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00:00A few hours earlier
00:17I've got a great professional offer in a very bad moment
00:22Celia, I'm not to blame for not responding to your feelings
00:25and I'm the one who's going to pay the price
00:27I know
00:28But I didn't decide to fall in love with you
00:29Yes, but you decided to leave
00:31I need to leave because I need to forget about you
00:37Can I know what's going on here?
00:54Celia, I thought you were my sister
00:58Come in
01:12If you've come to look for Inés, she's not here
01:15She went out for a walk to get some fresh air
01:18No, I've come to see you
01:20I wanted to ask you a favor
01:23When I was about to close, I got a phone call
01:26It was the new supplier we agreed to meet tomorrow
01:30I have it on my agenda
01:32If you've come to remind me, I haven't forgotten
01:35I haven't come to remind you
01:37I've come to tell you
01:39He called to tell me that he had a problem
01:41and that he had to postpone the meeting
01:43I said yes, but then I remembered
01:45that he had already met with Iñigo
01:48With Iñigo for what?
01:50To finalize the details of Marcial Lalanda's visit
01:53and his friends to Madrid Cavalli
01:56Could you take care of it?
01:58Yes, of course
02:00What can I do? Someone will have to go
02:05Laura, if I'm finally leaving
02:09I don't want to leave you in the middle of it
02:12If you're finally leaving?
02:14I thought it was something definitive
02:16In fact, I was going to tell you that we have to talk to my uncle as soon as possible
02:19With your uncle for what?
02:21What do you mean for what?
02:22First of all, because he has to know
02:24And second, because maybe I don't want to take care of the business on my own
02:27In any case, I'm going to tell your uncle
02:29So don't worry
02:31No, no, that's not what worries me
02:33What worries me is that you're playing with me
02:35because one day you want to leave, the next you don't know
02:38But it's not easy to make this decision
02:40And you think it's easy not to know what's going to be of my future?
02:42Do I have to organize my future or not?
02:44Your future? What about mine?
02:46But how can you be so selfish, Laura?
02:48Look, I don't want to argue
02:50Well, you're already doing it
02:55Do you want an answer?
02:57I'm definitely leaving
02:59There's no point in staying by your side
03:01Thanks for helping me decide
03:03Wait!
03:05Celia!
03:07Of everything we've lived, of everything we have, there's only one thing I can't give you
03:11And you decide to leave the boat. Tell me, who's the selfish one?
03:14Don't forget about the meeting
03:24Bye
03:39Pietro, you know you can trust me for anything
03:44I know, Marta, that I can trust you, but I don't want to worry you
03:49Well, maybe it's a little late because I'm already worried
03:53And I think it's better to know what's going through your head than to imagine it
03:57Because one always gets the worst
03:59And this time you're right
04:02Lucia doesn't want to go back to Italy
04:04What do you mean she doesn't want to go back to Italy?
04:06And what did you tell her?
04:08I haven't said anything
04:09Because she caught me with my foot changed and I didn't know how to react
04:13But where is she going to live?
04:15Won't she be with you?
04:16Of course not
04:18And what did Antonia tell you?
04:20Nothing, nothing
04:21I haven't said anything because I haven't told her yet
04:23She doesn't know anything and I don't know how to do it
04:27You see, Marta?
04:29If something can go wrong, it will go wrong
04:32I'm going to work
04:33I'll see you later
04:35Good morning
04:38Good morning?
04:39What are you doing here already?
04:42The days you come to clean, I can't sleep from the excitement
04:46Do you really think it's going to help you to be so clever?
04:49I don't know, but the one who wakes up early is the one who helps
04:54Well, have you already talked to your father?
04:56Or is he still thinking that all I want is to take you to the port?
04:59He hasn't brought it up to me, but that doesn't mean anything
05:01My father is a man of fixed ideas
05:04And what kind of man are you?
05:05One who lets himself be intimidated or one who faces it?
05:08I'm a man of fixed ideas
05:10I don't have many, but the ones I have are mine and I'm going to fight for them
05:14And I'm going to show my father how much I appreciate you
05:17And you too
05:18Well, look, I don't need anyone to defend me from something I haven't planned to do
05:22Like, for example, cheating on you
05:24You insist on pretending that you don't like me, and that's because you like me
05:28Like in Desdén con el desdén, a play that Miguel recommended to me
05:31And that, by the way, you should read
05:34And the protagonists end up together
05:37Of course, like you and me
05:40Hey, are you going to Miguel and Trini's party tonight?
05:43Because if you don't go, I'm not going
05:45Well, look, I'm going to tell you something
05:48If you see me, it's because I've gone
05:50And if you don't see me, it's because I haven't gone
05:55Wait, wait, how is that?
06:06As you can see, in the column on the right are all the things we've already got for the party
06:10And in the column on the left, the things that are missing
06:13Almost nothing
06:14Well, sometimes the smallest things are the ones that take up the most time
06:18Besides, Marcial de Alanda doesn't want the decoration to be bullfighting
06:22He says he's had enough
06:23No, I think it's reasonable, yes
06:25I assure you that he's a pretty unpredictable man
06:28And I don't mean it in a bad way, okay?
06:32Hey, Matilde
06:33Hi, both of you
06:34What are you doing here?
