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00:00CLIPS FROM THE SEASON 2 EPISODE 6
00:17I've got a big offer in a very bad moment.
00:22Celia, I don't have the fault for not responding to your feelings,
00:25and I will pay the price.
00:26I know, but I didn't decide to fall in love with you.
00:29Yes, but you decided to leave.
00:31I need to leave because I need to forget about you.
00:37Can I know what's going on here?
00:54Celia.
00:55I thought you were my sister.
00:58Come in.
01:12If you came to pick up Inés, she's not here.
01:15She went out for a walk to get some fresh air.
01:18I didn't come to see you.
01:20I wanted to ask you a favor.
01:23When I was about to close, I got a phone call.
01:26It was the new supplier with whom we agreed to meet tomorrow.
01:30I have it on my agenda.
01:32If you came to remind me, I haven't forgotten.
01:35I didn't come to remind you.
01:37I came to tell you.
01:39He called to tell me that he had a problem
01:41and that he had to postpone the meeting.
01:43I said yes, but then I remembered
01:45that at the same time he had already met with Iñigo.
01:48With Iñigo for what?
01:50To finalize the details of Marcial Lalanda's visit
01:53to his friends in Madrid Cavalli.
01:56Could you take care of it?
01:59Yes, of course.
02:00What can I do? Someone will have to go.
02:06Laura.
02:08If I finally leave,
02:10I don't want to leave you to manage that business.
02:13If you finally leave?
02:15I thought it was something definitive.
02:17In fact, I was going to tell you that we have to talk to my uncle as soon as possible.
02:20With your uncle for what?
02:22First of all, because he has to know.
02:24And second, because maybe I don't want to take care of the business alone.
02:27In any case, I'm going to tell your uncle.
02:29So don't worry.
02:31No, that's not what worries me.
02:33What worries me is that you're playing with me
02:35because one day you want to leave, the next you don't have it clear.
02:38But it's not easy to make this decision.
02:40And you think it's easy not to know what will happen to my future?
02:42Do I have to organize my future or not?
02:44Your future? What about mine?
02:46But how can you be so selfish, Laura?
02:48Look, I don't want to argue.
02:50Well, you're already doing it.
02:56Do you want an answer?
02:58I'm definitely leaving.
03:00There's no point in staying by your side.
03:02Thanks for helping me decide.
03:04Wait.
03:06Celia!
03:07Of everything we've lived, of everything we have,
03:09there's only one thing I can't give you.
03:11And you decide to leave the boat.
03:13Tell me, who's the selfish one?
03:15Don't forget about the meeting.
03:20Get out!
03:39Pietro, you know you can trust me for anything.
03:44I know, Marta, that I can trust you,
03:46but I don't want to worry you.
03:49Well, maybe it's a little late,
03:51because I'm already worried.
03:53And I think it's better to know what's going through your head
03:56than to imagine it.
03:57One always gets the worst.
03:59And this time you're right.
04:02Lucia doesn't want to go back to Italy.
04:04What do you mean she doesn't want to go back to Italy?
04:06And what did you tell her?
04:08I didn't say anything.
04:09Because she caught me with my foot changed
04:11and I couldn't react.
04:13But where is she going to live?
04:15Won't she be with you?
04:16Of course not.
04:18And what did Antonia tell you?
04:20Nothing, nothing.
04:21She didn't tell me anything because I haven't told her yet.
04:23She doesn't know anything and I don't know how to do it.
04:27You see, Marta?
04:29If something can go wrong, it will go wrong.
04:32I'm going to work.
04:33I'll see you later.
04:36Good morning!
04:38Good morning?
04:40What are you doing here?
04:42The days you come to clean,
04:44I can't sleep from the excitement.
04:46Do you really think it's going to help you to be such a janitor?
04:49I don't know, but...
04:51the one who wakes up early is the help, right?
04:54Well, have you already talked to your father?
04:56Or do you still think the only thing I want is to take you to the court?
04:59He hasn't brought up the subject, but that doesn't mean anything either.
05:02My father is a man of fixed ideas.
05:04And what kind of man are you?
05:06Of those who let themselves be intimidated or of those who face them?
05:09I am of fixed ideas.
05:10I don't have many, but the ones I have are mine and I plan to fight for them.
05:14And I'm going to show my father how much I appreciate you.
05:17And you too.
05:18Well, look, I don't need anyone to defend me from something I haven't planned to do.
05:22Like, for example, in Gattusarte.
05:24You insist on pretending you don't like it,
05:26and that's because you like it.
05:28Like in El desdén con el desdén,
05:30a play that Miguel recommended to me and that, by the way, you should read.
05:34And the protagonists end up together.
05:37Of course, like you and me.
05:40Hey, will you go to Miguel Trini's party tonight?
05:43Because if you don't go, I won't go.
05:45Well, look, I'm going to tell you one thing.
05:48If you see me, it's because I've gone.
05:50And if you don't see me, it's because I haven't gone.
05:55Wait, wait, how is that?
06:06As you can see, in the column on the right are all the things we've already got for the party.
06:10And in the column on the left, the things that are missing.
06:13Almost nothing.
06:14Well, sometimes the smallest things take up more time.
06:18Besides, Marcial de Alanda doesn't want the decoration to be bullfighting.
06:22He says he's had enough.
06:23No, I think it's reasonable, yes.
06:25I assure you he's a pretty unpredictable man.
06:28And I don't mean it in a bad way, okay?
06:32Hey, Matilde.
06:33Hi, both of you.
06:34What are you doing here?
