• 3 months ago

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00:00♪♪
00:04I give you my word.
00:06Everything will change.
00:08And we won't have to hide anymore.
00:12You don't know how much I long for that moment.
00:15Me too, my love.
00:17♪♪
00:26Ahem.
00:27♪♪
00:30Toño Pía?
00:31♪♪
00:32Is Tosto awake?
00:34♪♪
00:35Uh...
00:37I haven't really gone to sleep
00:40because I was just...
00:43uh, transposed.
00:44Ah.
00:45♪♪
00:48You know, I don't think I've brought enough firewood.
00:51I'm going to get a little more.
00:52Good idea.
00:53♪♪
01:01Why are you smiling at me like that?
01:04Is something wrong?
01:05Uh, no, no, nothing's wrong with me.
01:08And you, Hanna, is something wrong?
01:10♪♪
01:15Hanna, I've seen you.
01:17I've seen how Manuel gets close to you.
01:20I don't know what you're talking about, Toño Pía.
01:22♪♪
01:27It's okay, look, I...
01:28First of all, I want you to stay in bed
01:30because I'm not going to judge you.
01:32♪♪
01:36I'm one of those who think that when love is sincere,
01:41nothing can go wrong.
01:43Well, I wish more people thought like you.
01:46♪♪
01:48But anyway, Hanna,
01:51you know what you're doing.
01:54No.
01:57I know what I'm doing is not sensible
02:00and that everyone is going to oppose it.
02:02Well, not everyone, no.
02:03I've already told you that I, for example,
02:05don't oppose it.
02:08Then you accept it.
02:10It's just that I have nothing to accept, Hanna.
02:14Besides, for what I am, I'm a good person.
02:18You are.
02:19And from what I've heard,
02:21it seems that he really loves you.
02:23With all his soul.
02:26That's why I think we are prepared
02:28to overcome anything that comes our way.
02:31How beautiful it must be to feel something like that.
02:34It is.
02:36And now you are also in secret.
02:40I've really been suspecting him for a while now.
02:44Really?
02:45Yes.
02:46Because of how you referred to him
02:48and how he treated you, of course.
02:51And now I've just seen it with my own eyes.
02:56The truth is that I'm very scared.
02:58Normal.
02:59I would be too, Hanna.
03:02But we both know that it won't be easy
03:04for our love to succeed.
03:05Well, no.
03:06Because you have broken all the social rules.
03:10The damn social rules.
03:14But we are not going to give up.
03:17We are going to fight with all the strength in the world
03:20for this to go ahead.
03:22And I will be on your side.
03:25Really?
03:26Yes.
03:27Your secret is safe with me.
03:30You don't know how much I appreciate it.
03:34Just one thing, Hanna.
03:37Who else knows?
03:39Besides you.
03:43Well...
03:44María Fernández.
03:46Of course.
03:47María.
03:48María, your soul mate.
03:51And you've also known him for a while now, Mr. Baeza.
03:56And how has he taken it?
03:59Let's say he's not as optimistic as you.
04:03Well, you know he has a very different way of seeing things
04:06and not a great sense of responsibility.
04:09I'm aware.
04:12However, I am a simple maid who doesn't even have a job
04:15and has all the time in the world.
04:19I want you to tell me the story.
04:21Tell me from the beginning, please.
04:23Okay, but I can assure you that it's a very long story.
04:27I have all the time in the world.
04:30Well, then I'll start from the beginning.
04:34Do you remember the wedding of Mr. Tomás?
04:42I remember.
04:58May I come in?
05:00Of course.
05:01Good morning.
05:02Good morning.
05:03How did you sleep? Did you miss your bed?
05:05Absolutely.
05:06The room you arranged for me is very cozy.
05:09I came here because I was in a hurry to go down for breakfast alone,
05:12without barely knowing anyone in this house.
05:14Don't worry, I understand it perfectly.
05:16We can go down together for breakfast if you want.
05:18I was just getting ready. Do you want some perfume?
05:21Please no. I've used enough already.
05:23But this is not abuse.
05:25Let's see what fresher scent.
05:27It's from François Couty.
05:29Do you know him?
05:30I guess he'll think I'm ignorant.
05:32No.
05:33But no.
05:34No, no, this perfume is still not used here.
05:37You're right, he's very ... distinguished.
05:41Yes, that would be the word.
05:43Distinguished.
05:47I wanted to thank you for your immense hospitality.
05:49This rest has been very repairable.
05:51Well, you'll see when I walk through the gardens how well it will suit him.
05:55The truth is that it will be good for me to recharge my energies with everything that comes my way.
06:00What do you mean?
06:02Well, if it's not much to ask.
06:05Tomorrow I have to leave with my parents to San Sebastián to visit my sister and her husband.
06:09Well, it sounds very fun, doesn't it?
06:11How long are you going to be with them?
06:14Just a few days.
06:15My sister just got married and ...
06:18Well, my brother-in-law and I ...
06:20Let's say we are not the people who get along the best.
06:23Her?
06:25Because of differences of character?
06:27I don't know if that's it or that he is a petulant and arrogant.
06:32They love that he talks to women as if we were inferior beings.
06:36Come on, a troglodyte just out of the cave, right?
06:40Well then ...
06:42I am very happy that they have differences of character,
06:45because it is not convenient for us at all that there are many people thinking like that about the world.
