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On this episode of DTB’s “Gear Masters”, Rob Harris, guitarist of the indie pop band, Panchiko, shows off the gear that he uses onstage, while on their North America Tour 2024. Panchiko is currently supporting their newest album, Failed at Math(s).

VIDEO INFO:
Film Date - April 27, 2024
Location - Concord Music Hall in Chicago, IL

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VIDEO SUMMARY:
00:00 Introduction
00:22 Guitar
01:53 Amp
03:14 Pedals
07:05 Synth

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Transcript
00:00Hello, I'm Rob from Pancheco and this is my USA 24 Tauric.
00:18Start with the guitar here.
00:20So these are a great little company, American brand, called Pure Salem out of Florida and
00:27they make wicked cool guitars.
00:29They kindly sent me this one and it's flipping wicked, called the Jimmy and they make kind
00:35of like cool, kind of like psychedelic sort of guitars, but yeah, they're wicked, kind
00:40of like a sort of weird Fender hybrid and a lovely sparkly finish, which is nice.
00:45So on this guitar it's got a couple of custom pickups, I think they're specially wound for
00:50this company.
00:51This is like a throaty kind of spiky humbucker and this is a little lipstick.
00:55I most of the time use the humbucker, occasionally flip it to the middle for kind of more of
01:00a sort of spacey sound.
01:03What's nice about this guitar, simple, single tone, single volume.
01:06I do a lot of volume sort of ride off when you're holding like a super distorted note,
01:10I'll roll that back with my fingers and then I'm going to change my pedals in silence,
01:14pop it back up and go again.
01:17And it's great, it's just a wicked little sort of shred machine with an extra fret,
01:23short scale and oh yeah, another thing I use, I use heavy strings, so 52 to 10s, so instead
01:28of the standard sort of like 46s, all nice and chunky, so you get a bit more of a chunky
01:33tone and you can hit them a bit harder.
01:35D'Addario's 52 10s, they're good on any short scale guitar, top tip, never use anything
01:40below 52s, otherwise they'll just go out of tune loads and they sort of, you know, get
01:45more chunk, which is nice.
01:48And then yeah, and that goes into, I suppose we should look over at this little bad boy
01:52now.
01:53I've always liked, I've always liked orange amps and this is just their kind of little
02:00Rocker 15, all valves, eight valves in this little beauty, only tiny, but sounds great.
02:06It's got a super good sort of clean channel and then you can dirty it up pretty well.
02:11And surprisingly, considering how small it is, it's quite, you can get a chunky sound
02:16out of it.
02:17It's great.
02:18We've all got sort of small amps and it's quite good because you can get, you don't
02:23have to have too much stage sound, but through the PA they can make them fricking loud out
02:27front and it works great and it fits in the van.
02:31Super, super important is what we found is, again, all guitar amps in my opinion are super
02:37sharp and too treble-y, so you roll off all the treble, add a bit of bass, scoop a bit
02:42of mids out and you get a nice sort of spiky lead sound that sits over the kind of sort
02:47of Owen's rhythm and then sort of Andy's sort of mid lead, you can get like a nice
02:51spiky tone that sits sort of in the mix nicely.
02:54So the guitars sort of actually mix themselves almost in the way that they're voiced and
02:58the parts are voiced, which is quite nice.
03:00So front of house don't have to do as much, we sort of let that happen with the parts
03:04kind of thing.
03:05And that's basically, yeah, and then that's fed from this through these two little bad
03:10boys.
03:11So these are just great for tour.
03:15These are Line 6 Helix FX, like everyone uses them now, but this tour I've gone for two
03:22separate ones, which is sometimes a bit of a dance on the old footswitches, but means
03:27you get an insanely good variety of tones and they turn back on and come back on almost
03:33every time and don't break.
03:36So what I've got is I've got two of these Line 6 Helix FX pedals and I've separated
03:43them into two things.
03:45So essentially this is your drives and your distortions and then this is all your kind
03:50of modulation.
03:51So I've got, like on this side, I've got very specific drives for certain songs.
03:59Like for instance, this Bit Crusher is the sound on stabilizers, almost to the T.
04:04So if you engage this, it's a really lo-fi Bit Crush distortion sound and that's that
04:10kind of broken sort of thing on stabilizers.
04:14Then I've got a minor tour, which is your kind of mid drive, which is your kind of general
04:18distortion sound and kind of soft lead.
04:20And then I've got this lead, which is basically all the lead on like death metal, kicking
