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FunTranscript
00:00:30♪♪
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00:00:50♪♪
00:00:58Huzoor, hand this boy over to us.
00:01:03If you say that again, I'll slit your tongue.
00:01:08Hmm.
00:01:10Mr. Qutub-ud-din.
00:01:13♪♪
00:01:20The price for this...
00:01:23♪♪
00:01:33♪♪
00:01:43♪♪
00:01:53♪♪
00:02:03♪♪
00:02:13♪♪
00:02:23Sattu! Sattu!
00:02:25Where did they both go?
00:02:26What happened, Mallika?
00:02:27Where's Imad?
00:02:28Maybe he's in Rihanna-zoo's room.
00:02:30No, there's no one in Rihanna-aapa's room.
00:02:32But he wasn't there.
00:02:34That man...
00:02:35We don't know. Ask Rihanna-zoo.
00:02:37What are you both hiding from us?
00:02:39Why don't you tell us?
00:02:40Sattu!
00:02:43♪♪
00:02:48♪♪
00:02:52Rihanna-aapa!
00:02:54Where's Imad?
00:02:55Mallika, look at how much we sisters have earned.
00:03:00Today, the Nawabs looted so much in your gathering.
00:03:03We feel like we can buy Lahore.
00:03:07You haven't taken out the ring yet?
00:03:10You must be tired, my child. Go to sleep.
00:03:13Where's Imad?
00:03:14We've given him a new place.
00:03:16He's an unborn Nawab.
00:03:17We'll raise him well.
00:03:18And we've given him a good price.
00:03:21Look at him.
00:03:22The one you used to carry around,
00:03:25we'll carry him around in our arms.
00:03:27You had no right to sell Imad, Sattu!
00:03:30What would you have done if I hadn't sold him?
00:03:31Would you have made him a Dalal?
00:03:33Would you have let him be a Hafimji?
00:03:35Or would you have let him be a Khusra?
00:03:38Have some fear of God, Aapa.
00:03:40Not Aapa, Huzoor.
00:03:43This is the royal palace, Mallika.
00:03:45And the God here is me.
00:03:51You've taken our child away from us, Huzoor.
00:03:55One day, Mallika will take everything from you.
00:04:01She'll take everything.
00:04:03She'll take everything.
00:04:06She'll take everything.
00:04:10Everything.
00:04:33Everything.
00:04:44Huzoor,
00:04:45your henna is the first thing
00:04:47that hides Mr. Zulfiqar's name.
00:04:50Let's see if we can find him in the evening.
00:04:54Huzoor.
00:04:56I'm here, Huzoor.
00:04:58What happened?
00:04:59Why are you in such a hurry?
00:05:00Ustadji, he has brought an Englishman with him.
00:05:03He wants to meet you.
00:05:04Tell him to wait.
00:05:05He'll have to wait for Huzoor's henna ceremony.
00:05:08Sattobir, he has brought a foreigner.
00:05:11I swear to God,
00:05:12if you see him, you'll faint.
00:05:15Fattoh, bring my dupatta.
00:05:17Huzoor, how will you go?
00:05:18The henna is still wet.
00:05:20Fattoh,
00:05:21my dupatta.
00:05:30Daddy.
00:05:34Daddy.
00:05:47These are the types of people, Gantra Sir.
00:05:49God knows how many Nawabs got destroyed
00:05:52while waiting for him.
00:05:55This Malika Jaan is so merciless.
00:05:57She doesn't value anyone.
00:05:59You scoundrel.
00:06:00Ma'am.
00:06:01Yes?
00:06:02Yes?
00:06:03The master is here.
00:06:04Are you ready?
00:06:05Yes.
00:06:11You look so beautiful.
00:06:13Today, I will spare your life.
00:06:16Let's talk business.
00:06:17You came to show me some rites, didn't you?
00:06:20Show me.
00:06:21He will show me the rites.
00:06:23Mr. Gandhar.
00:06:26Greetings, Mallika John.
00:06:27Greetings.
00:06:30This is a gramophone.
00:06:33And this is a record.
00:06:36But this will sing a song for you.
00:06:38This will sing a song for you.
00:06:54Stop.
00:06:57Shut up.
00:06:59Or I will shoot you.
00:07:02So, who is this beautiful girl?
00:07:05This is the great Sahirabai Agrawali.
00:07:07Why are you wasting Lahore's time by singing Agrawali's song?
00:07:12Just like Sahirabai, he wants to make a record in Bibojaan's voice.
00:07:16Now, if you allow, Bibojaan's voice will echo in every house in the country.
00:07:25Mr. Ghatar.
00:07:27Ghatar?
00:07:33We don't need to be famous in every house.
00:07:38We are like the moon.
00:07:40We can be seen from the window, but we can never be seen by anyone.
00:07:47We are the queens of Lahore.
00:07:51Every Nawab salutes us.
00:07:56Whoever wants to listen to us, should come here.
00:08:01Okay, then let's take them with us to Bibojaan's party in the evening.
00:08:06In our party, the people who value the voice come, not the shopkeepers.
00:08:14Shabba Khair.
00:08:15Amina.
00:08:37Oh beloved, move away, you are great.
00:08:49Oh beloved, move away, you are great.
