Second Sight: A Love Story | Full Movie | John Korty | Elizabeth Montgomery, Barry Newman - video Dailymotion

TRENDEST MOVIES - ENGLISH

SECOND SIGHT: A LOVE STORY | Drama, Romance | 1984 |   Plot: Alexandra McKay is a woman who's been blind for twenty years and is afraid that people will just try to get close to her because of her condition, so she ultimately stays to herself and her trusty guide dog, Emma. When Richard Chapman enters her life, a romance develops and McKay begins to let the outside world in to her private world. The prospect of an operation arises that will restore McKay's eyesight, but the fear of what it will do to her relationship with Chapman and the concern over the fate of her guide dog weigh heavily upon her decision to do the procedure.  Crew:  • Directed by: John Korty • Written by: Dennis Turner,  Sue Miller (Story - as Susan Miller), Sheila Hocken • Starring: Elizabeth Montgomery, Barry Newman, Nicholas Pryor, Michael Horton, Susan Ruttan • Produced by: William Watkins • Music by: Dana Kaproff • Cinematography: James Glennon • Edited by: Jim Oliver  About TRENDEST MOVIES - ENGLISH:  Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for an expansive collection of movies across all genres. From timeless classics to modern-day blockbusters, we bring you the best of cinema. Dive into our vast library, where you’ll find everything from thrilling action movies to heartwarming dramas, iconic comedies, and unforgettable sci-fi adventures. Stay tuned as we continue to expand our collection, offering something for every movie lover.  Subscribe now: @TRENDEST_MOVIES_ENGLISH   #TrendestMovies #EnglishCinema #ClassicHits   Follow Trendest Media:  • YouTube:  1) TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_INFOTAINMENT 2) TRENDEST KIDS: www.youtube.com/@TRENDEST_KIDS  • Instagram:  TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/  • Facebook: TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/   COPYRIGHT  We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in  AYA Media Private Limited is a company registered under the laws of India and located in the state of Kerala, India.

Transcript

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00:27:18-'Bruce, why are you sneaking around like that?'

00:27:22-'Sneaking? Who's sneaking?'

00:27:26-'How'd you know it was me?'

00:27:28-'I'm psychic.'

00:27:30-'What do you got back there, Bruce?'

00:27:33-'Donut.'

00:27:41-'Yo.'

00:27:42-'Can't you just say hello?'

00:27:45-'Alex, it's for you.'

00:27:47-'A female.'

00:27:51-'Here you go.'

00:27:52-'Oh, thanks.'

00:27:55-'Hi.'

00:27:57-'Robin.'

00:27:59-'Who?'

00:28:03-'He what?'

00:28:06-'No, you did the right thing.'

00:28:08-'I don't want him to have this number.'

00:28:11-'Well, just tell him I didn't want you to give it out.'

00:28:15-'Okay, yeah. Well, maybe in a couple weeks.'

00:28:19-'I miss you, too.'

00:28:22-'Okay. Bye.'

00:28:31-'Hey, Sam.'

00:28:32-'Would you at least reconsider?'

00:28:34-'What are these?'

00:28:36-'Impatience.'

00:28:37-'That's appropriate.'

00:28:41-'Is this the Ivy?'

00:28:42-'Yep, an English Ivy.

00:28:44Les wants to put some cuttings down by the wall,

00:28:47but there just hasn't been time.'

00:28:49-'Oh, she'll get around to it.'

00:28:52-'What's over by the house?'

00:28:54-'Those three azalea I told you about. Remember?'

00:28:58-'Yeah.'

00:28:59-'We got them last fall. We got a special deal.

00:29:01There's a step there. Another step.

00:29:05Well, they came into bloom.

00:29:07They're all covered with pretty white flowers,

00:29:10like nesting doves.'

00:29:12-'Mitchell, you're such a poet.'

00:29:14-'I got a lot of practice,

00:29:16figuring out how to describe the same tree

00:29:18ten different ways so you'd always have a fresh picture.

00:29:22Another step, down.

00:29:25The daisies are out in the corner,

00:29:27yellow, white, the snapdragons.'

00:29:30-'Snapdragons. I love that word.

00:29:33Snapdragon.'

00:29:35-'Alex, I'm sorry. I've got to ask you again.

00:29:37Please don't go back to your apartment.'

00:29:39-'Mitchell.'

00:29:40-'Why go back to the city? There's nobody there.'

00:29:42-'I have friends.'

00:29:44-'Who rob it? That's all.

00:29:48There isn't anybody else.

00:29:49You don't let anybody else get close to you.'

00:29:53-'I've made my choices, Mitchell.'

00:29:58-'You know, sometimes I think all you've got in your life

00:30:00is that damn cane of yours.

00:30:02Does it ever talk to you?

00:30:05Does it ever laugh with you?

00:30:07Does it take you out to dinner?

00:30:09Does it hold you when you need it?

00:30:11You're so damn independent.

00:30:15Look, at least here with us, you're safe.'

00:30:21-'There isn't a moment in my life

00:30:23when I feel totally safe,

00:30:25here or anyplace else.

00:30:28Have you ever thought what it would be like

00:30:30to be completely vulnerable

00:30:32to everybody and everything?

00:30:36Mitchell, how can you expect me

00:30:38to take any more chances

00:30:40than I do in my life every day

00:30:42just to survive?'

00:30:46-'Someday I hope you have to.

00:30:49Let somebody get near you.'

00:30:51Let somebody get near you.

00:31:21-'Hi.'

00:31:29-'Hi.'

00:31:35-'Well,

00:31:38must be getting pretty close to your dinner, huh?'

00:31:51-'Alex?'

00:31:52-'Yeah?'

00:31:53-'An envelope came for you.'

00:31:55-'Oh, thank you.'

00:32:21-'Thank you.'

00:32:42-'Garry Renzi, please.'

00:32:44-'Well?'

00:32:46-'I got lucky.

00:32:48There was a cancellation

00:32:49in the very next class.'

00:32:50-'I'm in.

00:32:51I'm accepted.'

00:32:52-'Oh, that's great.

00:32:53Let's go home and tell the family.'

00:32:55-'Do you have any champagne?'

00:32:56-'Of course.'

00:32:57-'Come on.

00:32:58There's a curb right here.

00:32:59Now, careful, darling.'

00:33:03-'Alex has something to tell you.'

00:33:05-'Oh?

00:33:07Oh.

