• 4 months ago
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00:00♪♪♪
00:31Okay.
00:32This has a significant impact on me and your relationship, right?
00:36Unfortunately, I think we shouldn't see each other anymore.
00:41It was nice for us.
00:43I will be happy to remember.
00:47And I, believe me.
00:50Now I still have to deal with my wife.
00:55It wouldn't be fair to cheat on her now.
00:59It was before.
01:01These are new circumstances, you will adapt.
01:04It's never fair, if you ask me.
01:07As far as I'm concerned, it was different.
01:09She didn't want to have a relationship with me.
01:12Intimacy changes things.
01:16Yes, but it doesn't make a difference.
01:19I don't know, Milana.
01:21For me, heaven and earth are right to tell you that.
01:25Yes.
01:27I should have known this would end like this.
01:31Okay.
01:32I just didn't know you cared so much.
01:37It's not like that.
01:39And it's not easy for me.
01:41I have to devote myself to my wife.
01:44Think as a therapist and you would advise me.
01:48Now to think as a therapist.
01:52Thank you so much.
01:54I don't know what to tell you.
01:56It's all clear to me, but...
01:58It is what it is.
02:00And we really won't see each other again?
02:03We will.
02:05But only during the sessions.
02:26SESSIONS
02:34What do you want now?
02:36Laura, are you not well again?
02:39Why are you so worried about me all of a sudden?
02:41Do you want me to call a doctor?
02:43No, not by chance.
02:44But why?
02:45Why are you doing this to yourself?
02:47Get out of my room, please.
02:49No!
02:50You can't be alone now.
02:52This wouldn't be the first time I'm alone.
02:54Don't worry, I'll find a way.
02:55Laura, please.
02:56Let me help you.
02:58I'm worried about you.
02:59Very nice.
03:01Is that why you humiliated me along with everyone else?
03:03You, who I've been carrying on my back all these years.
03:06Get out of my room, I said!
03:07Come on, calm down.
03:08You've hurt yourself a lot.
03:10At least take care of your health.
03:17Just tell me.
03:19Is everything going as it should with the final preparations?
03:23Yes.
03:25They're doing the final corrections at the export.
03:31Laura.
03:33Laura, do you want me to bring you something to calm you down?
03:35No, I'll be fine if you leave me alone.
03:38Amen.
03:41Call me if you need anything.
03:44Get out of my room.
03:45Mamma mia!
03:52What?
04:09Pancetta.
04:10You cooked a soup every now and then.
04:13This is a cure.
04:14Come on, Grandpa.
04:15There's more, don't worry.
04:17I can cook a little.
04:20I have something to tell you.
04:21If you were a cook, you'd be a millionaire.
04:24You'd get rich.
04:25Believe me.
04:26No.
04:27Mido, no.
04:28There are no new attempts.
04:30Do you see that this business is getting out of hand with you?
04:33No, no, no.
04:34I agree.
04:35You're not right.
04:36Look, Pancetta.
04:37A man should fight as long as he can.
04:39As long as he's on his feet.
04:40There's no such thing.
04:42Well, there isn't.
04:43I'm fighting like a lion.
04:45Really?
04:46I see.
04:47I mean, I see.
04:49What are you going to do?
04:52I'm going to his place.
04:55Oh, you're going to warmer places, huh?
04:58Okay, when?
05:00Tomorrow.
05:02Tomorrow?
05:04I have a plane ticket booked.
05:0720 hours of flight with a transfer.
05:12Pancetta.
05:14I have to tell you.
05:15You surprised me.
05:17Congratulations.
05:18You're a man and a woman.
05:19I've always known that.
05:20I've always appreciated and respected women as strong and powerful as you.
05:24Believe me.
05:25Believe me.
05:26But look.
05:27Something's not clear to me.
05:28I have to ask you.
05:29It makes perfect sense to me that you're going to come to your place.
05:32Not you.
05:33To go to his place.
05:34After all, he's the one who's always bothering me.
05:36The one who's always making me mad.
05:38God, Mido.
05:39There was a time when planes took off and landed because of me.
05:44God, I really don't doubt it.
05:47You were and you still are a wonderful woman.
05:50Believe me.
05:52Well, now it's time to save what can be saved.
05:59Pour some more.
06:11Pour some more.
06:18Pour some more.
