deaddogsmoking
deaddogsmoking
  • 3 months ago
Poor Valerie just can't seem to straighten out her delinquent teenage daughter Janet, whose sleazy boyfriend is leading her down a rebellious path of crime and moral turpitude that could end in death--or could she have a chance for redemption?

Anna Neagle ... Valerie Carr
Sylvia Syms ... Janet Carr
Norman Wooland ... Hugh Manning
Wilfrid Hyde-White ... Sir Joseph (as Wilfrid Hyde White)
Kenneth Haigh ... Tony Ward Black
Julia Lockwood ... Poppet Carr
Helen Haye ... Aunt Louisa
Josephine Fitzgerald ... Aunt Bella
Wanda Ventham ... Gina
Murray Hayne
Michael Shepley ... Sir Henry
Avice Landone ... Barbara
Michael Meacham ... Mark
Ballard Berkeley ... Magistrate
Edie Martin ... Miss Ellis
Myrette Morven ... Anne
Grizelda Hervey ... Miss Bennett
Betty Cooper ... Celia
Launce Maraschal ... Senator
Gerald Andersen ... Desk Sergeant
Hyma Beckley ... Dinner Dance Attendee
Paul Beradi ... Cocktail Party Guest
Laidman Browne ... Minor Role
Daphne Cave ... Deirdre
Jess Conrad ... Dancer
Lilian Grassom ... Minor Role
Bill Haigh ... Minor Role
Victor Harrington ... Man in Court
Arthur Howell ... Police Driver
Diana King ... Minor Role
Aileen Lewis ... Dinner Dance Attendee
Fred Machon ... Dancing Restaurant Customer
Hugh Moxey ... Police Officer in Patrol Car
Arthur Mullard ... Nightclub Bouncer
Fred Nicholas ... Dancing Restaurant Customer
George Roderick ... Police Officer in Courtroom
Philip Stewart ... Man in Court
Carol White ... Minor Role
Ben Williams ... Security Officer on Reception

Directed by Herbert Wilcox
Transcript
00:00:00Thank you for your attention.
00:00:30Thank you for your attention.
00:01:00Thank you for your attention.
00:01:30Thank you for your attention.
00:02:00Thank you for your attention.
00:02:10Thank you for your attention.
00:02:20Thank you for your attention.
00:02:34This is Miss Gray's secretary.
00:02:37No, she's not here at the moment.
00:02:41All right, I'll tell her.
00:02:43Oh, no, I'm afraid not today.
00:02:44Her book's absolutely full.
00:02:47Well, if you insist at 4.30.
00:02:50Right.
00:02:51Goodbye.
00:02:53It's Leslie Lorimer.
00:02:55What now?
00:02:56She doesn't like the drawings for her new serial.
00:02:58She wouldn't.
00:03:00She's coming to see you at 4.30.
00:03:02Well, give her five minutes, then break it up, Valerie.
00:03:05Miss Gray, do you think I can leave early this evening?
00:03:07I want to pick up a dress I bought for Jan.
00:03:09She's been invited to a very special party at the Savoy.
00:03:11Of course.
00:03:12Just see me through with Leslie Lorimer.
00:03:16I hate to ask it, but do you think I might sub next week's salary?
00:03:21I'm sure you can.
00:03:23Well, would you mind having a word with the cashier, because he absolutely petrifies me.
00:03:30Give me the cashier.
00:03:32It'll ease things for you a bit, Val, when Jan gets a job.
00:03:46Come on.
00:03:47Up.
00:03:48Mummy!
00:03:49No!
00:03:50Steady there, Polly.
00:03:51Careful, darling.
00:03:52Ooh, what is it, mummy?
00:03:53It's a surprise for Jan, but don't say anything.
00:03:56She's up in her room with Tchaikovsky.
00:04:00She's potty about him.
00:04:03Well, call her, will you, darling?
00:04:12She's up in her room with Tchaikovsky. She's potty about him.
00:04:14Well, call her, will you, darling?
00:04:16Jan, Mummy's home!
00:04:27Hello, sweet.
00:04:28Hello, Mum. Nice day.
00:04:29Oh!
00:04:31How did you pass the time when you just left school?
00:04:34I thought you were longing to leave.
00:04:35I was.
00:04:36Well, you're not getting bored yet, are you?
00:04:37Oh, I can't wait to get a job.
00:04:40I made up my mind today.
00:04:41I'm going to be the most efficient secretary in the world.
00:04:44Even efficienter than you are.
00:04:45Efficienter? You mean more efficient?
00:04:47Clever.
00:04:48Well, I suppose we'll wait and see how you get on when you get to the secretary's office.
00:04:50Oh, can I order a dress?
00:04:51Mm-hmm.
00:04:52What's it like?
00:04:52Oh, it's very pretty, I think.
00:04:55Since when have you been wearing teenage fashion?
00:04:58It's for me! It's for me!
00:04:59Surprise, Jan!
00:05:03Oh, Mummy!
00:05:05It's really you!
00:05:06Oh, darling, darling! Careful, you'll ruin it!
00:05:08It's possibly lush!
00:05:10It must have cost a fortune! How could you afford it?
00:05:12Well, I couldn't. You're only 17 once.
00:05:15Oh, of course! It's for Deidre's purse!
00:05:17Oh, you clever little Jan!
00:05:18Hold him in! I must try them!
00:05:21Oh!
00:05:26Quick, quick! Come to the zip!
00:05:27Oh!
00:05:30What's all the style about?
00:05:32It's a present for Mummy, Aunt Bella, to wear at Deidre's.
00:05:34You prove, Aunt Bella?
00:05:35Well, what do you think?
00:05:36Blast me! I think it's smashing!
00:05:39You certainly look a proper grown-up young lady in it, anyway.
00:05:42I wish I was 17!
00:05:44We're perfect! Not one!
00:06:00I say, you do dance well!
00:06:02You call this dancing?
00:06:04Don't you?
00:06:06I can see we'll have to show you what dancing really is.
00:06:09Jive!
00:06:10Jive?
00:06:12Yes, you'll love it! It's madly exciting!
00:06:15Oh, there's Mark! He's got my lemonade! I must go back!
00:06:19I got it! It's a terrible crash!
00:06:21Thank you, Mark!
00:06:22Oh, do you too?
00:06:23Yes!
00:06:28May I?
00:06:29Oh, thank you!
00:06:32Tony!
00:06:34Don't say you're not dancing!
00:06:38Who is she?
00:06:40Her mother and mine were at school together.
00:06:42She's very sweet!
00:06:44Very sweet!
00:06:48And so are you!
00:07:02Who is Tony?
00:07:04Tony?
00:07:06The one I was dancing with.
00:07:08Oh, his name's Ward Black.
00:07:10I'm so sorry. I'm afraid I'm not a very good dancer.
00:07:14That's all right, Mark.
00:07:22What does he do?
00:07:24Oh, I don't know.
00:07:26They say he's running through some money he's been left.
00:07:32Mark, do you like Jive?
00:07:34Jive? I can't say. I do, do you?
00:07:36I don't know. But you see, it's madly exciting!
00:07:39Oh, really?
00:07:45We've been looking everywhere for you!
00:07:47Time for home!
00:07:49Oh, no, Lady Mather! It finishes a wonderful evening!
00:07:51My dear, it's nearly two o'clock!
00:07:53Come along, Jan. Mark will see you home.
00:07:55Thank you, Lady Mather!
00:07:57Goodbye! Goodbye, Lady Mather! Have a lovely time!
00:08:01Goodbye, dear! It's been one night, Jan!
00:08:03Goodbye, Henry! Thank you very much!
00:08:05Good night, Mark!
00:08:07Good night, sir!
00:08:09Good night!
00:08:11Better know that I care for the way that young man's developing!
00:08:14Prancing about like that little boy!
00:08:16Nonsense, Henry! Everybody jives nowadays!
00:08:18Why not? You're used to Charleston in your day.
00:08:20Are you still?
00:08:22I feel sorry for poor little Janet Carr.
00:08:24She has no fun.
00:08:26I like to see her enjoying herself.
00:08:28She's madly attractive!
00:08:31She's saying I did not like the way that young man was dancing!
00:08:38Hello, darling!
00:08:40Mark, this is Mummy. Mummy, this is Mark.
00:08:42How do you do, Mark?
00:08:44How do you do, Mrs. Carr? Hope we haven't kept you up too late!
00:08:46No, this was something of an event!
00:08:48Oh, Mrs. Carr, next time I come up to town,
00:08:50could I take Jan out to a cinema?
00:08:52Yes, of course, if Jan would like it!
00:08:54Oh, I should love it!
00:08:56Oh, good night!
00:08:58Thank you very much for bringing me home!
00:09:01Bye!
00:09:03Nice boy!
00:09:05Oh, he's a terrific farmer, Mummy!
00:09:07He's managed everything since his father died!
00:09:09He's got short-torn angus and Friesians and jerseys
00:09:11and ducks and chickens and they're all battery-fed!
00:09:13They never touch the ground!
00:09:15Oh, you had a lovely time, darling!
00:09:17Wonderful! And the dress was a great success!
00:09:19Deirdre thought it was a model!
00:09:21Mummy, you are an angel!
00:09:23Oh, and I've met a perfectly gorgeous young man!
00:09:25He's terribly handsome and he's got lots of money!
00:09:27He's got a Bentley of his own, a vintage Bentley!
00:09:29He's going to teach me to jive!
00:09:31Oh, and I tore my dress!
00:09:33Oh, darling! Oh, never mind!
00:09:35While I was jiving, I got madly excited
00:09:37and it caught on something!
00:09:39Mummy, I just couldn't get to sleep!
00:09:41May I come down and hear all about it?
00:09:43Of course, darling, she had a wonderful time!
00:09:45I couldn't sleep a wink! I have to hear everything!
00:09:47Oh, well, I'd better get you some hot milk
00:09:49or you'll never sleep tonight!
00:09:51Oh, and some biscuits, Mummy!
00:09:53I didn't have anything to eat, I was too excited!
00:09:55Come on now, Jan, tell us all about it!
00:09:58Me? I never stopped dancing!
00:10:00Oh, and Poppy, I jived!
00:10:02Jived?