00:33:10Um,

00:33:11you know,

00:33:12um,

00:33:13you know how you're always telling me

00:33:15that I don't trust anyone,

00:33:17that I'll never let anyone near me?'

00:33:19-'Well, I may have overstated the case.'

00:33:21-'No, no, no.

00:33:22No, I think you're absolutely right.

00:33:24Now, I've thought about it,

00:33:26and I've taken your advice.

00:33:28I'm going to enter into a relationship.'

00:33:30-'Sounds divine.

00:33:31What's his name?'

00:33:33-'I don't know.

00:33:34I haven't met him yet.'

00:33:35-'A blind date?'

00:33:37-'Yes, I guess you could say that.'

00:33:39-'Let's talk about this over coffee.'

00:33:41-'Coffee?

00:33:42What about the champagne?'

00:33:44-'Champagne?

00:33:45I thought you said

00:33:46you haven't even met him yet.'

00:33:48-'Oh, Mitchell.

00:33:50Let me give you a hint.'

00:33:53-'Oh.'

00:33:54-'Oh, oh, oh, oh.'

00:33:55-'Mm-hmm.'

00:33:58-'No?'

00:33:59Oh, Mitchell, for heaven's sake.

00:34:01Oh, Mitchell, for heaven's sake.'

00:34:11-'Oh, oh, oh.'

00:34:12-'Oh, oh, oh.'

00:34:16-'Oh, oh, oh.'

00:34:31-'I'll see you guys in four weeks

00:34:32if I don't get kicked out first.'

00:34:34-'Oh, don't worry.

00:34:35You'll do fine.'

00:34:36-'I sure hope so.'

00:34:39-'Well, Dog will probably be

00:34:40smarter than me to start with.

00:34:42I'll, I'll flunk out

00:34:43and he'll give him

00:34:44to somebody else.'

00:34:46-'Your suitcase is

00:34:47right behind you.'

00:34:48-'Okay.'

00:34:49-'I'll give you a call tomorrow.'

00:34:50-'Mm-hmm.'

00:34:52-'Bye-bye.'

00:34:53-'Bye-bye.'

00:34:54-'Bye.'

00:34:55-'Bye.'

00:35:01-'Hi, Alex.

00:35:02Welcome to International Guiding Eyes.

00:35:04I'm Gary.

00:35:05I'll be working with you

00:35:06and the students.'

00:35:07-'Oh, hi.'

00:35:08-'Can I show you to your room?'

00:35:09-'Yeah, please.'

00:35:10-'Great.

00:35:11You won't have to be using

00:35:12that cane pretty soon.'

00:35:13-'I hope not.'

00:35:14-'What do you have in here?

00:35:15Bricks?'

00:35:16-'Ha, ha, ha.'

00:35:17-'Okay.'

00:35:33-'Alright.

00:35:34Now, your dogs are used

00:35:35to working with experienced

00:35:36sighted trainers.

00:35:37That is why we're first

00:35:38going to practice on Fred.

00:35:41Uh, Michael,

00:35:42you want to start it out?'

00:35:44-'Yeah.'

00:35:45-'Not really.'

00:35:48-'Okay, fine.

00:35:49Um, Alex, how about you?'

00:35:54-'Yeah, I guess so.'

00:35:55-'Great.

00:35:56Fred.

00:35:59Alright, now always remember

00:36:00the dog walks

00:36:01on your left side.

00:36:03Alright.

00:36:04Using your left hand,

00:36:06hold the harness.

00:36:07Good.

00:36:08Now relax your grip.

00:36:09Now taking the leash,

00:36:10place it between

00:36:11your first two fingers,

00:36:12keeping your grip relaxed.

00:36:14Alright.

00:36:15Now drop your hand

00:36:16behind your...

00:36:17by your side.

00:36:18Good.

00:36:19Perfect.

00:36:20Now I know this procedure

00:36:21might seem a little strange,

00:36:22but you're going to be

00:36:23getting a fully trained dog.

00:36:25Try to give the impression

00:36:26that you're a fully trained human.

00:36:28Okay.

00:36:29Alright.

00:36:30Now let's pretend

00:36:31we're telling Fred

00:36:32to go forward.

00:36:33Alright.

00:36:34Now slide your right foot back.

00:36:36Oops, I think you just

00:36:37stepped on his tail.

00:36:38-'Oh, I'm sorry, Fred.'

00:36:39-'Okay, that's fine.'

00:36:40-'Oh, dear.'

00:36:41Now always indicate

00:36:42with your right arm

00:36:43which direction

00:36:44you want the dog to go.

00:36:45Alright.

00:36:46Using your right arm,

00:36:47dog's name first,

00:36:48Fred forward.

00:36:50Okay, now you try it.

00:36:52Fred forward.

00:36:54No, I think

00:36:55that's a little too high.

00:36:57Fred's thoroughly confused.

00:36:58Try it again.

00:36:59Uh-huh, me too.

00:37:00Okay.

00:37:01Fred forward.

00:37:04Better, but still too high.

00:37:06Fred forward.

00:37:08Fred forward.

00:37:11Good, better.

00:37:12There you go, see?

00:37:13Almost every time.

00:37:14Uh-huh.

00:37:17You don't seem very happy

00:37:19about getting a dog.

00:37:22This is my second.

00:37:24I've had Mort since I was 16.

00:37:26We went to NYU together.

00:37:28About a year ago

00:37:29he got arthritis.

00:37:31Yeah?

00:37:35I put him to sleep.

00:37:37Oh, wow.

00:37:39Michael, I'm so sorry.

00:37:42But, you know,

00:37:43I think,

00:37:44I think Mort would be pleased

00:37:46that you were getting a dog.

00:37:48I mean, he wouldn't want you

00:37:49to be alone.

00:37:52You're probably right.

00:37:55It's the way he was.

00:37:56He was my best friend.

00:38:03I don't know if I'm ready

00:38:04to go through this again.

00:38:07Look, I, um,

00:38:12I'm,

00:38:13I'm kind of scared myself.

00:38:19Maybe we can help each other.

00:38:37What if he growls at me?

00:38:41I'll growl back.

00:38:43What if he growls at me?

00:38:48I'll growl back.

00:39:13I'll growl back.

00:39:43Alice.

00:39:45Good morning, Gary.

00:39:48Alice, I'd like you to meet Emma.

00:39:50Emma, this is Alex.

