Salón de té La Moderna - Ep 202
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00:00Thank you very much and a hug.
00:09Here is the phone number and the address of Dr. Mendoza.
00:13He is an eminent psychiatrist.
00:15I think he is the right person to treat Matilde.
00:17Dr. Mendoza?
00:18Yes, yes.
00:19He treated the daughter of a well-known businessman, a friend of mine, and according to what he told me, his daughter
00:24improved a lot thanks to this doctor.
00:29And do you know if they had to admit her to a sanatorium?
00:33No, I don't know that.
00:36My acquaintance did not explain the details of the treatment to me.
00:41But what I can guarantee you is that this doctor is an eminence and his good deed is
00:47more than contrasted.
00:50Thank you very much for the information.
00:54Poor Matilde.
00:57I never thought we would see each other in this situation.
01:03Do you want a coffee?
01:04Yes, yes, thank you.
01:05I'll be right back.
01:20But Antonia, what are you doing here today?
01:24You work, don't you?
01:26And wouldn't it be better in your house?
01:28Come on, if you get sick one more day, nothing will happen.
01:31No, I don't want to abuse the trust of Mr. Firmin.
01:33Besides, I end up in my house.
01:35Well, it's not my house either, is it?
01:38No matter what happens, life goes on, that's what they say.
01:42Because life goes on.
01:43Well, of course, Antonia.
01:45Because at least like this, working, one does not think.
01:48And sometimes it is much better like this, without thinking.
01:52Well, I don't know if I came to the salon.
01:54It's best that Antonia doesn't think.
01:57Yesterday she showed up here.
02:00There she sat for a minute.
02:02That Lucia.
02:03Please, Esperanza.
02:05What a face she has.
02:07She hasn't had enough to show up at the wedding,
02:09but she comes here to talk to Pietro.
02:11But Esperanza, you never see the time to stay quiet.
02:15You have to have courage, that Italian.
02:18Esperanza, don't even mention it.
02:22If I stop talking about her,
02:24it won't make that woman disappear.
02:26As far as I know, she's alive and kicking.
02:30Besides, you don't have to keep anything from Antonia.
02:33Because she's not the kind of woman to get upset about problems.
02:36Right, Antonia?
02:39Excuse me for a moment.
02:46It's always the same.
02:52A bookshop is like an art gallery.
02:56Books, like paintings, are works of art in themselves.
03:00And that's why, as happens with paintings,
03:03you have to know how to hang books.
03:06Isn't it enough to put them on shelves?
03:09It's a way of speaking, Salvita.
03:11In our profession as a bookseller,
03:13it is as important to know the inner content of the books
03:17as to know how to take advantage of their exterior.
03:20And above all, the gaps.
03:23The gaps between books
03:26make a bookshop look poor.
03:30And sometimes it's good to skip the alphabetical order
03:34and unify the books by subjects.
03:38See?
03:40They look good together, without gaps.
03:43And so, the reader who wanted to buy a romantic novel
03:48also buys a love treaty by Virgil.
03:52You make an art, Miguel.
03:54Yes, of course.
03:56And now you turn art into the task of organizing the bookshop,
03:59which is also your responsibility.
04:01And above all, remember, no gaps.
04:12I see you're also a writer.
04:14Miguel, when your book comes out,
04:16what will the subject be?
04:18To know where to put it.
04:20What book?
04:22I'm trying to write the newspaper ad your father gave me.
04:25The bullet of the letters, look for a new cleaner...
04:28We have cleaners?
04:30And why have I been cleaning all this time?
04:33Part of the learning that has come to you well.
04:35And now I'm going to write the ad
04:37because we need to find a cleaner
04:39to replace the previous one and it won't be an easy task.
04:43How am I going to sell now that we have a cleaner?
04:46Because day yes, day no.
04:48Here a server, not you,
04:50is in charge of starting his day a little earlier
04:52to open the door to the cleaner.
04:54And not only that,
04:56but you also have to help him move heavy things.
04:59And now, if you'll allow me,
05:01I'm going to finish writing this happy ad
05:03because we can't spend more time without the cleaning lady.
05:07Maybe I could be in charge
05:09of opening the door to the cleaner.
05:12Well, that would surely surprise my father.
05:15Your father and me, Salvita,
05:17who until now did not know
05:19that you knew the meaning of the word dawn.
05:22That ad, Miguel, you can save it.
05:25I will be in charge of finding the new cleaner.
05:28I highly doubt that you will find her
05:30in one of the taverns that you frequent with the tuna.
05:33Don't you always say that I have to take responsibility?
05:36Well, here's the first one.
05:38Against the cleaner of the letter box.
05:43Leave it to me.
05:46I don't know why I have the feeling
05:48that I will end up regretting it.
05:50Holes.
05:59I'm glad you're having a good time, Clarita.
06:02Listen to everything the aunt says.
06:05Well, give her many kisses on my behalf.
06:08And another for you, but even bigger.
06:10I love you very much.
06:12I'll call you tomorrow.
06:14Goodbye.
06:20What a shame, I just hung up.
06:22It was Clarita.
06:25And what is it?
06:27She is having a great time in Jerez
06:29with my aunt and Pablo.
06:31But hey, I would have been excited to talk to you.
06:34It was her again.
06:36I miss her a lot, Iñigo.
06:38I'm sure you miss her too.
06:40I have good news.
06:42I think I can confirm,
06:44after my management this morning,
06:46that the Boticario convention
06:48will be my first order for La Moderna.
06:50I'm very happy.
06:53Well, anyone would say so.
06:55What's wrong with you?
06:59Mariela, please sit down.
07:04Thank you.
07:11You see, I've been with a doctor.