06:49I would like to be able to avoid that trip, but ...
06:52I don't think my parents realize that I am left alone at home.
06:55Yeah ...
06:58And why don't you stay with us in La Promesa until your parents return?
07:02Here? No, no, no, no.
07:04No, that would be abusing your hospitality.
07:07No, not for me.
07:08I would take advantage of it.
07:09Really? We love having her with us.
07:11It's just that, even if I wanted to, I don't have more clothes than the one I'm wearing.
07:15But it happens that I have a lot of clothes that I don't wear and that you can use.
07:20It sounds very tempting.
07:22And I have also left you without excuses.
07:25Look, you can really use the phone, which you already know where it is.
07:29And that way you can tell your family not to worry and tell them that you are going to stay here for a few days.
07:34Are you sure? That I won't be a nuisance?
07:36Really, I would be very excited if you stayed.
07:42And your boyfriend Curro will not mind.
07:47I think there has been a ... a confusion here.
07:52Well, it's just that Curro and I are cousins.
07:56Well, political cousins.
07:58Sorry.
07:59No, no, no. I understand the confusion because I appreciate him very much, but ...
08:02In my defense, I have to say that he has given me an unbeatable impression.
08:06He is a wonderful person.
08:10And I am very happy that he is here, safe and sound,
08:13because these last months that he has been at war, he has had a terrible time.
08:17Do you mean the war in Europe?
08:22Yes.
08:24Yes, he joined as a volunteer with ... with another cousin that we have in common, Manuel.
08:29That you have not had the pleasure.
08:32That's terrible.
08:35Yes, we were on edge for months,
08:38having the feeling that bad news was going to come from the front, but ...
08:43Luckily it wasn't like that and they came back and they are safe and sound here.
08:49You don't know how happy I am.
08:52And I'm sorry I made you remember this unpleasant episode.
08:55No, don't worry. Everything is fine now.
08:59And have they told you many things about that war?
09:07Well, no, but ...
09:10Can we talk about that another time and go down for breakfast now, before it's late?
09:15Sure.
09:34Sister, you are the most important thing I have in my life.
09:38And you have taken care of me more than anyone else in this world.
09:41And yesterday I did not behave as I should.
10:00I love you as I have never loved anyone and I will never be able to love anyone in my life, darling.
10:06Feliciano, can you hear me?
10:10Feliciano.
10:13Feliciano.
10:17Son.
10:19Son, for God's sake!
10:21Feliciano, talk to me!
10:23No, Feliciano, for God's sake!
10:25No, not now!
10:27No, my son, no!
10:29Son!
10:32No!
10:36Come in.
10:50I'm sorry to bother you, Mrs. Arcos, but you've been locked up here since yesterday afternoon.
10:56That's just my business, Santos.
10:59And I'm not saying no.
11:01I just wanted to know if you were going to have breakfast with us on any of the shifts.
11:06To wait for her, right?
11:08Don't worry about that and have breakfast when you like.
11:12I really don't mind waiting for her.
11:15I have a lot of work and I don't have time to have breakfast.
11:20Why do you think I haven't left the office?
11:23If you really want to know my opinion,
11:27I think it's because you don't want to cross paths with Teresa.
11:30Well, what nonsense, Alsa.
11:34You don't have to play hardball with me, Mrs. Arcos.
11:38That girl was your son's fiancée.
11:42And she showed up here with her current husband.
11:46It's normal that it hurts her.
11:47Yes.
11:51The truth, Santos, is that I don't want to cross paths with her at all.
11:56Well, they both work here, so there's no other way.
12:00Because Mr. Baeza and your father, Mr. Pellicer, insisted on hiring her.
12:05Well, if she's as efficient as they say, it's no wonder they did it.
12:09Yes, it's true that they did it.
12:11Well, if she's as efficient as they say, it's no wonder they did it.
12:15Yes, it's true that she's efficient.
12:18And a hypocrite and a pharisee too.
12:21She swore eternal love to him on the fact of my son's death.
12:24And two weeks after she left, she was already dating someone else.
12:28Do you think she was pretending to be here?
12:30All I know is that she hasn't even been a year since my son's death.
12:34And that woman has redone her life as if it were such a thing.
12:37Because she has no sense of respect.
12:41But it was foreseeable that sooner or later she would do it.
12:45Don't you think?
12:47You are the one who should assume the reins.
12:50Every time I see her, the last days of my son's life come to my mind.
12:57You never explain it well to me.
12:59Because there is nothing to explain.
13:01A Matasano subjected my son to an operation without the slightest delay.
13:06And not a Matarife had done such a thing.
13:11So the operation didn't survive?
13:14Yes, it did survive.
13:17Only to live for a few days a terrible anguish.
13:22And a very painful death in a terrible agony.
13:26I'm so sorry, Mrs. Arcos.
13:31Teresa also felt it.
13:34Or at least that's what she said.
13:36Although I've seen it, I don't believe anything anymore.
13:42But it did seem fluid.
13:45And are you sure it was?
13:47Yes.
13:49Sure.
13:52I asked him to accompany me to the village to bury my son.
13:56Because I do believe in his pain.
13:59Don't be so hard, Mrs. Arcos.
14:02She probably really felt that pain.
14:05Well, it hasn't lasted long.