00:39:52Oh, hi, Emma, hi.

00:39:58What kind of a dog is she?

00:40:00She's a yellow Labrador.

00:40:01They're one of the best breeds

00:40:02for guide dogs.

00:40:03They're very intelligent,

00:40:04hardworking, devoted.

00:40:06Oh, uh, and she fetches.

00:40:08Go ahead, throw it.

00:40:10Does she do windows?

00:40:12Only on Saturdays.

00:40:16Good girl.

00:40:17Hey, good girl.

00:40:19Emma, good girl.

00:40:40I'll never keep up with her.

00:40:41Emma will average

00:40:42about four miles an hour.

00:40:43Most sighted people

00:40:44manage two to three miles an hour.

00:40:48Lesson number one.

00:40:49Don't go without your dog.

00:40:51When she stops, you stop.

00:40:53She didn't tell me

00:40:54she was going to stop.

00:40:55Feel for the curb

00:40:56with your left foot.

00:40:58Good.

00:41:00Emma, forward.

00:41:04Emma, forward.

00:41:07What's the matter?

00:41:08That was a kid on a bike.

00:41:10You're a team, Alex.

00:41:12When you're crossing a street,

00:41:13it's your job to listen

00:41:14and Emma's job to look.

00:41:16Okay.

00:41:17Okay, try it again.

00:41:18Good girl.

00:41:19Emma.

00:41:20Emma, forward.

00:41:24They like the sound

00:41:25of your voice, Alex.

00:41:26So whenever you're walking,

00:41:27uh, talk to them.

00:41:28Tell them jokes.

00:41:29Oh, dear.

00:41:30What's the matter?

00:41:32I can never remember

00:41:33a punch line.

00:41:37Alex.

00:41:38Alex, you have a visitor.

00:41:40Oh.

00:41:42Come on, Emma.

00:41:46It's me, Richard.

00:41:53How did you know where to find me?

00:41:56Not everybody in your family

00:41:57is as big-headed as you are,

00:41:58you know.

00:42:00Who's your friend?

00:42:01Emma?

00:42:03Say hello to a weirdo.

00:42:04If he likes blind ladies,

00:42:05he must be crazy

00:42:06about guide dogs.

00:42:10You know,

00:42:11you work for one tough lady,

00:42:12Emma,

00:42:13but she's not as tough

00:42:14as she wants us to believe,

00:42:15even though she doesn't like

00:42:16talking about herself.

00:42:22Here goes again.

00:42:25How would you like to try

00:42:26something dangerous?

00:42:30Like dinner.

00:42:33I'll be here another week

00:42:34and a half,

00:42:35and then I'll be at work.

00:42:36You can call me then.

00:42:37And you'll answer?

00:42:38Are those roses for me?

00:42:46Okay, everyone,

00:42:47let's get your dogs

00:42:48under your seats

00:42:49safely away

00:42:50from the drunks

00:42:51and the muggers.

00:42:54I see two big yellow paws

00:42:55sticking out

00:42:56in the middle of the aisle.

00:42:59You're a team, Alex.

00:43:00Emma will take care of you

00:43:01the best she can,

00:43:02but if you don't learn

00:43:03to do the same,

00:43:04she'll be the one

00:43:05that suffers,

00:43:06not you.

00:43:07Well,

00:43:09don't take it personally.

00:43:10He got on Riley's mic

00:43:11case yesterday.

00:43:12Right, Riley?

00:43:15Okay, people,

00:43:16hold on.

00:43:17Let's go downtown.

00:43:37Oh, dear.

00:43:39At least I won't poke

00:43:40anybody in the toe

00:43:41with my cane today.

00:43:46Are you all right, miss?

00:43:47Oh, I'm fine.

00:43:48Thank you.

00:43:49May I help you?

00:43:50Sure.

00:43:51Know any good jokes?

00:43:53Is it fun?

00:43:54It's not for me.

00:43:55It's for Emma.

00:43:56She loves a good laugh.

00:43:58Well,

00:43:59once more under the breech.

00:44:01Wagons ho, kiddo.

00:44:02Emma, forward.

00:44:05Good girl.

00:44:07What about the one,

00:44:08let's see,

00:44:09about the priest

00:44:10and the rabbi

00:44:11on a golf course?

00:44:28Well,

00:44:30tomorrow's the big day.

00:44:34Final exam.

00:44:37Oh,

00:44:38Emma.

00:44:42Bet you're not as nervous

00:44:43as I am, huh?

00:44:47Well,

00:44:48gotta get our beauty sleep.

00:44:54Bet you don't need it,

00:44:55though, do you, girl?

00:44:59Oh, no.

00:45:02Take me forever

00:45:03to get used to turning

00:45:04the lights off

00:45:05in order for you.

00:45:07Okay.

00:45:10Sweet dreams.

00:45:26Emma,

00:45:27look,

00:45:28I'd ask you to come up here,

00:45:29but it's illegal.

00:45:31It's against the rules,

00:45:32you know that?

00:45:34I can't do that.

00:45:35I can't do that.

00:45:37Yeah,

00:45:38I do,

00:45:39but I can't.

00:45:40Listen,

00:45:41maybe tomorrow night

00:45:42is a special treat,

00:45:43okay?

00:45:44We do real well.

00:45:55Okay.

00:45:58I don't see why

00:45:59we have to go through

00:46:00all this.

00:46:01Alex, you work in this area.

00:46:02You're gonna have to

00:46:03face it sooner or later.

00:46:04Later?

00:46:05Emma's not feeling well.

00:46:07Emma's just fine.

00:46:09All right,

00:46:10I'm gonna get the others ready

00:46:11and I'll meet you back

00:46:12at the finish line.

00:46:13Have fun.

00:46:14Have fun, he says.

00:46:16Okay,

00:46:17forward, Emma.

00:46:18Steady, girl.

00:46:19Steady, Emma.

00:46:20Steady, good girl.

00:46:22Thinks he's so cute

00:46:23we can't make it

00:46:24on our own.

00:46:25Well, we'll show him,

00:46:26won't we?

00:46:30I never did like tests

00:46:31even in grade school.

00:46:32Taxi!

00:46:33We used to cross my fingers

00:46:34all the time

00:46:35the whole way through.

00:46:37It wasn't easy

00:46:38to write that way.

00:46:39I thought it would

00:46:40keep me lucky.