00:10:04Yes, like this!
00:10:06What's the meaning of that look on your face?
00:10:08Oh, that's getting into the mood!
00:10:10You ask me? It looks potty!
00:10:12Well, it may look potty to you, but it sends me!
00:10:18Here's Mrs. Carr, Sir Joseph.
00:10:20Oh, thank you very much!
00:10:22Come in, Mrs. Carr, I'll be with you in a minute!
00:10:24Perhaps you'd like to sit down?
00:10:27Now then,
00:10:29I'm told you've done a good job for us!
00:10:31Oh, thank you, Sir Joseph!
00:10:33How long since you joined us?
00:10:35Just over four years!
00:10:37I hope we've treated you well?
00:10:39Yes, thank you, very well indeed!
00:10:41I'm starting a new project, Mrs. Carr,
00:10:43a magazine for the young people,
00:10:4514 to 18 group.
00:10:47How does that strike you?
00:10:49I think it's an excellent idea,
00:10:51it should have a wide appeal!
00:10:53I'm glad you like it, I propose to make you fiction editor!
00:10:56Me? Fiction editor?
00:10:58Don't you like the idea?
00:11:00Like it? Well, it's absolutely blissful!
00:11:02I beg your pardon?
00:11:04Oh, I'm sorry, that's an expression of my daughter!
00:11:06Oh, you have a daughter, eh?
00:11:08How old, how old?
00:11:10Seventeen!
00:11:12Ah, all the more reason to give you the job,
00:11:14you must understand the teenage mind!
00:11:16Your salary, of course, will move to a higher income bracket,
00:11:18I trust your daughter will find that blissful!
00:11:22I'm quite sure I shall!
00:11:25Thank you, Mrs. Carr, thank you very much!
00:11:27Perhaps you'd be so kind as to be here on Monday, 10,
00:11:29for a conference, I'll introduce you to your colleagues!
00:11:31Thank you, Sir Joseph, for your confidence!
00:11:33Don't mention it!
00:11:35Oh, as you're here, you might just take a glance
00:11:37at this list of tentative titles for the new magazine,
00:11:39like your opinion!
00:11:41Personally, I don't think you'll improve on my suggestion!
00:11:43What is that?
00:11:45Teenage!
00:11:47Teenage?
00:11:49No, I think that's splendid!
00:11:55Very good, Jen!
00:11:57You're making excellent progress!
00:12:03Now, girls, lunch!
00:12:05I'll be back in your places in one hour!
00:12:21Hello!
00:12:23Hello!
00:12:25Tony!
00:12:27Oh, Iris Johnson, Tony Waters!
00:12:29I'm very pleased to meet you!
00:12:31Where shall we go?
00:12:33Go?
00:12:35For lunch, remember?
00:12:37Oh, yes! Iris, do you mind?
00:12:39Oh, no, no, why not?
00:12:41It's very clever of you to find it!
00:12:53What do you want?
00:12:55A ham sandwich and a glass of milk, please!
00:12:57A ham sandwich and a…
00:12:59a cup of coffee!
00:13:01All right!
00:13:07Oh, hiya, Tony!
00:13:09A ham sandwich and two coffees, please!
00:13:11Is Linda with you?
00:13:15Where did you find this?
00:13:17Believe it or not,
00:13:19at the Savoy!
00:13:22You're not bringing it to the club tonight?
00:13:24I don't think so! She doesn't jive!
00:13:26That I can believe!
00:13:42Could I have some milk in it, please?
00:13:44They drop dead if you ask for milk!
00:13:46Try it!
00:13:49Want a cigarette?
00:13:51No, thank you, I don't…
00:14:01Well, what about a trip in my Bentley after this?
00:14:03Oh, Tony, I can't! I promised mummy I'd…
00:14:05I know, I know!
00:14:07You promised mummy you'd never miss college!
00:14:09Doesn't it mean anything to you
00:14:11when you break promises to your mother?
00:14:15My mother walked out when I was five!
00:14:18Oh, Tony, I'm sorry!
00:14:20Did your father marry again?
00:14:22And how!
00:14:24My family life's a total loss!
00:14:28Who brought you up?
00:14:30An uncle!
00:14:32Who loathed me!
00:14:34Don't look at me like that!
00:14:36I'm fine!
00:14:38I just don't want anybody to fuss!
00:14:40All right?
00:14:42All right!
00:14:48Where were you going in your Bentley?
00:14:52Brighton!
00:14:54You're doing fine!
00:14:56You're a born driver!
00:14:58It's madly exciting!
00:15:00Well, take it easy, look!
00:15:04I'll have to teach you how to jive!
00:15:06Lovely!
00:15:08Take you to the club tonight!
00:15:10Oh, I can't do that!
00:15:12I must be home in time for supper!
00:15:14Oh, ring your mother up!
00:15:17I couldn't do that!
00:15:19Couldn't you?
00:15:47Oh, this is it!
00:15:49What?
00:15:51This is it!
00:15:53It's fabulous!
00:15:55What?
00:15:57It's fabulous!
00:15:59Get with it!
00:16:01Have a bash?
00:16:03Oh, no, Tony, I couldn't!
00:16:05Have a drink?
00:16:07I'll have a Coke!
00:16:09Hi, Tony!
00:16:11Gina, this is Jan!
00:16:13Hi!
00:16:15And the honourable Donald Edgecumbe!
00:16:17Make it done, eh?
00:16:19One Coke and a Scotch, please!
00:16:27Come on, foolish, you'd better start sometime!
00:16:29Tony, I couldn't!
00:16:31Get with it!
00:16:35Get with it!
00:16:37Get with it!
00:16:39Get a good bunch of faces for me!
00:16:41And a key for me!
00:16:44And a key for me!
00:16:46Get with it!
00:16:48Get with it!
00:17:14But, my dear, here we are!
00:17:16Now then, this is Valerie Carr.
00:17:36Our dearest, this is Valerie Carr.
00:17:38She's had nothing to do with teenagers.
00:17:40She knows all the answers.
00:17:42I'll send them to Problem Corner and she'll solve them for you.
00:17:45What a build-up! I should probably last the first instance.
00:17:48Will you come this way a bit, please?
00:17:49Oh, yes, of course. Excuse me.
00:17:52Can you tell me, have you any children of your own?
00:17:54Oh, yes, I have two daughters. I have a 17-year-old. I'm expecting her here.
00:18:13I had my hat and my dress.
00:18:16I know.
00:18:17But, darling, why didn't you wear your party dress?
00:18:21I thought it was too unsophisticated for a cocktail party.
00:18:24Dear child, that's far too sophisticated for you.
00:18:28May I have ten shillings, please?
00:18:31For what?
00:18:32Taxi.
00:18:33Jane, you didn't take a taxi.
00:18:35Well, mummy, you told me to be on time.
00:18:38May I have it, please? The meter's ticking.
00:18:43Thank you.
00:18:49I still maintain, Sir Joseph,
00:18:51there is nothing more vital to the preservation of our Western way of life...
00:18:55Ah, Senator, here's someone you must meet. Valerie, dear.
00:18:59Good heavens, you look as if you'd seen a ghost.
00:19:01Here's the old Senator. He's very interested in you, Senator.
00:19:04Senator, here is our fiction editor, Mrs Carr.
00:19:07This is indeed a pleasure.
00:19:09But, as I was saying,
00:19:11there is nothing more vital to the preservation of our Western way of life
00:19:15than the cultivation of the minds of our young people.
00:19:18Well, I'll leave you in the safe hands of Mrs Carr.
00:19:21She's very interested in you.
00:19:23Aren't you, dear?
00:19:24Goodbye.
00:19:25Well, as I was just saying to your chief.
00:19:27Take the lift around to the right, please.
00:19:30Around to the right to the left, please.
00:19:34Well, have fun, darling.
00:19:37Am I going to see you tomorrow?
00:19:39No, I think I'll stay and have fun on the house.
00:19:41Tell me you can't. You haven't been invited.
00:19:43I'm very remiss of someone.
00:19:44Well, I...
00:19:45Come on, it's a pushover.
00:19:47Take the lift around to your right.
00:19:49There is nothing more vital to the preservation of our Western way of life...
00:20:01Oh, you must be Janet, I think. My name's Macintyre.
00:20:05Oh, Sir Joseph, how do you do?
00:20:06How do you do, my dear?
00:20:07How do you do, Sir Joseph? My name's Tony Ward-Black.
00:20:09I believe that you know my Aunt Louisa.
00:20:11Oh, Aunt Louisa.
00:20:13Yes, Mrs Black.
00:20:14Oh, really, really.
00:20:16How's her blood pressure?
00:20:17Or is it rheumatism?
00:20:18Rheumatism.
00:20:19I could have sworn it was gout.
00:20:21Sir Joseph, I see you haven't met Janet.
00:20:23Yes, of course I have.
00:20:24Nowhere anywhere.
00:20:25I'll tell you something, my dear.
00:20:27These little teenagers can teach us a thing or two.
00:20:29Look at that pretty little hat. Look at that.
00:20:31Just the sort of hat for you.
00:20:33I must borrow it sometime, mustn't I, Jan?
00:20:35And what do you think, this young man's Aunt Louisa is an old friend of mine.
00:20:39Small world, isn't it?
00:20:40Now then, my boy, you'd better take Janet along and give her a glass of sherry.
00:20:44I expect she needs it.
00:20:49Do you know that young man?
00:20:51No, I've never seen him before, Sir Joseph.
00:20:53In my opinion, he's an experienced pain pressure.
00:20:57You didn't tell me you had an Aunt Louisa, Terry.
00:20:59I haven't known you very long, have I?
00:21:01Well, she's a great aunt, really.
00:21:02She's very old, very soft-spoken, and very wealthy.
00:21:06I expect to get quite a hunger bit one day.
00:21:27Hi, Hugh. Hello there.
00:21:29Oh, Barbara.
00:21:30How are you?
00:21:31Just wait here a minute.
00:21:32I want you to meet Valerie Carr.
00:21:33Right.
00:21:37Valerie, I want you to come and meet Hugh Manning.
00:21:42May I introduce Hugh Manning, Valerie Carr.
00:21:44How do you do?
00:21:45How do you do?
00:21:46Do you have anything to do with this new paper?
