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. The Balkin Line is a fascinating geographical phenomenon that has sparked curiosity among geography enthusiasts and cartographers alike. But what exactly is the Balkin Line, and why is it so significant? In this video, we'll delve into the history and significance of the Balkin Line, exploring its impact on our understanding of the world and its role in shaping our perception of geography. From its discovery to its modern-day implications, we'll uncover the secrets of this enigmatic line and explore its relevance in today's world. So, join us on this journey of discovery and learn more about the intriguing story of the Balkin Line!
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Transcript
00:00:00You
00:00:30You
00:01:00I
00:01:30I
00:02:00I
00:02:02I
00:02:29The toys of straw
00:02:32Only
00:02:36Only
00:03:02Only
00:03:32Only
00:03:50I'll never never
00:04:02I
00:04:32This place sounded out of place.
00:04:55If there's anything I can do for you, don't hesitate, Emilia.
00:05:02Don't hesitate, Frisk.
00:05:15I want to enter the special body.
00:05:31I want to enter the special body.
00:05:33I want to enter the special body.
00:05:53Come on!
00:05:57On the double!
00:06:00Move it!
00:06:21Mirna! Mirna!
00:06:25Chief wants to see you in his office.
00:06:27Right away!
00:06:57Chief wants to see you in his office.
00:07:27Chief wants to see you in his office.
00:07:49You want to see me?
00:07:51Yeah.
00:07:57Who is that?
00:07:59Take a good look at her.
00:08:01Her name is Ursula Lechkoff.
00:08:03She killed me today.
00:08:27Ursula Lechkoff
00:08:29Ursula Lechkoff
00:08:31Ursula Lechkoff
00:08:33Ursula Lechkoff
00:08:35Ursula Lechkoff
00:08:37Ursula Lechkoff
00:08:39Ursula Lechkoff
00:08:41Ursula Lechkoff
00:08:43Ursula Lechkoff
00:08:45Ursula Lechkoff
00:08:47Ursula Lechkoff
00:08:49Ursula Lechkoff
00:08:51Ursula Lechkoff
00:08:53Ursula Lechkoff
00:08:55Ursula Lechkoff
00:09:07Ursula Lechkoff
00:09:09You see? You could have been killed. You've got to concentrate.
00:09:29Mark, I'm taking my men on an important mission tomorrow. I want both of you to come with me.
00:09:33Right, sir.
00:09:45All right, all of you. Come here. Listen carefully. Set your watches.
00:09:49The charge has to go off in exactly five minutes. Mark, Myrna, stay with me.
00:09:53There has to be more blood in this place.
00:09:55Let's go.
00:10:23Let's go.
00:10:51Come on.
00:11:19Come on.
00:11:33Get back.
00:11:59Come on.
00:12:28We've done it again.
00:12:40They've taken most of the army with them.
00:12:46Some of these armed ships originate in northern Europe, huh? For the most part, Germany.
00:12:52And they pass through Bulgaria on route to the Middle East.
00:12:56And exactly at the same time, they ship the keys from here, heading in the opposite direction.
00:13:04Arms in exchange for drugs.
00:13:08Last night, we raided one of their bases on the coast.
00:13:12Unfortunately, we got their merchandise.
00:13:15Are you ready?
00:13:29Her name is Sura Lakev.
00:13:32She's an old friend of ours.
00:13:34She traffics in arms in the Middle East, where she has a well-established network of connections.
00:13:40We've tried to nab her several times in the past, without success.
00:13:44But we're familiar with the way she operates.
00:13:49She's a very clever woman.
00:13:51Ruthless, unafraid.
00:13:54She has informers all over the world.
00:13:57A really big organization.
00:13:59Sells in everything from arms to drugs.
00:14:01She's cost nothing.
00:14:03Very efficient operative.
00:14:06Right now, she's in Sofia.
00:14:08We've got to pin her down.
00:14:09So you must forget the face of this woman.
00:14:13Okay?
00:14:14Okay.
00:14:32Our computer has reconstructed an identity of the man who was with her.
00:14:36But it doesn't coincide with the information we have on her in our files.
00:14:39All we know is that this photo was taken in Plovdiv around 15 days ago.
00:14:44But Sura's presence right now in Bulgaria is certainly not a coincidence.
00:14:48Now our job is to stop her before she gets her next shipments to the Middle East.
00:14:51Our F.A. headquarters expects our court to stop her.
