Malaki ang problema ni Armando sa kanyang erectile dysfunction, kaya naisip ni doc dalin ito sa club pero ba't parang may mali? #BubbleGang #BubbleGangFullEpisode
(Episode aired on May 16, 2003)
(Episode aired on May 16, 2003)
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00:00♪♪
00:10♪♪
00:20♪♪
00:26What are you doing?
00:28Nothing, nothing. It's just a good time.
00:30♪♪
00:33Yeah, yeah.
00:34It's ringing. Let me answer it.
00:36Hello?
00:40Hello?
00:41Mariana?
00:43This is Betoy.
00:46I have bad news for you.
00:48What is it?
00:50Carlos Miguel and his son, Cecilia, are missing.
00:55What?
00:56Aren't they in Bataan?
00:58Bataan?
00:59You mean kidnapped?
01:02Yes, they're in Bataan.
01:03Kidnapped. Kidnapped in Bataan.
01:05♪♪
01:09Yes, I have bad news for you.
01:12Yes.
01:13Sorry, sorry.
01:15Okay.
01:16Bye.
01:17What did he say?
01:19He's scared.
01:22Sir, you said they're kidnapped.
01:24What if they're really kidnapped?
01:26He doesn't want to talk.
01:28Why would they be kidnapped?
01:34Hello?
01:35Ms. Victoria?
01:38Why do you look so sad?
01:40I have bad news for you.
01:43What is it?
01:44Carlos Miguel and Cecilia are missing.
01:48Aren't they in Bataan?
01:50Yes, they are.
01:51But the kids came up with an idea.
01:55They went sailing.
01:57But they didn't come back.
02:01What they found was their cell phone.
02:04Carlos Miguel is missing.
02:09I think Olga is responsible for this.
02:13Okay, bye.
02:17You look pale.
02:20What's wrong?
02:21No number?
02:39Good for you.
02:40Are we in class 4?
02:47Why?
02:48Because my classmates have a new car.
02:51They're abroad.
02:52We're not.
02:56Do they have this?
02:57Airborne.
03:01Or this?
03:02Jollibee.
03:06Or this?
03:07This is new.
03:08Sunday.
03:09Wow!
03:11New Celesta Sundays.
03:13Is there a zero?
03:16Do they have this?
03:21Great!
03:46Hey!
03:53Hey!
04:03Hey!
04:06Hey!
04:07Hey!
04:08Hey!
04:09Hey!
04:10Hey!
04:11Hey!
04:12Hey!
04:13Hey!
04:14Hey!
04:15Hey!
04:42Hey!
04:43..$4.99
04:44..$10.99
04:45...$7.99
04:45..$8.99
04:46...$9.99
04:47..$10.99
04:47...$11.99
04:48...$13.99
04:49...$14.99
04:49..$15.99
04:50Mr. Sara, this is for you.
04:52Where do you live?
04:53Optimus is in Alabang.
04:55Alabang?
04:56Yes.
04:57That's far.
04:58I'll just pay P300.
05:00P300?
05:02I only have P180.
05:06Fine, sure, but you'll drive.
05:09I don't know what you got, but it's going to be a good life.
05:17I don't want to ride anymore because I'm going home.
05:19I know you're going home, that's why I'm going to ride.
05:22We'll be neighbors, remember? Are you okay?
05:28Angelina, baby, please.
05:30Leave baby, be mine.
05:32It was only 12 years ago,
05:34and that was the first time that I fell in love.
05:38I'm yours, Angelina.
05:42I hope it's okay.
05:46Ma'am, Ma'am, Ma'am.
05:51Yes?
05:52Paranaque.
05:54Paranaque?
05:55Ma'am, there's no passenger coming back.
05:57I'm having a hard time.
05:58I'll double your fare.
06:00Huh?
06:01You mean I'll only ride one way, but I'll pay for two ways?
06:06If you don't mind, you can ride back.
06:22Are you Makati?
06:23Yes.
06:24One thousand, one thousand.
06:26Huh?
06:27That's too expensive.
06:28That's Paranaque's hold-up.
06:31Give me all your money.
06:32Give me all your money.
06:56How much is it?
06:57It's only Kubao.
06:58Kubao?
06:59How many are you?
07:00My children and I.
07:02Kubao?
07:03I'm single.
07:04It's two hundred.
07:05It's okay.
07:06Okay, I'll call my children.
07:08My children, come here.
07:10Let's go.
07:23Ma'am, Ma'am, Ma'am.
07:24Please come back.
07:25Come back?
07:26Come back?
07:27It's dangerous.
07:28Are you alone?
07:29Why?
07:30Aren't you coming with us?
