مسلسل فيولا الحلقة 5 الخامسة مدبلج HD
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00:00This is the truth.
00:10These are the pictures of the suspect we are investigating.
00:15Now we have some assumptions, but of course we need witnesses to confirm them.
00:20Take your time Farah, and try to remember if you see anyone of them.
00:30I can't breathe.
00:53Some people think they know the truth.
01:02Every year you are not well Elia, and a hundred years before the disaster.
01:11Calm down Viola, calm down.
01:37The truth hurts those who have suffered.
01:46How are you?
01:48I'm a little better.
01:50Thank you.
01:54This is the medical kit, it reminds me of my hometown.
01:58My mother used to bake me a cake every Sunday.
02:04Sometimes I feel like I can smell it.
02:07I know you are tired of seeing the pictures.
02:11But this is the only way to know who brought you here.
02:16Should we try again?
02:20Good morning.
02:23I want to go inside.
02:28How are things going?
02:30It's not that simple.
02:32Of course it's not simple, after everything I've been through.
02:36Yes, but I don't have time, and she doesn't know anything.
02:39And now they will move her to a safe place in 48 hours.
02:43And for that reason, I need your help.
02:48I'm ready.
02:50I need to feel safer.
02:53And when I go out on the terrace, I calm down a little.
02:56But only if we are alone.
02:59You mean, I'm not going to go out on the terrace at night, right?
03:04Only tonight, yes.
03:07Okay, anyway, I have a very important appointment this evening.
03:11And I was drying my pants to wear them.
03:14This is the first time I go out on an appointment since I came to this city.
03:22Okay, I told you not to bother us.
03:30No, no one knows what we did.
03:32The truth for some people is like shelter.
03:34We do everything we can to protect it, even death.
03:39Run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run
04:09run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run
04:39run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run
05:09What do you think? We change the plan and meet at my house and bring more clothes with you.
05:13What does Tamara mean?
05:15He wants you to spend the night at his house.
05:17Of course you will not understand what he means because you do not care about these things at all.
05:21Although calmness is your motto at the moment.
05:25This does not mean that I will get involved in a relationship with someone so quickly and go to sleep at his house.
05:29The whole story is that we wanted to go out and have dinner together and once we talk a little about his father and change his mood.
05:34And that's it.
05:35And that's it?
05:36He is 25 years old and he is going to talk and that's it?
05:39What do you mean?
05:41He is 25 years old.
05:43It is obvious that he is older than that.
05:45His name is Renero. He is the owner of the farm where I went to look for my father.
05:49What do you care how old he is?
05:51I do not care, but I heard you talking about his age by chance.
05:55Is he suspected of the crime?
05:58I want to talk to the employees to see if I can tell them something.
06:03The factory of Juliana Solventi has a complicated history.
06:07Since the year the owner of the factory was accused of using sandstone to break the walls.
06:11And of course, this is dangerous for people and the environment.
06:14And he was sentenced to stop working in the factory after he was convicted and the manager of the factory was imprisoned.
06:19But then his brother Sabilo.
06:21He will get what his brother Sabilo deserves.
06:23Good morning.
06:25Francisco?
06:27Domenico Parisi.
06:29You have to come with us to the center.
06:31Can I know why?
06:33We have a few questions about Humberto Caruso.
06:48What are you waiting for? Go tell me what's going on.
06:52Francisco?
06:54Wait a minute.
06:56What is the relationship between Domenico and Humberto Caruso?
06:59He was planning to publish an article in the factory in the next two days.
07:02Of course, the goal is to close the factory completely.
07:05Is it possible that he did not tell you?
07:09What I did is a secret investigation.
07:12A group of detailed data clearly shows the relationship of the factory with the injury of some employees with cancer.
07:18And I did not want anything to hinder this investigation.
07:21But the court acquitted Caruso, the owner of the factory.
07:24He proved that he had no knowledge of illegal spending.
07:27But he could not prove that he had nothing to do with the internal security procedures inside the factory.
07:31And I was sure that this time he was going to fall.
07:33But you had a problem with Caruso, didn't you?
07:36Just like he had a problem with you at the same time.
07:40Make it clearer.
07:45Show me my message.
