EL SABOR DE LA FAMILIA PELICULA ROMANTICA COMPLETA EN ESPAÑOL LATINO HD
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Short filmTranscript
00:00:00A few days later...
00:00:24Yes, tell me.
00:00:26Boss, if I was going to call you...
00:00:29What? In the end, what?
00:00:32No, I already knew it. I already knew it!
00:00:35But Isma... Isma stays like that.
00:00:37That's how she plays with you.
00:00:40I can't believe it.
00:00:41What are you telling me?
00:00:44So clearly?
00:00:46How strong.
00:00:47How strong.
00:00:48And how strong.
00:00:50What?
00:00:52No, no, I can't believe it.
00:00:56But what are you telling me?
00:00:58Is it possible?
00:00:59My God.
00:01:01Yes, yes, yes, if you want, we can talk about it.
00:01:04But...
00:01:06But what things does one have to hear?
00:01:08This, like this, cold.
00:01:09There, inside.
00:01:11Without vaseline or anything.
00:01:12Jesus, leave me alone, you've been like this for a long time.
00:01:15You leave me dead in the ditch.
00:01:17Come on, I can't believe it.
00:01:19Nene, leave your sister the dressing room.
00:01:21Come on, Mom, leave her there and let her mark it.
00:01:23Knowing how you know.
00:01:24Because you know it very well.
00:01:26That my husband left me to drag with three creatures.
00:01:29That eat a lot, that give a lot of war.
00:01:32It's not that I didn't want him to be ashamed when he was here.
00:01:35I'm going to tell him when he comes, that you're criticizing him.
00:01:38Girl, your father is not going to come.
00:01:40He doesn't love us.
00:01:42And it's over.
00:01:44You have to have more psychology to say things, you know?
00:01:47Yes, you can.
00:01:57Here we are.
00:01:59We don't pay.
00:02:01Here we are.
00:02:03We don't pay.
00:02:05Yes, you can.
00:02:11But if they have cut off my electricity because they pay me a misery.
00:02:14And you say that you are doing me a favor.
00:02:17What favor?
00:02:18Do you know what I'm telling you?
00:02:19That I was making you the ball in pieces.
00:02:21Because I needed the job more than a pair of sandals on a stone.
00:02:24But now I don't care about you.
00:02:26Do you know what I'm telling you?
00:02:27That you fall me like the ass.
00:02:29You're ugly.
00:02:31And you smell of tobacco and beer.
00:02:35And I'm going to tell you one thing.
00:02:37You don't kick me out.
00:02:38I'm leaving.
00:02:41Mrs. Reza.
00:02:43We are here, the police and a servant, waiting for you to come out.
00:02:47To execute the launch of the mortgage.
00:02:50The mother who gave birth to me.
00:02:52We are not going to pay.
00:02:55Boys, but if you have let him go up.
00:02:57Of course I am.
00:02:59But what do you say?
00:03:00Here we have not let anyone go up.
00:03:02Madam, don't put it on my TV.
00:03:04Let her go.
00:03:06Mom, look at her hand.
00:03:08We are going to enter anyway.
00:03:10Come in, if you have pants.
00:03:18Fuck, why do you have them?
00:03:21Let them in, boys.
00:03:22I don't give a shit about the nuns who are entering.
00:03:24But where did they go up?
00:03:26Go for them.
00:03:29Mrs. Maria Magdalena Reza.
00:03:31In view of your negativity, I dismiss you as a volunteer of the house.
00:03:36And exhausted all the administrative routes.
00:03:41Let's proceed.
00:03:43Hey, please.
00:03:44Can you stop for a moment?
00:03:46Don't you realize that the lady is not going to hear anything from you in the order?
00:03:49The lady asked for a couple of details.
00:03:51Come on.
00:03:52Come on, lighten up.
00:03:53It seems that the demonstrators are already aware.
00:03:55This gentleman authorizes me.
00:03:57I make a tulle with leather to the death.
00:04:00Let's finish in a moment.
00:04:01Let's see.
00:04:02Let's see.
00:04:03The procedure is the procedure.
00:04:05And you are in a hurry.
00:04:07The procedure is that I run out of wine.
00:04:10Bad launch.
00:04:11Good morning, guys.
00:04:12The truth is that I don't know.
00:04:13Which one is yours?
00:04:16Ma'am, come out immediately.
00:04:17The civil guard is here.
00:04:19Look how wild.
00:04:20The frame of the door is going to be broken.
00:04:22No shame.
00:04:23Ma'am, the frame and the door are yours.
00:04:25Lighten up.
00:04:26Take this camera away from me.
00:04:27I don't want to pay you 600 bucks for filming.
00:04:29Let's see if you don't have that on top of everything.
00:04:31Mrs. Blesa.
00:04:32Shut up already.
00:04:33Mr. Blesa.
00:04:34Mr. Blesa.
00:04:48Shut up already.
00:04:49My mother.
00:04:50I'm delicate.
00:04:51I'm wearing a coat.
00:04:52They are all talking.
00:04:54The lack of habit.
00:04:55Let's go.
00:04:56Let's go to the neighbor's house.
00:04:57Here in the village we all know each other.
00:04:58And I don't want any problems.
00:05:00My mother.
00:05:01Insensible.
00:05:02I have three children.
00:05:03This has no name.
00:05:04Her name is dissociation, ma'am.
00:05:05Come on, please.
00:05:06Thank you.
00:05:07Lazaro Carreter.
00:05:08You have taken away the whole dramatic moment.
00:05:09Let's go.
00:05:10Let's go.
00:05:17Already?
00:05:18It can't be.
00:05:19The letter said it was for next month.
00:05:21I haven't even kept the clothes.
00:05:23They are already here.
00:05:26Come on.
00:05:27Don't pay.
00:05:28Don't pay.
00:05:32It can be.
00:05:33It can be.
00:05:34It can be.
00:05:35It can be.
00:05:36It can be.
00:05:37It can be.
00:05:38It can be.
00:05:39It can be.
00:05:40It can be.
00:05:41It can be.
00:05:42Madalena.
00:05:43She is not here.
00:05:44We have been played again.
00:05:45What a problem.
00:05:46This is a kidnapping.
00:05:47I don't stay quiet.
00:05:48Help.
00:05:49Help.
00:05:50Help.
00:05:51Help!
00:05:52Help!
00:05:53Help!
00:05:54Help!
00:05:55Help!
00:05:58Help!
00:05:59Help!
00:06:00Help!
00:06:01Go, go, go!
00:06:03Look at her!
00:06:05Me? I was so calm before she came.
00:06:07Then I'm going now or the month that comes?
00:06:09What do I do? I keep the clothes there?
00:06:11No, fuck, good man, if you want to go now.
00:06:13Hold on, boy, fuck, the bread and my son.
00:06:15Come on, macho, kick me now if you have the idea.
00:06:19Oh, it gives me, oh, it gives me, it gives me, it gives me.
00:06:21What was missing?
00:06:23Lady, we have birdies left!
00:06:25Don't you realize that you're in the middle?
00:06:27If we don't go alone,
00:06:29tomorrow the two of us will come
00:06:31and you'll be on the street, yes or yes.
00:06:33What matters is everything.
00:06:35You're not going to give me another chance,
00:06:37you whore, are you?
00:06:41That's how the world is.
00:06:43My children!
00:06:45Oh, my children, my children!
00:06:47Don't worry,
00:06:49I'm going to solve it.
00:06:55Please, please!
00:06:57Please, please!
00:06:59Let's see, one thing,
00:07:01there is no turning back.
00:07:03I'm just going to ask you, please,
00:07:05something.
00:07:07Don't let him pass!
00:07:09For your mother!
00:07:11Cheers!
00:07:27Well,
00:07:29just so you know,
00:07:31don't kick me out,
00:07:33I'm leaving.
00:07:41Let's go!
00:08:41I've told you that the farm, the restaurant and everything inside is mine. Period.
00:08:51When I die, you can do whatever you want with it.
00:08:53But in the meantime, it stays the way it is.
00:08:55Shut up!
00:08:56And there's no one else to talk to. I don't give a shit.
00:09:11My daughter, don't you want more sarangoyo?
00:09:22She's eating more at the table than you.
00:09:24Mom, I'm sleepy.
00:09:26You've already told me ten times, honey.
00:09:28But if Grandma doesn't call me back, I don't know what she's doing.
00:09:33If I didn't know her.
00:09:42What do you want?
00:09:44Oh, hi.
00:09:45Mom, look, something's happened to me.
00:09:49It turns out that they're disinfecting my flat and I thought that...
00:09:53Well, think about it.
00:09:55But the room is already rented.
00:09:58The one who went to Seville, you know.
00:10:02Call Cristóbal.
00:10:03Okay, but if Cristóbal is in Madrid...
00:10:06Don't count on me.
00:10:07Look for life.
00:10:12Mom, can we go now?
00:10:16Listen to me.
00:10:17Grandma told me that we're going to do something better, okay?
00:10:20Come on, I'm going to count.
00:10:26I left the ten euros.
00:10:28Come on.
00:10:36Motherfucker.
00:10:39Motherfucker.
00:10:41It's you.
00:10:43Oh, what do I do now?
00:10:44I don't have any more money, ma'am.
00:10:55Oh, my baby.
00:10:57Oh my God, what have you done to my baby?
00:10:59Let's see the owner, let him out.
00:11:00What's up, ma'am?
00:11:01What's up?
00:11:05Oh, my baby.
00:11:06Look at this mess.
00:11:08I want the claim book.
00:11:09They've poisoned it.
00:11:11But ma'am, what is it?
00:11:13Wait!
00:11:14What the hell is going on?
00:11:16I told you the eggs were fresh.
00:11:18The eggs are perfect.
00:11:19What do you mean they're perfect?
00:11:20You don't have the perfect eggs.
00:11:21Because look what happened to the baby.
00:11:23Yes, they are perfect.
00:11:24Look, look.
00:11:25For eggs, the perfect ones are mine.
00:11:26On the street.
00:11:27Of course, you're going to throw me out on the street.
00:11:28Yes, of course.
00:11:29That's what you raised, because I'm going to...
00:11:30Well, if that's the case, let's go to the ambulance,
00:11:32that we take the baby.
00:11:33Come on, come on, come on.
00:11:34You have me even without insurance.
00:11:36The heart of Jesus.
00:11:38Three children and an adult.
00:11:41Complete.
00:11:44Thank you.
00:11:46What is that in the heart of Jesus?
00:11:50A hotel, honey.
00:11:56What's wrong with you, Jesus?
00:11:57I want to go back home.
00:11:59That house is not ours anymore.
00:12:01So where are we going?
00:12:03Where?
00:12:04Is there no place to go?
00:12:06Let's see.
00:12:07Think of a place on earth.
00:12:09Disneyland.
00:12:10Oh, how close.
00:12:11I want you to think bigger.
00:12:13Look.
00:12:15Never think that you are inside a circle,
00:12:18but that the circle begins in you.
00:12:22I don't understand.
00:12:24I want you to always look ahead, girls.
00:12:27That what has happened to us in life
00:12:28is an opportunity to be free
00:12:31and to fly like a bird.
00:12:34Never be afraid.
00:12:36Because as long as I'm alive,
00:12:38we go forward.