07:15Dr. Mendoza is a psychiatrist.
07:18He is a recognized doctor.
07:20Mr. Fermin himself has told me very well about him.
07:22Mr. Fermin?
07:24Have you talked to Mr. Fermin about what is happening to me?
07:26Well, I didn't know who to go to.
07:28And besides, Mr. Fermin has very good contacts.
07:30But a matter like this,
07:32Iñigo, you should have talked to me.
07:34Matilde, everything happened very quickly.
07:36When I was talking to Mr. Fermin about what was happening to him,
07:38he quickly arranged a meeting with that man.
07:40And I came to talk to him.
07:42I don't care. I insist, you should have talked to me,
07:44instead of doing it behind my back.
07:46Yes, my love, but listen to me and let me talk.
07:50I've been with that doctor.
07:52And I really thought he was a charming man.
07:54And he is willing to come here
07:56to talk to you this afternoon.
07:58It's something informal,
08:01to talk among you, to meet you.
08:03It's incredible.
08:05Two men making a decision for me
08:07and with Mr. Fermin in the middle.
08:09It's incredible.
08:11No, my love, nobody wants to make a decision for you.
08:13You are the one who decides.
08:15Dr. Mendoza will not come to this house if you don't want to.
08:17So tell me,
08:21do you want to talk about what is happening to you with a specialist?
08:23Yes or no?
08:31Besides, last night you told me yourself
08:33that you needed someone's help,
08:35that you alone couldn't handle everything
08:37that was happening to you.
08:39And my love, what better help than a psychiatrist?
08:43Listen to me.
08:45If anything else happens to you, please tell me.
08:51It may be, I don't know.
08:53And don't worry about Mr. Fermin.
08:55Because I only told him what was essential.
08:57Besides, you know that he is a very discreet man.
09:00He cares a lot about you.
09:04What do you want me to do?
09:08My love, forgive me if I have been so hard on you.
09:12I know you are doing it for me
09:14and that you are also suffering a lot.
09:18It's okay.
09:20Tell the doctor to come.
09:22Seeing a doctor won't hurt me.
09:24I love you.
09:26I love you too.
09:32I'm very afraid of losing Pietro.
09:36I understand that woman.
09:38She has a husband and she wants to get him back.
09:40I would do the same.
09:44But understanding her doesn't make me less scared.
09:46It's normal to be scared.
09:48Now she needs time to assume all this.
09:51That's it.
09:53She needs time.
09:55And you also need
09:57Pietro to send her for a walk.
09:59Look at her showing up
10:01on the same day of the wedding.
10:03To annoy us all,
10:05especially me, who was the godmother.
10:07I mean, that's the least of it, right?
10:09No, it's not the least of it.
10:11Besides, if she loved Pietro so much,
10:13why didn't she come sooner?
10:15And with a son in the way.
10:17That child has not seen his mother since he was a child.
10:20She has a hard face.
10:22Well, I'll also tell you something, Antonia.
10:24Don't worry.
10:26Because that woman didn't come to take Pietro away from him.
10:28Then why did she come?
10:30To get something out of him.
10:32I've seen her take advantage of him.
10:34It's not that easy, Esperanza.
10:36Actually, that woman never left Pietro.
10:38When she went to the Americas,
10:40she did it in accordance with him.
10:42Apparently, they loved each other a lot.
10:44He told me this on his day.
10:46Yeah, but that was a long time ago.
10:48What scares me
10:50is that Pietro's people will wake up.
10:52That's not going to happen.
10:56Let's go to work.
10:58Thank you.
11:10Yesterday I warned you
11:12that it would be complicated.
11:14But I also want you to see
11:17that I take your requests very seriously.
11:19What I want is for my requests to be fulfilled.
11:21I don't care if you take them seriously or not.
11:23As if my life depended on it.
11:25I committed myself
11:27to having everything as soon as possible
11:29and I am in it.
11:31But to get the maximum liquidity
11:33that I am looking for from the Morcuende company,
11:35I also need to know where the limit is.
11:37How far are you willing to liquidate?
11:41As much as possible.
11:43By the way, Fario,
11:45I wanted to ask you something.
11:47I was going to ask you yesterday,
11:49but since the conversation ended
11:51a little hastily, I forgot.
11:53Tell me, I'm listening.
11:55I hope so.
11:57Because you're going to have to resort to your contacts.
11:59Something you've been very scrupulous about lately.
12:01As long as it goes into legality?
12:03Yes.
12:05That's how it will be.
12:07I need you to open a listed account in Switzerland
12:09and send all the funds there
12:11that you can.
12:14Something very illegal, as you like.
12:16A listed account?
12:18In Switzerland?
12:20That's right.
12:22And for what?
12:24I mean, are you sure?
12:26Fabio, if not, I wouldn't ask you.
12:28But do you know that a listed account
12:30is like a check to the holder?
12:32Anyone who has the codes can access it
12:34without having to do anything else,
12:36or give your name or anything.
12:38I know the risks it entails.
12:40And yet I want to do it.
12:43I know the risks it entails, Fabio.
12:45But I also know that what is lost
12:47in security of access to the account
12:49is earned anonymously.
12:51And that's enough for me.
12:53The request I made is so strange, isn't it?
12:55It is.
12:57I also miss your behavior these days.
12:59I have the feeling that you're hiding something from me.
13:03This is the truth, isn't it?
13:09What am I going to hide from you?
13:13All the papers on this table
13:15show that everything I have
13:17goes through your hands first.
13:19It's very difficult for me to hide anything from you.
13:21But a few days ago,
13:23you were willing to save the company at all costs.
13:25You even helped me draft a report
13:27to cut costs and clean up the business.
