MHN ARIZEIS TH MOURMOURA | S11 - EPS. 58 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 58 HD
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00:00[♪ Mourmoura by Eleni Anagnostopoulou ♪ ♪ music playing ♪♪♪♪♪♪♪♪♪♪♪♪♪
00:30♪♪♪
00:40♪♪♪
00:50♪♪♪
01:01Here you are!
01:04Your shoe is ready!
01:06I can't believe it! You made me a shoe!
01:08How is that possible? I wouldn't let you go without a shoe!
01:10The tailor made it, he changed the shoes,
01:12just be careful, my girl, don't run and kill someone.
01:15Thank you very much, my love, you did it in a good way!
01:18Of course! I used to give it to you, and let's go to the concert.
01:20In a month, I booked for Malama.
01:22In a month?
01:23In a blink of an eye, I got the tickets.
01:24Yes, but in a month...
01:25Don't say it.
01:26Don't say it.
01:28Don't say it.
01:31Babis, thank you very much for everything you do for me.
01:33I know you're trying to convince me not to go to Germany,
01:36but I'm going, I'm not going back, I want to go with you!
01:38You said it, we're going, my girl, don't say it again!
01:40Please, please, let's not say it again!
01:42Please, you know how good this change will do us?
01:44I can't make the change, my dear.
01:46The time changes and I can't get used to it.
01:48And you're telling me to change country?
01:49Yes, my love, but you have a lot of ties,
01:50and this country is a wonderful country,
01:52you have a great reputation for the citizens.
01:53Yes, and paradise should be, I can't make the change!
01:56How could I not tell you?
01:57When we got married and I changed house,
01:59I had to get used to it for four years.
02:01Yes, but now you don't want to leave Kalamaria,
02:03you see it, you come to my words.
02:04My dear girl, my dear girl, why don't you understand me?
02:07When the big earthquake happened,
02:08we didn't leave our house in a hurry.
02:10Yes, why would you leave the house, such a problem?
02:12Because it would come to our heads, they had turned it yellow.
02:14And you would stay in this house?
02:16Yes, because my father couldn't stand the changes,
02:17he didn't want to change house.
02:18That's why I took it, you understand?
02:20Please, open your eyes, look at the great opportunity.
02:22My child, you know what, our house is closing in Apurgo.
02:25You fixed the house, and you didn't tell me anything.
02:28Well done, Xenia, well done!
02:40Welcome.
02:43Hello, Zouzou.
02:46I cut something.
02:48Well, Lilika will stay here tonight with us,
02:50she shouldn't be alone.
02:52Come on, Minas, I told you, she won't stay.
02:54I've decided it, and I won't object.
02:56Very good, no objection, but why?
03:00Well, I passed the beer,
03:02there was no reason for her to stand there,
03:04not even to see him, they didn't let her.
03:06Very good, but I still don't understand.
03:10Minas, Zouzou doesn't know.
03:13I don't know what?
03:15Of course, you're right, yes.
03:16Oh, look at this.
03:18Well, Manoussos went to the intensive care unit.
03:21Who's Manoussos, your husband?
03:23Yes.
03:24What happened?
03:25He had an episode, suddenly.
03:28Something bad.
03:29Oh, Lilika, oh, Lilika.
03:32Everything will be fine, everything will be fine.
03:34Of course, of course, everything.
03:35Manoussos is in charge.
03:37I don't know, I don't know, I'm afraid, I'm afraid.
03:40But why did I leave, what was I thinking?
03:42Sit down, my child.
03:44Sit down, my child, since Rajes told you,
03:46you can't help him, you can't see him.
03:48Tomorrow morning.
03:49Of course, you have to give me strength,
03:51what are you doing out there, you're not helping, are you?
03:53Excuse me, you said the same things to me.
03:56Yes, there is sleepiness in the team.
03:58Yes, but what if something happens and I'm not with him?
04:02If he comes, I'll call you right away.
04:04Yes, I didn't mean that.
04:07Nothing will happen, everything will be fine.
04:09So, have you eaten? I brought fakorizo.
04:12Yes, I'm hungry now.
04:13No, no, no, no, no.
04:15You will eat, even if by force.
04:17Let's go inside.
04:18Here you are.
04:19The general has spoken, go ahead.
04:24We won't make it.
04:25Hit the kid with the pillow, so he can relax.
04:28Why should he relax, is he a marenga?
04:30Okay, leave him, let's put him on the floor.
04:32Maybe you're a little over the top.
04:34Why didn't you tell me earlier that he was coming?
04:36I found out an hour ago.
04:37Okay, enough work now.
04:38Enough.
04:39Kid, you don't understand me.