07:32Oh, my God.
07:55Are you going to Timog?
07:57Yes, sir.
07:58How much is the plug-down?
08:00Twenty-five pesos, sir.
08:01How much is the twenty-five pesos?
08:03The twenty-five pesos, sir.
08:05You can see the flyover there, sir.
08:07Overpass, sir.
08:08It's up to there, sir.
08:09Up to there.
08:10How much is the next plug-down?
08:12It's only three pesos.
08:13Three pesos.
08:14Let's do this.
08:15Yes.
08:16Let's meet at the flyover.
08:18I'll pay you three pesos.
08:21Ma'am, Ma'am.
08:23Ma'am.
08:25Ma'am, this is Megamall.
08:27Megamall?
08:28Yes.
08:29How far is it?
08:30About five hundred?
08:31This is so close to Cubang.
08:34Five hundred?
08:35We're about to cross the small main streets.
08:39Why don't we cross over to Edsa, so we can get straight there?
08:42We're going to pass through small streets and side streets.
08:47Why don't we just go straight to EDSA?
08:50I might see you there. My wife might see you.
08:59Fill that up.
09:01Let's go forward.
09:07Why?
09:09Because my classmates have a new car.
09:12They're going abroad.
09:14We're not.
09:17Do they have this?
09:19Hair cool.
09:22This?
09:27This?
09:28This is new.
09:29Sunday.
09:30Wow!
09:32New Celesta Sunday.
09:35Is there a movie?
09:36Is there a movie like that?
09:39Movie?
09:41I thought you're our maid.
09:43Because Inday looks rich.
09:48That's your father's fault.
09:50Inday is the one who spends the most.
09:52That's why we're always short of money.
10:06That's good.
10:08That's good.
10:10That's good for the family.
10:14The plan is a Hollywood movie.
10:18You're the only one who will be in the movie.
10:22That's good.
10:24That's good.
10:26That's good.
10:28That's good.
10:30That's good.
10:32That's good.
10:33Si Dinabe, si Dinabe naun siyami
10:38Di na tuloy ang Hollywood movie
10:42Si Dinabe dinabili
10:45Si Dinabe ay parang kinabi
10:58Okay lang na mahawaan ng sakit ang ibang tao
11:01Basta hindi mo ito sinasadya
11:14Good evening, ako si Irma
11:17Ako ang nag-volunteer para sa therapeutic session natin
11:22Para sa phobia
11:26Ako mismo merong phobia
11:29At ang kinakatakutan kong
11:32Ay pagka nakakarinig ako ng sumisigaw
11:35A kaya please walang sisigaw
11:38At dapat din mapagusapan natin kung ano ang inyong phobia
11:43Kaya sabihin niyo sa akin kung ano ang inyong phobia para tayong lahat ay magkatulungan
11:52Mabuti naman na hindi mo kami tinanong
11:56Bakit?
12:00May phobia ako sa tanong
12:03May phobia ako sa tanong
12:05May phobia ako sa tanong
12:12Okay, alas, sige
12:14Tandaan niyo hawang wala nang sisigaw
12:18At tsaka walang magtatanong
12:21Ikawasin natin yan kung mayroong gusto magtanong
12:25Huwag patanong ang pagsasalita
12:29I have a phobia of apologizing.
12:33I don't like it when someone apologizes to me.
12:37I'm afraid of that.
12:38I don't like it when someone asks for forgiveness.
12:41I don't like it.
12:42It's good that you told us that.
12:45We know that no one will apologize.
12:49You don't like that.
12:52What about you?
12:54I don't like complete silence.
12:57I'm afraid of complete silence.
13:01I don't like it.
13:04That's right.
13:05So, let's not talk.
13:08Let's not talk.
13:11Let's not be silent.
13:13Let's not shout.
13:14Let's not ask for forgiveness.
13:16Let's not apologize.
13:18Let's relax our level.
13:21Let's remember that.
13:25Excuse me.
13:26I'm a little late.
13:29Sorry.
13:31Let's not shout.
13:38Let's not shout.
13:41Let's not ask.
13:42Let's not ask.
13:44Let's not ask.
13:49Let's not apologize.
13:50Let's not shout.
13:56I have a phobia of asking questions.
13:58I have a phobia of apologizing.
14:02Let's not shout.
14:03Everyone has a phobia.
14:04Everyone has a phobia.
14:06He can't ask questions.
14:09He can't ask questions.
14:12He can't apologize.
14:14He can't shout.
14:17We can't do that.
14:19Tell us what your phobia is.
14:26Let's not shout.
14:27Let's not ask.
14:28Let's not apologize.
14:29Let's apologise.