00:12:42Well,
00:12:44until you turn 18,
00:12:46then look for life.
00:12:48Mom.
00:12:52I can already imagine the bank.
00:12:54Oh, it's a very warm little flat.
00:12:56No, no, even better.
00:12:58It's a flat that gets cooler in the summer
00:13:00and warmer in the winter.
00:13:02Yeah, yeah, yeah.
00:13:03He's going to say,
00:13:04I see them all black.
00:13:12Hey, guys, come here.
00:13:18Didn't you want to live an adventure?
00:13:20Yes.
00:13:21Who was going to tell you
00:13:22that these bodies were going to make a camp tonight?
00:13:24Like this,
00:13:25all of a sudden.
00:13:26Good.
00:13:47My father says that when you come back,
00:13:49come back with money to pay the rent.
00:13:51Meanwhile, you open the door for us.
00:13:54How well you explain yourself.
00:13:56To not be Spanish,
00:13:57tell your father
00:13:58that we are arrieras.
00:14:00Okay.
00:14:04Mom, call Mazda.
00:14:06Not that.
00:14:07If it's true,
00:14:08the best thing is not to do anything.
00:14:09It always gets worse.
00:14:11You're so negative.
00:14:13Don't call Mazda,
00:14:14because I'm prouder than all that.
00:14:17And I'm not going to beg him
00:14:19to pay the rent for lunch.
00:14:20Listen,
00:14:21I just received a letter from Richard Donner.
00:14:24He says that
00:14:25he loves you to be his number one fan.
00:14:28And that one day,
00:14:29he's going to come to Spain.
00:14:31Manolo,
00:14:32if that's what the secretaries write,
00:14:33they send it to freaks like you.
00:14:35But, uncle,
00:14:36you,
00:14:37you're so depressive.
00:14:38Get a psychologist.
00:14:51I love you.
00:15:22David.
00:15:33Motherfucker.
00:15:40No shame.
00:15:42David.
00:15:51David.
00:16:12Daddy.
00:16:13Come on, honey.
00:16:15What a surprise.
00:16:16Daddy.
00:16:17Hi, honey.
00:16:18But,
00:16:19but, well,
00:16:20what are you doing here?
00:16:21You're not happy, are you?
00:16:22No,
00:16:23and the little one?
00:16:24The little one, now.
00:16:25She's playing around.
00:16:26Don't worry about that.
00:16:27Well, she didn't call me, so...
00:16:29You're a degenerate.
00:16:31Where have you been all these years?
00:16:33Look at you,
00:16:34surrounded by shit,
00:16:35and you're so happy.
00:16:36That's what's going to happen in life, son.
00:16:38Look, Mazda,
00:16:39I was wrong,
00:16:40I made a mistake.
00:16:41And the ball has been getting bigger and bigger.
00:16:43Every time I try to go back,
00:16:44I feel more ashamed
00:16:45and I feel more guilty.
00:16:47But I swear to you,
00:16:49last night,
00:16:51I stopped crying
00:16:52and screaming,
00:16:53thinking of you.
00:16:55And I thought,
00:16:56Dimas,
00:16:57you have to come back.
00:16:59You have to come back.
00:17:01But I felt so guilty.
00:17:06Bullshit!
00:17:08Oh, Dimas,
00:17:09we've known each other for many years, son.
00:17:11First you wanted to be a painter,
00:17:13then a sculptor,
00:17:14then a poet,
00:17:15then a writer,
00:17:17then a doctor.
00:17:19You're a bastard.
00:17:22Look, Mazda,
00:17:23I've learned.
00:17:24I swear.
00:17:25Look,
00:17:26I was going to call you
00:17:27because
00:17:30I've rented this place.
00:17:32I wanted to set up a restaurant.
00:17:33I want to lead a new life,
00:17:35and that the children
00:17:36have a dignified future,
00:17:37as it should be.
00:17:40A restaurant?
00:17:41Yes.
00:17:42But are you serious?
00:17:43I'm serious, Mazda.
00:17:45Hey,
00:17:46a restaurant is also an art, right?
00:17:48But, but...
00:17:49Did you rent it?
00:17:51Yes, yes, yes.
00:17:53Listen,
00:17:54you're fooling me.
00:17:56Look,
00:17:57I'm going to make the greatest effort,
00:17:58which is going to cost me,
00:18:00but I'm going to do it
00:18:01to forgive you
00:18:02if you let the kids and me
00:18:03settle here.
00:18:04The bar has to be set up,
00:18:05but now.
00:18:06Wait, wait, Mazda.
00:18:07These things
00:18:08have to be done calmly.
00:18:09This is not in condition
00:18:10for the kids to be here.
00:18:11Ha,
00:18:12did you see?
00:18:13Of course.
00:18:14Look,
00:18:15I'm going to call the police
00:18:16and I'm going to file a complaint
00:18:17that I didn't file at the time
00:18:18for abandonment of home,
00:18:19because I felt pity.
00:18:20Let's go, kids.
00:18:22No, no, no, no, no, no, no.
00:18:23Yes, yes,
00:18:24what I'm saying is
00:18:25that this has to be settled a little.
00:18:26The restaurant thing
00:18:27is still going on,
00:18:28but we have to talk about it,
00:18:29study it,
00:18:30look for financing.
00:18:31This could take a few months.
00:18:33I'll call you
00:18:34when everything is settled.
00:18:36Tell me,
00:18:37where do we get
00:18:38that money
00:18:39so urgently?
00:18:40...to the playground.
00:18:41With this triumph,
00:18:42the third of the season
00:18:43as a local,
00:18:44the team of Paco Jemez
00:18:45gets seven points
00:18:46per hour
00:18:47in the descent area.
00:18:48Yes,
00:18:49yes, yes, yes.
00:18:51Well,
00:18:52see you later.
00:18:53Who are you calling?
00:18:54Well,
00:18:55we have to mortgage the house,
00:18:56but man,
00:18:57I'm telling you
00:18:58that I'm there
00:18:59with this point
00:19:00that escapes me.
00:19:03All that for the junk,
00:19:04that at the weight
00:19:05something will give us
00:19:06and whatever is
00:19:07in the sink,
00:19:08that here
00:19:09we are going to take advantage of it.
00:19:10Stop, Mada, stop,
00:19:11that you are in a hurry
00:19:12and your reason is canceled.
00:19:14Shut up, man,
00:19:15all your life
00:19:16putting hits
00:19:17and locks.
00:19:18Thank goodness I have
00:19:19the blood I have,
00:19:20because if not,
00:19:21no one does anything here.
00:19:22But woman,
00:19:23don't you realize
00:19:24that you have to ask for permission?
00:19:25Health, urbanism,
00:19:26there will be high rates
00:19:27in social security,
00:19:28I say, come on.
00:19:29But all that is done later,
00:19:30my son.
00:19:31Wait and don't run.
00:19:33Get to work,
00:19:34you're a pain in the ass.
00:19:40Mada,
00:19:41we're already here.
00:19:42Come on, look,
00:19:43the three skulls.
00:19:44Tell me,
00:19:45don't hide,
00:19:46I've seen you.
00:19:48I saw her.
00:19:50Hi, mother-in-law.
00:19:52The same path
00:19:53you took to go up,
00:19:54the one in Sandai.
00:19:55And you, my daughter,
00:19:56don't take me in the corner
00:19:57for what I told you
00:19:58the other night
00:19:59that I disdained you,
00:20:00but it's that
00:20:02I've been two nights
00:20:03without sleeping because of that.
00:20:04Yes, yes,
00:20:05because you slept
00:20:06on a bench
00:20:07and the squares of the sheet
00:20:08were stuck in you.
00:20:09You are imprudent, Manolo.
00:20:11We have come
00:20:12because your father-in-law
00:20:13called us
00:20:14and they say
00:20:15you have a lot of money here
00:20:16and we have come to help.
00:20:17Boy,
00:20:18you have a way out, Pato.
00:20:19Of course,
00:20:20selling pots on the streets
00:20:21is a lot of fun.
00:20:40What's up, honey?
00:20:41Please, tell me
00:20:42it's not true.
00:20:43What did you ask my parents
00:20:44to ask for a loan?
00:20:46Look me in the face.
00:20:49Yes, you did, yes.
00:20:50Boy,
00:20:51I've told you
00:20:52it's the only option
00:20:53I have.
00:20:54I don't need
00:20:55a loan.
00:20:56I don't need
00:20:57a loan.
00:20:58I don't need
00:20:59a loan.
00:21:00I don't need
00:21:01a loan.
00:21:02I don't need
00:21:03a loan.
00:21:04I don't need
00:21:05a loan.
00:21:06I don't need
00:21:07a loan.
00:21:08I don't need
00:21:09a loan.
00:21:15Oh honey!
00:21:18She's going to nod at me,
00:21:20to see how I ...
00:21:21pachinko under her bed.
00:21:27I'll see you in a bit.
00:21:28Good morning,
00:21:29I've come to bring
00:21:30some food for lunch,
00:21:31some fried rabbit,
00:21:32a salad
00:21:35and some omelette.
00:21:39Who was going to tell me?
00:22:06Magdalena, Queen of the Hostelery
00:22:31What do you think, guys?
00:22:34Let's eat the world!
00:22:36This is starting!
00:22:38This is starting!
00:22:46Come on, son, 0.0.
00:22:48Will there be a sad uncle?
00:22:49A drunkard is the right thing, I don't know...
00:22:52But if you go through the door, you'll see that what comes out of the window is 0.01.
00:22:56At least, 0.0.
00:22:58Potato head, not a bubble boy.
00:23:00By the way, the test results have come out.
00:23:03Don't tell me, don't act!
00:23:05What are we going to do, another year without promotion?
00:23:11Good afternoon, sir.
00:23:12Put the four switches on, turn off the engine and remove the key, please.
00:23:17The truth, sir, people, is that I haven't drunk anything.
00:23:21I, if you want, I blow, but I don't...
00:23:25Put the bottle on and drink.
00:23:28What a nice bottle.
00:23:29Man, a beer has been taken.
00:23:31I have told him that we change, that I am better.
00:23:34Because we come from a...
00:23:37Yes, from a celebration with the family.
00:23:40Go on, go on.
00:23:45109 from Central.
00:23:51109, go ahead.
00:23:52This team is carrying out an alcohol control.
00:23:54Very well, when your task is completed,
00:23:56we have received a notice from some gentlemen that there are some occupants on your farm.
00:23:59They are waiting for you in the water tank so that you can go and see what happens.
00:24:03Received.
00:24:06But are you going or not?
00:24:08Now, now.
00:24:09You keep blowing that I have so much time and this management interests me.
00:24:13That colorado de pavo, inflating balloons, is not.
00:24:20Come on, come on, come on, come on.
00:24:23Lightening.
00:24:24Come on, come on.
00:24:31Well, guys.
00:24:34You already know that right now we are about to start a new life.
00:24:38Let's see.
00:24:39Prayers and questions.
00:24:40God, the loan is due on the 5th, we will have to pay it, right?
00:24:45That is not a question, Fabrilo.
00:24:48Then it will be a prayer.
00:24:49Do not be sorry, father-in-law.
00:24:51As soon as people start arriving, this is paid alone.