04:40He will come to our house,
04:41one of the most successful influencers in the Balkans, you understand.
04:44And I haven't made a pie yet.
04:46Don't worry, Meini doesn't misunderstand.
04:48Yes, you will all be in this mess.
04:49What mess?
04:50Okay, everyone has trash in the kitchen.
04:52Yes, on the floor, kid, not on the floor.
04:54I made a dessert and they fell on me.
04:56They didn't fall on you, you threw them away.
04:58In the end, the dessert didn't come out like the day before yesterday.
05:00Yes, for your galaktobouriko, a little savory came out.
05:02Okay, enough work now.
05:04Is this the house now?
05:05For stories on social media?
05:06Because what does our house have?
05:08Our house?
05:09Your house, kid.
05:10I haven't chosen anything in here.
05:11We chose the bedroom together.
05:13Yes, but I don't have the courage
05:14to ask the girl to make a story in the bedroom.
05:16Because she has to make a story.
05:18What are you saying, kid?
05:19Do you want me to tell you a story?
05:20To become the most famous computer scientist in Epirus?
05:22I hadn't thought of that.
05:24Do you want me to make a story to promote acne?
05:26Acne, acne.
05:28Acne, acne.
05:30Not seeds, only soul.
05:32Day by day you scare me more.
05:34Nice, you have talent, bravo, bravo.
05:36Now I got what I wanted.
05:38Come on, don't bother me now.
05:39We have work to do.
05:40Go get the covers from the fan.
05:41Where should I hang them?
05:42Hang them on his car window.
05:44He's coming, he's coming, he's coming.
05:46Will he recognize me?
05:47Calm down, calm down.
05:48I'll try.
05:49Focus.
05:50I'll try.
05:55Oh my God!
05:57I'm the best!
05:58I'll pass!
05:59I'll pass!
06:00Oh my God!
06:03Oh my God, oh my God.
06:04What happened?
06:05Oh my God.
06:11Do you want to play apple?
06:12No.
06:18Long hair?
06:19No.
06:21Little statues?
06:22No.
06:23Little statues?
06:24No.
06:25Can I tell you something?
06:26You have become very boring lately.
06:28More than you were.
06:29I'm doing fine.
06:30What do you mean you're doing fine?
06:31Stasio writes it clearly.
06:33You have to calm me down.
06:35Stasio writes that we have to leave the house empty.
06:37What are you talking about?
06:38Who wrote that?
06:39He's crazy.
06:40I can't stand the smell of Boia.
06:41It makes me sick.
06:42And now that you said it, I want to vomit.
06:44Vomit me.
06:46Tell me, what are you going to eat?
06:47What are you talking about?
06:48Kostas.
06:49Did you bring the truffles, the truffles, the meatballs and the babyrocks?
06:51Or is he still weak?
06:52Weak.
06:53Ok, two potatoes, that's enough.
06:56Can you go ask the fan what he's going to eat?
06:58We're waiting for Kosmos.
06:59Fotis.
07:00Oh yes, Fotis.
07:01Where did he go?
07:02Where did he go?
07:03He has a personal video call.
07:04With the pregnant guy again?
07:05I don't know, Ilia.
07:06Are you going to go now?
07:07No, I'm not going.
07:08You go.
07:09I can't stand the smell of the pregnant guy from the video call.
07:10He doesn't want me.
07:11He's jealous of me.
07:19I'm not well.
07:21I can't stand this situation anymore.
07:23But hiding in the room to talk is ridiculous.
07:28I've been thinking about breaking up.
07:29No, no, no.
07:30I'm not saying it like that.
07:31I'm saying it seriously.
07:34I can't break up with her yet.
07:35No, no.
07:37Everything is pressuring me.
07:38And most of all, life is not financially independent.
07:42Yes.
07:43I've been thinking about that too.
07:50So, he's finally got the pregnant guy?
07:52Yes.
07:54Yes.
07:55What is he going to eat?
07:56The pregnant guy?
07:58Don't worry, you idiot.
07:59What is Fotis going to eat?
08:00Nothing.
08:01What do you mean nothing?
08:02Isn't he hungry?
08:03I'm not hungry.
08:04I lost my appetite.
08:06I'm not going to order.
08:07If you want, you can take it.
08:09You're not well?
08:13What is he going to eat?
08:14Yachts, yachts.
08:16I'm getting late.
08:18Ameletita?
08:20I'm going to eat them.
08:28Gabi?
08:30Why are you lying down here?
08:32I was bothered by the flies.
08:34Come on, let's go inside and lie down.
08:35No, I'm fine here.
08:36I'm not going anywhere.
08:38Why, my love?
08:39Why are you doing this?
08:41Come on now.
08:42We've been together for 24 years.
