Benedict Cumberbatch & Gaby Hoffmann Break Down a Chilling Eric Scene ｜ Movie Trailer

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Transcript

00:00I think the first time maybe I did it too hard.

00:02No, I was really wanting to kind of like fly back or get knocked off my feet.

00:06Hi, I'm Benedict Cumberbatch.

00:08And I'm Gabby Hoffman.

00:09And this is a scene from Eric shot by shot.

00:19It's episode two.

00:20This is the end of episode two.

00:21It's 48 hours into the disappearance of our nine-year-old son Edgar.

00:24You're finally sort of coming out with your plan with Eric the puppet.

00:29I'm finally sort of confronting you about your losing your mind.

00:32Yeah.

00:33And the cut on your forehead.

00:35Yeah.

00:35I thought I saw it today.

00:39But it was just the jacket.

00:42It was just a jacket that looked like this.

00:44That's a good moment.

00:46I think this is where they both realize that they're going to have to go it alone.

00:50He can't be my partner in this endeavor and you're realizing I can't be yours.

00:53And I think this is the beginning of when we know that we're going to

00:56take two separate paths from here on out.

00:58Yeah.

00:59I didn't have my eyebrows arched like that either.

01:03What are you doing with his drawings?

01:07I told you I'm working on a new puppet.

01:13Look, if I can get Eric on the show, then Edgar will see him.

01:19Then he'll know how much we love him, how much we want him to come home.

01:25He'll know what to do.

01:27We had a little trouble getting here, remember?

01:29I do remember.

01:29There's the big shove prior to this and it took us a while.

01:32The fight over the remote and the check and what the scene was really about at the beginning.

01:36Yes.

01:37And it's interesting because it is about us trying to come together and then pushing each

01:42other apart or me pushing you away.

01:44I think the first time maybe I did it too hard.

01:47No, I was really wanting to kind of like fly back or get knocked off my feet.

01:50It's beautiful, Robbie's writing, because it's far more real.

01:54Real life doesn't go into some kind of crescendo of crisis.

01:57It ebbs and flows.

02:01It moves in a far less linear way.

02:03And that's really what I think she's crafted in this moment.

02:06How did you get that cut on your forehead?

02:11What I loved about this moment, though, in the playing of it with Gabby,

02:14was just the thread of trust and suspicion being pulled and pulled and pulled.

02:18That tension was a delightful thing to play dramatically.

02:22You have a bloody T-shirt as a bit of evidence at this point in the show,

02:24and that somehow I'm involved in what is supposed to be Edgar's injury,

02:29because it's blood on his T-shirt.

02:31I loved her leaning and going, oh, my God, oh, my God.

02:33And having that thought drop, which she does so chillingly, so beautifully.

02:37It was such a horrifying thing to face as Vincent.

02:41The ability to leave the scene with defensive disgust and revulsion was,

02:47I mean, it was really like a shutter dropping for that character.

02:51What blood type are you?

03:00I'm giving my mother her check back.

03:05He's lived a life of not being loved, not being cared for, not being held.

03:10And therefore, to be held by this check, to be helped by this check,

03:13he can't see the very, very obvious point that, of course, people need incentives.

03:18Of course, people need to have some kind of lure to come forward and help

03:22in a busy, crowded, loud city with tragedy on every corner.

03:26And the money, I'm afraid, does motivate people to do that.

03:29You can't accept it, because it would be to accept some sort of defeat.

03:32So I do think it's right and wrong is a funny binary to throw on this.

03:37But I do think it's a moment of indication as to the trap that you're still in.

03:42For sure.

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