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Short filmTranscript
00:00Subtitulado por Cristina Pérez Cerezo
00:30I wanted to congratulate you.
00:32Congratulate me? Why?
00:33Because of how you've adapted to the circumstances.
00:36You wouldn't have achieved anything by facing me.
00:38I want to pay you for the books, but I need to do it on time.
00:41I've talked to my father and we've decided to lend them to you.
00:45But you didn't have to have bothered him.
00:47My father is delighted that I have a friend who likes to study.
00:50My relationship with Fabio has cooled down in the last few weeks.
00:53Tell me, what do you want me to give you?
00:56A purchase offer from all the galleries in the gallery.
00:59We've decided to get married in a remote village lost in the mountains.
01:03Let's see what you're up to.
01:05We have to go up in a donkey.
01:07I've already told you. It's the only way we have to get there.
01:10Trini and I would understand perfectly...
01:13...that they didn't want to come.
01:15Because it's very far from Madrid.
01:17Look at another wedding.
01:19The deceased woman resurrected.
01:21Where there was fire, there is fire.
01:23If I were in her place, do you know where the Italian would be now?
01:26There, in a boat, straight to his country.
01:30Precisely because they are the most valued assets...
01:33...we must treat them with more attention and not rush them.
01:37Time does not run in our favor.
01:39I'm the first one interested in ending all this.
01:42Everything I do answers to a single question...
01:44...and it is to protect Carla from an injustice.
01:46But what injustice are you talking about?
01:48Miss Castro.
01:50I have taken the liberty of organizing the wedding tonight.
01:53We will go to the best club in the city.
01:55The Madrid Cabaret.
01:56His name was Juan José.
01:58I met him in my town when I was young.
02:00But one day he came and told me that he was going to work in Seville.
02:03And after a couple of years, I went to look for him.
02:06He had married a Sevillian.
02:08He didn't stay with that bitterness of not having tried.
02:10I didn't come here to hurt anyone.
02:12Much less Antonia.
02:13I know.
02:14You have to do something.
02:15And you have to do it now.
02:17Because every minute Matilde is on the street...
02:20...our situation gets more complicated.
02:22She hasn't called me before you.
02:23And what did she say?
02:24No.
02:25But it was something important and we had to meet as soon as possible.
02:28Some friends of mine have opened a restaurant in El Escorial...
02:31...and they have invited me to eat there.
02:33Well, that's a better plan than spending the night with us.
02:36And I wanted to propose to Mrs. Lázara...
02:38...that she come.
02:40Very well.
02:41Of course, go with her.
02:43What a shame.
02:44Because I'm afraid it won't be possible.
02:46Nothing in life is sadder and useless...
02:49...than suffering for suffering.
02:50Is it a song?
02:51What's wrong with you?
02:52The woman I met through BrÃgida...
02:54...and that you say doesn't exist...
02:57...actually does exist.
02:58And her name is MarÃa.
03:00Through some false evidence...
03:01...you made me believe that my wife suffered a mental disorder...
03:04...and wanted to put her in a sanatorium.
03:06We're going to report you to the police.
03:08You're making a mistake.
03:09Who's behind this?
03:11Who hired you to destroy me?
03:14My wife asked a very simple question, Doctor.
03:17And I assure you that she's not leaving this house...
03:19...without giving me an answer.
03:22I don't have any obligation to answer her...
03:24...especially if she comes with those insinuations.
03:26I haven't done anything wrong.
03:27How can you be so cynical?
03:28Since we contacted you...
03:29...all you've done is invent things to make me go crazy.
03:32Only in a crazy head...
03:33...can such a delirium end.
03:34You're giving me the reason.
03:35Don't talk to my wife like that.
03:37You don't know what you're talking about.
03:39You don't know what you're talking about.
03:41You don't know what you're talking about.
03:43She's my wife.
03:44We have a witness.
03:45The girl from the consultation.
03:46That girl who only exists in Matilde's head.
03:48I think that's poor defense, Mr. Peñalver.
03:50That woman is as real as you and me.
03:52I've been able to talk to her.
03:53And she has confessed to me that one of her nurses...
03:55...offered her money to make her go through one of her patients.
03:58And she became a friend of Matilde.
04:00Are you really going to believe all those lies, Mr. Peñalver?
04:03Lose your sanity because of the delirium of your disturbed wife?
04:05My wife is not crazy!
04:07Iñigo, it's not worth it.
04:09We'll go to the police and file a complaint against the doctor.
04:12And we won't stop until the clinic is closed.
04:15Do you have anything against me?
04:17Beyond the testimony of a person whose sanity is in question?
04:21Why would the police want a madwoman...
04:23...before an eminent psychiatrist?
05:13Forever you and me
05:17Dreaming in a living room
05:21We are seagulls that stop us
05:25In the modern exposition of love
05:29Forever you and me
05:33A single heart
05:37We are brave if they don't understand it
05:41In the modern one there is a better world
05:45The modern one wrote our love poem
06:07You don't have to say it, I know it didn't work out.
06:09But I couldn't resist.
06:11I know, Iñigo.
06:13But I'm afraid it won't work.
06:16The doctor has left and he's going to leave Rositas.
06:19Well, not Rositas, that blow has taken him away.
06:22Yeah, but it's not enough.
06:24That doctor should be in jail.
06:26And I don't think he's ever going to step on her.
06:29Are you going to go back with the complaint?
06:31No, but that bastard is right.
06:35We have no evidence.
06:37And he's capable of going around everything we say to make me go crazy.
06:41From the first moment it has been shown like this.
06:43I don't think it's going to change now.
06:48Matilde, I'm very sorry.
06:51I shouldn't have distrusted you.
06:53And I'm very sorry to have left you in the hands of that nerd.
06:56I'd rather not talk about that.
06:58It's already forgotten.
07:04You already have your hand healed.
07:05No, I'm going to bed.
07:07Clarita is coming tomorrow and I want to be awake to receive her well.
07:13Good night.
07:35Well, things have changed in my absence.