08:43We've never slept for years.
08:44Why are you doing this now?
08:45And where else?
08:46What do you want to say?
08:47This is just the beginning.
08:48The way we eat it, the end is coming.
08:50It's killing me.
08:51What did you say?
08:52It's killing me.
08:53The end, I say.
08:54It's killing me.
08:55What are you saying, Babis?
08:56What do you mean you want to break up?
08:57Turn around.
08:58I don't know what you're talking about.
08:59You're telling me you want to break up.
09:00You in Germany, me here.
09:01How can you say that?
09:02Because we in Dubai, we say,
09:03he took us and took us away.
09:04We're going crazy.
09:05Do you know how we say it?
09:06That you're a dick.
09:07You're a dick.
09:08People don't break up like that.
09:09I'm not ashamed of you.
09:10I'm not ashamed of you at all.
09:11Why?
09:12You go and lock your house in Hamburg
09:13without knowing anything
09:14and you talk to me from above.
09:15I haven't locked the house.
09:16I haven't locked the house.
09:17How many times do I have to tell you?
09:18My friend showed it to me on the internet.
09:19I liked it and I said,
09:20I'll keep an eye on it.
09:21This friend of mine,
09:29Listen to me.
09:30I'm listening.
09:31Such a proposal, my love,
09:32to take over the management
09:33of a model school
09:34is not going to happen
09:35to me in the rest of my life.
09:36Fine.
09:37You found what you're going to do.
09:38I know what I'm going to do.
09:39I'll tell you, I'll tell you.
09:40I've been thinking.
09:41I've been thinking.
09:42For starters, right?
09:43For starters, yes.
09:44You could be, I don't know,
09:45a driver, a taxi,
09:46a bus.
09:47Portuguese.
09:48Pascal.
09:49Why are you acting like this?
09:50I'm sorry.
09:51Half a minute.
09:52Half a minute.
09:53Aren't you the one
09:54who goes to all the monasteries?
09:55In my country,
09:56I do whatever I want.
09:57Are you going to sleep here?
09:58Shut up!
10:00You should have seen the way
10:01Sota came in
10:02and hugged us.
10:04Yes, I did.
10:05What?
10:06What did she say?
10:07Yes.
10:08What?
10:09She said something
10:10about me.
10:11That I was jealous
10:12that I saw you hugging her.
10:14Not even.
10:15Not even.
10:16She was about to get hurt.
10:18Guys,
10:19I really appreciate
10:20the effort,
10:21the time,
10:22the attention,
10:23but it's not enough.
10:24Yes, my child.
10:25Get over it now.
10:26Manoussos is a bull.
10:27He doesn't need it.
10:28Yes,
10:29and why did they put him
10:30in the intensive care unit
10:31to change his air?
10:32Maybe they didn't have
10:33beds in the cellar?
10:36Don't look at me like that.
10:38Deep down, I'm blind.
10:39Not even the racist gets it.
10:41Look,
10:42they put him
10:43to be taken care of.
10:44You understand?
10:45To be taken care of better.
10:46Yes.
10:47Look,
10:48any heart attack
10:49can happen.
10:50The point is
10:51how to get over it.
10:52Yes,
10:53Manoussos
10:54doesn't have
10:55any smoking
10:56in his life.
10:57Do you know what a gift
10:58this is for his body?
10:59Really?
11:00How did this happen?
11:01Huh?
11:05He took a pill
11:07that
11:08reacted
11:09to the pill
11:10of
11:11pressure.
11:12Didn't the doctor
11:13tell him not to take them together?
11:14No,
11:15he didn't ask him.
11:16He took it himself.
11:17He took a pill
11:18without a prescription.
11:19Antonis Zournas
11:20gave it to him.
11:21He took
11:22a pill
11:23from Antonis Zournas?
11:25Who is Antonis Zournas?
11:27Someone I know.
11:28Oh,
11:29someone you know?
11:30He's a bit old,
11:31isn't he?
11:32The doctor's son.
11:33The doctor's son?
11:34I wouldn't take a pill
11:35from Antonis Zournas.
11:36How did Manoussos
11:37do that?
11:38Why did you
11:39do that, love?
11:44Here.
11:47Here?
11:48Here.
11:51Oh,
11:52here.
11:53Oh,
11:54I got it.
11:55I see.
11:56And you're not telling me
11:57they worked?
11:58Unfortunately,
11:59they didn't.
12:00That's why I took a pill
12:01and didn't want him
12:02to take it.
12:03That's a good lesson
12:04you've learned.
12:05Oh, Manoussos.
12:06Oh, Manoussos.
12:07I have to go now.
12:08It's time.
12:09Wait,
12:10I'll take you.