00:14:56The only lead we've got now is Plovdiv.
00:15:01That's all.
00:15:14Mirna.
00:15:17I never noticed your tattoo before.
00:15:20It's the same one as Nicolai's.
00:15:24Killer whales are faithful to one partner only.
00:15:27If one of the two dies,
00:15:29the other one will choose either death or revenge.
00:16:30We were expecting you.
00:16:32Here's your key.
00:16:59I've been ordered to escort Major Lossberg back to Berlin.
00:17:06He wouldn't dare.
00:17:08They gave him.
00:17:14I have orders to fire.
00:17:19You haven't said a word since we got here.
00:17:21Something bothering you?
00:17:25We've been about her more than once,
00:17:29but she always slipped away.
00:17:34It's all part of the job.
00:17:36You don't waste time.
00:17:38Sometimes you cash them,
00:17:40and sometimes you don't.
00:17:42It was the same with me when I first started.
00:17:45I took everything personally.
00:17:47This is personal.
00:17:49Per chi?
00:17:54Three years ago,
00:17:55Zura was intercepted at Istanbul.
00:17:59One of our men managed to infiltrate the organization.
00:18:02Zura killed him.
00:18:04His name was Captain Nicolai Fedorov.
00:18:11He was my husband.
00:18:14She killed him.
00:18:24Why didn't you tell me this before?
00:18:28Why should I?
00:18:33Sometimes it's good to talk with someone.
00:18:35It makes you feel better.
00:18:53How can other people know
00:18:55if it hasn't happened again?
00:19:00We used to come for that license, of course.
00:19:03Who got killed?
00:19:07But we had no idea what they were going through.
00:19:14I certainly didn't.
00:19:16So it's better to keep it to yourself.
00:19:21I guess you're right.
00:19:23I'm sorry, Myrna.
00:19:27I really am.
00:19:28This time she's not going to escape.
00:19:58Well, not bad, huh?
00:20:19She's a good woman, isn't she?
00:20:28And she said yes.
00:20:31Nicolino.
00:20:51Would you like something to drink?
00:20:53Why should I?
00:20:59Don't lie to me, you son of a bitch!
00:21:14He's a doctor.
00:21:28Call the doctor.
00:21:29Come on!
00:21:34A man knifed him.
00:21:37It's not true, he's lying.
00:21:39He did it.
00:21:40He did it.
00:21:41I saw it.
00:22:11The verdict of this court is that Juan Fremont
00:22:34is guilty of attempted murder.
00:22:37The maximum prescribed punishment for this crime is 15 years,
00:22:41which are to be served in our district detention facility.
00:22:50The court is adjourned.
00:23:06The court is adjourned.
00:23:37The court is adjourned.
00:23:38The court is adjourned.
00:24:07All right, unload him.
00:24:15Come out.
00:24:24Hey, what are you pushing for?
00:24:26Hey, maybe you forgot who you are.
00:24:30You are now in a very special prison.
00:24:35Nice tie.
00:24:38Take him away.
00:24:41Move.
00:24:58Move.
00:25:29You climb up the stairs and you have to take a leak.
00:25:32When you have to take a crap, you crap on a piece of newspaper
00:25:35and you wrap it up in the newspaper
00:25:37and you fling it outside the window.
00:26:07Gracias.
00:26:30I'm a special.
00:26:37I created all those objects to bless the time.
00:26:46Old people, they say, they'd like to show us
00:26:49that there's never enough time to do all these things.
00:26:54Funny when I grew up,
00:26:56perfectly old people like me,
00:26:59too many time has sent us.
00:27:03Time is like a snake.
00:27:05If you get too close, it's best to keep away from it.
00:27:11Usually those who give advice
00:27:15give advice.
00:27:25I'm a special.
00:27:40You see this?
00:27:44My son's boy.
00:27:46He wrote that he loves me.
00:27:48God knows I love him.
00:27:49Squirt.
00:27:53Life's not easy, Mark.
00:27:54You gotta learn to adapt.
00:27:55One must take things as they come.
00:28:00This prison isn't that bad, it's just war.
00:28:04Careful with Dimitri.
00:28:06He's Dimitri's pet.
00:28:12Don't try to bother anyone.
00:28:15He'll still find Dimitri for you.
00:29:06Hey, you!
00:29:26Well, here we are.
00:29:41Come over.
00:29:42Good.
00:29:47Unload.
00:30:04You're always on time.
00:30:06I see.