07:47Stop the investigation, or your wife in the future will know about your relationship with the woman in custody.
07:54But Mr. Caruso sent you this message a day before he died.
07:57And as you can see, I did not reply because I will not allow anyone to insult me.
08:01Mr. Parisi, can you tell me who this woman is who told us about Caruso in his message?
08:06I think this is not part of the investigation.
08:09And I do not have to reveal her identity.
08:12Okay, but you will have to reveal something.
08:15Where were you last night?
08:17At home.
08:19And alone.
08:20That's why, unfortunately, I will not be able to prove this to you.
08:33I'm sorry I can't tell you what happened, because Parisi is your colleague.
08:37I mean, there is a personal side.
08:39Parisi is my colleague, that's right.
08:41That's why you might need me for something.
08:43And as long as I left him, I did not find any evidence against him.
08:47I asked him a few questions about Caruso.
08:49But I have some doubts about his behavior.
08:52I feel like he's protecting someone.
08:54Who?
08:55That woman he promised in Palermo.
08:58I do not want to reveal her identity.
09:02Tell me who she is and we'll talk about it.
09:07We'll talk about it.
09:14Come in.
09:15Did you lose something, Claudia?
09:17I lost my ring.
09:19Do you know what happened to it?
09:21He was suspicious that he had something to do with the murder of Caruso and his personal motives.
09:25Because he was investigating the factory until he got an order to arrest him.
09:29And it seems that he has a strong relationship with someone who does not want to reveal his identity to the police.
09:34Do you have any idea about it?
09:36No, why?
09:37Because you've been working together for a long time.
09:40We work together, but I do not interfere in his private life.
09:45I do not interfere in his private life.
09:55Are you okay?
09:56Of course not.
09:58First, the arrest of Rizzo.
10:00And now the story of Domenico.
10:02When the investors find out about these stories, we will be in trouble.
10:05That's right.
10:06But what if we can prove that he is innocent of this accusation?
10:09I am doing a journalistic investigation.
10:11It is not the right of anyone in this profession to do this.
10:13This will be in our interest.
10:15And we will not lose anyone.
10:19By the way, the truth has more than a face.
10:25Claudia stopped him from doing his job.
10:27She asked him to stay in the house for a few days.
10:29Do you really think he might have something to do with the murder of Caruso?
10:32I do not exclude this.
10:34Are you sure you're talking about Domenico?
10:36You know him well, don't you?
10:38We worked together a few years ago.
10:40And I know that he is ready to do anything to become a journalist.
10:43Why are you talking about him like that?
10:45His name is Envy.
10:47Because Domenico is a professional journalist.
10:49On the contrary, some people come to see their names on a magazine.
11:00Who is it?
11:01Hello, I'm Viola.
11:04If you want to know something,
11:06I told the police everything.
11:08Go and ask them.
11:10Don't lie, Domenico.
11:12You didn't tell them everything.
11:14Can you tell me why?
11:18You don't know me yet, Domenico.
11:20I can't stop you.
11:22If I don't tell you now,
11:24they will consider you a partner in the crime and judge you.
11:27Who are you hiding from?
11:29I'm not hiding from anyone.
11:31Not even that woman you promised?
11:33You didn't reveal her identity during the investigation.
11:36Because she is involved in this crime and you don't want them to arrest her.
11:39Viola, there is no need to repeat my words.
11:41I told you, I have nothing to say.
11:45Excuse me, I have work to do.
11:53Excuse me, don't take me.
12:02Isn't this episode for Claudia?
12:07You are promising her, aren't you?
12:09Claudia has nothing to do with this.
12:11Leave her alone.
12:13So, you weren't together yesterday?
12:15No.
12:16Who were you with?
12:19Domenico, don't forget that I'm a journalist.
12:22Tell me the truth or I will force you to write it from my point of view.
12:26I was with a journalist yesterday.
12:28I didn't tell the police so that I don't reveal his identity.
12:32And be careful, I don't want anyone to know until I'm done with you.
12:35And why don't you want anyone to know?
12:38Madam Fricano, 12 years ago you were working as a secretary for Mr. Caruso, right?
12:43Yes, that's right.
12:45Did he talk to you for a few days?
12:47No, I haven't talked to him for a long time.