07:38I haven't seen you so quiet in my life.
07:41What a joy to see you.
07:43I'm glad you're working.
07:45Yes, forgive me, boss.
07:47But I'm so glad to see you.
07:49Thank goodness you're back.
07:51You don't know how to organize yourself without me.
07:53What are you talking about? You know I organize myself wonderfully.
07:55The thing is that your substitute has appointed me and I don't give more of myself.
07:59But how many days have you been replacing me?
08:01Two, but I'm already over the top.
08:03You have to see the responsibilities you have.
08:05Now I realize how much weight you carry on your shoulders.
08:08Thank goodness you're back.
08:10Because I don't know if I'm going to put up with this pressure anymore.
08:13Stop it, Elias.
08:14I still don't know how to keep my job.
08:17Have you heard anything?
08:19No, boss, I've been very busy.
08:21Well, I have no choice but to find out what my situation is after my shock.
08:27Yes, well, I hope there is no retaliation.
08:29Shut up, for your sake and for mine.
08:31I hope so.
08:35Agnete, I am very happy to see you here again.
08:39I hope you have enjoyed your days in Asueto and your grandfather.
08:43I have. And I am willing to bear the consequences of my actions, whatever they are.
08:48Well, let's just say that our last conversation before you left was not the most successful.
08:54Especially for me.
08:56I remember you threatened to fire me. I haven't forgotten it.
09:00I admit it wasn't my best day.
09:02And I'm sorry if that has prevented you from enjoying your family.
09:08Even so, I want you to know that I have personally mediated for you to keep your job.
09:16Are you serious?
09:17I don't usually lie.
09:21Well, if you're going to stay to work, you can do it right now.
09:25So when you make a decision, let me know.
09:36Celia, I'm glad to see you here.
09:38I wanted to stop by your store to talk about how everything went.
09:41And please, I insist that you invite me ...
09:43Don't even think about apologizing again.
09:45I know you had good reasons not to be at Estrellita Castro's party.
09:49Come in, please.
09:57But I insist on apologizing.
09:59It wasn't right to leave her alone at such an important event.
10:02Although I'm sure everything went very well.
10:05Well, judge for yourself.
10:08First page.
10:11Sit down, please.
10:13First page.
10:18To the surprise and delight of Madrid Cabaret's customers,
10:23the coupletist sang some of her hits spontaneously,
10:27making the delights of a dedicated audience.
10:31Are you telling me that Estrellita Castro sang at my place?
10:35You see? A first-class performance and it cost you nothing.
10:40That's what makes Madrid Cabaret unique.
10:43You don't know when a coupletist can suddenly appear
10:46and sing one of her best songs.
10:49Thank you very much, Celia, really,
10:51for managing everything and bringing Estrellita Castro to Madrid Cabaret.
10:55And I thank you for your thanks.
10:57But the idea of ending the night at your place was Estrellita Castro's idea.
11:01By the way, speaking of the place,
11:03you haven't told me anything about the event you organized there yet.
11:07Yes, it's something cultural.
11:10I'm not exempt from claims.
11:12Well, you know you can play Madrid Cabaret whenever you want.
11:15Thank you very much.
11:19I'm sorry for my lack of education, but I haven't asked about your wife, Matilde.
11:23How is she?
11:26Matilde...
11:28She's fine.
11:30Yes.
11:32She's starting a new stage in her life after so many failures.
11:37Why did she do that?
11:39I don't know.
11:40Maybe I've become too transcendental.
11:43Matilde is going back to work at La Moderna as an event organizer.
11:47I'm glad to hear that.
11:49I'm glad the newbies have passed.
11:52Yes.
11:54Would you like something to drink?
11:56Yes, a coffee.
12:07What happened? I saw you talking to Mrs. Lázara.
12:09Did she fire you?
12:10On the contrary, Mrs. Teresa.
12:11Cañete keeps his job.
12:13And I loved giving it to him.
12:15Well, now, if you'll excuse me,
12:16I'm going to prepare everything necessary for the transfer of powers.
12:20What a joy!
12:22Well, I'm glad you didn't lose your job
12:25and to have you back here.
12:26I'm glad too.
12:28Although I've been a little worried about you, Teresa.
12:31When I left, you and Mrs. Lázara had declared war on you.
12:34Yes, that's how it was.
12:35But you know that Mrs. Lázara has taken out the white flag.
12:39Indefinitely?
12:41I suspect not.
12:42So, just in case,
12:44I've decided to continue with my research.
12:47I've contacted another of the dependents of the Madriparis warehouses.
12:50And I hope Mrs. Lázara doesn't find out this time.
12:53Did the other one tell the vampire the story?
12:55Well, I don't know if she or someone who saw me there.
12:58But this time I'm going to be much more discreet.
13:00I think this girl is willing to tell me the whole truth.
13:04And when do you plan to go to her meeting?
13:06Tonight.
13:07So tomorrow, before we start the job,
13:09I can tell you everything I find out.
13:12Well, that's all.
13:14I hope you continue to fulfill your obligations
13:17with the usual diligence.
13:18Shut up.
13:19I will.
13:29Oh, how we wanted to see you around here!
13:31Yes.
13:32You have no idea how worried we have been for you.
13:34I know, Esperanza.
13:36And even though I was fooled,
13:37I was aware that you also thought
13:39I had lost my mind.
13:41I confess that they even made me believe it.
13:43But what do you mean by they made you believe it?
13:45Well, as you know,
13:47I was going to a psychiatrist
13:49who was supposed to cure me.
13:51But it turned out to be a fraud.
13:52All he wanted was to lock me up in an institution.
13:55My God.
13:56Well, then he was the crazy one here.
13:58And he's the one who should be locked up
14:00in that sanatorium of his.
14:02No, he should rot in prison, Trini.
14:04Well, what I do know
14:06is that there is someone behind all this.
14:08And that he's using all his strength to make me crazy.
14:11Someone besides the doctor, you mean?
14:14Yes.
