Pedro el Escamoso 2 Capitulo 13 Completo en Español
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00:00I know what I'm going to tell you is going to sound like a cruel joke,
00:05but don't die for what I just told you.
00:08Doctor, for God's sake, how can you ask me that?
00:11It's easy, Pedro.
00:15It's something that sooner or later will happen to all of us.
00:19And I'm lucky enough to know when my expiration date is.
00:25And I want to live my last days or months in a normal way.
00:34But, Ms. Marcelinda, how do you manage to be so calm?
00:42The truth is, I'm not so calm.
00:46And I'm sad because I love life.
00:50And I'm sad because I love life.
00:56But I've learned that it's not worth the pain of suffering
01:04for something you can't change.
01:07I can't believe it.
01:09When I got sick for the first time,
01:12I looked for support in many ways,
01:17in different philosophies, in different beliefs,
01:22to understand why something so difficult was happening to me.
01:28And?
01:30And the first thing I understood was that I had to change why.
01:36Why?
01:38I'm not sure yet, but...
01:43But I did find one last hope.
01:48I've been on this planet, Pedro.
01:51And I'm going back.
01:53Do you really believe that?
01:56I don't lose anything in believing that.
02:00And if it's true,
02:04believe me, I'm going back.
02:08And I'm going to look for it.
02:14And this time, I'm not going to let you go.
02:20Doctor, don't tell me that, or you'll kill me.
02:22No.
02:25I'm the one who's dying here.
02:28And you have to promise me
02:31that you're going to live many years
02:34and you're going to be very happy, Pedro.
02:37Because I...
02:41I'm going to be taking care of you.
02:46And supporting you, wherever you are.
03:03Okay, let's talk.
03:06Did you think about it?
03:11I don't have anything to think about.
03:13I'm not going to let you destroy the work of my life
03:16for a whim of adolescence.
03:18Mom, it's not a whim of adolescence.
03:20It's a way to rebuild my life,
03:22forcing me to be a partner of my worst enemy.
03:25What enemy? It's my dad.
03:27Or would you rather it was Mr. Coral?
03:30What does it have to do with this?
03:32I don't know. I don't know. You tell me.
03:35If you read the writings on how society was formed,
03:38you'll realize that what you want to do is not possible.
03:41Mom, I don't want to face you.
03:43But you would have to understand the importance
03:46of associating us with my dad.
03:48Mariana, I've done everything alone.
03:50I've never needed a partner.
03:52But I do. I do.
03:54I want to grow in this company.
03:56I want to learn from him.
03:58I want to go very far, Mom.
04:00And you're going to have to understand that.
04:02What are you going to do for me?
04:11Miss Cata, how are you?
04:13Fine. How are you?
04:15Let me introduce you to Dr. Paula.
04:17Dr. Paula, very famous.
04:19Doctor in medicine, psychology, psychiatry.
04:22None of the above.
04:24I think it's best if I go and you talk to yourselves.
04:28See you.
04:29Yes, Miss Cata.
04:31We'll talk later.
04:33Yes, please. Excuse me.
04:38How are you?
04:39Good.
04:40Paula, I don't know how much the godfather would have said about me,
04:44but I find all this very strange.
04:48Me too.
04:52But hey, now that we're here, let's talk, right?
04:58About what?
05:01About life.
05:09Ramón, what do you know about that guy Coral?
05:13Not much.
05:15He's one of the messengers from the office.
05:17And you saw him leave my mom's house the other day, right?
05:21Yes, ma'am.
05:22When I got there, he was leaving.
05:25And what do you think of that?
05:27I don't think of anything.
05:29Have you ever seen them alone?
05:34No, ma'am. Why?
05:36No, just out of curiosity.
05:41Ramón, you know what?
05:42Keep an eye on that guy Coral.
05:44Because I don't like the familiarity he has with my mom.
05:48I think it's dangerous.
05:49Don't worry about that, miss.
05:51I'm always keeping an eye on your mom.
05:54Thank you.
06:00Thank you, Godfather. Thank you.
06:02Thank you.
06:04It's not so much, Your Mercy.
06:06It's a lot.
06:08It's amazing to have been able to talk to Paula for real.
06:11I'm glad it worked.
06:13And you don't know how much.
06:15What a woman. What a brave woman.
06:19And she told you?
06:21And she made me understand a lot of things.
06:24Me too.
06:25I was very sad to have found a friend
06:27and have to lose her so soon.
06:30But she taught me a lesson.
06:32She let me know that she was going to serve me for life.