00:24:54Have you thought about who is going to take care of everything?
00:24:57It does not matter.
00:24:58None of us have a fucking idea of hostelery.
00:25:00The failure will be the same.
00:25:02Let's see, competition.
00:25:04Juana, you the accounts and the banks.
00:25:06Because you are in everything and you do not lose your temper.
00:25:08I say.
00:25:09Fran.
00:25:11The brick has given you enough knowledge in terms of mixing things, right?
00:25:16To make dough.
00:25:18You the desserts.
00:25:19You the desserts.
00:25:20You are hungrier than I thought.
00:25:21But what does one thing have to do with the other?
00:25:23Can you imagine that the fine gravine is the pyrite that is added to it?
00:25:27That the cement is the chocolate?
00:25:29Anyway, what do I know?
00:25:30Search for life.
00:25:31Make up your mind.
00:25:32And what about me?
00:25:33You? Your maintenance.
00:25:34That's how you make fun of the hobby you have of setting up junk.
00:25:37It is clear that you have reserved the worst.
00:25:40It costs a lot to send, right, daughter?
00:25:42Whenever you want, I'll change it for you, huh?
00:25:44That to make bread, I don't think you have to do a master either.
00:25:47Come on.
00:25:49I think you miss a detail above.
00:25:52Who is going to be in the kitchen?
00:25:54What is the menu going to be?
00:25:55Anyway, those things.
00:26:00Good morning.
00:26:01Madalena, when you can, come into the kitchen because we have to clarify a few things.
00:26:06I don't know who advised you about the machinery, but there is a lack of everything.
00:26:11To the rest, much pleasure.
00:26:14And with God.
00:26:15Oh, another pinch to the account.
00:26:17Come on, but if you are the gossip.
00:26:19They are saying that the people intoxicated a superior.
00:26:22Yes, it was us.
00:26:24Well, well, well.
00:26:25Those are rumors, huh?
00:26:26That's precisely why I called you.
00:26:28Because I felt sorry for the woman.
00:26:30Anyway, now we only have a waiter's square left.
00:26:34Hey, what about Dimas?
00:26:37Dad told me he was going to solve a little matter and he was coming.
00:26:41What a mess.
00:26:43I was there with pleasure.
00:26:45Take the bag.
00:26:48Hey, Mr. Dimas.
00:26:51Where are you going?
00:26:52Mr. Bruno.
00:26:53Ah, but you know each other.
00:26:54Then we can go.
00:26:55No, no, no, no, nothing of that.
00:26:57This gentleman has permission to be here temporarily.
00:26:59But to know what he is doing on our farm, because we have received a bill of light.
00:27:04Let no one pass.
00:27:06Do you mind if I talk to him for a moment?
00:27:08Go ahead, but keep the composure, otherwise we would have to intervene.
00:27:10No problem.
00:27:15759 euros, but what is this about?
00:27:20We ask permission for you to stay here and not let anyone pass.
00:27:24Tell us what's going on, because the people are running the news
00:27:27that Moriana is reopening to the public.
00:27:29I knew I should have come earlier.
00:27:30I still don't know what these are, nor do I move.
00:27:33Why?
00:27:34Because in the neighborhood it is said that the former owner of Moriana
00:27:37also vanished without a trace of the son.
00:27:41Poor man.
00:27:42If it hadn't been for this, what a danger.
00:27:45What a smell.
00:27:46If this could be demonstrated, we would have access, but with graduation.
00:27:50But with the kids and everything?
00:27:52This looks like a Almodóvar movie.
00:27:53There is no way to catch him.
00:27:55They have gone out of hand.
00:27:56But if I told him the truth, he would look for me in the ruins.
00:27:59And you don't care about the mess you're in?
00:28:02I know it was a mess, but you don't know her.
00:28:05Do you know what we can do?
00:28:07No, look, look, look.
00:28:08I don't give a damn.
00:28:10No, no, no.
00:28:11It's true.
00:28:12You have 24 hours to disappear.
00:28:16If I don't put you in a package, you'll be four years to cook it
00:28:19and you'll get rid of that stupid face you have.
00:28:21No, no.
00:28:22But man, we have left it beautiful.
00:28:25And in operation.
00:28:26At least we get what we have invested.
00:28:29Hey, I'll kill this guy.
00:28:30No, no.
00:28:31No, no, no.
00:28:32Look, look, look.
00:28:33That's not worth anything.
00:28:34That's where Zenútrio's apartments go.
00:28:36And you're lucky that we give you time to disappear.
00:28:4024 hours, huh?
00:28:4124 hours.
00:28:4224 hours.
00:28:43Hey, Dimas.
00:28:4424 hours.
00:28:55Hey, where were you?
00:28:57I went out for a walk.
00:29:01Look, Malta, this is getting out of hand.
00:29:04I have to talk to you.
00:29:07Are you leaving again?
00:29:08No.
00:29:10Because for me,
00:29:11you can leave as many times as you want.
00:29:14But the kids...
00:29:16The kids don't deserve another failure like that.
00:29:19Daddy, we're going with Manuel to present a short contest.
00:29:22We love you.
00:29:23Bye.
00:29:24But it's not over yet.
00:29:28Son, I thought that one day,
00:29:30at the end,
00:29:31I would twist your neck.
00:29:34But I see that it's coming out.
00:29:36Thank you, Father.
00:29:37Well, see you tomorrow.
00:29:39I never thought I'd say this, son,
00:29:41but I'm very proud of you.
00:29:43Thank you, Mother.
00:29:45Oh, who was going to tell me?
00:29:47Dimas, reformed and decent.
00:29:49What a thing to say.
00:29:52Yes, look,
00:29:54I don't believe it either.
00:29:55Well, you had to tell me.
00:29:57No, if I...
00:29:59Better.
00:30:00Because whatever happens,
00:30:02or whatever happens,
00:30:05Francisco and I are going to town to put up posters
00:30:07for the inauguration.
00:30:08That tomorrow
00:30:10the restaurant opens.
00:30:12I didn't hear.
00:30:17Oh, how sensitive you are.
00:30:38Hello, how are you?
00:30:56Hello, how are you?
00:30:58Hello, how are you?
00:31:05Of course, even if it's not a restaurant,
00:31:07I don't care.
00:31:10It's my turn again.
00:31:12What are we going to do?
00:31:14All good.
00:31:15What?
00:31:16What's going on?
00:31:17What do you mean, what's going on?
00:31:18Let's get out of here.
00:31:19Let's go.
00:31:20Let's go.
00:31:21Let's go.
00:31:22Let's go.
00:31:28Let's go.
00:31:29Let's go.
00:31:30Let's go.
00:31:31Let's go.
00:31:32Let's go.
00:31:33Let's go.
00:31:34It's inaugurated,
00:31:35new for Gemoriana,
00:31:37by my holy nose.
00:31:39Bravo.
00:31:40Bravo.
00:31:41Bravo.
00:31:42Bravo.
00:31:43Bravo.
00:31:44Bravo.
00:31:49Hey,
00:31:50you have to get rid of that unpresentable one
00:31:52before people arrive.
00:31:55Oh, leave him alone, poor thing,
00:31:57he's been staring at the truck for so long.
00:32:00This smells like reconciliation.
00:32:03Well,
00:32:04let's get down to business,
00:32:05it's two o'clock now.
00:32:07Mom, the bread.
00:32:08Sixteen kilos and a half breads.
00:32:10Of course.
00:32:11Bacon from heaven,
00:32:12flan from two,
00:32:13from two.
00:32:14Well,
00:32:15everyone knows
00:32:16that the clientele is arriving.
00:32:28Well,
00:32:29it's the first day.
00:32:31Hey,
00:32:32it's your turn.
00:32:36It's okay,
00:32:37you can't get there
00:32:38and kiss the saint.
00:32:54Very good, Terene.
00:32:55Thank you.
00:32:57Oh,
00:32:58I'm looking forward to tomorrow.
00:32:59I'm going to rest
00:33:00and I'll do the job
00:33:01with pleasure.
00:33:02Of course.
00:33:03See you later.
00:33:04See you, guys, we're leaving, okay?
00:33:05Goodbye, precious.
00:33:06I love you so much.
00:33:07Come on, Lu,
00:33:08get to work, please.
00:33:09See you tomorrow.
00:33:10See you tomorrow.
00:33:11Fantastic.
00:33:12Thank you.
00:33:13This is great,
00:33:14what a job,
00:33:15how good,
00:33:16I loved it.
00:33:17I don't know, I don't know.
00:33:18Well,
00:33:19I was just saying it
00:33:20to cheer you up.
00:33:21And why do you have to cheer me up?
00:33:22Because
00:33:23you're going to need me.
00:33:26Why am I going to need you?
00:33:28I've been talking to Paco.
00:33:30Well,
00:33:31how do I put it?
00:33:32It happens that...
00:33:33What's going on with Paco?
00:33:34No, well,
00:33:35that...
00:33:36that the tour is suspended, Terele.
00:33:38That the sponsors have broken up.
00:33:40And that you call Paco.
00:33:41I don't think there's enough money
00:33:42to pay him today.
00:33:45Well,
00:33:46what,
00:33:47are we going to see each other?
00:33:48That's Paco's fault.
00:33:50And it's my fault too
00:33:51for listening to him
00:33:52and doing everything he says.
00:33:54He tells me before,
00:33:56and I don't get mad.
00:33:57If he tells me,
00:33:58I get mad at him.
00:33:59Look what I'm telling you,
00:34:00I'm going to do whatever I want.
00:34:03Goodbye, bird-brain.
00:34:06I'm going to miss you the most.
00:34:08Look.
00:34:25Congratulations, Paco.
00:34:33Well, and the consolation prize is
00:34:35for Manolo Blesa and his nephew.
00:34:52They haven't left me
00:34:53for Superman for so long.
00:34:55But if we hadn't won
00:34:56the first prize,
00:34:57it would have been fixed.
00:34:58And it's not a consolation prize.
00:34:59Isn't this the restaurant
00:35:01that Fernando de Coquina opened
00:35:03a few years ago?
00:35:04Well, yes, apparently
00:35:05they opened it again.
00:35:06I dedicate it to Richard Daniels.
00:35:07Thank you.
00:35:08And from what I see,
00:35:09they're renovating or...
00:35:11I don't know.
00:35:12Okay, we'll come back again.
00:35:14Goodbye, grandma.
00:35:15Goodbye.
00:35:19Hey,
00:35:20remember your sister
00:35:21and the opening license.
00:35:23Yes, we didn't know
00:35:24you were going to open it
00:35:25and you didn't say anything.
00:35:26Yes, yes.
00:35:27She has it written down.
00:35:29Don't worry.
00:35:30I'm sure they'll find
00:35:31a sponsor right away
00:35:32and the tour will resume.
00:35:35Yes, in the meantime,
00:35:36I'll be at home,
00:35:37sitting, waiting.
00:35:38Well, holidays.
00:35:40Holidays?
00:35:41But, well...
00:35:43How is it?
00:35:45I love you, I love you.
00:35:47You always think everything is fine.
00:35:49You cheer me up right away.
00:35:50You're so nice.
00:35:52Don't worry.
00:35:53I'm sure a movie will come out
00:35:54right away.