13:29Because I thought
13:31that was what Carla would have wanted.
13:33That's why I insist.
13:35That's why I miss this change of attitude so much.
13:37Now you don't want to clean up the company.
13:39Now you want to liquidate it.
13:41It's difficult to understand such a change.
13:47Fabio...
13:51I don't know.
13:53Maybe I didn't explain myself well.
13:55I don't want to liquidate the whole company.
13:57What I want is to get rid of those assets
13:59that are not profitable.
14:01I don't want the three of them.
14:03I don't want my daughter's company
14:05to sink one day for another because of my bad management.
14:07Are you hiding something from me, Barbara?
14:10Because I can only really help you
14:12if you are completely honest with me.
14:16I understand that you make a great effort to help me.
14:18And that's why it hurts me to have to tell you
14:20that I don't think you're being completely fair to me.
14:24Asking you to be honest
14:26doesn't mean I'm not fair to you.
14:28It means you're very misunderstood.
14:30I just lost my daughter.
14:32And now you come to me
14:34with absurd suspicions.
14:37If you don't want to,
14:39or you can't fulfill the order I gave you,
14:41tell me openly.
14:43But don't make me waste any more time.
14:49Okay.
14:51I'll open that account in Switzerland.
15:01Mr. Fermin.
15:03I've already notified Antonia.
15:05As soon as she finishes serving some clients,
15:07she'll come here.
15:09Thank you.
15:11I'd like to take this moment
15:13to talk to you in private.
15:19Sit down.
15:23Tell me.
15:25It's about Pietro.
15:27Poor man.
15:29He must be having a terrible time.
15:32And he's still coming to work at Obrador.
15:34In complicated situations,
15:36it's when you see the value of a man.
15:38And Pietro's is huge.
15:40Huge.
15:42Anyway, Mr. Fermin,
15:44this whole situation has made me
15:46reflect and...
15:48Please, don't misinterpret me.
15:52I'm very sorry about everything that's happening to you,
15:54but...
15:56This salon is depending
15:58too much on Pietro.
16:01What do you mean by
16:03depending too much?
16:05I don't even want to imagine
16:07if, suddenly,
16:09a few days after everything that's happened,
16:11Pietro goes into depression,
16:13for example.
16:15A depression that won't let him work.
16:17Yes, yes, yes.
16:19It would be a complicated situation, of course.
16:21But I imagine we'd know how to solve it.
16:23I remind you that not long ago,
16:25Pietro had to leave for Italy
16:27and was replaced by...
16:29But we all know that that was
16:31a temporary situation.
16:33I'm convinced, Mr. Fermin,
16:35that if we had had more time,
16:37we would have found a better replacement.
16:39Yes, yes, yes, I guess so.
16:41But...
16:43I don't know where
16:45Mrs. Lázaro wants to go.
16:47Well, we should have
16:49an alternative to Pietro.
16:51I repeat,
16:53this salon depends too much on him.
16:55And here, no one should be essential
16:58except you.
17:00Otherwise, the salon would be Pietro's and not yours.
17:02And isn't it?
17:04Partly?
17:06Well...
17:10No, no, you're right.
17:12Yes, we have to be foresighted
17:14and have substitutes, but it's very difficult
17:16to find a qualified worker
17:18and much more than having
17:20the level of Pietro Fazziello.
17:22But yes, yes, yes,
17:24we have to keep that in mind.
17:26Speaking in person,
17:28how's it going with Inés?
17:30Good.
17:32Good, good, very good. It's lovely.
17:34I've given her an office
17:36in one of the rooms on the upper floor.
17:38Anyway, if you think
17:40it's better to have her here, close to you,
17:42I can give her my desk.
17:44I'll move to the upper room.
17:46No, not at all.
17:48I feel very comfortable sharing the office with you.
17:50In fact, I need to have her close.
17:52Especially now that
17:55we get along so well
17:57while working.
17:59Thank you very much. I agree.
18:01Yes?
18:03Excuse me, Mr. Fermin.
18:05Mrs. Lázara said she wanted to see me.
18:07Yes, yes, yes.
18:11No, I wanted...
18:13I wanted to ask how you were
18:15doing, given the circumstances,
18:17of course.
18:19I'm fine,
18:21given the circumstances.
18:24I see. You also know that
18:26if you need it, you can stay at home.
18:28One day, two, three, whatever you want.
18:30It's not necessary. I like
18:32working.
18:36If you don't need me for anything else,
18:38I'd like to go back to the show,
18:40because I have a lot of work.
18:42Yes, yes, yes, of course, of course.
18:44But I repeat, if you need anything,
18:46I'm here.
18:48Thank you.
18:54You have a huge heart,
18:56Mr. Fermin.
18:58You are always aware of your employees.
19:00I like to think of my workers
19:02as a family,
19:04and that we care about each other
19:06as if we were
19:08of the same blood.
19:10I agree with you.
19:12Here we are all
19:14a big family.
19:23Thank you.
19:39Esperanza, who are you praying to?
19:41Saint Ostropajo
19:43or Saint Elijah?
19:45Girl, I'm not praying.
19:47I'm sanctifying myself.
19:49That's where Matilde says
19:51to the deceased widow of Morcuende.
19:53Oh,
19:55I get goosebumps just thinking about it.
19:57But don't tell me those things
19:59that I have to go there every day
20:01if I don't want to see ghosts.
20:03Now that I think about it,
20:05I'm going to pray
20:07to see if I can get Matilde to be healed.
20:09She has visions.
20:11I saw her in the living room before.
20:13The truth is that she did have
20:15a little bit of anguish.
20:17The poor woman must be having
20:19a little bit of anguish.