00:08:59Oh beloved, move away, you are great.
00:09:09Oh beloved, move away, you are great.
00:09:21Oh beloved, move away, you are great.
00:09:28Oh beloved, move away, you are great.
00:09:58Oh beloved, move away, you are great.
00:10:07Oh brother, let me take a bath.
00:10:12Hey.
00:10:25Did you have a lot of fun today, Mallika?
00:10:30I am here, Mr. Zulfiqar.
00:10:33I know where you are.
00:10:35I am wherever you are.
00:10:38I think you drank a lot.
00:10:40You have got the title of Khan Bahadur.
00:10:44You will have to celebrate.
00:10:47Yes, so drink a glass of mine too.
00:10:51Come.
00:10:53These Englishmen have come to buy our loyalty in return for the title.
00:11:02So did the Prophet also sell his loyalty to the English?
00:11:06So what else do you do, Mallika?
00:11:09But see, the day these Englishmen go back,
00:11:16that day we will all fight each other.
00:11:22Slowly, Mallika, slowly.
00:11:26The English have already fought us.
00:11:30As you do.
00:11:33Divide and rule between Nawabs and their wives.
00:11:43Mallika, Mallika, Mallika.
00:12:02Come.
00:12:04Come.
00:12:32Come.
00:13:02Come.
00:13:32Beloved.
00:13:38Beloved.
00:13:40Iqbal.
00:13:41Yes.
00:13:42Take Mr. Zulfiqar to his mansion.
00:13:45Yes.
00:13:52How was Bibo's performance?
00:13:54It was good.
00:13:55Mr. Wali looted a lot.
00:13:58Has Mr. Wali left?
00:13:59No, sir.
00:14:00He will stay here tonight with Bibo.
00:14:04That's good.
00:14:06Here is Bibo's today's earnings.
00:14:08That's all?
00:14:09Yes, that's all, sister.
00:14:11Mr. Wali's taxes are going down.
00:14:13And you dare a little more.
00:14:16I swear to God, sister.
00:14:18I gave as much as I had.
00:14:19She is lying, sir.
00:14:20I hid it last time too.
00:14:22Search her.
00:14:23You trust her and not your sister?
00:14:26Okay, search her.
00:14:27Sir, can I search her?
00:14:30Yes, sir.
00:14:31Move.
00:14:41Sir.
00:14:42I didn't find anything from the shirt.
00:14:44And Aara.
00:14:45Sir.
00:14:46Where there is no place to put a candle,
00:14:48how will we hide the bundle there?
00:14:53Sir.
00:14:57Sir.
00:15:09Search.
00:15:15Sir.
00:15:16We didn't find anything in the house.
00:15:18The doctor was telling the truth.
00:15:21There is nothing there.
00:15:22Yes, sister.
00:15:24Only the experts have taken off our clothes.
00:15:26But today,
00:15:27our own sister has undressed us.
00:15:30Sister, we are not thieves.
00:15:32We steal other people's happiness.
00:15:35And there can be no bigger theft than this.
00:15:44We are not thieves.
00:15:46We are not thieves.
00:15:47We are not.
00:15:56We are not thieves.
00:15:59Saima.
00:16:00Son, forget everything.
00:16:02Take this jewellery and go and get Alam ready.
00:16:05Sir wants to meet him.
00:16:06She is waiting.
00:16:07Sir will have to wait.
00:16:09It will take half an hour for the daughter-in-law to get up.
00:16:12Idiot.
00:16:13Sir has gone crazy.
00:16:14He doesn't care about himself.
00:16:15Come on, hurry up.
00:16:16Go and get Alam ready.
00:16:17Go.
00:16:19I can't do this.
00:16:21I can't do this.
00:16:23I can't do this.
00:16:24I can't do this.
00:16:25I can't do this.
00:16:26I feel sorry for Alam.
00:16:28She writes so well.
00:16:30She wants to be a poet.
00:16:31And her mother
00:16:32wants to make her a widow.
00:16:34I think
00:16:35this is why
00:16:36mother and daughter
00:16:37have to separate.
00:16:38Did you think
00:16:40you would be the biggest widow of Heera Mandi?
00:16:43I did.
00:16:55I did.
00:17:25I did.
00:17:27I did.
00:17:55I did.
00:18:01Alam,
00:18:02you are a poet,
00:18:04but stop being a poet
00:18:05and get ready.
00:18:07Sir is waiting.
00:18:08If we don't reach on time, we will...
00:18:13This girl!
00:18:25Hmmmm.
00:18:27Make your eyes your own,
00:18:33and let them be a home,
00:18:40just once, just once.
00:18:47Oh no!
00:18:49Don't cry, Alam.
00:18:50Huzoor will definitely take our skin.
00:18:52Hey, the skin is already broken.
00:18:54Don't cry.
00:18:55You don't understand.
00:18:56I understand.
00:18:57I will take care of Huzoor.
00:18:59But what will you say?
00:19:01Hey, the truth.
00:19:02What else?
00:19:05Who broke it?
00:19:06Me.
00:19:09Hmmmm.
00:19:10It's our fault.
00:19:12You didn't break the neck, you broke my heart.
00:19:16Pato.
00:19:17Yes?
00:19:18How many pearls are there?
00:19:19There are 100 of them.
