#movie #englishmovie #film #thriller #crime
ROBBERY | Full Movie in English | Hollywood Action Thriller Crime Movie 2024
The film "ROBBERY " tells the story of musician Gram Parsons, who died of an overdose in the desert in 1973. His close friends, including his road manager, decide to fulfill his last wish - to cremate his body in Joshua Tree National Park. A dangerous journey begins, during which they encounter criminal elements, the police, and their own internal conflicts.
Their mission becomes a test of friendship, loyalty, and belief in dreams. Amidst tension, unpredictable circumstances, and moral dilemmas, the characters reveal their true values and ability to make decisions in critical situations. This story prompts viewers to reflect on the importance of friendship, loyalty, and life values, showing that even in the darkest moments, a glimmer of hope and dedication to one's ideals can be trinianpal72 found.
Director - David Caffrey
Writers - Jeremy Drysdale, David Caffrey
Stars - Johnny Knoxville, Christina Applegate, Marley Shelton
Action, Crime, Thriller
ROBBERY | Full Movie in English | Hollywood Action Thriller Crime Movie 2024
The film "ROBBERY " tells the story of musician Gram Parsons, who died of an overdose in the desert in 1973. His close friends, including his road manager, decide to fulfill his last wish - to cremate his body in Joshua Tree National Park. A dangerous journey begins, during which they encounter criminal elements, the police, and their own internal conflicts.
Their mission becomes a test of friendship, loyalty, and belief in dreams. Amidst tension, unpredictable circumstances, and moral dilemmas, the characters reveal their true values and ability to make decisions in critical situations. This story prompts viewers to reflect on the importance of friendship, loyalty, and life values, showing that even in the darkest moments, a glimmer of hope and dedication to one's ideals can be trinianpal72 found.
Director - David Caffrey
Writers - Jeremy Drysdale, David Caffrey
Stars - Johnny Knoxville, Christina Applegate, Marley Shelton
Action, Crime, Thriller
Category
🎥
Short filmTranscript
00:00:00Good evening and welcome to tonight's show.
00:00:23We are delighted to have with us here a very talented musician and singer.
00:00:28You're probably familiar with his work with the Flying Burrito Brothers and the Birds.
00:00:32He has just returned to our shores having played with none other than the Rolling Stones.
00:00:36Ladies and gentlemen, Graham Parsons.
00:00:39I hate to tell you how he acted when the news arrived.
00:00:52He took some friends out drinking, and it's lucky they survived.
00:01:06Oh, they told him everything.
00:01:11There was a tale there along the way.
00:01:19And he felt so bad when he saw the traces of old lies still on their faces.
00:01:31So why don't someone here just spike his drink?
00:01:36Why don't you do him in some old way?
00:01:44It's supposed to be a funeral.
00:01:49It's been a bad, bad day.
00:02:14No! No!
00:02:29What?
00:02:31He's dead. God, he's dead.
00:02:35Hold on. Tell me who's dead.
00:02:38Parsons. Graham Parsons.
00:02:43Are you sure he's dead?
00:02:46Yeah, he's really dead.
00:02:49Listen, call an ambulance and then get out of there.
00:02:52Where are you?
00:02:53Down to Atrean, room 8.
00:03:02And another flight burns out in the desert.
00:03:05Graham Parsons, the standard bearer of the new country music movement, is dead following an overdose of drugs.
00:03:12While many of America's young people are today in mourning,
00:03:15their parents will view this as another example of how today's drug culture can so easily claim a life.
00:03:23He was so beautiful.
00:03:26And he understood what my heart was feeling.
00:03:30I'll never laugh again.
00:03:34My inner joy has gone.
00:03:38He sang country music in a way that had never been sung before.
00:03:41It was country rock, although Graham hated that term.
00:03:44And I think it's fair to say that when Graham died, he died stark.
00:03:53We'll leave you with a young man's own words.
00:03:56Graham Parsons wrote a song called In My Hour of Darkness, which contains these words.
00:04:03And you are?
00:04:05I'm his road manager.
00:04:07Oh, I see.
00:04:09His road manager.
00:04:10Yeah.
00:04:11So you're not his physician or a close relative?
00:04:13No.
00:04:14Mr. Parsons is awaiting a post-mortem.
00:04:16He will then be delivered to his family.
00:04:18I suggest you speak to them if you want to pick through his personal effects.
00:04:22Sir.
00:04:23You listen here.
00:04:24No, you listen here.
00:04:26Mr. Parsons is dead.
00:04:28You listen here.
00:04:29No, you listen here.
00:04:31Mr. Parsons is dead.
00:04:32It no longer appears to need a road manager.
00:04:36Which makes two of us.
00:04:40Hey.
00:04:41Hey.
00:04:58Hey.
00:05:17Hello, buddy.
00:05:19How you been?
00:05:28Good morning, doctor.
00:05:30Good morning.
00:05:34What are you doing?
00:05:36I'm just taking some stiff down in neurology.
00:05:39We don't have a neurology department.
00:05:41Urology.
00:05:42Whoa, whoa.
00:05:43Hold your horses.
00:05:44Let me get my paperwork.
00:05:45I have the paperwork.
00:05:47You have your paperwork.
00:05:48I need to get my paperwork.
00:05:51I need to get my paperwork.
00:05:54I need to get my paperwork.
00:05:58Wait.
00:06:10Graham Parsons was the best friend I ever had.
00:06:14And the greatest musician I ever saw.
00:06:17We loved it out here in Joshua Tree.
00:06:19We made a pact that whoever died first,
00:06:21the other would come out here and set his spirit free.
00:06:25Graham gave his word and I gave my word.
00:06:27I gave him mine.
00:06:57Goddamn, I'm so sorry, baby.
00:07:26Yeah, out of a job again.
00:07:27Never would have happened if you'd been there.
00:07:28How do you know why I wasn't?
00:07:29Well, if you were there, you wouldn't have let him die.
00:07:30I was still on staff.
00:07:31He was still my responsibility.
00:07:32So where you been, anyway?
00:07:33How long this time?
00:07:34Two weeks?
00:07:35Yeah.
00:07:36Let's have this conversation again like you haven't just done six weeks on the road.
00:07:38Yeah, but I usually leave a note.
00:07:39And there's a paycheck involved.
00:07:40I'm sorry.
00:07:41I'm sorry.
00:07:42I'm sorry.
00:07:43I'm sorry.
00:07:44I'm sorry.
00:07:45I'm sorry.
00:07:46I'm sorry.
00:07:47I'm sorry.
00:07:48I'm sorry.
00:07:49I'm sorry.
00:07:50I'm sorry.
00:07:51I'm sorry.
00:07:52I'm sorry.
00:07:53I'm sorry.
00:07:54I'm sorry.
00:07:55I'm sorry.
00:07:56I'm sorry.
00:07:57I'm sorry.
00:07:58I'm sorry.
00:07:59I'm sorry.
00:08:00I'm sorry.
00:08:01I'm sorry.
00:08:02I'm sorry.
00:08:03I'm sorry.
00:08:04I'm sorry.
00:08:05I'm sorry.
00:08:06I'm sorry.
00:08:07I'm sorry.
00:08:08I'm sorry.
00:08:09I'm sorry.
00:08:11Hey, Lady!
00:08:31Barbara, long time no see.
00:08:33Don't try and schmooze me, Kaufman, you repellent slimeball.