00:46:42It just made the kids

00:46:43think I was a little weird,

00:46:44that's all.

00:46:46Hey, watch it.

00:46:47Oh, yipe,

00:46:48what was that?

00:46:50Emma.

00:46:51Oh, Emma,

00:46:52slow down.

00:46:53This is not

00:46:54the 100-yard dash.

00:46:55It's more like a marathon.

00:46:58Emma!

00:46:59Where are you going?

00:47:00Did we wander onto

00:47:01a football field?

00:47:03I don't know.

00:47:29I know!

00:47:33I know!

00:47:47Did you ever hear

00:47:48the one about

00:47:49the four turtles

00:47:50and the one bottle of beer?

00:47:52Oh, boy,

00:47:53that's really a good one.

00:48:01Keep watching.

00:48:04Did you say block two

00:48:05or block three?

00:48:28This feels like

00:48:29Russian roulette

00:48:30with traffic lights.

00:48:34Let's see.

00:48:36Okay.

00:48:37Did you hear the one

00:48:38about the elephant

00:48:39and the mouse?

00:48:45Emma,

00:48:46I have an idea.

00:48:48How about

00:48:49a nice, quiet

00:48:50little place

00:48:51in the country?

00:48:52I don't know about you,

00:48:53but my feet

00:48:54are killing me.

00:48:57What's the matter with you?

00:48:58Are you just getting lazy?

00:48:59Emma,

00:49:00forward, Emma.

00:49:03Emma!

00:49:19Emma,

00:49:20I'm sorry.

00:49:22You did your job.

00:49:23I just didn't do mine.

00:49:25I'll never doubt you again, okay?

00:49:29Really,

00:49:30you're such a good girl.

00:49:31Thank you.

00:49:34Oh,

00:49:35I hope this is pretty.

00:49:41Robin said it was.

00:49:43How's it look, huh?

00:49:49Oh,

00:49:50man,

00:49:51I'm so nervous.

00:49:53Oh,

00:49:54I'm so nervous.

00:49:55Oh,

00:49:56I'm so nervous.

00:49:57Oh,

00:49:58I'm so nervous.

00:49:59Oh,

00:50:00I'm so nervous.

00:50:01Oh,

00:50:02now,

00:50:03now,

00:50:04Emma,

00:50:05I'm not going,

00:50:06I'm not going to be late,

00:50:07and if I am,

00:50:08I'll call.

00:50:09And there's some cold pizza

00:50:10in the fridge

00:50:11if you're hungry.

00:50:26Oh,

00:50:27Emma,

00:50:28what if we're both dogs?

00:50:33You okay?

00:50:34I'm a little nervous.

00:50:35Ah, come on,

00:50:36they're just people like you and me.

00:50:38Well,

00:50:39I haven't said much to people for a while,

00:50:40except right, left,

00:50:41and take the stairs.

00:50:45Have I told you how beautiful you look?

00:50:47Three times.

00:50:48But what the hell,

00:50:49make it,

00:50:50make it four.

00:50:53You look beautiful.

00:51:03Oh.

00:51:08Is this thing safe?

00:51:10Well, sure,

00:51:11it was overhauled in 1910.

00:51:141910?

00:51:16That's comforting.

00:51:28Come here,

00:51:29look at this.

00:51:33Wow.

00:51:36The grill work is extraordinary.

00:51:38Oh, wow.

00:51:39Right over here.

00:51:44Oh,

00:51:45well, thanks.

00:51:47Are you hungry?

00:51:49Yeah, but tell me what it is first,

00:51:50I don't like surprises.

00:51:52You have a choice,

00:51:53anchovies or caviar?

00:51:55Anchovies.

00:51:57You're my guest.

00:51:59Uh-huh.

00:52:03Oh, my God.

00:52:08Want some?

00:52:09No.

00:52:11Well.

00:52:12Cheers.

00:52:13It's a lovely evening.

00:52:18This isn't white wine,

00:52:19it's rosé.

00:52:22There's something I haven't told you.

00:52:24What?

00:52:25I'm a New Yorker,

00:52:26isn't I?

00:52:27Uh-huh.

00:52:28I'm colorblind.

00:52:29Uh, you want to trade?

00:52:30Absolutely.

00:52:32I'm starving.

00:52:33Those are the world's smallest anchovies.

00:52:35Well, dinner's just around the corner.

00:52:36Look, come on,

00:52:37I want you to meet someone.

00:52:39Hi, this is a friend of mine,

00:52:40Alex McCabe.

00:52:41Alex, this is our hostess,

00:52:42Mrs. Carlisle.

00:52:43Richard, darling,

00:52:44since when do I go around

00:52:45calling you Mr. Chaplin?

00:52:46Just call me Paula.

00:52:48I'm very glad to meet you, Alex,

00:52:49and welcome to the gourmet gossip hour.

00:52:51Well, the food is wonderful,

00:52:52but I haven't tasted the gossip yet.

00:52:54Oh, you will, my dear.

00:52:55It wafts like bad cigar smoke

00:52:57throughout any gathering

00:52:58in the art world.

00:52:59As a matter of fact,

00:53:00Alex works at the museum.

00:53:02Really?

00:53:03And where are you

00:53:04in the hierarchy there?

00:53:05Up front.

00:53:06Well,

00:53:07I work at the information counter.

00:53:09I do tours for blind children.

00:53:11I try to make the sculpture garden

00:53:12more comprehensible to them.

00:53:14Could you do that for me?

00:53:18I heard a couple of grips

00:53:19and there he goes.

00:53:22You wouldn't believe it,

00:53:23but I am.

00:53:24I am.

00:53:27What do you like so much?

00:53:33Come on.

00:53:34So this gives you

00:53:36a heightened sense of hearing,

00:53:39right?

00:53:40Right.

00:53:41My senses are terribly acute,

00:53:43smell especially.

00:53:44You're so fortunate to have that

00:53:46as a life experience.

00:53:48Yes, you must try it sometime.

00:53:51I imagine you have

00:53:52a deep feeling for music, too.

00:53:54Do you play the piano or violin?

00:53:58Accordion.

00:53:59But I left it at home today.

00:54:01I may pass my tin cup later anyway,

00:54:03though there's so many

00:54:04sensitive people here.

00:54:06Or...

00:54:10Well,

00:54:11did I ruin your reputation?

00:54:13No, no, no.

00:54:14As a matter of fact,

00:54:15you sure made one for yourself, though.