00:19:21We still remember that there were 101 of them.
00:19:25Ammi, maybe one...
00:19:26Not Ammi, Huzoor.
00:19:29Huzoor, maybe one pearl fell in the bath.
00:19:33Then go and get it.
00:19:36But Huzoor, it's impossible to find pearls in water.
00:19:39Then they have no value.
00:19:43We need that one pearl back.
00:19:47Otherwise, we will sell Saima and get her worth.
00:20:12Ammi.
00:20:13Ammi.
00:20:15Ammi.
00:20:42Ammi.
00:20:43Ammi.
00:20:44Ammi.
00:20:45Ammi.
00:20:46Ammi.
00:20:47Ammi.
00:20:48Ammi.
00:20:49Ammi.
00:20:50Ammi.
00:20:51Ammi.
00:20:52Ammi.
00:20:53Ammi.
00:20:54Ammi.
00:20:55Ammi.
00:20:56Ammi.
00:20:57Ammi.
00:20:58Ammi.
00:20:59Ammi.
00:21:00Ammi.
00:21:01Ammi.
00:21:02Ammi.
00:21:03Ammi.
00:21:04Ammi.
00:21:05Ammi.
00:21:06Ammi.
00:21:07Ammi.
00:21:08Ammi.
00:21:09Ammi.
00:21:10Ammi.
00:21:11Ammi.
00:21:12Ammi.
00:21:13Ammi.
00:21:14Ammi.
00:21:15Ammi.
00:21:16Ammi.
00:21:17Ammi.
00:21:18Ammi.
00:21:19Ammi.
00:21:20Ammi.
00:21:21Ammi.
00:21:22Ammi.
00:21:23Ammi.
00:21:24Ammi.
00:21:25Ammi.
00:21:26Ammi.
00:21:27Ammi.
00:21:28Ammi.
00:21:29Ammi.
00:21:30Ammi.
00:21:31Ammi.
00:21:32Ammi.
00:21:33Ammi.
00:21:34Ammi.
00:21:35Ammi.
00:21:36Ammi.
00:21:37Ammi.
00:21:38Ammi.
00:21:39Ammi.
00:21:40Ammi.
00:21:41Ammi.
00:21:42Ammi.
00:21:43Ammi.
00:21:44Ammi.
00:21:45Ammi.
00:21:46Ammi.
00:21:47Ammi.
00:21:48Ammi.
00:21:49Ammi.
00:21:50Ammi.
00:21:51Ammi.
00:21:52Ammi.
00:21:53Ammi.
00:21:54Ammi.
00:21:55Ammi.
00:21:56Ammi.
00:21:57Ammi.
00:21:58Ammi.
00:21:59Ammi.
00:22:00Ammi.
00:22:01Ammi.
00:22:02Ammi.
00:22:03Ammi.
00:22:04Ammi.
00:22:05Ammi.
00:22:06Ammi.
00:22:07Ammi.
00:22:08I said the same thing to my mother.
00:22:13No one listened to me.
00:22:17It was written in my fate to become a Tawaif.
00:22:22So we will fight our fate and become a Tawaif.
00:22:28On the day of Basant Panchami, we will announce your death.
00:22:39Go my child.
00:22:44Go.
00:23:09The whole forest
00:23:15The whole forest is blooming
00:23:21The whole forest is blooming
00:23:25The whole forest is blooming
00:23:29The mangoes are blooming
00:23:32And the flowers are blooming
00:23:35The mangoes are blooming
00:23:38And the flowers are blooming
00:23:41Govi, Karata, Shringar, Malani
00:23:46Garhwali, Aikar
00:23:49The whole forest is blooming
00:23:54The whole forest is blooming
00:23:59The whole forest is blooming
00:24:03The mangoes are blooming
00:24:05The whole forest is blooming
00:24:11Govi, Karata, Shringar, Malani
00:24:15Garhwali, Aikar
00:24:19The whole forest is blooming
00:24:23The whole forest is blooming
00:24:27The whole forest is blooming
00:24:31The mangoes are blooming
00:24:35The whole forest is blooming
00:24:38The mangoes are blooming
00:24:42The whole forest is blooming
00:24:48The whole forest is blooming
00:24:53On the doorstep of Nizamuddin
00:24:59On the doorstep of Nizamuddin
00:25:04The whole forest was called
00:25:09The colour of love
00:25:12The years have passed
00:25:16The whole forest is blooming
00:25:21The whole forest is blooming
00:25:26The whole forest
00:25:30Oh.
00:25:30Oh.
00:25:31Oh.
00:25:32Oh.
00:26:00If you don't become a wife, what will you do, my love?
00:26:04I will become a poet, Lajjo Appa.
00:26:07What did you say?
00:26:09I will become a poet.
00:26:16A woman's real enemy is her dreams, Alamzeb.
00:26:20They are visible, but not complete.
00:26:24You are right, Appa.
00:26:27We keep wandering in gold cages.
00:26:30We dream of freedom.
00:26:33Mr. Zorawar is also your dream, isn't he?
00:26:36Zorawar is not my dream, he is my reality.
00:26:41Then it's fine.
00:26:43I will also make my dreams come true, Lajjo Appa.
00:26:47Where are you going?
00:26:49I am going.