00:21:48Oh, yes. Yes, I do.
00:21:50Well, I'd like to introduce you to Hugh Manning.
00:21:52How do you do?
00:21:53Do you have anything to do with this new paper?
00:21:55Oh, yes. Yes, I'm the fiction editor.
00:21:58Oh. Oh, well, I should bow very low.
00:22:00Should you? Why?
00:22:02I write novels for the younger generation.
00:22:04Oh, yes.
00:22:05And it'll be your job to like or dislike this.
00:22:07Cherry or dry martini?
00:22:10Cherry.
00:22:14Let's take a look at the view, shall we?
00:22:15Oh, thank you.
00:22:23Thank you.
00:22:36Cheers.
00:22:37Cheers.
00:22:41This isn't as nice as the share we had at Christmas.
00:22:44We'll all get back in one.
00:22:46Go on, Charlie.
00:22:52It burns.
00:22:54So that you know it the next time you meet it, that was a very dry martini.
00:22:57Dry martini? Why, I have to be able to drink it.
00:23:00Are you looking for someone?
00:23:02Yes.
00:23:03Important?
00:23:04Oh, my daughter, Jan.
00:23:05About 17, very pretty, not very much like you to look in.
00:23:08Oh, I'm sorry.
00:23:10That wasn't very well put, was it?
00:23:12Oh, that's all right. Excuse me.
00:23:22Jan.
00:23:52All alone?
00:23:54Yes, deserted. I've been talking to Thin Air for the past few minutes.
00:23:56Good for your ego, Hugh.
00:23:58Perhaps. Has she never listened to her husband either?
00:24:00She hasn't got a husband.
00:24:01She's a war widow and she intends to remain one.
00:24:04Well, she does, does she?
00:24:08Hello, Mummy.
00:24:10Hello, Pops.
00:24:12How's the homework?
00:24:13Nearly finished.
00:24:15Is Jan in?
00:24:16Yes, ages ago.
00:24:17Wasn't it a nice party?
00:24:18Oh, yes, very nice.
00:24:20Oh, Aunt Bella left you some sandwiches and coffee.
00:24:22She says those kixies you get at parties don't fill any gaps.
00:24:27Mummy, what's the matter with Jan?
00:24:30Why do you ask?
00:24:32Well, she rushed in, rushed upstairs, and all she said was,
00:24:35I'm fed up, fed up.
00:24:38Why do people get fed up?
00:24:40I suppose she's just growing up, darling.
00:24:42I wish one needn't grow up.
00:24:44Sometimes I do, too.
00:24:46Well, get ready for bed, sweetie.
00:24:48It's getting late.
00:24:50God bless you.
00:24:51Sleep tight.
00:25:01Why are you looking at me like that?
00:25:02Do I look old and hideous?
00:25:04You can never look hideous.
00:25:06Let's face it, you are pretty old, aren't you?
00:25:09Ancient poppet.
00:25:10Never mind.
00:25:11I shall always love you.
00:25:12Will you, darling?
00:25:13Of course.
00:25:14Good night, Mum.
00:25:16Oh, poppet, don't you ever grow up.
00:25:19Good night, darling.
00:25:45Savages?
00:25:46No, thanks, I'm not hungry.
00:25:48I'll leave them in case.
00:26:00Jan, about your friend, Mr. Black.
00:26:03Ward Black.
00:26:04He was not invited.
00:26:06He's not invited?
00:26:07No, he's not.
00:26:08He's not invited?
00:26:09No, he's not.
00:26:10He's not invited?
00:26:11No, he's not.
00:26:12He's not invited?
00:26:13No, he's not.
00:26:14He was not invited.
00:26:15He gatecrashed.
00:26:16That's all right.
00:26:17His Aunt Louisa's a great friend of Sir Joseph's.
00:26:19Sir Joseph hasn't the faintest idea who his Aunt Louisa is.
00:26:22But I heard him say that he...
00:26:23He was very annoyed.
00:26:24You've embarrassed me terribly.
00:26:25But I heard Tony tell him all about his Aunt Louisa.
00:26:27Jan, I don't want to sound stuffy, but...
00:26:30But your friend gatecrashes a party.
00:26:32He kisses you in public.
00:26:34What sort of behaviour do you think that is?
00:26:38Oh, darling, I...
00:26:41I don't want to see you getting him with the wrong set of young people.
00:26:44Why don't you see more of Mark?
00:26:45Now, he's such a nice boy.
00:26:46Kindly allow me to choose my own friends.
00:26:49And stop preaching at me.
00:26:50Save that for your problem corner.
00:26:52How dare you speak to me like that?
00:26:54I'd like to turn you up and spank you.
00:26:56Yes, that's just it.
00:26:57You'd like to spank me.
00:26:58You'd treat me as though I was still a child.
00:26:59And I'm not!
00:27:00You're certainly not very adult.
00:27:01The sooner you get out of this idiotic mood, the better.
00:27:45Hi, Mark.
00:27:46Hello, Mrs Carr.
00:27:47How nice. Come in, won't you?
00:27:48Thank you.
00:27:49I brought you some things from the farm.
00:27:51That's very kind of you.
00:27:52There's one of our prized capons.
00:27:53They're battery bread.
00:27:54Never touch the ground, you know.
00:27:55Really?
00:27:56And some jam.
00:27:57Homemade for Jan.
00:27:58I hope she likes it.
00:27:59Just now, I'm afraid Jan's on a slimming diet.
00:28:01Oh, but she'll love the lettuces.
00:28:03Oh, good.
00:28:04Is she in?
00:28:05Yes. Jan!
00:28:06Someone to see you.
00:28:07I thought I'd take her for a drive.
00:28:09Is that your car, Mark?
00:28:10Yes.
00:28:11No, it's not that.
00:28:12Is that your car, Mark?
00:28:13Yes.
00:28:14No, it's not very smart, but it's frankly reliable.
00:28:16The trouble at the moment is that Jan prefers a Bentley.
00:28:19Can I help you?
00:28:20No, no. It's all right, thanks.
00:28:21I can manage.
00:28:22Jan, look.
00:28:23Mark's bought us practically the entire farm.
00:28:25Say thank you.
00:28:27Johnny D.
00:28:28Mark, good show.
00:28:29How are you?
00:28:30Oh, just fine.
00:28:31Well, Jan, something's wrong.
00:28:32What is it?
00:28:33Oh, nothing, honestly.
00:28:35Oh, poor Mark.
00:28:36I'm horrid to you, aren't I?
00:28:37Pretty beastly.
00:28:38Why?
00:28:39Well, you're so serious.
00:28:41Yes, I suppose I am.
00:28:43Don't you ever want to be serious sometimes?
00:28:44No, I want to enjoy life and have lots of fun.
00:28:47Oh, but everyone treats me as though it were wrong.
00:28:50Oh, dear Jan.
00:28:51Well, I must hurry, Mark, or I shall be late.
00:28:52Bye, Mum.
00:28:53I'm going too.
00:28:54Goodbye, Mrs. Carr.
00:28:55Goodbye, Mark.
00:28:56Come again.
00:28:58Jan, where are you going?
00:28:59Why?
00:29:00Well, I thought you might like a lift.
00:29:01No thanks, I'm being picked up.
00:29:02Oh.
00:29:05Bye, Mark.
00:29:11Bye, Jan.
00:29:42Come on, Jan.
00:29:44Come on, Jan.
00:29:45Come on, Jan.
00:29:46Come on, Jan.
00:29:47Come on.
00:29:59Yes?
00:30:00Is Hugh Manning to see you?
00:30:01Oh, ask him up.
00:30:04Ann, you'd better take these down to the typhus pool.
00:30:06Right.
00:30:08Don't get swept away.
00:30:09Swept away?
00:30:10Swept away?
00:30:11Hugh Manning.
00:30:12He's wildly attractive.
00:30:13He's also wildly unpunctual.
00:30:15Anyway, I'll yell for help if I need it.
00:30:27Oh, good afternoon, Mr. Manning.
00:30:28Hello.
00:30:30I'm afraid I'm half an hour early.
00:30:31On the contrary, you're half an hour late.
00:30:33But no.
00:30:34Oh, but yes.
00:30:35Your appointment was for five o'clock.
00:30:37Six o'clock.
00:30:39Five, Mr. Manning.
00:30:43Sorry.
00:30:44Well, sit down.
00:30:53You got the contract?
00:30:55Yes, my agents are returning it to you.
00:30:58Cigarette?
00:30:59Oh, no, thanks.
00:31:01Nice to see you again.
00:31:03Thank you.
00:31:05How's Jan?
00:31:07Jan?
00:31:08Your daughter.
00:31:10She's very well, thank you.
00:31:12Well, you see, the first time we met, you said...
00:31:16Oh.
00:31:17You don't remember?
00:31:18Oh, but of course I do.
00:31:20Yes, yes, it was at, um, at Barbara's.
00:31:22No, no, it wasn't at Barbara's.
00:31:24No, she introduced us at the teenagers' party.
00:31:26You weren't listening.
00:31:28What?
00:31:29You were looking for Jan.
00:31:30How very old-mannered of me.
00:31:38Have you any daughters, Mr. Manning?
00:31:40I'm a bachelor.
00:31:42Then you don't know how distracting they can be.
00:31:45No, tell me.
00:31:46Well, Jan's at a secretarial college, and apparently she hates...
00:31:49Well, in that case, why not have a shot at modelling?
00:31:53Or, uh, can she act?
00:31:55No, every mother thinks her daughter can act, but Jan's also got to eat.
00:31:58But, um...
00:32:00Your cereal.
00:32:02My cereal?
00:32:03Yes, that's what you came to talk about.
00:32:05Oh, yes, yes, my cereal.
00:32:07Miss Larimer, her appointment.
00:32:09Well, she's half an hour early.
00:32:10Yes, she knows.
00:32:11Well, it's no better than being half an hour late.
00:32:13I'll wait outside.
00:32:15No, please don't wait.
00:32:17Miss Larimer usually takes hours.
00:32:18No, I've got plenty of time.
00:32:20Well, goodbye.
00:32:22I say, funny, isn't it?
00:32:24What's funny?
00:32:25I never thought when I walked into this office today that, um...