12:49That's strange.
12:51I don't understand.
12:53I haven't talked to him for a long time.
12:55That's strange.
12:57Because your number is in his cell phone.
13:01You talked to him for a long time two days before he was killed.
13:05And you were also in contact with Domenico Parisi, the journalist.
13:10Can you explain this to us?
13:14I'm helping him investigate the journalist who is working on the factory.
13:17Yes, and you were together yesterday?
13:20Yes.
13:21I got there at 11 p.m. and left at 3 a.m.
13:25And I didn't tell you so that no one would know that I was helping him.
13:29And so that he wouldn't get me in trouble.
13:30Why? What did you do so that he would get you in trouble?
13:32I was the secretary of Mr. Caruso and responsible for human resources.
13:37And at the time there were many cases of sudden detentions.
13:40And I acted with the subject in a normal way.
13:44Until Domenico came and explained to me the reason.
13:47These people were diagnosed with cancer and he gave them money and other things.
13:53And so I decided to help Domenico.
13:55And what did you do?
13:56I went back to Palermo and contacted Umberto to find any information or any small evidence on this.
14:03And of course, I can ask Parisi questions that he can't ask.
14:07And did Umberto know about your cooperation?
14:09No, he thought that our meetings were just a coincidence.
14:13Well, tell me what you talked about at the end of the call.
14:17Okay.
14:22I don't remember, Benob. Don't take me.
14:28You can go. If we want to talk, we can ask you.
14:38What did you think of his words?
14:39It's obvious that there's something you're trying to hide from us.
14:42And we have to find out as soon as possible.
14:47Okay.
14:57Unbelievable.
14:59Excuse me. I'm sorry.
15:01But my hair is stuck and I can't untie it, Benob.
15:04Let me help you.
15:06Come.
15:07Yes, thank you.
15:11You're late for work.
15:12Yes, because I was talking to a former employee at Caruso.
15:15It's obvious that you're hiding something, but I couldn't find out.
15:19What happened to the red dress?
15:23I'm more comfortable in these clothes.
15:27But it wouldn't have been much closer to you if you knocked on the door of my room, Viola.
15:34Tell me, what's so special about me?
15:37What's special about you is that I can't love you day by day.
15:41Because he's still short, isn't he?
15:43He's still short, but he's right.
15:46He's a big problem for my age.
15:49But I'm afraid that you love me.
15:52Who said that?
15:54You don't have any of the characteristics of a dream girl.
15:57For example, your love is something important and secondary.
16:01But my weakness is that when I love someone, I love him from my heart.
16:07In short, Farrah is not just a witness.
16:10It means that this girl was tortured and suffered.
16:13I know that you care about the success of the investigation.
16:16But keep an eye on her, please.
16:36Thank you.
16:56When you wrote to me that we would meet at your house, I didn't expect it to be so nice.
16:59I was very happy because you liked it.
17:02It's true that there is no sushi or cafe near this place.
17:06It's impossible to replace it with clean air or anything else in the world.
17:09When I was a child, my mother used to take me to my grandfather's house.
17:12They lived in the countryside near Balermo.
17:15There is the same smell here.
17:17The cold?
17:18Yes, that's right.
17:19There is no such smell in the city.
17:22You know...
17:26You are very beautiful.
17:28And you are beautiful.
17:30Would you like to come back?
17:32Yes?
17:33Yes.
17:34Please.
17:37Thank you.
17:43Okay, let's get down to business.
17:44Can you give me some information?
17:48You can say that.
17:49I talked to my father, but he didn't recognize the man in the picture.
17:52We are trying to contact the guard who has been working here for 25 years.
17:55He may remember something important.
17:5725?
17:58Yes.
17:59Of course.
18:00Okay, I'm 25 years old.
18:02Can you pour me a drink?
18:04Here you go.
18:09Yes, I was trapped in the cave with the cow.
18:11Unfortunately, it was going to give birth again.
18:13And I was going to die.
18:16I really lost my mind.
18:17If they didn't get me out, it would have been a disaster.
18:21And also...
18:22Wait a minute.
18:23I'm coming.
18:27Hello?
18:28Hello?
18:34Wow!
18:35You speak French well.
18:36I learned French when I was studying in Belgium.