06:36If you want to talk to Ñigo alone, I can come back later.
06:40It's not a problem.
06:41No, don't worry, Celia. Stay.
06:43What I have to talk to Ñigo also concerns you.
06:47I've been thinking and I'd like to propose something to you.
06:51Of course, sit down.
07:00Well, we're all ears.
07:02Well, I thought I'd like to be part of the organization of the party.
07:07If you admit me to your team, of course.
07:09Well, of course.
07:12What's the matter, Matilde? Of course.
07:14But you didn't have a job at the salon?
07:16I've talked to Don Fermín, so don't worry.
07:18And since I don't have much to do these days, he's given me permission.
07:22Don Fermín's good guy. He's always so understanding.
07:25Then it's perfect.
07:27Well, then, I've been doing a conscious research on Marcial Lalanda.
07:32And I've discovered very interesting things.
07:36Things like what?
07:38For example, did you know he starred in a movie?
07:43No, I didn't know.
07:45And what's the title of that movie?
07:47Viva Madrid, which is my town.
07:49It sounds familiar.
07:51Yes, yes, yes, I was about to go see it.
07:53But in the end, because of work, I couldn't.
07:55And they took it from the box office.
07:57It's a shame.
07:58Because Carmen Biance acted, and I love that actress.
08:00I like her a lot, too.
08:02And what I've come up with has to do with her.
08:06What do you propose?
08:07I thought we could invite Carmen Biance and the director of the movie,
08:11Fernando Delgado.
08:13And, well, I think he'd love to meet him, especially if he doesn't expect it.
08:17As a kind of surprise?
08:19It would be very exciting.
08:21What do you think?
08:24Well, I can only think of one thing.
08:27Get up, please.
08:32You've just turned another party into a memorable event.
08:36Congratulations, Matilde.
08:37Thank you, Celia.
08:38Well, I'll leave you to it.
08:40I have a lot of things to do.
08:42Thank you very much for everything, Celia.
08:44You're welcome.
08:46Goodbye.
08:53Call me Optimist.
08:55But I'd say what just happened here is a sample of...
08:58Of what?
09:00Don't get me wrong, Inigo.
09:01All I want is to help Celia and you.
09:06The man I love.
09:10And now, Mr. Optimist, you should give me a kiss.
09:15Because I've earned it.
09:24A YEAR LATER
09:30The dinner with my former classmates at the faculty will be cancelled, too.
09:34Are you sure?
09:35But that day is sacred, it's the only date that can't be changed.
09:38Inés, I've told you I don't want to see anyone all week.
09:42Very well, then we only have the meeting with the gallery's businessmen.
09:46The order of the day is the renewal of the contract of the maintenance company,
09:50and I have it marked as a priority matter.
09:52Of course it is.
09:53Inés, keeping my schedule means that you have to find my appointments,
09:56not that you question them, that's all.
10:00Do you really think I don't realize how sad you are?
10:05Besides keeping your schedule, I'm your niece.
10:07You can trust me and tell me what you need.
10:10I know, I know, darling, but it's not important.
10:16Yesterday you told us that Mrs. Lázaro wasn't as you thought,
10:19and that you had to digest him.
10:21It's clear that he's not doing very well.
10:24Uncle, you're always there when I need you.
10:27You've helped me face my problem with my voice,
10:30and thanks to you I've managed to overcome it and move on.
10:34Inés...
10:35We have to support each other, the people who love us.
10:39And I'm one of them, uncle.
10:41Good morning.
10:42Excuse me, Mr. Fermín.
10:44Yes, sir.
10:45I've brought you these herbs from the herbalist.
10:48Thyme, ginger, mint and regaliz.
10:51I suppose they're good for the throat,
10:53they enrich the steam baths.
10:55Anyway, I won't interrupt you anymore.
10:58I'll stop by your house later to continue with the voice exercises.
11:02At the same time as yesterday?
11:03Yes, sir.
11:10At the same time as yesterday?
11:11Yes.
11:13Perfect.
11:15I hope so, because I want to thank you
11:17for being there for me in the middle of my difficult times.
11:23You don't have to thank me.
11:25I'm happy to do it.
11:27Why do you say it's difficult?
11:30Well, when I'm at work, things get complicated.
11:36My uncle won't be attending the meeting with the businessmen.
11:42Mr. Fermi, I suppose you have plenty of reasons,
11:46but I'd like to remind you of its importance.
11:49We're going to try to renew the maintenance contract
11:53with the company in charge of the gallery.
11:55Yes, that's it.
11:56I don't know.
11:57And as you know, it's not a trivial matter.
11:59Besides, your opinion is fundamental.
12:01Agustín, I don't feel well.
12:03It's nothing serious, but...
12:05I think I'm going to take the week a little more calmly than usual.
12:09And regarding the meeting, I give you my vote.
12:12I fully agree with your criteria.
12:16Okay. I hope you recover soon.
12:18In any case, I hope you can attend your niece's performance next Thursday.
12:23Thursday.
12:23Next Thursday.
12:25Thursday.
12:28Keep a chair next to you.
12:30I'm not going to miss it.
12:33Thank you again.
12:34And if you haven't had breakfast, I invite you to my house.
12:40Thank you, Agustín.
12:41But I think I should spend the afternoon with my sister instead of with me.
12:45Why do you say that?
12:47Well, because Laurita is her girlfriend and she will have her obligations with her.
12:51And I can do the exercises alone.
12:53No, no, no.
12:54The specialist was strict with that.
12:56You need help to continue with your treatment.