20:21I saw her too, organizing those conferences
20:23that are going to be held in the living room above.
20:25And she was grumbling
20:27because, of course, she had to open the living room above.
20:29More work for us, more cleaning.
20:31But in the end I didn't tell her anything
20:33because I saw her so depressed.
20:35Well, she did have to see her mother
20:37so that you would shut up.
20:39Poor Matilde.
20:41Besides, she will notice the lack of Clarita a lot.
20:43Yeah.
20:45Thank goodness she has a life.
20:47Thank goodness.
20:49Well, as soon as you finish here,
20:51you come with me to the reservation.
20:53Okay, I'll be waiting.
21:05Hello, Marta.
21:07How are you today?
21:09Because of the wedding.
21:11I mean, the non-wedding.
21:13It's bad.
21:15It's worse, Antonia,
21:17that the poor woman is depressed.
21:19It's one thing to follow anyone.
21:21At least you're here.
21:23I'm sure you'll comfort her.
21:25I can't comfort her.
21:29She's left without a wedding.
21:31But well.
21:33And you, how are you?
21:35How's the bookshop?
21:37I can't complain.
21:39I don't know, even Miguel is impressed
21:41with how committed I am to work.
21:43Well, a job is a serious thing.
21:45And you don't get it just like that.
21:47Well, some do.
21:49That's exactly what I wanted to talk to you about.
21:51About work.
21:53Well, you're taking it seriously, aren't you?
21:55Look, in the bookshop we need a cleaning lady
21:57for hours, several days a week.
21:59I have the responsibility to look for her
22:01and I thought that maybe
22:03you might be interested.
22:05It would be the first hour.
22:07With the bookshop still closed.
22:09And I think you could make it compatible
22:11with the bookshop.
22:13What do you think? Are you interested?
22:15Do I have to answer you now?
22:19I guess we can wait a bit, yes.
22:21All right.
22:23I'll think about it
22:25and I'll give you an answer tomorrow.
22:27All right.
22:41From now on,
22:43every two days,
22:45I'll give you a day off.
22:47So you can get out of the basement,
22:49walk around the house,
22:51take a hot bath.
22:53What are you saying
22:55about my happiness, Mother?
22:57If there's something that makes me really happy
22:59right now,
23:01it's going crazy, Matilde.
23:03You're always with that girl in your mouth,
23:05my dear.
23:07I'm hoping the night will come
23:09and I hope it's the last one.
23:11Carla,
23:13if I'm making all these efforts,
23:15if I'm giving you a day off,
23:17it's so that you can
23:19go to the basement from time to time,
23:21but to walk around the house,
23:23not outside.
23:25I can't go crazy here, Mother.
23:27I have to go out
23:29and she has to believe me
23:31or not.
23:33Listen to me, dear.
23:35If you keep going out,
23:37you expose yourself to being recognized
23:39and this network of lies is exposed,
23:41that we're orchestrating between the two of us.
23:43And if I drive her crazy like this,
23:45will it be worth it?
23:47Don't risk it.
23:49Especially now that I'm preparing
23:51with Fabio the liquidation of the company's assets.
23:53You're in a hurry
23:55about that, aren't you?
23:57No hurry.
23:59Everything is so that you have money
24:01available when you need it,
24:03wherever you are.
24:05Wherever I am?
24:09Of course, I understand.
24:11I understand
24:13what I found
24:15while you were preparing the tea.
24:19Can you explain it to me?
24:21Don't worry,
24:23I'll explain it to you.
24:25It's two bills,
24:27one for the boat and one for the train.
24:29What did you expect, Mother?
24:31What's the matter?
24:33Well, if you want,
24:35I'll explain it to you.
24:37What you wanted was to force me out of here.
24:39And with Medina's help, right?
24:41Because I don't think I have enough body
24:43to drag me out of here.
24:45You're always so perceptive, daughter.
24:47Well, yes.
24:49That was my plan.
24:51And I'll keep doing it
24:53if you insist on this dangerous night out.
24:55Dangerous for Matilde.
24:57For Matilde?
24:59For you.
25:01Dangerous for you and for me.
25:03And all for what?
25:05To get revenge?
25:07Because you think you feel something for Íñigo?
25:09I don't think I feel something for Íñigo.
25:11I feel something for Íñigo.
25:13I love him.
25:15So wise for some things
25:17and so stupid for others.
25:19Are you willing to put yourself at risk
25:21for a man who wanted to see you in jail?
25:23For a man who put you in this situation?
25:25Locked up in that basement?
25:27It's you
25:29who's locked up here.
25:31You're running away.
25:33Sometimes I wonder
25:35what kind of poison Íñigo inoculates
25:37in women to have
25:39that girl and you fighting for him.
25:41Enough!
25:43And I'm going to tell you one thing
25:45and it will be the last time I tell you.
25:47As I try
25:49to get into a boat by force,
25:51I swear to you
25:53that I'm capable of throwing myself into the water
25:55and swimming again.
25:59I love you.
26:25Pietro?
26:29He's not here.
26:35He has to come and eat
26:37but I don't think he'll be long.
26:39Thank you.
26:45Wait here.
26:59Thank you.
27:11Pietro gave me the address of his house
27:13in case I had to meet him.
27:15Yes, he told me you saw each other yesterday.
27:17I'm living in a boarding house.
27:19He also told me.
27:23I was there waiting for Pietro.
27:25He was going to pick me up
27:27after he ate
27:29and call Giancarlo.
27:31I understand.
27:33I wanted to get ahead
27:35so he could eat
27:37and not have to waste time
27:39picking me up.
27:43Very well thought out.