00:26:51Yes, yes, go. Mirza Ghalib must be waiting for you.
00:26:54You left the room, where will you escape from fate?
00:26:58Tell him, Bibbojaan.
00:27:01Neither you nor I could escape.
00:27:05I was only six years old when my illegitimate aunt sold me in this hell.
00:27:12I couldn't escape.
00:27:14I have been in prison since then.
00:27:17But now I think I will be free very soon.
00:27:22How? Will Mr. Zorawar marry you?
00:27:24What will we do?
00:27:29Don't tell anyone.
00:27:33We are very happy.
00:27:35We are happy because of this wine.
00:27:37In happiness?
00:27:41Forget about us.
00:27:43Just pray for Alamzeb.
00:27:45That he gets a handsome, young, handsome, rich, loving Nawab.
00:27:53Ameen.
00:27:55Ameen.
00:28:10Tajdad.
00:28:11Tajdad.
00:28:35Good evening. Good evening. Good evening, ladies.
00:28:42Not at all.
00:29:03You are embarrassing me, bitch.
00:29:11You will have to teach me Indian language and traditions again.
00:29:15Then teach me.
00:29:17I am here with you.
00:29:19No, I can't teach you that.
00:29:21You will have to go to Heeramandi for that.
00:29:23Good, Sia.
00:29:25You are right.
00:29:27They teach entertainment there.
00:29:29What nonsense? Entertainment?
00:29:31All the traditions go to the Nawab.
00:29:33Isn't it?
00:29:35Yes, absolutely.
00:29:37They teach etiquette in Heeramandi.
00:29:38And?
00:29:40They also teach love.
00:29:42Love?
00:29:44Love is not taught.
00:29:47I promise.
00:29:50The day Tajdad Baloch falls in love,
00:29:54that day the whole of Lahore will learn to love from us.
00:29:57Wow.
00:29:59Amazing.
00:30:01Let's go. Uncle Ashfaq has called you.
00:30:03Go.
00:30:05Go and meet your father.
00:30:06Okay.
00:30:08Thank you, ladies.
00:30:10I will take your leave. Have fun.
00:30:16If God gives such beauty to a man,
00:30:19then He should not give it to a woman.
00:30:23You didn't come back from abroad
00:30:25that you started preparing to send you to Heeramandi?
00:30:27Exactly.
00:30:29I don't understand, Balraj.
00:30:31What kind of tradition is this to send you to Heeramandi?
00:30:33Where women's respect is valued,
00:30:34I hate that place.
00:30:39Hi.
00:30:41Taj.
00:30:43You have returned after six years
00:30:45after studying law from London.
00:30:47Not London, father. Oxford.
00:30:49It's the same thing.
00:30:51So, son, what are your plans for the future?
00:30:53I have got a job in the Valiant Associates law firm in Bombay.
00:30:56I will work there for some time and then…
00:30:58You are the only heir of all our brothels and hotel business.
00:31:02Who will take care of all this?
00:31:04The Nawabs don't do jobs.
00:31:06But all the Nawabs in India have jobs after becoming British.
00:31:13You have started a law firm from us.
00:31:16But you have already lost one case.
00:31:18Because if you are British, then we are.
00:31:20He is a Nawabi. He is Aishwarya Ram.
00:31:22If the British leave, who will run this country?
00:31:24The rebels?
00:31:26Mark my words.
00:31:28If this country survives, it will be British.
00:31:30Country?
00:31:32Country doesn't belong to the rulers.
00:31:34It belongs to the people.
00:31:36So, you are against the British?
00:31:39I am a slave.
00:31:45Oh, Madam.
00:31:47Seeing the crown prince,
00:31:49I am very anxious.
00:31:51Queen Janki's younger daughter has been announced.
00:31:53If you say,
00:31:55we can talk about the prince.
00:31:57Yes, you can talk to him.
00:31:59Whether to go or not,
00:32:00it is the crown prince's wish.
00:32:02But Madam, I...
00:32:04Do one thing.
00:32:06We have a poetry recital next week.
00:32:08Send the invitation to the queen on our behalf.
00:32:11If this is done,
00:32:13then next year,
00:32:15I will also get my eyes removed.
00:32:20I am like the moon.
00:32:22Why did the king bring his wife?
00:32:25I am like the moon.
00:32:27Why did the king bring his wife?
00:32:30I am like the moon.
00:32:33Why did the king bring his wife?
00:32:36I am like the moon.
00:32:39What happened?
00:32:41The British has been here for a long time.
00:32:43What do we do?
00:32:45Can't you see?
00:32:47They are dancing.
00:32:49They are not British.
00:32:51They are police officers.
00:32:53We didn't call them.
00:32:55You don't understand.
00:32:57Waheeda is listening to them.
00:32:59Sir, a British officer has come.
00:33:01Call him.
00:33:03Sir, I am a British.
00:33:05How will you call me inside?
00:33:07You are an officer.
00:33:09You will have to give some respect.
00:33:13Call him.
00:33:15Go and bring him.
00:33:17Go.
00:33:19What should I say to you, Mr. Cartwright?
00:33:22The queen is jealous of me.
00:33:25My voice,
00:33:26my style,
00:33:28I am sorry.
00:33:30How much longer must I wait?
