
16:24Oh, it's very dangerous.
16:25It's very dangerous.
16:26Why don't you take off about three inches or so?
16:29About three inches?
16:30About three inches.
16:31Have you any last words?
16:32Yes.
16:33Are you ready?
16:34Help!
16:35That's it.
16:36Is there a fire extinguisher around the house?
16:39That's it there.
16:40That's it there.
16:41Right here.
16:42Right here.
16:43Oh, it's only a singe, dear.
16:44It's lovely.
16:45Yes.
16:46A singe in time saves night.
16:47That's a good name.
16:48Oh, that's a nice flame.
16:49That's fine.
16:50Soupy, you're next.
16:52Yeah.
16:55Oh, that's nice.
16:56You mean it's really coming off?
16:57Oh, is it coming off?
17:02You're joking.
17:03You know, there's nothing falling on the floor.
17:05It's all going up in smoke.
17:06It's one barbershop in New York City where they never have to sweep the floor.
17:09Can you come back next year?
17:10Oh, that's very good.
17:11He's really on fire.
17:12Has it all gone?
17:13No, it's lovely now.
17:15You're a hothead.
17:16You're joking.
17:17No.
17:18It's really burning.
17:19I can't see it.
17:20It is?
17:21No.
17:22Haven't you got it?
17:23Can't you smell it?
17:24Wow!
17:25Very good.
17:26Listen, don't take too much off, Paul.
17:28No, I won't take too much off.
17:29That'll be fine.
17:30I was grooved.
17:31Why didn't you do his wax?
17:32England's finest Shakespearean actor simply wouldn't look the same if you took too much off.
17:36That's right.
17:37We enjoyed it.
17:38Go on.
17:39You're a great sport.
17:40Thank you very much.
17:41Thank you for being with us on What's My Line.
17:42We'll be back to meet another challenger as What's My Line continues.
17:43In the end, only one of us will be left standing.
17:44Deal or card, let's play some poker.
17:45Come up against me, I'll bury him.
17:46High Stakes Poker premieres Monday, January 15th, 9, 8 central, on GSN.
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19:46I'll bury you.
19:47I'll bury you.
19:48I'll bury you.
19:49I'll bury you.
19:50I'll bury you.
19:51I'll bury you.
19:52I'll bury you.
19:53I'll bury you.
19:54I'll bury you.
19:55I'll bury you.
19:56I'll bury you.
19:57I'll bury you.
19:58I'll bury you.
19:58I'll bury you.
19:59I'll bury you.
20:00You're welcome.
20:01Call 1-800-875-1758.
20:02The information package is free.
20:03There's no obligation.
20:041-800-875-1758.
20:05If you're not playing along at GSN.com,
20:06I'm not going to speak to you ever again.
20:09I guess that makes these guys the lucky ones.
20:11Play now.
20:12And now it's that very special part of
20:13What's My Line when we meet
20:14our mystery guest,
20:15panel of the blindfolds in place.
20:17Yes, they are, Mr. Rick.
20:19Alright, mystery challenger,
20:20would you enter and sign in place?
20:24Well, as you can tell, our mystery guest has arrived and is now seated beside me.
20:48I'll remind you it's one question at a time.
20:50I'll give you three minutes to try and establish our mystery guest's identity.
20:54And let's begin with Phyllis Newman.
20:57There was such prolonged applause, mystery guest.
20:59Could there be more than one of you?
21:01No.
21:02That's a no.
21:03Go on, Granger.
21:04Uh, hello.
21:05Um, would you primarily be known, um, as a singer?
21:09Yes.
21:10Ah.
21:11Arlene?
21:12Uh, a singer in television.
21:15What's that?
21:18I would say that, uh, our particular mystery challenger certainly is well known for television
21:23among other fields of entertainment.
21:25Soupy?
21:26Well, your, did your biggest fame come from your records?
21:32Uh, I would say that there's certainly an element of fame as a result of, uh, the many
21:38records that our particular mystery guest has, uh, been able to make and produce and
21:44sell to the public.
21:45Phyllis?
21:46And are you also known by, uh, New York theater-going audiences for being in the theater?
21:51No.
21:52Not in the theater.
21:53Um, have you, have you got a record out at the moment?
21:56I mean, I'm sure you've got several, but by that I mean, do you have one that is in the
21:59hit parade?
22:00Yes.
22:01You do.
22:02Arlene?
22:03Uh, are you a man who performs in nightclubs at all?
22:13Yes.
22:14Soupy?
22:15Are you currently appearing in New York at the present time?
22:21No.
22:22Phyllis?
22:23Now, this record that you have out, this album, is it among the songs, are there included
22:31Those Were the Days?
22:32No.
22:33No.
22:3430 seconds.
22:35This is a single though, isn't it?
22:36It's, it's not an LP that's in the hit parade.
22:43I think it, I think it, I believe the question was, is it a single as opposed to being an
22:47LP that is in, that was one of the big hits?
22:50I think that at the present time, our mystery challenger has both.
22:53Both.
22:54Oh.
22:55Both a single and both an LP as one of the top records of the day.
22:59Arlene?
23:00Uh, are you known as a soul singer?
23:05Yes.
23:06It's, whose turn is it?
23:10It's Soupy's.
23:11Well, would he, would that be the great James Brown?
23:16Yes.
23:19You know, I tell you, for, you know, you know, James, like for his voice, how he sings,
23:32like that was such a great disguise that you did it.
23:35I tried, man.
23:36Oh, really?
23:37It's, uh, it really.
23:38I couldn't possibly get by no other way, so I had to try to do something, you know.
23:42I know.
23:43But you, what, what a, what a success.
23:45You are my friend.
23:46Well.
23:47Thank you very much.
23:48But you know, we hear.
23:49He's a beautiful person.
23:50We hear a lot about James Brown, the singer, and his records and his albums, and no one,
23:55I didn't mention this to anyone before the show, but I used to be a newsman in Washington,
23:59D.C.
24:00And we had some trouble in Washington, D.C. about a year ago, and a performer, an entertainer
24:05by the name of James Brown came to Washington, and I think probably did more to help bring
24:11this particular crisis we had at that time to a, to a happy conclusion than anyone else
24:16in this country could have done.
24:17Thank you very much.
24:18I just want to say that Mr. Brown did the same thing in Boston, didn't you?
24:19Yes, I was very fortunate.
24:20Well, we were, we all were very fortunate, and everybody appreciated it, and I just wish
24:21I could do more, but not at that time.
24:38You really settled that, though, in Boston when nobody else could have done it but you
24:42at that particular time.
24:43Well, I think everybody killed it, actually, to the fact that we just didn't take time
24:48to think, that's all, and everything's all right now.
24:51James Brown, it's a pleasure to have you on What's My Line, and may I wish you continued
24:55success.
24:57James Brown.
29:04And that's it today.
29:05Please come back tomorrow, panel, and won't you join us, too, on What's My Line?
29:06What's My Line?
29:07It's a Mark Goodson-Bill Todman production.
29:08This is Johnny Olson speaking.