06:36If you want to talk to me alone, I can come back later
06:40It's not a problem
06:41No, don't worry, Celia, stay
06:43What I have to talk to Íñigo also concerns you
06:47I've been thinking and I'd like to propose something to you
06:51Of course, have a seat
07:00Well, we're all ears
07:02Well, I thought I'd like to be part of the party's organization
07:07If you let me join your team, of course
07:09Of course
07:11What's the matter, Matilde? Of course
07:13But didn't you have work in the salon?
07:15I've talked to Don Fermín, so don't worry
07:17And since I don't have much to do these days, he's given me permission
07:21Don Fermín's good guy, always so understanding
07:24Then it's perfect
07:26Well, then, I've been doing a conscious research about Marcial de Alanda
07:31And I've discovered very interesting things
07:35Things like what?
07:38For example, did you know he starred in a movie?
07:43No, I didn't know
07:45And what's the title of that movie?
07:47Viva Madrid, which is my town
07:49Sounds familiar
07:51Yes, yes, I was about to go see it
07:53But in the end, because of work, I couldn't and they took it from the box office
07:56It's a shame, because Carmen Biance acted and I love that actress
08:00I also like her a lot
08:02And what I've come up with has to do with her
08:05What do you propose?
08:07I thought we could invite Carmen Biance and the director of the movie, Fernando Delgado
08:12And, well, I think he'd love to meet him, especially if he doesn't expect it
08:17As a kind of surprise?
08:19It would be very exciting. What do you think?
08:24Well, I can only think of one thing
08:27Get up, please
08:30Thank you. You've turned another party into a memorable event
08:35Congratulations, Matilde
08:37Thank you, Celia
08:39Well, I'll leave you to it. I have a lot of things to do
08:42Thank you for everything, Celia
08:44You're welcome
08:46Goodbye
08:53Call me an optimist, but I'd say what just happened here is a sample of...
08:58Of what?
09:00Don't get me wrong, Ñigo. All I want is to help Celia and you
09:06The man I love
09:10And now, Mr. Optimist, you should give me a kiss
09:15Because I've earned it
09:29The dinner with my former colleagues at the faculty is cancelled, too
09:33Are you sure? But that day is sacred. It's the only date that can't be changed
09:37Inés, I've already told you I don't want to see anyone all week
09:41Very well, then we only have the meeting with the gallery's businessmen
09:45On the agenda is the renewal of the contract of the maintenance company
09:49And I've marked it as a priority
09:51Well, it's not anymore
09:53Inés, keeping my schedule means that you re-locate my appointments, not the issues. That's all
10:00Do you really think I don't realize how sad you are?
10:04Besides keeping your schedule, I'm your niece
10:07You can trust me and tell me what you need
10:10I know, I know, darling, but it's not important
10:15Yesterday you told us that Mrs. Lázaro wasn't as you thought and that you had to digest him
10:20And it's clear that he's not doing it very well
10:24Uncle, you're always there when I need you
10:27You've helped me face my problem with my voice and thanks to you I've managed to overcome it and move on
10:34Inés...
10:35We have to support each other, the people who love us
10:39And I'm one of them, uncle
10:41Hello
10:42Excuse me, Mr. Fermín
10:44Yes?
10:45I've brought you these herbs from the herbalist
10:48Thyme, ginger, mint and regaliz
10:51I suppose they're good for the throat, they enrich the steam baths
10:55Anyway, I won't interrupt you anymore
10:58I'll stop by your house later to continue with the voice exercises
11:01At the same time as yesterday?
11:03Yes
11:04Well, if you don't mind
11:06I'll stop by your house later to continue with the voice exercises
11:09At the same time as yesterday?
11:11Yes, yes, at the same time
11:12Perfect
11:13Well, yes, yes, yes
11:14Wait, because I want to thank you that in these complicated moments
11:19You take the reins of the situation
11:22But you don't have to thank me for anything
11:24I really do it with pleasure
11:26Anyway, why do you say that these are complicated moments?
11:30Well, at work sometimes...
11:33Things get complicated
11:35My uncle won't attend the meeting with the businessmen
11:41Mr. Fermín, I suppose you have plenty of reasons
11:45But I'd like to remind you of its importance
11:49Yes, the renewal of the maintenance contract with the company in charge of the gallery
11:54Yes, that's it
11:55I don't know
11:56And as you know, it's not a trivial matter
11:58Besides, your opinion is fundamental
12:00Agustín, I don't feel well
12:02It's nothing serious, but I think I'm going to take the week a little more calmly than usual
12:08And regarding the meeting, I give you my vote
12:11I fully agree with your criteria
12:15Okay, I hope you recover soon
12:17In any case, I hope you can attend your niece's performance next Thursday
12:22Thursday
12:23Next Thursday
12:24Thursday
12:27Keep a chair next to you
12:29I'm not going to miss it
12:33Thank you again
12:34And if you haven't had breakfast, I invite you to my house
12:39Thank you, Agustín
12:41But I think I should spend the afternoon with my sister instead of with me
12:46Why do you say that?
12:47Well, because Laurita is her girlfriend and she will have her obligations with her
12:51And I can do the exercises alone, I really don't know how to do it
12:53No, no, no, the specialist was strict with that
12:55You need help to continue with your treatment
12:58Besides, one of the obligations I have with my girlfriend is to worry about her sister
13:05And Laurita understands this perfectly and she knows that her health is the priority right now
13:13But still...