14:08I admit that I don't know what is the right time to bury someone.
14:13I will always remember Feliciano.
14:17Always.
14:20Anyway.
14:22Since, as the saying goes, work doesn't allow him to accompany us,
14:27he wants me to bring him breakfast here.
14:37It's okay.
14:55Come on, I'm sure you're exaggerating.
14:58Absolutely.
15:00If we've come to have breakfast now, it's to avoid meeting the old guard.
15:03But I didn't think it was so serious.
15:05The truth is yes.
15:07Manuel, you are the only people in the palace with whom Pelay and I can feel minimally relaxed.
15:13That's absolutely true.
15:15Well, I feel like I'm being treated like that.
15:17It's a lack of respect for you.
15:19Of course it is.
15:21Well, I feel it more for you, Catalina, and for the disgust you are taking.
15:24Of course we knew it was going to be difficult, but I didn't think it was going to generate this schism when I decided to accompany you.
15:29It's not your fault.
15:31I mean, no one seems to tolerate my presence here.
15:34I don't know, I'm starting to think it wasn't a good idea to come.
15:35I think so.
15:37This is my house, I have the right to bring guests.
15:39Well said.
15:41Also, if you left, you would give them the reason.
15:43Them and those who echoed the false rumors spread by Cruz.
15:46Be strong.
15:48You have to fight for your relationship.
15:50In fact, I'm sure your love can overcome any obstacle.
15:54Thank you for your words, cousin.
15:56And remember, you are not alone in this.
15:59You have my support.
16:01And I'm sure Martina's too.
16:03Good morning.
16:05Good morning.
16:07This is Julia Valdés, whom we met at the Cerezuelos banquet.
16:10Delighted, Julia.
16:12I am Catalina de Luján, Martina's cousin.
16:14Pelayo Gómez de la Serna, Count of Añil.
16:16A pleasure.
16:18Did they really make him that ugly, the Count of Añil?
16:21The Marquise and the Marquis.
16:23So much goes up, so much goes up.
16:25But they all treated Don Pelayo like a rag.
16:27Poor man.
16:29I understand.
16:31Because we are all happy about Catalina's return.
16:33But about the other man, the truth is that not so much.
16:35It's not surprising, after the cartoons that came out in the press.
16:38Well, as far as we know, they are all exaggerations and lies.
16:41That.
16:43The Marquises don't care about anything.
16:45Yes, but it's true that all those things have very bad shadows.
16:48I remember once, at the house of La Paca, on the wall.
16:52They wrote a few words that went there.
16:55What did they say?
16:57Something very ugly, López.
16:59Just to remember, look, they put a sofa up there.
17:01You better not say anything, there are ladies in front of you.
17:03Where?
17:05In front of you, María.
17:07The fact is that the poor woman of La Paca,
17:09when she was walking through the village of Cabizbaja,
17:11in the end she had to lock herself up in her house to avoid embarrassment.
17:14In the same house where they painted?
17:16Yes, after a while she found out that it had been a cousin of hers,
17:19a real fresh one,
17:21because it turned out that she had been having an affair with her husband.
17:24Jesus, and what did they paint?
17:26Well, that has become the case, the least of it.
17:28Well, taking away the cousin thing,
17:30three quarters has happened to our Catalina.
17:32And she ended up locking herself up in the hangar.
17:33And that has not helped to disprove the rumors,
17:36you still have to say it.
17:38No, of course not.
17:40Rumors are created by the envious,
17:42they are watered down by the gossip,
17:44and they are created by the idiots.
17:46And the Marquise, which of the three?
17:48María Fernández, no shame.
17:51Excuse me, Mr. Pellicer,
17:53it was just an innocent question.
17:56I do you the favor of not asking any more.
17:59In addition,
18:01there is something important that I have to announce.
18:07It is regarding Mr. Romea.
18:20Well, Julia,
18:22did you sleep better tonight?
18:24Yes, I hadn't slept so well in a long time.
18:27I'm glad.
18:28Then I assume you feel better.
18:30Were you unwilling?
18:32I had a little dizziness.
18:34Without a doubt because of the trip.
18:36Julia was extraordinarily kind
18:38when she brought the earring that I found
18:40in the Duchess's house.
18:42It was not for nothing.
18:44Yes, it must have been,
18:46if, as you say, the fatigue of the trip caused you dizziness.
18:48Of which I am totally recovered
18:50thanks to Martina's generosity.
18:56Julia,
18:58since you arrived,
19:00you have not stopped observing the paintings
19:02that decorate the dining room.
19:04Yes, I didn't want to bother you.
19:06No, no, not at all.
19:08Are you a painting enthusiast?
19:10The truth is that I am passionate
19:12and well, I try to contribute my grain of sand.
19:14Ah, but do you paint?
19:16I wouldn't say so much.
19:18I have tried to make drawings with charcoal or oil,
19:20but I am far from being considered a painter.
19:23You are modest.
19:25No, no, no, it's not that.
19:26What really fascinates me
19:28is discovering the secrets of paintings.
19:30The materials used,
19:32the different layers that go unnoticed.
19:35Well, that's very interesting.
19:38And she is also interested in literature,
19:40as she told me before, right?
19:42Oh, really?
19:44Well, if you want, after breakfast,
19:46we can take her to visit our library.
19:48She will be delighted.