27:47I'm sorry
27:49but I have to go home
27:51and eat before I go back to work.
27:55Bye.
27:59Do you want to wait inside?
28:01Inside his house?
28:03Do you have the key?
28:05No, no, no.
28:07I mean inside my house.
28:09Well, it's not really my house.
28:11My house is that one over there
28:13next to Pietro's.
28:15But now
28:17they're fixing the beams.
28:19We have a problem with the carcoma.
28:21They're like bugs that eat wood.
28:23Ah, Tarly.
28:29I said it.
28:31If you want to come in...
28:33Antonia,
28:35you're a spectacular woman.
28:37I thought about it
28:39on the day of the wedding
28:41that Pietro wouldn't marry again
28:43unless he did it
28:45with a special woman.
28:47It's just that Pietro
28:49doesn't fall in love with anyone.
28:51I don't feel like talking about it.
28:53I hope you understand.
28:55Yes.
28:59And like I said,
29:01I'm in a bit of a hurry
29:03before I go back to work.
29:05I don't understand.
29:17We're not doing anything right.
29:19We're not doing anything right
29:21by entering Mr. Fermin's office without his permission.
29:23It's a lie that I have to tell you this.
29:25It's you, Teresa.
29:27You don't have to come in.
29:29You stay here watching that no one comes in
29:31and I make sure that Mr. Fermin and Mrs. Lazara
29:33have gone to eat.
29:35That's what we should be doing,
29:37going to eat, not playing spies.
29:39Don't worry. Trust me.
29:41There's no danger.
29:43There's no danger, you say?
29:45Teresa, I don't recognize you.
29:47Let's see.
29:49Here are the workers' contracts.
29:51I look for Mrs. Lazara's.
29:53I look at the information we're looking for.
29:55I leave it again and nothing happens here.
29:57What am I saying?
29:59Is all this necessary?
30:01You couldn't do this with Mr. Fermin in front of you.
30:03If someone has the right to look at that folder
30:05with contracts, it's you who's in charge.
30:07No, Cañete.
30:09I'd have to give him explanations
30:11if I don't want to do it.
30:13Besides, Mrs. Lazara doesn't leave this office
30:15because she doesn't trust me.
30:17Never. That's what we should do.
30:19I never go into this office in secret.
30:21Please shut up.
30:23There's no one to concentrate.
30:25We're going too far, Teresa.
30:27That's precisely why, Cañete.
30:29I'm not going to stop once I've gone too far.
30:31So shut up and watch, please.
30:33This is crazy.
30:35No, it's not crazy.
30:37We're protecting Mr. Fermin from that woman.
30:39You should know what she's up to.
30:41Well, the contract appears once.
30:43It's good that you keep both of them in order.
30:45But in that folder, there's only Mrs. Lazara and you.
30:47It wouldn't be difficult to find it
30:49if you had it all in order.
30:55That's the weird thing.
30:57The contract doesn't appear or its file anywhere.
30:59It's the order that's important, Teresa.
31:01No, no, Cañete.
31:03This isn't a matter of order.
31:05I think this woman has made all the documents
31:07where her information appears disappear.
31:09See how we have reasons to distrust her?
31:11I think you're going too far.
31:13So come on, leave the folder where it was
31:15and let's get out of here.
31:17But this isn't going to stay that way.
31:19When Mr. Fermin and Mrs. Lazara are done,
31:21I'm going to follow her to her house
31:23and see where she lives.
31:25Teresa.
31:27Follow her?
31:29Have you gone mad?
31:31If that woman is hiding something,
31:33we'll have to find out somehow, right?
31:35Well, that's it. I'm going downstairs.
31:39Let's go.
31:45Think about it, Trini.
31:47The idea isn't that crazy.
31:49We need a priest to make us fake.
31:51Aureliano is sacristan.
31:53We need a church.
31:55Aureliano has access to a hermitage.
31:57Don't insist, for God's sake.
31:59What about the bulb we're talking about?
32:01Exactly.
32:03We're not going to find a more willing
32:05and willing friend.
32:07Exactly.
32:09So how are we going to put ourselves in his hands?
32:11But if he's sacristan
32:13of the hermitage of Santa Maria del Venado,
32:15it's because the priest or bishop
32:17sees in him a responsible person
32:19capable of carrying out the tasks
32:21that the position entails.
32:23Or because they didn't have anyone else.
32:25Because that hermitage is where Christ
32:27lost the alpargata.
32:29With how attentive he is.
32:31Love, he didn't come to our wedding
32:33because he was wrong about the church.
32:35But he hasn't seen me in his life.
32:37And I also appreciate the mule of my town
32:39and that's not why I'm asking him what to do at my wedding.
32:41So please, finish with these potatoes
32:43because I'm so hungry that I'm going to eat them with my skin.
32:47Well, the bulb makes some tortillas.
32:49And go on.
32:51What do I say? That a person who knows how to make a tortilla so well,
32:53it shouldn't be such a disaster.
32:55Yeah, but we're not going to ask him to cook for us.
32:57We're going to ask him to marry us
32:59in front of all our acquaintances.
33:01What a mania you've taken from the poor man.
33:03I know him, but you've made a lot of effort
33:05to make him know him through his anecdotes
33:07that, by the way, don't leave him in a very good place.
33:09So please, don't lie to me.
33:11You're right, you're right. Let's look for another option.
33:13Surely you have a friend
33:15who has, I don't know, access to a hermit
33:17and can marry us in a fake one.
33:19Think, think. Surely someone comes to your mind.
33:25Okay.
33:27Talk to the bulb today.
33:29Totally. Worse than we are.
33:33Let's go.
33:43Pietro.
33:45What are you doing here?