06:35That's great.
06:36Thank you.
06:43The...
06:44The glasses.
06:45The glasses.
06:48The glasses.
06:50The glasses.
06:52The glasses.
06:58What happened to her?
07:01Well, young man, sometimes a nice word
07:06can change a person's life.
07:11Ready?
07:12Of course.
07:13Very ready.
07:14Let's go.
07:15Let's go, Mr. Pirri.
07:17Miss Carol.
07:18Goodbye, Pedro.
07:22Mr. Piti, the problem is that I only have one helmet.
07:24Or rather, I don't have a helmet to get in.
07:26No, don't worry.
07:27I have my scooter.
07:28Go, go, go.
07:29Let's go slowly.
07:30Go see.
07:34Mr. Coral, may I have a moment?
07:36Yes, of course, of course.
07:37Ramón, tell me.
07:38Be very careful.
07:40There are many people who are waiting for you.
07:44And get in.
07:45Why are you telling me this?
07:47For your own good.
07:48And if it helps you,
07:50I will always be by my boss' side
07:52until the last consequences.
07:55I don't understand.
07:56Yes, you understand.
07:58Be very careful.
08:08Ready, godfather.
08:09Shall we go or what?
08:10Yes, yes, yes.
08:11Let's go.
08:16Of course, you are a pride for this institution.
08:18Tell me, how can I help you?
08:19I want to introduce you to Mr. Coral.
08:21Delighted.
08:22The same, Mr. Coral.
08:23Mr. Coral is going to take the introduction class
08:26to the systems to get started.
08:28Wonderful.
08:29It is known that we love it here that people get better.
08:31When do you want to start?
08:32For me, yesterday.
08:35Lucia.
08:36I introduce you to Lucia,
08:37one of our most advantaged students.
08:39Now she is a teacher.
08:40A real prodigy.
08:41Lucia, that's Miss Lucy in English.
08:44Miss Lucy.
08:45Nice to meet you.
08:46Nice to meet you.
08:48Lucia, do me a favor.
08:49Mr. Coral wants to study in this prestigious institution.
08:52Can you give him a tour
08:53so he can get to know our modern facilities?
08:55Yes, of course.
08:56Well, I'm leaving.
08:57I leave you in the best hands, that yes.
08:59Mr. Coral, welcome.
09:01Thank you, thank you.
09:02To a meeting of those very hard with the higher council.
09:05See you later.
09:07Well, Javier is the higher council
09:10and the modern facilities, well ...
09:14You'll see.
09:16But somewhere I had to start.
09:18If you want, follow me here.
09:21Let's go.
09:23Why do I like shy people at once?
09:35I just saw some friends I hadn't seen in a long time.
09:37I'm coming.
09:40Hello.
09:45Hello.
09:50Now that we are alone,
09:51I would like to apologize for the abrupt way we met.
09:55Don't worry, we were both a little aggressive, right?
09:59No, no, but you are absolutely right.
10:01I should never have made those uncomfortable comments.
10:04For me, it is 100% forgotten.
10:09Well, tell me.
10:12What are your plans?
10:13With Mariana, I mean.
10:15I hope I don't put any commitment on you.
10:17Well, I don't know if Mariana told you,
10:20but right now we are living together and sharing.
10:26She hasn't told me anything, but hey,
10:28those things are normal at this time.
10:30For now, how are we?
10:31We are fine, calm.
10:33And marriage plans?
10:36Possibly, in the future.
10:39I have a very big debt to Mariana.
10:43And now that I know her,
10:44I would like to be that father figure she has never had.
10:49So be very careful with my daughter.
10:55I don't want anyone to hurt her.
11:04That's it.
11:05Careful, careful, careful.
11:07Now!
11:13But what is this, for God's sake?
11:16Do you like it?
11:17Yes, yes, very, very divine.
11:22That's the word, divine.
11:25I have always dreamed of having a roommate.
11:27And look, dreams do come true.
11:30Nothing more and nothing less than with you, Pedrito.
11:33Maybe I shouldn't bother you.
11:35For me, bothering is a pleasure.
11:38Look, here I bought you these pure silk sheets games.
11:45And I have a surprise for you.
11:51Open.
11:54Pajamas that play with the color of the sheets.
11:58Some come with their long pants and others with shorts.
12:01Short pants in case we're hot.
12:04Or maybe we think, oh, let's watch TV.
12:08Oh, sacred face, what awaits me.
12:11We're going to have an attack in this enclosure of good taste.
12:15Sit down, we haven't finished with the surprises.