00:32:28Yes, that what?
00:32:30Well, I think I'd better tell you the next time I see you.
00:32:33Yes, I think you'd better.
00:32:34Uh, would you like to make an appointment now?
00:32:37I can keep it.
00:32:38Well, that would help.
00:32:39I'll take a chance. Au revoir.
00:32:42Goodbye, Mr. Manning.
00:32:43I said, au revoir, Mrs. Carr.
00:33:05What's the time?
00:33:06The foggiest idea.
00:33:07I'll have to be getting along soon.
00:33:09I've a terrific day ahead of me.
00:33:10All right.
00:33:11When are we going to meet Jan and Bobbie?
00:33:14Do you want to?
00:33:15Of course.
00:33:16I want to know the sort of ready-made family I might...
00:33:18What am I saying?
00:33:20The foggiest idea.
00:33:22Haven't you?
00:33:23Let me explain.
00:33:25Remember when Barbara introduced us?
00:33:27At the cocktail party?
00:33:28Correct.
00:33:29When she told me all about you.
00:33:30Really?
00:33:32That you were a war widow.
00:33:33And that you intended to remain one.
00:33:36Barbara was right.
00:33:38When David was killed, I made up my mind never to marry again.
00:33:41Oh.
00:33:44You could change your mind.
00:33:54Well, this is it.
00:33:57Just about how I imagined it.
00:34:01It's been a lovely evening.
00:34:02A trifle unexpected, but...
00:34:03But you've been so...
00:34:04Wonderful.
00:34:06Didn't you mention it?
00:34:07Yes.
00:34:10Dog, come back!
00:34:13Sorry, Mummy.
00:34:14I suppose Dog opened the door and let you out.
00:34:17No.
00:34:18You see, Dog heard you come in and woke me up.
00:34:21Well, you'd better come down and say hello to Mr. Manning.
00:34:25Not you, Manning.
00:34:26That's right.
00:34:27This is a great pleasure.
00:34:28I often read your stories.
00:34:29Oh, a family.
00:34:31Yes, I read them to Dog.
00:34:32Do you?
00:34:33Why do you call your dog Dog?
00:34:35Because it isn't.
00:34:37Oh, I see.
00:34:38Oh.
00:34:41Come to bed, sweetie.
00:34:42Say goodnight.
00:34:47Come on, Dog.
00:34:50I say, I like Puppet.
00:34:52Like that too.
00:34:53Well, you should feel very flattered.
00:34:54She usually saves her kisses for Dog.
00:34:56Really?
00:34:58I'm only sorry Jan's not here to meet you.
00:35:00Yes, but I'm afraid she wouldn't find me madly exciting.
00:35:03Oh, dear.
00:35:04Val.
00:35:06Promise me one thing.
00:35:07What?
00:35:08To stop worrying about Jan.
00:35:10Okay, I'll try.
00:35:15Goodnight.
00:35:16Goodnight.
00:35:24Jan, I've a surprise for you.
00:35:25Oh, what?
00:35:27Seats for the new review.
00:35:28Sweet and sour?
00:35:29Mm-hmm.
00:35:30Oh, Jan, you are lucky.
00:35:31If these came through the office, so I'd grab them.
00:35:33It's almost impossible to get in.
00:35:37Oh, Sam, clever.
00:35:38Brilliant.
00:35:39When are they for?
00:35:40Tonight.
00:35:41Tonight?
00:35:42Yes.
00:35:43I'll change at the office, and if you'll meet me there about seven.
00:35:45No, you'd better make it a quarter to.
00:35:47Then we're going to supper somewhere.
00:35:48Fun?
00:35:49Lovely.
00:35:51Puppet.
00:35:52It is Friday.
00:35:54How would you like Aunt Bella to take you to a cinema?
00:35:56Oh, Mummy, scrummy.
00:35:57Darling, there's something else I want to discuss about you leaving the college.
00:36:00Oh, really, Mummy?
00:36:01There's nothing too disgusting.
00:36:02Oh, darling, look, I haven't time to go into it now.
00:36:04We'll talk it over tonight, shall we?
00:36:06Don't be late.
00:36:07Goodbye.
00:36:08Bye.
00:36:09Bye, Mummy.
00:36:10Bye, Puppet.
00:36:11Bye, Aunt Bella.
00:36:12Bye, Valerie.
00:36:13Take Puppet to a movie, will you?
00:36:14Very well.
00:36:18What's the matter with you, sighing like a grampus?
00:36:20Oh, I'm fed to the teeth.
00:36:22I can't understand, Mummy.
00:36:23It didn't occur to her I might have a date of my own.
00:36:25You asked me.
00:36:26You're jolly ungrateful.
00:36:27Well, I didn't ask you.
00:36:29You wait till you're 17.
00:36:30You're grown up and everyone goes on treating you as though you were a child.
00:36:34Jan, Mummy's going to get married again.
00:36:36Who said?
00:36:37Never mind.
00:36:38She's going to marry Mr. Manning.
00:36:39Who told you?
00:36:40Nobody told me.
00:36:41I kissed him, Jan.
00:36:42You what?
00:36:43A real smacker.
00:36:45Did Mummy tell you this?
00:36:46No.
00:36:47But I know.
00:36:48I'm physic.
00:36:49You're what?
00:36:50I've got second sight.
00:36:51Oh.
00:36:52Oh.
00:36:53Oh.
00:36:54I've got second sight.
00:36:55Oh, Bobbety, you are a glot.
00:36:57It's psychic, not physic.
00:36:58Oh, is it?
00:37:00You are clever.
00:37:02Hello?
00:37:03Hello, ugly.
00:37:06Well, it's all set for tonight.
00:37:07When shall I pick you up?
00:37:09Oh, isn't it sickening, Tony?
00:37:10I can't come.
00:37:11Why not?
00:37:13Some plan of Mother's.
00:37:15Well, can't you duck it?
00:37:17Afraid not.
00:37:19But it's all laid on, you know that.
00:37:21Oh, Tony, I know I'm livid.
00:37:22But there's nothing I can do about it.
00:37:24No, nothing.
00:37:26Except do as Mummy tells you.
00:37:29Oh, bye.
00:37:32Bye.
00:37:40I managed to get hold of the seats at Sweet and Sour.
00:37:43Oh, Jan, love that.
00:37:44It's so sophisticated.
00:37:46I had to take an interpreter when I went.
00:37:48Good night, Mrs. Carr.
00:37:49Good night, Jan.
00:37:51You get me Hampstead 1712?
00:37:59Hello?
00:38:01Hello? You?
00:38:03Yes, it's me.
00:38:07How did you get in here?
00:38:09Front entrance, up the lift.
00:38:11Oh, I see.
00:38:13I'm sorry.
00:38:15I'm sorry.
00:38:17I'm sorry.
00:38:18How did you get in here?
00:38:19Front entrance, up the lift.
00:38:21No, it's all right, thanks.
00:38:22Cancel the call.
00:38:25Get me out to dinner with me.
00:38:26No, I can't.
00:38:27I've got a date.
00:38:28Supper?
00:38:29No, theatre and supper.
00:38:30Well, break it.
00:38:31Oh, impossible.
00:38:33It's with Jan.
00:38:35Oh, can I come too?
00:38:37Oh, I'm afraid not.
00:38:38We're going to see Sweet and Sour.
00:38:40It's booked out.
00:38:42Well, can I take you both out to supper?
00:38:43I'd like to meet Jan.
00:38:44She'd like to meet you.
00:38:45Probably thinks you're smashing.
00:38:46Really?
00:38:47That's encouraging.
00:38:49I say, what would your boss say if I was to kiss you here?
00:38:52Fire me.
00:38:54Can't afford that.
00:38:55New fiction editor might not like my stuff.
00:38:58How about a quick drink?
00:38:59Okay.
00:39:00Come on.
00:39:05Have to be a very quick one.
00:39:07Isn't Jan almost late?
00:39:09She might be punctual for once.
00:39:11Well, I'll see you back in time.
00:39:13Where shall we go?
00:39:14Well, I think we might go round to that club.
00:39:19Hello.
00:39:21Hello, Jo.
00:39:23Yes, it's me.
00:39:25No, I'm not putting him in this week.
00:39:27Champions last year, now after the Lord May Show.
00:39:30You know the rest.
00:39:32Okay.
00:39:33Excuse me.
00:39:35Would you tell Mrs. Carr I'm here?
00:39:37Mrs. Carr? She's gone.
00:39:39Gone?
00:39:40But I was to meet her here.
00:39:42Sorry, miss, you've only just missed her.
00:39:43She went out with Mr. Manning.
00:39:45Hugh Manning?
00:39:46That's correct, miss.
00:39:48Yes, Jo.
00:39:49May I use your telephone?
00:39:51Sorry, miss.
00:39:52Very important business.
00:39:53There's a box just around the corner.
00:39:56Okay, Jo.
00:39:57You put him in and I'll leave him out.
00:40:13Jack!
00:40:15My, my, what a dinky little number.
00:40:17I won't do it.
00:40:19Jack, you look like a dear little dev.
00:40:21I feel conspicuous enough without your cracks.
00:40:23Shut up.
00:40:25Come on, Gino.
00:40:26It's a good meeting.
00:40:27Thanks.
00:40:33I'm sorry.
00:40:35It's all right.
00:40:37It's all right.
00:40:39It's all right.
00:40:41It's all right.
00:40:43She stood you up.
00:40:45Who?
00:40:46Mummy.
00:40:47No.
00:40:48She had to keep an appointment with Mr. Hugh Manning.
00:40:51You went out of the window.
00:40:53I know the feeling.
00:40:57Tony, take me away from here.
00:40:58I feel such a fool.
00:41:00Okay, we'll go somewhere else.
00:41:02I'll just run up and see if she is in.
00:41:04Probably fast asleep by now.
00:41:05I hope so.
00:41:07Help yourself to a nightcap.
00:41:08Over there.
00:41:17Hugh, she's not in.
00:41:19Well, it's not all that late.
00:41:21Well, it's not all that late.
00:41:23It's not all that late.
00:41:25It's not all that late.
00:41:27It's not all that late.
00:41:29It's not all that late.
00:41:31It's almost midnight.