33:47We were supposed to meet later, weren't we?
33:49Yes, I hope you don't mind.
33:51I wanted to see where you lived.
33:53And as you told me that before going to the telephone station
33:55you would stop by the house to eat,
33:57I thought...
33:59But it's clear I came early.
34:01Are you comfortable in the pension?
34:03Because we can look for another one.
34:05The pension you asked for is perfect, Pietro.
34:09But I just needed to get out of there.
34:13I needed to vent.
34:15The idea of talking to our Giancarlo...
34:17Oh, Pietro, after so many years...
34:19I'm very nervous.
34:23Would you rather we call him another day?
34:25No, no, no, no. Let's do it today, please.
34:27Let's not delay it any longer.
34:29Well, let's go.
34:31Are you sure? Don't you want to eat something first?
34:33We'll go up and I'll wait for you while you eat.
34:35It's not a problem for me.
34:37No, no, don't worry.
34:39I'll eat something on the way.
34:41And...
34:45Can I wait here for a moment, please?
34:47Okay.
34:49I'm going to talk to Antonia.
34:59Hi.
35:07How are you?
35:09Fine, fine.
35:13Pietro, why didn't you tell me
35:15that Lucia went to see you yesterday at the Moderna?
35:19You're right. I'm sorry.
35:21I should have told you.
35:23Yes.
35:25What's going to happen to us?
35:29To her?
35:31What do you mean, what's going to happen to us, Antonia?
35:33We're the same as always.
35:37Two people who love each other, Antonia.
35:39And I love you the same, or more.
35:43Me too.
35:45And Lucia is a problem of mine, not yours.
35:47Don't worry.
35:49How am I not going to worry, Pietro?
35:51Of course I'm worried.
35:53And it's not strange that she showed up just now.
35:55The day of our wedding?
35:57Yes, it is.
35:59But what can I say?
36:03And when is she going to leave?
36:07I don't know.
36:09And I don't dare to ask,
36:11just because it seems like I want to kick her out.
36:15Antonia, I know the situation is complicated,
36:17please.
36:19And I have to deal with her.
36:21But don't worry.
36:23Because I love you.
36:25I love you very much.
36:31We just have to be a little patient.
36:35Paper.
36:37Paper.
36:41Wait for me, please.
36:47I'm going.
36:55I'm going.
37:07Well, I think
37:09the meeting with my uncle was good.
37:11Well, I showed him
37:13the proposal of the cultural acts
37:15for the store, and your uncle didn't look
37:17scared.
37:19No, and he wasn't scared when we told him
37:21that we have contacted the vice-president
37:23of the museum, Zenobia Camprovi,
37:25to come here and have a talk.
37:27And the most important thing is that he said yes,
37:29that he will come tomorrow.
37:31Yes, it seems that my uncle was excited
37:33that a linguist and writer of this category
37:35comes to the business.
37:37Let's be honest,
37:39I think what makes your uncle more funny
37:41is that Zenobia is the wife of Juan Ramón Jiménez.
37:43Well, maybe, but you know
37:45how my uncle is, little by little.
37:47The important thing is to make him happy
37:49so that he accepts us future acts.
37:51And if it goes well tomorrow,
37:53it will be like a rehearsal for bigger events
37:55in the Madrid-Cabaret.
37:57Remember that Inigo said yes,
37:59that we could continue to organize
38:01our cultural acts there.
38:03Yes, and it also seems that together
38:05we can achieve anything,
38:07but little by little.
38:13You're still upset
38:15because Agustín showed up at your house, right?
38:17Don't you think you're being a little unfair to him?
38:19Yes, the truth is that as soon as he left
38:21I regretted what I had said to him.
38:25And...
38:27maybe...
38:29well,
38:31maybe you're starting to like him for real.
38:33Maybe...
38:35you're denying what you feel.
38:37Well,
38:39I'm not going to deny that
38:41I might like Agustín,
38:43but right now I don't want
38:45any more men in my life.
38:47Hey,
38:49maybe someone is starting to like you.
38:51Me?
38:53Of course not, I've just talked to him.
39:11Miss Inés, how was your day?
39:13Did you like
39:15the little office you've arranged for her?
39:17Yes, a lot.
39:19I wanted to check the reservation calendar
39:21because there's a client
39:23who wants to rent the reservation.
39:25That's great news.
39:27And what a good way to start working.
39:29Yes, it's been good for your uncle.
39:31You were right about what he said.
39:33And what did he say?
39:35Well,
39:37he told me that here at La Moderna
39:39we all make a great family.
39:41You, me...
39:43Well, all of us.
39:45Besides, you remind me so much of my cousin Manolita.
39:47Excuse me,
39:49I think I've already told you about her.
39:51Yes, a cousin of yours who wanted to be a singer, right?
39:53She wanted and she could.
39:55I'm telling you this because she also
39:57had problems with her vocal cords.
39:59She was dealing with a very good specialist
40:01and in the end she was able to sing again.
40:03What luck.
40:05Anyway, between us
40:07she wasn't even half as good
40:09as they told me she was.
40:11So she left and got married.
40:13I hope you're as lucky as she is.
40:15Thank you.
40:17I won't keep you any longer. Have a good afternoon.
40:19Good afternoon.
40:21Bye.
40:23Oh, Teresa.
40:25Do you know where I can find the reservation calendar?
40:27In the cabinet in the box.
40:29Thank you.
40:37Agustin.
40:39What are you doing here?
40:41I've come to talk to you.
40:43I don't have much time
40:45because I'm working as my uncle's personal secretary.
40:47Well, maybe it's not the job
40:49that benefits you the most,
40:51but I won't be the one
40:53to judge your decisions.