00:54:19Emma!

00:54:20Hi.

00:54:21Hi, girl.

00:54:25You know, there's something

00:54:26I want to do all night.

00:54:28What's that?

00:54:32Uh...

00:54:33Wait.

00:54:38A little to the left, please.

00:54:40Shh.

00:54:52Now.

00:55:01Now.

00:55:29Richard?

00:55:32Richard?

00:55:45Richard?

00:55:48Richard?

00:55:50Good morning.

00:55:51Oh.

00:55:53You scared me.

00:55:54I thought...

00:55:57No.

00:55:58I thought we were sleeping

00:55:59and I wanted to listen to music,

00:56:00so I put the headphones on.

00:56:01Oh, that's fine.

00:56:02Fine.

00:56:03I just didn't know

00:56:05whether or not you'd left.

00:56:19Well,

00:56:20you must be hungry.

00:56:22I'll fix some breakfast.

00:56:24Only to let me know

00:56:25Uh-uh.

00:56:26This one's on me.

00:56:27I want to impress you.

00:56:34Here we go.

00:56:35Mmm.

00:56:36Hope you're hungry.

00:56:38Smells great.

00:56:39And now,

00:56:40the specialty of the house.

00:56:47Scrambled eggs McCabe.

00:56:50Scrambled eggs McCabe.

00:56:57Um...

00:56:58Is, um...

00:56:59Is Emma allowed to eat from the table?

00:57:01No.

00:57:02No.

00:57:05Mmm.

00:57:06Great.

00:57:09But this is nuts.

00:57:12I am tired of concerts,

00:57:14quiet dinners,

00:57:15and watch your stepwalks.

00:57:16If this is what you like to do,

00:57:18I'm gonna do it.

00:57:19Look, Alex,

00:57:20there are a lot of other things I like to do.

00:57:21I mean, I do swim, you know.

00:57:23I mean, I listen to music.

00:57:24If you want the feel of the wind through your hair,

00:57:26then let's jog.

00:57:27I mean, horseback riding.

00:57:29You scared?

00:57:30Yeah, very.

00:57:31Look, you know, it can be dangerous.

00:57:33With you by my side,

00:57:34what could possibly go wrong?

00:57:36Alex.

00:57:37Richard.

00:57:39I need to do this.

00:57:43Okay, you win.

00:57:45But nice and easy, huh?

00:57:47Okay.

00:57:52Okay.

00:57:53Emma, now, you be a good girl, okay?

00:57:56Okay, when you mount up,

00:57:57I'll tell you just what to do,

00:57:58and then we're ready to go.

00:57:59Just keep talking to each other.

00:58:00You'll know exactly where I am.

00:58:02Okay.

00:58:04Hi.

00:58:06Hiya.

00:58:07This is Candy,

00:58:08and this is Stewball.

00:58:10Uh, whose dog?

00:58:12Mine.

00:58:13Uh, you watch that dog around the horses, ma'am.

00:58:16She loves horses.

00:58:18Okay, I'll take it.

00:58:19Thanks.

00:58:20Okay, I'm gonna mount you up now.

00:58:22Okay, come over here now,

00:58:23and on the pommel,

00:58:24and take your left foot

00:58:25and put it right in the stirrup,

00:58:26and up, and over.

00:58:29All right.

00:58:30Okay, now, hear the reins,

00:58:32now, through the finger,

00:58:33and through the thumbs.

00:58:36Got it?

00:58:37Yeah.

00:58:38Okay, hold on now.

00:58:39Now, what we talked about last night now.

00:58:41Huh?

00:58:42Okay, when you want her to go,

00:58:43just nudge a little with your heels.

00:58:44I'm gonna mount up.

00:58:45Okay.

00:58:49Okay.

00:58:50Okay, Candy's gonna follow us.

00:58:52You sure about that?

00:58:53Positive.

00:58:54Come on.

00:58:55Come on, nudge it.

00:58:59Just nudge a little.

00:59:00That's it.

00:59:15Okay.

00:59:30A little tough on the tush.

00:59:32You look terrific.

00:59:34Don't look so bad yourself, hotshot.

00:59:36Thank you, ma'am.

00:59:40Looking good.

00:59:41Looking good.

00:59:42This is neat.

00:59:45Not so bad, is it?

00:59:46No.

00:59:49This is fun.

00:59:51You seem to like it, aren't you?

00:59:53You were the one that was scared.

00:59:55Oh, come on.

00:59:56Do it.

01:00:07Pull back on the reins.

01:00:11Pull back on them.

01:00:16Come on.

01:00:40Oh, my.

01:00:42Are you okay?

01:00:43Yeah, what a trip.

01:00:44Sure I'm okay.

01:00:45You sure?

01:00:46Yeah, I'm sure.

01:00:47I knew we shouldn't have done that.

01:00:49I just knew it.

01:00:50I knew you could have killed yourself.

01:00:51Well, I didn't, and besides, it was fun.

01:00:53Will you two stop picking on me?

01:00:55You should have seen her chasing after you.

01:00:58It's been three weeks of wonderful, scary, and confusing.

01:01:02That sounds like all the symptoms.

01:01:04Guess I have been alone too long.

01:01:06I don't know what to expect, exactly.

01:01:08Just don't expect perfection in him or you.

01:01:12I keep wondering how far this relationship is going to go.

01:01:16I mean, how long is it going to last?

01:01:18Why don't you just tell you one day at a time?

01:01:21Easier said than done.

01:01:25Mitchell, I've never asked you this before, but I...

01:01:29Well, I really am curious.

01:01:32How have you and Leslie managed to stay together?

01:01:35Talking.

01:01:37Lots of talking.

01:01:39About everything.

01:01:41Kids.

01:01:43Money stuff.

01:01:45Worries.

01:01:47How you really feel about each other.

01:01:51Whatever you're most afraid to say.

01:01:54I guess that's probably the hardest.

01:01:57Yeah.

01:01:59I'm beginning to find that out.

01:02:01Eggs and bacon or buttermilk banana pancakes?

01:02:11Coffee and oranges would be fine, honey.

01:02:13I make super buttermilk banana pancakes.

01:02:16I'm afraid I'm not going to have enough time, Alex.

01:02:20You don't have to be at the office until 9.30.

01:02:23You have over an hour.

01:02:26Alex, I'm...

01:02:28I'm taking an early flight.

01:02:30Going on a three-day trip.