00:41:32I can't think why I was so stupid as to go out for that drink.
00:41:35Oh, my dear, stop blaming yourself.
00:41:36After all, it was my suggestion.
00:41:37Here she is.
00:41:42Night.
00:41:43Hello, Jan.
00:41:44Oh, hello, Mummy.
00:41:46Well, won't you ask your friend in?
00:41:47I'd like to meet him.
00:41:49Tony!
00:41:50Come on in.
00:41:51Mother wants to meet you.
00:41:54Jan, this is Mr. Manning.
00:41:56Hello.
00:41:57Hello.
00:41:59I'm afraid I was the cause of your missing the show tonight.
00:42:01Really?
00:42:03Matter of fact, I had something very important to discuss with your mother.
00:42:07Oh, that's all right, Mr. Manning.
00:42:08I quite understand.
00:42:09After all, Mother's work must come first.
00:42:12Oh, that's very understanding of you.
00:42:14Well, I do try.
00:42:19How do you do, Mr. Warden?
00:42:20How do you do?
00:42:21May I call you Tony?
00:42:22Oh, please do.
00:42:23Of course, we have met before, haven't we?
00:42:25Was it at the Mathers?
00:42:26They're very old friends of the family.
00:42:27No, no, not the Mathers.
00:42:28Let me see.
00:42:29Oh, I remember.
00:42:30Come and meet Mr. Manning.
00:42:32Hugh, this is Tony Ward Black.
00:42:34Sir Joseph is an old friend of his Aunt Louisa.
00:42:36How are you?
00:42:37Hello.
00:42:38Oh, Hugh, your drink.
00:42:39One for you, Tony?
00:42:41No, thanks.
00:42:42I never drink while I'm driving.
00:42:44Anyway, I must be off.
00:42:46Good night, Mrs. Carr.
00:42:47Good night.
00:42:48Good night.
00:42:49Good night, Mr. Ward.
00:42:52Ward Black.
00:42:54Oh, I'm sorry.
00:42:55I didn't get the Black.
00:43:02Not much to worry about with Jan.
00:43:04She can be so charming.
00:43:06But the sooner she gets Tony Ward out of her system, the better.
00:43:09Ward Black?
00:43:10I said Ward.
00:43:12The Deb's Delight, Sea Division called him.
00:43:14What?
00:43:15Mm-hmm.
00:43:17Hugh.
00:43:19Hugh, we must tell her.
00:43:20If you do, she'll dig her toes right in.
00:43:23Now, I'll tell you what I'm going to do.
00:43:25I'm going to send you to New York.
00:43:27New York?
00:43:28That's it.
00:43:29I've arranged some introductions for you, but of course you know all the angles.
00:43:31The difference between American youth and English.
00:43:33Should schoolgirls wear makeup?
00:43:35Too much TV?
00:43:36Space travel?
00:43:37Why crooners cry?
00:43:38That's very important.
00:43:39Now, Barbara, my secretary, will make all the arrangements for you.
00:43:41Visa, that sort of thing.
00:43:42Barbara, are you there?
00:43:43Come in, will you, please?
00:43:44Mrs. Carr's here now.
00:43:45Thank you.
00:43:46Oh, dear.
00:43:47What's the matter?
00:43:48My clothes.
00:43:49What's wrong with them?
00:43:50American women are very smart and clothes-conscious, you know.
00:43:53You've got plenty of time.
00:43:54Buy yourself two or three outfits.
00:43:55Oh, thank you, Sir Joseph.
00:43:56Thank you.
00:43:57Not at all.
00:43:58Not at all.
00:43:59Thank you.
00:44:00Uh, Barbara, I've, uh...
00:44:02I just thought perhaps Mrs. Carr might need some clothes for this trip of hers.
00:44:06American women are very clothes-conscious, you know.
00:44:08Yes, Sir Joseph, I do know.
00:44:09Yes, well, tell the accounts department, will you?
00:44:10Yes.
00:44:11Don't spend all our money, will you?
00:44:13New clothes and New York.
00:44:14Lucky you.
00:44:15Yes, I suppose so.
00:44:17You suppose so?
00:44:18Well, I'd rather not be going just at the moment.
00:44:20Oh, are you afraid of leaving, Janet?
00:44:22Hmm.
00:44:23She's got in with a group of young socialites and there's just no holding her.
00:44:27I know.
00:44:28I've had it too.
00:44:29Too hasn't.
00:44:30Perhaps your going away is the very best thing that could happen.
00:44:32Leave Janet by herself.
00:44:33Give her a sense of responsibility.
00:44:35Oh, I'd like to think that.
00:44:36Well, look, I'm going to need your passport and you'll have to be vaccinated.
00:44:39Meanwhile, get whatever you want and send me all the bills.
00:44:41Thanks, Barbara.
00:44:42Give my love to New York.
00:44:49Why, Val, what are you doing over here?
00:44:51The same as you, I guess.
00:44:52What do you make of the American teenager?
00:44:54Oh, I don't know.
00:44:55It looks as though they're the same all over the world, doesn't it?
00:44:57They just can't cram enough into the 24 hours.
00:44:59How's Jan?
00:45:00Oh, at the moment, she's rather unpredictable.
00:45:03I know the face.
00:45:04Never mind.
00:45:05It'll pass.
00:45:06Sort of measles, but they're the devil while you've got them.
00:45:21Hello.
00:45:22Hello.
00:45:23Hello.
00:45:24Hello.
00:45:25Hello.
00:45:26Hello.
00:45:27Hello.
00:45:28Hello.
00:45:29Hello.
00:45:30Hello.
00:45:31Hello.
00:45:32Hello.
00:45:33Hello.
00:45:34Hello.
00:45:35Hello.
00:45:36Hello.
00:45:37Hello.
00:45:38Hello.
00:45:39Hello.
00:45:40Hello.
00:45:41Hello.
00:45:42Hello.
00:45:43Hello.
00:45:44Hello.
00:45:45Hello.
00:45:46Hello.
00:45:47Hello.
00:45:48Hello.
00:45:49Hello.
00:45:50Hello.
00:45:51Hello.
00:45:52Hello.
00:45:53Hello.
00:45:54Hello.
00:45:55Hello.
00:45:56Hello.
00:45:57Hello.
00:45:58Hello.
00:45:59Hello.
00:46:00Hello.
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00:48:37Hello.
00:48:38Epic Fail!
00:48:39Nice song!
00:48:40Montgomery.
00:48:41청덩 랲에에이 랲에에이
00:48:42Michin, I don't know what she feels about this.
00:48:44She don't know we're all whores and pubic hair.
00:48:45Cod, please.
00:48:49Going out?
00:48:51Yes, I'm going for a long walk.
00:48:53Take Dog with you.
00:48:54Sorry, Poppy, don't know how long I'll be. You take her.
00:48:59You know what's wrong with her, Dog?
00:49:01She's a crazy, mixed-up kid.
00:49:15Get with it! Get with it!
00:49:24Get with it! Get with it!
00:49:32Oh, Jack!
00:49:33Aye, aye, what a number. I'd like a dish of that.
00:49:36Come on, Slick, let's crawl.
00:49:39Get with it!
00:49:40Get with it!
00:49:45Get with it!
00:49:47Get with it!
00:49:59Get with it!
00:50:11Sweetie pie, that's for you.
00:50:14Mummy, how scrummy! Thank you!
00:50:19There, for Dog. Tot and collar.
00:50:21Oh, Dog, isn't it lovely? Say thank you to Mummy.
00:50:25Aunt Bella.
00:50:26A whole chocolate shop you brought me.
00:50:29Chocolate? You mean candy?
00:50:31Sure it's all the same, isn't it?
00:50:32Look for Jan, American Miss.
00:50:34Mmm, I hope she'll like that, Aunt Bella.
00:50:37What's the matter, Poppy?
00:50:39Mummy, what a natty hat.
00:50:40Do you like it?
00:50:41May I try it on?
00:50:42Mm-hmm. Latest thing in New York.
00:50:45Mmm, sends me.
00:50:47Oh, yes, it's not fair enough.
00:50:49Go on, off you go to bed after that.
00:50:51Good night, Mummy.
00:50:52Good night.
00:50:53It was such a surprise seeing you.
00:50:54Well, it was such a surprise seeing you, sweet.
00:50:56Thanks for the dreamy dress.
00:50:57Good night, my darling.
00:51:00Sleep well.
00:51:01Good night.
00:51:02Aunt Bella, how's Jan been?
00:51:04Oh, Aunt Bella, I've got something to tell you.
00:51:06It's very important.
00:51:07Oh, I want to talk to Mummy.
00:51:09It's a secret.
00:51:10Oh, please come and tuck me up.
00:51:11I don't know what's the matter with her.
00:51:13Come on, darling.
00:51:14Good night, darling.
00:51:15Good night, Mummy.
00:51:16Come on, darling.
00:51:17Get a jukebox baby for a dancing doll
00:51:19And you'll be fun shakin' with a battlin' ball
00:51:21Get with it, take a life there, baby
00:51:24Get with it
00:51:26Now you're lock, lock, lockin' to a band that's playin'
00:51:29On a Saturday day, who cares if it's late
00:51:31Get with it, and when you're with it
00:51:33Stay with it, baby, and live it
00:51:36Get with it, get with it, get with it, get with it, get with it
00:51:41Get with it
00:52:00Hi.
00:52:06Hi.
00:52:36Hi.
00:52:55Oh, darling, I can't do it.
00:52:57Oh, you could at least try.
00:52:59Gina's mother's terrific.
00:53:01She can do all sorts of things.
00:53:03She's a dancer, you see.
00:53:04Is all that dancing?
00:53:05Well, not exactly.
00:53:06If you ask me, I...
00:53:07I know, it's potty.
00:53:09You come and try.
00:53:18Oh, hello.
00:53:23Oh, I can't tonight.
00:53:24It's a homecoming party on.
00:53:27It's a horrid thing to say.
00:53:28You know I do.
00:53:32All right.
00:53:33I'll be along.
00:53:36Mummy, I have to go out.
00:53:37Do you mind?
00:53:38Where on earth are you going at this time of night?
00:53:40A friend's house.
00:53:41There's a party on.
00:53:42But do you realize what time it is?