12:11Otherwise, I'll get off.
12:12Great.
12:13I'll go to the bathroom
12:14and we'll leave.
12:19Mina,
12:20if you don't have a job,
12:21stay with her
12:22at the hospital.
12:23Yes,
12:24yes,
12:25yes,
12:26of course.
12:27I'll see to it.
12:31A nymph,
12:32guys.
12:33You can't imagine.
12:35A trumpet
12:36and the whole bust
12:38covered in
12:39semi-precious clay.
12:40It's
12:41excellent,
12:42it's excellent.
12:43And I'm not saying
12:44the metaphors are good,
12:45but you're so clumsy.
12:46You leave it
12:47in its place,
12:48you don't leave it.
12:49If you don't leave it,
12:50that's what I'm saying.
12:51You're so clumsy.
12:52Yes,
12:53I eat bacon.
12:55And since I went
12:56to the hospital myself,
12:57I said,
12:58Mormeni,
12:59your boyfriend
13:00is half an hour late
13:01and I left.
13:02And you did very well.
13:04You know,
13:05I didn't mean to stay.
13:06I was just passing by.
13:07What are you saying,
13:08my dear?
13:09It's the first time
13:10you come to my house
13:11and I don't host you.
13:12You brought me
13:13pesces.
13:14Did you like my boyfriend?
13:15I liked him,
13:16but he fell asleep.
13:17I have to throw them away.
13:18And you?
13:19How did you sleep?
13:20I didn't sleep
13:21in a hotel room
13:22so perfectly.
13:23I'm sure
13:24you prepared them all.
13:25Oh, ma'am,
13:26for you,
13:27I was coming out
13:28of my bed
13:29and I just wanted
13:30to tell you
13:31that I really liked
13:32the change
13:33you made to your hair.
13:34Thank you.
13:35And I find
13:36that it highlights me.
13:37Don't tell me now,
13:38this cheese
13:39is genuine
13:40from Amfilochia?
13:41Stop it, dear,
13:42you said cheese.
13:43Leave it,
13:44it won't go anywhere.
13:45It's the first time
13:46you give me such a gift.
13:47Oh, my God!
13:48What?
13:49Don't tell me
13:50it's the cheese.
13:51The phone.
13:52Are you okay?
13:53Huh?
13:54She says it's the cheese.
13:55Oh.
13:56All right,
13:57pick it up.
13:58Where can I run now?
13:59It's without a tag.
14:00Oh, my fingers.
14:01It has a tag.
14:02Why don't you say it
14:03so early?
14:04I'm telling you
14:05so early,
14:06pick it up.
14:07I can't now,
14:08I'm eating.
14:09And if it's something urgent?
14:10I mean,
14:11if it's not even
14:12a little omelet,
14:13I can't put it
14:14on my stool?
14:16Oh,
14:17oh,
14:18oh,
14:19enough!
14:22All right,
14:23stop.
14:24If it's something urgent,
14:25I'll go again.
14:28You must be very tired.
14:30I can't stand
14:31the afternoon,
14:32my dear.
14:33Oh,
14:34it's a shame.
14:35And I was saying
14:36we should go for a walk.
14:37My husband
14:38has a selfie.
14:39Look,
14:40a chicken,
14:41I'll make it for you,
14:42my dear,
14:43and we'll take it for a walk.
14:44Oh,
14:45good,
14:46because I want to
14:47be the least
14:48I can do.
14:49My dear,
14:50will you come with us?
14:51No,
14:52I have work to do.
15:02Yes,
15:03police?
15:04It's me, Kanets.
15:05I want to report someone
15:06for causing a ruckus.
15:07What are you saying?
15:08It's not the time
15:09and you're worrying.
15:10What are you saying now?
15:11Come here.
15:12Who are you to
15:13give them a warning?
15:14Wait a minute,
15:15stop now.
15:16It's okay.
15:20Come on,
15:21stop now,
15:22guys,
15:23absolutely!
15:24What are you going to eat?
15:25I don't know.
15:26I'll make a salad
15:27with mousse,
15:28feta,
15:29spicy spinach,
15:30a little camembert,
15:31two or three bay leaves
15:32flavored with basil oil.
15:35Are you nervous?
15:36Don't you want to talk?
15:38No.
15:39Classic.
15:40But why did you wake me up?
15:41I didn't want to be alone.
15:42Alone?
15:43Has Fotis left?
15:44He's dead.
15:45Hey, Fotis,
15:46calm down.
15:47He has a toast for you
15:48and I'm going to make a salad.
15:49Where have you been all night?
15:50In the bathroom.
15:51I had some problems
15:52with my studies.
15:53I'm talking to you.
15:54What?
15:55You didn't come in.
