• 3 months ago
The Hit Full Movie
Transcript
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00:03:45Stage fright, Willie.
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00:05:53Mr. Corrigan?
00:05:56Yeah. Mastermind.
00:05:59Morning of the 25th of October, 1972,
00:06:02in a Securicorps van in Peckham High Road.
00:06:05A guard was wounded.
00:06:07You took part?
00:06:09Yes, sir.
00:06:11And Reardon, Fellows, and Mr. Corrigan.
00:06:15Not Hopwood?
00:06:17No, sir.
00:06:19I think... I think Lenny had flu that day.
00:06:24Or cold feet.
00:06:26Who fired at the guard?
00:06:28Uh, that was Reardon.
00:06:31Finally, Mr. Parker, I will ask you this.
00:06:35In agreeing to give your evidence,
00:06:38have you been influenced by any promises of immunity from prosecution
00:06:43or special treatment at the hands of the police or of the court?
00:06:48No, sir.
00:06:50I'm here and I'm saying this because I think I should.
00:06:56I think it's right.
00:06:58Very well, Parker, you may stand down.
00:07:01Thank you, my lord.
00:07:05♪ We'll meet again
00:07:08♪ Don't know where, don't know when
00:07:12♪ But I know we'll meet again
00:07:15♪ Some sunny day
00:07:18♪ Keep smiling through
00:07:21♪ Just like you used to do
00:07:24♪ Cos I know we'll meet again
00:07:27♪ Some sunny day
00:07:30♪ We'll meet again
00:07:32♪ Don't know where, don't know when
00:07:36♪ But I know we'll meet again
00:07:39♪ Some sunny day
00:08:06♪ Some sunny day
00:08:37¡Ay!
00:08:55¿Qué tal?
00:08:56Hola, ¿qué tal?
00:08:57¡Muy bien, amigos!
00:08:59¿Otra vez no hemos vuelto?
00:09:01¿El viaje?
00:09:03Hola, ¿qué tal? ¿Qué desea?
00:09:05Ah, café solo.
00:09:08Te va a tomar un poquito.
00:09:10Mira cómo vive este pavo.
00:09:12Tiene hasta el cola aquí.
00:09:14Verás qué sorpresa tiene.
00:09:16¿Qué?
00:09:17¿Qué?
00:09:18¿Qué?
00:09:19¿Qué?
00:09:20¿Qué?
00:09:21¿Qué?
00:09:22¿Qué?
00:09:23¿Qué?
00:09:24¿Qué?
00:09:25¿Qué?
00:09:26¿Qué?
00:09:27¿Qué?
00:09:28¿Qué?
00:09:29¿Qué?
00:09:30¿Qué?
00:09:31¿Qué?
00:09:32¿Qué?
00:09:33¿Qué?
00:09:34¿Qué?
00:09:35¿Qué?
00:09:36Verás qué sorpresa se va a llevar cuando nos vea.
00:09:40Muerto.
00:09:48Mira a ver si hay alguien arriba.
00:09:51A ver.
00:09:52¿Tiene esta maricona?
00:09:55Basura.
00:09:56No tengo más basura.
00:10:07Hola, Willy.
00:10:08Hola.
00:10:09¿Cómo estás?
00:10:10Bien.
00:10:11Señor Juan.
00:10:12¿Qué hay?
00:10:14Muy elegante, ¿eh?
00:10:15Ay, muy elegante.
00:10:16¿Cómo se dice en español?
00:10:18Los negocios de vivir.
00:10:37¡Mr. Parker!
00:10:40¡Mr. Parker!
00:10:44¡Mr. Parker!
00:11:06¡Mr. Parker!
00:11:36Juan!
00:12:06¡Eh!
00:12:37Voy a por el coche.
00:12:39Ya lo tenemos.
00:13:06¡Ja, ja, ja!
00:13:07¡Ja, ja, ja!
00:13:08¡Ja, ja, ja!
00:13:09¡Ja, ja, ja!
00:13:11¡Ja, ja, ja!
00:13:12Voy un poco.
00:13:13Voy un poco.
00:13:14Voy un poquitito.
00:13:27Mauricio.
00:13:28Ah, purchase of a young lady.
00:13:30What is it for?
00:13:31To buy another young man.
00:13:33Do you remember our sexual contact?
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00:16:55Go.
00:16:57What's up, man?
00:16:59How are you doing?
00:17:00Good.
00:17:01Let's go.
00:17:02Go, go.
00:17:03Let's go.
00:17:04Go.
00:17:05Go.
00:17:06Let's go.
00:17:07Let's go.
00:17:08Go.
00:17:09Let's go.
00:17:10Go.
00:17:11Go.
00:17:12Go.
00:17:13Come on.
00:17:42Are you going to open the window?
00:17:45Enough.
00:17:46Tom.
00:17:47Sorry, Mr Braddock.
00:17:56Mr Braddock?