12:18I bought you this TV so you can watch that football and stuff.
12:25While you watch TV, I'll watch the game.
12:29Football.
12:32What did you think, Julio?
12:34Good, good. A very dear man, very kind.
12:38Just that?
12:39Yes.
12:41And are you going to support us?
12:45No.
12:48I already imagined it.
12:50If your mother doesn't want partners,
12:52obviously I will respect her decision.
12:54I am a partner of the company.
12:56And so we are fine.
12:58Stop behaving like a capricious and spoiled girl, please.
13:02And you stop behaving like a slave.
13:06I'm offering you the opportunity to be a partner in the company.
13:11This conversation is over.
13:14And to make it clear, my loyalty is with your mother.
13:17End of discussion.
13:29Wow, what an appearance.
13:32You look great.
13:34Thank you.
13:35With all due respect, Mr. Fernando, but with me at a distance.
13:40Come.
13:42Let's watch a movie.
13:44No, I can't, Mr. Fernando, because...
13:48I already told your Mercedes.
13:50I went to the university to study.
13:52Tomorrow I have to get up early.
13:54No, and that?
13:56I went to study systems.
13:59Because I want to be someone in life.
14:03You are everything.
14:05But I congratulate you.
14:07Very good.
14:08Thank you very much.
14:10I want to go very far.
14:12Well, then start at once, because far is far.
14:18That doesn't happen.
14:21Well, bye.
14:26Bye.
14:50With that sigh you stole all the air in the room.
14:54Tell me who is responsible for your love affairs.
14:58I'll tell you tomorrow.
15:00And everything tomorrow is so obvious.
15:11Surprise.
15:14But how is this possible?
15:17What is this? Thank you.
15:19Well, to be honest, Lucero helped me a lot to fix it.
15:23I don't know if you knew, but we're getting along pretty well.
15:26Really? I'm very happy.
15:28I think it's very good.
15:29You eat it all.
15:31That's how it will be.
15:32Thank you.
15:33Honey.
15:34What?
15:35Are we going to visit my mom today?
15:37She must be feeling lonely.
15:39Honey, come here.
15:40What happened?
15:41Come here, come here.
15:42What happened?
15:43Come quickly.
15:44You feel good.
15:45But don't get mad at me.
15:47Breakfast in bed.
15:49Let's visit my mom.
15:50Any other surprises you don't know about?
15:52Well, when I tell you I want to change, I mean it.
15:55I want to be a different person.
15:58I just don't know why it's so hard for me.
16:01You know what?
16:02Let's visit your mom.
16:04I think it's a great plan.
16:05You can count on me.
16:06I'm going to take a shower.
16:08Go ahead. I'll drop you off.
16:10Thank you.
16:12And the young Mr. Don Pitti is a very nice, sweet, kind boy.
16:16But there is a man in the office who has it in the red.
16:19So I invited him to have lunch this Sunday.
16:21Well, to make him feel good, to make him feel comfortable
16:24and for his Mercedes to make him something delicious.
16:27Does he like it?
16:28Your friends?
16:29They're my friends.
16:31Whatever you tell me.
16:32His Mercedes tells me he needs the market and I'll bring it.
16:34Well, you have to let me think about the menu and I'll tell you.
16:38Yes, but there is something else that I don't know how to tell you.
16:42This boy is...
16:45is...
16:47Homosexual?
16:48Yes, yes.
16:49And he hasn't...
16:51He hasn't left the closet.
16:53Exactly.
16:54Did you leave the closet?
16:57I don't like that expression.
16:58No.
16:59I don't like it, I don't think so.
17:00No, no.
17:01But it seems to me that it does represent the situation very well.
17:06Well, the point is that...
17:09Let's see, Mr. Pastor Fernando, I feel that he is not happy with the situation.
17:14He doesn't like it.
17:16Or rather, he is not comfortable with his sexuality, as they call it.
17:20It's not like his Mercedes, which is a cheerful, happy man who accepts it.
17:24And then I want his Mercedes to guide him.
17:26Let's see, how do we make him change that face and be more like his Mercedes?
17:33First, thank you.
17:36And two, let me look.
17:41Because these situations, these cases, have to be dealt with very carefully, very delicately.
17:47If I can help you, I will do it with pleasure.
17:53You are very ungrateful, aren't you?
17:56Oh, but Miss Lucero, not at all.
17:59Let's see, tell me, your Mercedes, what is it?
18:02Well, the truth is, I don't know, I had nothing planned.