00:33:32You are new here.
00:33:34Maybe that's why you don't know.
00:33:36The queen will waste your time first.
00:33:39Then you.
00:33:41But I...
00:33:44I won't do this to you.
00:33:48Tell me, sir.
00:33:51What would you like to hear in Waheeda's voice?
00:33:53Ghazal, Tumhri, Ghajini...
00:33:56No, thank you.
00:33:59If you don't want to listen,
00:34:03you will have to see.
00:34:07Officer,
00:34:09the king has called you inside.
00:34:24Oh, Cartwright.
00:34:28Don't do this.
00:34:38Sir, the officer is here.
00:34:44Sir is busy right now.
00:34:46She won't be able to talk.
00:34:49Yes, sir.
00:34:51Come.
00:34:53Come.
00:35:02I'm Alistair Cartwright,
00:35:04the new superintendent of Police Lahore.
00:35:07I've kept a Jalsa at my house to celebrate that.
00:35:10And I would like one of your notch girls to come for it.
00:35:17I seem to amuse you.
00:35:19Did I say something funny?
00:35:20What he means to say is
00:35:22that if our notch girls dance at everyone's gathering,
00:35:25what will be left of the royal palace?
00:35:27But I'm willing to pay more.
00:35:34Officer,
00:35:36she's laughing because
00:35:38even Sardif Fattah wouldn't dance for so little money.
00:35:40Are you refusing a British officer?
00:35:43Are you refusing us?
00:35:44Are you refusing us?
00:35:49Sir, she's saying
00:35:51that she would even refuse a British officer.
00:35:53So you...
00:35:55Are you saying goodbye?
00:35:57Goodbye.
00:36:01But I will see you soon, Mallika Jaan.
00:36:11Sir, I'm scared.
00:36:12I'm really scared.
00:36:14That British man has really got to you.
00:36:18Now he will remember me for the rest of his life.
00:36:23And today he has also understood
00:36:26that the diamond doesn't belong to the British in the market,
00:36:30but to Mallika Jaan.
00:36:40Good evening, sir.
00:36:42Thank you for coming.
00:36:44Would you care to have a drink?
00:36:50Ustad, would you care to have a drink?
00:37:02I've called you here today
00:37:04because I want to know everything about Mallika Jaan.
00:37:13Who?
00:37:39Then speak.
00:37:42I've eaten the salt of the royal palace, sir.
00:37:45How can I ruin the salt?
00:37:48That's why you're so salty, Ustad.
00:37:55Sir.
00:37:59Speak.
00:38:01Easy.
00:38:03She's my little life, sir.
00:38:05I'll tell you everything.
00:38:07Mallika Jaan is a scoundrel, sir.
00:38:09What are you doing, sir?
00:38:11You'll get hurt, sir.
00:38:21How are you, mother?
00:38:23Did you call me?
00:38:25Yes, dear.
00:38:27Mr. Baloch is inviting you.
00:38:29All the big shots of the city are coming.
00:38:31I want you to introduce yourself to them.
00:38:34Go.
00:38:36Get ready.
00:38:39I'm sorry, mother.
00:38:41I'm not feeling well.
00:38:43What if I don't come?
00:38:45That's fine, dear.
00:38:47You'll have to take care of your health.
00:38:49No?
00:38:51Do you have a fever?
00:38:54You don't have a fever.
00:38:56But you don't have a country fever.
00:38:59Did you see what you wrote?
00:39:00What did you write?
00:39:03May someone always keep me in their hands.
00:39:06May someone make me read like a book.
00:39:09You write well.
00:39:11No, it's not mine.
00:39:13It's Mr. Niazi's poem.
00:39:15I really like his style of expression.
00:39:17That's why I wrote it.
00:39:19What a coincidence.
00:39:21Mr. Niazi is presenting his poem at today's party.
00:39:23It would have been so nice if you had come.
00:39:26Anyway.
00:39:28It's okay.
00:39:30Mother.
00:39:32I was thinking we should leave.
00:39:34No, no. You should rest.
00:39:36Take care of your health.
00:39:38My health will be fine.
00:39:40But how can you be alone?
00:39:42Pato.
00:39:44Yes, ma'am.
00:39:46The scent of roses will make people go crazy.
00:39:48Goodbye.
00:39:50Goodbye.
00:39:53Where are you going dressed like a rose?
00:39:55To listen to Mr. Niazi.
00:39:57Oh God.
00:39:58If Motu finds out, he will kill me.
00:40:00Tell Sato to keep an eye on him.
00:40:02He is not well.
00:40:04Yes, sir.
00:40:28What are you doing?
00:40:58Now, let's see.
00:41:01He is slow.
00:41:04He is slow.
00:41:06First, venerate the tongue with the blood of your heart.
00:41:09Wow.
00:41:11First, venerate the tongue with the blood of your heart.
00:41:13Then you can talk about love.
00:41:17What did he say?
00:41:19Congratulations, Mr. Niazi.
00:41:21I am presenting this poem again on the insistence of Malika Jan.
00:41:25Go ahead.
00:41:26First perform a verbal ablution with the blood of your heart.
00:41:30Great.
00:41:31Then discuss love.
00:41:34I suggest,
00:41:36it's an inimical pleasure to appease one's beloved one.