00:08:36Oh, is that the latest victim?
00:08:39Me, Barbara.
00:08:42Wow. It's a lot tidier than I remember.
00:08:46Who the hell is she?
00:08:48Graham's ex-girlfriend.
00:08:50Girlfriend? I thought he was married.
00:08:52Welcome to the 70s, sweetheart.
00:08:55What do you want, Barbara?
00:08:57I'm here to fulfill Graham's wishes.
00:08:59That's nice. I have no idea what you're talking about.
00:09:06Do you know what this is?
00:09:08No.
00:09:10It's Graham's will.
00:09:12To whom it may concern, I would like it to be known
00:09:14that it is my wish to leave Barbara Mansfield,
00:09:17my assets and belongings, in the event of my death.
00:09:21Signed, Graham Parsons.
00:09:24That absolutely settles it.
00:09:26I mean, that's the single most impressive legal document
00:09:28since the Magna Carta.
00:09:30Still the Jester Kaufman and still very unfunny.
00:09:34It's not a will, and you know it.
00:09:36Oh, no. It's better than a will, darling.
00:09:39It's a signed promise from Graham
00:09:41to leave me all of his things.
00:09:44Anyway, it's none of your business, okay?
00:09:46I'm here for the guitar.
00:09:48Oh. Okay.
00:09:57There you go.
00:10:01Ah-ha.
00:10:05Look, I don't have the guitar.
00:10:08Gretchen, his wife, took it about six months ago.
00:10:13Fine.
00:10:16Then I want the master's.
00:10:18I'll get it myself. Thank you.
00:10:20Hey!
00:10:32Maybe you want to check the cookie jar, too.
00:10:37Why'd you let her in?
00:10:39It's all part of the grieving process.
00:10:42Do me a favor, sweetheart.
00:10:44Will you go grab the guitar?
00:10:46Where are you going?
00:10:48I have to make a call.
00:10:51Afternoon.
00:10:53Joshua Tree Obsequies.
00:10:55Obse-what?
00:10:57It's Latin. It means burial.
00:10:59Graham Parsons was shipped in to you yesterday.
00:11:01Is he still with you?
00:11:03Yes, he was here.
00:11:05It was a real thrill for us here.
00:11:07We're such a small facility.
00:11:09We nearly had Jane Mansfield back in 67,
00:11:12when she passed through,
00:11:14but she was diverted to Frisco.
00:11:16We'd done him up real nice, too,
00:11:19but he's been moved on.
00:11:21Where to?
00:11:23New Orleans.
00:11:25Although he just left,
00:11:27so he's still on the road to Los Angeles Airport.
00:11:29Hello?
00:11:31Hello?
00:11:33Phil?
00:11:45Phil?
00:11:50What you doing?
00:11:52These things aren't that big.
00:11:54Okay.
00:11:56Is that a problem?
00:11:58Not really.
00:12:00So what are you up to?
00:12:02It's best you don't know.
00:12:05All right.
00:12:07Keys.
00:12:09I don't know what this craziness is,
00:12:11but I'm not getting involved.
00:12:13That's the point.
00:12:15I don't know what it is you're planning,
00:12:17but I'm not bailing you out this time.
00:12:19Right.
00:12:21I'm leaving.
00:12:23Again?
00:12:25This time I'm not coming back.
00:12:35I simply can't give you any money
00:12:37based on this piece of paper.
00:12:39Well, this isn't a piece of paper.
00:12:41This is a promise from Graham
00:12:43to give me all of his money.
00:12:45Miss Mansfield, Mr. Parsons is a valued customer of ours.
00:12:48Was?
00:12:50Was.
00:12:52We can't just pass his money across
00:12:54to someone who says they're in his will.
00:12:56We have rules.
00:12:58You don't seem to understand.
00:13:01These are his wishes.
00:13:09Miss Mansfield, I truly understand.
00:13:18You're welcome.
00:13:20Well, then will you please just tell me
00:13:23how I'm supposed to get my money?
00:13:25Well, I imagine you first need to prove
00:13:27that Mr. Parsons is actually dead,
00:13:29as we have no record here.
00:13:32Are you saying that I'm lying?
00:13:34No, no, no, absolutely not.
00:13:36But getting a copy of his death certificate
00:13:38would probably be a good first step.
00:14:13Hey, man.
00:14:17I'm looking for Larry Osterver.
00:14:20Larry Osterver!
00:14:22Larry Osterver!
00:14:24Larry Osterver!
00:14:26Who is this?
00:14:28Who is this?
00:14:30Larry Osterver!
00:14:32Larry Osterver!
00:14:34Larry Osterver!
00:14:36Larry Osterver!
00:14:38Hey, Larry, where are you?
00:14:40I'm Larry Osterberg.
00:14:42Yo!
00:14:43Yo!
00:14:50You Osterberg?
00:14:57Welcome to my home.
00:14:59Nice place.
00:15:01What the hell's that noise?
00:15:03Anomanjari on sitar by Nikio Banerjee.
00:15:07Okay.
00:15:11There's no smoking in here, I'm afraid.
00:15:15Right.
00:15:23Who are you, please?
00:15:25I'm Phil Coffman.
00:15:28And how may I help you, Phil Coffman?
00:15:32I'd like to hire your car.
00:15:35Why?
00:15:37Well, I'm picking someone up at the airport.
00:15:40Don't you know anyone with a car?
00:15:42Yes, I know someone with a car, but I'm told yours is more suitable.
00:15:45Oh.
00:15:47Why is mine more suitable?
00:15:50It's a hearse.
00:15:52Yeah.
00:15:56How is a hearse gonna be more suitable for picking someone up from the airport?
00:16:02It's a joke.
00:16:04A joke?
00:16:05Yeah, a prank, surprise.
00:16:07Oh, okay.
00:16:08Is it $200 worth of surprise?
00:16:11No, no, no.
00:16:12It's more of a $50 surprise.
00:16:15I can lend you a bicycle.
00:16:18Besides, the car is booked.
00:16:20Booked how?
00:16:21I use it to carry equipment for a band.
00:16:25Look, here's 200 bucks to unbook it.
00:16:28Let them carry their own trombones.
00:16:30Trombones?
00:16:34You don't gotta count it. You can trust me.
00:16:37Let's see.
00:16:38Never met you in my life.
00:16:40You shout at me through my window.
00:16:42You want to hire my hearse as a joke.
00:16:44And you're $20 short.
00:16:46Why should I trust you?
00:16:48The last 20's for gas.
00:16:49And besides, I'm the one who's operating on trust.
00:16:51I haven't even seen the car yet.
00:16:52It's a hearse.
00:16:54What else do you need to know?
00:17:01Hey, Bernice.
00:17:09Bernice is a Cadillac Superior Royale
00:17:13Tiara limousine funeral coach.
00:17:16Got a 429 V8 engine,
00:17:19offering 340 bhp at 4,600 revolutions per minute.
00:17:25340 bhp at 4,600 revolutions per minute.
00:17:29You're looking at a 21-foot beauty
00:17:32with a 156-inch wheelbase,
00:17:34containing a four-barrel
00:17:36Rochester Quadrajet carburetor
00:17:38with turbo-hydromatic transmission.
00:17:41Bernice weighs over 6,000 pounds.
00:17:46It's yellow.
00:17:48Yeah, it's yellow. Bernice comes in yellow.