14:32Let's not shout.
14:34Let's not shout.
14:40Let's not shout.
14:42Let's not shout.
14:44Can you hear me?
14:45Let's not shout.
14:46Let's not shout.
14:51We can't hold it.
14:53Why did you jump?
14:56Why did you jump?
14:58Why did you jump?
15:00I don't know!
15:07I don't know!
15:09Sorry!
15:14Why are you here?
15:16I don't know!
15:23I
15:53Find your boss
16:24May I help you, sir?
16:27Yes, of course. I have to go to a dance later.
16:31A dance?
16:32Yes, our mayor is having a disco.
16:35A disco?
16:36Yes, later. I still have time. I'm looking for a comfortable chair.
16:41Oh, is that so?
16:44Maybe this one.
16:45This size fits you.
16:48Is this okay?
16:50I'm not sure what kind of dance this is.
16:55What kind of dance, sir?
16:57What kind of dance would fit here?
16:58Well, if it's like this, it's a bit like this.
17:03There.
17:06Okay, that fits here.
17:07Yes, that's it.
17:09That's it.
17:10It's a bit old.
17:12Maybe this one.
17:15That's leather.
17:17Yes, that's it.
17:19What kind of dance would fit here?
17:20Well, it's a bit like this.
17:25Okay, that's it.
17:27That's it.
17:28It's too brusque.
17:29It's too brusque.
17:31This one, this one. It's a bit modern.
17:34Yes, it's a bit modern.
17:37You'll like this one.
17:39There's a dance for you there.
17:41It's simple.
17:42Really?
17:43It's like this.
17:48That's it.
17:49It's a bit like this.
17:51That's it.
17:54That's it.
17:55So that's how it is.
17:56It depends on the width of the fabric.
17:59You got the point.
18:00It depends on the width and the color of the fabric.
18:04You know, we talked about the color.
18:07This is the one that will suit you.
18:09Look at this.
18:10It has a lot of colors.
18:11Yes.
18:13It's different.
18:14No, it's not.
18:15It's embarrassing.
18:16What kind of dance do you want?
18:17What kind of dance do you want?
18:18What kind of dance will suit here?
18:20That one?
18:21Yes.
18:22Like this.
18:25One more?
18:26One more.
18:28It's like...
18:30That's it.
18:31You know, there's an album.
18:32I want to dance.
18:34I want to dance.
18:35Did I wear this?
18:37That's how it will happen.
18:38Really?
18:39That's how it will dance.
18:40Okay.
18:41It's good.
18:42I'll measure it.
18:43Okay.
18:44Okay, good luck, sir.
18:47My job is hard.
18:51I'll dance.
18:58I'll wear this.
18:59I'll dance.
19:01Sir, look at this.
19:02It suits you.
19:03Champion.
19:04You won.
19:05It's beautiful.
19:08I'll dance.
19:09You can dance, sir.
19:10You saw me earlier, right?
19:11Yes.
19:12Can I try this?
19:13Try it, sir.
19:14Try it, sir.
19:15Go ahead.
19:25It's like...
19:28It's like...
19:29It's like wrong.
19:30Sir, sir, sir.
19:31Why is the movement like upside down?
19:32It's like...
19:35Why?
19:37It's wrong.
19:38You know, sir?
19:39Yes.
19:40Do you know why it's upside down?
19:41Why is it upside down?
19:42How did you wear it upside down?
19:43It's because the zipper is on the back.
19:53What's that?
19:54Sir, are we poor?
20:01Yes, son.
20:02We're just poor.
20:03We don't have anything to teach you, sir.
20:05We'll just give you food.
20:10Food?
20:11Yes.
20:14Just join with the bubble gang.
20:18Join with the bubble gang.
20:25When you wake up in the middle of the night,
20:27it's already night.
20:36Doc.
20:37Good evening.
20:38Good evening.
20:39I'm Armando.
20:40Armando.
20:41I was expecting you.
20:43My friend recommended you to me.
20:47He said you can help me.
20:49I heard you're one of the best psychiatrists here in the Philippines.
20:52You know, you know.
20:53A lot of people will say that.
20:54But there are a lot of good people here.
20:56But let's not talk about me.
20:58Let's talk about you.
20:59What's your problem?
21:01That's why I'm here, Doc.
21:06Let me tell you.
21:08Everything here is confidential.
21:10Yes, Doc.
21:11Thank you, thank you.
21:12I've been having this problem for a long time, Doc.
21:16It's about cooking for myself.
21:18For me.
21:19It's about my masculinity, Doc.
21:20It's about your masculinity?
21:21Yes.
21:22That's it, Doc.
21:23I don't feel like I'm a real man.