18:40I also had a French friend, but...
18:43His children just got here.
18:47Do you have children?
18:49No, no, I mean the children who visited the farm.
18:51I mean, I started.
18:52A teacher's farm for students.
18:54Really?
18:55Really?
18:56Yes.
18:58And now...
18:59I'm ready to have fun.
19:03Look, this is the second reason why I never leave this place.
19:07This place is a paradise.
19:09This is the warm water.
19:10And the only way to it is the farm.
19:13Usually, I sit here alone.
19:15But this time...
19:17You're here with me.
19:20Come on.
19:21The last one to get into the water will have dinner next time.
19:25Come on.
19:34Come on, don't stop.
19:41Come on, come on.
19:42Wait a minute.
19:45What?
19:49I can swim.
19:50But you were going to scream if a rock fell on your leg.
19:53Maybe it's time to break it for you.
19:59Here you are.
20:02Thank you for taking me here, Raneiro.
20:04You're welcome.
20:08I just wanted to make sure you got home safe and sound.
20:18Bye.
20:23Bye.
20:54Sigh.
21:00Phone rings.
21:03Phone rings.
21:06Phone rings.
21:09Phone rings.
21:12Phone rings.
21:15Phone rings.
21:24When did you invite me to come to your kitchen when the lights went out?
21:28Since you asked me not to disturb a mouse in your house.
21:32Would you like some coffee?
21:33This coffee?
21:34You really call it coffee?
21:36With a lemon?
21:37Yes.
21:38Here you are.
21:42No, no.
21:43This is old.
21:45No, it's not old.
21:46It's much older.
21:48I wish my son would spend the rest of the night with me knowing all this.
21:54The walls of the building are very thin, Viola.
21:59Anyway, do you know who is Domenico's girlfriend?
22:03Who?
22:04Claudia.
22:05The president of Tahrir.
22:06No one knows about this.
22:07They weren't together that night.
22:10I know.
22:11Because Domenico was with the former employee at Caruso that night.
22:15I told you about her.
22:16Gloria Fricano.
22:18She's the source of his information.
22:21In your opinion, could she be involved in the crime?
22:23I don't think so.
22:24Because there were feelings between them when she was working for him, but not now.
22:28She's in a relationship with someone else.
22:30Caruso might know about this.
22:32There's a problem between them.
22:34But we need someone to be able to reveal the whole truth to us.
22:39What do you think?
22:40Should I write your name?
22:41I memorized it.
22:42Gloria Fricano. Easy.
22:43But in this case, Domenico turned out to be innocent, didn't he?
22:46No, we still can't be sure of this until we have the definitive evidence.
22:50So, there's a possibility that he's a fake.
22:54A fake?
22:55Humberto Caruso threatened to tell his future wife about his lover.
22:59Why? Is he going to get married?
23:01He's going to marry a very beautiful British girl.
23:03They live together in London.
23:05Didn't you know?
23:06That's why I don't trust men.
23:08That's true.
23:12Doesn't your friend want to have breakfast?
23:15He's busy. He can't.
23:17But he left without saying goodbye.
23:21Excuse me.
23:22Since you don't trust men,
23:24you're using your feelings for Raniro.
23:27So that you don't surprise his son.
23:29No, there's no need for that.
23:31Our relationship isn't formal.
23:34You know, people's feelings aren't always good.
23:38Okay?
23:39The coffee is ready.
23:40Okay.
23:41Move.
23:42Thank you.
23:49Here you go.
23:52This is the coffee.
24:00Let's see.
24:06It's good.
24:12It's good.
24:32Hello?
24:33Hello, this is Viola.
24:34Hello, Viola.
24:35The network is weak here and I'm working.
24:37Can I call you later?
24:39Yes, of course. No problem.
24:41Bye.
25:12Viola?
25:14Is there any news about Domenico?
25:16Did the police find out the identity of the woman
25:18we're trying to cover up?
25:20Yes.
25:23I mean, no.
25:24I don't know who his lover is.
25:26But I do know that he didn't have the night of the crime.
25:29So his identity doesn't concern us anymore.
25:33Your word, his lover, is a little bad, isn't it?
25:36Most women who are on the internet
25:38with married men don't know that they're married.