14:15I think that doctor was just an instrument
14:17in the hands of another person.
14:19But who could be so twisted to believe you so badly?
14:23I don't know.
14:24But I'm not going to stop until I find out.
14:26Well, the important thing is that the nightmare is over
14:29and that that doctor is unmasked.
14:31Well, and that Ñigo has realized
14:33that everything that happened was a trick
14:36to make you think you're crazy.
14:39But I wouldn't have gotten any of this without Marta's help.
14:42Oh, my Marta.
14:44By the way,
14:45I'm going to see if you've finished cleaning the displays.
14:47We don't have to go upstairs later.
14:49Oh, yes, I'll go with you.
14:52Goodbye.
14:53Oh, Antonia.
14:55How are you?
14:56Well, well...
14:59Here I go.
15:01I try to take Pietro and Lucia as far as I can, but...
15:06I'm having a hard time, darling.
15:08What do you want me to tell you?
15:10I'm very sorry that you're in this situation.
15:13Well, now you have to be happy
15:15because everything has been solved
15:17and you're back on track.
15:20Well, I think there are still some things to be resolved
15:22and I'm not sure they can be fixed.
15:26But we'll deal with that later.
15:28Now it's time to get back to work
15:30and then pick up Clarita.
15:32She was coming today.
15:33It's true.
15:34Oh, why didn't you come over for dinner?
15:36I really want to hug her.
15:37Sure, we'll be there.
15:38Oh, that's great.
15:39Get back to work. See you later.
15:41Goodbye, Antonia.
15:42Bye.
15:50The Modern Tea Salon is quality and elegance.
15:53Discover it by giving us a gift with your stay.
15:57You're the most talented sister in the world.
15:59You're too much.
16:01I have a lot to learn.
16:04It's very good, Laurita.
16:05You've done a fantastic job.
16:07Yes, I think so.
16:08It's a great wedge.
16:11Oh, by the way.
16:13Where's Ceria?
16:14I thought she'd come with us.
16:16Do you have anything to do with her?
16:19No, no.
16:20But I wanted to thank her for being able to bring
16:22a star-sized singer to the Madrid Cabaret.
16:26I didn't know she was so worried about Iño's show.
16:29I wouldn't say so,
16:30but we have to admit that both the Modern Tea Salon
16:33and the gramophone store have benefited a lot
16:35from the singer's presence.
16:37Yes, I wish we could do a box like yesterday every day.
16:40That was exhausting.
16:42And of course,
16:43we had to go with her to celebrate.
16:45Of course.
16:46You couldn't tell her not to go out with her.
16:49Yes, it's a shame she couldn't come.
16:51What do you mean, a shame?
16:52All I did was follow your advice.
16:54I would have been delighted to go.
16:56Well, she'll come with us next time.
16:58She would have had a great time with Estrellita Castro.
17:00She's so funny.
17:02And a great advisor,
17:03because I heard she gave you recommendations
17:05for your future on stage.
17:07Yes, I sang a song but in a low voice
17:09and without forcing my voice.
17:11But you don't know how good I felt.
17:13What Mrs. Juánez taught me is paying off
17:16and I want to speed up my recovery.
17:18You're so brave.
17:19Yes.
17:20But you know what they say,
17:21shortcuts are expensive,
17:22so be careful.
17:24Do you remember what they tell you when you're interested?
17:27Well, I'll remind you that tomorrow
17:29we're going on an excursion to El Escorial.
17:32How can I forget?
17:33Once we're out of the city.
17:35But in the end,
17:36will the three of us go or will there be four of us?
17:40I haven't asked you that yet.
17:42But I don't think it's a bad idea.
17:45As soon as I have the opportunity, I'll ask you.
17:48But, uncle,
17:49do you really want us to go with you?
17:52Don't you prefer to go alone with Mrs. Laza?
17:55Let's see if it's going to be you who don't want to come.
17:58No, no.
17:59We are delighted to see you out of these four walls.
18:02Don't talk anymore.
18:03I would like you to accompany me.
18:04And I hope you too.
18:07And there is no further intention of all this.
18:10So,
18:11to work.
18:20Well, it's the first time you've congratulated me
18:22for cleaning, Esperanza.
18:24I'm sure you don't have a fever.
18:26Let's see if I'm congratulating you
18:28for helping Matilde get rid of that evil doctor.
18:32Yes, I already knew.
18:34Let's see.
18:35You have to take it easy, Marta.
18:37You have to be very brave to do what you have done.
18:40And you have to be well-positioned to play it that way.
18:43I had no other choice, Esperanza.
18:45Matilde and her family have been very good to me.
18:48Helping her find that girl was the least I could do.
18:52I hope you understand that I couldn't give any details.
18:56Well, don't get like that.
18:58I'm not going to tell anyone and I'm not going to keep it in mind.
19:02Don't make that face.
19:04I'm not going to tell the vampire anything.
19:06Not about that or anything.
19:08No, it's not because of that.
19:10It's because of what he told me yesterday.
19:12About his love of going to youth.
19:17The love of my life, Marta.
19:23No matter how much time passes,
19:25he always has a hole in my heart.
19:29It must have been very hard for you to have married another man.
19:32Worse than you imagine.
19:36You are very brave, Esperanza.
19:38Not like me.
19:40Keep going.
19:43Was that it or did I die in life?
19:47There was a moment when I thought I wasn't getting out of that well.
19:52Because if getting married was hard,
19:54it was.
19:55Keep going.
19:56Knowing that the fault had been mine.
19:58Well, but you haven't pushed the arms of any other woman.
20:01But I didn't fight for his love.
20:03That's what I told you yesterday, Antonia.
20:05That you have to fight for what you don't care about.
20:08It's better to cry for having failed after trying,
20:12than to grieve all your life for what could have been and wasn't.
20:18But come on.
20:19Don't take it into account either.
20:21It's just that I'm very dramatic.
20:24Don't think I'm going to be crying around the corner.
20:27Not for this one.
20:34How unfair it has been with you, Esperanza.