21:26I don't have...
21:27Ah, okay.
21:28I've handled a lot of cases like that.
21:30You know, you're a member of the third sex.
21:33You're homosexual.
21:34And you don't know how to reveal it to your peers.
21:37No, no.
21:38No, Doc.
21:39What are you thinking?
21:41You're not homosexual?
21:42No, I'm a man.
21:43That's what I'm making sure of, Doc.
21:45Okay.
21:46A hundred percent.
21:47I'm a real man.
21:48That's why I'm curious about my problem here.
21:50Because I don't feel the sexual drive of a normal man.
21:55I don't have that.
21:56I don't have...
21:57Arouse.
21:58You're not aroused?
21:59Yes, Doc.
22:00Even if there's a sexy woman in front of me.
22:02You know, even if I'm standing on a stick.
22:04I don't have that, Doc.
22:05What is this?
22:06Is this normal, Doc?
22:07How can I handle this?
22:08Erectile dysfunction.
22:10That's when you don't feel the sexual drive of a normal man.
22:16Okay, okay, okay.
22:17Don't worry, Armando.
22:19Because this problem is very easy.
22:21More than ten of my patients have this problem.
22:25Like this?
22:26Yes.
22:27And all of them have been solved.
22:28I've treated them.
22:29Huh?
22:30Okay, Doc.
22:31There's only one way.
22:32There's only one thing we're going to do.
22:33It's just the first step.
22:34And the problem will be solved right away.
22:35Like that, Doc?
22:36What is this?
22:37There's no hypnotism.
22:38There's no hypnotism.
22:39We'll go later tonight.
22:41Later on, after this session, we'll go to Thunder X.
22:45What's that?
22:46Thunder X is a club, a bar in Quezon Avenue.
22:49Bar?
22:50And I'll introduce you to their superstar dancer,
22:54Aria Giovanni.
22:57Aria Giovanni?
22:58Yes.
22:59I'm telling you, all of them have been cured.
23:02So, I'm sure that if you go there first thing in the evening,
23:06you'll be cured by Aria.
23:08I'll be cured.
23:09Are you sure?
23:10Doc, who is this dancer?
23:11She's a superstar dancer here at Thunder X.
23:15Here's my card.
23:16Let's meet there.
23:18Let us leave now.
23:19And when you're there, call me, okay?
23:21Aria Giovanni.
23:22Aria Giovanni.
23:23I'll introduce you to her.
23:24Yes, let's go.
23:25Let's go to Thunder X.
23:28Okay.
23:34Here you go.
23:44Miss, have you noticed anyone here looking for me?
23:50No.
23:51It's been a while.
23:52The show should have started by now.
23:56Ladies and gentlemen,
23:58please welcome the sex symbol, Aria Giovanni.
24:28Aria Giovanni.
24:29Aria Giovanni.
24:30Aria Giovanni.
24:31Aria Giovanni.
24:32Aria Giovanni.
24:33Aria Giovanni.
24:34Aria Giovanni.
24:35Aria Giovanni.
24:36Aria Giovanni.
24:37Aria Giovanni.
24:38Aria Giovanni.
24:39Aria Giovanni.
24:40Aria Giovanni.
24:41Aria Giovanni.
24:42Aria Giovanni.
24:43Aria Giovanni.
24:44Aria Giovanni.
24:45Aria Giovanni.
24:46Aria Giovanni.
24:47Aria Giovanni.
24:48Aria Giovanni.
24:49Aria Giovanni.
24:50Aria Giovanni.
24:51Aria Giovanni.
24:52Aria Giovanni.
24:53Aria Giovanni.
24:54Aria Giovanni.
24:55Aria Giovanni.
24:56Aria Giovanni.
24:57Aria Giovanni.
24:58Aria Giovanni.
24:59Aria Giovanni.
25:00Aria Giovanni.
25:01No, next time, don't suggest something
25:06whatever, right?
25:09You don't have to do anything. You just have to wait for the patient to arrive.
25:13Don't worry.
25:15Aaron, come with me.
25:17Just wait here.
25:21I'm your patient earlier.
25:28Doc?
25:31Armando?
25:32Armando?
25:33Armando?
25:45What can I do for you?
25:47What's the problem?
25:49I don't feel the sexual need of a normal man anymore.
25:57I don't feel what I should feel when I see a beautiful and sexy woman.
26:07I don't know her anymore.
26:09I don't have a drive anymore.
26:11I don't have a day.
26:13I don't know her anymore.
26:15I don't have a husband.
26:17I don't have anything.
26:18I don't have anything, Doc.
26:19I don't have anything.
26:20I'm a sex pedo.