19:50It is not the one in Alexandria,
19:52but it has interesting things.
19:54Well, yes, because over the years,
19:56I have read a lot of literary books.
19:58In fact, there is a forbidden book and everything.
20:00Oh, really?
20:02Yes, but they are not as interesting
20:04as Martín has made me understand.
20:06Well, what a shame.
20:08Of course, everything has been the other way around
20:10since I got the promise.
20:12And is she going to stay here for a while?
20:14Well, Martín has just invited me
20:16to spend a few days here,
20:18so if my parents don't mind,
20:20everything seems to indicate that for a while.
20:22Great.
20:24Well, let's hope that the novelty of her presence
20:26will be enough for our visits.
20:28I don't understand.
20:30Aren't you welcome here?
20:33Well, it's a long story.
20:37So, do you really prefer me to tell it?
20:41I think it's more convenient.
20:43Okay, you're right.
20:45After all, this affects the development
20:47of the service of this palace.
20:52Now we are intrigued, Mr. Bellicer.
20:54Omar Elmar, did you lose her?
20:56Did you find her at once?
20:58Mr. Romea,
21:00Mr. Baeza and I have been informed
21:03of your intention to abandon the promise.
21:05Salvador,
21:07are you really leaving?
21:09I'm afraid so, Mrs. Simona.
21:11But why?
21:13Are you that bad here?
21:15No, no, it's not that.
21:17Salvador, please.
21:19Well, calm down, calm down, calm down.
21:21You are all following Mr. Romea, right?
21:22You are all following Mr. Romea, right?
21:25His departure is for a good reason,
21:28for a good reason.
21:30What?
21:35He has been offered the position of first lackey
21:37in the palace of the Count of Matesan.
21:41And he will pay you more.
21:43Right, Salvador?
21:45That's it, that's it.
21:47Besides, the best of all
21:49is that he has all the possibilities
21:50to leave that palace.
21:52That's good news, Salvador.
21:54Good news, nothing.
21:56He's going to leave a big gap here.
21:58And there's no good job
22:00that can fill it.
22:02But don't make it more difficult for me, Mrs. Simona.
22:05What do you think, Maria?
22:07Don't leave like that.
22:09Maria, what's going to happen with the wedding?
22:11What's going to happen, Simona?
22:13Because it will be celebrated when it can, period.
22:16Of course, you would have more rooms.
22:18Wouldn't it be easier to get married?
22:20Of course, it's okay to be a little late.
22:22You're not going to be late at all
22:24because there was no wedding date either.
22:26And you will agree on that.
22:28We'll get married.
22:30Of course we'll get married.
22:32But a little later, okay?
22:37Of course we will.
22:39When we can.
22:41With everything we love each other,
22:43there's nothing that can prevent it.
22:50I love you.
23:04Manuel, you were here?
23:06Hermana.
23:08I missed you.
23:10Is this your breakfast?
23:12Or just coffee?
23:14I don't need any more.
23:16I'm stuck in the designs of my new plane.
23:18At least tell me you've slept.
23:20It's not necessary.
23:22Although I'm not telling you anything new.
23:24Until recently, you stayed with the accounts of the farm.
23:27Well, yes, I confess.
23:29I'm like you.
23:33And when will you let me see those sketches?
23:36When I'm more satisfied with the results.
23:39And you're not for something in particular?
23:42I've come across some difficult problem to solve,
23:45but well, as they say,
23:47there's no excitement without a challenge.
23:49And I suspect that a little less of a challenge
23:51wouldn't hurt you.
23:54How are things with Pelayo?
23:56Well, there we go,
23:58capping the storm.
24:01Relationships are not usually easy.
24:03And especially when you have everyone against you.
24:06Or even having everything in favor.
24:08Look, father.
24:10Is something happening that I don't know about?
24:14Maybe yes.
24:15Maybe yes.
24:17Your marriage is not going through its best moment.
24:20For something in particular?
24:23I don't know.
24:25Father is...
24:27distressed.
24:29And my mother is especially distant with him.
24:32Well, I'm sorry.
24:33Sincerely.
24:36I've tried to find out what's going on
24:38to see if we could...
24:40fix something, but it's complicated.
24:42Something complicated.
24:44So complicated?
24:46Yes.
24:51And you know what?
24:53Maybe you can help me.
24:55I don't know, maybe we could do something.
25:01Really, Maria?
25:03Yes, I'm fine.
25:05I even feel relieved.
25:07You feel relieved because Salvador broke his promise?
25:09No, I'm relieved because I don't have to organize a wedding in a hurry.
25:12Alone and without help.
25:14That's what I had in a single life.
25:16You weren't alone either.
25:18Yes, Hanna, alone, yes.
25:20I was taking care of everything.
25:22And Salvador didn't give up.
25:24Even Candela had to go talk to the priest.
25:26But why didn't you want to go, Maria?
25:28Well, it doesn't matter anymore.
25:30Because it doesn't matter.
25:32Some leave and others come.
25:34Are you referring to Teresa?
25:36Who am I referring to?
25:37You have to ask the secret.
25:39And if it's due to greater force causes?
25:42Well, I honestly don't think it's on tape.
25:45No, of course not.
25:47Well, in any case,
25:49I'm glad you redid your life because
25:51when Feliciano died, I thought I wasn't going to raise my head.