20:38Now I understand everything you told me about the dangers of love.
20:42It's just that I don't say the things I have to say, girl.
20:46I couldn't imagine the reason behind the tiger you had for men.
20:51He has suffered a lot.
20:52He doesn't deserve it.
20:55But well.
20:56Who more and who less has suffered in love.
21:00Well, come on.
21:01Let's go upstairs to clean up.
21:03The vampire will come and throw us a bite.
21:05Come on.
21:07Come on.
21:19Excuse me, Mr. Fabio.
21:21I've been talking to Mr. Fermin and I would like to inform him of our conversation.
21:25Of course.
21:26Have a seat.
21:37The truth is that I didn't have them all with me.
21:41I would like to receive them.
21:43May I know why?
21:45Well, the last conversation we had in this same office was a bit tense.
21:51More than tense, I would say.
21:56Well, that belongs to the past.
21:59I trust that neither the tone nor the words of that day
22:02are similar in the slightest to those of today.
22:04No, no.
22:05Of course not.
22:06At least for my part.
22:07I'm just here to talk about business.
22:09In that case, tell me.
22:11What business is that?
22:14Well, Vera.
22:17We have learned that you are liquidating the companies of the Morcuende company.
22:22And I say we because the news has reached the ears of the gallery's merchants.
22:27I suppose they will be worried about their future.
22:30That's right.
22:31That's right.
22:33And that's why we want to make a purchase offer for the premises.
22:40You and all the merchants.
22:41I understand that includes the owner of La Moderna.
22:44That's right.
22:46Don FermÃn already owns one of the premises,
22:48but he is interested in joining that purchase offer.
22:54May I ask you why you are interested in acquiring the gallery?
22:58Well, for something logical.
23:01After all, it is your businesses that are at risk.
23:05Wouldn't you do the same?
23:09I guess so.
23:12Look, if it were up to me, we would negotiate initially.
23:16But I have to consult it with the president of the company.
23:23Mrs. Bárbara.
23:28All right.
23:30I hope you like our offer.
23:34Have a nice day.
23:35Wait, Ñigo.
23:40I know we agreed to talk only about business,
23:43but I'm not calm if I don't ask about your wife.
23:45How is she?
23:48Matilde, well...
23:50Fine.
23:52Now she's going to start working.
23:54She's going to work?
23:57I'm so happy to hear that.
24:02Ñigo.
24:06Ñigo, I have something to tell you.
24:12Yes, something...
24:14Something...
24:17Something complicated.
24:21I want you to know that...
24:25I want you to know that...
24:28I'm very sorry for accusing you of Carla's death.
24:36Well, the truth is I don't know what to tell you.
24:41I'm very surprised by this change of heart.
24:44I was wrong.
24:45I was wrong, Ñigo.
24:48And I would be very honored...
24:50if one day you could forgive me for the terrible mistake I made.
24:56Well, don't worry.
24:59Given the circumstances, I understand that you doubt me.
25:04Is there anything else you want to tell me, Mr. Fabio?
25:09No, forgive me. It's my business.
25:12I will inform you of the decision that Mrs. Bárbara makes.
25:18Thank you very much.
25:21Likewise.
25:31Hi, Trini.
25:33Hi.
25:36Thank goodness Cañete came back to the office.
25:39Everything is back to normal.
25:41I'm exhausted.
25:43I'm exhausted.
25:44Yeah, we all thought they were going to kick you out.
25:48Well, look.
25:49We finally didn't lose our job.
25:52And I'm glad.
25:53Because, look, I prefer 3,000 Teresas to a quarter of La Vampira.
25:58I'm also glad, Trinidad.
26:00Although if this had depended on Mrs. Lázara,
26:03I assure you that the outcome would have been different.
26:05Do you think she has half a doubt about FermÃ?
26:09Well, I don't know if she has intervened or maybe Mrs. Lázara has not dared to propose it.
26:12I don't know.
26:13I see.
26:15But well, cheer up, woman.
26:17In the end, this is good news.
26:20Yes.
26:21Hey, Trini, I'd like to tell you something and I don't know if it's a good time.
26:25Ah, well, of course.
26:27You can tell me anything and you know it.
26:34Well, let's see, Trini.
26:36How do I tell you this?
26:38Look, you know that I have never wanted or want to get involved in your relationship with Miguel.
26:44Even though in the past my experience with him was not very good.
26:47You already know that.
26:49But...
26:51Look, all this about me changing the wedding place,
26:56the dance with the dates...
26:59This scares me, Trini.
27:00It gives me the feeling, I tell you with all sincerity,
27:04that this man does not want to marry you.
27:08I thank you for your concern, really.
27:12And I know that Miguel hurt you a lot.
27:17But I'm sure he wouldn't do that.
27:20Really.
27:21Yeah, but I was also sure that Mario was not going to do that to me.
27:27Yeah.
27:28And I don't want you to go through everything I went through.
27:33I don't want to be a whore, Trinidad.
27:36But it would break my heart to see you suffer.
27:38I need to tell you this.
27:41You always worry a lot about me.
27:44Man, of course, how can I not worry?
27:46That's what friends do, Trini, worry.
27:50Oh, Trini, don't get like that, for God's sake.
27:53Look, forget what I said.
27:54Forget everything, you're going to have a beautiful wedding.
27:56And if this man is needed, I'll take him by the ears and take him to the altar, man.
28:00But you would do that for me, really.
28:02Man, of course, woman.
28:05I would do that for you, whatever it takes.
28:08I just think I don't deserve it, I don't deserve it.
28:11Come on, what nonsense are you saying?
28:13Everything will be fine.
28:28You'll forgive me for making you come in the afternoon,
28:30but I didn't know how to remove that stain of ink from the floor.
28:33It's nothing, but next time I'll charge you extra.
28:36Don't worry, it won't happen again.
28:38Besides, it's not about the money.
28:40I know we both need the time to study.
28:42The two of us?
28:44Of course, woman.