25:41They suspect that they have feelings for each other,
25:44but they don't know that they're married.
25:47And you don't want to know?
25:49And why are you asking me?
25:51Right.
25:52I'm going to talk to Domenico's source.
25:54But don't lose anything if you think about the question
25:56I asked you a while ago.
25:58Bye.
26:08Bye.
26:38How can I tell you how I feel?
26:41Tell me.
26:47I mean, can you read people's emotions?
26:50Can you tell me that?
26:53I mean, I can notice it well.
26:56And now I noticed that you regret what you did to me.
27:02Did you love him or did you hate him?
27:05And when I found out that I was pregnant,
27:08I was very happy.
27:10And I wanted to tell him,
27:13but he left me.
27:16I was 20 years old,
27:18jobless, and I was alone.
27:21But I continued my pregnancy,
27:23and then I had the baby,
27:25in the adoption center.
27:28So you did everything on your own?
27:31I have a friend who helped me.
27:33A social worker named Jessica.
27:36She can't have children,
27:38and she tried to convince me to have the baby after I had it.
27:43But I had no choice.
27:46And then you never heard from him again?
27:48Did you try to find him or look for him?
27:51After a while, I tried to look for him.
27:55But I couldn't find him.
27:57And Jessica told me that I had to respect the privileges of the new family,
28:00and forget my story.
28:04That's why I tried to get over it.
28:07And when you went back to Palermo,
28:09and you saw Humberto?
28:11I got back on my feet.
28:13I put the blame on him for everything that happened to me.
28:16And I told him the truth.
28:19I had to abandon my son because of him.
28:24His reaction was a little strange.
28:27How?
28:28He wanted to know everything.
28:30Who I talked to, what I did, and everything.
28:33He also said that he was going to find our child, no matter what.
28:37And that he had no other choice.
28:39If he died after that conversation with him.
28:43He had to keep the lie.
28:48Sometimes the truth is not good.
28:50When you know it, it hurts you.
28:54I can't believe it.
28:56How can someone lie about something so important?
28:58He was the father.
29:00Maybe she did the right thing.
29:02You don't know his nature.
29:06Right.
29:07But I know that when a person grows up without a father,
29:09he starts looking for him and does everything to find him.
29:13I'll tell Claudia.
29:16What's wrong?
29:17Excuse me.
29:21What's this?
29:22Nothing.
29:23The back of the article I was writing.
29:25I'm packing my stuff.
29:27And finally you're leaving?
29:28No, in your dreams.
29:29So Caruso was looking for his son?
29:31Yes, that's right.
29:33And this boy had an illegitimate relationship with his employer.
29:37But it wasn't a serious relationship.
29:39I mean, it was more of a seduction.
29:41Sometimes I feel that
29:44we are like magnets for men who are not good.
29:48I mean, who lie and betray.
29:50And hide important things.
29:54I feel close to these women.
29:57I understand them and I'm always ready to help them.
29:59Are you out of your mind?
30:01Write your article first.
30:03Let me write it on the messages page.
30:06And also,
30:07if you doubt Gloria Fricano,
30:09why don't you go and tell the police everything about us?
30:11Then they will leave Domenico.
30:29Phone rings.
30:32Phone rings.
30:35Knocking on the door.
30:38I confirmed all the information.
30:40I mean, Fricano and Caruso's cell phones
30:42were not in the same area as yesterday.
30:45Okay, thank you.
30:48Are you okay?
30:49Yes, why?
30:51I mean, I mean that woman.
30:54Which woman?
30:58Which woman do you mean?
31:00The one you were talking about, you and Boshimi.
31:03Are you spying on me?
31:05No, I'm not spying on you.
31:06All I heard about you was wrong.
31:08My wife says that this is not spying.
31:10Are you going to show yourself or not?
31:12No, I'm going to show myself.
31:14Phone rings.
31:15Knocking on the door.
31:22I hope you find a solution to your investigation.
31:25That's why we are police officers, isn't it?
31:29And for the salary, it will help me since I have a job.
31:37I'm here because I have very important information.
31:42Hmm?
31:45Did you find out that Umberto had a son like that?
31:48He also wanted to find out.
31:50Gloria told him, but he couldn't take the responsibility and they had a fight.