12:59Besides, one of the obligations I have with my girlfriend is to worry about her sister.
13:06And Laurita understands this perfectly and knows that her health is the priority right now.
13:13Very good.
13:14But still...
13:15Still, see you later.
13:29The first industrial racket front with simultaneous entry and payment corresponding to taxes
13:42was opened in Madrid in 1917 with a squad of 16 professional women
13:51which increased to the 45 that exist today.
13:56How is your body?
13:59As usual.
14:00The new Frontón Madrid, which...
14:03Where are we going, girl?
14:05It has restaurants, hairdressers, salons and terraces.
14:10A real social club.
14:12You will not see yourself in one like that again.
14:15Do not hesitate to visit it.
14:19You don't say anything?
14:21Would you like something?
14:23Oh, my God.
14:24It will be the best bachelor party that has ever been organized.
14:28And everyone will want to know who the organizer was.
14:32Aren't you just happy to be the godmother?
14:34By the way, changing the subject,
14:37don't you think it's very strange that the vampire didn't come yesterday or today?
14:42It's not her.
14:43Unless she's sick.
14:45And you were the last to see her leave, so...
14:47Did she have a bad face?
14:49Well, she didn't.
14:50She had red eyes, as if she had cried.
14:53The vampire crying?
14:55Why didn't you tell me before?
14:57Are you sure?
14:58Very sure.
14:59The problem was with Hordago.
15:01Well, and the guys.
15:03There were also Teresa and Cañete.
15:06Teresa and Cañete?
15:08But don't worry, because I haven't been left with my arms crossed.
15:11I asked Elías to get information from Cañete about what happened there.
15:15And what did he say?
15:17Not yet.
15:20What?
15:21About Palique?
15:22Yes.
15:23No.
15:27Mom...
15:35I was telling Esperanza that it's very strange
15:38that Lady Alazara didn't come yesterday or today.
15:41Of course.
15:42And if anyone can know the reason,
15:44it has to be you, who's in charge.
15:46Well, yes, I'm in charge, but I don't know anything.
15:49She's my superior, so you don't have to give me explanations.
15:52But you were also in Mr. Fermin's office.
15:55Do you know if something happened between them?
15:57I just saw her go out.
15:59With tears in her eyes, can you confirm this?
16:01What if I can confirm it?
16:03The only thing I can confirm is that you're a couple of snitches.
16:06And that it's time to get back to work.
16:08Besides, what Lady Alazara does or doesn't do doesn't matter to us.
16:11It doesn't matter to us.
16:12No, if it doesn't worry us, but...
16:15You seem to be enjoying this topic, huh?
16:17Me?
16:18Let's see, Esperanza is not the way to say things,
16:21although she's right.
16:22Because, let's see,
16:24given the circumstances, and to...
16:26to calm our spirits,
16:28could you tell us what happened in that office?
16:31I would have said the same, but with my left hand.
16:33Well, I guess not.
16:39But, well,
16:40are you erasing Pepinillos again?
16:42He's going to give you a hard time, woman.
16:44But since when do you have that hobby?
16:46Well, I've always inherited it from my father, come on.
16:49Well, for a while.
16:50And come on, both of you to work.
16:54Come on.
17:00What is he doing?
17:01Pepinillos?
17:03Well, for you to understand, boss,
17:05the Lucha Leones is a fight between two opponents
17:08holding hands on the belt
17:10using strategies called mañas,
17:13to knock down the opponent and throw him to the ground.
17:16Well, that's where the idea of having more maña than strength comes from.
17:19Great, Elias.
17:21And you, who are you going to bet on?
17:24Miranda Debro's big man or Miguel the bookseller?
17:27I'm not going to bet on anyone.
17:29I don't think it's a good idea for you to bet on Miguel
17:31in that fight without his consent.
17:33But how long will that giant take to rip his head off?
17:36Well, to begin with, it's not a violent sport.
17:39And as I just told you,
17:41it's about maña, not brute force, boss.
17:45But let's see,
17:46no matter how much maña Miguel has,
17:48he has no experience in the matter.
17:50As soon as that giant takes off his belt,
17:52it's over.
17:53Besides, I don't think he's very excited about it.
17:56Well, I think it's a perfect plan, boss.
17:59Besides, it came out of my pocket.
18:01Look, if you promise me you won't say a word,
18:04I'll tell you.
18:13I know a way to talk to my mother.
18:16Yes, it's...
18:18It's a way that...
18:21that they can hear us from heaven and answer us.
18:25Today we can't do it because we don't have what I need,
18:29but tomorrow, if you want,
18:32you'll be able to see it with your own eyes
18:34and you'll be able to talk to your mother.
18:36You promise?
18:38I promise.
18:40Mother?
18:42How was your morning?
18:44Did you see anyone interesting in the gallery?
18:46Interesting?
18:48I guess you're referring to Matilde.
18:50Well, it turns out I ran into her yesterday.
18:54I didn't want to tell you,
18:56but there was a pinch in my stomach
18:58that I don't like at all.
19:00She was too kind.
19:02Kind?
19:04Yes.
19:07She was too kind.
19:09Kind?
19:11Well, forget it.
19:13I've come to bring it to you.
19:15The train to Lisbon, where you'll spend the night,
19:17and the next morning you'll take a boat to Cuba.
19:21Of course, in a luxury room.
19:25I'm very grateful to you, Mother,
19:28but I won't need them.
19:31What are you saying, Carla?
19:33That I'm not going.
19:37I have something in my hands.
19:39Something you can't even imagine.