15:56And now you're worried?
15:58Did something happen?
15:59Nothing happened.
16:00I fell asleep on the couch
16:01and I was bored to come in.
16:02And you slept
16:03without brushing your teeth
16:04or putting on cream.
16:05But I did.
16:06Tell me the truth,
16:07what cream do you put on
16:08and why doesn't it show
16:09any result?
16:10Do you want me to recommend
16:11one of my own?
16:12I'm going to make arakas at noon.
16:13Wait,
16:14arakas?
16:15The green ones.
16:16I don't know when I'll be back.
16:17I'll be late,
16:18I have work.
16:19That guy again,
16:20he doesn't like me
16:21and he's getting on my nerves.
16:22Do whatever you want.
16:23Eat when you come back,
16:24don't eat at all.
16:25I'll do my program.
16:26Whoever wants it,
16:27whoever doesn't...
16:28What does he want?
16:29I don't know,
16:30what do you want?
16:31In relation to what?
16:32In relation to anything.
16:33Do you know what you want?
16:34Do you know what I want?
16:35I want a Thessaloniki koulouri
16:36with spinach,
16:37spicy,
16:38two or three...
16:39Excuse me.
16:40Look,
16:41I order twice
16:42and they write me.
16:44So,
16:45I'm leaving.
16:47What did you say?
16:48Goodbye.
16:49Thank you so much,
16:50my love.
16:51I hope you have
16:52a good continuation.
16:55Where are you going, mom?
16:56Are you leaving?
16:57I have a date with Fritz,
16:58my baby.
16:59He's going to lock himself
17:00at home,
17:01in Hamburg.
17:02He's locked himself at home?
17:03Is it necessary?
17:04And to me,
17:05mom,
17:06you never said it.
17:07Never,
17:08because it's written for us.
17:09Don't listen to him,
17:10my love,
17:11don't listen to him.
17:12I'll go to school
17:13and we'll talk.
17:14And what will happen?
17:15Will you leave Germany with us?
17:16Can I do anything
17:17without your father?
17:18I'm not going anywhere.
17:19Oh, I see.
17:20You're upset again.
17:21And I came to ask you
17:22if you could keep
17:23Phoebus for me in the afternoon.
17:24My love,
17:25I wish you could,
17:26but I don't know
17:27how much he'll get
17:28from the date.
17:29Why can't Haris?
17:30He has a gym,
17:31he's been stuck
17:32for years.
17:33And now,
17:34who's going to keep him
17:35when he's little?
17:36I'm going to keep him
17:37when he's little.
17:38Go,
17:39go to your German,
17:40go.
17:41I'm going to my psychologist.
17:42Here you go.
17:43You send your kid
17:44to the psychologist
17:45for what you do.
17:46Sofia,
17:47Sofia,
17:48why are you going to the psychologist?
17:49No, mom,
17:50all psychologists
17:51are obliged to do therapy.
17:52And your mom needs therapy.
17:53You need therapy.
17:54You need a lot of therapies
17:55to the point
17:56that they give you the ability
17:57to change your life
17:58and you say no.
17:59Okay,
18:00but you don't ask them
18:01to go to Larissa.
18:02I'm not going to Larissa either.
18:03See?
18:04You see how fat,
18:05how fat-headed he is.
18:06And I'm fat,
18:07and I'm old,
18:08and I'm not going anywhere.
18:09And my other love
18:10is going to sit here
18:11begging for oil
18:12at school.
18:13Come on,
18:14let's go
18:15and see who's going to support
18:16this country.
18:17You!
18:23It's the first time
18:24I've seen her so determined.
18:25Me too.
18:31Welcome, kids.
18:33Oh, you're here.
18:34When did you come?
18:35Just now.
18:36I was at my mom's.
18:37Were you at the hospital?
18:38Yes.
18:39We went together.
18:40Just me
18:41and you.
18:42Okay,
18:43we were moving too.
18:44We weren't flying.
18:45Mina,
18:46are you okay?
18:47You don't see her, do you?
18:48See who?
18:49Nothing,
18:50forget it.
18:51She doesn't see me.
18:52Bye, Lili.
18:53She doesn't see you,
18:54so why are you greeting her?
18:55Mina,
18:56who are you talking to?
18:57Leave me alone.
18:58What can I say?
18:59See, Mina?
19:00I'm not imprisoned this time.
19:01Yes,
19:02I had an idea.
19:03What happened?
19:04Did our parties end?
19:05What parties, kid?
19:06What are you talking about?
19:07I'm talking nonsense.
19:08Does it matter?
19:09No,
19:10they didn't end.
19:11Tomorrow,
19:12we have canned food.
19:13And I'm thinking about
19:14that almadaki.