00:18:03Mr. Braddock?
00:18:06Mr. Braddock?
00:18:33Mr. Braddock?
00:19:03Mr. Braddock?
00:19:34Mm-hmm.
00:19:41What's you grinning at, arsehole?
00:19:43Sorry?
00:19:44You've got nothing to smile about, mate, if you knew.
00:19:47If I knew?
00:19:49He thinks I don't know.
00:19:52If I knew.
00:19:56Where's Mr. Corrigan? London?
00:20:04Have you fellas got a boat stashed away somewhere?
00:20:08No, can't see it.
00:20:11You're travelling north?
00:20:13No, I'd say quick run-up through France and then over the drink.
00:20:19That's your only problem, seems to me, getting me over the water.
00:20:23Yeah, well, Corrigan ain't in London, he's in Paris.
00:20:26Myron?
00:20:27Sorry, Mr. Braddock.
00:20:30Myron?
00:20:32That's an unusual name, Myron.
00:20:36Well, Paris.
00:20:38So...
00:20:40across the frontier at...
00:20:42where?
00:20:45Somewhere quiet, eh?
00:20:47Up through France, should get to Paris five, six in the morning.
00:20:52Quick word with Mr. Corrigan and then...
00:20:56lights out, will he?
00:20:59The executioner.
00:21:02And his assistant.
00:21:05Yeah, well, if you know it, ain't funny, is it?
00:21:08Isn't it?
00:21:11I'll tell you something I read once, Myron.
00:21:15Parker, Mr. Braddock.
00:21:17Willie Parker.
00:21:19You.
00:21:23Shut your mouth.
00:21:25Get some practice in, eh?
00:21:32Yeah.
00:21:48Hey, Faye.
00:21:55Ah, poor old Juan.
00:21:57Seems those fellas who picked me up swiped him on the way out.
00:22:01I thought we hit something, some body.
00:22:03Swiped who?
00:22:04Juan. Juan Velasquez. He's a cop.
00:22:11Ah, got the car number.
00:22:15They expect to make arrest at any moment and there's a reward for information.
00:22:19So anyhow, what cop?
00:22:21Nobody said nothing to us about no filth.
00:22:23A new addition, when they heard Mr. Corrigan was getting out.
00:22:26Spanish cop?
00:22:27Favour from the Guardia Civil.
00:22:29He's lying, Mr. Braddock.
00:22:31You fuck, you're lying!
00:22:33Why would I do that?
00:22:35Of course he is. He's shitting us. He's winding us up.
00:22:37Turn off the road next exit.
00:22:39Mr. Braddock. Do it.
00:22:41There's no bloody exits.
00:23:00We're going to have to get out of here.
00:23:08What the hell's going on?
00:23:10I don't know.
00:23:29Fuck.
00:24:00We got no problem, Mr. Braddock.
00:24:02It's only those Spanish geezers could finger us and we took care of them.
00:24:09And we?
00:24:13Let's do him here.
00:24:15It's as good a place as any.
00:24:20Get the fuck out of this country.
00:24:23We'll get another car.
00:24:26Yeah.
00:24:31Can't be too careful.
00:24:33Shut up!
00:24:36It's risky, isn't it, boss?
00:24:44We'll go to Madrid.
00:24:46Madrid?
00:24:48Madrid.
00:24:50I'll get back in the car, then, eh?
00:24:56He's up to something.
00:24:58What did you do?
00:25:00I don't know.
00:25:02I don't know.
00:25:04I don't know.
00:25:06I don't know.
00:25:08I don't know.
00:25:10I don't know.
00:25:12I don't know.
00:25:14I don't know.
00:25:16I don't know.
00:25:18What did you do?
00:25:21Yeah, I don't know.
00:25:24He's up to something!
00:25:26Is he?
00:25:29Is he?
00:25:31Is he?
00:25:47Where to, Mr Braddock?
00:25:49Left.
00:25:51Oh, it's ages since I've been to Madrid.
00:26:01Oh, it's ages since I've been to Madrid.
00:26:31Oh, it's ages since I've been to Madrid.
00:27:01Oh, it's ages since I've been to Madrid.
00:27:31Beauty. Ripper.
00:27:40Hello, sweetheart.
00:27:51Oh, fuck.
00:28:02I know you, don't I?
00:28:04I know you, don't I?
00:28:06It's Mr Mitchell, isn't it?
00:28:08No.
00:28:10Sure it is.
00:28:12Tony Mitchell.
00:28:14Mitch.
00:28:16You remember me, Mitch? Harry.
00:28:18You remember me, Mitch? Harry.
00:28:20You remember me, Mitch? Harry.
00:28:22What you doing here?
00:28:24What you doing here?
00:28:26It's all right, though, Mitch.
00:28:28Bruno knows.
00:28:30He gave me the keys a couple of years ago.
00:28:32He gave me the keys a couple of years ago.