18:05Maybe I'll go out for a walk.
18:07How about having lunch here at the house where I'm living?
18:10Ah, I'll think about it.
18:14But don't make it difficult for me.
18:16Lie, yes, yes, yes. Give me the address.
18:18Or no, you know what? Better send it to me by a message.
18:21Ready, ready. So I'll wait for you here, okay?
18:23I'll send it to you. I'll wait for you here.
18:25And that? Who are you waiting for? Who?
18:29It's a surprise.
18:32No, well, surprised. I'm already here, so what?
18:34It's just that I wanted to have lunch here
18:39to thank all the people who have been so special to me since I arrived.
18:44A lunch here? And with whose permission, Pedrito?
18:48Well, as it was a surprise, I didn't want to tell your Mercedes,
18:52but don't worry, I cover all expenses, okay?
18:55No, no, Pedrito, calm down, excuse me.
18:57By the way, I hope you will help me,
19:00because I am desperate, really desperate,
19:04with all this army of people living here in my house,
19:07because they will kill you, Pedrito, and they won't even thank you.
19:10No, I do want to apologize, Mrs. Alvira,
19:13but if that's the case, let's cancel this
19:15and do it in a restaurant.
19:17No, no, no, my son, no, how could you?
19:19This is your house, but it's a lot of people.
19:22I am going to recommend that you get your hands dirty,
19:25because we don't like the market and all this.
19:27In fact, this is harder than making gargles with talcum powder.
19:30Mrs. Alvira, don't worry, I'll pay today, I'll pay for everything.
19:34So I hope it has to do with a very large market, right?
19:38Yes, of course.
19:41I invite, I invite whatever.
19:44Very good.
19:45Oh, the salt, the salt, the loin.
19:47Are we a loin?
19:50Are we in house six?
19:51Yes, yes, a loin.
19:52Plus the young Mr. Don Pity.
19:54Plus Lucerito, who is the lady who works with Pedrinchi.
19:57Give me another one, give me another one, please, the same size.
20:00That's fine, yes, it's perfect.
20:02With this barely, barely.
20:05Yes, with these two.
20:08Oh, the salt, the salt.
20:10Let's see.
20:12Look at this, a very good year, a very good year.
20:15And above 200,000 pesos, it's not the great wonder,
20:19but it's not that bad.
20:21Sumerce won't believe me, but it turns out that one of my trips,
20:24I went to France and there I met a friend, Pierre.
20:27Pierre was a wine specialist, that's true,
20:29Sumerce can't imagine.
20:30And he taught me something, he told me, Pedrito Coral,
20:33when Sumerce buys a wine,
20:35buy the cheapest one, which is the best.
20:38That's what he told me.
20:40Bad friend and bad advice.
20:42No, please, the relationship with this benefit,
20:44in this case, in the case of this wine, is not...
20:46It's fine, yes, hold on.
20:48Look, let's take four, five bottles at once.
20:52And the boy came.
20:54I ran out of a penny of the fortnight.
20:58Without the fortnight of the next two months.
21:07How much is it?
21:09Mr. Pedro, your father invited me to lunch.
21:12I didn't want to bother you, and since I'm going to run out of data,
21:15I prefer to leave you this note.
21:17See you tonight, Lucero.
21:27Well, I have to turn on the fire.
21:32Because you have to maintain a temperature that is special.
21:34Where is the firewood?
21:36Yes, it's in that bag.
21:38That's it, that's it.
21:39You please go washing the vegetables,
21:41everything about the salad.
21:43Yes sir, yes sir.
21:47Hello?
21:51Urgencia, I have to see you, my life.
21:55Ah, thinking of me, the beautiful lady.
22:00And if I invite you?
22:03It will be very daring.
22:06But what do I have to lose?
22:08The most that can happen is that you tell me no.
22:11And I get frustrated.
22:14But that doesn't happen.
22:17No, better not, no.
22:24I already told you that my phone rang.
22:27Yes, yes, I am Dr. Fernanda, but I don't call her for that.
22:32Fernanda.
22:33It turns out that Mrs. Elvira, here at Mrs. Elvira's house,
22:38where a friend of mine is, we are going to have lunch.
22:42So, as your Mercedes is always alone there in her house,
22:46I thought I could invite her to come.
22:51I don't know if suddenly I'm very daring.
22:54Yes, very daring.
22:56Forgive me, forgive me, doctor.
22:58It was just an idea, forgive me.
23:00No, lie Pedro.
23:02I would love to, I'm already bored here at my house,
23:04I don't know what else to do.