13:14Still, see you later
13:29The first industrial racket front, with simultaneous entry and payment of taxes, opened in Madrid in 1917
13:46With a squad of 16 professional women, which increased to the 45 that exist today
13:55How is your body?
13:57Well, regular
13:58The new Frontón Madrid, which... where are we going, girl?
14:04It has restaurants, hairdressers, salons and terraces, a real social club
14:11You will not see yourself in one like that again, do not hesitate to visit it
14:18You don't say anything?
14:19Would you like something?
14:21Oh my God
14:23It will be the best bachelor party that has ever been organized
14:26The voice will be heard and everyone will want to know who was the organizer
14:31Aren't you just happy to be the godmother?
14:34By the way, changing the subject, don't you think it's very strange that the vampire didn't come yesterday or today?
14:41It's not her own, unless she's sick
14:44And you were the last one to see her leave, so...
14:47Did she have a bad face?
14:48She didn't have a good face, she had red eyes, as if she had cried
14:52The vampire crying?
14:54And why didn't you tell me?
14:55Woman, are you sure?
14:57Very sure, it's just that the fight was about Hordavo
15:00Well, and grab the males, Teresa and Cañete were there too
15:05Teresa and Cañete?
15:07But don't worry, because I haven't been left with my arms crossed
15:10I asked Elías to get information from Cañete about what happened there
15:14And what did he say?
15:16Nothing yet
15:19What?
15:20About Palique?
15:21Yes
15:22No
15:34I was telling Esperanza that it's very strange that Lady Alhazara didn't come yesterday or today
15:40Of course, and if someone can know the reason, it has to be you, because you're in charge
15:46Well, yes, I'm in charge, but I don't know anything
15:48She's my superior, so you don't have to give me explanations
15:52But you were also in Don Fermín's office
15:55Do you know if something happened between them?
15:57I just happened to see her leave
15:59With tears in her eyes, can you confirm this?
16:01What if I can confirm it?
16:03The only thing I can confirm is that you're a couple of whores
16:05And that it's time to get back to work
16:08Besides, what Lady Alhazara does or doesn't do doesn't matter to us
16:12No, it doesn't, but you seem to be enjoying this
16:17Me?
16:18Esperanza is not the way to say things, but you're right
16:21Because, given the circumstances, and to calm our spirits,
16:27could you tell us what happened in that office?
16:30I would have said the same, but with my left hand
16:32Well, I guess not
16:35But, well, are you already erasing Pepinillos again?
16:39He's going to give you a hard time, woman
16:41But since when do you have that hobby?
16:43Well, I've always inherited it from my father, come on
16:45Well, then stop a little
16:47And come on, both of you, to work
16:55What are you doing?
16:57Pepinillos
16:59Well, so you can understand it,
17:01The Lucha Leones is a fight between two opponents
17:04holding hands on the belt
17:06using strategies called mañas
17:09to knock down the opponent and throw him to the ground
17:12Well, that's where the idea of having more maña than strength comes from
17:15Great, Elias
17:17And who are you going to bet on?
17:19Miranda Debro's big man or Miguel the bookseller?
17:23I'm not going to bet on anyone
17:25I think it's very bad that you bet on Miguel
17:27That fight is in his favor
17:29But how long will it take for that giant to rip his head off?
17:32Let's see, to begin with, he's not a violent sportsman
17:35And as I just told you, it's about maña, not brute force, boss
17:40But let's see, no matter how much maña Miguel has,
17:43he has no experience in the matter
17:45As soon as that giant takes off his belt, he's going to put him in orbit
17:48Besides, I don't see him very excited about the subject
17:52Well, I think it's a perfect plan, boss
17:55Look, if you promise me you won't say a word, I'll tell you
18:08I know a way to be able to talk to my mother
18:11Yes, it's a way for her to hear us from heaven and answer us
18:18Today we can't do it because we don't have what I need
18:21But tomorrow, if you want, you'll be able to see it with your own eyes
18:26And you'll be able to talk to your mother
18:28Do you promise?
18:30I promise
18:40Father?
18:42Yes?
18:45Father?
18:47How did the morning go?
18:49Have you seen anyone interesting in the gallery?
18:52Interesting?
18:54I guess you mean Matilde
18:57Well, it turns out that yesterday I ran into her
19:01I didn't want to tell you
19:03But I have a pinch in my stomach that I don't like at all
19:06She was too kind
19:08Kind?
19:10Well, forget it
19:13The train to Lisbon, where you'll spend the night
19:16And the next morning you'll take a boat to Cuba
19:19Of course, in a luxury room
19:24I thank you very much, mother
19:27But I won't need them
19:30What are you saying, Carla?
19:32That I'm not going
19:34I have something in my hands
19:37Something that you can't even imagine
19:40You'll understand, I can't let you down
19:42I hope you understand
19:44No, what I understand is that you're exhausting my patience
19:47And what's worse, Fabio's too
19:50Tomorrow you'll take that train and there's nothing else to talk about
19:53And how are you going to force me?
19:55Are you going to call the police to have me escorted to the station?
19:58Besides, as for Fabio...