00:17:51It's supposed to be black.
00:17:53But they're all black.
00:17:54That might be my point.
00:17:56So how is a yellow hearse covered with flowers
00:17:59gonna be less of a surprise than a black hearse?
00:18:02Because I paid you $200 for a black hearse.
00:18:05No, you paid me $180 for a hearse,
00:18:07and a hearse is what you got.
00:18:09Take a long, hard look at Bernice,
00:18:11you'll see she's one of a kind.
00:18:13She's big, she's fast,
00:18:15she's beautiful, comfortable.
00:18:18But she's not black.
00:18:20All right. Give me the keys.
00:18:22Why?
00:18:23Because I gotta go.
00:18:25Oh, no, she doesn't go anywhere without me.
00:18:28I'm stuck on the L.A. freeway
00:18:33Got the plain water in my boat
00:18:38I'm stuck on the L.A. freeway
00:18:43Got the plain water in my boat
00:18:48I'm stuck on the L.A. freeway
00:18:53I'm stuck on the L.A. freeway
00:18:58Got the plain water in my boat
00:19:03My thumbs unclosed, can't feel my toes
00:19:06I'm feeling a little destitute
00:19:10Wheels throwing water all over my ax
00:19:13And Mr. Jones won't lend me a hand
00:19:17Up come two cats in a Cadillac
00:19:20I'm stuck on the L.A. freeway
00:19:30Ah, shit.
00:19:31What's the matter?
00:19:33Nothing.
00:19:38Well, what flight are they on?
00:19:40We'll wait here.
00:19:44Okay, well, what time's their flight getting on?
00:19:46Soon.
00:19:49Okay. How soon?
00:19:52Why do you ask so many damn questions?
00:19:54I don't know.
00:20:00Shouldn't we be at arrivals?
00:20:02Will you please shut up asking me stuff?
00:20:05Okay.
00:20:09Okay, okay, okay, yeah.
00:20:13So how long are we gonna wait?
00:20:20Morning.
00:20:23Morning? What do you mean, morning?
00:20:26We'll make the pickup in the morning.
00:20:30Hey!
00:20:37You wait till morning. I'm going home.
00:20:40Hey!
00:20:47You wait till morning. I'm going home.
00:20:50Hey!
00:21:08I'm only back because I don't trust you with Bernice.
00:21:11If you... I don't even know you.
00:21:14And if you think I'm just gonna walk away
00:21:17with your car, you got another thought on the way.
00:21:37Parsons.
00:21:39You've just arrived from New Orleans, Mr. Parsons?
00:21:41Yes.
00:21:43And you're flying directly back to New Orleans
00:21:46on the same plane?
00:21:48That's correct.
00:21:50Well, I hope you enjoyed your stay at Los Angeles Airport, Mr. Parsons.
00:21:55I'm here to pick up my son's body.
00:21:58He died out here, you see, and I'm here to take him home.
00:22:02I'm hoping that's enough information for you.
00:22:05I'm so sorry.
00:22:07We'll see to it that you get every assistance you need on your journey, sir.
00:22:11Most kind.
00:22:35Can I help you?
00:22:37Yeah. I'm here to pick up a coffin.
00:22:39Um, name?
00:22:41Minor the Stiffs.
00:22:43The deceased?
00:22:45What was his name again?
00:22:47Parsons.
00:22:49P-A-R-S-O-N-S.
00:22:52Parsons.
00:22:54Yes.
00:22:56And he's a musician.
00:22:58Was.
00:23:00He was a musician.
00:23:16Phew.
00:23:20Papers?
00:23:22Oh, yeah. They'll be right along.
00:23:24Um, this being a rush job, they said you'd understand.
00:23:30Yeah, well, you better tell them that we got rules.
00:23:39And this would be the exception that proves that particular rule.
00:23:45Well, I'm afraid we can't issue a certificate
00:23:49until we have official notification of death.
00:23:55Well, he's dead.
00:24:01At this current time,
00:24:03the Greater Los Angeles Registrar of Births, Marriages, and Deaths
00:24:08does not regard the local newspaper as an official recorder of record.
00:24:16Ugh!
00:24:20And here's your deceased.
00:24:22Would you pledge?
00:24:24Good luck with her.
00:24:26Yep. That's a she.
00:24:30And yours is supposed to be male?
00:24:32Yeah.
00:24:34Oh.
00:24:36Um...
00:24:40Gone.
00:24:42Gone. What do you mean, gone?
00:24:44Must have got the wrong box.
00:24:46The box is being loaded.
00:24:52How do I get it back?
00:24:58You're a damn thief.
00:25:00Well, that's very hurtful.
00:25:15There I am.
00:25:22Barney, you receiving?
00:25:32What the hell?
00:25:34Excuse me.
00:25:36Why?
00:25:38I gotta get off the plane.
00:25:40I just got settled in.
00:25:43I just got settled in.
00:25:57Excuse me. Is that your hearse?
00:26:00Hearse?
00:26:02Are you okay, boy?
00:26:04Okay. Sure.
00:26:09What you doing here, boy?
00:26:12Shit.
00:26:16Can we speed things up a little?
00:26:18What's your hurry?
00:26:20Just wanna get out to Joshua Tree where it's still light.
00:26:22Joshua Tree? They said New Orleans.
00:26:24What?
00:26:26When you came in, you said you were driving the casket out to New Orleans.
00:26:28But just now, you said you were heading out to Joshua Tree.
00:26:31So...
00:26:33Joshua Tree, yeah.
00:26:35Joshua Tree City, Louisiana.
00:26:37Never heard of that.
00:26:39It's small. It's just another local community struggling to get by.
00:26:45I don't like the look of you.
00:26:47Wherever there's a hippie, there's a crime.
00:26:50Even if that crime hasn't happened yet.
00:26:52That's what I always say.
00:26:54And here we are.
00:26:58Should've told me it was a Berkeley.
00:27:03Hey.
00:27:05I need you to sign for it again.
00:27:10And three more.
00:27:15So what you doing here?
00:27:17We're, uh, meeting someone off a flight.
00:27:20You're meeting someone off of a flight?
00:27:22Yes.
00:27:24In a hearse?
00:27:26Yes. It's a surprise.
00:27:29Which part's the surprise?
00:27:31The fact that you're in a bright yellow hearse?
00:27:33The fact that you look like something out of a horror film?
00:27:37Or the fact that you're a half a mile away from the terminal...
00:27:41and they're gonna have to walk across two runways to reach you?
00:27:47The first part.
00:27:49The first part. Okay.
00:27:51You go ahead and tell me what the hell's going on.
00:27:53I don't care if it is first thing in the morning, but I need a drink.
00:27:55Never signed so many darn bits of paper.
00:27:57To hell with Vietnam.
00:27:59It's paperwork which is slowing this great country down.
00:28:01We're drowning in triplicate.
00:28:03Morning, officer.
00:28:06I was just saying how people with work to do...
00:28:09people like yourself, officer, are engulfed by paper.
00:28:13Grab the end, will you?
00:28:15Doesn't that just drive you crazy?
00:28:17Yeah, I guess it does.
00:28:19One casket, six sheets of paper to sign. Six.
00:28:21That can't be right.
00:28:23Does that sound right to you?
00:28:25Nope. Sure don't.
00:28:27Last thing I want to do is hold you up further with my chatter.