00:35:57Everyone should be like you.
00:35:59You see a solution to everything.
00:36:00Everything seems fine to you.
00:36:04Taxi!
00:36:20Another day at zero.
00:36:22If you had killed the pigs
00:36:23for the opening,
00:36:25we would have put this
00:36:26from boat to boat.
00:36:27Yes, for free,
00:36:28take care of everyone.
00:36:29But then no one will see your hair.
00:36:30I've made rice with milk.
00:36:31Do you want some?
00:36:32Desserts too.
00:36:33This is the menu of the press.
00:36:35No one has come yet
00:36:36and the genre has worn out.
00:36:38Fabrilo,
00:36:39you're always
00:36:40reneging with the bitches.
00:36:42Because it hurts.
00:36:43Here, it hurts.
00:36:44It hurts.
00:36:45It hurts.
00:36:46It hurts.
00:36:47It hurts.
00:36:48Because it hurts.
00:36:49How does it not hurt you?
00:36:50She was dating my brother-in-law.
00:36:52She has spent all her life
00:36:53saving bills
00:36:54in every corner
00:36:56and she has not been able
00:36:58to buy some shoes
00:36:59for my son.
00:37:00Until I know,
00:37:01we have done the loan.
00:37:03I don't give a shit.
00:37:04It's yours.
00:37:07I put a stick in that one
00:37:08that lifted it in weight.
00:37:10It's full of bills
00:37:11that have to be in that house.
00:37:12How wonderful.
00:37:13Fuck.
00:37:14How wonderful.
00:37:15How wonderful.
00:37:16How beautiful.
00:37:17What an environment.
00:37:18What the fuck.
00:37:19Clementina.
00:37:20Saffron.
00:37:24Hello.
00:37:25What do we want to eat?
00:37:26Ah, very good.
00:37:27Yes, there are four of us,
00:37:28but we are waiting for three more.
00:37:30Here you go.
00:37:32What are those words, girl?
00:37:33I don't understand them.
00:37:34Well,
00:37:35what are you going to drink?
00:37:37Listen,
00:37:38if we sit down first
00:37:39and then we tell you.
00:37:41Ah, of course.
00:37:42Of course.
00:37:43Take notes.
00:37:44At that table,
00:37:45which is a little fresher,
00:37:46okay?
00:37:47By the way, girl,
00:37:48the video of the kids is beautiful.
00:37:51What?
00:37:52The video you recorded
00:37:53of how you fixed all this.
00:37:55If that's why we came.
00:37:56If not, why?
00:37:58What?
00:37:59Ah.
00:38:00Ah, you came for that.
00:38:02We thought you had this closed
00:38:04here in Alicante.
00:38:05But when I saw the video,
00:38:07I told him this.
00:38:08Fix it
00:38:09because we're going to Moriana
00:38:10to eat a roast beef.
00:38:12Ah.
00:38:13It was a great idea
00:38:14to advertise this
00:38:15with the short film.
00:38:16Very good idea, really.
00:38:19And as a baby,
00:38:21what are you going to drink?
00:38:26Come on, let's go.
00:38:27Come on.
00:38:38Listen,
00:38:39this is going to be a hit.
00:38:42They say
00:38:43it's a bad omen.
00:38:44It's a vice.
00:38:45The one on the left, I'm sure.
00:38:47She had her eyes open
00:38:48and she was saying,
00:38:49how delicious,
00:38:50how delicious.
00:38:51Maybe that's the husband's thing.
00:38:53Because under the table
00:38:54you can do everything.
00:38:55Oh, wait,
00:38:56you're always thinking the same thing.
00:38:57And what do you want?
00:38:58If I keep going like this,
00:38:59I'm going to become a virgin again?
00:39:01Banca has watermelons,
00:39:02there's no going back.
00:39:03Well, let's see what you want to tell us
00:39:05that I can't stand for long.
00:39:06You shouldn't have knelt.
00:39:08I told you to wait
00:39:09for all this to happen.
00:39:10Look,
00:39:11I have the exact formula
00:39:12so that we don't run out of money
00:39:13and we have to put the full poster
00:39:14on the door.
00:39:16It will be less.
00:39:17Well, let's see if it's true
00:39:18because I don't have much left
00:39:19for retirement.
00:39:20These people
00:39:21have loved what they've eaten.
00:39:23So,
00:39:24what we do works.
00:39:25Now we just need to fill the glass.
00:39:27Did you think about that yourself?
00:39:28Or did you hire Inspector Galli?
00:39:30People want something different.
00:39:33They want the offer to surprise them.
00:39:35And here you can only hear
00:39:37that if we look for you,
00:39:38that if we do it for you,
00:39:40we're going to break all the molds.
00:39:46We're going to make
00:39:49a movie.
00:39:59Son,
00:40:00you have so little blood.
00:40:03It hasn't started yet.
00:40:04Everything has changed.
00:40:06Woman, advertising is what it is.
00:40:09I don't know.
00:40:10Now everything goes so fast.
00:40:12Look, people
00:40:13are like amoebas, you know?
00:40:15Amoebas.
00:40:17We go around
00:40:18advertising everything
00:40:20and changing shapes
00:40:22and unfolding pseudopods.
00:40:24But deep down,
00:40:25in the end,
00:40:26the only thing we change is the shape.
00:40:28We're still just an amoeba.
00:40:30Hey,
00:40:31have you had a coffee with punch?
00:40:36I don't know, but
00:40:38I have a feeling.
00:40:40For this week's Athletics final?
00:40:42How funny.
00:40:44I have a feeling
00:40:46that I'm going to make a movie.
00:40:50I'm sure.
00:40:55I'm going.
00:40:57What are you calling me an amoeba?
00:41:00Another position is that of
00:41:01assistant director.
00:41:04Take it off, take it off.
00:41:05Another mouth to think about it.
00:41:07Production manager.
00:41:08Yes, but sit down.
00:41:10Script.
00:41:11What's that?
00:41:13Out.
00:41:14That's not necessary.
00:41:16Camera assistant?
00:41:17Of course, too.
00:41:19Actors?
00:41:20Well, here's another one.
00:41:33What a mess.
00:41:34If a bomb falls right now in Moriana,
00:41:36the village will be deserted.
00:41:38It's great, boss.
00:41:39It's great.
00:41:41What's wrong with people?
00:41:42Between what they drink at the casting
00:41:44and what the clientele is going to mess up
00:41:46when the movie is released,
00:41:47we're screwed.
00:41:49You trust the movie a lot.
00:41:51Can you think of something better, Fabrilón?
00:41:53So far, everything you've asked for,
00:41:55all these cups and people,
00:41:56are glasses of water and not tap water.
00:41:58Next.
00:41:59Hello.
00:42:00Name?
00:42:01Mariano.
00:42:02Ma-ri-a-no.
00:42:04Girl,
00:42:05you don't understand anything you've said.
00:42:07So what?
00:42:08I didn't go to school.
00:42:09You did go to college.
00:42:10You don't need to read.
00:42:12Have you ever acted?
00:42:13When I was a kid at school.
00:42:15Like everyone else.
00:42:16Perfect.
00:42:17Done.
00:42:18Good.
00:42:35What's this?
00:42:36I can't believe it.
00:42:38Hey, where are you going?
00:42:40I hadn't seen him.
00:42:42I have nothing to do with this.
00:42:44I'll get rid of him right now
00:42:46and I'll get those people out of here.
00:42:48We're going on a secret mission.
00:42:51It's a secret, right?
00:42:52It's a secret, period.
00:42:54I know I had 24 hours to get out of here.
00:42:56Don't worry.
00:42:57I wasn't going for that.
00:42:58No?
00:42:59We were carrying a mission.
00:43:01Besides,
00:43:02to get them out of here.
00:43:04But they have to go on their own.
00:43:06Because there are minors on the property.
00:43:08You can't do anything.
00:43:10Don't worry.
00:43:11This is a legal course.
00:43:13The judges are in the office.
00:43:15Let's go.
00:43:17Really?
00:43:18Kid, it's time.
00:43:19Let's go.
00:43:20Good luck and good service.
00:43:23Godspeed.
00:43:26Great.
00:43:27We'll call you.
00:43:28Another one.
00:43:32Ta-da!
00:43:34Hi.
00:43:35Kid, did Nipero leave or what?
00:43:37If I get out of Superman,
00:43:38I'll add value to the movie.
00:43:40I know.
00:43:41Anolico, please,
00:43:42get out of here.
00:43:43We don't have time
00:43:44to be fooling around now.
00:43:46Come on.
00:43:47Hi, we're here for the casting.
00:43:49The carnivals are over.
00:43:51We know you'll count on us
00:43:54given our extensive experience.
00:43:56But we don't want a distinction.
00:43:58That's why we've made a queue.
00:44:10Very good, very good.
00:44:12I see it.
00:44:14So, do we have the role?
00:44:15How do you see it, Fran?
00:44:16I think they need more intensity
00:44:18in the gesticulation.
00:44:20Mmm.
00:44:24There, there, there.
00:44:25There, perfect.
00:44:26Very good.
00:44:27You're at the door of a round ship.
00:44:29Mmm.
00:44:31Hey, listen,
00:44:32don't take your eyes off it.
00:44:33Don't make it too obvious.
00:44:34Okay.
00:44:43What's this?
00:44:44Oh, my God.
00:44:50Grrr.
00:44:56Oh, no!
00:44:57Please, no!
00:44:58No, no, no, no, no!
00:45:02My name is Fuensanta López.
00:45:04For FuensantaLópez.com
00:45:06And you?
00:45:07Social media expert.
00:45:09Social media manager.
00:45:10And you?
00:45:11Is this about Facebook and Twitter?
00:45:13And Pinterest and Instagram
00:45:14and Picasa and Twenty.
00:45:16Well, this one a little less.
00:45:18Do you know how to make coffee and order?
00:45:21Yes.
00:45:22I worked at my brother-in-law's bar for three years.
00:45:25Hire me.
00:45:32The catalyst will be the component,
00:45:34character or element
00:45:36that will push the protagonist
00:45:37to the first big turning point.
00:45:42The conflict.
00:45:44Oh, my God.
00:45:45What a book my Manolico bought.
00:45:54Honey,
00:45:55are you going to tell him what the hell is going on?
00:45:59Yes, honey.
00:46:00Wait a second.
00:46:01Good evening.
00:46:02Good evening.
00:46:03If you're not waiting for half an hour,
00:46:05I'll charge you like a club.
00:46:06Perfect.
00:46:07I'll cut the supply.
00:46:08Wait a minute.
00:46:10What are you talking about?
00:46:11What are you talking about?
00:46:13Aren't you going to tell me
00:46:14that the shameless Dimas
00:46:15hasn't kicked people out of his house?
00:46:17Not only that.
00:46:18The bastard called me
00:46:19and told me that his wife understands the law
00:46:21and that as long as there are minors in the house,
00:46:23we don't kick them out even with hot water.
00:46:26Cut.
00:46:27What are you waiting for?
00:46:29But hey,
00:46:30didn't I tell you that I didn't want him
00:46:32to be the guard of the farm?
00:46:33That he was a whore!
00:46:34Don't give me a hard time, Prudent.