20:00As for Fabio, I think you're taking it too lightly
20:04Maybe he's the one who ends up calling the police and ends up reporting us
20:08Oh, please
20:10Don't make me laugh, mother
20:12Fabio's not going to do anything
20:15And you know why?
20:17Because he's as involved as you and me
20:20If the police were to report me, who do you think I'd tell them?
20:24That he knows I've been alive for days
20:27But he was giving me a little chance to escape
20:30Or worse, that he suddenly lost his patience
20:35Or worse, that he was organising everything with you
20:38But suddenly he's realised that that's not right and he's very sorry
20:43Tell me, mother
20:45Which of those options is the least stupid?
20:49Don't you realise that you're playing with fire?
20:52That your only chance is to listen to me and leave tomorrow
20:55And don't you realise that I'm not afraid?
20:58And that I'm not going to leave until I finish what I've started?
21:01Which, by the way, I can assure you is going to be extraordinary
21:05I'd say supernatural
21:08And what about me?
21:10Because I am afraid
21:12Because your irresponsibility is putting me in danger
21:15And for the love of God, Carla, I don't want to go to jail
21:19I'm begging you, please, reconsider, for everyone's sake
21:23For everyone's sake, I have to finish what I've started
21:26You're a fool
21:29I'm starting to think that you've lost your mind
21:32That the crazy one wasn't Matilde, it was you
21:35Close the door when you leave, please
21:49Well, what do you think?
21:51Brilliant or not?
21:53Montero
21:55Well, I think there's something unusual about you, Elias
21:58Well, you see
22:00Now, you have to keep the secret
22:02Because only Elvita knows that, and now you
22:04Don't worry, I'll keep it
22:06But I'll say it again, I don't see Miguel very excited about that
22:09Well, I don't think he's the only one
22:11Don Fermin also says that
22:13He's the one who's not excited
22:15I've seen her, heavy-handed, with her hair down, dragging her feet
22:18And that's weird
22:20That's something strange about him
22:22Because that's something that characterises him
22:24His grace and elegance when he walks
22:29And now
22:31Besides, he's been locked up in the office for many hours
22:33And I'm starting to worry
22:35So I'd appreciate it if you could give me some information on your end
22:39Boss, if he's going to die, I have the right to know
22:42What are you saying, animal? He's not going to die
22:44Then what's wrong with him?
22:46Because Esperanza heard the rumor
22:48When Mrs. Lázaro was in the office
22:50And it's a coincidence that you were in that office
22:52So do me a favour, let go
22:54Well, look
22:56It's a coincidence that I don't have anything to tell you
22:58Not when you asked me before
23:00Not when you ask me now
23:01Not when you ask me later
23:03You're making a snowball out of a rain drop
23:06Don Fermin is fine
23:08He's wearing a suit
23:10Cañete, I'm going home
23:12Do me the favour of transmitting this to Teresa
23:14As soon as I see her
23:16Very well
23:19Elias, take a look at the terrace, please
23:21Of course
23:26I have the uncomfortable feeling that everyone is looking at me
23:29As if they were asking for explanations
23:31Especially Elias
23:34I'm unable to continue in the office
23:37I can't stop thinking about what happened with Mrs. Lázaro
23:39I understand
23:41Anyway
23:43I trust your discretion
23:45As always, Don Fermin
23:57Don Fermin
24:01Don Fermin
24:03Don Fermin, I beg you to listen to me
24:05Mrs. Lázaro, this is very embarrassing
24:07Don't you think?
24:08I'm very sorry
24:09But I can't resign myself to losing him
24:11I can't resign myself to losing everything we've built together
24:14During all this time
24:16Because Don Fermin will not deny me
24:18That everything we've lived has been real
24:20And that the affection we've felt for each other
24:22Is sincere
24:24Please, let me explain
24:26She had her chance when I called her to my office
24:28Why didn't she do it then?
24:30How?
24:32In front of two employees?
24:34Teresa? Cañete?
24:36No, excuse me, Don Fermin
24:38But that wasn't an opportunity, that was a trap
24:40And I think I have every right in the world
24:42To ask you to listen to me
24:44The Lion's Fight
24:46Episode 2
24:48The Lion's Fight
24:52So, in the Lion's Fight
24:54You have to grab the other man by the belt
24:56And throw him to the ground
24:58Exactly
25:00Much better than the pair of shoes you'd have to wear in boxing
25:04Let's see, Tini
25:06If this man from Miranda de Ebro
25:08Grabs me by the belt
25:10He'll probably throw me to the ground
25:12I see, well
25:14What if he takes pity on you?
25:16What if you tell him that you've always been a clumsy and sick kid?
25:20Of course, you're right
25:22I'm going to tell everyone that I'm sick
25:24And that I can't go to my own farewell
25:26Very good idea
25:28No, no, no, no
25:30Because if you're sick to not go to the farewell
25:32You'll also be sick to not go to the wedding
25:34And we'll have to delay the wedding
25:36And this is never going to end
25:38But if I break my skull, I won't be able to go to my wedding
25:40Do you think that I like the farewell that Esperanza has prepared for me?
25:44I don't like sports
25:46What's the point of giving a ball with a racket?
25:50And what's the point of going to see it?
25:52Well, if you want, I'll change it for you
25:54Well
25:56At least no one is going to grab you by the belt and make you fly against a wall
25:58Well
26:00By the way, do you know anything about Don Salvador?