19:15And with the good kalamboki.
19:16We laughed.
19:17Mina,
19:18I'm going to freak out.
19:19No,
19:20stop it.
19:21It doesn't matter to me.
19:22Tell her,
19:23Manoussos
19:24will be fine
19:25and will even
19:26get out
19:27of the detention center today.
19:28Are you sure?
19:29Now,
19:30follow me.
19:31Okay,
19:32so Manoussos
19:33will be fine
19:34and get out
19:35of the detention center
19:36today.
19:37Yes,
19:38I have the source.
19:39I'm telling you.
19:41If I tell her,
19:42she won't believe me,
19:43kid.
19:44Mina,
19:45are you going to keep doing this?
19:46I'm scared.
19:47Did you see
19:48what you did now?
19:49Show yourself,
19:50kid.
19:51Mina,
19:52I've told you a thousand times.
19:53It's not in my hands.
19:54Don't,
19:55don't leave.
19:56Oh,
19:57are you okay?
19:58Give me the keys.
19:59Give me the keys.
20:00I'm going to get you some water.
20:01No,
20:02I'm fine,
20:03kid.
20:04You're a grown up,
20:05kid.
20:06Yes,
20:07and I'm ready.
20:08Thank you very much
20:09for the information.
20:10Take care.
20:11Kisses,
20:12kisses.
20:18Oh,
20:21and
20:22rings,
20:23two faces,
20:24no seeds,
20:25only a soul.
20:27Welcome,
20:28welcome.
20:29Did you have a good time?
20:30Oh,
20:31my lady,
20:32what a nice city
20:33Arda is and
20:34what a nice shop it has.
20:35Oh,
20:36my lady,
20:37in every shop we go to
20:38they see Meni
20:39and they give us all bags.
20:40Oh,
20:41how nice.
20:42Come in,
20:43have a seat.
20:44Come,
20:45come,
20:46come a little,
20:47come.
20:48Come,
20:49come,
20:50come,
20:51come,
20:52come,
20:53come,
20:54come,
20:55come,
20:56come,
20:57come,
20:58come,
20:59come,
21:00come,
21:01come,
21:02come,
21:03come,
21:04come,
21:05come,
21:06come,
21:07come,
21:08come,
21:09come,
21:10come,
21:11come.
21:12Have a seat,
21:13please.
21:14What is it?
21:15Is it bad?
21:16Not at all,
21:17my lady.
21:18It is not,
21:19bad because you know
21:20our cat's job.
21:21Those tw doors
21:22is sensitive.
21:23You said,
21:24it is obsolete.
21:25I do,
21:26he is obsolete,
21:27you said,
21:28yes,
21:29I spoke to the cat.
21:30You spoke to her.
21:31Did you tell her I was here?
21:32Of course not,
21:33Is the cheese really from Amphilochia?
21:38Don't make it more difficult.
21:41Why are there so many lies? Why?
21:45Look how beautiful this is.
21:48Sorry, you go on.
21:51THE FOURTH DAY
22:02You're back, Fanouri?
22:04Yes, I'm back. What are you doing outside?
22:07I filled the balcony with water to make it a swimming pool.
22:10Yes, the balcony has two faucets, one on the left and one on the right,
22:13just so it doesn't get full.
22:14I know, Fanouri, I'm not stupid, I fooled her.
22:16But then what happened?
22:17I filled it with water, I let the water fall from the faucet,
22:20and nothing happened.
22:21I only had time to wet my shoes.
22:22Again?
22:24It's unacceptable that we don't have a swimming pool in the apartment.
22:27If I was a manager, I would have built three swimming pools,
22:29so there wouldn't be an earthquake.
22:32Do you know what else I would have built?
22:34A water slide that would start from the terrace
22:36and go to all the floors, so you could get to the entrance faster.
22:39OK, let me tell you.
22:40Do you know where life is?
22:42Are you wondering too?
22:43Why? Who else is wondering?
22:45Where is life?
22:47Life is running, Fanouri.
22:49Life is passing and disappearing.
22:51Life is too short to not have a swimming pool in the apartment!
22:54Nice, nice, nice.
22:55Zeta?
22:56Where is she?
22:57Zeta? How much does she care about me?
22:58Do you want her to leave?
22:59I'm going to kick her ass.
23:01I see.
23:02Ah!
23:03What's up?
23:04What's up?
23:05Are you crazy?
23:06Where have you been all this time?
23:07Are you crazy?
23:08I have a lot to tell you.
23:09I have a lot.
23:10She has cooked.
23:11You'll see.
23:12A talented, talented, basic, efficient, unbeatable,
23:16say something.
23:17I don't know what you're saying.