00:46:36Don't give me a hard time.
00:46:37Cut.
00:46:40Plant.
00:46:42Beautiful.
00:46:44Catalyst.
00:46:47Detonator.
00:46:51I didn't want to make a movie.
00:46:52Take this.
00:46:56Cut or not cut?
00:46:58We can't.
00:46:59We're going to lose our hair.
00:47:00I also understand the law.
00:47:02What do you want?
00:47:03For us to spend two years of paperwork and hardships?
00:47:05I'll take care of this.
00:47:07You'll see, you'll see.
00:47:08When the gender starts to be lost,
00:47:11we'll make them poop.
00:47:13Plus, plus.
00:47:15Yes, I'll pay for it.
00:47:17Cut now.
00:47:26What's going on now?
00:47:28If I knew that Lu's receipts wouldn't come,
00:47:30it would be weird.
00:47:31Cancel it!
00:47:32Cancel it!
00:47:57It's done.
00:47:58What?
00:48:00Electrogen group.
00:48:01Gasol.
00:48:03For the sound...
00:48:057 kV.
00:48:06Minimum.
00:48:11Bastard!
00:48:28Wait, I said it.
00:48:30Barca gave me a daughter.
00:48:31My age.
00:48:32Actress.
00:48:33We'll see how it goes.
00:48:35Marta.
00:48:36We have 63 followers on Twitter
00:48:39and a like on Facebook.
00:48:41Oh, girl, give me a beer.
00:48:46Juana Continuidad.
00:48:47That's what this is for.
00:48:51Well, father-in-law,
00:48:52do you know what you have to take care of?
00:48:54I know what I'm not going to take care of.
00:48:57I've received the third letter of the loan
00:48:59and no one is breathing here.
00:49:01Stop being a pain in the ass
00:49:03and pay me something.
00:49:04Oh, really.
00:49:06We're almost there.
00:49:07Wait and then I'll pay you all together, okay?
00:49:10No need to pay everything at once.
00:49:12We're fed up with being idiots.
00:49:17I don't think she's going to pay anything.
00:49:20She's crazy.
00:49:21She's making a movie.
00:49:24Just in case, I'll put up with the guy.
00:49:26Once we're pre-selected?
00:49:28We've been here too long.
00:49:42Hey, Mom.
00:49:43I can't stay with the kids because I have a lot to do.
00:49:46That's not it.
00:49:47Let's see.
00:49:48Do you know where Aunt Conchita's residence is?
00:49:50Are you going to go see her?
00:49:52If you don't, she won't recognize you
00:49:54for the time you've been away from her.
00:49:56Let's see how things go tomorrow.
00:49:58I'll come and send you the money.
00:50:01I knew there was something else behind that.
00:50:12She's not going to give you a hard time.
00:50:14Richardone, he's from Spain.
00:50:16It's an opportunity to meet him.
00:50:18Give Aunt Conchita this before that.
00:50:20If I catch you, I'll break your head.
00:50:22If you want to live bitterly, that's your business.
00:50:24We have to focus on what we're going to do now,
00:50:26which is what interests us.
00:50:39Leave it.
00:50:40Let's see what she wants.
00:50:41Aunt Conchita, you look beautiful.
00:50:43Beautiful today.
00:50:44She wants something.
00:50:45Hi, Auntie.
00:50:46Hi.
00:50:47What do you want?
00:50:48How are you?
00:50:49Fine.
00:50:50How long, my goodness.
00:50:52What do you want?
00:50:54Look, your brother-in-law, my mother,
00:50:56has become a whore.
00:50:57It's a matter of life and death.
00:50:59Man, if we leave her, if...
00:51:01If she goes, she'll lose her.
00:51:03It's a delicate matter,
00:51:05and now it's come to us
00:51:07that the dependency law is fucked up, you know?
00:51:10I already imagined it.
00:51:11To Conchita, let her suffer.
00:51:13But when you need money,
00:51:15how beautiful Conchita is.
00:51:17You're heavy, are you okay?
00:51:18Yes, I am.
00:51:19Look what I tell you, beautiful.
00:51:21Wait for me to pay you back,
00:51:22and you'll get some inheritance.
00:51:24Guys, you know what to do.
00:51:45Damn it, son.
00:51:46I told you this was a failure.
00:51:48But I'll keep the last thing she said.
00:51:51We'll get something.
00:51:52Yes, and what do you plan to do?
00:51:54For now, I don't have any plans tonight.
00:51:56Because of my ovaries,
00:51:57I'm taking this movie forward.
00:51:59And with a head of a cartel.
00:52:01Head of a cartel?
00:52:02Do you know any famous people?
00:52:05I don't.
00:52:07According to Fryer's Cuttings,
00:52:09there is a maximum of six degrees of separation
00:52:12between one person
00:52:14and any other in the world.
00:52:18Example.
00:52:20Fuganita calls Menganito,
00:52:23who, in turn, calls Sultanito.
00:52:25And so on and so forth,
00:52:28until...
00:52:35Yes?
00:52:38What?
00:52:40Magdalena.
00:52:42Delighted.
00:52:44From Murcia.
00:52:49Thank you very much.
00:52:51Thank you.
00:52:54Well, yes.
00:52:55Yes, yes.
00:52:56What is it?
00:52:59Thank you, Magdalena.
00:53:02I'm looking forward to meeting you.
00:53:05Great.
00:53:06Call me tomorrow.
00:53:07Do you want to?
00:53:08Very well.
00:53:09Good night. Goodbye.
00:53:12Who called me for a movie?
00:53:13See? I told you.
00:53:14Who? Alex or Santiago?
00:53:16From Murcia.
00:53:17Murcia?
00:53:18Magdalena from Murcia.
00:53:20Murcia.
00:53:21What's up with Murcia?
00:53:23Nothing.
00:53:24It was from Murcia, wasn't it?
00:53:25Yes, yes.
00:53:26They made you a rebellion in 2008, but...
00:53:29Hey, be careful.
00:53:30Be careful.
00:53:31I have that palpitation.
00:53:33And when I have that palpitation,
00:53:34everything goes well.
00:53:35No palpitation,
00:53:36but look,
00:53:37you're adding pepper to the soup.
00:53:39Oh, thank goodness.
00:53:41It's nothing.
00:53:42Don't worry, don't worry.
00:53:43I'll put this away.
00:53:44Do you have a cup?
00:53:45No, throw it away.
00:53:46Throw it away.
00:53:48Come on.
00:54:04No, no.
00:54:05Maybe you were fantasizing.
00:54:07No way.
00:54:09Let me tell you this.
00:54:10This smells like chamoquina.
00:54:12It smells like a strange girl, it's you.
00:54:14Where have you been?
00:54:15I haven't done anything.
00:54:18It does smell, yes.
00:54:19Like dead dogs.
00:54:29Let's go.
00:54:30But what are we going to do?
00:54:31Take the flashlight.
00:54:33With new batteries.
00:54:35I don't know.
00:54:37I don't know.
00:54:38I don't know.
00:54:39I don't know.
00:54:40I don't know.
00:54:41I don't know.
00:54:43Let's go to Aunt Conchita's house.
00:54:45Come on.
00:54:46Are you crazy?
00:54:47I'm going.
00:54:48Me too.
00:54:49I do everything except steal.
00:54:50Come here.
00:54:51She told us that when we get the palm tree,
00:54:53we'll get something from the inheritance.
00:54:55This isn't a robbery.
00:54:57This is...
00:54:58We're going to get an advance.
00:55:02Girls!
00:55:03What are you doing here?
00:55:04She didn't explain.
00:55:05I thought we were going to have a drink and I invited her.
00:55:07Of course.
00:55:08What's the plan?
00:55:09Gin and tonic?
00:55:10Are you going to stay here for a while?
00:55:12We're going to have a drink, you know?
00:55:14No, no.
00:55:15No, no, no.
00:55:16I know this.
00:55:17And then you don't show up.
00:55:19What's up?
00:55:20What do we do?
00:55:21I don't give a shit.
00:55:22Hurry up.
00:55:25We have to speed things up.
00:55:28Something caught.
00:55:30Come on.
00:55:39Damn, she got away.
00:55:40I'm so nervous.
00:55:49Dimas, you go to the living room.
00:55:51Anolo, you go to the bedroom.
00:55:54And I'm going to the library and the chapel.
00:55:57And what about me?
00:55:58And you keep an eye out.
00:56:00Don't take too many pictures tonight.
00:56:01And if someone comes, let me know, okay?
00:56:03Okay.
00:56:05Don't worry about anything, son.
00:56:07I'm here to give you the deals you took advantage of.
00:56:10Come here.
00:56:20Guys, let's go, we're late.
00:56:22Girls, how strong.
00:56:24There were beans in the boat.
00:56:2610,000 bucks between Puyol's books and Mario Conde's.
00:56:30This is a tax haven.
00:56:31I'm going to get more.
00:56:32Don't be greedy.
00:56:33We'll have time to come another time.
00:56:35Where are they?
00:56:41Go with those morons.
00:56:43We'll talk at home, you know?
00:56:45Smoke, smoke.
00:56:50Checkbox, checkbox, checkbox.
00:56:56Checkbox, checkbox, checkbox.
00:57:01I'm going.
00:57:02I've made a mistake again.
00:57:05One, two, three, four.
00:57:10Did you see her?
00:57:17I haven't lost my luck because I was born a miner.
00:57:27Hey, kid.
00:57:40Stop, police.
00:57:43Stop, police.
00:57:47Dad, they're still going down the street to the health center.
00:57:50Well, one less day of work I have.
00:57:57Police!
00:58:08Don't kill him. I didn't know he was an animal.
00:58:10Don't tell me this is not the time, Twitter.
00:58:13Oh, the picture came out as I saw it.
00:58:15Hey, what about Diman?
00:58:16Don't worry about Diman, he knows how to move.
00:58:18The police are coming.
00:58:19I know.
00:58:20Now the phone too.
00:58:22Yes, tell me.
00:58:23Magdalena?
00:58:25I'm Terele.
00:58:26Ah, hello, Terele.
00:58:29Hello, what's up?
00:58:30Yes, I'm making the movie.
00:58:32Yes, yes, yes.
00:58:34I'm very excited.
00:58:35I have a feeling that I want to do it.
00:58:38Oh, I'm so happy.
00:58:39You don't know how happy I am.
00:58:46Stop the vehicle.
00:58:48Stop the vehicle.
00:58:50Are you very busy?
00:58:51Are you very busy?
00:58:52Listen to me, yes, we can talk another time.
00:58:54Well, look, I'll call you tomorrow, right?
00:58:57Yes.
00:58:58But you know I want to do it.
00:59:00Come on, a kiss, see you later.
00:59:03He's making Terele's movie.
00:59:05I love this woman.
00:59:06She's so plump.
00:59:12I'll call the police and tell them to stop.
00:59:14Stay still.
00:59:21Stop!
00:59:31Did you expect me to do a Tarantino?
00:59:33Cross your fingers.
00:59:41Stop! Police!
00:59:51Stop!
01:00:02They're going to find out.
01:00:03They're going to leave me hanging.
01:00:07Hey, Prudence, it's Dimas.
01:00:10Listen, listen, listen, woman.