26:02Or are you still without the signs of life?
26:04Nothing
26:06And I don't know if that's good or bad
26:08And if I'm not going to say goodbye
26:10The thing is that I don't have the body for parties
26:12David and Goliath
26:14The other one
26:16What are you saying?
26:18I've been thinking about how you can defeat Miranda de Ebro
26:20And I remembered the story of David and Goliath
26:22Ah
26:24Do you want me to throw a stone at him with a wave?
26:26All I want is not to be the first boyfriend
26:28Who doesn't survive his farewell
26:30Well, the first fake boyfriend
26:32Who doesn't survive his fake farewell
26:34Salvita
26:36Your father still hasn't
26:38He hasn't called me to congratulate me
26:40Nor has he sent me any gift
26:42Don't you find it strange that he hasn't told us anything
26:44Knowing that Trin and I are getting married tomorrow
26:46I find that he is normal
26:48And he is
26:50Oh, come on, Salvita, you have to be honest, son
26:52His job is in danger
26:54Your father is going to fire him
26:56Couldn't you talk to him?
26:58And let him tell you something at least
27:00So we can get married in peace
27:02I'll try
27:04But I can't promise you anything
27:06He hasn't spoken to me for two weeks
27:08Well, what about you?
27:10Where are you going to hide when you are getting married in the village?
27:12We'll hide at home
27:14And pretend we're not there
27:16And after a few days
27:18The nightmare will be over
27:20It's not a very elaborate plan, but it makes sense
27:22Well, I'm going to make a message
27:24See you tonight
27:26Think about David and Goliath
27:28David and Goliath
27:30I'm sure Miranda Debra's great-grandson has a weak spot
27:32Like all the giants
27:34Well, in fact, I think
27:36David and Goliath's story
27:38I think Goliath was a bit myopic
27:40And that's why he didn't see David very well
27:42What you have to do is move fast
27:44So he doesn't see you
27:46What are you doing?
27:48Try it
27:50To one side, to the other
27:52Come on, Trini, go
27:54So he doesn't see you
27:56To the other side, that's it
27:58Back, back
28:08Good afternoon, Antonia
28:10Good afternoon
28:12How was your day?
28:14Good, good, thank you
28:16What I like most about this corral
28:18Is that the neighbors can say hello and see us
28:20Yes, yes, really
28:22I'm glad you felt comfortable
28:24Between us
28:26A lot
28:28But don't talk about the past, please
28:32Didn't Pietro tell you?
28:36We'll still be neighbors
28:38And I hope someday even friends
28:42What are you talking about?
28:44Pietro didn't tell me anything
28:48Antonia, I've been thinking about it for a long time
28:50And I have no doubt
28:52I've made the firm decision
28:54To stay and live in Madrid
28:56And not to separate from my husband
29:00After all, we're still officially married
29:02And it doesn't seem possible
29:04That this can be broken
29:06And honestly, Antonia
29:08I have no intention of doing it
29:10Quite the opposite
29:12What are you talking about?
29:14That as long as there is a possibility
29:16No matter how small
29:18We can recover what we lost
29:20I will fight for it with all my strength
29:22And you know why, Antonia?
29:24Because it's fair
29:28And you, as a woman like me, know it perfectly
29:32I forget a very important detail
29:36Pietro loves me
29:38And you forget another
29:42My husband has only used you to alleviate his pain
29:44And I'm infinitely grateful
29:46But it's a matter of time
29:48For him to realize
29:50Realize what?
29:52That I'm the love of his life
29:54The real one
29:56The original
29:58And that he'll never be able to fight
30:00Against such a strong feeling, Antonia
30:04Lucia, you don't know
30:06What Pietro and I have shared
30:08What we've built together
30:10It's true, I don't know
30:12But what I do know
30:14Is that Pietro hasn't dared to tell you
30:16That I'm staying in Madrid
30:18Doesn't it seem a bit strange to you?
30:20Good afternoon
30:42You haven't noticed?
30:44That Elias has no remedy?
30:46Yes, I noticed a long time ago
30:48No, he's breathing a much fresher air
30:50And much cleaner
30:52Since he left the room
30:56What's Elias doing talking to the watchman?
31:02He's determined to find out what happened to the vampire
31:04And we already know Elias
31:06Until he finds out, he won't stop
31:08Well, Trinidad and Esperanza
31:10I've been asking a lot of questions
31:12But I've cut them short
31:14The same thing you had to do with him
31:16Don't give me that look
31:18You should be happy
31:20I don't look like this because of Elias
31:22I'm just not sure we did the right thing
31:24The right thing with whom?
31:26With that woman
31:28No matter how bad the vampire is
31:30What we've done to her is still a trap
31:32Well, Cañete
31:34And everything she's done, have you forgotten?
31:36I thought we were in this together
31:38I also agree that we had to stop her
31:40Don't you feel bad?
31:42Not even a little bit?
31:44No, I don't feel bad
31:46What I feel is relief because this woman is not here anymore
31:48And also satisfaction
31:50Because we've acted for everyone's good
31:52Especially Mr. Fermin's
31:54Come on
31:56They should have given us a medal and everything
31:58Don't make that face
32:00Boss
32:02I have fresh news
32:04The watchman told me that he saw Don Fermin leaving La Moderna
32:06And that he was waiting for Mrs. Lázara
32:08What?