23:06Send me the address, please.
23:08But of course, of course, doctor.
23:10I'll wait for you here, I'll wait for you.
23:12Thank you, thank you.
23:15Good morning, Peter.
23:17But what is this?
23:19Who is turning two years old?
23:20I hope you bought him a coffee.
23:22Your Mercedes can't be like this.
23:24Go and change.
23:25Why?
23:26Because being beautiful depends on your future.
23:28Important people are coming.
23:29Really?
23:30Yes, my boss is coming.
23:31Are you kidding me?
23:32What are you kidding?
23:33Make her a bomb, that pajama.
23:34Get pretty, go see.
23:36But what was there to see?
23:38Sacred face that no one is going to mess up.
23:45My love, do you know where I left the car keys?
23:48Where they are always, Mr. Orderly.
23:53Hey, wouldn't it be better to call your mom?
23:56No, it was a surprise.
23:58Uy, but wait for me.
24:01Yes.
24:07Mr. Pastor Fernando, your Mercedes does not have
24:10a blanket for the dining table?
24:13Yes, I have one that I inherited from my mother,
24:17but that has sentimental value for me,
24:19so it's like a relic.
24:21Yes, yes, I understand, I understand.
24:22But believe me, I'll answer for the blanket.
24:26Count on it.
24:27Thank you.
24:28Enrique.
24:29Mr. Pastor Fernando.
24:30As soon as you finish trapping the entrance there,
24:33please go to the kitchen and place the glasses
24:36of red wine, pink wine and white wine.
24:39And if they are already clean, place them on the center table.
24:43Anything else, teacher?
24:44Yes.
24:45Now, now, now.
24:47Enrique, do me a favor,
24:48look to see if there is toilet paper in the bathrooms.
24:50Let's see, I'm going for the blanket, I'm going for the blanket.
24:52You promise?
24:53Yes, yes, yes.
24:54Mrs. Elvira, I forgot to tell you one thing,
24:57and that is that I have a guest at the last minute.
25:00And that?
25:01My boss.
25:02Oh no, no, Pedro, you're not going to bring me here
25:05believing people and gossip, start criticizing the house.
25:07No, no, no, no, she's not like that,
25:09she's a simple woman, she's from washing and ironing,
25:11you can't imagine her, but she's always alone,
25:14and then it made me feel like a shame,
25:15and that's why I invited her.
25:16Let's see, Mrs. Elvira, Mrs. Elvira,
25:18think about this.
25:19Here in this house we have a nursing home for unemployed people,
25:24and Dr. Fernanda is Dr. Fernanda.
25:26She can hire two or three people to do her job,
25:30you never know.
25:33Guillermina, Yaira, wake up!
25:36Oops, I messed up.
25:41Can you hear me or what?
25:45Oh, but this room looks like a mess.
25:48Well, well, well, get up, let's see, get up.
25:51Aunt, it's Sunday, aunt.
25:54It's Sunday, aunt.
25:55And it's barely 11 in the morning.
25:57Pedro's boss is coming to lunch today.
26:00And?
26:01What do you mean, and?
26:02Well, if she's not more rude, it's because she doesn't train, Yadira.
26:04Well, this is the opportunity for you two
26:07to get a decent job.
26:11No, how are you?
26:12No, ladies, let's see,
26:14you bathe me and you make me look like La Niña y la Santa María,
26:17and you treat me like a lady with that lady.
26:21Doctora Fernanda Siga, Siga, please.
26:23She is Mrs. Elvira, the owner of the house.
26:26Doctora, encantadísima.
26:30A little wine that I brought you.
26:32That's the barrebato.
26:33Thank you very much.
26:34Welcome, Siga.
26:35She is Guillermina and Yadirita,
26:37who are my sisters in the soul.
26:39Oh, my love!
26:41No.
26:42My Montpierre, Enriquito Bueno Lindo.
26:44Doctora, I loved Enrique Bueno Lindo.
26:46One more.
26:47Don Pastor Fernando Gaitan,
26:49that his wife knows him, of course.
26:51Doctora Fernanda, how are you?
26:52Divine.
26:53How are you?
26:54We have not been able to meet again.
26:56Oh no, I'll call you for the next appointment.
26:58Please.
26:59What a pleasure to have you in the house.
27:00Thank you for the invitation.
27:02Enrique, go now.
27:03Yes, go, go, go.
27:04Well, red wine.
27:06Whatever.
27:07White.
27:08Whatever you want.
27:09Let's open the cava.