06:25Pour some more.
06:30Pour some more.
06:40Pour some more.
06:50Pour some more.
07:00Pour some more.
07:10Pour some more.
07:20Pour some more.
07:30Pour some more.
07:40Pour some more.
07:50Pour some more.
08:10Where are you?
08:11Come on, sit down.
08:13What happened?
08:17It turned out that everything is fine with Una and Andrija.
08:20That's wonderful.
08:24It is.
08:26Okay, don't be so hard on yourself.
08:28What's wrong with you?
08:29Una had a problem and it had to be cleaned up.
08:33And I didn't have a problem.
08:37You helped me as much as I understood.
08:42Can I ask you something?
08:44Yes.
08:45Since when is Una a better friend of yours than me?
08:48Come on, please.
08:49She had problems with Andrija.
08:51Maybe I devoted a little more time to her.
08:53It's my fault when I never regret it.
08:57Okay, now you can rest.
08:59Everything is over.
09:01And stop being so hard on yourself, please.
09:03Let's go somewhere for lunch.
09:04I'm not being hard on myself.
09:06It's normal for this to upset me.
09:09Let's go eat something.
09:10Maybe Una will join us.
09:12No, no, no.
09:13I don't eat with patients.
09:18Grandma, she's not a patient.
09:21She's not my friend.
09:23Okay, you're right.
09:24Let's just go now.
09:25Come on.
09:29Let's go.
09:37Come on.
09:38But...
09:39Look, where were you?
09:41How long are you going to stay there?
09:43I don't know, I'm going.
09:45I don't know.
09:46Until things get a little better,
09:48until something happens.
09:50I don't know.
09:51Pancetta, pancetta,
09:52you don't stop surprising me.
09:55But look,
09:56I'm going to ask you something.
09:57Who's going to run the place until you're gone?
10:01You.
10:02Me.
10:03You.
10:04Me.
10:05Wait a minute,
10:06how am I going to do all this?
10:07Besides everything?
10:08Besides everything what?
10:09I have an apartment in Kosmaj.
10:12So I'm running around Belgrade to find it.
10:16And now Maldives,
10:17how am I going to do all this?
10:19I don't know.
10:20Really, I don't know.
10:21Be strong.
10:22You're not just doing it for me,
10:24you're doing it for your ass.
10:26Did you invest the rest of the money?
10:28Of course I did.
10:31Well then,
10:32tonight we're going to Maldives
10:34so I can promote you to boss.
10:36Me?
10:37Until I come back.
10:38Yes, you.
10:40What's so funny?
10:42Pancetta, pancetta.
10:44What's so funny?
10:46How did you,
10:47how did you get rid of me so quickly?
10:49Oh yeah,
10:50don't worry,
10:51you're not the only one.
10:54You know what,
10:55I'm not the only one,
10:56but you know,
10:57drinking,
10:58everything you say.
10:59Cut the crap.
11:01That's right, Bremen.
11:03That's right.
11:12And what did drinking on my account mean to you?
11:15It just seemed to me that...
11:16It seemed to you?
11:17It seems to you all the time?
11:20Listen to me,
11:21don't tell anyone
11:23that you saw us here,
11:24is that clear to you?
11:25It's clear to me,
11:26it's completely clear to me.
11:27Especially not to Mido,
11:29Trivanović,
11:30and Gali.
11:31I understand.
11:32Otherwise you're going to have problems.
11:35Now listen to me,
11:38tonight at ten,
11:39I want you to empty the place.
11:42I'll have a special guest.
11:45Like it was with Olga?
11:48Don't lie to me,
11:50or I'll beat you up, you know?
12:08Here we are.
12:13Oh, Marvica,
12:15where are you from?
12:16What's the rush?
12:18You can't make it,
12:19you can't come back healthy.
12:20My dear,
12:21I can't make it,
12:22I can't serve,
12:23I can't serve,
12:24everyone is complaining.
12:25I'm tearing up,
12:26you know what they say?
12:27Ask Mara Peruzvonara,
12:28that's what they say in my village.
12:30No, no, these are for me,
12:31all these are for me,
12:32Mido and Leposava,
12:33they're walking around,
12:35you, Marvica,
12:36stay at Kosmaj,
12:37keep the apartments.
12:39And you, Marvica,
12:40stop complaining.