00:28:34And I had to leave where I was in a hurry.
00:28:36And I thought that Bruno wouldn't mind.
00:28:38And I thought that Bruno wouldn't mind.
00:28:40I wasn't expecting to find anybody.
00:28:42Yeah, well, why should you?
00:28:44Yeah, that's why the gun.
00:28:46Yeah, I can see that.
00:28:48I mean, it's a social call, isn't it?
00:28:50I mean, you drop in on a friend,
00:28:52I mean, you drop in on a friend,
00:28:54and you know the flat shall be empty,
00:28:56and you find this bugger installed here.
00:28:58I mean, if you're carrying one,
00:29:00I mean, it's nothing, eh?
00:29:02I mean, it's nothing, eh?
00:29:04That's clear.
00:29:06Uh, Australian rules.
00:29:08Uh, Australian rules.
00:29:10I get them sent out every week.
00:29:12Uh, my name's Harry.
00:29:14Uh, my name's Harry.
00:29:16I know, Mitch.
00:29:18I don't know you, though, mate, do I?
00:29:20I don't know you, though, mate, do I?
00:29:22No.
00:29:24No.
00:29:26All friends of Bruno's.
00:29:28Good old Bruno.
00:29:30How's it been, Mitch?
00:29:32How's it been, Mitch?
00:29:34My name's Willie Parker.
00:29:36My name's Willie Parker.
00:29:38You've probably read about me in the paper.
00:29:40You've probably read about me in the paper.
00:29:42You bastard.
00:29:46I didn't hear that, Mitch.
00:29:48He's a joker, right?
00:29:50He's a bloody clown.
00:29:52I swear to you, Mitch, I never heard his name.
00:29:54Shut up! Shut up!
00:29:56What are you trying to do to me?
00:29:58Trying to do anything to you, Harry.
00:30:00I don't know you're on the job.
00:30:02I don't know nothing.
00:30:04I haven't read the paper.
00:30:06I'll burn the fucking paper.
00:30:20No, no.
00:30:22Don't.
00:30:24Maggie.
00:30:26Why don't you meet some friends?
00:30:28Amigos, okay?
00:30:30Some Bruno's amigos.
00:30:32Mi estimado amigo,
00:30:34Mr. Mitchell.
00:30:36And these are some other friends.
00:30:38Hola.
00:30:44Won't be for us.
00:30:46I don't take calls here.
00:30:48Look, why don't we...
00:30:50Why don't we have a beer, eh?
00:30:52A nice cold beer all around.
00:30:54Talk this thing out.
00:30:56Would you like a beer, Mr. Burdick?
00:30:58Great.
00:31:00That's what we need.
00:31:02Sort it all out.
00:31:04Nothing for him.
00:31:06Let bygones be bygones.
00:31:08A beer, a chat.
00:31:10Maggie, trace the vessels.
00:31:12Pronto, okay?
00:31:14Sit, sit.
00:31:16Get comfy.
00:31:20Get comfy.
00:31:28She's called Maggie?
00:31:30Magdalena Maria Victoria Morales.
00:31:32Beautiful, isn't it?
00:31:34But a mouthful.
00:31:36I call her Maggie.
00:31:38She's been with me for a year.
00:31:40Best year I ever had.
00:31:46How old would you say she was?
00:31:48Nineteen?
00:31:50How about sixteen?
00:31:54How about fifteen?
00:32:00Not bad for an old fart, is it?
00:32:04I suppose you're wondering what she sees in me.
00:32:06Money, obviously,
00:32:08but it's more than that.
00:32:10It's a real bond.
00:32:12She was in bad shape
00:32:14when I met her.
00:32:16A little kid running wild in the streets.
00:32:18Comes from an excellent family,
00:32:20so she tells me.
00:32:22Brother's a priest, all that.
00:32:24But, you know,
00:32:26death, disaster,
00:32:28unfortunate investments.
00:32:30One minute she's a little princess up in the hill,
00:32:32next she's down there working the bars
00:32:34doing the best she can.
00:32:36This is Spain.
00:32:38Why don't you shut up?
00:32:40I can't!
00:32:46Did you know
00:32:48I'd moved to Madrid, Mitch?
00:32:50Mitch and me are old mates from Rome.
00:32:52He helps an associate of mine
00:32:54with a problem I have.
00:32:56You know how it is.
00:32:58A few greedy buggers messing it up for everybody else.
00:33:00Well, Mitch
00:33:02came in one weekend,
00:33:04saw it out.
00:33:12Gracias.
00:33:14Gracias.
00:33:16Bueno.
00:33:22I'll just leave it here whenever you're ready, Mitch.
00:33:38Car keys?
00:33:40The garage has got them, Mitch.
00:33:42I've been using the car a little bit.
00:33:44I thought Bruno would be glad
00:33:46to have the motor turned over once in a while.
00:33:48If you want the car,
00:33:50I'll have to phone down for it.