26:21I don't have anything.
26:28I don't have anything.
26:34A person who has a clean conscience has a weak memory.
26:43What's that?
26:44Are we in class 4?
26:51Why?
26:52Because my classmates have a new car.
26:55Because they're abroad.
26:57We're not.
27:01Do they have an airplane?
27:06Do they have an airplane?
27:11My mommy.
27:12Daddy.
27:26If you have everything, where will you put all of this?
27:40Good evening, everyone.
27:42And welcome to our show.
27:44Tonight, we'll be joined by a famous anthropologist.
27:49Professor Tadeus Balik.
27:56Good day to you.
27:58Good day.
27:59Good day to you, too, Professor Tadeus Balik.
28:03You can call me Tad Balik.
28:06Tad Balik.
28:08Yes.
28:09Tad Balik.
28:10Tad Balik.
28:12Professor, during the break,
28:15you told me that you have a new discovery
28:18while you were on an expedition in the Davao jungle.
28:22Yes, yes.
28:23Well, that's true, Hermie.
28:24Well, within a year, I was in Davao
28:28and I was just doing research.
28:30And my research was fruitful
28:32because I discovered a new species of animal.
28:37A new species of animal?
28:39What kind of animal?
28:42A new species of animal?
28:44What kind of animal is this?
28:45Well, we're all familiar with the Kwan, right?
28:48The monkey-eating eagle.
28:50Monkey-eating eagle.
28:51Ah, this is the eagle that eats monkeys, right?
28:54Correct, correct.
28:55Oh, yes, yes, I know this.
28:56Well, what I discovered is this monkey-eating eagle eating monkey.
29:02Ah.
29:04Monkey-eating eagle eating monkey.
29:08So, this is also an eagle?
29:10No, no, no.
29:11This is a monkey.
29:12This is a monkey.
29:13But what it only eats is the monkey-eating eagle.
29:20Do you have a picture of a monkey-eating eagle eating monkey?
29:25What you can see is that.
29:28That's the monkey-eating eagle eating monkey.
29:31Why does it look like it's just an ordinary eagle?
29:36Well, it looks ordinary,
29:38but it has a big difference from other eagles.
29:41Because this monkey-eating eagle eating monkey,
29:45it only eats the monkey-eating eagle.
29:48That's all.
29:49That's its speciality.
29:52Wait a minute.
29:53Isn't the monkey-eating eagle, it has a high wing?
29:58How does it catch it?
30:00It has a technique.
30:02What the monkey-eating eagle monkey does is,
30:05the monkey-eating eagle first floats on the ordinary monkey.
30:08It floats.
30:09Then, it invites the eagle.
30:11And when it's on the eagle,
30:13and it sees the monkey-eating eagle,
30:16it will catch it and eat it.
30:18And while the monkey-eating eagle eats the monkey,
30:21the monkey-eating eagle eats the monkey.
30:24Professor, that's smart.
30:26That's really smart.
30:29That's a different species.
30:30That's really a different species.
30:32That's that species.
30:33Now, the monkey-eating eagle eating monkey,
30:38Professor, how does it catch the monkey-eating eagle eating monkey?
30:43Well, it's easy.
30:44All you have to do is get a banana.
30:47This banana is for the ordinary monkey.
30:50When you leave the banana and the monkey eats it,
30:53it will eat the monkey-eating eagle.
30:56When the monkey-eating eagle eats it,
30:58the monkey-eating eagle eating monkey will suddenly appear.
31:01It will eat the monkey-eating eagle.
31:02Then, you can catch it.
31:04That's really simple.
31:06Yes, but let's remember that we should feed the ordinary monkey.
31:11Because if you feed the ordinary monkey,
31:14and you feed the monkey-eating eagle eating monkey,
31:16when the monkey-eating eagle eats it,
31:17it will fight with the monkey-eating eagle eating monkey.
31:19It won't let it eat the monkey-eating eagle.
31:21That's why it's a bit complicated,
31:24even though it's a bit simple.
31:27I think it's confusing.
31:29Can you repeat what you just said?
31:31Well...
31:32Never mind.
31:36Professor, I know that the monkey-eating eagle is an endangered species.
31:40That's true.
31:41It's almost extinct.
31:42That's true.
31:43But because of that monkey-eating eagle eating monkey,
31:46it will be more extinct.
31:48Well, that's true.
31:49I'm a bit saddened by that fact.
31:52But I don't think it will last long
31:55because I discovered another species of animal
31:59that can balance and eat the monkey-eating eagle eating monkey.
32:05You discovered it?
32:07Yes.
32:08What kind of animal is it?
32:09Well, here it is.
32:13What is it?