00:28:30You have a good day now, officer.
00:28:32Thanks for your help.
00:28:36Come on, let's go, let's go.
00:28:38Whoa, whoa, whoa, whoa, whoa.
00:28:40Just a moment, boys.
00:28:42Your sidekick here just got finished telling me...
00:28:44about you picking someone up from the terminal.
00:28:46A surprise, he said.
00:28:48And here you are loading a coffin into your vehicle.
00:28:51You see, the gentleman we're meeting at the airport...
00:28:54doesn't yet know about the sad passing of his...
00:28:56aunt.
00:28:58And you're gonna meet him off of his flight with her coffin?
00:29:01Yeah.
00:29:04We're doing it this way for the avoidance of all doubt.
00:29:06That's a real nice touch.
00:29:14The ignition's a bit temperamental.
00:29:16Right.
00:29:18You have to use the screwdriver.
00:29:20I see that.
00:29:22You have a good day now, officer.
00:29:29We did it.
00:29:31We did it.
00:29:33We did it.
00:29:35What was all that babbling about?
00:29:37I didn't babble.
00:29:39Goddamn hippies.
00:29:46You hit the wall.
00:29:48I clipped it. I clipped the wall.
00:29:50There's a gap 50 yards wide.
00:29:52All you gotta do is aim for the gap, and you missed the gap!
00:29:54I was distracted.
00:29:56We are supposed to be picking someone up...
00:29:58and you arrive with a coffin.
00:30:00I just woke up.
00:30:02You on drugs, boy?
00:30:04Hello, officer. Guess they make these hearses wider than they need to.
00:30:07Shut up! You on drugs, boy?
00:30:09Uh, not-not-not at this time.
00:30:11Not at this time? Well, let's see.
00:30:13You just missed a gap of 50 yards, and you hit a wall in broad daylight.
00:30:16Why was that?
00:30:18Well...
00:30:20Well...
00:30:24Wait.
00:30:27Fantastic. Well done.
00:30:29Oh! Yeah, now it's all my fault.
00:30:32You hit the wall! Of course it's your fault!
00:30:35Jesus!
00:30:40Here it comes.
00:30:49Well?
00:30:51Well, what?
00:30:53What are we doing now?
00:30:55He said to wait.
00:31:13Nice going, hippie. Went straight through the gap that time.
00:31:15You got it.
00:31:17Jesus! What now?
00:31:19Get out.
00:31:21What are you talking about?
00:31:23Come on. We gotta keep moving.
00:31:25Get out and take your friend with you.
00:31:27Look, I can see you're a bit sensitive about this whole casket thing.
00:31:30Get out!
00:31:32Stop saying that! I can't get out.
00:31:34Why not?
00:31:36I...
00:31:38Look, man, it ain't right to throw me out into the street with a coffin.
00:31:44Stop.
00:31:46What the hell are you doing?
00:31:48I'm driving back to the mortuary.
00:31:50You can't do that.
00:31:52God damn it. Come on, man. I can explain.
00:31:56Parsons? Parsons.
00:31:58Was he in a Berkeley?
00:32:00What's a Berkeley?
00:32:02A luxury casket of solid mahogany
00:32:04finished with a split-hinged lid,
00:32:06eight brass-plated casket handles
00:32:08and an engraved inscription plate.
00:32:11Empty?
00:32:13Absolutely completely total.
00:32:15It seems awfully heavy for an empty coffin.
00:32:19Well, they're made of the finest poplar,
00:32:21and that's very heavy wood.
00:32:23Poplar?
00:32:25No way.
00:32:27Mahogany or oak.
00:32:29But not poplar.
00:32:31Well, I'm not gonna argue with you over it.
00:32:33Poplar's very well suited into making the coffin.
00:32:39Okay, so why is there an empty coffin in the back of my car?
00:32:44I'm selling them
00:32:46onto a company in Palm Springs.
00:32:48Lots of stiffs, lots of money.
00:32:50And then, of course,
00:32:52they're very environmentally sound.
00:32:54You know.
00:32:57And perhaps under these circumstances,
00:33:01you and I should renegotiate
00:33:03the financial agreement between us.
00:33:05You just gave the body away?
00:33:07Well, it's not like it's a bank.
00:33:10People around here don't generally just take bodies
00:33:12they're not entitled to.
00:33:14Why did you give it to him?
00:33:15Because he signed for it.
00:33:17Who signed for it?
00:33:23John Nobody.
00:33:25John Nobody.
00:33:29And where do I find this John Nobody?
00:33:33There.
00:33:39Hey, wait!
00:33:41Wait!
00:33:43So then Bobby transfers them over into hardboard boxes
00:33:45just prior to cremation,
00:33:47and I drive the caskets over to a guy I know in Palm Springs
00:33:49who resells them.
00:33:51As new?
00:33:52Well, I'm not sure the one careful-owing thing
00:33:54works with coffins.
00:33:56The whole thing is completely immoral.
00:33:58Yeah, well, I saw how upset you were back there
00:34:00when I mentioned money.
00:34:01Just think of it as recycling.
00:34:04Look, I really need to get home.
00:34:06Why?
00:34:08I just do.
00:34:11Well, while I acknowledge the power of your argument,
00:34:14we have someplace we need to be.
00:34:16Just sit back and enjoy the ride.
00:34:22What do you mean that the body was stolen?
00:34:25And who the hell steals a body?
00:34:28Oh, God.
00:34:32Oh, God.
00:34:42Hey!
00:34:44Where's that son of a bitch?
00:34:46Son of a bitch isn't here.
00:34:48Yeah, well, he's stolen Graham.
00:34:50Stolen Graham?
00:34:52Mm-hmm.
00:34:54Yeah, they had some sort of weird pact.
00:34:56I don't know. I think he's taken Graham out to the desert.
00:34:58Why?
00:35:00I don't know.
00:35:02Some voodoo thing with hot wax and dolls to stick pins in.
00:35:06That's ridiculous.
00:35:11That's a wise move, if you ask me.
00:35:15I didn't ask you.
00:35:18So where are the cops?
00:35:20I called them.
00:35:27Supposed to be a funeral in New Orleans.
00:35:29I got to find my son.
00:35:31New Orleans?
00:35:33The man said he was driving the casket to Joshua Tree, Louisiana.
00:35:38Joshua Tree?
00:35:40Won't you scratch my itch, sweet Annie Rich
00:35:44And welcome me back to town
00:35:47Come out on your porch
00:35:49And step into your parlor
00:35:51And I'll tell you how it all went down
00:35:55Out with the truckers and the kickers
00:35:57And the cowboy angels
00:36:02And a good salute
00:36:04In every single town
00:36:09Oh, and I remembered something you told me
00:36:12I still don't fully understand what you do.
00:36:15Well, I do everything.
00:36:17Everything?
00:36:19This little number here's for drinking money.
00:36:21By trade, I'm a road manager.
00:36:23Oh, one of those.
00:36:25Like a well-paid gopher?
00:36:27No, not like a well-paid gopher.
00:36:29I'm in charge of movement, maintenance, and management.
00:36:32I'm a patron and a partner.
00:36:34I'm a confidant and companion, ally, agent, and ambassador.
00:36:38I'm like an executive nanny, not a gopher.
00:36:41Oh, executive nanny, not a gopher.
00:36:44Thanks for clearing that up.