00:33:52Tell him to bring it around.
00:33:54Right, sure.
00:34:04Hey, Julie.
00:34:06See my little dear, Senor Bruno?
00:34:08Yeah.
00:34:10Senor Bruno.
00:34:20Bring it straight around, Mitch.
00:34:22It's a white Mercedes.
00:34:24I know what it is.
00:34:26The cover is a bit dicey.
00:34:28I was going to have it serviced, but I didn't.
00:34:30You're leaving straight away?
00:34:32It's too bad. Madrid's a fabulous city.
00:34:41Good one.
00:35:06Wait.
00:35:11Come on.
00:35:37I don't deserve this, Mitch.
00:35:41Don't you like...
00:35:45the girl?
00:35:47Maggie?
00:35:49Yeah.
00:35:51Yeah, I do.
00:35:53I mean, she's got a hell of a temper sometimes,
00:35:55but we get along.
00:35:57I think I finally struck it lucky.
00:36:01You're going to have to take her, Harry.
00:36:05Best I can do for you.
00:36:11Well,
00:36:13it'll shut me up, that's for sure.
00:36:15Not that I'd, you know...
00:36:26I appreciate it, Mitch.
00:36:30How long to keep her?
00:36:35She'll be all right. She's a good kid.
00:36:41I guess I was just in the wrong place.
00:36:43Wrong time.
00:36:47Here.
00:36:50Get the girl.
00:36:52You're taking her with us.
00:36:54Eh? How's that going to work, Mr. Pratt?
00:36:56Get the girl!
00:36:58You, the bags.
00:37:04Harry! Harry!
00:37:07Harry!
00:37:10Manicone, hijo de puta!
00:37:13Harry!
00:37:15You!
00:37:17Tell this whore that we're just about to go out.
00:37:19If she doesn't behave herself, I'm going to get very angry.
00:37:22I don't think I need to tell her.
00:37:26Good.
00:37:40Good.
00:38:11I'm sure true love will see us through.
00:38:16Even with a reward.
00:38:26Wait.
00:38:28Mr. Pratt, I... Wait.
00:38:40Wait.
00:39:00I didn't talk to her, Mitch.
00:39:03I didn't have time.
00:39:10Fair old reward, though, isn't it?
00:39:12You have to be careful.
00:39:19Want a drink?
00:39:27Shall we watch the game?
00:39:40Yeah.
00:40:04That's my team, Mitch.
00:40:06Hawthorne.
00:40:10They're losing.
00:40:40They're losing.
00:40:58Everything all right, Mr. Braddock?
00:41:10Yeah.
00:41:31Oh, look.
00:41:33She's terrifying.
00:41:36Don't worry, you're in safe hands.
00:41:41She doesn't understand a word I'm saying.
00:41:43Do you want me to translate?
00:41:45No.
00:41:48She's a pretty little thing, isn't she?
00:41:51She's wasted on that Aussie.
00:41:54Now, you'd have thought he'd taught her a bit of English.
00:41:58Do you speak any English?
00:42:00English.
00:42:02Do you speak any English?
00:42:04Oh, yes, English.
00:42:10Far dinkum.
00:42:12Jesus.
00:42:14I'm horny.
00:42:18Well, it's coming along.
00:42:22I think she's taking a fancy to me.
00:42:40I think she's taking a fancy to me.
00:42:58No.
00:43:00Oh, no.
00:43:11No.
00:43:25No.
00:43:27What are you doing?
00:43:30What does it look like I'm doing?
00:43:33We can't take her with us.
00:43:35And we can't let her go.
00:43:41That's life.
00:43:44Why?
00:43:46Well, what about Harry? I'll talk as soon as he finds out.
00:43:49Harry's dead.
00:43:51What?
00:43:53So we don't need her.
00:43:55You, get away from her.
00:44:01No.
00:44:03No. No!
00:44:10No.
00:44:30Take them both to the car.
00:44:40No.
00:44:53You should have killed them both together in the flat.
00:44:56I don't know.
00:44:58It's supposed to be quick, clean work.
00:45:00Look at him now. Australians, women.
00:45:02It's not his fault. It's an accident.
00:45:04Yeah, but he's not meant to have accidents.
00:45:10Perhaps he's slipping.
00:45:13Yeah, well, I ain't slipping.
00:45:15I'm counting on that, son.
00:45:17Get inside.
00:45:34You all right, Mr Braddock?
00:45:37Yeah.
00:45:40Grass was trying to wind me up.
00:45:42But I told him.
00:45:44Shut him up.
00:45:50We'll take care of her later, eh?
00:45:53When it's dark.
00:45:57You sure we've got to take care of her?
00:46:00I mean, we can't just find somewhere quiet.
00:46:03Let her go.
00:46:06I ain't going soft on her, I think.
00:46:08She'll see me.