12:41I'm doing it.
12:42You're just complaining,
12:43and this is a very important moment for Mido,
12:45while he's setting up a job for me in Belgrade.
12:47Uncle Mido,
12:48he has Trivanović's help now,
12:49he has a headache.
12:50So what,
12:51if he has Trivanović's help?
12:53Well, nothing,
12:54as long as he doesn't keep
12:55connecting people to the radiator
12:56through the closets,
12:57nothing else.
12:58What?
12:59What are you talking about?
13:00Don't you know?
13:01Don't you know that Gala is connected
13:03to the radiator in Fejm?
13:05How do you know that?
13:06Well, I know everything.
13:07Gala told me,
13:08the fool.
13:09Wait,
13:10isn't that Trivanović
13:11a bit...
13:12weird?
13:13Wait,
13:14is he connected to you
13:15with the radiator?
13:16Milo,
13:17don't be stupid,
13:18please.
13:19Who knows what you're talking about?
13:21It's the truth.
13:22Wait, wait, wait,
13:23let me,
13:24do you know the exact date,
13:25time, place of birth,
13:26so we can see her horoscopically?
13:27I know,
13:2813.06.82,
13:30no,
13:3113.02.
13:32Born in 1675,
13:33in Vrčino.
13:34No,
13:35in Vrčino,
13:36in Glašta.
13:37Hello,
13:38where are you?
13:39Honey,
13:40I can't talk right now.
13:47Listen to me,
13:48how could you
13:49connect a girl
13:50to a radiator?
13:51Boss,
13:52take it easy,
13:53please.
13:54I was on a mission.
13:55On a mission?
13:56I was interrogating a girl,
13:57and she refused to listen.
13:58What mission were you on?
13:59Who told you to go to Vemis
14:00and work there,
14:01or what?
14:02Well,
14:03I was,
14:04boss,
14:05on a secret mission.
14:06You were on a secret mission?
14:07Yes.
14:08Aha,
14:09and for whom
14:10are you doing it secretly?
14:11Are you doing it for CIO,
14:12for BIO,
14:13for whom are you doing it?
14:14No, boss,
14:15I was on a private,
14:16secret,
14:17mission.
14:18That's what I'm asking you,
14:19are you doing it for security,
14:20or are you doing it for the service?
14:21No,
14:22you didn't understand me,
14:23boss,
14:24she's been suspicious to me
14:25since the beginning,
14:26Gala.
14:27The beginning of what?
14:28The beginning,
14:29with Kosma,
14:30when we got there,
14:31when I saw her,
14:32I saw for sure
14:33that she was doing something,
14:34and I thought for sure
14:35for a moment,
14:36aha,
14:37this girl is doing something,
14:38and she's going to Audi.
14:39Who the hell is going to Audi?
14:40That,
14:41that blue Mercedes?
14:42That's right, boss,
14:43don't underestimate her,
14:44she's naked.
14:46What?
14:47Gala,
14:48she's not naked,
14:49she's dangerous,
14:50I wanted to say,
14:51Gala is dangerous.
14:52You've taken it too seriously,
14:53who told you
14:54to overlook her?
14:55No one,
14:56boss,
14:57yes,
14:58I understand that,
14:59but,
15:00you know,
15:01I have a sense of smell,
15:02I'm doing it
15:03on my own initiative.
15:05On your own initiative?
15:06Yes.
15:10Ok, I understand,
15:11yes,
15:12you wanted to help her,
15:13yes,
15:14ok,
15:16I'll look through your fingers
15:17this time,
15:18that's why.
15:19Thank you, boss,
15:20we understand each other.
15:23Ok,
15:24since we're already at that,
15:26how are you and Ljubinka?
15:27Oh, great,
15:29fantastic,
15:31now we're looking
15:32to take
15:33a slightly larger apartment,
15:34of 22,
15:353 square meters.
15:37Aha,
15:38and this greenhouse
15:39of 1500 square meters?
15:40That,
15:41well,
15:42I mean,
15:43she can't live there,
15:44I mean,
15:45that's only from my salary.
15:46I know, I understand,
15:47it's not that easy.
15:48So,
15:49but ok,
15:50I mean,
15:51don't worry,
15:52I'll find you.
15:53Yes,
15:54I know,
15:55that's what you were afraid of.