32:10Mrs. Lázara what?
32:12They had a brief conversation
32:14And they left together
32:16Mrs. Lázara was at the door of the tea room
32:18As if nothing happened
32:20Yes, the watchman also told me that she was dressed up
32:22But let's see, this woman wasn't sick
32:24Let's see if this has been discussed
32:26And they're going to get out of here much stronger
32:28Let's go
32:30Well, boss
32:32Cheer up
32:34I know you're worried about them
32:36But
32:38Long live love
32:40Long live
32:48Okay
32:50Please put your hand
32:52On the chest
32:54And the other on the abdomen
32:56The idea
32:58Is that
33:00You control
33:02Your breathing
33:04So inhale
33:06And when you exhale
33:08Pronounce the sound
33:10Intense
33:12That's it
33:14Intense
33:16A little slower
33:18Sorry
33:22Very good
33:26You should
33:28May I?
33:30Chin in
33:32And shoulders back
33:34Perfect
33:36Go ahead
33:38Perfect
33:40I'm going to have to tell
33:42Mrs. Juanes
33:44That you're a spectacular patient
33:46Well, because you're more patient
33:48Than a saint
33:50Okay
33:52Now we're going to do
33:54The exercise backwards
33:56So inhale
33:58And when you exhale
34:00Pronounce the sound
34:02Soft
34:04And little by little
34:06The sound gets more intense
34:08Intense
34:18What happened?
34:20Did a butterfly come in?
34:24Through the window
34:26No, no, please
34:28No, no, it's very good
34:30I think it's a very interesting contribution
34:32It reminded me
34:34Of the butterfly
34:36That in spring
34:38It's going to pollinate a flower
34:44You're making it up, Agustin
34:46No, no, I'm an insectologist
34:48Oh, insectologist
34:50Ornithologist
34:52Ornithologist
34:54Agustin, you're bothering me too much
34:56No
34:58A bother is when
35:00You do something you don't want to do
35:02But I want to come here
35:04To torture her while I pretend to be a language specialist
35:08Laurita is very lucky
35:10Because if you take care of me
35:12I can't imagine what she'll do
35:16Sorry, sorry
35:18That sounded out of place
35:20What I'll do with her
35:22No, no, but this
35:24We have to clarify this
35:26This is not a personal matter
35:28And then?
35:30Professional
35:32I'm defending my investment
35:34Of the future function of the court of pharaoh
35:36I would do this for any member of the cast
35:38Or for a horse
35:40If it comes on stage
35:42Or for a stork
35:44If it comes on stage
35:46I'm sure
35:48Oh, really
35:50Hi, I brought you a snack
35:52I don't know if you won it
35:54Why are you laughing?
35:56Well, Agustin compared me
35:58To a horse and a stork
36:00Or a stork, I don't know
36:02Can I
36:06Explain it?
36:08Are you working or doing a book?
36:10Well, I think both
36:12With a little laugh
36:14Everything goes better
36:16How are you?
36:18Well, in a hurry
36:20Because today I have a single farewell
36:22From a co-worker
36:24We're going to see some skaters
36:26A skate?
36:28I'll explain it to you later
36:30Aren't you going to give me a kiss?
36:44I'm glad you wanted to see me
36:46You're keeping our secret, aren't you?
36:48Yes
36:50You know no one can find out
36:52I was dying to see you
36:54I can't stop thinking
36:56About what you told me
36:58About what you could do
37:00To talk to our mothers
37:02That's why we're here
37:04Because I want to show you
37:06But first I have to know
37:08If you're ready
37:10If you're old enough
37:12I am
37:14I trust you
37:16Look
37:20Do you see these posters?
37:22The yes
37:24The no
37:26And the Virgin's stamp
37:28Yes, what do we have to do?
37:30It's very simple
37:32When you want to ask your mother something
37:34Close your eyes
37:36And the Virgin will answer you
37:38She's very old
37:40Because she's been helping girls like you
37:42For many years
37:44Who want to talk to their mothers
37:50Can I ask her anything?
37:52Yes
37:54But they have to be simple questions
37:56That can be answered
37:58With a yes or a no
38:00Like, for example
38:02Mother, is it true that I'm talking to you?
38:04No
38:06It's just that I'm talking to you
38:08Do you understand?
38:10And
38:12If you show yourself afraid
38:14The Virgin will notice
38:16And won't want to transmit that fear to your mother
38:18So you have to be very prepared
38:20I'm not afraid
38:24Very good
38:26Close your eyes
38:28And ask the Virgin
38:30Concentrate
38:36Mother
38:38The first thing I want to know
38:40Is
38:42If it's okay up there
38:46Can't I change the question?
38:48I think so
38:56Mother
39:00I'd like to know
39:02If I've found a father
39:08You can open your eyes
39:20Your mother answered very quickly
39:26But really, I'm talking to my mother
39:28That's how the Virgin wanted it
39:32Can I ask her more questions?
39:34Clarita
39:38All the ones you want
39:40Mother
39:42The first thing I want to know
39:44Is
39:46If I've found a father
39:50You can open your eyes
39:52And I'll tell you
39:54That it's not a problem
39:56I've found a father
39:58I've found a father
40:00I've found a father
40:02I've found a father
40:04I've found a father
40:06I've found a father
40:08Hey, do you think it's a good idea to have the two of them together?