27:10Sorry.
27:11Do you want to eat?
27:12Matured banana, mazorquita, an arepita.
27:15But I help you.
27:17Hello everyone.
27:20I brought you this.
27:22Thank you, my son.
27:34Ah, it's going.
27:38Good afternoon.
27:39Good afternoon.
27:40Does Mr. Pedro Corral live here?
27:42Sir.
27:43Yes, yes, yes.
27:45Yes, miss.
27:46Here lives Peter.
27:47Thank goodness, because I've been looking for the address for half an hour.
27:51Well, he already found me.
27:53I mean, here.
27:55He already found Peter.
27:57But go on, go on.
27:58Thank you.
27:59I am Lucero.
28:00Mr. Pedro invited me to lunch.
28:01Oh, how happy.
28:03I am Enrique Bueno Lindo.
28:05Go on, go on.
28:06Thank you.
28:15Lola, where is my mom?
28:17Good morning, Miss Mariana.
28:19She went out, she had a lunch.
28:21Lola, how are you?
28:22Mr. Pedro, I love to see you.
28:24Likewise.
28:25Excuse me.
28:26Go ahead.
28:28I told you to call, you see?
28:30I'm going to call her.
28:34Let's see.
28:35Oh, Pedro, what is Pete doing here?
28:37I invited him, Doctor.
28:39Oh, I don't think it's convenient.
28:41Doctor Fernanda.
28:42The best way to hide is to stand where everyone can see you.
28:48Yes.
28:50Oh, one second.
28:52Mariana, Mariana.
28:55Hello, hello, love.
28:57Where are you?
28:58At a friend's house.
29:00What friends?
29:01Oh, Mariana, you don't know them.
29:03Mom, I know all your friends.
29:06Well, okay, I'm at the house of...
29:08of Paula Dávila.
29:12We came to visit you.
29:14Oh, and why didn't you tell me you were going?
29:16I don't care.
29:17I'm going to have lunch at your house so you know.
29:19Oh, it's your house too, Mariana.
29:21Look, I don't take long, but stay and see you right now, okay?
29:25Bye.
29:26Bye.
29:31Paula Dávila.
29:33Oh, Pedro, it was the first time I saw you.
29:35Paula Dávila.
29:37Oh, Pedro, it was the first thing that came to my mind.
29:39Well, well, doctor, the important thing here is that Sumerse doesn't worry about anything,
29:43nor about Don Piti, nor about anything.
29:45And get ready, because I'm going to serve you a simple lunch,
29:49but that's done with a lot of love.
29:52That's what I need most right now.
29:55Sumerse, why are you so beautiful?
30:01My love.
30:02My love.
30:05Do you know who Paula Dávila is?
30:10Why?
30:12Because my mom is supposed to be having lunch with her.
30:15And why is it supposed to be?
30:18Because my mom doesn't know how to tell lies.
30:20Why would she tell you lies, my love?
30:22Stop being silly.
30:23Do you know who Paula Dávila is or not?
30:25Well, she's a client of the office.
30:26A client?
30:31And do you know where she lives?
30:33Why would I know?
30:36We're going to find out.
30:38What? My love.
30:43Miss Lucero, welcome, really.
30:46What a joy that Sumerse is here.
30:48No, no, no, what a joy, really.
30:50We're having a great time here.
30:52And what else is there?
30:54A lemonade?
30:55Yes, thank you, a lemonade, yes.
30:57Doctor, I wanted to ask you how your business is going.
31:00How is it going?
31:01Good, good, very good.
31:03I admire you a lot.
31:05Yes, because I like women like that.
31:07Entrepreneurial, successful, apothecary, housewife.
31:10Thank you.
31:11Yes.
31:12I was one of them one day, but a man ruined my life.
31:15He broke it in two.
31:17A man? And why?
31:19He was 46 years old, the bastard.
31:21With that I tell you everything.
31:23Look.
31:30Charming.
31:32Little Peter.
31:34Hey, little Peter, who is that vineyard, that wine?
31:36The truth is that water.
31:38Miss Lucero works with Pedrito and can have her as his daughter.
31:42Oh yeah?
31:44Well, I would like my daughter to get a man like me.
31:46Don't ask, see and don't touch.
31:48No, but how?
31:50But nothing.
31:52Thank you, sir.
31:59Pedrito has told me a lot about you, you know?
32:02I hope good things.
32:04Wonderful, you know how Pedro is.
32:06But tell me a little about your life.
32:08What are you doing?
32:10Your friends, your girlfriends, anyway.