00:46:13It's going to be all right, isn't it, Mr Braddock?
00:46:22Sure.
00:46:39Come on.
00:46:47I don't understand what she's saying.
00:46:54She wants to stop.
00:46:56Do some shopping.
00:46:58What?
00:47:00She needs to get some new clothes.
00:47:02What for?
00:47:04She had a bit of an accident back there.
00:47:08Christ.
00:47:12How about it, Mr Braddock?
00:47:16It can't be very comfortable.
00:47:23Well, I don't want to sit next to it.
00:47:32I think we should stop.
00:47:38Let's go.
00:47:54Size 10, mate.
00:47:56I'll keep it.
00:48:04It's the best I could find.
00:48:06Why?
00:48:29I think we should find a rubbish dump or something.
00:48:37Ha, ha, ha!
00:48:42Well, that could have been a mistake, Mr Braddock.
00:48:45Could have been a clue or something.
00:49:07Well, Mr Bruno is not a businessman.
00:49:18Good morning, Inspector.
00:49:37Well, I don't know what's wrong with it.
00:49:43I know I said I knew about cars, but I don't really.
00:49:46Well, not a lot.
00:49:48It's like a bit of trying.
00:49:50You know about cars, then?
00:49:52Well, we should drive it, won't we?
00:50:07Shut up.
00:50:09Give it a try.
00:50:17And again.
00:50:21OK, give us a tick.
00:50:37Phew!
00:50:46Couple of minutes, Mr Braddock.
00:50:50So far, so good, eh?
00:50:59Right, Myron!
00:51:07Nice one, Fearless.
00:51:09It'd kill him to thank me, wouldn't it?
00:51:12No, it wouldn't.
00:51:26I don't know I fancy a beer, Mr Braddock.
00:51:29All right, beer's all round here.
00:51:36Bottaio! Bottaio!
00:51:41Vine, vine, vine!
00:51:52Toledo!
00:51:55All right.
00:52:05Four beers, please, Mike.
00:52:09Four beers.
00:52:14Four. Four beers.
00:52:18Four.
00:52:24Four.
00:52:38Mister!
00:52:40Mister!
00:52:44Four beers.
00:52:54Four.
00:53:08Four.
00:53:18That's the only thing you want, right?
00:53:20I do what I need.
00:53:24Four.
00:53:40Give me a challenge.
00:53:50Come on!
00:53:54Whoo-hoo!
00:54:18Oh, Christ, that felt good.
00:54:25HE CHUCKLES
00:54:45This country goes on and on forever, doesn't it?
00:54:48There's another one.
00:54:50How come they've got so many castles then, eh?
00:54:53It's the route of the invaders.
00:54:56They came through these mountains.
00:54:58Romans, Gauls, Napoleon.
00:55:02The Pass of Ronseval.
00:55:04What?
00:55:06They fought the Saracens here.
00:55:08Who did?
00:55:10Roland and Oliver.
00:55:12Knights of old, Myron.
00:55:14Great warriors.
00:55:16Great chiefs.
00:55:18Great friends.
00:55:20They fought together
00:55:22and they died together
00:55:24at Ronseval.
00:55:31Why'd you do it, Willie?
00:55:33Why'd you grass?
00:55:35Oh, I couldn't go back to Nick. Couldn't.
00:55:38Then they came up with this deal.
00:55:41Was this a deal?
00:55:43This wasn't no ticket to Canada and goodbye.
00:55:45This was a lifetime.
00:55:47Nobody have got a deal like that.
00:55:50I was sorry I did it, though.
00:55:52For the fellas.
00:55:54This ain't no better than a nick, is it?
00:55:57This?
00:55:59This is nothing.
00:56:19At your service, Captain.
00:56:49Let's go.
00:57:19Must seem to be holding up all right, don't you think?
00:57:21A moody sod, that's for sure.
00:57:23Well, 700 miles to go to Paris.
00:57:27Frontier to cross.
00:57:29Can't say I blame him, really.
00:57:31I wonder if he's up to it.
00:57:35I think so.
00:57:37I think he is.
00:57:39I think so.
00:57:41I wonder if he's up to it.
00:57:43I think so.
00:57:45I think so.
00:57:47I think he is.
00:57:49All right, I want to know.
00:57:51Know what?
00:57:53You've had something going from the start.
00:57:55You've got a plan that I want to know now, I swear.
00:57:57I haven't got any plan.
00:57:59What are you so happy about? What's going on?
00:58:01Nothing's going on.
00:58:03You silly sod, you're going to die.
00:58:05So are you, sooner or later.
00:58:07You're going to die fucking soon, mate.
00:58:09I'll tell you something I read once, Myron.
00:58:11Apparently what happens to you after death
00:58:13is not all that much different
00:58:15from after death.
00:58:17Physically speaking.
00:58:19All part of the same process.
00:58:21You know?
00:58:23So if it's all the same really,
00:58:27what's there to worry about?