00:30:07Did you have any problems during the war?
00:30:09No.
00:30:10You really gotta watch out.
00:30:12I'm counting on you.
00:30:15Very precious load you're handling.
00:30:43Well, we're in record time.
00:30:45All right, you can lock up.
00:30:46Okay.
00:30:49Let's go, guys.
00:30:50Come on.
00:31:13Ma'am.
00:31:34Ma'am.
00:31:43They already unloaded all the cases.
00:31:46Dimitri has arrived. He's waiting for you over there.
00:32:15Come on.
00:32:44Come on.
00:33:12Let's go.
00:33:41Let's go.
00:34:09Let's go.
00:34:23Buona.
00:34:25Grazie.
00:34:33This is an exact reproduction of my father's fishing boat.
00:34:38It was his profession.
00:34:45He would bring me with him when I was a small boy.
00:34:50I would take me to the Black Sea and you could almost grab the fish that was so many.
00:34:55Even with your hands.
00:34:58Now, with progress and evolution, the world has changed, so I heard.
00:35:20Anyway, there's no use in worrying over it.
00:35:24I'll remember things the way they were.
00:35:28Progress.
00:35:30No, my friend, there's no stopping that.
00:35:32You don't stop progress.
00:35:59Come on, guys. He's going to kill him.
00:36:30Come on.
00:36:57Nobody is beginning to give us trouble.
00:37:09What do you have?
00:37:11He's French from Lyon.
00:37:13He used to work in a travel agency.
00:37:15He was involved with his wife when he got arrested.
00:37:19Attempted murder.
00:37:21He got 15 years.
00:37:23Well, we've got time to get to know him.
00:37:29I've never confessed he was a travel agent from the way he moves.
00:37:36Don't take your eyes off him.
00:37:39Ever.
00:37:40Yes, sir.
00:38:09I think we have a problem.
00:38:12There's a new prisoner who's behaving strangely.
00:38:17I had him posted in an unusual place.
00:38:22That's it.
00:38:23Switch on.
00:38:24Oh, by the way, our TV connection from your office to the prison is working fine.
00:38:28Excellent reception.
00:38:35Enjoy it.
00:38:57You OK?
00:39:21Yeah, fine.
00:39:23Good.
00:39:24And be careful.
00:39:25It feels very damp.
00:39:27So wrap yourself up or you'll catch a cold.
00:39:30Have you started to read the book I sent you?
00:39:33Yeah, a few pages.
00:39:35It's a story about a circus that travels from city to city.
00:39:39Really?
00:39:41Yeah, but there's something funny.
00:39:43The animal cages are always empty.
00:39:46I bet those cages get filled with something else later on.
00:39:53I don't know.
00:39:54As of now, the animal cages are always empty.
00:39:57Well, all right, but maybe it'll happen while they're on the move.
00:40:02Who knows?
00:40:03Maybe.
00:40:06But now that we have the story, I have to finish the book.
00:40:10No, you don't have to rush to finish it.
00:40:13Read it slowly.
00:40:16So you won't tire your eyes.
00:40:47They're obviously talking in code.
00:40:49You're right.
00:40:51But this is your problem.
00:40:54And see to it that no others arise in the future.
00:40:58The woman must see him.
00:41:01Let him talk.
00:41:03All right.
00:41:17Hello?
00:41:19Dimitri, two of your best men.
00:41:21You know what to do.
00:41:23Yes, sir.
00:41:25Yes, sir.
00:41:46All right.
00:42:16All right, you, get down.
00:42:46Oh, God.
00:43:17Will you put that gun away?
00:43:20Give me that.
00:43:22Sorry.
00:44:16Oh, God.
00:44:46Oh, God.
00:45:16Oh, God.
00:45:47Oh!
00:45:49Oh!
00:45:51Oh!
00:45:53Stop!
00:46:10Luis, we're sorry.
00:46:12It's Akbar.
00:46:14He loves violence.
00:46:16He'd rather fight than talk.
00:46:18I abhor violence.
00:46:19I'm much preferred to talk.
00:46:22But with you, it's impossible.
00:46:27You're making it difficult for us.
00:46:29You haven't answered one question.
00:46:31I had a better take.
00:46:33But now you see my patience is ending.
00:46:36We'll start from the top.
00:46:40Use your head.
00:46:42If so, I'll give you to Akbar.
00:46:44Who are you?
00:46:45Whom do you work for?
00:46:47Answer me.