00:41:42Hey lady, let me finish this line first.
00:41:46I suggest, it's an inimical pleasure to appease one's beloved one.
00:41:51Once he gets upset with you, say this to him.
00:41:54Great!
00:41:56First, perform the ablution with the blood of your heart.
00:41:59Please note the couplet.
00:42:01These treasures of fate are found in love.
00:42:07Remove the scars from the wounds with the remembrance of your beloved.
00:42:11Wow!
00:42:12First, perform the ablution with the blood of your heart.
00:42:15I have said,
00:42:16How will you perform the prayer of love, my dear son?
00:42:23This is the expression of love, so do it face to face.
00:42:27Wow!
00:42:28First, perform the ablution with the blood of your heart.
00:42:32I have said,
00:42:33Why do you not wander from north to south?
00:42:42If you are a lover, then do the ablution.
00:42:45Wow!
00:42:46First, perform the ablution with the blood of your heart.
00:42:51Please note the couplet.
00:42:52This is the expression of love, so do it face to face.
00:43:00If you are a lover, then do the ablution.
00:43:04Wow!
00:43:05This is the expression of love, so do it face to face.
00:43:10Wow!
00:43:11First, perform the ablution with the blood of your heart.
00:43:14I have said,
00:43:16This is the expression of love, so do it face to face.
00:43:22Wow, Mr. Niazi!
00:43:24Wow!
00:43:25Mr. Niazi,
00:43:26Thank you for coming to our party in the presence of my son.
00:43:30Thank you very much.
00:43:34Goodbye.
00:43:35Goodbye.
00:43:55Sorry.
00:43:56What?
00:43:57Sorry, sorry, sorry.
00:43:59Thank you, sir.
00:44:02Mr. Taj, where are you going?
00:44:03Please come in.
00:44:06Meet yourself,
00:44:07The beauty of Lahore,
00:44:08The queen of the world,
00:44:09Hello.
00:44:10She's an amazing talent.
00:44:11And she's also our dear friend.
00:44:13Who are you looking for, sir?
00:44:15Listen to me.
00:44:15Sorry, sorry. Tell me.
00:44:16We've suggested your name for the wedding
00:44:19of your younger daughter.
00:44:21Now we'll go to Heeramandi to learn how to love.
00:44:24We'll learn tradition and culture from these medical forces.
00:44:26Tazdar, mind your words.
00:44:30I'm sorry.
00:44:31It's okay.
00:44:32Thank you, ma'am.
00:44:34You invited us to your gathering and gave us respect.
00:44:37But every respected person doesn't want to respect others.
00:44:42Anyway, we'll leave now.
00:44:44Okay.
00:44:46I'm really sorry.
00:44:48We've dropped you outside.
00:44:50What's her name?
00:44:52Yes, Tazdar.
00:44:53Mr. Tazdar, we know the way to the mansion and we know the way out.
00:45:01Good to see you, ma'am.
00:45:03She's Heera.
00:45:06Send her to Heeramandi.
00:45:08We'll find her.
00:45:11Goodbye.
00:45:35The cymbals tower...
00:45:37The cymbals tower...
00:45:41clear skies play...
00:45:43The cymbals tower...
00:45:46The cymbals tower...
00:46:02Look, he's got my portrait.
00:46:04Come on.
00:46:06Baby, baby, baby, baby, baby, baby!
00:46:08Are you feeling better now?
00:46:13The poet's poetry is really good, right?
00:46:15Yes.
00:46:16Come on.
00:46:17Mom.
00:46:18Go inside. It's okay.
00:46:20I didn't know, baby.
00:46:22Good night, Iqbal.
00:46:27Good night, Iqbal.
00:46:28Bang!
00:46:31Balli!
00:46:33Hey, Balli!
00:46:35What are you doing here?
00:46:37Why didn't you come to eat?
00:46:39Balli, he's asking you.
00:46:41He's really hungry. Let's go.
00:46:43Saima, you go ahead and eat. I'm not hungry.
00:46:45Wow.
00:46:46A person who eats 12 parathas a day is not hungry today.
00:46:48Can you tell me why?
00:46:50I've earned only one thing in my life.
00:46:53The trust of the Prophet.
00:46:55And today, I lost that too.
00:46:56How?
00:46:58She thinks I took Alam to the poetry class without their permission.
00:47:03Sir, you can't think like that.
00:47:06Will she find anyone more loyal than you in Lahore?
00:47:10She loves you so much.
00:47:12But less than us.
00:47:16This Siappa is so obsessed with Alam.
00:47:19Siappa is Alam's. She'll apologize.
00:47:22Saima!
00:47:23You don't know.
00:47:25God forgives people's mistakes.
00:47:28But the Prophet will punish me sooner or later.
00:47:32I don't know about the Prophet.
00:47:34But I'll punish you today.
00:47:37I'm very hungry.
00:47:39But I won't eat.
00:47:41I'll eat you today.
00:47:47Alam, I can't believe it.
00:47:49The Prophet caught you stealing.
00:47:51And he didn't even scold you.
00:47:53Why would he scold me?
00:47:54Mom knows how much I love poetry.
00:47:57These are my books.
00:47:58Where are you taking them?