40:12We were going to spend the weekend alone.
40:14And now we have to put up with Esperanza.
40:16Watch out for Esperanza.
40:17Don't complain, she'll come looking for you.
40:20Don't tell me about Mrs. Lázara.
40:22I tried to find out the truth.
40:24And it was for everyone's good.
40:26You liked to see Don Fermín like a snitch.
40:28But now we know that they have reconciled.
40:31No, we don't know.
40:33Hey, hey, hey!
40:35He's looking for the two of you.
40:38I don't know how to thank you for the wonderful bachelor party you prepared for me.
40:42It's the least you can do for a great friend with whom you have lived so many adventures.
40:47Well, one more than the other.
40:49Don't forget, in life, when they say your name through the megaphone,
40:53you have to compete with the grain or the color.
40:55Let's celebrate!
40:57There's nothing missing, we have to celebrate this.
41:00For Miranda de Bro!
41:02For Miranda de Bro!
41:04Hey, hey, hey!
41:06And who wants to make another toast?
41:08For Miguel!
41:09I was impressed, I was impressed.
41:11Your gesture of terror, your strategy.
41:13It was...
41:14For Miguel!
41:15For Miguel!
41:21Thank you, Miguel.
41:22That look of terror you put on, it looked real and all.
41:26A good strategy.
41:27Although later it didn't work at all.
41:29And it looked like you were going to pass out.
41:31The big man comes up to you and says,
41:33congratulations for the bachelor party.
41:35You knew the joke too?
41:37Of course, Salvita, Cayet and I knew it.
41:40The chosen ones!
41:41The chosen ones!
41:50Oh my God, poor Elias.
41:52Let's see if they're going to make him worse than he is.
41:54Hey, are you sure you didn't get scared with the big man?
41:57Me?
41:58Well, only at the beginning a little bit.
42:00I got a little dizzy and I thought I was going to die.
42:03What are you gossiping about?
42:04I can't hear you with the music.
42:06Nothing, I was telling him that we had a great time at the front door
42:09and that everything was organized phenomenally.
42:11Yes, now what you have to do is recommend me as a farewell expert.
42:16Of course, Esperanza, but tell us, tell us how it was with the racketeers.
42:19Well, well, we had a misfortune because the gentleman didn't want to.
42:23Well, he passed me a ball.
42:25Yes, to a bump on the head.
42:27You almost never see me.
42:30Well, you don't know how strong those women are, huh?
42:32They would be good companions in La Moderna,
42:35because at least that way we would save ourselves some money.
42:38You know?
42:39I don't understand you.
42:40Of course, serving the ensaimadas to the racketeers.
42:45Come on, come on, I'll introduce you to him.
42:47Is he single?
42:49I think so, come on.
42:50Then I'm going.
42:52Come on, come on, come on.
42:55Marta, will you tell me a dance?
42:57Ah, but only if it's with friends.
42:59What's the difference?
43:01Well, if you don't like it, I'll shake you.
43:03I didn't remember we were together.
43:22My friend.
43:23My friend.
43:25By the strength of your hug, I would say that you missed me, right?
43:29You don't know how much.
43:30Come in, man, come in.
43:36I see you look very good.
43:39Sevilla is treating you very well.
43:41Tell me, how's everything over there?
43:44Inigo, I think it's time to say goodbye, don't you think?
43:47I think so.
43:48I think it's time to say goodbye, don't you think?
43:50I think it's great, but tell me, how's it going over there?
43:53Well, the truth is that I can't complain.
43:55The business is going very well.
43:57The weather is great, the people are great, the food is great.
44:02But it is true that my two friends, my only family, are here.
44:07Nothing is perfect.
44:10And where is Matilde?
44:12Well, Matilde is on a bachelor party with her friends from La Moderna, but they will be back soon.
44:17And Clarita, how is she? Is she around here?
44:18Yes, she's in the bedroom sleeping.
44:21Jacobo, I thank you very much for coming so quickly.
44:25Well, due to the urgency with which you called me, I couldn't do anything other than take the first train.
44:30The truth is that I have not stopped thinking during the trip that it could be such a serious matter.
44:35Sit down, please.
44:40What happened?
44:43You see, it's about Carla.
44:47Matilde and I are convinced that the calcined corpse she found wasn't her.
44:57No, but that can't be true.
45:01It's impossible.
45:04Jacobo, Carla is alive.
45:08And we want to know where she is hiding.
45:11In her house.
45:18I thought you would be at Soltar Aditrini's farewell.
45:22Yeah, and I thought you would be at Miguel's.
45:25No, I was in the mood to attend a Lioness fight.
45:29I think it was something like that.
45:31Yeah, and I was in the mood to go to a racket match.
45:35Anyway, I thank you for coming.
45:38I wanted to take advantage of Marta's absence so that we could talk quietly.
45:43Well, if Lucia doesn't interrupt us, of course.
45:47She won't.
45:49I don't know what to believe.
45:51And to whom?
45:53What do you mean?
45:56Antonia, did you tell me to come so we could discuss it again?
46:00Not only do I have to see how things get complicated with Lucia, now with you too.
46:05Oh, sorry, I didn't know you were the only victim in this situation.