19:41As you understand, I can't leave it half-way.
19:43I hope you understand.
19:45No, what I understand is that you're exhausting my patience.
19:47And what's worse,
19:49Fabio's too.
19:51Tomorrow you'll take that train
19:53and there's nothing else to talk about.
19:55And how are you going to force me?
19:57Are you going to call the police
19:59to have me escorted to the station?
20:01Besides, as for Fabio...
20:03As for Fabio,
20:05maybe he's the one who ends up calling the police
20:07and ends up reporting us.
20:09Oh, please.
20:11Don't make me laugh, Mother.
20:13Fabio's not going to do anything at all.
20:15And do you know why?
20:17Because he's as involved as you and me.
20:21If the police were to report me,
20:23who do you think I'd tell them?
20:25That he knows I've been alive for days,
20:28but he was giving me a little chance to escape?
20:31Or worse,
20:34that he suddenly lost his patience?
20:36Or worse,
20:38that he was organising everything with you
20:40but suddenly he's realised
20:42that that's not right and he's very sorry.
20:44Tell me, Mother,
20:46which of those options is the least stupid?
20:50Don't you realise that you're playing with fire?
20:52That your only chance
20:54is to listen to me and leave tomorrow?
20:56And don't you realise that I'm not afraid?
20:58And that I'm not going to leave
21:00until I've finished what I've started?
21:02Which, by the way,
21:04I assure you will be something extraordinary.
21:06I'd say supernatural.
21:08And what about me?
21:10Because I am afraid.
21:12Because your irresponsibility
21:14is putting me in danger.
21:16And for the love of God, Carla,
21:18I don't want to go to jail.
21:20I'm asking you, please,
21:22for the good of everyone.
21:24For the good of everyone,
21:26I have to finish what I've started.
21:28You're a fool!
21:31I'm starting to think that you've lost your mind.
21:33That the fool wasn't Matilde,
21:35but you!
21:37Close the door when you leave, please.
21:49Well, what do you think?
21:51Brilliant or not?
21:53Montero.
21:55Well, I think
21:57something unusual about you, Elias.
22:00Now, you have to keep the secret.
22:02Because only Elvita knows that,
22:04and now you.
22:06Don't worry, I'll keep it for you.
22:08But I repeat,
22:10I don't see Miguel very excited about that.
22:12Well, I don't think he's the only one.
22:14You tell me about Don Fermín.
22:16He's not excited.
22:18I've seen her, heavy-handed,
22:20dragging her feet, and that's weird.
22:22That's something strange about him.
22:24Because that's something that characterizes him,
22:26his grace and elegance when he walks.
22:30And now,
22:32besides, he's been locked up in the office for many hours
22:34and I'm starting to worry.
22:36So I'd appreciate it if you could give me some information on your end.
22:40Boss, if he's going to die,
22:42I have the right to know.
22:44But what are you saying, animal? He's not going to die.
22:46Then what's wrong with him?
22:48Because Esperanza heard the rumor
22:50when Mrs. Lázaro was in the office,
22:52and it's a coincidence that you were there.
22:54So do me a favor, let her go.
22:56Well, look,
22:58I don't have anything to tell you.
23:00Not when you asked me before,
23:02not when you ask me now,
23:04not when you ask me later.
23:06You're making a snowball out of a raindrop.
23:08Don Fermín is fine.
23:10He's wearing a suit.
23:12Cañete, I'm going home.
23:14Do me the favor of transmitting it to Teresa
23:16as soon as I see her.
23:18Very well.
23:20Elias, take a look at the terrace, please.
23:22Of course, let's go.
23:25I have the uncomfortable feeling
23:27that everyone is looking at me
23:29as if they were asking for explanations,
23:31especially Elias.
23:33I'm unable to continue in the office.
23:35I can't stop thinking about
23:37what happened with Mrs. Lázaro.
23:39I understand.
23:41Anyway,
23:43I trust your discretion.
23:45As always, Don Fermín.
23:55Don Fermín!
23:57Don Fermín, I beg you to listen to me.
23:59Mrs. Lázaro, this is very embarrassing,
24:01don't you think?
24:03I'm very sorry,
24:05but I can't resign myself to losing him.
24:07I can't resign myself to losing
24:09everything we've built together
24:11during all this time.
24:13Because don't deny me,
24:15Don Fermín,
24:17that everything we've lived has been real
24:19and that the affection we've felt for each other
24:21is sincere.
24:23So, please,
24:25let me explain myself.
24:27She had her chance when I called her to my office.
24:29Why didn't she do it then?
24:31How?
24:33In front of two employees? Teresa?
24:35Cañete?
24:37No, I'm sorry, Don Fermín,
24:39but that wasn't an opportunity,
24:41that was a trap.
24:43I think I have every right in the world
24:45to ask you to listen to me.
24:48I mean,
24:50in the lion's fight
24:52you have to grab the guy
24:54from the belt
24:56and throw him to the ground.
24:58Exactly.
25:00Well, it's much better
25:02than the pair of shoes
25:04you'd have to wear in boxing.
25:06Let's see, Tini,
25:08if the man from Miranda de Ebro
25:10grabs me from the belt,
25:12I'll probably fly
25:14and hit myself against the wall.
25:17And if you tell him
25:19you've always been a clumsy, sickly boy...
25:21Ah!
25:23You're right.
25:25I'll tell everyone I'm sick
25:27and I can't go to my own wedding.
25:29Good idea.
25:31No, no, no.