15:56Of what?
15:57That you'll become
15:58a corrupt police officer.
15:59Me?
16:00Yes.
16:01No, boss,
16:02I'll never,
16:03you'll see.
16:04Come on,
16:05please,
16:06just go.
16:07Here,
16:08follow my career.
16:09And don't you dare
16:10complain.
16:11Someone will complain,
16:12hey,
16:13I'll raise my hand,
16:14for you and for me.
16:15Come on,
16:16come on, come on.
16:17All right.
16:18See you, boss.
16:19We'll see each other,
16:20I hope,
16:21as soon as possible.
16:22See you.
16:23I mean,
16:24see you.
16:36Here,
16:37I know what happened
16:38to Trivanovic.
16:39Explain it to me.
16:40Look,
16:41he's a month pregnant,
16:42everyone is sensitive,
16:43they're prone to accidents,
16:44and they're actually
16:45greedy for love.
16:46Come on, Arčević,
16:47later.
16:48Wait, Milo,
16:49does that mean
16:50that Trivanovic thinks
16:51I don't love him enough?
16:53No,
16:54maybe that means
16:55that's why
16:56he tied Gala
16:57to the radiator.
16:58No,
16:59Trivanovic is a twin,
17:00it doesn't have to mean
17:01that for him,
17:02although...
17:03Wait,
17:04explain it to me then.
17:05Twins are a strange sign,
17:06I mean,
17:07I don't smell anything
17:08special,
17:09and he's a sign of cancer,
17:10don't talk about it.
17:11Yes, yes,
17:12look,
17:13cancers are emotional,
17:14they are...
17:15Family.
17:16Yes,
17:17they are a family.
17:18And Arčević?
17:19Later, Milo.
17:20Okay.
17:21I knew
17:22he was my heart
17:23that wanted
17:24a family with me.
17:25Maybe he wants
17:26a family with Gala,
17:27no one knows that.
17:29Why do you, Milo,
17:30always have to
17:31suggest something?
17:38Trivanović personally.
17:39Yes.
17:43Come here,
17:44to explain something to me.
17:46What is it, Milo?
17:48An explanation.
17:51An explanation.
17:53An explanation.
18:07Hello, guys,
18:08now that we're all here,
18:10I'd like us to go through
18:12the status project.
18:13Okay,
18:14where do we start?
18:15Here.
18:17I have a report here,
18:18so,
18:19take a look.
18:22When it comes to
18:23procurement and approval,
18:24Laura has
18:25set everything up
18:26on time.
18:28Okay,
18:29so that means
18:30she won't be coming here
18:31officially anymore?
18:33For now,
18:34yes.
18:36Now,
18:37she can't come
18:38for health reasons.
18:41Luka and Lenka
18:42were dealing with
18:43journalists
18:44and accreditation.
18:45That's right,
18:46yes,
18:47and we also ordered
18:48interviews.
18:49Excellent.
18:50So,
18:51that's how
18:52everything is set up.
18:53Then,
18:54there are
18:55minor corrections,
18:56and we're ready
18:57for Milan Fashion Week,
18:58right?
18:59Yes,
19:00we're ready.
19:01Well, guys,
19:02all I can say is
19:03congratulations to everyone.
19:05Congratulations.
19:06We did it,
19:07it went well.
19:08Everything will be fine.
19:09Our old...
19:13Celebrate something.
19:22I see
19:23you're better.
19:24Yes,
19:25I'm a bit exhausted,
19:26but I came to see
19:27the final works.
19:29Then,
19:30please go back
19:31to your bed.
19:37Do you know
19:38what this collection is called?
19:40Do you know anything about fashion?
19:42I mean,
19:43since you're sitting
19:44in my place.
19:45Laura.
19:46Do you know
19:47what Ada Kanacki
19:48was inspired by
19:49when she was
19:50in Milan?
19:52No?
19:54Ada Kanacki was inspired
19:55by the painting
19:57The Lost Graphics
19:58by Delaconte.
19:59Laura,
20:00please,
20:01let me
20:02take you to your room.
20:04Now you know something.
20:05Please.
20:07Enjoy.
20:15Everything is fine.
20:16Everything is fine.
20:20Everything is fine.
20:21Everything is fine.
20:26Love,
20:27please explain,
20:28why did you bring me here
20:29as if I'm a criminal.