31:54I'm sure they talked about this on the phone.
31:56Do you think the boy is related to this?
31:59I'm sure.
32:00Maybe Caruso found his new family.
32:02We need to find the one who followed the adoption process.
32:04Maybe we know everything about him.
32:07Jessica Morelli.
32:08Gloria's friend, and she's a social worker.
32:14A few days later.
32:21Come in.
32:22Would you like some tea or coffee?
32:24Yes, I'd like a cup of coffee.
32:26No, thank you.
32:28Come in.
32:29How can I help you?
32:30You are the one who followed the adoption process of African, right?
32:33That's right, I followed it.
32:35And the boy was adopted by a family from northern Italy, 12 years ago.
32:38Did you know Umberto Caruso?
32:40No, I didn't.
32:41I didn't meet him in person.
32:42All I know is that he suddenly left Gloria.
32:44That's why she decided to adopt him after he was born.
32:47But why are you asking?
32:48Caruso found out that he had a son.
32:50He was looking for him and was trying to find him after he found out about this.
32:53I didn't know.
32:56Can we see the adoption papers of the boy, please?
32:58Of course.
32:59I'm going to pick up my son from school.
33:01That's why I can pick him up on my way back here.
33:03Excellent.
33:04That means we'll wait to hear from you.
33:06I'm going to take...
33:07Yes, that's it.
33:09She's alone.
33:19You still haven't changed your habit of being the last one here?
33:23I learned from you.
33:24I mean, the team leader has to get here first and be the last one to leave.
33:29And also, Toria has a tumor.
33:31He can't let him work until my overtime.
33:33That's right.
33:34Okay, what's the news?
33:36Tell me.
33:37I received the adoption papers of Africano, but I haven't read them yet.
33:40I was thinking about reading them later.
33:42No, I didn't mean about Caruso's case.
33:45The girl you have at home, didn't she tell you anything about the suspects?
33:50No, I haven't been able to identify any of the suspects.
33:53I was going to take her to the airport tomorrow.
33:56No, no, no.
33:57Your time is up.
33:58The farewell speech was very clear.
34:00Santo.
34:01Francisco.
34:02Francisco.
34:04There's something else you need to know about the team leader.
34:07And this is very important to you.
34:09Stop when you have to stop.
34:11When you go in too much, you risk making a mistake.
34:13And of course, you don't want that to happen.
34:16Don't let her be ready to be transferred to him tomorrow.
34:20Do you understand?
34:22And you too, take it easy.
34:32Thank you.
34:44Did you see these pictures?
34:50Let's see them together.
35:02Let's go.
35:14Farah.
35:15Get me out of here.
35:18The men who took you and your sister, their pictures are among these pictures.
35:21They are still free.
35:22That's why you have to stop them.
35:23And I need your help to be able to stop them.
35:33I'm sorry.
35:41Honey, I didn't mean to bother you.
35:43But I think I forgot my bag here.
35:48Honey, I don't want to bother you.
35:51But I want to take a cold from you.
35:53How do you feel cold?
35:54Honey, I don't want to bother you.
35:58Goodbye.
35:59You're a liar.
36:02Goodbye.
36:22Viola, what are you doing here?
36:23First of all, Raneiro, I want to take a cold from you.
36:25What do you want in the cold now?
36:27Who said cold?
36:28I was saying that I came to take my bag.
36:30I think I forgot it here.
36:32What were you doing?
36:33Why are you standing here, Raneiro?
36:35Nothing, I'm working.
36:43Right?
36:45Like anyone else.
36:46Like who?
36:47I mean, like you.
36:58I'm sorry.
37:04Smoking is bad for you.
37:07I know.
37:08But it makes me calm.
37:10So I don't do bad things.
37:12Can I take one?
37:15I'm kidding.
37:20I saw Raneiro with his wife again.
37:23When I asked him, he said he was working.
37:26And I used my sympathy.
37:29And he turned out to be a liar.
37:32That's why I decided not to use it on people who care about me.
37:37And I fell in love again with a worthless man who laughed at me easily.
37:40Why can't you guys be honest?
37:43If you want to have fun with me, tell me right away.
37:45There's no need to lie to me.
37:47What does it matter to me?