25:33If you're sick
25:35to not go to the wedding,
25:37you'll also be sick
25:39to not go to the wedding
25:41and we'll have to postpone it
25:43and it'll never end.
25:45I don't like sports.
25:47What's the point of hitting a ball
25:49with a racket?
25:51And what's the point of going to see it?
25:53If you want, I'll change it for you.
25:55At least no one's going to grab you
25:57from the belt and make you fly against a wall.
25:59Well...
26:01By the way, do you know anything about Don Salvador?
26:03Or is he still missing?
26:05Nothing.
26:07I don't know if that's good or bad
26:09and if he's going to fire me.
26:11The thing is, I don't have the body for parties.
26:14David and Goliath.
26:16The other one.
26:18What are you talking about?
26:20I was thinking about how you could defeat
26:22Miranda de Ebro
26:24and I remembered the story of David and Goliath.
26:26Do you want me to throw a stone at him?
26:28All I want is not to be the first boyfriend
26:30who doesn't survive his farewell.
26:32Well, the first fake boyfriend
26:34who doesn't survive his fake farewell.
26:38Salvita,
26:40your father hasn't called me yet
26:42or sent me a gift.
26:44Don't you think it's strange
26:46that he hasn't told us anything
26:48knowing that Trin and I are getting married tomorrow?
26:50I know it's normal.
26:52And it is.
26:54Come on, Salvita, you have to be honest.
26:56His job is in danger.
26:58Your father is going to fire him.
27:00Couldn't you talk to him
27:02and have him tell you something?
27:04I'll try, but I can't promise you anything.
27:06I haven't spoken to him in two weeks.
27:08What about you?
27:11What are you going to do when you get married?
27:13We'll hide at home
27:15and pretend we're not there.
27:17In a few days, the nightmare will be over.
27:19It's not a very elaborate plan,
27:21but it makes sense.
27:23Well, I'm going to take a nap.
27:25See you tonight.
27:27Think about David and Goliath.
27:29I'm sure
27:31Miranda de Ebro's great-grandson
27:33has a weak spot, like everyone else.
27:35In fact, I think
27:37the story of David and Goliath
27:40was a bit mischievous
27:42and that's why he couldn't see David.
27:44You have to move quickly so he can't see you.
27:46Like this.
27:48What are you doing?
27:50Try it.
27:52Try it.
27:54That's it.
27:56So he can't see you.
27:58That's it.
28:10Good afternoon, Antonia.
28:12Good afternoon.
28:14How was your day?
28:16Good, thank you.
28:18What I like most about this corral
28:20is that the neighbors can say hello and see us.
28:22Yes, yes, really.
28:24I'm glad
28:26you felt comfortable among us.
28:28A lot.
28:30But don't talk about the past, please.
28:34Didn't Pietro tell you?
28:36We'll still be neighbors
28:38and I hope someday even friends.
28:42What are you talking about?
28:46Pietro hasn't told me anything?
28:48Antonia, I've been thinking about it
28:50for a long time and I have no doubt.
28:54I've made the firm decision to stay and live in Madrid
28:56and not separate from my husband.
29:00After all, we're still officially married
29:02and it doesn't seem possible
29:04that this can be broken.
29:07And honestly, Antonia,
29:09I have no intention of doing it.
29:11Quite the opposite.
29:13What are you talking about?
29:15As long as there's a chance,
29:17no matter how small,
29:19that Pietro and I can recover what we lost,
29:21I'll fight for it with all my strength.
29:23And you know why, Antonia?
29:25Because it's fair.
29:29And you, as a woman like me,
29:31know it perfectly well.
29:33I'm forgetting a very important detail.
29:37Pietro loves me.
29:39And you're forgetting something else.
29:41My husband
29:43has only used you to ease his pain.
29:47And I'm infinitely grateful.
29:49But it's a matter of time
29:51before he realizes it.
29:53Realizes what?
29:55That I'm the love of his life.
29:57The real one.
29:59The original one.
30:01And he'll never be able to fight
30:03against such a strong feeling, Antonia.
30:05Antonia, you don't know
30:07what Pietro and I have shared.
30:09What we've built together.
30:11It's true, I don't know.
30:13But what I do know
30:15is that Pietro hasn't dared
30:17to tell you that I'm staying in Madrid.
30:19Doesn't that seem a bit strange to you?
30:21Good afternoon.
30:35You haven't noticed?
30:37That Elias has no remedy?
30:39Yes, I noticed a long time ago.
30:41No, he's been breathing a much fresher
30:43and much cleaner air
30:45since he left the living room.
30:49What's Elias doing talking to the watchman?
30:54He's determined to find out
30:56what happened to the vampire.
30:58I don't know.
31:00I don't know.
31:02I don't know.
31:05Everything that has to do with the vampire.
31:07And we know Elias.
31:09He's bound to touch down.
31:11Trinidad and Esperanza
31:13have been babbling on about questions
31:15but I don't care about that.
31:17Just the same thing you had to do with him.
31:19Look at that face.
31:21You had to be happy and surprised.
31:23I'm not mad at Elias.
31:25I'm just not sure we did it right.
31:27Right with whom?
31:29With that woman.
31:31No matter how powerful or your vulgar perfumer
31:33Have you forgotten all the good things she's done for you?
31:37I thought we were in this together.
31:39I also agreed that we had to stand up for her.
31:42Don't you feel bad? Not even a little?
31:45No, I don't feel bad. What I feel is relief because this woman is no longer here.
31:49And also satisfaction.
31:51Because we have acted for the good of everyone.
31:53Especially Mr. Fermin.