00:53:44It's half past nine.
00:53:45Oh, Jan, don't go.
00:53:46You'll spoil everything.
00:53:47But, Jan, we haven't even cut the cake yet.
00:53:49Jan.
00:53:51We're going to talk things over, aren't we, darling?
00:53:53Well, I'm sorry, Mummy.
00:53:54I have to go.
00:53:55Let's do it tomorrow.
00:54:06Jan.
00:54:07You and I arranged to have a heart-to-heart,
00:54:09so put off your friends.
00:54:10I've been finding out a few things.
00:54:12Such as?
00:54:13Well, about modelling and drama school.
00:54:15But, Mother, you know quite well you can't afford...
00:54:17Yes, but, darling, now, don't you worry about that.
00:54:19I'm going to manage the money.
00:54:20I'm afraid I'm not interested.
00:54:22Not interested?
00:54:23No.
00:54:24Oh, but you said you hated the college.
00:54:26It's all so boring.
00:54:27It's so boring.
00:54:28It's so boring.
00:54:29It's so boring.
00:54:30It's so boring.
00:54:31It's so boring.
00:54:32It's so boring.
00:54:33It's so boring.
00:54:34It's all so boring and dreary.
00:54:36I've changed my mind.
00:54:37Really?
00:54:38Jan, I just don't understand you.
00:54:40No, you don't.
00:54:42If you did, you'd understand.
00:54:43I want to lead my own life.
00:54:44I want to come and go as I choose.
00:54:46I'm so frustrated I could scream.
00:54:48Frustrated?
00:54:50Please excuse me.
00:54:51My friends are waiting.
00:54:53Jan, we are going to have our talk together.
00:54:55There's nothing to talk about.
00:54:56I'll finish my classes, get a job and share a flat with a friend.
00:54:59Then you'll be rid of your problem, child.
00:55:01I must go.
00:55:02Jan, you are not going out.
00:55:04And the sooner you find out about your friend Tony Ward Black, the better.
00:55:07Mother, you're being melodramatic.
00:55:10Melodramatic, am I?
00:55:13For once, you're right.
00:55:19Open that door!
00:55:20Let me out!
00:55:26Open that door!
00:55:27Let me out!
00:55:28Let me out!
00:55:31Open the door!
00:55:32Let me out!
00:55:36Hugh?
00:55:38Hugh, I must see you tonight.
00:55:40I'm so angry with Jan.
00:55:42No, no, no, don't come here.
00:55:45Yes, yes.
00:55:46Just as soon as you can make it.
00:55:48Right.
00:55:49Why is she like this?
00:55:50Why does she resent me?
00:55:52Where have I failed?
00:55:53No, you mustn't think that, Val.
00:55:56No, you haven't failed.
00:55:58You're her mother, that's all.
00:56:00She's growing up and she still resents the feeling of dependence that she can't yet get out of.
00:56:06Yes, but I didn't feel that way about my mother.
00:56:09Didn't you?
00:56:11I bet you did.
00:56:13You may not have shown it.
00:56:15I mean, you weren't so outspoken or so brutal as the young people are today.
00:56:19Brutal?
00:56:20Yes, they are brutal.
00:56:21Oh, well, if you'd been born at the beginning of a war, reared through a blitz,
00:56:26and always had the bad joke of the H-bomb with you,
00:56:29might you have been brutal and perhaps a little cynical?
00:56:33I wish I could be so understanding.
00:56:36Aye.
00:56:40What about taking her away?
00:56:42And how about her dead killer?
00:56:44Oh, Hugh.
00:56:46Makes all the difference.
00:56:49I say,
00:56:51this may not be the right moment and I'm probably sticking my neck right out,
00:56:56but I could help you with Jan.
00:56:59And I adore you.
00:57:01Will you marry me?
00:57:04No, don't answer now.
00:57:06I'll pick you up in the morning and drive you to the office.
00:57:09If you say it's okay, darling, we'll ask Jan.
00:57:21Okay.
00:57:51What do you have?
00:57:52An orange one.
00:57:53No, not for me, thanks.
00:57:54Come on, sweetie, let's dance.
00:57:57What do you have?
00:57:58What are you having?
00:58:00Scotch.
00:58:01I'll have scotch.
00:58:07What's wrong?
00:58:09I had a terrible row with Mother.
00:58:13About me.
00:58:15So what?
00:58:17I don't know.
00:58:19About me.
00:58:21Sort of.
00:58:23She said something about you.
00:58:24The sooner you find out about your friend, Ward Black, the better.
00:58:28How do you do?
00:58:30Jan, I've heard it all before.
00:58:36Listen, you might as well know.
00:58:40My name isn't Ward Black, I'm Tony Ward.
00:58:44The Debs delight.
00:58:45Tony.
00:58:48And until I met you, anything went.
00:58:52Have you ever done anything really wrong?
00:58:59Probably mixed up.
00:59:04But I think I'm in love for the first time.
00:59:08With you.
00:59:15I love you, too.
00:59:18I love you, too.
00:59:35Have you seen this check before?
00:59:38And what are you going to do about it?
00:59:42What are you going to do about it?
00:59:43Well, we're not going to sue you if that's what you think.
00:59:45Really?
00:59:47Listen, sonny boy, if you know what's good for you,
00:59:49have that money in the bank before three o'clock tomorrow.
00:59:52Because most probably they'll find you in the river.
00:59:54Understand?
01:00:16Give me a scotch.
01:00:17Two scotches.
01:00:18No, I don't want one.
01:00:22Do you want to tell me?
01:00:27It's money, isn't it?
01:00:32How much was the check for?
01:00:34Forty pounds.
01:00:38Can't you sell the Bentley?
01:00:41It's not mine.
01:00:43I've got some money.
01:00:47Why not?
01:00:48Why not?
01:00:49I love you.
01:00:50You can pay me back sometime.
01:00:54It's in the post office.
01:00:57Jan, I don't know what to say.
01:01:00Say anything.
01:01:02Can you get it by tomorrow?
01:01:05I don't know what to say.
01:01:07Say anything.
01:01:09Can you get it by tomorrow?
01:01:11I don't know.
01:01:12It takes three days.
01:01:14What if you go to the head office?
01:01:17Right.
01:01:19You meet me outside the college and I'll have my savings book with me.
01:01:26Jan.
01:01:36Wait here, I'll go and tell him.
01:01:51Come on, let's get with it.
01:01:53No, thank you.
01:01:54Come on.
01:02:06Johnny!
01:02:36Get up!
01:02:41Pack it up!
01:02:42Pack it up!
01:02:44Okay, get with it!
01:02:46Get with it! Come on!
01:02:48Tony!
01:02:51Tony, your hat!
01:02:53Come on, Tony, let's get going.
01:02:54Come on.
01:02:55Come on.
01:02:56Come on.
01:03:07Get with it!
01:03:09Get with it!
01:03:37I suppose you know what time it is.
01:03:40No, but it's late.
01:03:42Is that all you've got to say?
01:03:44What do you want me to say?
01:03:46I could never have believed that you would behave like this.
01:03:49Like what?
01:03:51Oh, Jan, don't.
01:03:53I'm sorry.
01:03:55I'm sorry.
01:03:57I'm sorry.
01:03:59I'm sorry.
01:04:01I'm sorry.
01:04:03I'm sorry.
01:04:05Oh, Jan, don't.
01:04:07You come home at dawn and pretend that you've done nothing wrong.
01:04:10And if I had, whose fault is it?
01:04:12You don't approve of my friends.
01:04:15Where have you been?
01:04:17I told you you wouldn't believe me, so what's the point in telling you?
01:04:21Oh, I know what you're thinking, and I've been for weeks.
01:04:23Well, it's none of it true, none of this stuff.
01:04:25I can't bear it.
01:04:27You and I just don't seem to understand each other anymore.
01:04:31How can we get out of this muddle?
01:04:34I don't know, and I couldn't care less.
01:04:39I couldn't care more.
01:04:45Oh, don't look at me like that.
01:04:47I didn't ask to be born.
01:05:05Oh.
01:05:16Oh, Mommy.
01:05:20I'm sorry, Mommy.
01:05:22I don't understand.
01:05:23I don't understand myself.
01:05:25I love you, Mommy.
01:05:27I love you.
01:05:28Oh, Jan, I love you.
01:05:30Don't cry, my baby.
01:05:35Oh.
01:05:37Jan, would you like to sleep in here tonight?
01:05:40No, Mommy.
01:05:42I'll be all right now.
01:05:44I'll get you some hot milk.
01:05:45No, don't.
01:05:47I couldn't drink it.
01:05:50Oh, Jan.
01:05:52Good night, Mom.
01:05:54Good night, my darling.
01:05:55Forgive me.
01:06:25There, dog.
01:06:27That's all you're getting.
01:06:33You look a bit washed out.
01:06:34Oh, shut up.
01:06:36Shall I get you some breakfast?
01:06:37No, thanks. I don't want any.
01:06:38Just some black coffee.
01:06:40Where's Mommy?
01:06:41She's having coffee in her room.
01:06:42She's got a bad headache.
01:06:44Oh, I'll take her to her.
01:06:48Bye, Jan.
01:06:49Bye.
01:06:50Stay, dog.
01:06:51Hello.
01:06:55Hello, Bobby.
01:06:56Hello.
01:06:57How are you?
01:06:58Fine. How are you?
01:06:59Fine.
01:07:00That's fine.
01:07:04Good morning.
01:07:05Good morning.
01:07:06My name's Matt.
01:07:07I'm Aunt Bella.
01:07:08Won't you have some coffee?
01:07:09I'll take it in to you.
01:07:10Thank you.
01:07:13Good morning, Mom.
01:07:15Well, I hope you don't feel as terrible as I look.
01:07:18I'm fine.
01:07:19I didn't get a wink of sleep, but I couldn't care less, darling,
01:07:21because we're back where we belong, aren't we?
01:07:25Now, listen.
01:07:26I'm going to ring the office and tell them I won't be until after lunch,
01:07:28and you'll confirm Miss Bennett,
01:07:29and we'll take Dog and have a long walk over the heath
01:07:31and get everything straightened out.
01:07:33I must go to college this morning.
01:07:35Oh, one morning won't matter. I'll phone if you like.