00:58:33You'll bar me.
00:58:37Don't worry about me, Myron.
00:58:39Worry about you.
00:58:41Are you really up to this?
00:58:43Don't worry about me.
00:58:45Good.
00:58:47Then worry about your boss.
00:58:49Is this job getting him down?
00:58:51Is he making the right decisions?
00:58:53Are you going to have to take over it sometime or another?
00:58:57Think about it.
00:58:59We don't want anything going wrong.
00:59:07You've got bird shit in your hair.
00:59:13Come on.
00:59:33You're no 15 year old.
00:59:35What are you?
00:59:43You think my little friend Myron's going to save you?
01:00:13Come on.
01:00:43Come on.
01:00:57Mr Braddock?
01:00:59Do you think we can stop for something to eat soon?
01:01:01I ain't had nothing all day
01:01:03and I'm really hungry.
01:01:05I suspect I'm not the only one.
01:01:07Her too. She's probably hungry and all.
01:01:09She's already eaten.
01:01:14I'm going to stop soon.
01:01:16We'll stay off the road till after dark.
01:01:18It's a hell of a lot hanging about, isn't it?
01:01:20Yeah.
01:01:22I had hoped to cross the frontier this evening.
01:01:25A bit safer.
01:01:27They like to stay in their huts when it's dark.
01:01:29I had to make a few diversions
01:01:31if you would have your fun and games, Myron.
01:01:43Come on.
01:02:13Come on.
01:02:43You're not eating, Mr Braddock?
01:02:45I'm going to get some petrol.
01:02:47We've got enough petrol to get to France, haven't we?
01:02:49I want to get well inside France.
01:02:55I'll take her along.
01:02:57What for?
01:02:59So I can watch her.
01:03:01And you can watch him.
01:03:03Why don't you take him along?
01:03:05Because, Myron, I think she might distract you from your job.
01:03:07Come on.
01:03:09Mr Braddock, I've been thinking.
01:03:11I don't think anything should happen to her.
01:03:13Now's as good a time as any, Myron.
01:03:15It's not fair.
01:03:17It's not fair?
01:03:19No, Mr Braddock, it isn't.
01:03:21I mean, him, he's a fucking grass.
01:03:23He put his mates inside.
01:03:25But her, she ain't done nothing.
01:03:31I'm going to get some petrol.
01:03:33I'm going to get some petrol.
01:03:35I'm going to get some petrol.
01:03:37I'm going to get some petrol.
01:03:47You're just not thinking right.
01:03:51The job's got you down.
01:03:53I mean, I'm getting through the thing.
01:03:55Christ, there's a limit.
01:03:59You're just not thinking right.
01:04:07There.
01:04:13There.
01:04:15Make you feel safer, won't it, Myron?
01:04:29There.
01:04:37Put her in the car, Myron.
01:04:39Put her in the car, Myron.
01:04:41Go on, then!
01:04:45Now, Mr Braddock.
01:04:47Here you are.
01:04:49You!
01:04:51Spanish for fill the tank.
01:04:53General, por favor.
01:04:55Sorry, Mr Braddock.
01:05:07Eat your food, then!
01:05:19He'll kill you
01:05:21if you hurt me.
01:05:25Oh, Myron?
01:05:29What an idea.
01:05:37Oi!
01:05:41Where are you going?
01:05:43Look at the water.
01:06:03Hey!
01:06:05Hey!
01:06:07Let's have a look at your cosh.
01:06:09Now, fill these.
01:06:13Razor blades.
01:06:19What for?
01:06:21I've still got a gun, you know.
01:06:23Guns?
01:06:25Right.
01:06:27Leather?
01:06:29What's it filled with?
01:06:31Sand.
01:06:33That's enough.
01:06:39Had it since I was at school.
01:06:41For years.
01:06:43Made it in handicrafts.
01:06:45Never lets me down.
01:06:47Nice place.
01:06:51I'll tell you what.
01:06:53I think you're crazy, but I admire your attitude.
01:06:55Hmm.
01:06:59I don't know.
01:07:01This whole thing, it's not turning out
01:07:03like I thought it would.
01:07:05Not at all.
01:07:07It's my first time, you know.
01:07:09It's like a test.
01:07:11Mr Braddock said,
01:07:13if I do well on this one,
01:07:15he'll take me along on his other jobs.
01:07:17And if you don't?
01:07:19Well, at least I've got a grand for this one,
01:07:21haven't I?
01:07:23Sometimes I'm not going to be enjoying myself.
01:07:25That's a comfort.
01:07:27I wouldn't worry.
01:07:29I ain't worried.
01:07:31I mean, he needs you to drive.
01:07:33And to watch me.
01:07:35So you're safe
01:07:37to Paris, at least.
01:07:39Well, we're both safe to Paris.
01:07:43You did take a bit of a risk, though.
01:07:45You think she's worth it?