40:55Look,
40:57despite the misunderstanding
40:59we had yesterday,
41:01I wanted to take advantage of this meeting
41:03to make it clear
41:05that my intentions are sincere.
41:07Regardless of what Laurita might think about me,
41:09I want her to know
41:11that my offer is serious.
41:13And to prove it to her,
41:15I'm willing to commit.
41:17So listen carefully
41:19to what I want to tell her.
41:23I've already talked to Edmond Villa,
41:25with Aureliano.
41:27And what did he tell you?
41:29That he can't marry us
41:31because he burned down the hermitage
41:33and the whole world?
41:35He said he needed his help.
41:37He offered himself at the moment, without asking.
41:39The poor thing must have nothing to do
41:41in that hermitage alone.
41:43Yes, I told you.
41:45All the virtues that Bombilla has,
41:47you have to add kindness.
41:49He's always the first to offer himself
41:51when someone has a problem.
41:53Well, kindness or the few lights.
41:55Because if it weren't for the few lights,
41:57I would have asked you for the details
41:59of the favor he has to do to you.
42:01My love, trust me.
42:03Now that I've given you this good news,
42:05are you going to pick me up
42:07when you finish the day?
42:09If I close the bookstore with you.
42:11Of course I'm going to pick you up,
42:13but if I don't come, you'll come.
42:15Isn't that kind of weird?
42:17Of what?
42:19I don't know, of not having to hide,
42:21of being able to pick us up,
42:23of walking down the street,
42:25that people see us and nothing happens.
42:27Salvita, Salvita!
42:29Don't worry.
42:31Come on, take the keys,
42:33I'm going to take the order.
42:35Very well. By the way,
42:37are you sure you can take care
42:39of the search for the new cleaner?
42:41Sure.
42:43Look, if not, I can talk to Esperanza,
42:45who may be interested in the job,
42:47or talk to the lady who cleans the shelves
42:49on the floor, or ...
42:51Don't talk so much.
42:53Come on, I told you I'd take care of it.
42:55Besides, I already have a candidate
42:57half-spoken.
42:59So I'm not going to offer the job to anyone else
43:01and it would be very ugly.
43:03I'm leaving. See you tomorrow.
43:05Goodbye.
43:07My love, you say whatever you want,
43:09but I think this boy is manipulating you.
43:11He's trying, I'm not going to deny it,
43:13but I'm always going to see him.
43:15Besides, you just saw how I control him.
43:17Yes, I don't know what to tell you.
43:19No, but I do. Don Salvador will be so happy
43:21when I give his son back
43:23that he's not only going to appoint me
43:25manager of all his bookshops,
43:27but he's going to double or triple my salary.
43:29Oh, I wish the three of us would go.
43:31Yes. By the way, where were we?
43:33Here.
43:39Mr. Mendoza, I thank you very much
43:41for making room for us this afternoon.
43:43I already told you it wasn't a problem.
43:45Well, let me introduce you.
43:47Dr. Mendoza, my wife, Matilde.
43:49Nice to meet you.
43:51Likewise.
43:53I know what you're thinking, Mrs. Peñalver,
43:55that I should be here,
43:57and that you don't need any doctor to see you.
43:59So let's do just that.
44:01As if I were not a doctor,
44:03just a friend
44:05who has come to have a coffee
44:07and chat a little with you.
44:09Would you do that for me?
44:11I'll try.
44:13All right, then.
44:15Let's sit down and have a coffee.
44:17Please sit down, Dr. Mendo...
44:19Mr. Mendoza.
44:21How long have you been married?
44:23We've known each other since we were kids.
44:25We met a few months ago...
44:27We've only been married a couple of weeks.
44:29I understand.
44:31Do you live here alone?
44:33No.
44:35We live with your little sister, Clarita.
44:37But she's...
44:39She's in Aranjerez
44:41with my aunt and my other brother.
44:43Look, Matilde, I don't want to offend you,
44:45but I'd like to talk to you.
44:47I thought that was what we were doing.
44:49I'd like to get to know you in depth,
44:51talk about what interests you,
44:53what worries you,
44:55talk about everything
44:57you need to talk about
44:59and do it alone.
45:05Well, that's fine.
45:07I'll go for a walk
45:09and I'll let you talk quietly.
45:11Only if you feel like it, my love.
45:13I feel like it.
45:19I feel like it.
45:31Well, we're alone now.
45:33Let's start.
45:37It's the first time I've had an office.
45:39Doña Lazara got me a room
45:41upstairs.
45:43That woman is wonderful.
45:45She's always looking out for me.
45:47What's wrong with my neck?
45:49Nothing. You know they call her the vampire.
45:51I don't understand why.
45:53She has a beautiful smile.
45:55Inés, because she's cold, manipulative,
45:57it seems like she wants to suck your blood,
45:59so don't trust her smile.
46:01Laurita, don't be silly.
46:03Maybe she's a bit strict at work,
46:05but I think she's a lovely woman.
46:07Of course, since she got you an office
46:09the first time around.
46:11That's not why.
46:13Don't you think you're wrong about her?
46:15I don't know, Inés. I'm just warning you.
46:17If all my coworkers think the same way,
46:19it must be because of something.
46:21I think it's unfair.
46:23Because she hasn't done anything to me,
46:25and neither has she to you.
46:27And we should give her a chance.
46:29Why us?
46:31Because the guy trusts her a lot
46:33and she gets along very well.
46:35And you know the guy wouldn't look at anyone.
46:37So stop calling her the vampire.
46:39Don't make me have to call her
46:41aunt one day.
46:43Call her aunt?
46:45That's horrible.
46:47Horrible?