23:19Jesus!
23:20Hi.
23:21Where have you been?
23:23I had a job interview.
23:24Ah, and?
23:26I quit.
23:27You're a sucker.
23:28Nice, nice, nice.
23:29Where is she?
23:30She's close to the bathroom.
23:32Oh, my God.
23:33So, she must be two steps away.
23:34Yes.
23:35Uninvited.
23:36Where is she?
23:38Where is the French chap?
23:40Here we are.
23:41Avaasimi...
23:42Diplahin a psilikajidiko.
23:44I remember that.
23:45Avasimi...
23:46Exactly, it's next to my job.
23:47I'm sorry, next to the psilikajidiko is the pagodajidiko.
23:51Yes.
23:52Avastahti!
23:53What is it?
23:54It's my job.
23:55You're going to design inside the pagodajidiko?
23:56Ah, I see!
23:57You mean the same apartment, you're going to be upstairs?
24:01No, I mean inside the pagodajidiko.
24:04And what are you going to do?
24:05I'm going to slice it!
24:06I'm going to put ice cream.
24:07Why?
24:08Because I found this job.
24:09Apliti! I told you, Apliti!
24:12I don't remember.
24:13What don't you remember?
24:15Don't you watch TV?
24:16What?
24:18Where are you going, grandma?
24:19Where are you going, grandma?
24:20And you'll take my grandpa too.
24:21Don't take my grandpa, grandma.
24:23Please, don't go.
24:24I don't want you to go.
24:26Why are you sitting and making the kid cry?
24:28I'm telling him to tell his grandma.
24:31What are you doing?
24:32Where are you going?
24:33Don't go! Wait!
24:34You have to talk to your mom, smartass!
24:35What can I tell her, dad?
24:36She has no sense.
24:37Mom is in Istanbul.
24:38She's not her dad.
24:39And mom doesn't leave without her dad.
24:40So, talk to her.
24:41Come on, smartass.
24:42You're the only one who can help them.
24:47Start talking.
24:48The kid is crying.
24:49Oh, my love!
24:51My sweetheart!
24:53Oh, how much you missed me!
24:56Hi, baby.
24:57Come here.
24:58Come here.
24:59Come to grandma.
25:00My baby.
25:01My baby.
25:02The one that eats the little girl.
25:06Dad.
25:07Let me ask you.
25:08What are you going to do in Germany?
25:10I'm going to keep the bag of the director.
25:12Don't listen to him, kid.
25:14Fritz will help us.
25:15He has a lot of connections in Germany.
25:17Fritz found us a house.
25:18He found us a job.
25:19Mom, look.
25:20I understand that you don't want to miss this opportunity.
25:23Of course, love.
25:24It's a great opportunity.
25:25Why are you interrupting?
25:26Why are you interrupting?
25:27She wants to say something.
25:28She didn't finish.
25:29Did you finish, my child?
25:30She didn't finish.
25:31Why are you interrupting me?
25:32I didn't understand.
25:33I wanted to say something and finish.
25:34Do your job.
25:35I know very well what I want to tell my child.
25:36I know how she feels.
25:37Sofia.
25:38This is a life dream for me.
25:39A life dream.
25:40You know.
25:41I have a lot of plans for this school.
25:42Yes.
25:43You will tell us, though.
25:44She wanted to say something, Sofia.
25:45Let her speak.
25:46What did you want to say, my child?
25:47What did you want to say?
25:48Say it.
25:49Yes.
25:50I wanted to say something.
25:51I wanted to say something, dad.
25:52I'm sad that she's leaving.
25:53I don't want her to leave.
25:54What?
25:55I don't want her to leave, mom.
25:56Are you serious?
25:57Yes, mom.
25:58Since you said you weren't coming back.
25:59I'm not well.
26:00I don't sleep at night.
26:01I'm sorry.
26:02It's a little selfish.
26:03But I want her to leave.
26:04My love.
26:05My baby.
26:06Why?
26:07Why didn't you tell me so many days ago?
26:08I didn't want to upset you and affect you.
26:09Look what our child has done to you.
26:10Look what she has done to you.
26:11Stop it, my child.
26:12Stop it, you too.
26:13Don't make your son feel worse.
26:14Stop it.
26:15Yes, because I know.
26:16Yes, mom.
26:17I think I'm happy.
26:18I'm happy that I have my son.
26:19And I don't leave him.
26:20My child.
26:21My child.
26:22My child.
26:23My child.
26:24My child.
26:25My child.
26:26My child.
26:27My child.
26:28My child.
26:29My child.
26:30My child.
26:31My child.
26:32My child.
26:33My child.
26:35My child.
26:36Mom.
26:37My child.
26:38My child.
26:39My child.