01:07:49I mean, we don't want anything going wrong,
01:07:51but she is in a way.
01:07:55You're no different from him, are you?
01:07:57I don't see how you reckon that.
01:07:59She's got nothing to fear from me.
01:08:05I think I'll have a lie down.
01:08:17She's smiling
01:08:19just like you
01:08:21just like you
01:08:39Yeah, no.
01:08:49I'll get it.
01:09:19Help!
01:09:25Help!
01:09:27Help!
01:09:29Run! The phone!
01:09:45Pig.
01:09:49Pig.
01:10:03Yeah.
01:10:19Yeah.
01:10:49Oh, no!
01:10:51Oh, no.
01:10:53Oh, no.
01:11:09Help!
01:11:11Oh.
01:11:13Help!
01:11:15Help!
01:11:17Oh!
01:11:19Ow!
01:11:32No!
01:11:34No!
01:11:47Ow.
01:11:48Ow.
01:11:49Ow.
01:11:50Ow.
01:11:51Ah.
01:11:52Ah.
01:11:53Ow.
01:11:54Ah.
01:11:55Ow.
01:11:56Ow.
01:12:09Asesino.
01:12:11Diablo.
01:12:12Hijo de puta.
01:12:13Basura!
01:12:17Dior, Dior mio, let me go, please, let me go, please.
01:12:47Where is he?
01:13:06Who?
01:13:07I don't know.
01:13:13I'm not sure.
01:13:43I don't know.
01:14:03I don't know.
01:14:19I don't know.
01:14:35We're moving out.
01:14:57Come on down.
01:15:27I don't know.
01:15:47I don't know.
01:16:07I don't know.
01:16:37I don't know.
01:16:47What's she saying?
01:16:49She's saying if we both jump the bus together, one of us might live.
01:16:53I don't know.
01:16:55I've got a gun here.
01:16:57Then you sit on him.
01:17:01He's not a partner.
01:17:06You're crazy.
01:17:08Well, calm down.
01:17:10Let's be sensible.
01:17:13I'm going to have a word with him about you anyway.
01:17:17You'll see reason.
01:17:18I know he will.
01:17:19Willie, I don't know about you as it's a job.
01:17:22But I'll tell you what, I've got a feeling about situations and I don't think anything's going to happen.
01:17:27Not really.
01:17:30I just don't believe it.
01:17:33Will you help me?
01:17:39Oh.
01:18:10Why didn't you make a run for it when you had the chance?
01:18:14What for?
01:18:16You'd have found me again.
01:18:18Would have got the boy into trouble.
01:18:22I'm not scared.
01:18:24You've got to be.
01:18:25Why?
01:18:27Because everyone else is?
01:18:30Because you are.
01:18:31You don't know.
01:18:42Death is just a stage in the journey.
01:18:46We're all going to get there.
01:18:48No exceptions.
01:18:51Me and you and...
01:18:55It's just a moment.
01:18:57We're here.
01:19:00Then we're not here.
01:19:02We're somewhere else.
01:19:06Maybe.
01:19:10And it's as natural as breathing.
01:19:13Why should we be scared?
01:19:18I was scared.
01:19:20At first.
01:19:23I was dead scared.
01:19:26I knew Corrigan would come after me one day or send someone.
01:19:31I've had ten years to get ready for this.
01:19:34I thought and I read.
01:19:38Must have read a whole library of things.
01:19:42Amazing things.
01:19:48Amazing.
01:19:52In the end, the only thing that really worried me
01:19:57was that he'd send some rubbish after me.
01:20:01And I thought if I got somebody good,
01:20:05somebody who could do the job proper,
01:20:09then I could do my bit.
01:20:19Do you ever...
01:20:22Did you ever call yourself something like Walsh, Wallis,
01:20:27something like that?
01:20:31Wallis, maybe.
01:20:33Yeah.
01:20:34Thought so.
01:20:36I met you once in the old days.
01:20:38Well, we was in the same room together.
01:20:43Yeah.
01:20:44I remembered you.
01:20:49You didn't remember me, though.
01:20:59What's your real name?
01:21:05Braddock.
01:21:07Ha, ha, ha.
01:21:15Nothing I can do about this, you know that?
01:21:34I read this in a magazine when John Lennon died.
01:21:40Death be not proud,
01:21:42though some have called thee mighty and dreadful,
01:21:45for thou art not so.
01:21:48For those whom thou think'st thou dost overthrow,
01:21:52die not, poor death,
01:21:55but canst thou kill me?
01:22:13You're going to kill the girl?
01:22:23I think she's ready.
01:22:44Ten miles to the border, Mr Braddock.
01:22:49We'll pour over soon.
01:23:31I've locked him in.
01:23:47He's still sleeping.
01:23:48He's a brave man, isn't he?
01:23:49Seems so.
01:23:51We'll do him here.
01:23:55How about her?