31:56Come on, they should have given us a medal and everything.
31:59Don't make that face, man.
32:01Bosses, I have fresh news.
32:04The watchman told me that he saw Mr. Fermin leaving La Moderna.
32:07And that he went to the street and was waiting for Mrs. Lázara.
32:10What? Mrs. Lázara what?
32:12At least they had a brief conversation.
32:14And they went together.
32:16Mrs. Lázara was at the door of the tea room?
32:18Like this?
32:20Yes, yes, the watchman also told me that she was dressed as usual.
32:23But let's see, this woman was not sick.
32:25Let's see if they have argued like two little turtles and they are going to get out of here much stronger.
32:29Come on.
32:31Well, boss, don't make that face, man.
32:33And Mrs. Teresa, you too.
32:35I know you care about them.
32:37But long live love.
32:40Long live.
32:49Okay.
32:51Please put your hand on your chest and the other on your abdomen.
32:57Okay.
32:59The idea is that you control your breathing little by little.
33:04So, inhale.
33:06And when you exhale, pronounce the sound Z.
33:10Intense.
33:12That's it.
33:14Intense.
33:17A little slower.
33:19Sorry.
33:22Very good.
33:25You should...
33:27May I?
33:28Yes.
33:30Chin in.
33:31That's it.
33:32Crown your head.
33:33And shoulders.
33:34That's it.
33:35Backwards.
33:36Perfect.
33:37Go ahead.
33:40Perfect.
33:41I'm going to have to tell Miss Juanes that you are a spectacular patient.
33:47Well, because you have more patience than a saint.
33:50Okay.
33:51Now, we're going to do the exercise backwards.
33:56So, inhale.
33:58And when you exhale, pronounce the sound Z.
34:01Soft.
34:02Soft.
34:05And little by little, that sound gets more intense.
34:08Intense.
34:09Intense.
34:10Intense.
34:15Pick it.
34:19What happened?
34:20Did a butterfly come in?
34:25Through the window.
34:26No, it was me.
34:27No, no, no.
34:28Please.
34:29No, no, no.
34:30It's very good.
34:31I think it's a very interesting contribution.
34:34It reminded me of the butterfly that, in the spring,
34:38it's going to pollinate a flower.
34:44Agustín is making it up.
34:46No, no.
34:47I'm an insectologist.
34:48Ah, insectologist.
34:49Ornithologist.
34:50Ornithologist.
34:51An aficionado.
34:53Really, Agustín, you're taking too much trouble for me.
34:56No.
34:58Trouble is when you do something you don't want to do,
35:01but I'm wanting to come here to torture her
35:04while I pretend to be a language specialist.
35:07Laurita is very lucky because if she takes such good care of me,
35:11I can't imagine what she'll do with her.
35:15Sorry.
35:16Sorry, really.
35:17That sounded out of place.
35:19What I'll do with her.
35:20No, no, no.
35:21It's very good.
35:22No, no.
35:23You have to clarify this.
35:25Uh-huh.
35:26Uh-huh.
35:27This is not a personal matter.
35:29And then?
35:30Professional.
35:31Ah, professional.
35:32I'm defending my investment in the future function of the court of Pharaoh.
35:37I would do this for any member of the cast
35:39or for a horse if it comes on stage.
35:43Or for a stork if it comes on stage.
35:46I'm sure.
35:49Oh, really.
35:50Hello.
35:51I brought a snack.
35:52I don't know if you've won it.
35:54Why are you laughing?
35:56Well, Agustín has compared me to a horse and a stork.
36:01With a stork, I don't know.
36:04Can I...
36:07explain it?
36:08Are you working or making a book?
36:10Well, I think both.
36:12With a little laugh, everything goes better, right?
36:17How are you?
36:18Fine.
36:19In a bit of a hurry,
36:20because today I have a bachelor party of a co-worker.
36:23We're going to see some racketeers.
36:25Some what?
36:26I'll explain it to you now, having a snack.
36:29Well, aren't you going to give me a kiss?
36:41I'm so glad you wanted to see me.
36:44You're keeping our secret, aren't you?
36:46Yes.
36:47You know no one can find out.
36:50I really wanted to see you.
36:52I can't stop thinking about what you told me
36:55about what you could do to get us to talk to our mothers.
36:59That's why we're here.
37:01Because I want to show you.
37:03But first I have to know if you're ready,
37:07First I have to know if you're ready,
37:09if you're old enough.
37:11I am.
37:13Very good.
37:14I trust you.
37:17Look.
37:20Do you see these posters?
37:24The yes, the no and the Virgin's stamp.
37:27Yes, what do we have to do?
37:29It's very simple.
37:32When you want to ask your mother something,
37:34close your eyes and the Virgin will answer you.
37:42She's very old.
37:44Because she's been helping girls like you for many years
37:47who want to talk to their mother.
37:54Can I ask her anything?
37:57Yes, but they have to be simple questions
38:00that can be answered with a yes or a no.
38:03Like, for example,
38:05Mother, is it true that I'm talking to you?
38:08Do you understand?
38:11And if you show fear, the Virgin will notice
38:15and won't want to transmit that fear to your mother.
38:18So you have to be very prepared.
38:20I'm not afraid.
38:24Very good.
38:26Close your eyes and ask the Virgin.
38:31Concentrate.
38:38Mother, the first thing I want to know
38:41is if it's okay up there.
38:46Can't I change the question?
38:49I think so.
38:56Mother...
39:00I'd like to know...
39:04if I've found a father.
39:10You can open your eyes now.