01:02:33Three days?

01:02:38I...

01:02:41I wanted to tell you about it last night.

01:02:44You're catching a plane in an hour?

01:02:46You wanted to tell me about it last night?

01:02:48How long have you known about this?

01:02:50A couple of weeks.

01:02:51Look, every year there's an actual flight.

01:02:53You understand that?

01:02:54Yes, I understand that.

01:02:57But why did you wait until the last minute to tell me?

01:03:00I thought maybe you might want to come.

01:03:03I see.

01:03:04No, no, no, you don't see.

01:03:06It's just that...

01:03:07Look, for three days, all I'm going to be doing, Alex,

01:03:09is looking at works of art and lithographs and...

01:03:12I mean, what would you do with yourself all that time?

01:03:15You don't have to explain.

01:03:17Yes, I do. You don't know your way around Chicago.

01:03:19You don't have to explain.

01:03:21Yes, I do. You don't know your way around Chicago.

01:03:23I mean, when I'm talking art all day,

01:03:25I don't want you sitting around in a hotel room just twiddling your thumbs.

01:03:28Couldn't you have told me earlier?

01:03:31No, I couldn't.

01:03:33Look, Alex, I feel guilty enough about this...

01:03:35Why should you feel guilty?

01:03:37You're absolutely right.

01:03:39There are lots of things you and I will never be able to do together.

01:03:41Alex...

01:03:42Your coffee's ready.

01:03:52Now, if I didn't know better, I'd say you were depressed.

01:03:58But I know better.

01:04:00Don't I?

01:04:02Emma, tell Robin to mind her own business.

01:04:21Come on.

01:04:51I love you.

01:05:21It's going to be a partly cloudy day tomorrow.

01:05:23But don't worry, Ken, you're going to have some sunshine by tomorrow afternoon.

01:05:26That's right, sunshine.

01:05:51I love you.

01:05:53I love you.

01:06:21I love you.

01:06:29Alex?

01:06:33Alex?

01:06:35Go away, there's nobody home.

01:06:37Alex, what's wrong?

01:06:39Nothing's wrong.

01:06:41Nothing's ever wrong with me.

01:06:43Look, I'm sorry about not telling you when I was coming back.

01:06:47It was stupid of me.

01:06:49I just want to be alone.

01:06:51You've been alone now for damn near 20 years.

01:06:59Maybe that's the way I want it.

01:07:03Alex, I came home a day earlier just to be with you.

01:07:06I mean, I wanted to surprise you.

01:07:14Alex?

01:07:17Alex?

01:07:22If you want to reach me, you know where to call me.

01:07:30Damn.

01:07:46Hello?

01:08:10Hello?

01:08:11Alex, how are you?

01:08:13I'm okay.

01:08:16Maybe you won't bite my head off when I tell you I found the name of that doctor.

01:08:19Mitchell, I don't want to talk about this now.

01:08:22Why?

01:08:23I'm busy.

01:08:24Okay.

01:08:26Maybe another time, huh?

01:08:28Bye.

01:08:29Bye.

01:08:45Bye.

01:08:58Hello?

01:08:59Mitchell?

01:09:01I'm not that busy.

01:09:15Hello, Emma.

01:09:24Hi, can I help you?

01:09:26Oh, uh, yes, is Mr. Chapman here?

01:09:28Yeah, he's right over there.

01:09:30Um, to your left.

01:09:33Thank you.

01:09:35Left, Emma. Forward.

01:09:37Steady, Emma, steady.

01:09:46Hiya.

01:09:49Hi.

01:09:52I, uh, I know you said I could call you, and that just seemed a little bit too easy.

01:10:01So, uh, here I am.

01:10:07I wanted to say I'm sorry.

01:10:10I behaved very badly, and I had no excuse, and I'm...

01:10:15I'm really sorry.

01:10:20Well, I'm very glad you came.

01:10:24So am I.

01:10:26I have a surprise for you.

01:10:29Thank you.

01:10:39Yes, they're here.

01:10:42Dr. Harkin will see you now.

01:10:44Go right on in.

01:10:49Well, hello, Alex.

01:10:53Now, there are two conditions that are essential to make this operation a success.

01:10:57That the brain received enough visual stimulation when you were young

01:11:01so that it can now interpret a visual message.

01:11:03In other words, the brain must have at one time learned how to see.

01:11:08Also, the back of the eye must be normal and healthy.

01:11:11Now, if the test established these things,

01:11:13then you're a candidate for a successful operation.

01:11:16And if the results are positive, you can think about it, talk it over,

01:11:20come back, and I'll tell you what the next step would be.

01:11:23Well, it's taken me a long time to get to this step.

01:11:26I understand your fears, Alex.

01:11:49Raise the magnification.

01:11:52Alex, I want you to look to the left.

01:11:56Very good.

01:11:58Now look to the right.

01:12:00Okay.

01:12:21Okay.

01:12:40I'm ready to leave now.

01:12:42Oh, yeah, go ahead.

01:12:43Night.

01:12:44Have a nice evening, Julie.

01:12:47Well, Alex, there's no retinal detachment.

01:12:54It appears you're an excellent candidate for the surgery.

01:12:58What's involved exactly, doctor?

01:13:00Well, we use a surgical method called irrigation aspiration.

01:13:04We'll enter the eye with a small probe.

01:13:06Now, through one hole in the probe, fluid will enter the eye,

01:13:09and through another hole in the probe, we'll draw out the fluid in the cataract.

01:13:12Well, what about complications?

01:13:15My father lost his eye, and he looked so terrible.

01:13:20All surgery, Alex, carries some risk.

01:13:24Now, with eye surgery, there's also some possibility of retinal detachment,

01:13:30inflammation with the eye.

01:13:32But, Alex, the chances of these things happening are extremely small.

01:13:36Well, how much vision can she expect?

01:13:38Well, immediately she should be able to get around without much assistance.

01:13:42I mean, certainly well enough to let Emma get lazy.

01:13:45Now, we'll let one eye heal completely before we give you your contact lens.

01:13:49That should take a couple of months.

01:13:51And only then will we do the surgery on the other eye.

01:13:58Well, let's do it.

01:14:01Well, our biggest problem is finding you a bed.

01:14:04So go home, try to relax,

01:14:06and I'll call you the minute I know when I can get you in.

01:14:15Hello?

01:14:16Mitchell?

01:14:18We're on.