00:36:47He's a brainless, interfering asshole!
00:36:50Look, I don't know what it is you want exactly,
00:36:52but...
00:36:55That's him, isn't it?
00:36:59Fine.
00:37:10Bill?
00:37:11Hey, baby, it's the love machine.
00:37:13Oh, God, what a horrible thought.
00:37:15Look, you were in a rotten jail today.
00:37:18Now, when I get you in a new one...
00:37:23I'm gonna kill you.
00:37:29Bill? Bill!
00:37:32Hello?
00:37:33Sorry, Barb. Gotta go.
00:37:35Thanks. Thanks a lot.
00:37:40Kaufman. Kaufman!
00:37:49What was that about?
00:37:51Look, you've hardly left the car since we met.
00:37:54How can you have sunstroke?
00:37:57I'm susceptible.
00:37:59Oh, you're a winner. You are a winner!
00:38:11You wanna see what Phil Kaufman is all about?
00:38:13You wanna see what that asshole is capable of?
00:38:16Huh?
00:38:21Are you coming?
00:38:44Pull off here.
00:38:46This isn't the way to Palm Springs.
00:38:48It is if you're a coffin smuggler.
00:38:50Give up, Phil.
00:38:55What now?
00:38:56Yes, now.
00:39:14Hey, you're an undertaker?
00:39:16Sure am.
00:39:17Ain't you supposed to be in black?
00:39:19No, we're special rock-and-roll undertakers.
00:39:21Musical morticians.
00:39:24Hey, can you slam some high-test in there for me?
00:39:27Uh, this car runs on regular.
00:39:29Who said it's for the car?
00:39:31Ain't for the car.
00:39:34Come on, hippie. Let's roll.
00:39:42Sunstroke, huh?
00:39:44Yeah.
00:39:46Yeah.
00:39:48Yeah.
00:39:50Yeah.
00:39:52Yeah.
00:39:54Yeah.
00:39:56Yeah.
00:39:58Yeah.
00:40:00Yeah.
00:40:03Yeah.
00:40:23Afternoon.
00:40:25Hello.
00:40:27I was wondering...
00:40:30Did you happen to see a hearse pass by here in the last couple of hours?
00:40:35What's it look like?
00:40:37Oh, it's a big car.
00:40:39Couple of guys inside.
00:40:41Did one of them guys get sick over there?
00:40:44I don't know. Maybe.
00:40:47Yep. I seen it.
00:41:00Open up the sky
00:41:04Cause I'm coming up to you
00:41:08So send down your wings
00:41:12And let them bring me to you
00:41:15You know I'm standing at the station
00:41:18Ready to go
00:41:20Oh, big old aeroplane
00:41:22I'm trusting your soul
00:41:24Get on a big bird
00:41:27So, the yin represents negative, the dark side.
00:41:33And yang represents positive, good.
00:41:37If you like, the first is earth, second, heaven.
00:41:41The yin-yang symbol is really evocative about the whole concept.
00:41:45As you travel around the circle, white or black will increase until the opposite.
00:41:49Let me give you an example.
00:41:52So, what seems to be good, in order to truly know good, you must first know evil.
00:42:01Without good as a comparison, I allow yin to flourish.
00:42:06You welcome yang.
00:42:09And I let go of yang.
00:42:12You are waiting.
00:42:23It would be so nice if we could get through a couple of hours without crashing the car.
00:42:28I was distracted.
00:42:31Of course you were.
00:42:36Oh, I don't believe it.
00:42:39Middle of nowhere.
00:42:41Quick, get out of the car.
00:42:52What now?
00:42:53Pretend to have a conversation.
00:42:54Okay. What about?
00:42:56I don't know what about. Ever since I met you, you talk yabba-yabba-yabba.
00:42:59Religion, your supersonic, supercharged car, the dark side.
00:43:02Now you got to talk and you can't think of anything to say?
00:43:17Whatever your damn poor religion is, I think it worked.
00:43:21No, it's more of a philosophy than a religion.
00:43:24I mean, religion is more of...
00:43:26Shut up.
00:43:51Afternoon, gentlemen.
00:43:53Afternoon, officer. How's it going?
00:43:55Oh, it's going just fine, thank you.
00:43:57And how are things with you?
00:43:58Good, good. We just stopped to take a look at this fine view you guys got.
00:44:07It is mighty nice around these parts. Feel like the desert.
00:44:11And how are things with you today, sir?
00:44:14Oh, well, really well, actually. Thanks.
00:44:18The reason I ask is you seem to have run into one of our road signs.
00:44:24I'm surprised you hadn't noticed earlier,
00:44:26as it does appear to be impeding your forward progress.
00:44:29That's a funny line.
00:44:35I was wondering if you gentlemen could give me a hand.
00:44:37Sure, anything.
00:44:38I'm looking for some fellas that stole a body back there at the airport.
00:44:42A body? Stole a body?
00:44:44Uh-huh. A body.
00:44:46Rather like the one in the back of your vehicle there.
00:44:49That's an empty coffin, officer.
00:44:51Uh-huh.
00:44:53I know it sounds strange, but these guys, there were two of them.
00:44:56They stole a body, loaded it in the back of an old yellow hearse painted with flowers,
00:45:00and they're supposed to be headed out this way.
00:45:03Hearse. Flowers.
00:45:06I think he's on to us, Larry. He's just having a little fun at our expense.
00:45:11Uh-huh.
00:45:13In the car.
00:45:16Let's go.
00:45:25Take the keys.
00:45:40Goddamn!
00:45:42He said body. He said we stole a body.
00:45:45He didn't say coffin. He said body.
00:45:47Apprehended suspects in yellow hearse with stolen body.
00:45:50Tell me we have not stolen a real person.
00:45:53Look, the place I get the coffins from probably hasn't filed a report yet.
00:45:56It'll be sorted out within the hour. Trust me.
00:45:58Whew! I'm overflowing with trust for you, man.
00:46:03I feel this overwhelming feeling of trust every time I look at you.
00:46:11What are we gonna do?
00:46:13Time.
00:46:14We're gonna get arrested, and then we're gonna go to court,
00:46:16and then we're gonna go to jail, and that's what we're gonna do for a while.
00:46:20What if I could slip out of these cuffs?
00:46:22That'd be great, and then maybe we could suspend you from a bridge in a straightjacket
00:46:26and light the rope on fire.
00:46:28No, really, I can slip out of these cuffs.
00:46:32Show me.
00:46:45I think we should go.
00:46:59We'll be moving on now that your sign no longer appears to be impeding our forward progress.
00:47:09Hey, stop that car!
00:47:12You're hitting my bike!
00:47:14What are you doing?
00:47:15The steering wheel.
00:47:16Turn it off.
00:47:17I can't. He's got the key.
00:47:19So we've escaped, but we can only drive in a circle.
00:47:22Yes.
00:47:23You're going to jail!
00:47:26What? Wait!
00:47:28Hey!
00:47:31Hey!
00:47:32Hey!
00:47:33Are you crazy?!
00:47:42Hey!
00:47:56Well, that's it.
00:47:58They're gonna lock me up, throw away the key.
00:48:00Why would they do that?
00:48:02You saw what happened. I drove into that cot and bike.
00:48:04That's destruction of police property or something.
00:48:06You worry too much.
00:48:08Not until I met you.
00:48:11What are we doing?