00:46:50I'm a tourist.
00:46:52My name's Mark Freeman.
00:46:56I hope you didn't hear what I said to you.
00:46:59Well, then, I warn you.
00:47:03He'll be here soon.
00:47:04Talk to him, Akbar.
00:47:09Ah!
00:47:14Enough.
00:47:15We'll get to him later.
00:47:16Dimitri, come on.
00:47:18Take him back to his cell.
00:47:19Right.
00:47:39Hey.
00:48:26Come on.
00:48:51Ah!
00:49:22Get my plane ready.
00:49:23I might be late.
00:49:24Okay.
00:50:18Come on.
00:50:46Come on.
00:51:04Is anything wrong?
00:51:07No.
00:51:08You waiting for someone?
00:51:10No, no.
00:51:13Then what are you doing here?
00:51:15I'm sorry.
00:51:46Hey, drink, drink.
00:52:12It's water, water.
00:52:14Tell me, what did that bastard of a woman want?
00:52:19Huh?
00:52:22It was Akbar who did this to you, right?
00:52:26He didn't want your heart.
00:52:27You shouldn't have let him.
00:52:30It's all my fault.
00:52:32Don't worry.
00:52:33You have a thing for males.
00:52:35But you don't really know their hood.
00:52:38He was like that bastard all through the years.
00:52:41Don't mess with them.
00:52:43You're not like them.
00:52:47Come in.
00:52:55He refuses to talk.
00:52:58He wants lawyers.
00:53:02Well, things are certainly changing in our country, Ismael.
00:53:06Just leave me alone with him for another ten minutes.
00:53:10Okay?
00:53:11Don't forget, we're still part of the police force here.
00:53:19How can you throw the rules on my face with a man as a judge?
00:53:25And we know what he's thinking.
00:53:29Maybe he's already dead.
00:53:32Like Nicolai.
00:53:36And you still talk to me about the rules.
00:53:42It's not more important to you than a man's life.
00:53:48Okay.
00:53:51Come with me.
00:54:15This is the old sewer.
00:54:17Must have been used for many years.
00:54:19Once you go down through it,
00:54:21wind back up inside the prison walls,
00:54:23and then try to reach Mark's cell.
00:54:26It'll look like an escape from prison.
00:54:30Try it again.
00:54:31Just the two of us.
00:54:34Let's go.
00:55:04We're almost there.
00:56:34Let's go.
00:57:05Okay.
00:57:08Right.
00:57:09Pow!
00:57:11Okay.
00:57:13Right. Pow!
00:57:40Get up.
00:58:04Come on.
00:58:05Come on.
00:58:35Come on.
00:59:06Shh.
00:59:10Don't make any noise,
00:59:12or your cops will tell me.
00:59:14Oh, I mean my friend Nicolai got out of here.
00:59:17Where'd they put him?
00:59:18In Israel?
00:59:19No.
00:59:21From the window I see the prison wall,
00:59:23but there's no Mark away.
00:59:24It's too much power on the left.
00:59:27You know what, Wade?
00:59:48Someone's on the cell.
00:59:52What a dream!
00:59:55You'll soon end up with us, darling.
01:00:16Those are guards up there.
01:00:18Don't hesitate.
01:00:19Of course they're guards.
01:00:21It's a routine roadblock.
01:00:23And they won't bother you.
01:00:42Morning.
01:00:43Morning.
01:00:44I'm sorry to inconvenience you, but we received orders to check all vehicles passing through here.
01:00:49Don't worry, it's okay.
01:00:50We're all doing our job, right?
01:00:56We're on our way to Sofia for a pickup.
01:00:59You know, routine.
01:01:02There's just a couple of guards back there.
01:01:07I really want to be sure.
01:01:09Go inside and look.
01:01:20Do you have a cigarette?
01:01:22No.
01:01:23Hey, all I've got is chewing gum.
01:01:27Here.
01:01:28May I?
01:01:33When's your shift over?
01:01:35In an hour.
01:01:36Oh, lucky you.
01:01:38We'll get started.
01:01:39Bye.
01:01:40Bye.
01:01:41I'll wait.
01:02:00Bravo.
01:02:01It was easy, wasn't it?
01:02:02You're improving.
01:02:03Accelerate.
01:02:04Accelerate.
01:02:05We have to take out of the mosque.
01:02:06Speak with Zora.
01:02:35Stop.
01:02:36Go.
01:03:04Just as you asked.