32:12Do you have time to listen to sad stories?
32:15Oh, I hope they are not so sad, but yes.
32:17I have all the time in the world,
32:19but we are going to wet the word.
32:20You don't have wine?
32:22No.
32:24They didn't give you wine?
32:26Please, I haven't tried this one.
32:28Go on, go on.
32:30Are you going to drink something?
32:32Should I prepare something to eat?
32:34Oh yes, Lolita, thank you.
32:36I'm terribly hungry.
32:38I'm going to make you something easy because it's already late.
32:40Whatever you want, thank you.
32:42I have it.
32:44What are you doing? Stop being so obsessive, Mariana.
32:46I'm going to call him.
32:48Leave your mother alone.
32:50Mariana, Mariana, Mariana, please.
32:56He didn't answer.
32:58Well, I'm going to call him.
33:03Hello, Paula, how are you?
33:05Are you talking to Mariana, Fernanda's daughter?
33:07I'm sorry to bother you, but I need to talk to you.
33:09Call me when you can, okay?
33:11Thank you.
33:13I knew that so much beauty could not be true.
33:15Your famous intentions to change have come this far, right?
33:17Honey, don't say that.
33:18I'm not doing anything wrong.
33:20I'm just worried about my mother.
33:22What's wrong?
33:24Worried about what?
33:26Because I think she's making the worst mistake of her life.
33:28What are you doing?
33:30Calling him again.
33:32Again? No more.
33:34Mariana, no, no more.
33:36Pedro, enough.
33:38How's it going, Doctor?
33:40Very well.
33:42Well, I've been asked to work like three times.
33:44I'm going to gain five kilos and keep eating everything they offer me.
33:46Your friends are a show.
33:48And that Elvira is a mythological character.
33:50She has already told me all her secrets.
33:52Well, including some scandalous ones.
33:54Yes, girl.
33:56She's a very, very lonely woman.
33:58But yes, very hardworking, very, very fighting.
34:00No, you can tell, you can tell.
34:02And you can also tell that she is madly in love with you.
34:04No, no, no.
34:06How can it happen?
34:08No, ma'am.
34:10Oh, Pedro, of course.
34:12Who is not going to be so irresistible?
34:13At your mercy, you like to bother me, don't you?
34:15Yes.
34:19Doctor Fernandez, I don't know if I can even really hide
34:23what I feel at your mercy.
34:27I'm really dying.
34:29Pedro, I don't want to keep hiding either.
34:31But look,
34:33within all the possibilities that I have,
34:37I'm going to tell you the truth.
34:39I'm going to tell you the truth.
34:41Within all the opposition and all the problems
34:44that we are going to have in the future,
34:46there is one in particular, Pedro, that...
34:53Well, that I have to deal with very delicately, Pedro.
34:58Ma'am.
35:02And what is the story of Pedrito with that woman?
35:05Oh, what do you mean which one? Innocent or not, mommy?
35:08Seriously?
35:10Oh no, but Pedrito is very wrong and he has nothing to do.
35:14Why?
35:16Why?
35:18Because there is something called class difference,
35:21status difference, education difference,
35:24and Pedrito may be a very good agent,
35:26but he doesn't like a woman like that.
35:29Well, I see her very happy.
35:31But you never know, daughter.
35:33Yes, the one who perseveres is enough.
35:35If not, look at what happened to Pedro with Paula, my niece.
35:37Hey, and what about Paula's life?
35:40I haven't heard from her in a while.
35:42She's very sick.
35:44What? How so?
35:46I think she's dying.
35:48Yes, daughter.
35:50It's better to call her.
35:56Well, and here is the most fun part of cooking,
36:00washing the dishes.
36:02No, come on, I'll help you.
36:04No, no, no, it's a joke.
36:05I'll put those lazy people who come here to do their homework.
36:08For me there is no problem, really.
36:11I wanted to thank you.
36:14Today I had a very, very good time with you.
36:18I'm glad.
36:20And I want you to know that in me you will always find a friend.
36:26You don't know what those words mean to me.
36:30Yes, I know.
36:32Because I also know what it is to feel alone.
36:35Yes.
36:41Oh, don't contaminate me with that face, Catalina.
36:44Let's go to the movies.
36:46No, thank you.
36:48What do you mean no?
36:50You've been here all weekend locked up, Cata.
36:52Nothing.
36:54What do you mean nothing?
36:56Let's see.
36:58Tell me, what's going on?
37:00Margie, nothing's wrong with me.