00:48:12What do you mean?
00:48:16What are we doing here?
00:48:17What are we chasing?
00:48:20I don't know about you, honey, but I need Graham.
00:48:24Well, that's real touching, but you've got to come to terms with the fact that he's dead.
00:48:29I know he's dead, honey. Okay?
00:48:32It's just that his body hasn't officially been identified, and there's no certificate of death.
00:48:38This is all about money, isn't it?
00:48:41Isn't everything?
00:48:43Look, I was an orphan at 14 and a waitress at 15.
00:48:47I do things the way I do them because it puts food on the table.
00:48:50Now, I just want what's mine, and then I'll be gone.
00:48:55Like all the other things.
00:48:57And why do you deserve anything, Barbara?
00:48:59Without my support, he would have never even made it.
00:49:02And Phil Kaufman came along to just shit on everything.
00:49:05Phil's not responsible for your problems with Graham.
00:49:08You lost him all on your own.
00:49:09Well, what do you know?
00:49:11I know that he can be a pain in the ass, but when it came to Graham, Phil only ever did the right thing.
00:49:15Never in his life has Phil Kaufman ever done anything because it was the right thing to do.
00:49:20I will bet the ranch that wherever he is right now, he's having some fun, because that's what he does.
00:49:26That is all that he does.
00:49:36Jesus, what the hell is that?
00:49:39It's a dinosaur.
00:49:41That's very perceptive. What's it doing?
00:49:45Polyonyx place. Polyonyx is probably some kind of dinosaur.
00:49:51Dino burgers, reptile steaks, carnival soup.
00:49:55Look at this.
00:49:57Titanosaurium portions for historic prices.
00:50:01Titanosaurium portions for historic prices.
00:50:05Liquor served.
00:50:07Pull over. Let's eat.
00:50:09Let's not. The cop is probably right on our trail.
00:50:12We need to get on to Palm Springs and do this thing, and then I can go home.
00:50:16You can do whatever it is you do. Let's do this.
00:50:20We need to stop. I'm starting to get hungry, and I ain't very nice hungry.
00:50:23I vote we keep going.
00:50:25What gave you the impression this was a democracy?
00:50:29Pull over!
00:50:50Do you have any idea what it's like to love someone?
00:50:54Oh.
00:50:56Oh, sweetie, that's very touching that you're in love with Bill Kaufman,
00:50:59but unfortunately, so is he.
00:51:02I'm sure you're just handy to have around.
00:51:10Okay, you vindictive bitch.
00:51:13I am going with you to Joshua Tree because I want to know what the hell is going on.
00:51:17But don't you ever tell me how or what to feel about anybody,
00:51:20or I'll smash that pretty little face of yours off the road. Got it?
00:51:25Do you kiss your mama with that?
00:51:38Are you frightened?
00:51:40I do not.
00:51:42Everyone else, when he brings the food, he announces it.
00:51:44Dip the docus this, Alan sorts that.
00:51:46With us, he just slaps it down and runs for cover.
00:51:48Probably something to do with that rabbit food you're eating.
00:51:51Look, I'm a vegetarian.
00:51:53I have a problem with dead flesh.
00:51:58I get it.
00:52:00Stuff will mash up every time.
00:52:18Oh, yeah.
00:52:36Hotty.
00:52:37Yep?
00:52:38Beer.
00:52:42Would you put a slug of bourbon in that, please?
00:52:45Sure.
00:52:48Bad day?
00:52:50Yeah, real bad day.
00:52:53What happened?
00:52:58My boy died out here the other day,
00:53:00and a couple of punks stole his body.
00:53:04Oh, man, I'm sorry.
00:53:06That's worth a shot on the house.
00:53:10Blanched.
00:53:13We gotta go.
00:53:15I haven't finished my drink.
00:53:17Why would someone steal a body?
00:53:20All gone.
00:53:22Maybe they were souvenir hunters or something.
00:53:24He was sort of famous.
00:53:27Thanks, guys.
00:53:29Who is he?
00:53:31Graham Parsons.
00:53:33Graham Parsons?
00:53:35Graham Parsons.
00:53:38Graham Parsons.
00:53:40Is Graham Parsons dead?
00:53:42We better get going.
00:53:44He said someone took Graham Parsons' body.
00:53:47Two people.
00:53:48Yeah, he was a real blabbermouth.
00:53:50I don't think he's ever going to shut up.
00:53:51Although, that's real interesting.
00:53:52We gotta keep to our schedule.
00:53:53Schedule?
00:53:54What schedule?
00:53:55There is no schedule.
00:53:56We gotta make our delivery.
00:53:57We gotta get our package to Palm Springs, remember?
00:53:59Package?
00:54:01We've stolen that man's son!
00:54:04Stolen?
00:54:05His son?
00:54:06That's outrageous!
00:54:07I'm appalled that you could even think we would do such a thing.
00:54:11I don't know what you'd take me for.
00:54:14I want to see it in that box.
00:54:17We gotta go!
00:54:23It's heavy.
00:54:24Of course it's heavy.
00:54:25Wood is heavy.
00:54:26Yeah, I remember.
00:54:27Finest poplar.
00:54:35Jesus!
00:54:36Jesus!
00:54:37Jesus!
00:54:38Jesus!
00:54:39Oh, boy.
00:54:40Yep, they gave us the full one.
00:54:42Look, we'll sort all this out when we get out to Palm Springs.
00:54:44Oh, my God.
00:54:46You stole Graham Parsons?
00:54:49Technically, we stole Graham Parsons.
00:54:51I stole a coffin.
00:54:52I didn't know there was a body in it.
00:54:54I saved that line for court.
00:54:58What are you doing?
00:54:59I don't know!
00:55:00What am I doing?
00:55:01I mean, what am I doing?
00:55:03Why am I here?
00:55:05Why am I with you?
00:55:06What is going on?
00:55:07Calm down.
00:55:08I thought it was bad enough when I ran over that cop's bike.
00:55:10Now I'm a fucking body snatcher.
00:55:12If you can wrap it up, we can go.
00:55:14Go?
00:55:15You go.
00:55:16I'll tell you what I'm gonna do.
00:55:17I'm gonna go inside, and I'm gonna give that man his son back.
00:55:21I'm gonna do the right thing.
00:55:22I'm going to follow my conscience.
00:55:24I'm going.
00:55:25Shit.
00:55:29Oh, Jesus.
00:55:33Come on.
00:55:34Hippie.
00:55:35Hippie, come on.
00:55:38Hippie.
00:55:39Hippie, come on.
00:55:41Shit.
00:55:44Come on.
00:56:02Sorry about that, Hippie, but there's something I gotta do.
00:56:09Well, like a bad penny, you are turned up again.
00:56:14You're in my sights.
00:56:16There's a mist on my lips.
00:56:18How did you know how it was?
00:56:30Welcome back, Hippie.
00:56:35Why'd you do it?
00:56:37Do what?
00:56:38Have a guess.
00:56:44I gave my word.
00:56:45This is what Graham wanted.
00:56:47What, cruising around the desert until he started to smell?
00:56:52Well?
00:56:53If I make a promise, I keep it.
00:57:08Fuck.
00:57:24You made me do it, you jerk.
00:57:27Never hit anyone in my life.
00:57:31You pushed and you pushed.
00:57:33You gave me no choice.
00:57:37You pushed and you pushed.