20:30Only you can explain that to me.
20:32Explain to you?
20:33Yes.
20:34What does that mean to you,
20:35you little girl?
20:36That means
20:37why is everyone saying
20:38that you were
20:39connecting the gala
20:40to the radio.
20:41Everyone is laughing at you, man.
20:42That's what you're asking me?
20:43Yes.
20:44Never mind,
20:45it's no use.
20:46Me?
20:47Love,
20:48that's stupid.
20:49and because of that, we're going to heaven, and now you have to suffer because of that.
20:53It's stupid. You don't know what's going on.
20:56What's going on? What have you done?
21:01If I tell you, you'll be in danger.
21:05They're everywhere. You don't know where they are.
21:10Danger.
21:14Ljubinka, I have a secret mission.
21:19Wait, what are you? A secret agent? I don't understand.
21:23No, no. I'm Mido, a secret agent.
21:29Please.
21:31Ljubinka, Ljubinka, I don't know why I'm telling you this.
21:36Mido made a deal with Mickey Tambor.
21:40For some business space, for fame.
21:43And I have to be there, to see. Do you understand me?
21:47This thing with Gala, that you tied me to a radiator, I reacted with preventive measures.
21:51She's dangerous. She has dangerous ideas, intentions.
21:55I have to do that.
21:57Wait, you're really my secret agent?
22:00Yes.
22:01And Mido is a man of trust?
22:03Yes.
22:05Did Mido tell you to tie her up?
22:08Ljubinka, really, really, Ljubinka, these are men's business.
22:12You have to know where the line is. Don't ask me that anymore.
22:16It used to be preventive.
22:18I'll arrest you. I have to arrest you. In the name of the people.
22:22You're my secret agent.
22:23That's right, Ljubinka.
22:25Come on, come on, and be careful.
22:27Be careful.
22:29Come on.
22:31Be careful.
22:34Good.
22:46I'm sorry.
22:54I'm really worried about this whole situation.
22:57What situation? We don't have a situation, I don't know what you're talking about.
23:01She looks like she's not the one, like, I don't know.
23:06How does she look like she's not the one?
23:08She's playing her games, she's constantly playing them.
23:10And this is one of her games now.
23:12You just have to relax and it's okay.
23:14I think this is really not good.
23:16And she looks like she's lost her mind.
23:19Listen, I can say that I've gotten to know her very well in this short time.
23:26And I think I've recognized that something's wrong with her.
23:29It's okay.
23:31Well, I think a doctor should take a look at her.
23:33You think so?
23:34Yes.
23:35Well, let's find a doctor to take a look at her, and then everything will be okay.
23:39Have you seen what she looks like?
23:41What does she look like?
23:43I mean, okay, she's always a little bit like that.
23:45She's obviously weird.
23:47She looks like she always does.
23:48Okay, I agree that she's obviously weird, but this is just too much behind her.
23:53She's theatrical.
23:54That's what bothers you.
23:55She's theatrical, and now...
23:58I mean, she's the same as she was.
24:01I hope you're right.
24:03I'm always right.
24:05Go into business.
24:07People are weird.
24:08You have to realize that.
24:10I don't know, Luka, I know women like her, and I know what they're all up to.
24:15Do you know what I'm all up to?
24:19Have you met her?
24:20No.
24:21Maybe you should.
24:24Let's go.
24:40What are you going to do?
24:50Did something happen?
24:53Let Panchetta tell you.
24:57Milo, I'm not going to lie to you.
25:04There will be some changes.
25:07Let's close the cafe.
25:08Don't interrupt me.
25:10Okay.
25:11Listen to what I'm going to tell you.
25:14I'm going to Tic tomorrow.
25:16I'm traveling.
25:18I have a flight at 8 p.m. with a transfer.
25:22Transfer?
25:23That's what I said.
25:26I'm leaving Maldives...
25:29...to Mido.
25:32When Aleks and Luka come back, we'll talk about reorganization.
25:38Milo, I expect you to find Mido as a right-hand man, to be there for everything.
25:44Everything like you did for me.
25:46Can you do that?
25:47I can.
25:48When are you coming back, Panch?
25:51I don't know.
25:53In about two months.
25:56I don't know, Milo.
25:57It depends.
25:58Two weeks to two months.