01:03:19Your margrave is here.
01:03:21As I've ordered.
01:03:25As you ordered.
01:03:27Are you sure that you'll get him to talk later?
01:03:29You can go.
01:03:36What are you waiting for?
01:03:38Because the woman we were passing somehow managed to disappear entirely.
01:03:42And the two men I sent to go after her didn't come back.
01:03:44You see, this will inevitably make me change of plan.
01:03:52Because I don't play second fiddle.
01:03:58I have too much to lose.
01:04:20You'll be paid twice as much this time.
01:04:22Such will make you feel better.
01:04:26Think about it, Andrei.
01:04:31Andrei.
01:04:36Be careful.
01:04:38If you betray me, I'll be the one with nothing to lose.
01:04:41And don't you forget it.
01:04:55Okay.
01:04:59Nothing.
01:05:00Disappeared in thin air.
01:05:03Not even any record of his being.
01:05:05I don't know.
01:05:09Just let me interrogate that man.
01:05:23Okay.
01:05:30Mirna.
01:05:37This is the first time I've ever seen you worried about one of us.
01:05:43It's because I'm thinking about my husband.
01:05:48He was also alone.
01:05:51Now I want to settle the score with that woman.
01:06:21Stop.
01:06:49Leave me alone with him.
01:07:09Give me a break.
01:07:40Give me a break.
01:07:54Give me a break.
01:08:23Oh.
01:08:24You're thirsty.
01:08:25You're very thirsty.
01:08:26You know...
01:08:27I could resist in your state for days.
01:08:28But I've been trained for it.
01:08:29So what?
01:08:30Don't you understand?
01:08:31What do you want me to do?
01:08:32What do you want me to do?
01:08:33What do you want me to do?
01:08:34What do you want me to do?
01:08:35What do you want me to do?
01:08:36What do you want me to do?
01:08:37What do you want me to do?
01:08:38What do you want me to do?
01:08:39What do you want me to do?
01:08:40What do you want me to do?
01:08:41What do you want me to do?
01:08:42What do you want me to do?
01:08:43What do you want me to do?
01:08:44What do you want me to do?
01:08:45What do you want me to do?
01:08:46What do you want me to do?
01:08:47What do you want me to do?
01:08:48What do you want me to do?
01:08:49What do you want me to do?
01:08:50What do you want me to do?
01:08:51What do you want me to do?
01:08:52What do you want me to do?
01:08:53What do you want me to do?
01:08:54What do you want me to do?
01:08:55What do you want me to do?
01:08:56What do you want me to do?
01:08:57What do you want me to do?
01:08:58What do you want me to do?
01:08:59What do you want me to do?
01:09:00What do you want me to do?
01:09:01What do you want me to do?
01:09:02What do you want me to do?
01:09:03What do you want me to do?
01:09:04What do you want me to do?
01:09:05What do you want me to do?
01:09:06What do you want me to do?
01:09:07What do you want me to do?
01:09:08What do you want me to do?
01:09:09What do you want me to do?
01:09:10What do you want me to do?
01:09:11What do you want me to do?
01:09:12What do you want me to do?
01:09:13What do you want me to do?
01:09:14What do you want me to do?
01:09:15What do you want me to do?
01:09:16What do you want me to do?
01:09:17What do you want me to do?
01:09:18What do you want me to do?
01:09:19What do you want me to do?
01:09:20What do you want me to do?
01:09:21What do you want me to do?
01:09:22What do you want me to do?
01:09:23What do you want me to do?
01:09:24What do you want me to do?
01:09:25What do you want me to do?
01:09:26What do you want me to do?
01:09:27What do you want me to do?
01:09:28What do you want me to do?
01:09:29What do you want me to do?
01:09:30What do you want me to do?
01:09:32I don't know where they've taken him.
01:09:39I swear.
01:09:40Give me some water, just a drop.
01:09:44Please.
01:09:46I
01:09:58Don't get what I want I
01:10:02Wanted to try you out right into you
01:10:06It's a shame
01:10:09You're not bad
01:10:13And I know what you like
01:10:17I'd like to know who you are
01:10:20Love ready to tell that to your partner. No, not my partner. I have tied up to no one
01:10:25Because no one wants to be tied to you
01:10:28Who do you think you are? You're nothing
01:10:34I'm gonna follow you she might have existed before you tell me everything
01:10:38And you will tell me everything
01:10:42Tomorrow
01:10:46And then
01:11:06Still nothing
01:11:12Listen you've got until tomorrow morning
01:11:16But I'll have to bring an aesthetic report. We said yeah, I mean a time time
01:11:46I
01:12:16I
01:12:33Stab each other me. Yes. No, it's great. It's musty. Can you look at God?