01:07:37No, Mommy, I must go. I really must.
01:07:39Well, if you feel so strongly about it.
01:07:41Let's go out for dinner tonight.
01:07:43Yes.
01:07:49Can I have my savings book?
01:07:51Savings book?
01:07:53Oh, don't worry about that, Jan. I'll let you have some money.
01:07:55I don't want your money.
01:07:56Oh, why not?
01:07:57I want my savings book. Please let me have it. I'm late already.
01:08:00Jan, it's all right. I can let you have it.
01:08:01I want my savings book. It's my own, isn't it?
01:08:04Yes, of course it's your own.
01:08:07I'll get it for you.
01:08:12Jan, why do you want it?
01:08:14Why do you ask?
01:08:16Because I'm scared for you.
01:08:18Darling, what is it? Tell me why you want it.
01:08:21I can't tell you.
01:08:22I won't let you hear it.
01:08:23All right, then keep it!
01:08:25Jan.
01:08:26Why do you look at me like that? I haven't done anything wrong.
01:08:28Why are you always so suspicious?
01:08:31Oh, I hate you! I hate you!
01:08:33Jan!
01:08:46Jan! Jan! Jan!
01:08:52I'm sorry.
01:08:54I feel so ashamed.
01:08:56Oh, my dear.
01:08:58You could have seen her face.
01:09:00She said she hated me.
01:09:02Oh, my dear Val, she was upset.
01:09:05I've never seen anyone so upset. She didn't mean it.
01:09:08She meant it, all right. She wanted her savings book.
01:09:10I wouldn't let her have it.
01:09:11She didn't get in till four this morning.
01:09:13Four?
01:09:14She managed to get out of her room.
01:09:16Oh, what am I to do?
01:09:18My dear, as soon as we're married, I can probably help you.
01:09:21We could set up a new home in the country.
01:09:23No, it's no good.
01:09:25We never have a minute's peace.
01:09:27I've been thinking too much about myself and my own future.
01:09:30Val!
01:09:32Are you trying to tell me that you won't marry me?
01:09:35Don't you see, Hugh, I've got to get closer to Jan to be more with her.
01:09:39We could wait until she's married and settle down.
01:09:42She never gets married and never settles down.
01:09:44Heaven knows I understand your problems, but I believe you're barking up the wrong tree.
01:09:49Maybe, but I've just got to try and do something.
01:09:55No, Hugh, it's no good.
01:09:58It's no good. I just can't go through with it.
01:10:03Well, that's how you feel about it.
01:10:09I say it's late. Are you going to the office? Can I give you a lift?
01:10:13No, I'll walk to the station. I need some air to clear my head.
01:10:18All right.
01:10:23Bye, Val.
01:10:27Bye.
01:10:44Are you ill, Janet?
01:10:46No, Miss Bennet.
01:10:47You seem half asleep this morning.
01:10:51Just look at your work.
01:10:53If you don't concentrate, I shall have to talk to your mother about you.
01:10:56You're just wasting our time.
01:11:16Hello, honey.
01:11:17How's your hand?
01:11:19It's OK. It's got some stitches in it. You'd better drive.
01:11:27You know I hate taking your money, don't you, Janet?
01:11:31It's only for a few days. I've got some coming.
01:11:34Tony, I couldn't get my savings book.
01:11:37But you knew I had to have it.
01:11:39I know, but you wouldn't let me have it.
01:11:42Sorry, Tony.
01:11:44It's all right.
01:11:46I know. I'll try and...
01:11:48No, no, wait a minute.
01:11:50Think.
01:11:52But it'll have to be Aunt Louisa.
01:11:54These are wretched black cards.
01:12:02Hello?
01:12:08Oh.
01:12:09Is that the cheque I cashed for him last month?
01:12:14Seems to be a habit.
01:12:16I don't know.
01:12:18Is that the cheque I cashed for him last month?
01:12:21Seems to be a habit.
01:12:24Well, thank you very much.
01:12:26Very kind of you.
01:12:30Scamp.
01:12:41Here goes.
01:12:44Tony.
01:12:45Good luck.
01:12:48Thank you.
01:13:10Aunt Louisa?
01:13:11No, what do you want?
01:13:14I want to see you.
01:13:15Nonsense.
01:13:17Some men don't come to see women of my age unless they want something.
01:13:19Out with it, though.
01:13:22I wondered if you could lend me some money.
01:13:24How much?
01:13:26Only 40 pounds.
01:13:29Only 40?
01:13:31Yes, I owe it to a very decent chap.
01:13:33I wouldn't like to let him down.
01:13:34Very laudable.
01:13:35I can let you have a cheque, post-dated, first of the month.
01:13:37I see.
01:13:39You know, you're a nice boy, Tony. That's what you are.
01:13:41A nice, kind, thoughtful boy.
01:13:44You're a nice, kind, thoughtful aunt.
01:13:47My bank manager's been on the phone to me
01:13:49about that cheque I cashed for you last month.
01:13:52I don't need to look at your face to know that you know what happened to it.
01:13:55But Aunt Louisa, you...
01:13:57You're rotten to the core, Anthony Ward.
01:13:59And a disgrace to the family.
01:14:01Now get out. I don't want to see your face again.
01:14:03I'm sorry about that cheque, Aunt Louisa.
01:14:06But I must have the money.
01:14:08Oh, or else you'll be in trouble, eh?
01:14:10Real trouble.
01:14:13You'll be in all the papers.
01:14:14Won't be the first time.
01:14:16I tell you, I've got to have the money.
01:14:18I've no intention of letting you have it.
01:14:21Oh, you'd try that, would you?
01:14:24Get out.
01:14:46Aunt Louisa?
01:14:55Aunt Louisa?
01:15:14Aunt Louisa?
01:15:16Aunt Louisa?
01:15:28Aunt Louisa?
01:15:46Aunt Louisa?
01:15:47Tony!
01:16:15Tony, what's happened?
01:16:16Get us out of here. I'm in dead trouble.
01:16:17Where do you want to go?
01:16:18Come on, move, will you? Move!
01:16:26You see?
01:16:27Three, two, six-o.
01:16:29Huh?
01:16:44Come on, Sandy. Go find your mom.
01:16:52Sandy's had a lovely run.
01:16:54And I've done all the shopping.
01:16:57Oh, and I saw Master Tony in his car as I came in.
01:17:00He seemed very excited.
01:17:05Miss Louisa!
01:17:07Miss Louisa!
01:17:14What happened?
01:17:16Must have had a heart attack.
01:17:19Just dropped out of the chair.
01:17:22I didn't touch her. I didn't.
01:17:24Is she dead?
01:17:26I don't know.
01:17:28I don't know.
01:17:31We must get to Don's. We can see we were with him.
01:17:35Mr. Police, get moving!
01:17:37But I can't, the lights!
01:17:38Shoot them!
01:17:57Well, then, miss, what's all this about?
01:17:59You don't have a 50 miles an hour, you know.
01:18:00Oh, was I?
01:18:01Yes.
01:18:02I'm sorry, officer, the speedometer's not working.
01:18:05May I see your license, miss?
01:18:06I haven't got one.
01:18:08You haven't got a license?
01:18:09Well, you see, I'm just teaching her how to drive.
01:18:11I see.
01:18:12Doing 50 miles an hour in a built-up area with no license.
01:18:15He's teaching you bad habits. You'd better watch out.
01:18:17Attention.
01:18:18Call to custody.
01:18:19I'm sorry, officer.
01:18:20I'm sorry.
01:18:21I'm sorry.
01:18:22I'm sorry.
01:18:23I'm sorry.
01:18:24Watch out.
01:18:25Attention.
01:18:26Call to car UC 3260.
01:18:28Open Black and Green Bentley, which left White House, Chelsea Row five minutes ago,
01:18:32driven by young girl.
01:18:33Male passenger, from I.R.
01:18:35Over.
01:18:36Car 15.
01:18:37Horse guys parade.
01:18:38We're holding them.
01:18:39Over.
01:18:45That's a bit of luck.
01:18:46That's a perfect alibi.
01:18:54We'd better get out. Come along with us.
01:18:56What for?
01:18:57You just left the White House, Chelsea Rose.
01:18:59Don't! You must listen to me! It's my fault, don't count me!
01:19:03Anthony Ward, Black.
01:19:05Shall we settle for Anthony Ward and skip the Black?
01:19:08Still at 16 Alexander Mansions, SW1.
01:19:14Your name?
01:19:16Janet Garth.
01:19:19Address?
01:19:2117 Heathrow, Highgate Village.
01:19:25How old are you?
01:19:2717.
01:19:29When?
01:19:31February.
01:19:33I thought you'd reformed, young fellow.
01:19:35But it's not his fault! If I'd got my post...
01:19:38I've already warned you that anything you say will be taken down...
01:19:41Will you listen to me? It's his fault!
01:19:44Hello.
01:19:49I want to see a solicitor.
01:19:51Well, that can be arranged.
01:19:53I'd better let your mother know. Where is she?
01:19:56Holborn...
01:19:58432.
01:20:02Get me Holborn, 4321.
01:20:13Holborn, 4321.
01:20:17Mrs Carr.
01:20:22Oh, can't we find some new ideas?
01:20:25I mean, must we always have this old stuff?
01:20:30Hello?
01:20:33Oh, yes, put them through.
01:20:38This is Mrs Carr.
01:20:41What?
01:20:43Yes, but what is it?
01:20:46All right, I'll come immediately.
01:20:49Anne.
01:20:54Anne, ring Mr Meridieu.
01:20:56Ask him to meet me at Bow Street Police Court immediately. It's very urgent.
01:20:59It isn't! Hurry, Anne.
01:21:05Get me Mrs Carr's solicitor, Mr Meridieu, at once.
01:21:08It's urgent.
01:21:21Mrs Carr, sir.
01:21:23Mr Meridieu, where is she?
01:21:25You're detained here.
01:21:26Can't I see her?
01:21:27I've arranged that. She'll be here in a few minutes.
01:21:29Tell me what has happened.
01:21:31My dear, you must be prepared for a shock.
01:21:33An old lady has been found dead. I hope the charge is only one of manslaughter.
01:21:36Manslaughter? Oh, God.