01:00:12Not everything is what it seems.
01:00:14Look, I have some information that may interest you.
01:00:22Oh, 50 meters more and I've done the billy.
01:00:27Son, calm down, we have to talk.
01:00:30Tonight we have a problem.
01:00:32I also have fresh news.
01:00:34My children, give me a kiss.
01:00:36I didn't expect this.
01:00:39You've killed me.
01:00:40I'm not surprised.
01:00:42I've seen things, but this is...
01:00:46What are you saying?
01:00:48Hi, Magdalena.
01:00:52I'm going to pee, this is getting ugly.
01:00:54You look pale.
01:00:56What did they tell you?
01:00:58What did they tell me?
01:00:59Who are these people?
01:01:00You've made me a...
01:01:01Shameless.
01:01:02Hey, excuse me.
01:01:04A little more respect, okay?
01:01:06The one you have for your family.
01:01:08Because none of the people here
01:01:10had any idea what you and Dimas were up to.
01:01:13I've made a loan.
01:01:15Your mother leaves the house and the kids...
01:01:18That's the worst, the kids.
01:01:19Did you smoke pot or what?
01:01:20Magdalena.
01:01:22We have the Civil Guard waiting for our OK
01:01:24to kick you out on the street.
01:01:27But, but, but...
01:01:29We can reach an agreement.
01:01:32I'm going to pee.
01:01:33Look, we'll give you a chance to fix the situation.
01:01:36Signing a loan contract...
01:01:38Give me your glasses, Prudence.
01:01:42Bruno, you're wearing contact lenses.
01:01:44I can't see anything, Prudence.
01:01:46Signing a loan contract
01:01:47like the one we offered to Dimas
01:01:49when he refused
01:01:51because of the amount you withdrew a while ago.
01:01:54Magdalena, we're on it.
01:01:57That's another one.
01:01:58Come on, daughter.
01:01:59So, either you sign
01:02:01or you go to hell
01:02:03and you get a complaint for illegal occupation
01:02:06and for robbery.
01:02:09Magdalena, baby.
01:02:14Dimas.
01:02:15I shit on your skull.
01:02:19Could you please leave me alone with my family
01:02:22and have another beer?
01:02:24I wouldn't think twice about it, Magdalena.
01:02:27And I prefer another wine.
01:02:39What the hell is this?
01:02:41You have no mercy.
01:02:42You lied to us all.
01:02:43You think I set up an occupation business?
01:02:45You have a saw in your pocket.
01:02:46You're going to put us all in jail.
01:02:58Believe it or not, I didn't know anything.
01:03:02Your son's a bastard, Fabrilo.
01:03:06I can't take it anymore.
01:03:09I'm sorry.
01:03:14I've always tried to get everyone out of trouble.
01:03:20My son broke my heart.
01:03:24But I don't have the strength anymore.
01:03:29This is the tip.
01:03:37I'm going to the barracks
01:03:39and I'm going to tell them you didn't know anything.
01:03:43But I'm only going to ask you one thing.
01:03:46Don't leave my son helpless, please.
01:03:50Here, Juana.
01:03:52So you can pay the loan.
01:03:54And for that,
01:03:57I want you to give it to him.
01:04:02But...
01:04:03You really didn't know anything?
01:04:07My son is finished forever.
01:04:09This is the last thing he does to us.
01:04:10You insisted on putting Dimas
01:04:12and the loan came out.
01:04:14Here.
01:04:15No, Juana.
01:04:16Give it to him
01:04:18and sign it.
01:04:19We'll see about the loan.
01:04:20You don't suffer.
01:04:21We'll get out of this.
01:04:22He's going to back out.
01:04:23You've seen worse.
01:04:25What a son of a bitch Dimas is.
01:04:26Well, I'm sorry, Juana.
01:04:28You're a saint.
01:04:29When you catch him, he'll find out.
01:04:31Wait a minute.
01:04:32You told us we had to think big, didn't you?
01:04:35Yes, son.
01:04:36That what had happened
01:04:37was an opportunity to fly like little birds, right?
01:04:40Then why do you only see easy solutions?
01:04:43Give money to those so they don't report us,
01:04:45pay the loan and go to Chirona.
01:04:48There's another option, son.
01:04:49Take all that money you have
01:04:51and make a movie of Horda.
01:04:53Don't think you're in the circle,
01:04:55but the circle starts with you.
01:04:59My God.
01:05:02I'm so great.
01:05:07You're right.
01:05:10Who's in?
01:05:11Are we going to spend our lives in fear,
01:05:13begging for a place to die of disgust?
01:05:17Or are we going to mourn
01:05:19and be able to fulfill a dream?
01:05:23Anyway,
01:05:25we're going to die anyway when it's our turn.
01:05:29I swear I'm more excited
01:05:32about the loan and the mother who gave birth to us.
01:05:35That's it.
01:05:36Well, if you allow me to dress up as Superman,
01:05:39maybe...
01:05:40For two days in the convent?
01:05:42Come on, we're going to make a great movie.
01:05:50Wait a minute, family.
01:05:52Tomorrow Tereli is coming
01:05:54and I haven't finished writing the script.
01:05:56Don't worry, I'll help you.
01:05:58I'll write a scene for each of you
01:06:00and that's it.
01:06:01What are you saying?
01:06:03Me?
01:06:04I'm sick of being pretty and sleeping alone.
01:06:09There's a lot of laughter around here.
01:06:12Maralena, sign the contract
01:06:14and let Guita go.
01:06:15I'm running out of patience.
01:06:19I'm going to sign some shit.
01:06:21And go to hell right now
01:06:22or I'll kick your ass and send you to the moon.
01:06:25Let's go, kids.
01:06:26To the Civil Guard right now.
01:06:27As long as we're here,
01:06:28your aunt isn't here.
01:06:29My dad told you over the phone.
01:06:31Kids.
01:06:54Well, guys.
01:06:56We've combed the whole farm
01:06:58and we haven't found any used rubber.
01:07:00And look at that.
01:07:02It's everywhere.
01:07:07Grillo, I think we're going to have to give one to two girls.
01:07:10But each one is their own.
01:07:14Tell me, are you mad?
01:07:17I'm not.
01:07:18You're not?
01:07:22Shit.
01:07:23What is this?
01:07:25What?
01:07:27My God, Josbelina is so strong.
01:07:29What?
01:07:30Strong.
01:07:35Ah!
01:07:36A modern five-cylinder.
01:07:37The one in front of the hole in the middle.
01:07:39This is going to be great.
01:07:45We're almost there.
01:07:46My brother has made some rice to suck our fingers.
01:07:48Oh, I love it.
01:07:49The rice is so good.
01:07:50I love rice.
01:07:52Don't you think it's weird
01:07:53that he sent you four cans to pick us up?
01:07:55Of course.
01:07:56I told you it's a humble production.
01:07:59We've been to the worst movies.
01:08:01I think it's great, but I don't know.
01:08:03I don't see it clearly.
01:08:04You don't even read the script.
01:08:05I don't need to.
01:08:06I have a palpitation.
01:08:07I don't know.
01:08:08It's not clear.
01:08:09You tell me how they're going to distribute this.
01:08:11Dalila told me she has a company.
01:08:13A company called...
01:08:16Look, I don't know what she told me,
01:08:18but she has a company.
01:08:19Now let's take a picture together.
01:08:21We have plenty of time.
01:08:23You can take one, two, three, whatever you want.
01:08:26Let's go.
01:08:40There's always someone
01:08:41who puts their foot on it.
01:08:51You're so big, Lele.
01:08:53I can't wait to see you in person.
01:08:56I can't wait to meet you.
01:08:58And that rice.
01:08:59They told me it's wonderful.
01:09:01Well, you'll see.
01:09:03Guys, let's go eat.
01:09:05We have a shoot this afternoon.
01:09:06Come on, you're going to love it.
01:09:15Dimas.
01:09:16Pamoncete.
01:09:17You're in luck.
01:09:18Sal.
01:09:24You took your time, didn't you?
01:09:26Shut up.
01:09:29This is a personal matter.
01:09:31We've been declared war.
01:09:33Your people don't know who I am.
01:09:35Look, I don't care about the game or the king.
01:09:37Don't you want to take revenge?
01:09:39How can I take revenge?
01:09:40I can teach him a lesson, but...
01:09:42You have the opportunity to solve your life forever.
01:09:44We'll give you a pill
01:09:46if you get them to leave there for two days
01:09:48to change the locks and put our people in.
01:09:50Let's talk about the pill.
01:09:52Look, I can give you 100,000...
01:09:5450,000.
01:09:55No, 50,000 euros
01:09:57just to see the look on their faces.
01:10:01What are you talking about, my children?
01:10:03I don't care if you take the money from the old woman.
01:10:05But if you leave them on the street...
01:10:07But you abandoned them and went on an adventure.
01:10:09Now you can do the same thing again,
01:10:11but in a closed way.
01:10:12It's 100,000.
01:10:1350,000.
01:10:1450,000.
01:10:1550,000.
01:10:1650,000.
01:10:1750,000.
01:10:1850,000.
01:10:1950,000.
01:10:2050,000 euros.
01:10:21If you do it right, you can live a few years of rest.
01:10:24But if you don't,
01:10:25at the very least,
01:10:26I'll get four bruises.
01:10:28It'll be worse.
01:10:29It'll be worse for everyone.
01:10:30Besides,
01:10:31since when have you cared about your children?
01:10:33Besides?
01:10:35Yes, it's true.
01:10:37Since when have I cared about my children?
01:10:42Did you say 100,000?
01:10:4350,000.
01:10:49Give me the text.
01:10:50To open it.
01:10:51To open what?
01:10:52What we have to talk about.
01:10:57But let's see, Juana.
01:10:58Can you tell me what this has to do with what I wrote?
01:11:01It's to open the Eiffel Tower of the West.
01:11:04And how do you write it?
01:11:05You give me letters.
01:11:07We'll see how you handle this later.
01:11:09What did she think?
01:11:10With the curriculum we bring.
01:11:12What a shame.
01:11:14Put us in charge.
01:11:19Action.
01:11:20I'm leaving.
01:11:22I have no reason to come here.
01:11:24There's nothing to do here.
01:11:25Susan.
01:11:27The gold fever is over.
01:11:32Action.
01:11:33It's over, May.
01:11:35I'm going in search of fortune.
01:11:37Susan.
01:11:39The gold fever will end with you.
01:11:43It will end with you.
01:11:46It will end with you.
01:11:51I'm going.
01:11:52It will end with you.
01:11:58Stay still.
01:11:59I had to say, don't move.
01:12:02But look at them.
01:12:03They're there like a bunch of ducks.
01:12:04They didn't even move.
01:12:05That's not how you do it.
01:12:06What a joke, girl.
01:12:08How funny.
01:12:12How beautiful.
01:12:14How beautiful everything is.
01:12:15So many things.
01:12:17Action.
01:12:19How well he does it.
01:12:21What a piece of actress.
01:12:30You've chosen a bad time to do stupid things.
01:12:44Action.
01:13:05Oh, Superman.
01:13:08I'm so dizzy.
01:13:10Calm down.
01:13:11I'll hold you.
01:13:15Oh, oh, oh.
01:13:17This is getting scary.