25:54Well, yes.
25:56I'm glad you did it and I'm glad I did.
25:58We're all glad about that.
26:00After all, you're only keeping the promise
26:02you made to Feliciano on his deathbed.
26:04What promise?
26:05That he was going to redid his life.
26:07It's obvious.
26:09He's keeping his promise.
26:11Even though Felic-Felic doesn't see it.
26:13Because Felic-Felic...
26:15No, no. You're right, Hanna.
26:17I didn't notice much of a connection with your husband when I saw you together.
26:19Well, let's see.
26:21Maybe he's trying to be a little more discreet.
26:23Teresa has never been one of those scaredy-cats.
26:25And what about the other one?
26:27Well, for the same reason.
26:29She probably doesn't want to upset Mrs. Petra.
26:31As if that were possible.
26:33Anyway.
26:38Let's see.
26:40Mr. Baeza, I ask you not to bring me bad news.
26:42Don't worry, sir.
26:44What I'm here to tell you is nothing serious.
26:46Good.
26:48Well, then, tell me.
26:50It's about one of the lackeys, Mr. Romea.
26:52Salvador, yes.
26:54What's wrong with him?
26:56Well, they offered me the position of first lackey
26:58in the house of the Count of Matesanz
27:00and, as is logical, he has decided to accept.
27:02My God.
27:04And that wasn't bad news.
27:06Well, it would be if we didn't have any relief.
27:08But, thank God, it's not the case.
27:10And who is it?
27:12Keep in mind that Salvador was very efficient.
27:14Yes, that's why they hired him, sir.
27:16Yes.
27:18No, the substitute brings some excellent references.
27:20I would say the best.
27:22Are you going to tell me who it is?
27:24Well, it's Mrs. Villamil's husband,
27:26who, as you will remember, has reincorporated the promise.
27:30His name is Marcelo Rodríguez.
27:32I suppose he worked with Teresa.
27:34Not exactly.
27:36He was the waiter, the waiter who took the food.
27:39But, come on, following Mrs. Villamil's recommendation,
27:42I think we can trust each other.
27:44If it's in your confidence, you know there's no problem with me.
27:47Yes.
27:49But I understand that it is more in Teresa's confidence.
27:51Yes, that's right, sir.
27:53I didn't want to give up without consulting you first.
27:55I told Mrs. Villamil at the time
27:57that there was no vacant place in the palace.
27:59But now the situation has changed.
28:00That's right, sir.
28:02I also wanted to tell you,
28:04in case you wanted to consult with Mrs. Marquesa.
28:06No, no, I don't want to bother you with such a trivial matter.
28:09As we did to contact Mrs. Villamil.
28:12Yes, but that was different.
28:14Teresa is a maid who had already worked here.
28:17But we don't have to consult the entrance, then the street.
28:20I understand, sir.
28:22Hire that man.
28:24We will trust Teresa's criteria.
28:26She is a very serious person and I assume
28:28that she has found a husband of her own.
28:30Yes.
28:32Sir, I don't want to meddle,
28:35but lately I have noticed something in you.
28:40Thank you for asking, but I'm fine.
28:43You know you can have me for whatever you want.
28:45I am a trustworthy man.
28:48I know, I know, and I appreciate it, but ...
28:52You see, it's just that ...
28:54my relationship with my wife has not been going through
28:57at the best time lately.
28:58Well, I'm sorry to hear that, sir.
29:01I have been involved in a misunderstanding
29:03of which I prefer not to speak.
29:05I miss the details, but hey,
29:07it's not the first time you've faced something like this
29:09and it's always been dangerous.
29:11I think this time is different.
29:13No, sir, I think the essential has not changed.
29:16And what is the essential?
29:18Well, you are in love with your wife
29:22and I know you will do everything possible to get her back.
29:25Yes.
29:27And I hope you get it.
29:29You will get it, sir.
29:41Yes, I agree with you.
29:43Julia is a charming girl.
29:45And really, her appearance was providential to me.
29:48Was that earring so important to you?
29:51Well, my mother lent it to me.
29:53She had given it to my father because it was from my grandmother,
29:54so she has a great sentimental value.
29:57I understand your care.
29:59So it's a good thing you came all the way here.
30:02Well, yes.
30:04You really don't know how much my heart ached
30:06when I saw the earring again.
30:08And that's why you invited her to stay?
30:10Yes.
30:12That and also to do her a favor,
30:14because the poor woman had a commitment that was choking her.
30:16What commitment?
30:18Well, she had to go on a trip with her parents
30:21to visit her brother-in-law,
30:22but apparently his brother-in-law is an unbearable being.
30:25So you have offered her the perfect excuse.
30:28Something like that.
30:32It will be good for all of us to have her around here.
30:35I hope it helps to relieve the pressure that Pelayo suffers a little.
30:39Although it is only so that everyone is contained
30:42when someone from outside comes.
30:44Well, I want you to know that you have all my support.
30:47All of it.
30:49Well, and that of Curro too.
30:52Hey, that gesture, what's up?
30:56You always talk to each other.
30:58Curro and you.
31:00As if you were one unit.
31:05How are you?
31:08Well ...
31:10It's not easy to tell the truth, because ...
31:14We are maintaining a friendship relationship.
31:17Which it is already.
31:19But Curro was your savior?