28:45I'm in law school, and since I don't put my elbows up a bit,
28:48I'm going to suspend all of them again.
28:50In fact, this afternoon I was thinking of going to the library.
28:53Does the study have to be very crowded there?
28:56That depends a bit on each one.
28:59If you're with my friends from the faculty,
29:01I can tell you that the concentration doesn't come much to see you.
29:04We always end up in some tavern.
29:08Did I say something I shouldn't have?
29:10No, no.
29:11I was just thinking that, well,
29:14we could study together.
29:16You weren't going to end up in the bars with me, I assure you.
29:19Because you don't want to.
29:22Yes, yes, I think it's a great idea.
29:24Although, I don't know if meeting my friends
29:27is a bad influence.
29:29Can we go to my house?
29:32Salvita, to study, don't think weird things.
29:36Yes.
29:37Well, I think it's a great idea to study with you.
29:39When do we start?
29:40Right now.
29:41When you finish work, you come straight to the bar.
29:44Do it.
29:45When I finish, I'll go straight.
29:47Okay, I'll see you later.
29:51Hello.
29:52Good afternoon.
29:55Yes, Marta is a good talent.
29:57I'm glad to see that you're not messing with her anymore.
30:00That's in the past.
30:02By the way, can I leave a little earlier?
30:04I'm going to study with Marta at her house.
30:06Are you really going to study?
30:08Or is that how you refer to young people now?
30:10What are you talking about, Miguel?
30:12No, no, no.
30:13I'm talking to you very seriously, Salvita.
30:15What are your intentions with this girl?
30:17Think about it.
30:19Your answer depends on going out earlier
30:21or staying up all night doing inventory.
30:24I assure you that in matters of the heart
30:27I'm not as clumsy as you make me.
30:29I just want to spend some time with her, studying.
30:32That's it.
30:33That's the last thing I want.
30:35Yes, man.
30:36Besides, it's your merit.
30:38You've enlightened me like a lighthouse in the middle of the night.
30:41You'll see, when my father finds out, he'll be so happy.
30:44Good try, but it doesn't work anymore.
30:46You can stop fooling me.
30:48Okay.
30:49Can I go or not?
30:55Okay.
30:56You can go and study the corral with Marta.
30:58But if she finds out that I...
31:00Study the corral.
31:01But I don't know where she lives.
31:03Your problem has no remedy.
31:06Come on, relax.
31:07I'll ask Trini.
31:08I'm sure she knows or she can find out.
31:10You're going to save my life.
31:11No, no, no.
31:12I don't even want to imagine how Marta would react
31:15if she finds out that I'm giving her a job.
31:18Shh, shh, shh.
31:19That's my place.
31:22That's my place.
31:33The last thing I expected was for Ñigo to come see me at the office.
31:37And what did you want, miserable?
31:39From now on, I'd appreciate it if you didn't refer to him in those terms.
31:43Do you want a drink?
31:48That doesn't answer my question.
31:54I wanted to send a proposal to buy the gallery.
31:57Apparently, the merchants are interested in acquiring the property of their premises.
32:02Well, they couldn't have missed the shot.
32:05Because that decision doesn't apply to you.
32:08I'm just an intermediary.
32:11They were hoping you'd get their proposal to start a negotiation,
32:14if that was convenient for you.
32:17Submission completed.
32:19I'm in.
32:22Anything else?
32:23I wouldn't mind if you told me your intentions.
32:27I could give you an answer myself.
32:30All I can tell you is that I have to consult him.
32:34If Carla finds out that Ñigo is meddling in the company,
32:38she'll scream.
32:40Ñigo is nothing more than a spokesman.
32:44But well, take the time you need.
32:48I mean, take the time you need.
32:52I'm going to overlook that tone you used.
32:55Why are you leaving?
32:57No, we're not done yet.
33:01Ñigo told me that his wife is completely recovered.
33:08Very good for her.
33:10What do you want me to do, send her a postcard congratulating her?
33:14What you do is none of my business.
33:17But I understand that if Matilde is fine,
33:20it's because your daughter has stopped meddling.
33:23We are women of our word.
33:26If Carla and you have reached an agreement, she will do her part.
33:31And it's also a relief that that dead fly is no longer in her sight.
33:36A closed chapter.
33:38At least a story that ends well.
33:41Not like ours, which could not have a worse ending.
34:01Simply perfect.
34:04My most sincere congratulations.
34:06Few times have I seen portraits like this.
34:08Really?
34:10Thank you very much, but the merit is shared with the model.
34:14I trust that Ana has forgotten what we talked about last night at the Madrid-Cabaret.
34:19Don't worry. A proposal like yours is not so easy to forget.
34:24Does that mean you've made a decision?
34:27I don't want to sound condescending,
34:30but there are opportunities that have to be taken on board.
34:33And this would be a great leap in your career.
34:35And I don't doubt it, but leaving with you to Germany
34:39would be a great responsibility and a great change.
34:42I need a little time to think about it.
34:45Is there anything that keeps you here?
34:51This place.
34:53I've always wanted to have a photography studio.
34:56And you don't know how hard it was for us to open it.
34:59Besides, I can't leave my partner alone.
35:03Darling, this store is very good,
35:06but someone with your talent is left small.
35:09It depends on you to stay forever in a small photographic studio
35:13or to become an international photographer.
35:19I'll think about it.
35:20I hope so.
35:22And as soon as you ask me,
35:24I'll leave two jobs and a record label outside of Madrid.
35:28I'll be back in two weeks.
35:30Do you think Pantón will know to make a decision?
35:33Two weeks seems more than reasonable to me.
35:36Good afternoon, ladies.
35:39Doña Estrellita, you have the car waiting at the door of the gallery.
35:44If you grant me the honor...
35:47Don't be in a hurry, Mr. Coma.
35:49I'm an old lady and I think I'll find you alone.
35:52And do me a favor and help your friend make a decision.
35:59What decision are you talking about?
36:02Oh, no, forget it.
36:04I shouldn't have told you anything.