01:13:19Carolo, right?
01:13:21Carolo.
01:13:27Damn it.
01:13:32Tell me where to hold on.
01:13:34I know where to hold on.
01:13:36Wait, you're an angel.
01:13:44Action.
01:13:59You?
01:14:01I see you.
01:14:03My son's motorcycle,
01:14:05I'm the one who rides it.
01:14:08You?
01:14:10What did you do to me?
01:14:11And what they say in the movies is not true.
01:14:14If you want, we can make another one.
01:14:15No way.
01:14:19Flying a plane?
01:14:21It's very easy.
01:14:25For me, it has no secrets.
01:14:28I don't understand why they give it so much hype.
01:14:30Ayoli, nanyoli.
01:14:45THE RIDE
01:14:53Don't even think about touching it.
01:14:54Girl, none of this was King Solomon's mine.
01:14:58Where did you get this from?
01:14:59They gave it to us.
01:15:00In exchange to get it in the movie.
01:15:02Good God!
01:15:04Is this today's catering service?
01:15:06Yeah, but please,
01:15:07don't touch it until after the shoot, okay?
01:15:09Madalena, can we talk for a moment please?
01:15:11Yes, of course.
01:15:14Well, guys, thanks for everything. See you later.
01:15:20Tell me.
01:15:21But what are these?
01:15:22These, thank God, I get paid monthly.
01:15:24If it was for an hour, I'd be ruined.
01:15:26What do you want?
01:15:28Well, let's see.
01:15:31My mother, I don't know why, strange reason, doesn't react.
01:15:34But I don't stay in one place. What's this about?
01:15:37Well, I already told you.
01:15:40No, no, no.
01:15:41What are you talking about?
01:15:42Because it's clear that you have no fucking idea about cinema.
01:15:45And you're using my mother as if she were an object.
01:15:48Look, if you tell me that we have no fucking idea about cinema...
01:15:53It's true.
01:15:54But about your mother, I respect your mother more than mine, so it fits.
01:15:58Seeing how you talk to me like that, I don't know what to say.
01:16:01I don't know what to say.
01:16:03I don't know what to say.
01:16:05I don't know what to say.
01:16:06I don't know what to say.
01:16:08Seeing how you treat her, there's not much guarantee.
01:16:11Look, life hasn't taught us to be more courteous, you know?
01:16:15But if I wanted your mother to be the one here,
01:16:18it's because it's her, and only her, who can do this.
01:16:21For me, she's a reference of courage.
01:16:23And why are you getting into this shit?
01:16:30Do you want me to tell you?
01:16:31Please, I'm worried.
01:16:39How strong.
01:16:50But they've eaten it all.
01:16:52And with this bread, you don't see how it gets in.
01:16:56Motherfuckers.
01:16:57If they tell you, I'm going to jail.
01:16:59What do you want, daughter?
01:17:00At breakfast and at this time?
01:17:02Let's put it back and that's it.
01:17:04There's no more.
01:17:05Let's see, what do we do now?
01:17:08What's wrong?
01:17:09Very strong.
01:17:10Very strong, I'll tell you later.
01:17:12The thing is that the brand comes out.
01:17:14A pot of my chirones and we say that we have made ham of that.
01:17:17Chipirones?
01:17:18Chipi, no, my chirones.
01:17:20You do it with a sausage to understand, right?
01:17:22Typical Murciano.
01:17:25Well, I don't know what it is, but it will be very tasty, for sure.
01:17:29Can we record now?
01:17:39With this ham, the chirones come out very good.
01:17:43Cut.
01:17:47And by the way, they are delicious.
01:17:49Can I eat them?
01:17:54Magda, I have a gift for you.
01:17:57I have received so much of your personal wish that I have also written my little scene for my mother.
01:18:02I hope it's worth it.
01:18:04Don't tell her anything, it's a secret.
01:18:08Hallelujah.
01:18:13Hallelujah.
01:18:17You don't know how excited I am to make Santa Teresa.
01:18:23Now, let's see how you are, because Concha left the bar very high.
01:18:27Son, it's a pinch of nothing.
01:18:30It's going to be divine, Terele.
01:18:33And how did you know that I wanted to make Santa Teresa?
01:18:39No, if we didn't know, it was a coincidence ...
01:18:43Miraculous.
01:18:45Miraculous.
01:18:47How nice to make Santa Teresa with a ...
01:18:53I don't feel good, I'm anxious.
01:18:55Don't bother me, if you feel bad, I'll talk to Magda and we'll stop the shoot right now.
01:18:58No, no, no, son, no.
01:19:00We do it and the first one.
01:19:14Motor and action.
01:19:16I live without living in me.
01:19:20And so high I wait for you.
01:19:25That I die because I don't die.
01:19:27Oh, Felice.
01:19:29What crime did I commit against you when I was born?
01:19:34Don Juan, I implore you.
01:19:36I implore you.
01:19:38Of your Hidalgo.
01:19:39Compassion.
01:19:41Tear my heart.
01:19:44Love me because I adore you.
01:19:50What's wrong?
01:19:54I feel bad.
01:19:55I feel bad.
01:19:56I feel bad.
01:19:57Mom?
01:19:59Mom?
01:20:02What's wrong?
01:20:05Do I have monkeys on my face?
01:20:06Gorillas, at least.
01:20:07My God, with that face and that skirt, she looks like the girl from the Sorcist.
01:20:12Oh, God.
01:20:14The Havas.
01:20:15Didn't you put pepper on them?
01:20:17Wings and chorizo and over-roasted matanza.
01:20:20Pepper on the tip of the blade.
01:20:22The Virgin.
01:20:23Pepper?
01:20:24But I can't take pepper.
01:20:27I'm allergic.
01:20:40Bruno, don't lose it.
01:20:44Don't lose both of us.
01:20:45Come on, man.
01:20:46Trust in the Dimas, the hungry dead.
01:20:48Here things are done as my mother taught me.
01:20:50And there's no more.
01:20:55Bruno.
01:20:56I'm going to call the Civil Guard.
01:20:59Nonsense.
01:21:06You can go out now, old men.
01:21:19Hello?
01:21:20Hello?
01:21:24What the hell?
01:21:33Excuse me.
01:21:34Where's my mother?
01:21:35She's fine.
01:21:36Go see the doctor.
01:21:37You can see her if you want.
01:21:38Thank you.
01:21:39You're welcome.
01:21:40Hey, Carolo.
01:21:41Carolo.
01:21:43I'm sorry.
01:21:44It wasn't our intention.
01:21:45Don't worry, Magda.
01:21:46It was an accident.
01:21:50I'll never forgive myself.
01:21:53I'm going to talk to her.
01:21:54See what we can do.
01:21:58Please.
01:21:59And call a taxi.
01:22:02So, the film can't be finished?
01:22:04I'm leaving.
01:22:08You've got a lot of courage.
01:22:09Spending money on helicopters, cars, planes, and everything.
01:22:13And what?
01:22:14A film without action?
01:22:15Juan, I'll call Fabrizio.
01:22:18This is a disaster.
01:22:20I'm not in the mood for this crap anymore.
01:22:22I'm going with Juan and Fabrizio.
01:22:24Hey, Manolo.
01:22:25If I tell you something, won't you get mad?
01:22:28After this failure, nothing affects me.
01:22:31The letters that come to you,
01:22:33the ones from Richard Donner,
01:22:35we wrote them ourselves.
01:22:38We had so much hope.
01:22:48Manolo.
01:22:49Manolo.
01:22:51Magda.
01:22:52You know what you need from me.
01:22:56By the way,
01:22:57where's your friend?
01:22:58I don't know.
01:22:59I don't know.
01:23:02See you later, Magdalena.
01:23:03There's a casting in Almeria and I think we have the profile.
01:23:07I gave the bottle man a little taste of the drinks before I left.
01:23:11Thank you.
01:23:12See you later.
01:23:13Thank you.
01:23:15Magdalena, you're a very good agent,
01:23:17but today I'm going to see if I've done the paperwork
01:23:19and I'm going to see if I retire, because it's okay.
01:23:25He's definitely killed them.
01:23:27My Bruno has a gun in his hand.
01:23:29Sir.
01:23:30If you're armed, disarm it, please.
01:23:32It's okay, it's okay.
01:23:33What have you done, man?
01:23:34Me? Nothing.
01:23:35It wasn't necessary.
01:23:36Are they leaving?
01:23:37They left.
01:23:38Call Mañicas.
01:23:39Tell him to change the lock immediately.
01:23:41Good thing Dima didn't take the money,
01:23:43because we've saved a lot.
01:23:44Let's go.
01:23:45Sir.
01:23:46If you're armed, disarm the hunting season, please.
01:23:48Long live the Guardia Civil.
01:23:49Let's go, let's go.
01:23:50You stay and melt.
01:23:51I say it in case he comes back.
01:23:56What a shame.
01:23:57Look at him.
01:23:58And he gets up so comfortably.
01:23:59And we don't get up.
01:24:04You have to see Lourdes.
01:24:05Is she that bad?
01:24:06No, Lourdes is her head physician,
01:24:08her doctor from Madrid.
01:24:09Can I say goodbye to her?
01:24:18Terele.
01:24:20I'm sorry.
01:24:22Come in, come in.
01:24:24You have to bring me tobacco later.
01:24:28You don't have to feel anything, I'm fine.
01:24:32Oh, Magdalena.
01:24:35You're a wonderful woman.
01:24:37Having met you and your family
01:24:39is something very important in my life.
01:24:43I wish you so many good things.
01:24:46I need people like you.
01:24:49Look, if I've been able to contribute something to your dream,
01:24:53for me it's...
01:24:55being your friend
01:24:57is something very precious.
01:25:00So, go ahead.
01:25:03Everything will be fine.
01:25:05Everything will be fine.
01:25:26Hi, how are you?
01:25:27Hi.
01:25:36Another mortgage application
01:25:39and I'm going to the other neighborhood.
01:25:42Come on, my stamp has a limit.
01:25:45I don't have a stamp,
01:25:46but one more drink and I'm going to the other neighborhood.
01:25:49Mmm...
01:25:51love sickness?
01:25:52Psychological, sexual.
01:25:54I don't know what's wrong with me,
01:25:55but every time I get drunk, I get a rash.
01:26:00Hey, maybe you haven't found the right person.
01:26:05I don't know.
01:26:13I dedicate this song with a lot of love
01:26:17to the cigar that is on the bar
01:26:19with a lot of love
01:26:20by Gladys.
01:26:36I love you.
01:26:47Good afternoon, ma'am.
01:26:49I'm very sorry, Madalena,
01:26:50but we can't let you in.
01:26:52Why?
01:26:53Mom...
01:26:54David left this alone
01:26:55and things are like this.
01:26:56This has its owner.
01:27:02Okay.
01:27:04Okay.
01:27:06It's okay.
01:27:12Wait, Madalena.
01:27:13In case it helps you,
01:27:15I'm going to say
01:27:16to your husband's hooker
01:27:18I don't know what
01:27:19that he rejected a money
01:27:21and didn't want to do I don't know what.
01:27:28Thank you.
01:27:33Thank you.
01:27:43What a shame, guys.
01:27:45What if we do the big show?