01:21:38Mrs Carr, I shall ask for it, but I'm pretty certain they won't allow her bail.
01:21:43Oh, darling.
01:21:46Don't come near me. Don't come near me. It's all your fault!
01:21:49My fault? Yes, why wouldn't you let me have my babies?
01:21:52Because it's mine! It is mine!
01:21:54Jan, I'm here to help you.
01:21:56Well, I don't want your help!
01:21:58Just stay away! Oh, keep away! Oh, keep away! I hate you!
01:22:01Take me away from her! Keep away! Oh, keep away! I hate you! Keep away!
01:22:07She didn't realise what she was saying.
01:22:12Where will they take her?
01:22:14Holloway Jail.
01:22:16Holloway Jail.
01:22:32And finally, a memo to the staff of Teenage.
01:22:36I should like to congratulate all concerned upon the amazing success of the new venture.
01:22:40Full stop. Full stop.
01:22:43During the first period, the circulation has gone up by leaps and bounds.
01:22:48Sir Jameson? Yes, what's the matter?
01:22:51I'm so sorry, but have you seen the evening paper?
01:22:54No.
01:22:58Oh, good Lord.
01:23:00Is Mrs Carr in?
01:23:02No, her office is empty. She left rather hurriedly round about lunchtime.
01:23:05Take this down for me, would you please? Yes.
01:23:07And I'd like it set round by hand. Yes.
01:23:09My dear Mrs Carr. Start again.
01:23:11My dear Valerie.
01:23:14I am most terribly sorry.
01:23:16Listen, Valerie. Jan needs you now as she has never needed you before.
01:23:21So come on. Drink up this milk now and take a couple of these.
01:23:25And get into bed and get some sleep.
01:23:27Don't worry about me, Aunt Bella. It's Jan.
01:23:31That poor child.
01:23:33She can't possibly have had anything to do with it.
01:23:36Can she, Aunt Bella? Of course not.
01:23:39Come on, into bed now, and I'll turn out the lights.
01:23:42You dare not turn out the light.
01:23:44If I do, I shall see her face again.
01:23:47No.
01:23:49No, not Jan. Not my Jan.
01:23:51It was someone looking at me with hatred in her eyes.
01:23:57Just shouting at me.
01:23:59It's your fault. It's all your fault.
01:24:03Aunt Bella, when she needs me now more than I can do not tell.
01:24:08My poor child.
01:24:12Listen to me, Val.
01:24:14Did you get in touch with him at all?
01:24:17He's gone away.
01:24:19The continent.
01:24:24I'll pray hard for you.
01:24:26Good night, my love.
01:24:28Good night, Aunt Bella.
01:24:32Good night.
01:25:02THE END
01:25:33THE END
01:25:44Mommy!
01:25:46Mommy! Mommy!
01:25:58Over.
01:26:01Come on, puppy. Breakfast.
01:26:03Okay. I could eat a horse. Good.
01:26:13Come on, dog.
01:26:15Oh, you silly dog. I threw a stick, not a paper.
01:26:31It will be all right, won't it, dog?
01:26:34It must be. It must be.
01:26:38If anything happens to Jan, Mommy will die.
01:27:00THE END
01:27:17Maiden.
01:27:19Just down there.
01:27:30Hello.
01:27:33It's lovely to see you.
01:27:37How are you feeling?
01:27:39All right.
01:27:41Sorry about the things I said to you.
01:27:43I didn't know what I was doing.
01:27:45I know, darling.
01:27:48Did you sleep?
01:27:50Not much.
01:27:52Well, are you eating?
01:27:54Well, it's not like Aunt Bella's cooking.
01:27:56Give her my love.
01:27:58She sent you hers, and she sent you some food.
01:28:01I've brought you a change of clothing.
01:28:03They wouldn't let me bring it.
01:28:05Well, you'll find it in your room.
01:28:09Thank you.
01:28:13My puppet's with Mark.
01:28:15Is Dog there, too?
01:28:17Dog always loves the country.
01:28:19Do you remember when we...
01:28:25Won't belong now, darling.
01:28:27When?
01:28:28Next Wednesday.
01:28:30Wednesday.
01:28:35Charity!
01:28:44But with regard to the evidence,
01:28:47I am satisfied there was no intent to kill
01:28:50or do grievous bodily harm to this defenseless old lady.
01:28:54The charge must therefore be reduced to manslaughter.
01:28:59There is ample evidence to send the prisoner, Ward, for trial.
01:29:04But before doing so, I would like to say,
01:29:07without prejudice to his case,
01:29:09which has yet to be heard and determined
01:29:12by a judge and jury of the Central Criminal Court,
01:29:15how tragic it is to see a young girl in such a terrible situation,
01:29:20charged and put in a dock on a grave offense.
01:29:25There are certain aspects of the evidence
01:29:28which might make one conceivably suppose the girl
01:29:31was fully aware of what her companion intended to do
01:29:35when he went to his aunt's house.
01:29:50The charge against you, Ward,
01:29:52is that you unlawfully killed Mrs. Louisa Black
01:29:55at Chelsea Row on the 13th instant
01:29:58and so committed the felony of manslaughter.
01:30:01And you must take your trial at the next sessions
01:30:04at the Central Criminal Court.
01:30:12In my view, there is no evidence to justify
01:30:15my committing you, Janet Carr, for trial.
01:30:18So you are discharged. You may leave the dock.
01:30:27Don't leave the court. Please sit down. Over there.
01:30:32I have some observations to make about this case.
01:30:39Are this girl's parents living?
01:30:41Her mother's, sir. She's in court.
01:30:43Ask her to step forward.
01:30:45Mrs. Carr, will you step forward, please?
01:30:54Mrs. Carr, the evidence we have heard in this court
01:30:58discloses serious moral delinquency
01:31:00on the part of your daughter.
01:31:03This state of affairs is often attributable
01:31:06to lack of parental control and guidance.
01:31:10Had your daughter been a few months younger,
01:31:13a court might have had to consider
01:31:15whether you had exercised proper care
01:31:18and guardianship over her
01:31:20and whether your daughter needed protection.
01:31:23She could have been taken away from you
01:31:25and sent to an approved school
01:31:27or committed to the care of someone
01:31:30who was a fit person to take care of her.
01:31:34I trust this hearing will have a lasting effect
01:31:37upon your daughter's behavior in the future
01:31:40and also upon you, her mother,
01:31:43with whom the responsibility for her friendships
01:31:46and moral welfare rests.
01:31:49No! No!
01:31:51I'm not doing...
01:31:54It's not her fault. It's mine.
01:31:57It's all mine.
01:32:00Mrs. Carr, you better take your daughter home.
01:32:03Next case.
01:32:10Oh, dear.
01:32:26Oh, Jan, Jan, my poor little child.
01:32:29Aunt Bella.
01:32:31Will you go ahead and get things ready?
01:32:33Yes.
01:32:34Aunt Bella.
01:32:41I'll get a taxi.
01:32:46Isn't there a side entrance?
01:32:48There's only the main entrance, sir.
01:32:50So that mob.
01:32:51You'll have to face them.
01:32:52They're like a lot of monkeys at the zoo.
01:32:56I could have kicked myself for being away
01:32:58just when you needed me.
01:32:59So glad you're back.
01:33:01I'll ring you tonight?
01:33:03Pikett Village.
01:33:12Pop it!
01:33:14Pop it!
01:33:16Pop it!
01:33:18Pop it!
01:33:20Pop it!
01:33:22Pop it!
01:33:24Pop it! Pop it! Pop it!
01:33:27Pop it! Pop it!
01:33:30Come on, Pop it, hurry up. We're off.
01:33:32Where?
01:33:33I'm taking you home to see your mother and Jan.
01:33:34Is Jan home?
01:33:35Yes, of course she is.
01:33:36Come on, hurry up.
01:33:37I'll get the station maiden out.
01:33:39Don't! Don't! Don't!
01:33:41Jan, help!
01:33:46Don't cry, Aunt Bella. It's all over now.
01:33:49Oh, thanks be to God, it is.
01:33:52Where's Pop it?
01:33:53Well, she's still with Mark, darling.
01:33:54She doesn't know anything.
01:33:58Aunt Bella, if that's the press,
01:33:59tell them she's in bed.
01:34:00She mustn't be disturbed.
01:34:04Jan!
01:34:06Oh, Jan!
01:34:08I was so scared.
01:34:10Pop it, you knew?
01:34:11Yes, all the time, practically.
01:34:13Of course, I had to pretend not to.
01:34:15Oh, Pop it.
01:34:19Hello, Jan.
01:34:21Hello, Mark.
01:34:23I thought I'd bring you these.
01:34:26Oh, thank you.
01:34:29If you want to rest,
01:34:30I hope you'll come and stay after the farm.
01:34:32That's very kind of you.
01:34:35Well, bye, Jan.
01:34:38Bye, Mark.
01:34:39Bye, Mrs Carr.
01:34:40Goodbye, Mark. Thank you so much.
01:34:43Bye, Pop it.
01:34:44Bye, Mark.
01:34:51Thanks awfully.
01:34:52Bye, Pop it.
01:34:58Now, nice hot bath.
01:35:01Oh, yes, nice hot bath.
01:35:07I'll bring you up something to eat, Jan.
01:35:09I'm sure you're hungry enough to eat a Knox.
01:35:11Well, I think we'll starve the scrambled eggs, Aunt Bella.
01:35:13All right.
01:35:14Can Doug and I come up when Jan's in bed?
01:35:16Yes, all right, darling, I'll call you.
01:35:18Good luck.
01:35:22Good luck.
01:35:30I'll run your bath.
01:35:31Mummy.
01:35:35I don't know what to say.
01:35:37Don't say anything, darling.
01:35:39The only thing that matters is that my Jan is back.
01:35:46Oh, Mummy.
01:35:48We mustn't ever lose each other again.
01:35:50No, Jan, never.
01:35:52Swear?
01:35:54I swear.
01:35:56Oh, Mummy.
01:36:00Darling, I know what we'll do.
01:36:02We'll go away to the country for a few days.
01:36:08Perhaps we could go down and see Mark.
01:36:10And find out why those battery heads of his never touch the ground.
01:36:20THE END