37:49I'm always honest.
37:52You didn't tell me why you wanted to calm down.
37:56I'm under a little bit of pressure now.
37:59Like when six months ago, I caught my feelings and did something wrong without thinking.
38:05We went back to where we started.
38:12Those were Gloria's adoption papers, weren't they?
38:15Yes.
38:16Her parents live somewhere near Bergamo.
38:18But we couldn't contact them.
38:21Did you talk to Jessica, Gloria's social worker?
38:24I just met her.
38:26But my son said he's at home now.
38:28Your son?
38:30Gloria told me you can't have children.
38:33Are you sure?
38:34Yes.
38:35Do you remember this well?
38:42Tell me what happened, Tori.
38:44I got a message from her parents.
38:46But we have a problem, Mr. Detective.
38:48They didn't apply for adoption, did they?
38:51How do you know?
38:53The adoption thing is a lie.
38:55Jessica left Gloria's son with him.
38:57Hello, can you hear me?
38:58Maybe Umberto Caruso is looking for his son and found out the truth.
39:02And Jessica couldn't let him take him.
39:18Run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run, run
39:49Mom, where are we going tonight?
39:51Why do we have to leave at the end of the night?
39:57Mom, explain to me what's going on?
40:04I went with Gloria to her wedding.
40:08I held her hand while she was giving birth.
40:12Paolo became like a son to me, and I loved him very much.
40:15Then, when Gloria decided to leave him,
40:18I thought that he could really become my son.
40:22And after that, you forged his adoption papers?
40:26Didn't Gloria doubt anything?
40:29She moved to El Camo, and then the communication between us stopped.
40:33And after 12 years, I thought that no one would take my beloved Paolo from me.
40:40But then...
40:41But then what?
40:42Did Humberto see you?
40:44Yes, he heard what you said, and he came to my house.
40:47And he started asking about his son.
40:49He knew about adoption, and he knew everything.
40:52He didn't want to listen to me at all.
40:57Tell us what happened that same day.
40:59I went to his house.
41:01I tried to convince him to stop looking for him, because he was in trouble.
41:06I did that for the sake of his son, but he said that Paolo was his last concern.
41:10He needed him for a surgery in his kidney.
41:20A surgery in his kidney?
41:21Yes, he was sick.
41:23Sick with kidney cancer.
41:26That's why he was looking for his son.
41:28He threatened me and said that he would kill me if I didn't tell him where he was.
41:33Then I ran away.
41:36But he was able to catch me.
41:40Where are you going?
41:42Are you running away?
41:45Where is he?
41:46Tell me where he is!
41:52Where is he?
42:01I'm so sorry.
42:06What's going to happen to me now?
42:09The decision is in the hands of the judge.
42:12And of course, the judge will judge you on the charges of forgery and the adoption of Paolo.
42:25Excuse me.
42:27What happened to Jessica Morelli? Why did they bring her here?
42:29I'll see you right away.
42:39I'm sorry.
42:46It really hurts a lot.
42:51And sometimes we have to burn the dead grass so that green grass grows instead.
42:56I'm sorry.
43:02The examination says that Umberto had cancer and was exposed to gasoline.
43:07It's a toxic chemical.
43:10So what Domenico said was true.
43:13Caruso hid his illness so that it wouldn't become a big scandal.
43:21Are you okay?
43:23No.
43:27I thought he was looking for his son because he loves him.
43:32And to get him back from the years he spent away from him.
43:37But it turns out he doesn't care at all.
43:43I'm thankful to your father, Mohamed.
43:49You're right.
43:50Caruso was a scoundrel.
43:53And if Gloria hadn't told him the truth, he wouldn't have thought of looking for Paolo.
43:58And she couldn't have found her son.
44:03The truth is scary.
44:06But without it, we can't move forward at all.
44:17Farah, what's going on?
44:18Farah, what's going on?
44:20Calm down. I'm coming. Don't be afraid.
44:29We have to express our feelings to understand what we feel.
44:36I tried to see the pictures.
44:39I saw them one by one.
44:42But they were all the same.
44:45I mean, they were all pictures that threatened us and tried to kill us.
44:49But none of them...
44:54I'm sure she'll come with me.