01:24:01I'll do them both.
01:24:03Thanks, Mr Braddock.
01:24:05I don't think I could have done it, really.
01:24:08It's my first time, isn't it?
01:24:10Might be needing a gun then, will you?
01:24:17Don't suppose you could help me get them out of the car?
01:24:20Sure.
01:24:24Do I still get my thousand?
01:24:43I'm coming in.
01:24:46It's all right, love.
01:24:48It's all right.
01:24:51Ten mucho valor.
01:25:04I wish I could have made her understand.
01:25:06You too, Willie.
01:25:08Ah, Willie.
01:25:10Thanks.
01:25:13I said you too.
01:25:15What is it?
01:25:19We're going to do it now, Willie.
01:25:22What?
01:25:24We're going to do it now.
01:25:27Not me.
01:25:29Us.
01:25:31Now?
01:25:32Right.
01:25:33No, it's tomorrow.
01:25:35We're doing it tomorrow.
01:25:37It's tomorrow, Willie.
01:25:40You've got to take me to Corrigan.
01:25:42You've got to get me to Paris.
01:25:44We're going to do it now.
01:25:46That's not the job.
01:25:48The job ends in Paris.
01:25:50You're not doing the job.
01:25:52Come on, Willie.
01:25:54No.
01:25:57You can't.
01:25:59You've got to get me to Paris.
01:26:01Not till Paris.
01:26:03You can't.
01:26:05Not now.
01:26:09Oh, God.
01:26:13Myron.
01:26:15Stop him.
01:26:17Oh, God.
01:26:18Please.
01:26:19Willie.
01:26:21He knows.
01:26:23You can't.
01:26:24Not now.
01:26:34Myron.
01:26:36Oh.
01:26:41Where are you going?
01:26:43I don't want to see.
01:26:45What's this?
01:26:56Oh.
01:26:57God.
01:26:59God.
01:27:00Hey.
01:27:02Oh.
01:27:03Oh.
01:27:04Oh.
01:27:05Oh.
01:27:06Oh.
01:27:07Oh.
01:27:08Oh.
01:27:09Oh.
01:27:10Oh.
01:27:11Oh.
01:27:12Oh.
01:27:13Oh.
01:27:14Oh.
01:27:15Oh.
01:27:16Oh.
01:27:17Oh.
01:27:18Oh.
01:27:19Oh.
01:27:20Oh.
01:27:21Oh.
01:27:22Oh.
01:27:23Oh.
01:27:24Oh.
01:27:25Oh.
01:27:26Oh.
01:27:28Oh.
01:27:31Oh.
01:27:32Oh.
01:27:33Oh.
01:27:34Oh.
01:27:35Oh.
01:27:44Oh.
01:27:45Oh.
01:27:51I'm a very lucky girl.
01:27:57A very lucky girl.
01:28:21I'm a very lucky girl.
01:28:52Yes, I can see something.
01:28:54There are three bodies, right?
01:28:56Yes, it looks like three bodies.
01:28:58Look, there's one that looks like it's dead.
01:29:02Yes, it's the girl.
01:29:04Yes, it's the girl.
01:29:21Yes, it's the girl.
01:29:51Yes, it's the girl.
01:30:22I'm a very lucky girl.
01:30:28I'm a very lucky girl.
01:30:40I'm a very lucky girl.
01:30:45I'm a very lucky girl.
01:30:51I'm a very lucky girl.
01:30:58It's him.
01:30:59Are you sure?
01:31:00Yes.
01:31:02Captain, give the orders.
01:31:16Mr. Braddock, stand just where you are.
01:31:21The exit.
01:31:22Halt!
01:31:23Exit.
01:31:24Exit.
01:31:25Hey, this is your restaurant.
01:31:27Halt!
01:31:28Oh!
01:31:44It's him!
01:31:45It's him!
01:31:46It's him!
01:31:47It's him!
01:31:48It's him!
01:31:49It's him!
01:31:50Don't shoot!
01:32:20You are Charles Kinnear, born in Dublin, just nod if that is true.
01:32:46You are Raymond John Baker, born in Newcastle.
01:32:51Just a moment, we're here, then we're not here, we're somewhere else, maybe.
01:33:13I mean it's as natural as breathing, why should we be scared?
01:33:38I mean it's as natural as breathing, why should we be scared?
01:34:04I mean it's as natural as breathing, why should we be scared?
01:34:33I mean it's as natural as breathing, why should we be scared?
01:34:59I mean it's as natural as breathing, why should we be scared?
01:35:27I mean it's as natural as breathing, why should we be scared?
01:35:56I mean it's as natural as breathing, why should we be scared?
01:36:24I mean it's as natural as breathing, why should we be scared?
01:36:52I mean it's as natural as breathing, why should we be scared?
01:37:20I mean it's as natural as breathing, why should we be scared?
01:37:50I mean it's as natural as breathing, why should we be scared?