26:01Tihomir is very busy.
26:04I'll have to put him under a label.
26:10Come on, what is it now?
26:12We'll be in touch all the time.
26:14Everything will be fine.
26:15That's right.
26:16Everything will be fine.
26:17I'll do my best.
26:18At least I know that.
26:20Right, Mido?
26:21That's right.
26:31I'll be there.
26:45Listen, don't you dare to give me some moron with a business space without papers.
26:51Yes.
26:52I made a mistake in front of my son and that truck driver.
26:57I didn't have a choice.
26:59The space won't be sold until some naivety comes in.
27:02Let's put our hands in his pockets and take out the money.
27:05That guy has to be naive.
27:08He wasn't naive as I thought.
27:11What do you mean he wasn't naive?
27:13Listen, my son put me in a position to overhear me.
27:17We have to be very careful.
27:20Listen, he wants to buy an apartment now.
27:23Do you understand?
27:30Hello?
27:43Hello?
27:45What's up?
27:59What's up?
28:09Luka!
28:11Your phone is ringing.
28:13Hey!
28:15Luka!
28:17What are you doing? Are you crazy?
28:19What am I doing?
28:20Come on, pick up the phone.
28:21Who's calling?
28:23You.
28:24Me?
28:25Why would I call you?
28:26Pick up the phone.
28:27Come on.
28:28I'm not going to pick up.
28:29I'm not going to pick up.
28:31Pick up the phone.
28:32I'm not going to pick up.
28:33Pick up the phone.
28:35Hey, calm down.
28:36It's okay.
28:37What's wrong?
28:47They're starting to weld here.
28:49If I don't have a welding mask, I'll go to the warehouse and make a cat out of it.
28:54Look at her.
28:57And for whom did we agree to this, if I may ask?
29:01Get to work.
29:02You can't ask, Mido.
29:04It's none of your business.
29:05You're just spending time with Panchetta.
29:07Come on.
29:08Actually, I have some business in the city.
29:10If you're really interested.
29:12Okay.
29:13Get to work.
29:14Who's shaking your hair?
29:26What did you do to your hair?
29:28What are you talking about?
29:31I left it to you.
29:32Where did you get it from?
29:37Of course you have to admit that you contributed to it.
29:40If you ask me.
29:43What do you mean?
29:44You went to the other side of the world to see your son.
29:46You're not 100 years old.
29:47I'm 100 years old.
29:48I don't know what you're talking about.
29:56This is how you make a cat out of it.
30:04Dinner is served.
30:06I see, everything looks great.
30:11Why isn't anyone here?
30:14I'm not here, I'm a local.
30:17So we can be alone.
30:19Do you do that often?
30:20No.
30:22I've never done that in my life, not even for one woman.
30:26Except for you.
30:39Call Vozden.
30:41Hey, I heard about him a few days ago.
30:43They say he's a great fighter from abroad.
30:45Who?
30:46Spain, Switzerland.
30:48Listen, I'd fight alongside the lake of Cyrus.
30:52Okay, Andrija, but they're there because Mirjana needs help.
30:55Okay, okay, I'm just saying.
30:57But you know what?
30:59Vozden sounds good to me, too.
31:01Okay, that's the same.
31:15Thank you, Mirjana.
31:19Cheers.
31:21It's so good.
31:23It's great.
31:28Hey, Mido.
31:30Where's your...
31:32Lepus.
31:34Lepus.
31:47Okay, is everyone ready?
31:50Luka, are we ready?
31:52I've never been ready.
31:54I mean, I'm totally ready.
31:56What are we going to do for the news?
31:58Lenka has taken care of everything related to PR activity.
32:14Don't live in the past.
32:16Look into the future.
32:18You have to break up with Mido.
32:21If only I could.
32:23I'll help you with that.
32:27Don't thank me.
32:31All we want from you is for you to love me.
32:48Come on, ladies.
32:50Come on.
32:52Easy, easy, easy.
32:54I'll take everything I need.
32:56Come on.
32:58For the eyes.
33:00Come on.
33:02Just to get the right one.
33:04We're going to catch some fish.
33:16That conference is a bit shaky.
33:19I don't know what to say or what to ask.
33:21You have an hour to solve it.
33:24It's good. He's never been more ready.
33:28Is Laura coming?
33:31She's not.
33:34You