00:58:08Come on, Hippie.
00:58:10It's not your lights, not now.
00:58:17Shit.
00:58:25Shit.
00:58:26Shit.
00:58:27Shit.
00:58:37Shit.
00:59:07Shit.
00:59:23Yeah?
00:59:26I'm one of the guys that took your son.
00:59:31Where is he?
00:59:32May I come in?
00:59:37Come in.
01:00:08Phil.
01:00:10Phil.
01:00:14What happened to your head?
01:00:16A hippie hit it.
01:00:20I thought you had gone.
01:00:22Hold that thought.
01:00:23What the hell does that mean?
01:00:25It means I need to know what the hell is going on here.
01:00:28I told you what's going on.
01:00:30He's gonna set fire to my Graham in some freaky ceremony with black magic and dolls.
01:00:35Dolls?
01:00:36Dolls?
01:00:37I want my man back.
01:00:42Enough of this shit.
01:00:51Where are the keys?
01:00:56Shit.
01:01:01Whatever happened to peace, love and understanding, Hippie?
01:01:06You're Kaufman?
01:01:07Yeah.
01:01:10Hello, Stanley.
01:01:12You remember me?
01:01:13Psychotic girlfriend?
01:01:15Hello, Barbara.
01:01:16Nothing wrong with your memory.
01:01:20You boys mind telling me why you stole my son?
01:01:23I didn't even know he was in the box.
01:01:25I'm going to cremate him out here in the desert where he felt most at home.
01:01:28That's what he wanted.
01:01:29The hell you are, Kaufman.
01:01:32You know, I can't let you do that.
01:01:34I know you have to.
01:01:35I don't have to do anything, Mr. Kaufman.
01:01:38This is my loss, my son.
01:01:40It's too late to claim him now.
01:01:42What's that supposed to mean?
01:01:44All he ever wanted from you was your approval.
01:01:46He wanted you to be proud of what he achieved.
01:01:49Of course I was proud of him.
01:01:51I saved everything.
01:01:52Every photo, every album, every article.
01:01:55It's no good telling me.
01:01:56You should have told him.
01:01:59I understand you were his right-hand man as well as his friend.
01:02:03I was both, yeah.
01:02:05And that when he died, you weren't there when he needed you the most.
01:02:10That's right.
01:02:12So the guilt is not all mine, then.
01:02:15I guess not.
01:02:20Lost him once in life, and now you're trying to take him away from me again.
01:02:29Oh, God, can we just cut through this, okay?
01:02:32Now, you two stole the body.
01:02:35Theft.
01:02:37And you are an old fool who should have called the police but hasn't.
01:02:41Stupidity.
01:02:42Now let's just call the cops and get this thing done, okay?
01:02:45The sooner we get a death certificate and bury him,
01:02:48then his soul will be properly laid to rest.
01:02:50That's it.
01:02:52Hey, wait!
01:02:54Get your hands off of me!
01:02:58Give me the chair.
01:02:59Let me out of here!
01:03:01Oh, you are in trouble, Kaufman.
01:03:03This is bullshit, Kaufman!
01:03:05I was his road manager and his friend.
01:03:08We both loved it out here in the desert.
01:03:10Dammit!
01:03:11We had a pact that whoever died first,
01:03:14the other would come out here and set him free.
01:03:17And I was his road manager.
01:03:20The other would come out here and set him free.
01:03:23Graham gave his word, and I gave mine.
01:03:26You're a couple of druggies.
01:03:28Why should I believe you?
01:03:30I don't take drugs.
01:03:32What about you?
01:03:34Are you a druggie?
01:03:36Yes. Yes, I am.
01:03:38Stanley!
01:03:40We're gonna burn you alive, Stanley!
01:03:43Nice work.
01:03:45Let's go.
01:03:51Hey, man.
01:03:53What?
01:03:55I can't do this.
01:04:07Just do what feels right to you.
01:04:10Oh, goddammit.
01:04:14Oh, goddammit.
01:04:23Have you called them?
01:04:25No.
01:04:26You gonna call them?
01:04:28You ever give me a reason not to?
01:04:31There isn't a reason.
01:04:33If someone tried to steal my son's body,
01:04:35I'd stop them for sure.
01:04:37So, are you prepared to go to jail?
01:04:40I'm expecting to.
01:04:42Don't you worry, Kaufman. It's gonna happen.
01:04:46Mr. Parsons?
01:04:48What is it, son?
01:04:50I've been a junkie for over four years now.
01:04:52You don't need to...
01:04:54I've taken heroin, speed, uppers, downers,
01:04:57blues, morphine, methadone,
01:04:59mushrooms, quaaludes, acid,
01:05:01Vium, barbiturates,
01:05:03straight LSD, marijuana,
01:05:05marijuana laced with opium,
01:05:07nimbetone, mescaline, of course,
01:05:10and medicinal methaqualone,
01:05:13which made me shake uncontrollably
01:05:16for six days and vomit on the hour.
01:05:19That's very impressive, son.
01:05:21Not my point, sir.
01:05:23Better make that point.
01:05:25I started working my way through this list
01:05:28on June 5, 1969, and since then,
01:05:30there hasn't been a day
01:05:32when I didn't at least smoke a joint.
01:05:34Are we sure this is helping?
01:05:37And now I stopped.
01:05:40I stopped because it seemed
01:05:43I had something more important to do.
01:05:47He's doing this because he gave his word,
01:05:51and I'm prepared to do it now
01:05:54because I think it's right.
01:05:57I believe everybody has a soul,
01:06:00and Graham's soul does not belong
01:06:03in some family plot surrounded by strangers.
01:06:07It belongs out here where he was happiest.
01:06:22I'm gonna go outside and say goodbye to my son.
01:06:27You really take all those drugs?
01:06:30I don't remember.
01:06:42Where'd he go?
01:06:44Get out of the prison!
01:06:46You're gonna be somebody's piss in their pocket!
01:06:49You're gonna be somebody's piss in their pocket!
01:06:52You're gonna be somebody's piss in their pocket!
01:06:55You're gonna be somebody's piss in their pocket!
01:06:58Ah!
01:07:00Ah!
01:07:25Oh, thank God.
01:07:55Hi, listen, I know I was going really fast,
01:07:58but you have to help me, okay?
01:08:01They have stolen my boyfriend's corpse,
01:08:04and they are going to perform a ritual with his body.
01:08:07Can I see your driving license, please, ma'am?
01:08:10Excuse me, what?
01:08:12Your driving license, ma'am.
01:08:14I just told you that they stole a body,
01:08:17and you want to see my driver's license?
01:08:20Okay, okay.
01:08:22Okay, Officer Larson,
01:08:25you people are supposed to be on the lookout for a hearse, okay?
01:08:29A hearse is a big, long car.
01:08:32Now, you can usually tell which ones are the hearses
01:08:35because they have coffins in the back of them!
01:08:38Now, the one you're looking for is painted yellow.
01:08:41Does this look like a yellow hearse to you, you homosexual?
01:08:53Is that a ticket?
01:08:55Are you writing me a ticket?
01:08:57Yes, it is, ma'am.
01:08:59Yes, I am.
01:09:03Turn it off, you, ma'am.
01:09:22Okay.
01:09:44Can you give me a hand here?
01:09:52Jesus, Graham.
01:10:00Sorry, Graham.
01:10:04What now?