32:15This is what we call the monkey-eating eagle eating monkey,
32:19eating donkey.
32:22Is that it?
32:23Yes.
32:24Donkey.
32:25You can really see the nature of it.
32:27It's really balancing.
32:29Yes, that's true.
32:30The monkey-eating eagle eating monkey eating donkey
32:35is eating the monkey-eating eagle eating monkey.
32:38It's like a tongue twister.
32:42Yes, a bit.
32:43But it's good because we learned a lot.
32:45You can see it.
32:46Monkey-eating eagle eating monkey eating donkey.
32:50Monkey-eating eagle eating monkey eating donkey.
32:54Before we say goodbye, Professor,
32:56maybe you can tell your fans what your next projects will be.
33:02Well, I'm going to Sorsogon.
33:05Later this day, I'm going to Sorsogon
33:08because I discovered another species
33:11that can eat the monkey-eating eagle eating monkey eating donkey.
33:16Is that real?
33:17Yes.
33:18What is it?
33:19It's an eagle.
33:21It's called monkey-eating eagle eating monkey eating donkey,
33:25eating eagle.
33:28So watch out.
33:29It's real.
33:30I'm going to bring pictures of it.
33:33That's very exciting.
33:35I'm not going to try to pronounce the hype.
33:40But thank you very much, Professor.
33:44Until you come back,
33:45please bring the pictures of that monkey.
33:49Well, I hope you're happy with our program today.
33:53See you again.
33:54This is Hermie.
33:55Hermie.
34:03Don't hesitate to consult with a health worker
34:06if you have symptoms that you have feelings for them.
34:11A public service from Bubblegum.
34:16Here, ma'am.
34:17Ta.
34:18Are we poor?
34:24Don't worry, son.
34:26Honey.
34:30From now on, your mommy is new.
35:16Bubblegum!
35:33Ma, ma, ma, ma, ma, ma.
35:36How much do I have to pay you?
35:38Until Bulacan?
35:39Bulacan, my bill is 500.
35:42500?
35:43Yes, 500.
35:44It's too expensive.
35:45Can I use your subway?
35:46No, ma'am.
35:47It's more expensive.
35:48My subway has a fee.
35:56Balenzuela.
35:59Balenzuela.
36:00Yes.
36:01How much do you have to pay me when you get home?
36:04Why don't you ask me how much I have to pay you?
36:06Just use the subway.
36:14That's the subway, son.
36:45Let's go.
36:47There's a lot of people.
36:48I'm almost there.
36:50What's going on here?
36:52I don't want to ride.
36:54Why don't you want to ride?
36:56You're choosing a passenger.
36:57No.
36:58There are a lot of taxis here.
37:00He's not riding.
37:01He's forcing me to ride.
37:03Why are you forcing me to ride?
37:06Because I'm choosing a handsome driver.
37:15Ma'am.
37:16Ma'am.
37:17Ortigas.
37:18Ortigas.
37:19You can ride someone else.
37:21I'm waiting for someone.
37:22May I?
37:23You know what?
37:24You're just choosing a passenger.
37:26If you don't let me ride,
37:28I'll report you to the police.
37:30No, ma'am.
37:31See?
37:33Hey.
37:34I'm looking for a passenger.
37:36It's a big tip.
37:44You know what?
37:45When you look at me,
37:47I feel like I'm going to melt.
37:49I hope you don't come back.
37:51I'm going to fall.
37:56Wait, wait, wait.
37:58You saw me stop the taxi.
38:00You're ahead of me.
38:01Ma'am, you didn't stop me.
38:03You're so fat.
38:05Who are you to stop this taxi?
38:08Ma'am, my husband is the driver.
38:10Hey, sweetheart.
38:11Did he force you to ride?
38:13You're ahead of me.
38:14You're so fat.
38:15You're so fat.
38:16Let's go.
38:17No, I'm not.
38:18You're so fast.
38:20Oh, no.
38:22You're so fat.
38:23Wait.
38:27Taxi, taxi.
38:31Ma'am, to Munoz.
38:32Munoz?
38:33Yes.
38:34Let's just pay 300 pesos.
38:36What? 300 pesos?
38:37It's too expensive to pay.
38:39If he's going to pay,
38:40you can't do that.
38:41Is it expensive?
38:42Okay.
38:43I'll just pay a little bit more
38:45for him to like me.
38:46So?
39:12Where are we going, ma'am?
39:13We're going to Cubao.
39:14Cubao?
39:15There's a problem.
39:16My subway is broken.
39:17If you want,
39:18you can just hire me.
39:19I don't want to.
39:22Here, I'll let you borrow my subway.
39:31Ma'am, Cubao only.