46:49What you said to Agustín yesterday was horrible.
46:51I found him in the living room
46:53and he didn't say anything.
46:55That's because you don't know him.
46:57And you don't know him either, Laurita.
46:59Today he showed me he has a golden heart.
47:01Really? Why?
47:03Well, you'll find out in due time.
47:05No, tell me now.
47:07You're very impatient.
47:09That's because you don't have any arguments
47:11I'm listening.
47:13And you? You always want to contradict me
47:15even if you don't have a reason.
47:17Look, you're behaving like a capricious girl
47:19and you know it.
47:21Sure, but you always know everything
47:23and I never know anything.
47:25Look, I thought you were more mature,
47:27but not everyone has to see things
47:29the way you see them, Laurita.
47:31Nes, this time I'm right.
47:33And look, I'm telling you I'm going to go for a walk
47:35because you're making my head spin.
47:37And now pick this up.
47:39I hope I haven't arrived too soon
47:41and I haven't interrupted the conversation.
47:43No, we were done.
47:45Do you want another coffee?
47:47I wouldn't say no.
47:49I have a dry throat.
47:51Well, I'm going to make more.
47:53Do you want one, love?
47:55Always.
48:09Everything okay, doctor?
48:11Let's get some fresh air.
48:31What's going on, doctor?
48:33I'm not going to lie to you.
48:35Your wife is suffering from a manic episode.
48:37That would explain her hallucinations.
48:39That feeling that
48:41there are things around her
48:43without explanation
48:45but that are real to her.
48:47Manic episode?
48:49And why is that?
48:51Some traumatic experience, surely.
48:53And many can be the cause.
48:55Her mother's murder.
48:57Or her brothers' death.
48:59The car accident they suffered.
49:01Even the accusations
49:03they made against her.
49:05You have to treat your wife as soon as possible.
49:07There is a medication that will do her good.
49:09It's very strong at first
49:11but it will help her overcome
49:13that permanent anguish and confusion
49:15in which she lives.
49:17Besides, she would be under
49:19continuous medical control in an institution...
49:21What do you mean, in an institution?
49:23What are you trying to tell me with that?
49:25That you have to get your wife in
49:27and do it as soon as possible.
49:29I don't understand.
49:31What do you mean?
49:33And do it as soon as possible.
49:43Matilde.
49:45Murderer.
49:47These mental illnesses
49:49are deceitful, Mr. Peñalver.
49:51Your wife can behave
49:53with total normalcy and then
49:55have an outbreak.
49:57If you don't take the right measures as soon as possible
49:59the symptoms may worsen.
50:01You were with me all this time.
50:03You gave me the strength to move on.
50:05Pietro.
50:07I'm still in love with you.
50:09That Lucia doesn't mean anything here, Antonia.
50:11Well, yes, Marta.
50:13If Pietro is where he is, he is her husband.
50:15And they have accounts from the past.
50:17You love Pietro.
50:19Have you already started the plan to liquidate
50:21part of the companies as I asked you?
50:23I'm busy with all the paperwork.
50:25Maybe you want to leave Spain
50:27and therefore leave our relationship.
50:29It's not sustainable at all.
50:31Do you realize how strange it sounds
50:33that you are spying on your boss?
50:35But she is manipulating Mr. Fermin
50:37with I don't know what purpose.
50:39Her niece Inés has told me about the colloquium.
50:41Maybe you want to go with me.
50:43I'm very sorry, but I can't attend.
50:45You must have met a friend, I guess.
50:47No, no, no.
50:49With a man.
50:51Do you know if you want to work for us?
50:53I have to see if I can combine it
50:55with my shift at La Moderna.
50:57I don't know if they could leave me a key
50:59or someone could come to open me.
51:01I'm going to see every day at the first hour.
51:03Are you going to get up early three days a week?
51:05You leave me boniato paste.
51:07What is this?
51:09It's his new contract for the court of Pharaoh.
51:11We already had a contract and you know
51:13what my problem is.
51:15That's the reason for the new contract.
51:17Have you discovered something?
51:19I've been able to talk to some of the neighbors.
51:21With the first, with the bar and with the kiosk.
51:23And?
51:25He's married.
51:27Aurelia is not going to do it.
51:29There is no better priest or the real ones.
51:31The only thing I hope is that he doesn't meddle
51:33and that everyone finds out that our wedding
51:35is a lie.
51:37At your feet, Mrs. Campurri.
51:39It has been a wonderful evening.
51:41If you allow me, I will accompany you to the car.
51:43Of course.
51:45I could also introduce you to my husband, Juan Ramón.
51:47Don Juan Ramón Jiménez.
51:49Everything you organize is like what you do as a girlfriend.
51:51We were the same.
51:53You are creating many spaces to give voice to women.
51:55All with your help.
51:57You are like glue.
51:59Working together, we are the best couple.
52:01If you were a man, I would ask you to marry me.
52:03I wish Agustín looked a little more like you.
52:05If the people at Trini's job
52:07believe that we have just fallen in love
52:09and we want to stop pretending,
52:11what we have to do is
52:13get married.
52:15One thing is that I don't understand it.
52:17And another very different, that he is going to marry us.
52:19There is a call.
52:21Call whoever you want.
52:23I'll call you back later.
52:25No, it's not for you.
52:27It's for Pietro.
52:29The police are asking for him.
52:31If we don't do something soon,
52:33Matilde's condition will worsen irreversibly.
52:35Esperanza, I know it may seem crazy,
52:37but I swear
52:39I heard Carla's voice coming from the terrace.
52:41Do you want me to take a walk around the house?
52:43But before there was no one
52:45and now there is no one either.
52:51And now there is no one.