46:08What did you want to talk to me about?
46:12That I know we've both been at La Moderna all day.
46:16And we've only exchanged a couple of words, right?
46:18Yes, to ask me for a couple of trays.
46:21So I don't understand why I had to find out about her and not about you.
46:26Yes, because when I got there, I was hoping that you would tell me.
46:31I was hoping that you would tell me.
46:34Yes, because when I got there, I was hoping that you would tell me the great news.
46:39What great news?
46:41Her firm decision to stay in Spain.
46:44I was hoping that you would tell me, but...
46:48But no, I had to find out about her.
46:50Why, Pietro?
46:52I'm sorry, Antonia, but it's not the first time she's told me that she wants to stay here.
46:56And we've already talked about it.
46:57No, but this time it's different.
46:59Because now she has no doubt, quite the opposite.
47:02I thought I could fix it.
47:05And what did she tell you exactly?
47:08That it's only a matter of time before you both get back what you had.
47:12And that she's in no hurry because she's convinced that you feel the same way about her.
47:16And it's not true, Antonia. It's not true.
47:18And you know it.
47:19No, I don't know, Pietro.
47:21I don't know because I don't know what to believe anymore.
47:23Because you say one thing and then you do another.
47:25You live with that woman, you hear all her sorrows, you justify her all the time.
47:29Pietro, what's next?
47:33You're being very unfair to me.
47:34I'm being unfair to you?
47:36Yes, because you know that the consulate could report me.
47:39No, sorry. The consulate doesn't force you to live with her.
47:41That's your decision. So make it.
47:45Make it!
47:48Maybe it's the best decision.
47:49It's true because she's your wife, right?
47:52She's your wife and I'm nothing.
47:54That's why...
47:55Antonia, please.
47:57Get out of my house.
48:01Get out, please.
48:05Get out, Pietro, please.
48:06Yes, yes, yes. I'm going. I'm going.
48:08I'm going.
48:25Hi, honey.
48:29Jacobo.
48:31How are you?
48:33Good.
48:35Hi.
48:36How was the bachelorette party?
48:38Good. It was interesting.
48:40I'm glad you had a good time.
48:42I'm sorry I'm not so effusive, but I'm still digesting the news Inigo gave me.
48:49I was commenting on the arguments with Jacobo, so we think Carla is still alive.
48:53As incredible as it seems, we are convinced.
48:57The only problem is that we need to prove it before justice.
49:00That's right. And that would make sense of what happened to Matilde.
49:03Well, if Carla is hiding in her palace, she will be hidden enough to make it impossible to access her.
49:12That's what we believe.
49:13It has to be an unknown and inaccessible room for the service.
49:17And only Mrs. Barbara is aware of it.
49:20And since her false death, she's been there.
49:22Except when she went out to cause my hallucinations.
49:28And what's the plan?
49:30Because I guess you already have one.
49:34Let's sit down.
49:43That's why we called you.
49:45Because only you can help us.
49:47The idea is that you watch the palace discreetly.
49:50While we show ourselves close to Mrs. Barbara.
49:53Something that, to her surprise, she has already begun to do.
49:56Yes, we will make her believe that we have crossed the line.
49:59So that she relaxes and, with a little luck, lowers the guard.
50:06I think it's good.
50:08I'm looking forward to going back to action.
50:11The countdown has begun.
50:22I'm very proud of you.
50:25Do you think Madre will be there too?
50:27Of course. She will always be with us.
50:30I know. And now that I can talk to her, I'm much happier.
50:35Wait, what's that about you can talk to her?
50:37Because of Lucia, I'm going to lose Antonio.
50:40I don't think that woman will let him go, even if he comes to get the shower from Italy.
50:44I think something's going on here and it's not good.
50:47Well, woman, don't get into the worst.
50:49Mrs. Lázara has made trouble again.
50:51Look, it's true that there was an accident.
50:53It's true that the employee who suffered it was under my orders.
50:57And it's also true that we were all overwhelmed by the excess of work we had.
51:02I don't know. I don't know if I should believe Mrs. Lázara.
51:05I should have told you all this much earlier.
51:07I was talking to Jacobo.
51:08He has given me great news.
51:10What is it about?
51:11Well, he has been able to rent a room in a house that is in front of Carla's parasite.
51:17So he can control who comes in and who goes out.
51:20Totally.
51:21He can't go up.
51:22Fabio told me he was going to stop by the house.
51:24It's not a good idea for him to see you.
51:25Besides, at this point, he'll think you're on your way to America and not here playing a loner.
51:30I wanted to check what I suspected.
51:32How long did you think you were going to make fun of me?
51:34At this point, all I want is for the whole truth to be known.
51:38That woman shows up in our lives, annoys us at the wedding,
51:40gets into Pietro's house and now she says they don't even throw hot water at her.
51:43Do you believe it?
51:44If Pietro doesn't decide, I'll knock on the door and I'll go on with my life.
51:49I've already told you.
51:50It's just that, well, it's a very acute situation.
52:07Did you think we wouldn't notice?
52:09One thing is to be discreet and another is to want to deceive us.
52:13Well, Clarita, what do you want to ask your mother today?
52:16Mother, are you okay up there?
52:20Yes.
52:25Can you ask her what you have to do to go with her?