00:48:00I'm throwing them out.
00:48:01But why?
00:48:02Because I'm hungry.
00:48:05And my diary?
00:48:06Ask the Prophet.
00:48:15Where are you taking my books?
00:48:17In the streets of Hiramandi, books are just a hobby.
00:48:20And a life.
00:48:22Here, fate is not in the hands.
00:48:24It's in the feet.
00:48:26Take care of your fate.
00:48:28Such a big punishment for going to a poetry class.
00:48:31You'll get your punishment.
00:48:35You lied for the first time yesterday.
00:48:39That should be your last lie.
00:48:42Mom, you can punish me however you want.
00:48:45Pull my skin, but don't tear my poetry.
00:48:50We don't punish the body.
00:48:53We punish the soul.
00:48:57And your soul is in this.
00:49:16What?
00:49:19What are you looking at?
00:49:22If the sea doesn't give us life,
00:49:25it will drown us in your eyes.
00:49:28Really?
00:49:29Are our eyes that deep?
00:49:32They are so deep that...
00:49:34Sister.
00:49:35Sister.
00:49:36Ask her how deep her eyes are.
00:49:39Sister.
00:49:40Sister.
00:49:41Sister.
00:49:42Sister.
00:49:43Sister.
00:49:44Sister.
00:49:46Alam, I'm with Mr. Wali.
00:49:49And I was with mom.
00:49:51She threw away all my books.
00:49:53I won't give them to you.
00:49:55You can go.
00:49:56If you don't listen to me now,
00:49:58I'll give my life, but I won't wear this ring.
00:50:03I'm sorry, Mr. Wali.
00:50:05I'll talk to him.
00:50:07I'll talk to him.
00:50:13Alam, how many times do I have to tell you?
00:50:16Where did this girl go?
00:50:18Mom keeps creating problems every day.
00:50:23Mr. Wali, what is this?
00:50:27Are you leaving?
00:50:29I have a meeting with Henderson.
00:50:32Are Henderson's eyes deeper than our eyes?
00:50:36It's important to meet him today.
00:50:38There is tension in the city.
00:50:40Some rebels are protesting.
00:50:42These damn rebels are protesting at this age.
00:50:47I'm afraid that...
00:50:48...Henderson might order a shoot at sight today.
00:50:52We'll try to stop them.
00:50:56These rebels are crazy.
00:50:58But they are our people.
00:51:00I'll leave now.
00:51:01Okay.
00:51:02Goodbye.
00:51:07We want freedom.
00:51:09We want freedom.
00:51:11We want freedom.
00:51:13We want freedom.
00:51:15We want freedom.
00:51:17We want freedom.
00:51:19We want freedom.
00:51:21We want freedom.
00:51:23We should learn from these rebels.
00:51:25At least they raise their voice against oppression.
00:51:28And there's me.
00:51:29My mom burned my diary.
00:51:31She snatched my books.
00:51:32And I stayed quiet.
00:51:33You didn't stay quiet.
00:51:34She snatched my old books.
00:51:35But I'm going to buy new books.
00:51:37You are lucky.
00:51:38That's true.
00:51:41Leave India.
00:51:43Long live revolution.
00:51:46Leave India.
00:51:49Long live revolution.
00:51:52Long live revolution.
00:51:55Long live revolution.
00:51:57Long live revolution.
00:51:59Long live revolution.
00:52:01Long live revolution.
00:52:03Long live revolution.
00:52:05Long live revolution.
00:52:07Long live revolution.
00:52:09Iqbal, take the rest to the crossroads.
00:52:11We'll be there.
00:52:12Yes.
00:52:13Baby, the atmosphere is not good.
00:52:14Come quickly.
00:52:15Okay.
00:52:16Let's go, Alam.
00:52:17Let's go.
00:52:18Long live revolution.
00:52:19Long live revolution.
00:52:20Greetings, brother.
00:52:21We want to buy some books.
00:52:23This is not a bangle shop.
00:52:25You can buy books here.
00:52:27But first read this.
00:52:28Today cash.
00:52:29Tomorrow loan.
00:52:30Why loan?
00:52:31We have a lot of money.
00:52:33We'll give you cash as well.
00:52:35It's okay, Alam.
00:52:36You can buy books.
00:52:38Where will we buy poetry books?
00:52:40Over there.
00:52:41Our servants are there.
00:52:43But hurry up.
00:52:44If the atmosphere outside is bad,
00:52:45we'll have to close the shop.
00:52:47Sister, we can buy as many books as we want, right?
00:52:50Yes, sure.
00:52:54Brother Nawaz, give me that book.
00:52:56Don't ask too many questions.
00:52:58It's very important to reach Mr. Khamid.
00:53:00There could be a rift between us.
00:53:05Be careful.
00:53:06Don't suspect anyone.
00:53:07Yes.
00:53:09Alam.
00:53:10Yes.
00:53:11Pick the books quickly.
00:53:12We'll go and meet Sultana.
00:53:14Okay?
00:53:15Yes.
00:53:28What are you doing?
00:53:29I'm sorry.
00:53:31You?
00:53:32You.
00:53:34You.
00:53:36You.
00:53:38How are you?
00:53:40I'm fine.
00:53:42And you?
00:53:43Me?