31:22Well, yes. If it weren't for him, I would still be in that horrible asylum.
31:26For me it is a mystery how he managed to rescue you.
31:30Well, he managed to get them to get me his escape plan.
31:34Yes, yes, but how?
31:37Well, by a letter he sent me through a sealer
31:41that my mother had supposedly written, but that didn't have my mother's handwriting.
31:45And you recognized that it was from Curro because of the letter?
31:47I recognized that it was from Curro for ...
31:50For a very significant phrase that only he could have written.
31:55I see.
31:57And in it he told you about the escape plan?
31:59Exactly.
32:01But don't think that the plan was very elaborate either.
32:03The plan consisted of taking advantage of the visits
32:07to meet us in the garden
32:10and he came with a coat to cover me and that the uniform was not seen when escaping.
32:14And so they didn't recognize you when you left?
32:16Exactly.
32:18And it worked.
32:21And then he managed to keep me hidden
32:25until he knew that the situation at the prom was going to be safe for me.
32:29Although then Count Dallara deceived us, as you well know, with the whole issue of the convent.
32:35It seems terribly romantic to me.
32:38Curro behaved like a walking knight saving his beloved.
32:41Curro behaved like a walking knight saving his beloved.
32:45The one with the sad face.
32:50No, those things only happen in fairy tales, cousin.
32:53In life, things are more prosaic.
32:58And that's why you decided to be friends?
33:03It's just that I don't ...
33:06I don't think ...
33:08I don't think either of us wants to force things.
33:11Because of everything we've been through.
33:13I see.
33:15But he ...
33:17He is very important.
33:19He is one of the most important people in my life.
33:22And ...
33:24And right now I think things are ...
33:27They're fine.
33:35We all know that the cabin is not a definitive solution.
33:38I understand what you say, sir, but we also know that today there is no alternative.
33:42There will be some.
33:44Let's reassess it, Romulo.
33:46No, I don't refuse to assess it, but it's complicated.
33:50I still think we should locate Gregorio.
33:53I know what he told me.
33:55I know he doesn't think it's right that we try to reason with him, but I think ...
34:00We must try to convince him, even if ...
34:04Offering him a generous economic sum.
34:06He intends to buy it from you.
34:08If necessary, yes.
34:10And what do you think, miss?
34:13Well, knowing Gregorio and his obsession with Doña Pia, this is not possible.
34:18I agree with you.
34:20Besides, I don't think that man has been in need of money.
34:23Knowing that he had enough to bribe judicial officials.
34:28In fact, that's how he got out of jail.
34:32Yes, you're right about that.
34:33Yes, but there is still more.
34:35I have investigated on my own the life of that man in prison.
34:39And this afternoon I learned that it is suspected that he killed another inmate with whom he did not get along.
34:45My God.
34:47Yes, well, it's a simple suspicion.
34:49It could not be proven, but knowing the hand that man has with bribes.
34:52But Mr. Baeta, this is terrible.
34:54He is a ruthless murderer.
34:56You can't talk to him and you can't buy him either.
34:58Then I ask you again, Mr. Baeta.
35:00What can we do?
35:01What can we do?
35:03Nothing.
35:05Leave things as they are.
35:07Let Mrs. Adarre remain locked in that cabin without seeing her son.
35:10That's true, but alive.
35:12And for how long?
35:14As long as necessary.
35:16That's not an answer.
35:18You see, you don't have to rush.
35:20The next step will be taken when it is necessary.
35:32Are you there?
35:35Leave me alone, Alonso.
35:37I won't leave until you open the door and we can talk.
35:40We have nothing to talk about.
35:42I do not agree.
35:44So you choose if you want me to tell you what I have to tell you from here.
35:55You have no shame.
35:58How long do you want to humiliate me?
35:59I don't intend to do it.
36:01Don't close the door on my nose.
36:03Let me at least apologize to you.
36:08I am guilty, but not as you think.
36:11My big mistake was not to talk to you from the first moment when things went wrong.
36:15But Maria Antonia was your soul friend, your great support, and I wanted her to continue being so.
36:20What did you want to talk about?
36:22Your betrayal?
36:24It was two kisses for the love of God and she stole it from me by surprise.
36:26And you expect me to believe you?
36:27It was what happened.
36:29And what did you do to avoid it?
36:31No, rather, what did you do to provoke it?
36:33I didn't do anything.
36:35In fact, twice I tried to make things very clear to her.
36:38If you were so innocent, why didn't you tell me?
36:40And how do you say something like that?
36:42Being honest, Alonso. Being honest.
36:44I've already told you.
36:46She was your great support.
36:48The only person who had managed you to raise your head.
36:50You are a miserable man.
36:52And unfortunately I can no longer believe you.
36:54You wouldn't have believed me either if I had told you.
36:57You didn't tell me because you're a coward.
36:59You took advantage of my moment of greatest fragility to betray me.
37:03I swear it wasn't like that.
37:05If it was like you say and you had told me, I would have believed you.
37:09Because you were my husband.
37:11But now ...
37:13Now I don't know who you are.
37:15Cruz Recapacita.
37:17Go.
37:27Cruz Recapacita.
37:58Do you mind preparing these flowers for Mrs. Marquesa's room?
38:02And I'll pick up the table.
38:12Good afternoon, Mrs. Villamil.