39:21Your mother answered very quickly.
39:27But really, am I talking to my mother?
39:29That's how the Virgin wanted it.
39:32Can I ask her more questions?
39:36Clarita,
39:38as many as you want.
40:00Can you tell me where you've been?
40:02I told you before I left, Elia, but you didn't listen.
40:05I went with Laurita and Matilde to get a cab.
40:08Do you think it's a good idea
40:10to get the two of them together?
40:12We were going to spend the weekend alone.
40:14Now we have to hold on to hope.
40:16Be careful with hope.
40:17Don't complain, or they'll come looking for you.
40:20Don't tell me about Mrs. Lázara.
40:22I tried to find out the truth
40:24and it was for everyone's sake.
40:26You like to see Mr. Fermin as a troublemaker.
40:29But now we know you've reconciled.
40:31No, we don't know.
40:36Are you looking for the two of you?
40:39I don't know how to thank you
40:41for the wonderful bachelor party you've prepared for me.
40:44It's the least you can do for a great friend
40:46with whom you've had so many adventures.
40:48Well, one more than the other.
40:50Don't forget, in life,
40:52when they say your name by the megaphone
40:54you have to compete with the big man.
40:56For Miranda Lebro!
40:58Don't miss anything.
41:00We have to celebrate this.
41:02For Miranda Lebro!
41:06And who wants to make another indy?
41:08For Miguel.
41:10I was impressed by your gesture of terror,
41:12your strategy.
41:14For Miguel!
41:16For Miguel!
41:18For Miguel!
41:22Yes, Miguel,
41:24that look of terror you put on him
41:26seemed real.
41:28A good strategy,
41:30but it didn't work at all.
41:32It seemed like you were going to faint.
41:34The big man comes and says,
41:36congratulations for the wedding.
41:38You knew the joke too?
41:40No, but Salvita, Cayet and I knew it.
41:42The chosen ones!
41:48Oh my God!
41:50Poor Elias!
41:52He's going to be worse than he is.
41:54Hey, are you sure you haven't been scared
41:56by the big man?
41:58Me?
42:00Only at the beginning, a little.
42:02I got a little dizzy and I thought I was going to die.
42:04What are you whispering?
42:06I can't hear you with the music.
42:08Nothing, I was telling him that we had a great time
42:10at the front and that everything was great.
42:12Yes, now what you have to do
42:14is recommend me as a farewell expert.
42:16Of course, Esperanza, but tell us
42:18how it was with the racketeers.
42:20Well, we had a misfortune
42:22because the man didn't want us.
42:24Well, he gave me a ball
42:26and a blow to the head.
42:28I almost fainted.
42:30Well, you don't know how strong
42:32those women are.
42:34They would be good companions in La Moderna
42:36because at least that way we would save
42:38a few walks.
42:40I don't understand you.
42:42Of course, serving the ensaimadas to the racketeers.
42:44Come on, I'll introduce you to him.
42:46Is he single?
42:48I think so.
42:50Come on, come on.
42:56Marta, will you tell me a dance?
42:58But only if it's like friends.
43:00What's the difference?
43:02Because as you pass, I shake you.
43:04I remembered that we were not together.
43:14My friend.
43:16My son.
43:18By the strength of your hug,
43:20I would say that you have missed me, right?
43:22You don't know how much.
43:24Come in, man, come in.
43:30I see that it looks very good.
43:32Sevilla, the State,
43:34and you.
43:36And you.
43:38And you.
43:40And you.
43:42It's perfect.
43:44Sevilla is treating you very well.
43:46Tell me, how's everything over there?
43:48Inigo, I think it's time to say goodbye.
43:50Don't you think?
43:52I think it's great, but tell me, how's it going over there?
43:54Well, the truth is that I can't complain.
43:56The business is going very well,
43:58the weather is great, the people are great,
44:00the food is great.
44:02But it is true that
44:04my two friends,
44:06my only family, is here.
44:08Nothing is perfect.
44:10And where is Matilde?
44:12Well, Matilde is in a bachelor party
44:14with her friends from La Moderna,
44:16but they will be back soon.
44:18And Clarita, how is she? Is she around here?
44:20Yes, she is in the bedroom sleeping.
44:22Jacobo, I thank you very much
44:24for coming so quickly.
44:26Well, due to the urgency with which you called me,
44:28I could not do anything other than take the first train.
44:30The truth is that I have not stopped thinking
44:32during the trip that it could be
44:34such a serious matter.
44:36Sit down, please.
44:40What happened?
44:42You see,
44:44it's about Carla.
44:48Matilde and I are convinced
44:50that the calcined corpse
44:52that was found
44:54was not her.
44:58No, but that can't be true.
45:02It's impossible.
45:04Jacobo,
45:06Carla is alive
45:08and we want to know
45:10where she is hiding.
45:12In her house.
45:22I thought you would be at the farewell
45:24of Soltar Aditrini.
45:26Yeah, and I thought you would be at Miguel's.
45:28No, I was not in the mood
45:30to attend a combat
45:32of lioness struggle.
45:34I think it was something like that.
45:36We were going to go to a racket player.
45:38Anyway,
45:40I thank you for coming.
45:42I wanted to take advantage that Marta was not there
45:44so that we could talk quietly.
45:48Well,
45:50that if Lucia does not interrupt us, of course.
45:52No, she will not.
45:54I do not know what to believe.
45:56And to whom?
45:58What do you mean?
46:00Antonio, have you told me to come
46:02so that we can discuss again?