00:53:44Great.
00:53:49How did you disappear in the poetry that day?
00:53:51I don't know.
00:53:52I was in the bathroom.
00:53:53I didn't see you.
00:53:54I didn't see you.
00:53:55I didn't see you.
00:53:56How did you disappear in the poetry that day?
00:53:58Where will we find Mr. Niazi?
00:54:04What will we find?
00:54:07You wrote on my heart.
00:54:10My heart is still beating.
00:54:12Lions don't beat.
00:54:14They roar.
00:54:21The owner and the servant are both ill-mannered in this library.
00:54:26Move aside.
00:54:27Servant.
00:54:30Listen.
00:54:31What can this servant do for you?
00:54:35I can do my own service.
00:54:39It seems you are very fond of poetry and poetry.
00:54:42Yes.
00:54:43I remember Ghalib, Zafar, Mir, Niazi.
00:54:48I remember all of them.
00:54:51Then remember a poem of this servant as well.
00:54:57When the diary of your thoughts is published,
00:55:02a new poem is published on every page.
00:55:15Mr. Hamid.
00:55:18Mr. Rizwan.
00:55:19Balraj Kurta.
00:55:20Where is everyone?
00:55:21They all went to the protest.
00:55:22When Mr. Hamid goes to the protest,
00:55:24please give this book to him.
00:55:26It is very important.
00:55:27What happened, Bibojaan?
00:55:30You look very worried.
00:55:33Mr. Hamid.
00:55:34Today Henderson is going to issue a shoot-out order.
00:55:37Our comrades can be killed.
00:55:39How can you be so sure?
00:55:44I got to know from Mr. Wali.
00:55:46Take this.
00:55:48This is not the time to read a book.
00:55:51It is time to answer.
00:55:54Take this.
00:56:01We had hidden this gun in the library.
00:56:03We knew it would come in handy one day.
00:56:07If ten of our men kill it,
00:56:09at least six of us will die.
00:56:13Will you call out my name or not?
00:56:17Will you kill or will I kill?
00:56:20Will you kill or will I kill?
00:56:25This, this and this.
00:56:28Ma'am, you forgot this too.
00:56:31And this too.
00:56:33You have hired a very good servant.
00:56:35This is a servant?
00:56:36Of course.
00:56:38Why are you looking here and there?
00:56:40Tell me.
00:56:43Consider it a gift from this servant.
00:56:46Cut it from our salary, ma'am.
00:56:49If we stay here for a moment,
00:56:50we will not only cut their salary,
00:56:51we will cut their necks too.
00:56:53Goodbye.
00:57:00My sister will come and give us the money.
00:57:05Who is this lady?
00:57:06I don't know, brother.
00:57:07People come, take the books and leave.
00:57:11But she took my heart away.
00:57:13Long live.
00:57:14Indira Bhatt.
00:57:15Long live.
00:57:16Indira Bhatt.
00:57:17Long live.
00:57:18Indira Bhatt.
00:57:19Long live.
00:57:20Indira Bhatt.
00:57:21Long live.
00:57:22Indira Bhatt.
00:57:23Long live.
00:57:24Indira Bhatt.
00:57:25Long live.
00:57:26Indira Bhatt.
00:57:27Long live.
00:57:28Indira Bhatt.
00:57:29Long live.
00:57:30Indira Bhatt.
00:57:31Long live.
00:57:32Indira Bhatt.
00:57:33Long live.
00:57:34Indira Bhatt.
00:57:35Long live.
00:57:36Indira Bhatt.
00:57:37Long live.
00:57:38Indira Bhatt.
00:57:39Long live.
00:57:40Indira Bhatt.
00:57:41Long live.
00:57:42Indira Bhatt.
00:57:43Long live.
00:57:44Indira Bhatt.
00:57:45Long live.
00:57:46Indira Bhatt.
00:57:47Long live.
00:57:48Indira Bhatt.
00:57:49Long live.
00:57:50Indira Bhatt.
00:57:51Long live.
00:57:52Indira Bhatt.
00:57:53Long live.
00:57:54Indira Bhatt.
00:57:55Long live.
00:57:56Indira Bhatt.
00:57:57Long live.
00:57:58Indira Bhatt.
00:57:59Long live.
00:58:00Indira Bhatt.
00:58:01Long live.
00:58:02Indira Bhatt.
00:58:03Long live.
00:58:04Indira Bhatt.
00:58:05Long live.
00:58:06Indira Bhatt.
00:58:07Long live.
00:58:08Indira Bhatt.
00:58:09Long live.
00:58:10Indira Bhatt.
00:58:11Long live.
00:58:12Indira Bhatt.
00:58:13Long live.
00:58:14Indira Bhatt.
00:58:15Long live.
00:58:16Indira Bhatt.
00:58:17Long live.
00:58:18Indira Bhatt.
00:58:19Long live.
00:58:20Let go!
00:58:21Hey!
00:58:22Hey, get off!
00:58:24Get off!
00:58:25Hey, get off!
00:58:26Get off!
00:58:27Hey, get off!
00:58:28Get off!
00:58:29Get off!
00:58:30Get off!
00:58:31You're okay.
00:58:36Get off!
00:58:50I'm going to kill you.
00:58:52I'm going to kill you.
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