36:07Celia, if you have a problem, I'd like to know.
36:11I want to help you, or at least try.
36:13AgustÃn, forget it, really.
36:16If you were half as good an actress as the photographer, I'd believe you.
36:21But that face doesn't fool me.
36:24I really want to help you.
36:27Estrellita Castro asked me to accompany her on her tour of Germany as an official photographer.
36:32Wow.
36:34Of course, it's an offer you can't refuse.
36:38You have to feel very flattered.
36:41Even if you don't go, of course.
36:46Are you seriously thinking about leaving?
36:50Are you seriously thinking about leaving?
36:53What about Laurita?
36:55They just started a business together.
36:57I don't know, AgustÃn. I don't know. I have to think about it.
37:00Please don't tell Laura anything. Please.
37:14Are you telling me that you were interrogated?
37:17Why didn't you call me right away?
37:19I'm calling you now, ma'am.
37:21You're calling me because I called you.
37:25Anyway, I hope you don't think about confessing anything.
37:29I denied all your accusations.
37:31I tried to deactivate all your suspicions and disarm all your arguments.
37:36But I think it was useless.
37:38You think so? What do you mean by that?
37:42Mr. Peñalver ended up giving me a punch.
37:45You don't need to be a psychiatrist to know that you don't attack someone you trust.
37:50I've been thinking about going to the police station and filing a complaint.
37:53You're not going anywhere, let alone the police station.
37:57But...
37:58No buts.
38:00I don't want the police to get involved in this.
38:03Or do you want to go to the police station to confess what you've done?
38:06Don't take me for a fool, ma'am.
38:08Because I know you're not a fool.
38:11I'm going to tell you just once.
38:13Don't even think about hurting me.
38:17Just as I move the strings in your favor, I can do it against you.
38:21And I don't want to insist on it.
38:23Is that clear?
38:25Very clear.
38:27This is the last time we talk, doctor.
38:30I'd like to tell you that it's been a pleasure doing business with you.
38:34But I'd be lying to you.
38:36I'm sorry.
38:43Antonia, I didn't ask you to prepare anything.
38:45I've already told you that we're only going to study.
38:47Precisely because of that.
38:49Studying is no big deal.
38:50And with a full stomach, I'm sure you'll get better knowledge.
38:53That's true.
38:54Since we're so hungry studying, let's see who focuses on the books.
38:58I just hope you don't get distracted by something else.
39:00Or by someone else, rather.
39:02Don't worry, Antonia.
39:04I'm just going to help you prepare for the law exam.
39:07There are a few left.
39:09A few?
39:11Honey, you're suspended until recess.
39:13In the gallery, everything is known.
39:15And everything gets stuck.
39:17Especially the laundry.
39:18Don't worry.
39:20I know very well what my priorities are.
39:23And no boy's regiment is going to make me stop studying.
39:26I hope so.
39:28By the way, Antonia.
39:30Is it true what Pietro told me about Lucia's papers?
39:33Yes.
39:34Yes, that's what they say.
39:35That's what they say in the consulate.
39:37That the papers will arrive soon and...
39:39And that she'll be able to go to Italy.
39:41But well, I don't want to get my hopes up.
39:43Because then the fall is more painful.
39:47I'm coming, Antonia.
39:52Salvitas, come in. Come in.
39:54Good afternoon.
39:59Good afternoon, Mrs. Antonia.
40:01Good afternoon.
40:02Well, since she allowed me to come to study at her house,
40:05I have also allowed myself the luxury of bringing her some money.
40:09What a detail.
40:11Well, I'm going to go.
40:13The books are not for me.
40:16And you go to study, okay?
40:18I'll be in the room with the door open.
40:21Let me know if you're there.
40:22Okay.
40:26Did you bring all the books?
40:27Yes, yes, yes. Here they are all.
40:30Well, it wouldn't be the first time I forget one.
40:32Once in college, a few years ago...
40:34Well, we're going to study.
40:36We only have an hour and we have to go.
40:38You'll tell me another day.
40:42Shall we start?
40:43Yes, yes. To study.
40:46A few years later.
40:57Well, you've come loaded.
40:59What a bag Aunt Concha gave you.
41:02I didn't want you to go hungry on the way.
41:04Not on the way, not in a week.
41:07There we have empanada for days.
41:10It's just that my aunt has always been very exaggerated.
41:13Especially when it comes to food.
41:16Right, Clarita?
41:17Yes.
41:20Do you want us to help you unpack?
41:24You can do it yourself.
41:30Aunt gave me this. She told me not to read it.
41:40Do you want me to help you carry it?
41:42Hello.
41:49Well, she has become a little talkative.
41:52But it may be because the trip has been very long and she is tired.
41:56I don't know, Viñigo.
41:58Since we picked her up from the station,
42:00I have the feeling that she is not happy to have returned.
42:04Well, she has only been in the city for a few hours.
42:07It's too soon to draw a conclusion.
42:12Let's give her a little more time.
42:14You will see that when a few days pass, she will be the same as before.
42:19My aunt could not agree with you anymore.
42:23Listen.
42:27Matilde, I have tried everything.
42:29But it has been impossible to cheer up Clarita.
42:32There is no way to get to her.
42:35I hope you can help her.
42:37Your Aunt Concha.
42:38Concha.
42:42Yes, we are fine.
42:43I already knew that Clarita was not in her being.
42:46And things are worse than I imagined.
42:48Not even my aunt has managed to cheer her up.
42:52Viñigo, my sister has not been the same since they murdered my mother.
42:56And we can't blame her for that.
42:59Essentially, your mother's death.
43:01In such a tragic way.
43:04And on top of that, everything that has happened later has not helped at all.
43:08The car accident, the change of neighborhood ...
43:11My love, the important thing is that you are already recovered.
43:14And you can help your sister Clarita.
43:17My love, no matter how good your Aunt Concha is, what Clarita needs is her sister.
43:26What's for dinner?
43:27You'll see.
43:28Today we are going to have dinner outside.
43:30Another of those luxurious restaurants?