38:14Good afternoon, Mr. Baeza.
38:16I just had the flowers prepared for Mrs. Marquesa's room.
38:19Very good. It is important to always have them fresh and ready.
38:23I wanted to ask you something. How is your return to the promise?
38:28Good. The truth is that very good. It is as if I had never left.
38:33Really? Have your companions received you well?
38:36Perfectly.
38:38Including Mrs. Alcos?
38:41I have no complaints, Mr. Baeza. Everything has gone as I imagined.
38:46That does not answer my question.
38:48Well, you know better than anyone that the service of a house is like a big family.
38:53There are people with whom one gets along better and others with whom they get along worse.
38:58It is a very elegant way of saying that you are not treating her well.
39:02It is evident.
39:04You are the lady's personal maid and yet you have not exempted her from the rest of her tasks.
39:08In addition, she does not wear the suit that would correspond to her condition.
39:13I really understand your reasons, Mr. Baeza.
39:15And I am sorry that she is like this with me, but unfortunately I cannot do anything to please her.
39:20Of course not. You must do your way, as you have done so far.
39:24I regret that she no longer has the closeness and affection that she had before.
39:28Again there is a very big wall between us.
39:31The same wall that rises before the rest of human beings.
39:35Yes, but in my case I would like her to understand my position one day and that we could recover part of that affection.
39:41Let's hope so.
39:42Thank you, Mrs. Díaz.
39:44Mr. Baeza, before you leave, I would like to ask you something.
39:48Of course, tell me.
39:50Look, it's about my husband.
39:53I don't want to pressure you, but has the departure of Mr. Romea reached my ears?
39:58And has there been a vacancy? Is that the question you wanted to ask me?
40:02I don't want you to think that I'm taking advantage of the situation,
40:06it's just that, given this turn of events, I have thought that ...
40:08That it could be beneficial for your husband.
40:11Don't worry, I'm valuing it.
40:14Thank you very much, Mr. Baeza.
40:17Mrs. Villamil, I will be very direct and forgive the frankness.
40:23Do you think your husband would be up to the job?
40:29Well, to be honest, not at first.
40:33I don't want him to misinterpret me.
40:34What I'm trying to say is that I have never held a position like this,
40:38but I know perfectly well that he is well trained to learn and adapt to everything that is necessary.
40:44Are you sure?
40:46Completely.
40:48And besides, I would also be willing to help in everything I can.
40:52I imagined you would say something like that.
40:56And then?
40:58Well, I have already started the management, I have already spoken with Mr. Marquez.
41:01So everything was planned.
41:04And what did the Lord say?
41:06Well, nothing, that he will accept what she proposes.
41:09I am about to hire your husband like the rooster.
41:13I hope you don't disappoint me.
41:15I'm risking it for you.
41:18I know perfectly well, Mr. Baeza.
41:21And I assure you that I will not disappoint you.
41:24You really don't know how much I appreciate it.
41:26And I ask you, please, to trust me and him as well.
41:28As I have told you, he learns very quickly and he is a good man.
41:31Very well, then let him be here first thing tomorrow.
41:34Between you and me, we will keep him informed of his obligations.
41:38Be careful, he will be punctual like a clock.
41:41Thank you very much again, Mr. Baeza.
41:43You're welcome, Mrs. Villamil.
41:45I'm glad to see you so excited.
41:48You don't know how much.
41:58Good night.
42:29What's wrong with you?
42:31That I love you madly.
42:33Have you come here just to tell me that?
42:37But why are you dressed like that?
42:41My love, I think I have found the perfect person to help us.
42:44I don't understand you, help us in what?
42:47To get married in secret.
42:49What is it going to be?
42:52Seriously?
42:54I don't know.
42:56Seriously, you can't imagine who I'm talking about?
42:59No.
43:00The new priest of Lujan.
43:02Manuel, how am I going to imagine it?
43:05Anyway, have you told the priest of Lujan everything about us?
43:09No.
43:11I have talked to the priest of Lujan, but I have not told him exactly what we are.
43:14Manuel.
43:15What?
43:17Hanna, you told me about him yourself.
43:19You told me what kind of priest he was.
43:21Okay, then tell me exactly what you told him.
43:25I told him ...
43:27that I want to marry a woman I love madly.
43:31But that our respective families will oppose our commitment for reasons other than ours.
43:36Good summary.
43:37Slightly biased, but ...
43:40I have also told him that our love is sincere.
43:43And that we want to bless our union with the grace of God.
43:48Yeah.
43:50And what did he tell you?
43:53He thought it was good.
43:55Even better after a generous donation.
43:58Manuel, that's wonderful.
44:00I know.
44:06By the way,
44:08Bras wants to meet you.
44:10I guess he will have already seen you when you went to mass.
44:14Well, yes, but I don't think he remembers me.
44:17I have never crossed a word with him.
44:19The problem, Manuel, is that even if you have not spoken to him,
44:23he has to know you for sure.
44:26Why?
44:27Because you are going to be the future Marquis of Lujan.
44:30And very soon your parents will find out about your imminent wedding.
44:33No.
44:34They won't, so don't worry about that.
44:39Let's see, Manuel, why don't I have to worry?
44:43Because I haven't revealed my true identity to him.
44:45Besides, why do you think I'm dressed like this?
44:48He hasn't recognized me.