39:33No, no.
39:34I'm leaving.
39:35Okay.
39:37Boss.
39:38SM.
39:39Okay, get in.
39:40Okay.
39:42Ma'am, wait.
39:43You said you're leaving.
39:44Why did you let him ride?
39:45I'll report you.
39:46You're asking for a passenger.
39:48What do you know
39:49who I want to ride with?
39:50You don't even know me.
39:51Get out of here.
39:54I'm going to eat.
40:01Here.
40:02Let's go.
40:03Are we four?
40:09Why?
40:10Because my classmate
40:12has a new car.
40:13They're abroad.
40:14We're not.
40:18Do they have this?
40:19Aircon.
40:23This.
40:24Jollex.
40:28This.
40:29It's new.
40:30Sunday.
40:31Wow.
40:33New Celesta Sunday.
40:36Is it broken?
40:37Yes.
40:38My mom has one like that.
40:43Okay.
40:59Just come for an ultrasound
41:01and then
41:02we'll go from there.
41:04Okay.
41:05Okay.
41:06Tuesday.
41:07Okay.
41:09Hello.
41:10Good morning, Mr.
41:11This is
41:13Nela Cruz.
41:14Nela Cruz.
41:15Hello.
41:16How are you?
41:17What can I do for you?
41:19Well, Doc.
41:21My wife and I
41:22want to have a baby.
41:24We're from her hometown.
41:28She doesn't have a problem.
41:30But
41:31we don't have a baby yet.
41:33So I thought
41:35I might be different.
41:37So
41:38we came here
41:39to introduce you
41:40to our friend
41:41Mr. Cosme.
41:43Excuse me.
41:44You know,
41:45these procedures are normal.
41:47Well,
41:48if I were you,
41:49here,
41:50use this.
41:51We need to know
41:52your sperm count.
41:54Sperm count?
41:55Yes.
41:56Okay.
41:58So
41:59use this.
42:00Just put it there.
42:01Okay.
42:04Can I accompany him?
42:06Of course.
42:07Anything to
42:08help your husband.
42:10Wait a minute.
42:11Nurse
42:12Betty.
42:13Can you accompany them
42:15to the room?
42:17Okay.
42:18Okay.
42:19I'll see you later.
42:43Okay?
42:44Yes.
42:45Just a minute.
42:46Thanks.
42:48I think
42:49Mr. De La Cruz
42:50has been waiting for a long time.
42:54Oh,
42:55here you are.
42:57You're sweating.
43:03Mr. De La Cruz,
43:05there's nothing inside.
43:07Yes, Doc.
43:08It looks hopeless.
43:10We tried everything.
43:11But there's nothing.
43:12It's hopeless.
43:13First,
43:14I tried using my right hand.
43:15Yes.
43:16My right hand is numb.
43:17Yes.
43:18Then, my left hand
43:19is twitching.
43:20Look.
43:21I tried using my left hand.
43:22It's hopeless.
43:23You have a lot of cases.
43:25Didn't you use a lubricant?
43:27Yes, we used it.
43:28We ran out of it.
43:29It's hopeless.
43:30Your nurse gave it to us.
43:31There's nothing.
43:32Even the lenses
43:33we used.
43:34It's not successful.
43:37Mrs.,
43:38didn't you help your husband?
43:40Yes, I helped him.
43:41Look.
43:42My hand is twitching.
43:44My arm is numb.
43:47He tried to bite it.
43:49He bit it.
43:50There's nothing.
43:51It's hopeless.
43:52You have a lot of cases.
43:53Yes.
43:54It's hopeless.
43:55There's nothing.
43:56What did your nurse say?
43:57She said,
43:58I helped him.
43:59What?
44:00You helped him?
44:02Yes.
44:04There's nothing.
44:05It's hopeless, Doc.
44:06You know,
44:07they're talking to each other.
44:08When he's busy,
44:09she's busy.
44:10Then in the afternoon...
44:11What?
44:12They're talking to each other?
44:13Yes.
44:14The three of us are holding hands.
44:15There's nothing.
44:16The three of you are holding hands?
44:17Yes.
44:18It's hopeless.
44:21What do you mean?
44:22Your wife helped you?
44:26And then?
44:27With the nurse?
44:28Yes.
44:29They're a team.
44:30Nothing happened?
44:31There's nothing.
44:32It's hopeless.
44:33It's a bit...
44:36It's because...
44:37Next time,
44:38don't buy this kind of container.
44:40The three of us
44:41haven't opened it yet.
44:42Look,
44:43our hands are already
44:44touching the container.
44:53You can see what you're looking for
44:54in the last place
44:55that you're looking at.