04:27cars, any kind of thing where you want it to just go slightly insane and mental.
04:32This is a good one for just pushing it into extreme feedback.
04:35It's based on like a treble booster, which everyone used like in the seventies, but I
04:40take all the treble out of it and just use the kind of sort of guts of it.
04:45And that works really well.
04:46This is just a general mid drive.
04:48And then this, this is a shout out to Line 6.
04:51This is entirely off the new Firmware upgrade and it's a feedback button.
04:55The problem with these amps is you can't go very loud with them because they're only small.
05:01So this enables you to generate feedback at a random pitch in the chord at the front of
05:07the stage by holding a momentary button down.
05:09So you can literally smash a chord, hold that button and it will gradually ramp up
05:14some sort of feedback sounds.
05:16It can be like sounds like insanely rocky or it can sound really ethereal, almost like
05:21an Ebo.
05:22And that works amazingly.
05:24It's really good.
05:25It takes the DSP up of almost a whole pedal.
05:27It's so complicated, but it works really well.
05:30And then moving on to here, this is all your kind of reverbs, delays and choruses.
05:37This is super important in the kind of like, you know, like space rocky kind of shoegaziness
05:42of Panchico is having a lot of this.
05:44So I've got a generic spring verb, which is like a sort of model of like a Fender, old
05:51school Fender amp reverb.
05:54I've got a delay, which is like a bucket bridge, old school tape delay makes a bit out of tune,
05:59but very like subtle, but it adds a kind of doubling effect.
06:03I've got a standard chorus from like a 70s pedal and then I've got these mental ones.
06:07This bubble is a cool bubble vibrato and it basically detunes as you go.
06:11So it makes this kind of like sort of squishy, sort of modulated detuned sound.
06:17Then you've got the space echo, which is exact replica of the, you know, the classic tape
06:22echo from the 70s.
06:24And that is amazing.
06:25It just goes, it's endless delay essentially.
06:28So it's really good for like improvised bits in between songs.
06:32And then you've got the shimmer verb and this is actually specifically for, you've
06:35heard it at first, a brand new song.
06:37And it's kind of a weird kind of modulated delay that we use on a new song called Salts.
06:43And we've been playing it for the first time on this tour and it's, yeah, it works well
06:48in comparison to like the studio version of it.
06:52That's kind of sort of that, but what's sort of interesting that makes this set up a bit
06:59unique is that this synthesizer, my faithful old micro cork, which I've had since I was
07:04about 18 years old, it's about 24 years old that is, this comes out, goes through a little
07:11digital amplifier if you see here, which boosts the level of it.
07:15And then that goes all the way down into here, into an effects return on these effects pedals.
07:20So all these patches get fed through all these effects pedals and then back into the amp.
07:26So the synthesizer sounds don't sound so digital and sort of out of the mix.
07:31They come exactly from where the guitar would in a mix.
07:34And yeah, and you can do lots of cool stuff with it.
07:38What's a good example of, if you look here, on here, these are all my patches.
07:43These are all like programmed by hand and they have presets on them and you can see
07:46the songs.
07:47So all they want here to stabilise is death metal, fail at maths.
07:50And then you've got this section, which is just for cut, which is quite a synth heavy
07:54song.
07:56I can demonstrate it if you want.
07:57This took a while to program, but it's kind of, you'll get to hear the sort of classic
08:03cut intro kind of thing.
08:04So let's give it a go.
08:26And there's your intro for cut and that all feeds through back into the little orange
08:32and you get this kind of cool sort of almost guitar like distortion out of it.
08:36And then there's like this noise you might recognise, which with this kind of crazy breakdown
08:43sort of sub bassy filter sweep, you can engage the drive down there.
08:48And then I've programmed this to drop it down two octaves as soon as you push that button.
08:53And then you can hear this kind of crazy sound.
08:57And then.
09:08And that's the like cut breakdown and how we do it all live.
09:13And I think that's kind of the sort of little selection of all my bits and bobs and how
09:20it sort of works.
09:21If you want to find us, Instagram is a good one.
09:25The internet.
09:26Got a website, you know, all the good stuff.
09:29You can write us a letter, maybe strap something to a carrier pigeon, send it out to England
09:35and I'm sure we'll receive it.

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