43:35A homemade and family restaurant.
43:38El Mesón Antonia.
43:40In La Corrala.
43:41They also told me that Omar is also going to have dinner there.
43:43Do you want to?
43:44Yes.
43:45I really want to see Marta and Antonia.
43:48Well, then no more talk.
43:50Let's go there, take a walk and on the way we buy a dessert.
43:53I would not like to introduce myself there with empty hands.
43:55Don't you think?
43:57Come on, let's go.
44:00Let's go.
44:11All right?
44:13Yes.
44:15Yes, of course, everything is fine.
44:17Let's go.
44:27For that I have come.
44:28To make official the end of my performance as head of the substitute chameleons.
44:33I hope I have been up to the job, Mrs. Lázaro.
44:36You can be calm.
44:37You have exceeded my expectations.
44:39And as for your good disposition, I hope you have not been passers-by,
44:44but have come to stay.
44:46Yes, yes, of course.
44:47I count on it.
44:48And more if I convince Don FermÃn to name me head of the substitute chameleons.
44:55ElÃas, you are very impatient.
44:58And very nonsensical.
45:00You don't realize that a superior can't be insisted on certain things.
45:05Don't you think?
45:06Yes, yes, of course.
45:07I will wait on the bench until I have to jump on the playing field.
45:11Like the ball players.
45:12I don't want to entertain you anymore, Mrs. Lázaro.
45:15Don FermÃn, I wanted to personally inform you that I am returning to my position.
45:22Did you stop working at La Moderna?
45:25Don't worry, Don FermÃn, I'll keep you informed.
45:27ElÃas is so kind.
45:29Excuse me.
45:34What happens is that I gave him a little more responsibility
45:36to discharge Teresa from work in the absence of Cañete.
45:39But since he has returned, everything is in order again.
45:43He did well, he did well because ElÃas can be a lot of things,
45:46but no one beats him in service.
45:48Then there is also the issue of antiquity.
45:50Yes.
45:51I learned that from you.
45:52Yes, yes.
45:53Speaking of normality, the one who is also going to rejoin the work is Matilde
45:57and is talking to her to resume the conventions.
46:00It is good news.
46:01Especially in terms of your health, of course.
46:05Yes, yes, yes.
46:06Mrs. Lázaro, I know that you are not a friend of compliments,
46:10but I have to tell you that you have perfectly solved
46:13all the unforeseen events that have arisen.
46:16It is my job as a manager.
46:18No, no, no.
46:19You do much more than that.
46:20You take this business as if it were your own.
46:22Don't tell me that, Don FermÃn, for God's sake.
46:25Besides, I sincerely believe that with the issue of Cañete and Teresa,
46:28I have not been up to it.
46:29But don't think that, for God's sake.
46:31Yes, I had to have solved it by my own means
46:35and not to bother you.
46:36Look, it was a very thorny matter,
46:39so please, I ask you.
46:41If at any time I have been rude to you on this subject,
46:45please don't take it as something personal.
46:48No, no, I don't.
46:50Well, we have to make sure that everything is resolved
46:53in the best possible way.
46:54Would you like to go on an excursion tomorrow?
46:56Sorry?
46:57To take a walk in El Escorial
46:59and visit the restaurant of some good friends.
47:04Tomorrow?
47:05Tomorrow, yes.
47:06Well, I think it's a bit hasty and...
47:10I don't know, maybe people misunderstand
47:14the fact that we are going alone.
47:16Don't worry, because my nieces will accompany us.
47:19Yes, yes, as I knew that you don't like curses,
47:23I thought that, well, to cure my health,
47:26you have invited them too.
47:29But you can refuse, if you wish, of course.
47:32But...
47:34I wouldn't want you to accompany us there.
47:39I would love to go to the mountains with you and your nieces.
47:42You can count on me.
47:54If you look at the books with the same concentration
47:56as you look at me...
47:59You're in a hurry to leave.
48:01No, no, no, quite the opposite.
48:03I was just looking to see if I had spent enough time
48:06to be able to take a break.
48:08Salvita, but it's been half an hour.
48:10Do you think it's not enough?
48:13Well, experts say that the human being
48:15cannot concentrate more than 20 minutes.
48:17Well, and there are some who say
48:19that you have to rest every quarter of an hour.
48:22Well, come on, let's take a break.
48:24I don't know if that's true,
48:26but I'm going to give you a vote of confidence.
48:28Five minutes and we'll go back to Carlos Codos.
48:30I think it's fair.
48:32Besides, it would be ugly not to try
48:34this delicious lemonade that Antonia has made
48:36with so much effort and so much love.
48:38It's true that Antonia's lemonade
48:40is to lick your fingers.
48:42Hey, what do you think if,
48:44to ameliorate the break,
48:46we have a little chat?
48:48Can you tell me a little about your past?
48:50You haven't told me anything.
48:52No, not about my past,
48:54which is very sad,
48:56and I prefer not to talk about sad things.
48:58Sure, sure.
49:00I don't want to make you remember hard times.
49:04And what are you studying
49:06with so much concentration?
49:08Geography.
49:10It's one of my favorite subjects.
49:12I had no idea how big the world was,
49:14and now, look,
49:16I've met people from all over Spain.
49:18Well, even from abroad.
49:20You haven't told me that.
49:22The other day,
49:24in the Madrid Cavalier,
49:26I met a very famous foreign writer.
49:28His name was Hemingway.
49:30Ernest Hemingway?
49:32Yes.
49:34My father will be jealous when I tell him.
49:36It was lovely.
49:38I didn't understand anything he said,
49:40but then he told me anecdotes
49:42about him traveling the world,
49:44and, I don't know,
49:46I started dreaming
49:48that I could travel someday
49:50and get to know the sea.
49:52Have you seen the sea?
49:54Yes, in pictures and photographs.
49:56I assure you
49:58it's not fair to its immensity.
50:00Have you seen it?
50:02What is it like?
50:04Well, the Cantabrian Sea
50:06is in the north of Spain.