44:58Come on.
44:59Faster, girls.
45:02Faster.
45:03Okay.
45:06Girls,
45:07do you know
45:08why I brought you here?
45:11To the pool
45:12for your voice lessons.
45:14Sir,
45:15so that our voices
45:16can be powerful.
45:17Very.
45:18Good.
45:19You know,
45:20the three of us
45:21are holding hands.
45:22There's nothing.
45:23It's hopeless.
45:24It's hopeless.
45:25It's hopeless.
45:26You know,
45:27our reigning songbird
45:28for today,
45:29Regine Velasquez,
45:30that's how she trained.
45:31Yes.
45:33The water is here.
45:34Okay.
45:35So that you can feel
45:36the pressure in your chest.
45:37So that there's more.
45:38That's right.
45:39And the pressure
45:40will give you the power
45:42for your laughs.
45:43Before that,
45:44I want to hear first,
45:46the vocalization.
45:50Ready, go.
45:53That's good.
45:54There.
45:55You don't have a tone.
45:56Let's dive into the water.
45:57I'm happy.
45:59Huh?
46:00Yes, ready.
46:01Let's dive into the water.
46:02Hurry.
46:03Let's see.
46:04You really don't have
46:05any...
46:06You're just yawning.
46:07You haven't gotten it yet.
46:08You're not getting it yet.
46:10Pressure.
46:11Pressure.
46:12Pressure.
46:13Pressure.
46:14Hurry.
46:15Practical.
46:16Huh?
46:17Do you feel the pressure?
46:19Huh?
46:20Yes, it's deep, sir.
46:21Is it deep?
46:22Yes.
46:23Hey, it's not that deep.
46:25Look.
46:26Huh?
46:27Sir.
46:28Sir.
46:29It's deep.
46:30Okay.
46:31Okay.
46:32Leo.
46:33Leo.
46:34Leo.
46:35Leo.
46:36Leo.
46:37Leo.
46:38Leo.
46:39Leo.
46:40Leo.
46:41Leo.
46:42You don't have a tone.
46:43How are you going to
46:44improve your laugh power?
46:45You don't have a tone.
46:46You.
46:47You.
46:48Ready, and go.
46:49Leo.
46:50Leo.
46:51Leo.
46:53Leo.
46:54Leo.
46:55Leo.
46:56Leo.
46:57Leo.
46:58Leo.
46:59Leo.
47:00Leo.
47:01Leo.
47:02Leo.
47:03Leo.
47:04Leo.
47:05Leo.
47:06Leo.
47:07Leo.
47:08Leo.
47:09Leo.
47:10Sir.
47:11You're women.
47:12Don't be afraid.
47:13They won't get it, okay?
47:14Ready, and go.
47:15Leo.
47:16Leo.
47:17Leo.
47:18Leo.
47:19Leo.
47:20Leo.
47:21We're going to get a perfect.
47:30Mia-ho-ho.
47:32Mia-ho-ho.
47:34Mia-ho-ho.
47:37Mia-ho-ho.
47:40Mia-ho-ho.
47:43Sir, you told us not to stop because we don't know the performance of this song.
47:52Okay, again.
47:53Mio!
47:56I can't do it.
47:58Mio!
48:05A person with big fingers,
48:07also has a big mouth.
48:13With a bubble gun.
48:19With a bubble gun.
48:29Let's go.
48:31Taxi, taxi.
48:33I'll hire one of you.
48:35My wife is pregnant.
48:37No problem.
48:38Do you want a contract or we'll use the metro?
48:40What's the difference between a contract and a taxi?
48:42I'll hire one of you.
48:48Let's go.
48:58I'll pay for this.
49:00This is P500?
49:01Yes.
49:02P500 only?
49:03This is not enough for my boundary.
49:06This is too much.
49:07Why is it only P500?
49:10Miss, wait.
49:11Why are you letting that driver bully you?
49:14If I were you, I'll report that driver.
49:17That's it.
49:18I already gave him P500 and you're still complaining?
49:22P500?
49:23Where did you get it?
49:24Just there, in Baguio.
49:26In Baguio?
49:27In Baguio?
49:31Let's go.
49:34Boss, let's go to the nearest place.
49:38Hey, Sukie.
49:39I didn't know you're the one from before.
49:41I'm not.
49:42Are you crazy?
49:44Wait.
49:45What are you talking about?
49:46We just met.
49:47I don't know you.
49:48You're not my friend.
49:50I don't want to be with you.
49:56Let's go.
49:58Hey, girl.
49:59♪
50:06So picky.
50:08♪
50:13♪
50:41♪
50:46♪
50:59♪
51:03♪