01:14:20It's a go?

01:14:21It's a go.

01:14:23It's a go?

01:14:24It's a go?

01:14:26It's a go.

01:14:28It's a go.

01:14:38I remember hearing this song at the last dance I went to.

01:14:42Oh, I wanted to go so bad.

01:14:46Mitchell came down from college to take me.

01:14:50We made jokes about him having a blind date with his sister.

01:14:56All that last year, I knew I had to store things away.

01:15:04My own little museum, I guess.

01:15:06Textures and shapes so that they wouldn't escape.

01:15:11But some of them did.

01:15:15Except in my dreams.

01:15:18I sleep pretty well in my dreams.

01:15:21It makes waking up a little hard sometimes, though.

01:15:30Richard?

01:15:33I haven't seen myself in a mirror since I was 16 years old.

01:15:39What if I don't recognize myself?

01:15:41I mean, what if I don't recognize anything?

01:15:43It won't be that way, Alex.

01:15:54This is a mistake.

01:15:58Alex, you're going to see.

01:16:00No, I've taken enough chances in my life.

01:16:05Oh, have you?

01:16:06Yes.

01:16:08Well, it may not be the way you want it, but I'm comfortable with my life the way it is.

01:16:14Absolutely comfortable.

01:16:17That's right.

01:16:18I mean, you've got everything compartmentalized, haven't you?

01:16:20I mean, you know exactly how many steps it takes to go to the office,

01:16:23how many steps to the kitchen, to the wall.

01:16:26I mean, you've got everything tucked away nice and neat, haven't you?

01:16:29Look, I don't even know why I'm doing this anymore.

01:16:33It feels like I'm doing it more for you than for me.

01:16:37How about for us?

01:16:39How about us?

01:16:42I mean, what happens to the us if this thing doesn't work?

01:16:46I mean, are you going to grin and bear it and stay with the sinking ship?

01:16:50You're a nice guy, Richard.

01:16:52But you're not signing up for 40 years of martyrdom, are you?

01:16:58Are you?

01:17:03Be honest.

01:17:10I don't know.

01:17:14Look, I don't know what I'm capable of, Alex.

01:17:17I don't think any of us do unless we're put to the test.

01:17:20I mean, any kind of test.

01:17:23Then I guess we find out who we are or what we're made of or what really counts to us.

01:17:32All I can tell you is that I never even noticed the smell of a sidewalk being hosed down before I met you, Alex.

01:17:46Look, sure, it would be a lot easier if you were sighted instead of being blind.

01:17:50I mean, sure, it would be more fun, it would be more convenient.

01:17:53But that is not what counts to me anymore.

01:17:57Alex, if you want to cancel this operation, now you cancel it.

01:18:01But you better have a damn good reason.

01:18:04And I mean of your own.

01:18:06Because I want you to expect the best of me, not the worst.

01:18:09And I'm going to expect the best of you, even if it scares the hell out of you.

01:18:20Nobody ever told me.

01:18:24Nobody ever told me.

01:18:31That it hurts so much to love somebody.

01:18:36Alex, come here.

01:18:40Come here.

01:18:54If Dr. Harklin is right and I can see a little bit tomorrow, how will I recognize you?

01:19:03I'll be the guy wearing the pink carnation.

01:19:08And that's all.

01:19:10I'll be sure I recognize you.

01:19:15They're ready for you in surgery.

01:19:18Here's your party hat.

01:19:39Dr. Paul.

01:19:50Paul Beidle.

01:20:09She's in recovery.

01:20:11And?

01:20:12She came through fine.

01:20:13Oh, that's terrific.

01:20:14Can we see her now?

01:20:16Give her a minute.

01:20:22What did the doctor say?

01:20:24It went very well.

01:20:25The bandage has come off tomorrow.

01:20:27What time tomorrow?

01:20:29Well, I don't know.

01:20:31I don't know.

01:20:33It went very well.

01:20:34The bandage has come off tomorrow.

01:20:36What time tomorrow?

01:20:38What we don't know is yet.

01:20:40Look, you just get a good night's rest, okay?

01:20:44We'll be here first thing in the morning.

01:20:47Yeah, first thing.

01:20:52Get some sleep.

01:20:53Okay.

01:20:54How's Emma?

01:20:55I know she's rooting for you.

01:21:03♪

01:21:34♪

01:21:43Hey.

01:21:45I should have let him get it off.

01:21:48Hmm?

01:21:51Didn't expect to find you here.

01:21:55Start the car.

01:21:57Okay, for Pete's sake, Megan.

01:21:59I've got to look good for Alex, don't I?

01:22:01It's hopeless, Megan.

01:22:02Megan, we're leaving.

01:22:07Why do we have to get all dressed up if we're just going to sit here?

01:22:10Try to be patient.

01:22:12Why can't we go in when they take the bandages off?

01:22:16Because...

01:22:19Well?

01:22:22What if we were all standing around?

01:22:25For what?

01:22:27And he took off the bandages and she was still blind.

01:22:35Any pain?

01:22:37None.

01:22:38Good.

01:22:39Well, let's take a look, shall we?

01:22:41Okay.

01:22:42Richard?

01:22:44Right here, darling.

01:22:45Okay.

01:22:46I'm going to take the bandage off.

01:22:49It's going to tug a little.

01:22:52And when you open your eyes, the light's going to be very bright

01:22:56since we've taken your lens out.

01:22:58You're not going to be able to see anything.

01:23:00Okay, but just tell me everything you're going to do, okay?

01:23:02Okay.

01:23:07Examining the eye.

01:23:09Oh, this bright.

01:23:13Relax.

01:23:17Looks...

01:23:20perfect.

01:23:25Now, I have a lens which I'm going to put up to your eye

01:23:30to give you some idea of what you'll eventually see.

01:23:40Something, um, green.

01:23:44It's my uniform.

01:23:46Anything else?

01:23:48Oh.

01:23:56Oh, Mitchell.

01:23:59Hi.

01:24:02Hi.

01:24:08Where's Richard?

01:24:16Oh, my God.

01:24:18You're beautiful.

01:24:34Come on in.

01:24:35She wants to see all of us.

01:24:41Oh, hey, you guys.

01:24:43Come here, let me look at you.

01:24:46Oh, my gosh.

01:24:47Bruce, you handsome devil.

01:24:49I'm not usually all this dressed up.

01:24:51Yeah, I know.