50:08It's like your eyes,
50:12full of nuances
50:14that change color
50:16depending on the light.
50:18It's beautiful,
50:20just like your eyes.
50:24I promise you
50:26I'll take you to see the sea someday.
50:28Yes.
50:30What? Studying the oceans?
50:32Something like that.
50:34Well, class has to finish
50:36because we have guests for dinner.
50:38Don't worry, Antonia.
50:40We'll finish in half an hour.
50:42We still have some maths to learn.
50:48All right.
51:18I'm glad you're having dinner with me.
51:20I thought you'd go up to Antonia's house.
51:22She has guests.
51:28Mmm.
51:30It's so good.
51:32It's so good.
51:34It's so good.
51:36It's so good.
51:38It's so good.
51:40It's so good.
51:42It's so good.
51:44It's so good.
51:46It's so good.
51:48It smells great.
51:50Although I don't recognize that smell.
51:52I'd be surprised if you did.
51:54It's a Spanish dish.
51:56I want you to try some
51:58before going back to Italy.
52:02You know,
52:04looking at us like this,
52:06I can't help but remember the good old days.
52:08It was a different time and a different place,
52:10but it's as if everything was still the same.
52:12You cooking for me.
52:14We have to get ready
52:16for our next visit to the consulate.
52:18It looks like the papers
52:20are ready.
52:22Yes, that's what they told me.
52:24I'm sure they'll complain a lot.
52:26I just hope this doesn't stop you
52:28from enjoying the time you have
52:30here in Madrid.
52:32Yes, I guess I'll have to
52:34do some tourism.
52:36Yes? I could go with you
52:38if you want.
52:40We can go to the Rastro,
52:42it's beautiful.
52:44And you know what?
52:46I'd like to get you a ticket
52:48for a zarzuela.
52:50It'll be a nice memory
52:52when you go back to Italy.
52:56Don't you want to try it?
53:00No, it's not that.
53:02It's just that
53:04all this paper business
53:06has made me a little hungry.
53:08But all that has been solved
53:10because of you.
53:12Aren't you happy
53:14to go back to Italy?
53:16No, I'm not happy.
53:18In fact, you know what?
53:20I don't even know if I want to go back to Italy.
53:24But you came for this.
53:26No, I didn't come for this, Pietro.
53:28I didn't come to Europe to go back to Italy.
53:30I came to get my husband
53:32and my son back, our family.
53:36I'm sorry, but
53:38it's not possible.
53:40I'm going to marry Antonio.
53:42I know,
53:44but I was hoping
53:46things would change when you found me.
53:50Lucia, I think...
53:52Pietro, I just want to spend a little more time
53:54with my husband.
53:56Is it too much to ask for one last chance?
53:58One chance for what?
54:00To get your love back.
54:02I still love you
54:04with all my heart, Pietro.
54:06I know you don't love me
54:08even a little bit.
54:12Lucia, of course I still love you.
54:16I love you.
54:18But it's not like it used to be.
54:20I'm sorry.
54:22Pietro, please.
54:24Give me one last chance.
54:26A chance to fall in love again,
54:28to get our love back.
54:30If I don't get it,
54:32I promise I'll change.
54:34I promise.
54:36Please.
54:42This weekend there's a light festival
54:44at the Retiro boats.
54:46They rent one of the boats
54:48for the night
54:50and put up some candles.
54:52We could go.
54:54It's really nice in the pond
54:56and the boats are lit up by the candles.
54:58What a stupid way to waste money.
55:01Pietro.
55:03Yes?
55:05Let's see how I tell you.
55:07You won't like it.
55:09You're scaring me.
55:11What's wrong?
55:13Teresa, where's Cañete?
55:15I need to talk to both of you.
55:17He's in the changing room.
55:19Is it possible he hasn't arrived yet?
55:21He was supposed to be here 10 minutes ago.
55:23I'm here. Excuse me.
55:25I asked you when he was leaving
55:27and what route he was going to take
55:29and you didn't give me a clear answer.
55:31We'll give you an answer when we find out.
55:33For now we don't know, right?
55:35My patience has a limit
55:37and when I reach that limit
55:39I'll have to go to the police station
55:41and explain what's going on here.
55:43Miguel told me you already have another plan.
55:45Peñalo de Santiago, León province,
55:47past the end of the world, to the right.
55:49We're supposed to get married there.
55:51I hope this time it goes well.
55:53The only thing we need is...
55:55I got it.
55:57Yes, and study.
55:59Study, bravo. Get a degree.
56:01Become someone in this life.
56:03More than someone's wife, right?
56:07And I'm not going to let anyone
56:09distract you from all this.
56:11Do you understand?
56:13I just saw your mother.
56:15What? She's here?
56:17What do we do?
56:19I don't know. We should have told the truth.
56:21They'll hear us.
56:23How's the environment, Teresa?
56:25So far I don't see any problems.
56:27Estrellita Castro asked me
56:29to be her photographer.
56:31She asked me to be her photographer
56:33during her tour around Germany.
56:35Around Germany?
56:37Yes.
56:39But you have a business here in Madrid.
56:41And if you don't go to Matilde's house,
56:43where are you going to be?
56:45It's none of your business.
56:47I don't want to steal your time,
56:49but after everything you've helped me with,
56:51I think the least I can do is keep you informed.
56:53No, Gaucho,
56:55the psychiatrist agreed
56:57to make Matilde believe
56:59that she was nervous.
57:05Can we talk for a moment?
57:07Yes, of course.
57:09Does Chicoria want to come?
57:11Pietro told me
57:13he wants to stay in Madrid, to live.
57:15Antonia, I...
57:17I'm done.
57:19Put yourself in my shoes. How do you want me to sit?
57:21But Pablo...
57:23Look, it doesn't matter.
57:25If we keep arguing, we'll end up angry
57:27and saying things we don't deserve.
57:29You're right.
57:31We'd better
57:33forget the mistakes of the past
57:35and move on.
57:39I think it's too late for that.