01:10:06Now we do it.
01:10:15Lift up the lid.
01:10:17What? Why?
01:10:18Flesh burns easier than wood.
01:10:20I have a problem with dead flesh.
01:10:26Oh, you look a little peaky, man.
01:10:29A little decorum would be nice.
01:10:32Right.
01:10:43You think that's enough?
01:10:45I don't know. Maybe a little more.
01:10:50Enough?
01:10:52I am not having a conversation with you
01:10:54about how much gasoline you need to burn a human body.
01:10:57That should do it.
01:10:59There's a little left.
01:11:13I'm sorry I wasn't there
01:11:15when you threw away your damn full life.
01:11:19I was there before,
01:11:21and I've been there ever since.
01:11:28Good luck, Graham.
01:11:31Here's my last one, buddy.
01:11:34Oh, my land
01:11:36Is like a wild goose
01:11:42Wandering all around
01:11:45Everywhere
01:11:51I've got to find
01:11:54A place to call home
01:11:57Oh, my land
01:12:01Trembles and it shakes
01:12:04Till every tree is loose
01:12:11It rows the mail
01:12:14And it rows the mail
01:12:21So take me down
01:12:24To your date's floor
01:12:31I won't mind
01:12:34People when they stare
01:12:41Paint a different color
01:12:44On your front door
01:12:51And tomorrow
01:12:53We will still be there
01:13:00Jesus built a ship
01:13:02To sing a song to
01:13:09It sails the river
01:13:12And it...
01:13:16Jesus, what the hell is that?
01:13:18That would be Graham Parsons on fire.
01:13:23Whoa.
01:13:25Maybe too much fuel.
01:13:27No, I just didn't factor in the amount of booze he had in him.
01:13:31Shit.
01:13:55How do you know that's your boyfriend?
01:13:58I recognized the birthmark on his shoulder.
01:14:03You know, officer, can I make an observation?
01:14:06Knock yourself out.
01:14:08We're in the desert, and it's dark.
01:14:11And if you want to catch somebody in the dark,
01:14:14it's probably best not to turn on your big flashing lights
01:14:17and make a big loud noise with a siren.
01:14:24You want to know what I think, ma'am?
01:14:27No.
01:14:30Maybe it was suicide.
01:14:33They just want to get away from you.
01:14:57Ah!
01:15:03Hello, Graham.
01:15:05Bill.
01:15:07You think you should?
01:15:09It's not gonna hurt me now, is it?
01:15:17Nice wheels.
01:15:19Very stylish.
01:15:21Come in handy for transporting dead people. Nothing better.
01:15:24I am dead then, huh?
01:15:26Much more than dead.
01:15:28You and the box are down to bones and brass.
01:15:31Well, all right.
01:15:33Here's mud in your eye.
01:15:42What can I do for you, Graham?
01:15:44I guess I just wanted to say thanks.
01:15:46I'm just taking care of business. That's what you pay me for.
01:15:49That's what I do. You shootin' for a raise?
01:15:53Actually, I... I just quit.
01:16:00Goodbye, Graham.
01:16:02Goodbye, Bill.
01:16:04I'm glad it all worked out.
01:16:07What?
01:16:09I'm glad it all worked out.
01:16:11All what worked out?
01:16:17Doesn't matter.
01:16:19Can we go? I'm getting sick of saying.
01:16:24Hey, baby, we're boogieing.
01:16:49Hey, baby, we're boogieing.
01:16:51Hey, baby, we're boogieing.
01:16:53Hey, baby, we're boogieing.
01:16:55Hey, baby, we're boogieing.
01:16:57Hey, baby, we're boogieing.
01:16:59Hey, baby, we're boogieing.
01:17:01Hey, baby, we're boogieing.
01:17:03Hey, baby, we're boogieing.
01:17:05Hey, baby, we're boogieing.
01:17:07Hey, baby, we're boogieing.
01:17:09Hey, baby, we're boogieing.
01:17:11Hey, baby, we're boogieing.
01:17:13Hey, baby, we're boogieing.
01:17:15Hey, baby, we're boogieing.
01:17:17Hey, baby, we're boogieing.
01:17:43Get out of here.
01:17:45Finish it.
01:17:51Well, we did it.
01:17:53We saved a soul.
01:17:56Stinged my damn mustache, that's for sure.
01:17:59Shall we?
01:18:01Yeah. Let's roll, hippie.
01:18:10I blew it at the wrong time, and I thought I didn't do it.
01:18:15But I'm glad we're doing this.
01:18:17You're not allowed to be a hippie.
01:18:19If you want to go to America, you have to make a reservation at 1-800-TEE.
01:18:23It's a mural for the hippies.
01:18:25It's not right to be a hippie.
01:18:27You don't want to be crazy.
01:18:29You want to be a hippie.
01:18:31You're not to be a hippie.
01:18:33You're not to be crazy.
01:18:35You have to make a reservation for your own health.
01:18:37We'll make you come back.
01:18:39We'll make you come back.
01:18:40You're not to be a hippie.
01:18:43And that's the way that it goes, so it goes
01:18:48Now you know how I feel, so it goes
01:18:53It just couldn't be real
01:18:56We know it's wrong
01:19:00And I don't think it's gonna go on
01:19:06When I come home
01:19:09Carry my shoes, I've been waiting
01:19:14Tell you some news
01:19:17You won't be home all night
01:19:21And you don't want another fight
01:19:26You'd better look
01:19:31Find some love
01:19:35I love you, baby
01:19:41Jesus Christ
01:20:04You love me and you sew my clothes
01:20:18I love you, baby
01:20:21That's the way that it goes, so it goes
01:20:25Now you know how I feel, so it goes
01:20:31It just couldn't be real
01:20:34You won't be home all night
01:20:38And you don't want another fight
01:20:43You'd better look
01:20:49Find some love
01:20:54I love you, baby
01:20:58Jesus Christ
01:21:28guitar solo
01:21:58guitar solo
01:22:04guitar solo
01:22:12There's a train out on the main line
01:22:17Climbin' to Hatchipee
01:22:20There's a place across the railroad track
01:22:25They call Eternity
01:22:31Somewhere there's a jukebox
01:22:35A cowboy shootin' pool
01:22:41Street narcotics in his socks
01:22:44No thread left on the spool
01:22:50There's a fire in the desert
01:22:54Whiskey on the wind
01:22:57I must say it's been a pleasure
01:23:02Adios, my friend
01:23:08And all that's left is a promise
01:23:11And a pack of matches
01:23:15Put a sequined ghost in Buck Owens' clothes
01:23:19And rhinestones in the ashes
01:23:25So long, city of angels
01:23:29Speckled birds spread your wings
01:23:34Braid me a halo
01:23:37Of Gene Norman's guitar strings
01:23:43There's no spirit in the embers
01:23:47Just a sweet song on the breeze
01:23:52A station wagon zigzaggin'
01:23:56Through the Joshua tree
01:24:01There's a fire in the desert
01:24:05Whiskey on the wind
01:24:09I must say it's been a pleasure
01:24:14Adios, my friend
01:24:18And all that's left is a promise
01:24:22And a pack of matches
01:24:26Put a sequined ghost in Buck Owens' clothes
01:24:31And rhinestones in the ashes
01:24:34It's a sequined ghost in Buck Owens' clothes
01:24:39And rhinestones in the ashes