01:27:47We need more than that.
01:27:48We promote ourselves
01:27:49and they kick us out.
01:27:54Every time we sit in this wood,
01:27:56there's a rotten smell.
01:28:03I don't know.
01:28:24Son, you know that
01:28:25as long as I'm alive,
01:28:28we move forward.
01:28:30You'll be alone, beautiful.
01:28:33As soon as the social services find out
01:28:35that you're here with three kids,
01:28:37you get rid of them quickly.
01:28:39I'll know that.
01:28:54Madalena Blesa?
01:28:56A man gave me this for you.
01:28:59He said he didn't want to see you,
01:29:01so I gave it to him.
01:29:06Thank you.
01:29:07You can keep it.
01:29:21Hey!
01:29:23Where are you going?
01:29:26Don't worry, I'm leaving.
01:29:27Where did you get this?
01:29:29I don't want your money.
01:29:31You stole it, girl.
01:29:33I forgot it in the drawer.
01:29:35If you think you can fix this,
01:29:37you're wrong.
01:29:38You're shameless.
01:29:39I'm not trying to fix anything.
01:29:41I know I've broken a lot of things.
01:29:43Too many.
01:29:44And I know I can't change what's already done.
01:29:47But I can change the future.
01:29:49Daddy!
01:29:50My boy.
01:29:51Come here, my love.
01:29:53Go play with the little girl.
01:29:56Believe it or not, I've changed.
01:29:59I know I've been a lousy bastard
01:30:01and I've missed the most sacred thing in the world.
01:30:04But seeing the damage I've done to you and the believers
01:30:07has broken me inside.
01:30:09I don't believe you.
01:30:11I'm not saying this to make you believe me,
01:30:13or for you to come back to me,
01:30:15or for you to forgive me.
01:30:17Hate me if you want,
01:30:18but let me help you.
01:30:20And give me a chance to show you that I can change.
01:30:23And what are you going to do to be a good person?
01:30:26Well, for now I have a job.
01:30:29And I'm going to rent a small house.
01:30:32It's something to start with, right?
01:30:35Look, Magda, keep this money
01:30:38and go to a hotel with the kids.
01:30:40Tomorrow you'll think about what's to come.
01:30:43For now, every month,
01:30:45I'll send you all the money I can from my salary.
01:30:49You don't say anything?
01:30:51Nothing.
01:30:52You're late.
01:30:55But since you're Dimas,
01:30:57the good thief,
01:31:02I can still save you.
01:31:06Magda!
01:31:07Magda!
01:31:08They're here.
01:31:10They're here.
01:31:11What's up?
01:31:12What are you doing here?
01:31:14And this one?
01:31:15Can you tell someone he's not eating anymore?
01:31:17Juana, I'll explain later.
01:31:19What's going on?
01:31:21He said the media are coming.
01:31:23All of Spain is waiting for us.
01:31:25Look, I don't know anything.
01:31:27She was right, this is going to be a hit.
01:31:29Well, now that we're all here,
01:31:31I'd like to introduce you to Gladys.
01:31:33What a surprise.
01:31:34You take advantage of the fact that we're here,
01:31:37but we'll talk at home.
01:31:39Hello, loves.
01:31:40Look at you,
01:31:41and what a man I caught in the middle of the afternoon.
01:31:43Like this, forever.
01:31:45Well, I caught you here,
01:31:47and I'm going to see you.
01:31:53Magdalena, beautiful.
01:31:55You're great.
01:31:58Yes, it's great that we've talked about love and all that,
01:32:01but...
01:32:02if someone had helped you,
01:32:05much better.
01:32:06And look,
01:32:08he made a call and...
01:32:10Here, here they are.
01:32:12I have a question.
01:32:14I have a question, please,
01:32:15if I'm not the example of the film.
01:32:17Please, here.
01:32:21Gastrocinematográfico.
01:32:23Keep that name,
01:32:24because we can be before the birth
01:32:26of a new cinematographic genre,
01:32:28which is being cooked here,
01:32:30at the foot of Sierra Espuña,
01:32:32in the town of Alhama de Murcia.
01:32:34Of course, we have to know
01:32:36if the crazy adventure in which a family has embarked
01:32:38to make a film,
01:32:40has been successful.
01:32:42They told us this a few minutes ago.
01:32:44And yes,
01:32:45we're going to finish the film.
01:32:48By my nose.
01:32:56There's no one here.
01:32:59Hello?
01:33:00I think you must be Manolo.
01:33:03But...
01:33:04Richard, where...?
01:33:05An angel told me
01:33:07that you're making a film.
01:33:09Is it possible?
01:33:10Yes, it's possible.
01:33:12Yes, yes.
01:33:13I'll tell you.
01:33:15It's about a family.
01:33:16It's us.
01:33:17We set up a restaurant in the mountains.
01:33:40We're late.
01:33:41Come on.
01:33:42Come on.
01:33:45Come on, son.
01:33:46It's a weekend,
01:33:47and you're late.
01:33:48Magda, for God's sake.
01:33:49You know what?
01:33:50Bathe the three of them.
01:33:51Feed them.
01:33:52Dress them.
01:33:53Come on.
01:33:54You're a pain in the ass.
01:33:55Should I open the audience now?
01:33:56No, wait.
01:33:57There are people missing.
01:33:58Hey, aren't you the...?
01:33:59I do everything.
01:34:00It's called multi-employment.
01:34:01I do everything.
01:34:02It's called multi-employment.
01:34:03I do everything.
01:34:04I do everything.
01:34:05I do everything.
01:34:06I do everything.
01:34:07I do everything.
01:34:08It's called multi-employment.
01:34:09Magda, does this start now?
01:34:10Yes.
01:34:11We have a flight to the Canary Islands,
01:34:12and we're stuck.
01:34:13Yes.
01:34:14One of mine is fashion, love.
01:34:15We're both leaving,
01:34:16and we'll be back at least three.
01:34:17Oh, congratulations.
01:34:18Come on, let's go.
01:34:19Come on.
01:34:20You're a pain in the ass.
01:34:21It doesn't affect me.
01:34:22I already have re-imposed.
01:34:25He told me he was wasted.
01:34:26Anyway.
01:34:27Hey, my mother is asking me to apologize.
01:34:30He's been in a film
01:34:31starring a Canadian.
01:34:32Come on, it's okay.
01:34:33Okay?
01:34:34Come on, come on.
01:34:35Come on.
01:34:36Come on, let's go.
01:34:37Does it start now?
01:34:38Yes, yes.
01:34:39Let's go.
01:34:40Hey, Chispera,
01:34:41I see you're coming to Cataica, right?
01:34:43Mrs. de Peña.
01:34:44Hello, Guardia Civil Peña.
01:34:46Ascended by my own merits.
01:34:47Come on, let's go, let's go.
01:34:49Let's go.
01:34:50Come on.
01:34:52Thank you very much, Tava,
01:34:53for finally bringing us
01:34:54that grateful role.
01:34:56Nothing.
01:34:57We didn't disappoint you.
01:34:58What?
01:34:59You're very professional.
01:35:00Come on, let's go.
01:35:01Hey, I'm going to open up.
01:35:02I want to go to dinner.
01:35:03Oh, how heavy you are, my son.
01:35:04Well, guys,
01:35:05are you ready for the stars?
01:35:07We've lost the restaurant,
01:35:09but right now
01:35:10a new path opens up
01:35:11in our careers.
01:35:13Come on, let's go.
01:35:19Ladies and gentlemen,
01:35:21disconnect your mobile phones.
01:35:24Welcome to the presentation
01:35:26of the Adventures of Moriana.
01:35:36Hello, guys.
01:35:37This is wonderful.
01:35:38I've never seen this before.
01:35:40Yesterday I saw it on the Internet
01:35:42and I said,
01:35:43I'm going to see it this afternoon here.
01:35:46Media.
01:35:48Search on Google.
01:35:50Let's see.
01:35:51They didn't hack this.
01:35:52The mother who gave birth to them.
01:35:54Let's see.
01:35:55Here.
01:35:56Google.
01:35:57Oh, it's an American page.
01:35:59Let's see, Google Translator.
01:36:01Listen.
01:36:02Yesterday we attended
01:36:03the premiere of Moriana's Adventure.
01:36:05In English.
01:36:06The Adventures of Moriana,
01:36:07which is about a family of freaks
01:36:09who make a movie with Glenn Glove
01:36:11without having any idea about cinema.
01:36:13The tape is signed
01:36:16by Richard Donner.
01:36:24Taxi.
01:36:33Of course.
01:36:35How was anyone going to come?
01:36:38Weak dogs are all fleas.
01:36:40But don't worry.
01:36:42Nothing happens.
01:36:44Because as long as I live,
01:36:50we move forward.
01:36:52They're going to kill us again.
01:36:53No, they're in Chironal
01:36:54and I think they're going for a while.
01:36:56As long as I don't think
01:36:57they're going to bite to be here.
01:36:59There's a shitload of guys
01:37:00copying our movies.
01:37:01The movies you've made, man.
01:37:02The lack of air.
01:37:03You see?
01:37:04Superman.
01:37:05And because he copied it from a comic,
01:37:06that doesn't have talent for anything.
01:37:07Come on.
01:37:08Do you know what we're going to do now?
01:37:10Put a hose there
01:37:11and say that they are
01:37:12calcitonitrogenated waters.
01:37:14And that's it.
01:37:16And we say that they are
01:37:17alkaline waters.
01:37:31And we say that they are
01:37:32alkaline waters.
01:38:02Bienvenidos a la guerra
01:38:04económica mundial
01:38:06Te podrás morir de hambre
01:38:08pero no te matará
01:38:13novel de la paz
01:38:18Yo y mi circunstancia
01:38:22en el crítico epicentro
01:38:24de un sistema errado
01:38:27compartimos jaula
01:38:30y un corazón que en venganza
01:38:33canta indignado
01:38:36Cámbialo
01:38:39si no te gusta
01:38:41Cámbialo
01:38:43si ya te asusta
01:38:45Cámbialo
01:38:47si no hay futuro
01:38:49Cámbialo
01:38:51abajo el muro
01:38:53Cámbialo
01:38:55ya vamos tarde
01:38:57Cámbialo
01:38:59no seas cobarde
01:39:02todo está en tu mano
01:39:04Cámbialo
01:39:09poco pan y menos curro
01:39:11mucho fútbol de salón
01:39:13mucha tele rompe cráneos
01:39:15y mucha procesión
01:39:19que alivie el dolor
01:39:24Yo y mi circunstancia
01:39:29en el crítico epicentro
01:39:31de un sistema errado
01:39:33compartimos jaula
01:39:37y un corazón que nos lanza
01:39:40un mensaje claro
01:39:43Cámbialo
01:39:45urdan mangones
01:39:47Cámbialo
01:39:49cans bigotones
01:39:52Cámbialo
01:39:54peso de aria
01:39:56Cámbialo
01:39:58o magia banquilla
01:40:00Cámbialo
01:40:02venga el faria
01:40:04Cámbialo
01:40:06pobres hiparias
01:40:08todo está en tu mano
01:40:10Cámbialo
01:40:21Cámbialo
01:40:51www.circlelineartschool.com
01:41:21www.circlelineartschool.com