45:02Our parents left us when we were little girls.
45:06And no one else cared about her at the time.
45:10She promised that her life would be better.
45:15But until now, I can't hear her scream or her pain.
45:19She doesn't leave my mind for a moment.
45:22I'm the one who's right.
45:25I couldn't do anything to her.
45:29I beg you, don't let me see those pictures.
45:33I don't want to.
45:34It's okay. Calm down.
45:35It's okay. No pictures.
45:37Calm down. It's okay.
45:39Go.
45:42It's okay.
45:43We have to be able to understand ourselves without judging her or being afraid of her.
45:49Come in.
45:52I was going to call you.
45:54I read your article about the investigation and I liked it very much.
45:58We're going to publish it tomorrow.
46:00Thank you.
46:02But I didn't come for this reason.
46:09I found this at Domenico's.
46:14I know I have nothing to do with you.
46:17But there's something you need to know now.
46:20He's going to get married.
46:22And his lover lives in London.
46:25His name is Beth.
46:27She writes for children.
46:29You know, and yet you see me?
46:32You're right.
46:34But you don't have information about me.
46:36And you don't know anything about my life.
46:38This job is not just a choice.
46:40I mean, I like to tell the truth straight away.
46:43And that's enough for me.
46:46I don't need love.
46:59The truth can be hard.
47:02It's over now.
47:03Everything is fine now.
47:04And I'm going to travel.
47:06See you soon.
47:08I love you.
47:14Hello, Viola.
47:16Hello.
47:17It was a great job.
47:18I finished my article about Jessica's fake adoption.
47:20And we're going to publish it.
47:22But we're going to publish it with the article of Caruso's factory.
47:24There's something missing in the middle.
47:26You can't publish it.
47:27Basically, you don't have to during the investigation.
47:29We're journalists.
47:31And it's our duty to tell the truth straight away.
47:34But cleverness shows when you tell it in a way that draws attention.
47:44Do you see why Maada is surprised by his son?
47:47If Tomoko thinks of something, no one can stop him.
47:50Neither his family, nor his colleagues, nor his friends.
47:58Okay, I'm going.
48:00Bye.
48:13Bye.
48:18The truth can hurt you.
48:20Is there something?
48:22It's obvious that Dominic is a successful man.
48:24And he's also in love.
48:26And he stole your article.
48:27You're boring.
48:29And you're a failure, to be honest.
48:32But you're clean at the same time.
48:43But the truth can hurt you.
48:45Always.
48:48Do you like it?
48:49Yes, of course.
48:55I was going to tell you, but...
48:56No.
48:57No, I have something to tell you.
48:59I showed you that I'm light-hearted, cheerful, and fun.
49:03But I'm not like that at all.
49:04I want to live my true love.
49:05I want someone to tell me the truth.
49:07I want a man to love him and build my future with him.
49:10I didn't intend to like you, but this is what happened.
49:12I was very upset when you left me yesterday.
49:15And when you lied to me and didn't tell me about that girl,
49:17you told me that you were working.
49:18What did I lie to you about?
49:20It's very normal for us to deceive ourselves and lie to each other.
49:25I'm 32 years old.
49:28I really like you.
49:30Believe me.
49:32And I was going to tell you who the girl you saw with me that night was.
49:35This is his daughter, Lafitte, the old guard of ours.
49:38I mean, the same one who was working in our warehouse a few years ago.
49:42I want you to contact him, please.
49:45Vito knows a little bit about your mother and is willing to talk to her.
49:48And what if you're 32 years old?
49:56Is this what you hid from me, Raniero?
50:00There's something else.
50:05I'm 22, not 25.
50:09That's all.
50:10Okay, I'll see you later.
50:11I don't know if there's a need to know.
50:12No, we can't live without telling the truth.
50:42I need to talk to you.
50:52Hello?
50:53I did what I told you.
50:56No, no, we have no problems at all.
50:59Okay, let's talk.
51:07Until the truth ruins your life.
51:12Listen
51:14Go on
51:16And
51:18Believe me
51:20Listen
51:22Believe
51:24There's a way out
51:26Of this
51:28Go on
51:30And
51:32Believe
51:34Go on
51:36And
51:38Smile
51:40Go on
51:42And