37:02And why are you crying?
37:03Because I'm a shitty person.
37:05Tell me something I don't know.
37:07Maybe that's why you're crying.
37:09What's wrong?
37:11What a bad joke.
37:13I'm trying to humiliate you, Cata.
37:15Tell me what's going on.
37:20Do you tell lies?
37:22A lot.
37:24No, but real lies that affect a lot of people.
37:29Yes, sometimes.
37:30But what kind of lies are we talking about?
37:34The ones you tell to cover up a traitor.
37:37Who's betraying me, Cata?
37:42You slept with Felipe.
37:47No, I remember.
37:49I do.
37:51And you're crying because of that idiot.
37:53No, I'm crying because I'm a disgusting person, Margie.
37:56No, Cata.
37:58I don't understand anything.
38:01I'll understand tomorrow.
38:03Tomorrow?
38:05So I have to go to the movies alone?
38:08You know what, Pedro?
38:10I was thinking about what you said.
38:12People our age don't have to hide,
38:15especially when neither of us cares what they say.
38:19But I'm really worried about Mariana's reaction.
38:23Yes, Doctor, me too.
38:25Knowing her the way I know her,
38:27she won't understand this.
38:30I know.
38:33Well, sooner or later she'll find out.
38:36But the truth is I want to be ready for that moment
38:42and I don't think it's convenient now.
38:44And when that moment comes,
38:48what will happen?
38:51Obviously she'll get aggressive.
38:55And when she gets aggressive,
38:58what will she do?
39:00Well, Pedro,
39:02Mariana left the house.
39:04I'm an adult woman.
39:07Between us,
39:09more than I'd like to be.
39:11You're nothing more beautiful than a woman.
39:14Oh, Pedrito,
39:16but 15 years, 10 years less, right?
39:19I'd like that too,
39:21to have met you before.
39:26No, but you know what?
39:28We met at the time it was.
39:31Well, we're adults and we can face all the storm
39:35and all the opposition that comes against us.
39:38And we're going to do it with a lot of serenity
39:40and a lot of maturity.
39:42This is a lot of woman for me.
39:44I hope she never realizes.
39:46I, all my life,
39:48since I can remember, I've known you're gay, Fernando,
39:51and I don't care.
39:53But there are a lot of people who do care.
39:55And what? You live your life in your terms.
39:57But it hasn't been easy at all.
40:00The thing is, I assumed myself very early on,
40:03how I felt,
40:05and I regret absolutely nothing.
40:07I understand that,
40:09but things have changed, haven't they?
40:11I have many friends who now assume their sexuality
40:14without any problem.
40:16The thing is, you're a very young woman, Miguel.
40:19And for your generation,
40:21they don't think differently.
40:23Things are different, fortunately.
40:26Yes, but they're still difficult.
40:28The key, I think, dear Piti,
40:30is that you assume yourself as you are.
40:33And the satisfaction you feel later,
40:35because you identified with what you wanted to do,
40:38that has no price.
40:40Of course, of course.
40:42But I feel that music is needed at this party.
40:45Yes?
40:47Come on, I'll bring it.
40:49That's it.
40:51Right?
40:53That idiot is needed.
40:55That's how he runs.
40:56Are you very jealous or what, honey?
40:58Jealous?
41:00Don't be so ridiculous, aunt.
41:02I'm not going to be jealous.
41:04Oh, no, I'm not going to be jealous.
41:06And that reaction?
41:08No, it's just that I'm ashamed.
41:10Why don't you see?
41:12He looks like a green old man.
41:14But the little girl is pretty.
41:16She has her own thing.
41:18Like Enrique falls for any broom, compadre.
41:20Oh, broom.
41:22Envy is better to wake up than to feel it, right, mommy?
41:24Envy me?
41:26Because she's high.
41:32Hello, Paula?
41:34Yes, yes, I called you.
41:36Hey, I'm sorry to bother you,
41:38what happens is that I've been trying to contact my mom
41:40and she doesn't answer me.
41:42Are you with her?
41:46No, no, no, no.
41:48He told me he was going to Paula,
41:50but surely it's another Paula.
41:52Well, well, don't worry.
41:54Godfather Oski!
41:56Petercito!
41:58Let's see, Monfirri, tell me,
42:00what does this remind you of?
42:01What does this remind you of?
42:32You see? I knew it.
42:34Stop the nonsense, Mariana, seriously.
42:36But it's because you're lying to me, I don't understand.
42:46What?
42:48What's going on?
42:50What is that?
43:01I don't know.