01:12:46It
01:12:51All has to seem like it's normal as far as merchandise will make exchange them as usual
01:13:01Then there will be an abruptly change
01:13:06When Zora and I are together, you'll have to execute a letter
01:13:14And it wasn't about any arrows
01:13:16I
01:13:18Wait, put it down.
01:13:44Stay out of the mosque and kill the prisoner.
01:13:46All right.
01:14:15Hey!
01:14:39The mosque, the old town.
01:14:41I'll lose a squad.
01:14:44Let's go.
01:15:14Let's go.
01:15:45Mark!
01:15:47Come back!
01:15:54How did you find me?
01:15:56I knew you were here.
01:15:58I managed to get one of the other men to talk.
01:16:01Ah, no matter.
01:16:03I'm glad to see that you are alive.
01:16:07It's funny how the others have surrounded the mosque.
01:16:09Coming with us?
01:16:10You and Anaman. That's what we're here for, right?
01:16:12Here.
01:16:14Take this.
01:16:16Come on.
01:16:32Did you get Zohra?
01:16:39She's disappeared.
01:16:45I've got to find her.
01:16:49She's losing her cool.
01:16:51She's become obsessed by that woman.
01:16:53I know how she feels.
01:16:55There when her husband's body was found.
01:16:58She's long been in sight.
01:17:01Now, after the prisoner.
01:17:14Come on.
01:17:45Come on.
01:18:12Mirna, Istvan!
01:18:13Come and have a look.
01:18:23You see?
01:18:24The director's playing a double game.
01:18:29Look.
01:18:36But this is the old airport near Plovdiv.
01:19:13We've now reached the Serenity Sanctuary.
01:19:16This is the public office.
01:19:19It's inevitable.
01:19:31Are we waiting for someone?
01:19:32Well...
01:19:43Wait for him.
01:19:53He's waiting for you.
01:19:58You're a small man.
01:20:01Listen.
01:20:02You can have my ship.
01:20:04It's all yours.
01:20:06You can have it.
01:20:07I'll do whatever I want with it.
01:20:10I'll do better than you.
01:20:11I'll do better than you.
01:20:13Don't kill me.
01:20:14You're a small man.
01:20:15You're a very small man.
01:20:30Get rid of these people.
01:20:31The plane is taking off.
01:20:42Get ready.
01:20:55Ready or not, here I come.
01:21:41Get rid of these people.
01:22:11Ready or not, here I come.
01:22:41Get rid of these people.
01:23:12Get rid of these people.
01:23:18Hey, it says dynamite.
01:23:19Get rid of these people.
01:23:20We've got to get out of here.
01:23:21Let's go.
01:23:41Sara!
01:23:46Sara!
01:23:51Sara!
01:24:11Sara!
01:24:38Don't shoot!
01:24:39She's unarmed!
01:24:40Nikolai would never have done it!
01:24:49Do you remember Nikolai Federov?
01:24:52Istanbul.
01:24:55Three years.
01:24:58He was my husband.
01:25:01And you killed him.
01:25:06Do you think I remember the men I killed?
01:25:10You want me to come closer?
01:25:11Do you want me to come closer?
01:25:40Pick it up!
01:26:11My life has been changing without you.
01:26:24My days I rearrange, you know I do.
01:26:33And nothing could fill this hole in my heart.
01:26:42The silence it left would my home replace.
01:26:50I cannot embrace you anymore.
01:27:03But I still feel what I've been before is all again.
01:27:15You're so scary, the strength to go on.
01:27:21But do you see my eyes?
01:27:24I'm fighting.
01:27:28No one can stop me.
01:27:30I know I'll defend.
01:27:33I'll defend forever.
01:27:48I'll embrace all you, burning inside.
01:27:55But I close my eyes, I still feel what I've been before is all again.
01:28:08You're so scary, the strength to go on.
01:28:14But do you see my eyes?
01:28:17I'm fighting.
01:28:21No one can stop me.
01:28:24I know I'll defend.
01:28:27I'll defend forever.
01:28:55I'll embrace all you, burning inside.
01:29:01But I close my eyes, I still feel what I've been before is all again.

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