46:04Not only do I have to see
46:06how things get complicated with Lucia,
46:08now with you too.
46:10Oh, sorry, I did not know you were the only victim
46:12of this situation.
46:16What did you want to talk to me about?
46:20That I know the two of us have been
46:22all day in La Moderna
46:24and we have only exchanged
46:26a couple of words, right?
46:28Yes, to ask me for a couple of trays and that's it.
46:30So I do not understand
46:32why I had to find out for her and not for you.
46:36Yes, because when I got there
46:38I was looking forward to telling me the great news.
46:40What great news?
46:42His firm decision to stay in Spain.
46:44I was hoping you would have the dedication
46:46to tell me, but ...
46:48But no, I had to find out for her.
46:50Why, Pietro?
46:52I'm sorry, Antonia,
46:54but it's not the first time she tells me she wants to stay here.
46:56And we've already talked about it.
46:58No, but this time it's different.
47:00No doubt, quite the opposite.
47:02I thought I could
47:04solve it.
47:06And what did she tell you exactly?
47:08That it's only a matter of time
47:10for you two to get back what you had
47:12and that she is in no hurry
47:14because she is convinced
47:16that you feel the same for her.
47:18And it's not true, Antonia, it's not true.
47:20And you know it.
47:22No, I don't know, Pietro.
47:24I don't know because I don't know what to believe anymore.
47:26Because you say one thing and then you do another.
47:28You justify it all the time.
47:30Pietro, what's next?
47:32Huh?
47:34You're being very unfair to me.
47:36I'm being unfair to you?
47:38Yes, because you know that the consulate could report me.
47:40No, sorry, the consulate doesn't force you to live with her.
47:42That's your decision.
47:44So take it.
47:46Take it!
47:48Maybe it's the best decision.
47:50It's true, because she's your wife, right?
47:52She's your wife and I'm nothing.
47:54That's why ...
47:56Pietro, please.
47:58Go home.
48:02Go, please.
48:06Go, Pietro, please.
48:08Yes, yes, I'm going, I'm going.
48:26Hello, honey.
48:30Jacobo.
48:32How are you?
48:34Good.
48:36Hello.
48:38How was the bachelor party?
48:40Good, it was curious.
48:42I'm glad you had a good time.
48:44I'm sorry I'm not so effusive,
48:46but I'm still digesting the news that Inigo gave me.
48:50I was commenting on the arguments with Jacobo,
48:52so we think Carla is still alive.
48:54As incredible as it may seem,
48:56we are convinced.
48:58The only problem is that we need to prove it
49:00before justice.
49:02That's right, and that would make sense
49:04what happened to Matilde.
49:06Well, if Carla is hidden in her palace,
49:08she will be hidden enough
49:10so that it is impossible to access her.
49:14We believe that.
49:16It has to be an unknown and inaccessible room
49:18for the service,
49:20and of which only Mrs. Bárbara is aware.
49:22She has been there since her false death.
49:24Except when she went out to cause my hallucinations.
49:30And what is the plan?
49:32Because I guess you already have one.
49:36Let's sit down.
49:44That's why we called you.
49:46Because only you can help us.
49:48The idea is that you watch the palace discreetly
49:50while we show ourselves
49:52close to Mrs. Bárbara.
49:54Something that, to her surprise,
49:56she has already begun to do.
49:58Yes, we will make her believe that we have passed the page
50:00so that she relaxes and with a little luck
50:02lowers the guard.
50:08I think it's good.
50:10I'm looking forward to going back to action.
50:12The countdown has begun.
50:20I'm very proud of you.
50:22Do you think Madrid will be too?
50:24Of course.
50:26She will always be with us.
50:28I know.
50:30And now that I can talk to her,
50:32I'm much happier.
50:34Wait, what's that about you can talk to her?
50:36Because of Lucia, I'm going to lose Antonio.
50:38I think that woman won't let him go
50:40even if he comes to get the shower
50:42sent by Italy.
50:44I think something is happening here
50:46and it's not good.
50:48Well, woman, don't get into the worst.
50:50Mrs. Lázara has made trouble again.
50:52Look, it's true that there was an accident.
50:54It is true that the employee who suffered it
50:56was under my orders.
50:58And it is also true that we were all overcome
51:00by the excess of work we had.
51:02I don't know, I don't know
51:04if I should believe Mrs. Lázara.
51:06I should have told you all this much earlier.
51:08I was talking to Jacobo. He has given me great news.
51:10What is it about?
51:12Well, he has been able to rent a room
51:14in a house that is in front
51:16of Carla's parasite.
51:18So he can control who comes in and who leaves.
51:20Totally.
51:22He can't go up. Fabio told me he was going to stop by the house.
51:24It's not a good idea for him to see you.
51:26Besides, at this point, he will think
51:28you're on your way to America and not here playing a loner.
51:30I wanted to check what I already suspected.
51:32How long did you think you were going to make fun of me?
51:34At this point,
51:36all I want is for the whole truth to be known.
51:38That woman shows up in our lives,
51:40bothers us at the wedding,
51:42gets into Pietro's house and now she says
51:44If Pietro doesn't make up his mind,
51:46I'll knock on his door
51:48and I'll go on with my life. I've already told you.
51:50The thing is, it's a very acute situation.
52:08Did you think we wouldn't notice?
52:10One thing is to be discreet,
52:12and the other is to be careful.
52:14Well, Clarita, what do you want to ask your mother today?
52:16Mother,
52:18are you okay up there?
52:24Can you ask her
52:26what you have to do
52:28to go with her?