44:51You told me you dressed like this just for this.
44:54And don't worry about the witnesses,
44:56because I don't intend to get married in the village church.
44:59What do you mean there is no place where we are going to get married, Manuel?
45:02In the little hermitage that is on the outskirts of Lujan.
45:05It was the priest himself who proposed it.
45:11Nothing will go wrong, my love.
45:24Cheers!
45:37Excuse me.
45:38Julia, is something wrong? What are you doing here?
45:41I didn't want to bother you.
45:43Well, you don't bother me at all.
45:45Isn't it a little late to play pool?
45:49Yes, yes, the truth is that it is.
45:51But I wasn't paying much attention to you either.
45:54It's just that ...
45:56It's hard for me to sleep.
45:58And even if it seems surprising,
46:00the collision of the billiard balls relaxes me.
46:03And don't you prefer some Mozart music?
46:06No, no, no.
46:08It's just that this sound is familiar.
46:11It takes me to better times.
46:14Do you want to play with me?
46:17No, no, thank you very much.
46:18I'm afraid that billiard is not my thing.
46:20I was just looking for a little conversation.
46:23Okay. Are you sure you don't want to play?
46:24Sure.
46:26Well, I think I can help you with that.
46:30Let's see ...
46:31What do you feel like talking about?
46:33Anything.
46:35Whatever you like the most.
46:38Well, we could talk about ...
46:41You said before that you have problems reconciling sleep.
46:45Does it always happen to you?
46:47No, no, no, not really.
46:50They are minimal sequels of my past.
46:54Martina told me that you and your cousin were fighting.
46:58It must have been a horrible experience.
47:02Yes.
47:03And everything I tell her about her is short, so ...
47:07It's normal that it's hard for you to reconcile sleep.
47:10I guess you've seen so many horrible images.
47:13Did you spend a lot of time there?
47:16Too much.
47:18I assure you.
47:19And did you hurt her at some point?
47:22Several times.
47:24Fortunately, none of them were serious.
47:27And ...
47:29It was rare for the soldier not to receive an injury at some point.
47:33Does it bother you that I ask you about that?
47:37Well ...
47:38I don't know.
47:39Do you ask her about that?
47:42Well, I'm sorry if I'm so cold.
47:45But it's hard for me to find the good side of that.
47:48Was there nothing good in all that misery?
47:50No.
47:51Are you sure?
47:55Well ...
47:57Yes, maybe yes.
48:00The comrades.
48:02The trench comrades.
48:04Yes.
48:08In those circumstances, I guess ...
48:11The ties become very close.
48:15Yes.
48:18In fact, I assure you that I wouldn't be here if it weren't for them.
48:24And now, I'm sorry if I don't specify more, but ...
48:27I don't like to talk about the subject.
48:28It hurts me to remember all that.
48:30Apologize to me.
48:32For bringing up the subject.
48:34And now I think it will be better if I go to sleep.
48:37It's late for me.
48:39Okay.
48:41Good night.
48:42Good night.
49:04Good night.
49:27Welcome to La Promesa, Mr. Rodríguez.
49:29Am I hired?
49:30It seems so.
49:31One moment.
49:32You have something to say, Mrs. Arcos.
49:35That's right.
49:36I understand that I will be allowed, right?
49:38Of course.
49:39Go ahead.
49:40How is the jam business going since you took care of it?
49:44Well ...
49:45Is it drifting?
49:46On the way to the shipwreck?
49:47No.
49:48I can show you the account books if you want.
49:51How can it be that in a few months the business has gone up in smoke?
49:54It's just that ...
49:55It's hard for me to believe it.
49:56La Promesa will always be your home.
49:58Its doors will remain open for you.
50:00And I tell you that ...
50:01I take note of the date on which you leave us.
50:03Let's see how long it takes to come back.
50:06Marcelo, I need you to focus.
50:08You can't screw it up again.
50:09Because it's still hard for me to understand that all this has gone well.
50:12Yes.
50:13It has gone well.
50:14Because we have done it well.
50:15It has gone well by pure miracle.
50:17But I will not always be able to cover up your mistakes.
50:19Catalina, we are not going to go back to that.
50:21It is very spoken.
50:22But you know that it seems inappropriate to me that you have brought Pelayo back after what happened.
50:26And I don't think you are in a position to give conjugal advice.
50:29Neither to your father, nor to anyone.
50:31Manuel, this is Julia.
50:33A guest of Martina.
50:37A pleasure.
50:38The pleasure is mine.
50:39I finally meet the other war hero.
50:41Again with those?
50:42You come to me again with unanswered questions?
50:45Well, I'm tired of everyone doing whatever they want in this palace.
50:48Without asking permission from anyone.
50:50I have the impression that what worries him is something else.
50:53Your impression is correct.
50:55And what is it about, ma'am?
50:58Dinner time is approaching.
51:00The ideal thing would be to get ready.
51:03Okay.
51:04But if you don't mind, I'll rest here for a moment and get ready right away.
51:15You deceived me to make you the fourth part of my estate.
51:18You deceived me when you hid for your benefit that Pelayo and Cavendish were doing business.
51:23I better leave you today, this is impossible.
51:25I'm not going to stop until I get rid of the promise.
51:27I already did it once and you came back thanks to Cruz's protection.
51:32But nothing lasts forever.