01:24:55Megan, are you lovely?

01:24:58I've missed your whole childhood.

01:25:01You didn't miss anything.

01:25:02I used to be a fatty.

01:25:05Oh, Leslie.

01:25:06I haven't seen you since your first date with Mitchell.

01:25:10I'm not a college girl anymore.

01:25:12Well, you look beautiful to me.

01:25:15Can I see that?

01:25:17This?

01:25:18Yeah.

01:25:19Yeah, well, okay, but you be careful, all right?

01:25:24Hey, guess who just flew in.

01:25:26I'm sorry, I'm late.

01:25:27My car was...

01:25:28Give her the lens so she can see.

01:25:30You can see?

01:25:33No, wait a second.

01:25:36Remember when I told you I was luscious?

01:25:39Well, I exaggerate sometimes.

01:25:48Oh, no you don't, kiddo.

01:25:51You're a knockout.

01:26:00I always thought that was blue.

01:26:13That's, uh, for me.

01:26:16Oh.

01:26:18And these are for Memma.

01:26:21Dogwood, I presume.

01:26:24Oh.

01:26:30Now, you were going to get a little rest, young lady.

01:26:33I feel fine, Richard.

01:26:34Really, I do.

01:26:35That's okay.

01:26:36Here.

01:26:37I'm going to pick up Emmett Robbins, then I'm going to come back,

01:26:39and then I will fix us a little lunch.

01:26:41How's that?

01:26:42Okay.

01:26:43Okay?

01:26:44Mm-hmm.

01:26:45I'll see you soon.

01:26:46Good-bye.

01:27:17Good-bye.

01:27:18Good-bye.

01:27:47Good-bye.

01:27:48Good-bye.

01:27:49Good-bye.

01:27:50Good-bye.

01:27:51Good-bye.

01:27:52Good-bye.

01:27:53Good-bye.

01:27:54Good-bye.

01:27:55Good-bye.

01:27:56Good-bye.

01:27:57Good-bye.

01:27:58Good-bye.

01:27:59Good-bye.

01:28:00Good-bye.

01:28:01Good-bye.

01:28:02Good-bye.

01:28:03Good-bye.

01:28:04Good-bye.

01:28:05Good-bye.

01:28:06Good-bye.

01:28:07Good-bye.

01:28:08Good-bye.

01:28:09Good-bye.

01:28:10Good-bye.

01:28:11Good-bye.

01:28:12Good-bye.

01:28:13Good-bye.

01:28:14Good-bye.

01:28:15Oh, Emma!

01:28:16Aww!

01:28:17That's my little baby.

01:28:18Oh, Emma, you are beautiful.

01:28:19My look at you.

01:28:23Oh, you're so pretty, let me see.

01:28:26Oh, you've got the most beautiful brown eyes, oh my gosh!

01:28:30I didn't want to wake you, but she missed you.

01:28:34I hope so.

01:28:35Oh boy, well, now you're stuck with two blondes.

01:28:41Boy, well, now you're stuck with two blondes.

01:28:43You make a great couple.

01:28:52Lunch is served, madame.

01:29:01Emma! You get down from there at once!

01:29:04Shame on you! Shame on you!

01:29:07You know you're not supposed to do that!

01:29:12What's been going on here?

01:29:20Oh, Em, did I hurt your feelings?

01:29:24Oh, Emma, I still love you, Em.

01:29:33Hey, Emma, it's me.

01:29:41It's me behind these glasses.

01:29:46You know, don't you?

01:29:49You know I can see you.

01:29:56It's okay. It's okay, baby. It's okay.

01:30:00Oh, I still love you, Em.

01:30:05There he is.

01:30:07Come on, Emma. Come on.

01:30:12Come on. Come on.

01:30:21Okay, let's go. There you go.

01:30:24Come on. Come on.

01:30:27You're not used to this much freedom, are you?

01:30:30But you better be.

01:30:32Come on. Come here.

01:30:35I thought you were supposed to be a retreat.

01:30:38I thought you were supposed to be a retreat.

01:30:40Come here.

01:30:42Come on!

01:30:47Look straight ahead.

01:30:49Straight ahead.

01:30:57Uncomfortable?

01:30:58Uh, well, no.

01:31:00No, not really.

01:31:02Well...

01:31:05Oh, that's what I wanted to see.

01:31:10Come here.

01:31:13Hello.

01:31:33Oh, no!

01:31:37Oh, my gosh. Let me help you with that.

01:31:39Did you hurt yourself?

01:31:41Can you stand up?

01:31:43Here, let me...

01:31:47Here's your purse.

01:32:02Gary knows I'm coming.

01:32:04This is something I have to do on my own, you understand?

01:32:07Yeah, of course.

01:32:11Come on.

01:32:32This, um...

01:32:34This blind lady was going into a very crowded department store.

01:32:39And her guide dog was leading the way, see?

01:32:42And, um...

01:32:44Well, they headed to this counter that was full of piles of sweaters that were on sale.

01:32:51And as soon as they got there, she let her guide dog go...

01:32:55and jumped up on the counter...

01:32:57and started pawing his way through all those sweaters.

01:33:02They were going every which way.

01:33:05All of a sudden, a salesman came up. He was very annoyed.

01:33:09And he said in the most condescending tone,

01:33:12May I help you?

01:33:14Well, she turned around and said to him,

01:33:16No, thank you.

01:33:18We're just looking.

01:33:22Well...

01:33:25At least I remembered the punchline.

01:33:32Emma...

01:33:34You've changed my life.

01:33:39I learned to trust because of you.

01:33:43To know how it feels to be safe.

01:33:48You let me share my fears with you.

01:33:52And love.

01:33:55Oh, how you taught me love.

01:34:00I'll never forget you, Emma.

01:34:02Never.

01:34:04And I'll love you always.

01:34:08Someone else needs you. Now, listen to me.

01:34:11Someone else needs you. You've got to understand.

01:34:14And you've got to be on your good behavior.

01:34:17I mean, no more paws on the table and no more jumping up on the bed, okay?

01:34:22Okay?

01:34:24Okay.

01:34:31Okay, go on. Go on!

01:34:37You be a good girl, okay?

01:34:43Thank you.

01:34:54You're welcome.

01:35:24You're welcome.

01:35:54You're welcome.

Second Sight: A Love Story | Full Movie | John Korty | Elizabeth Montgomery, Barry Newman

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