26:40My child.
26:41My child.
26:42My child.
26:43My child.
26:44My child.
26:45My son.
26:46My child.
26:47My children.
26:48I'm going to see my son.
26:49And you only saw her?
26:50Of course.
26:51And now you know how she is.
26:52How could I have known?
26:53When I saw you talking to yourself, I thought you cracked up.
26:54What did I do?
26:55You were hanging out too much with Vangelis.
26:56No, no, no, really, really, I tell you, I thought you had catch up something.
26:57Yes, yes, I saw Lility too.
26:58And, I'll tell you, you didn't lay down on her.
27:02Okay, so you want me to tell her?
27:07Yes, I want you to tell me.
27:10Oh, now I see.
27:11Tell me, is it about Manousos?
27:14No, my child.
27:15Don't tell me no, don't tell me no. I know, that's it.
27:18Did Rantzes tell you something? Is he dying?
27:20No, my child.
27:21My God, what no? Is he dead?
27:23Shut up, my God.
27:24No, we say, he's fine.
27:28We weren't talking about Manousos.
27:31We were talking about Voulia.
27:33What were you saying?
27:34Voulitsa, whatever happens, happens.
27:38What's up, guys? Why are you looking at me like that?
27:42Should I tell her?
27:44Since we're here, tell her.
27:46Look, Lili, you have to learn something about Voulia.
27:53Of course, you don't expect me to believe it.
27:57You have to believe it.
27:59Of course. Voulia told us that Manousos will be fine.
28:05Oh, that's why you started telling me stories, huh?
28:09To comfort me?
28:11Manousos, I'm losing you!
28:13Look, look, look where it went, look!
28:16No, no, no, no, my child.
28:17No, no, no, Lili, look, you have to learn something.
28:19Voulia appears.
28:22And some people see her, and some people don't see her.
28:31And I got in the car and came here.
28:35It's a very good proposal.
28:37The cheese is really from Amphilochia.
28:39Oh, my God, my love, with the cheese. Concentrate here.
28:42What can I say? With the money they give her?
28:44She won't get it back in Greece.
28:46Yes, but give it to your neighbor.
28:48Do you want to go?
28:50A lot, my dear. To design clothes for a guy like that.
28:54And who wouldn't want it?
28:56Okay, and where's the problem?
28:57How can I leave our cat, my dear?
28:59I don't know how to get out of someone's life so harshly
29:03for my own personal interests.
29:05That's why I came to you.
29:06What are you saying? What is she saying?
29:08She wants your advice, my love.
29:09No, I don't want his advice at all.
29:11I came to take him.
29:13To take him? To take him where, my lady?
29:15To the tower.
29:16Meni, where's the cheese from?
29:18Stop it with the cheese and the cheese.
29:20Excuse me, what exactly is Ilias doing at the tower, my lady?
29:24I want you to tell Keti that I'm leaving.
29:27Should I tell the priest to come and read you?
29:29But why, my dear Ilias?
29:30You've done it once. What kind of life is it to do it a second time?
29:34Now, there's no harm in that.
29:35Besides, my house is crazy.
29:37Okay, I'll get a bottle and we'll go, okay?
29:39No, no, no one's going anywhere.
29:41The truth is that Boulis has an alpha experience in this,
29:44My lady Meni, it's not his problem, is it?
29:47Yes, the truth is that it isn't.
29:50That doesn't mean that he can't help.
29:54Toula, should I tell the priest to read you too?
29:56Wait, my love, what kind of feeling is this?
29:58Can't you see? Our friend is in a dead end.
30:01Cry a little.
30:02She's in a dead end.
30:04I'm desperate, my lady Ilias. Will you help me?
30:11I don't want to see them either.
30:13Well, they're not interested in anything.
30:15I see.
30:17How did you decide to get a job at Pagodantzidikos?
30:20There's a profiterole.
30:21Yes, anyway, that's it.
30:23At some point, I had to find a job too.
30:25Yes, but you didn't go to an architectural office if you didn't fill in a series of paperwork.
30:30Now, what happened and how did you end up at Pagodantzidikos?
30:32What can we do now? They didn't pick up the phone from an office today, so...
30:35I see. And why did you have to find a job today?
30:38Because...
30:40That's it.
30:41That's it.
30:43I see.
30:44Is there something I should know?
30:46I don't know. Maybe there's something I should know?
30:48Like what?
30:49You tell me.
30:51Maybe you've made some decisions and that's why you're in a hurry to find a job.
30:54Maybe you've made some decisions and you want to tell me?
30:57Maybe you'll stop asking me the questions I'm asking you?
30:59Why are you asking me questions instead of telling me what you're thinking?
31:01But I don't want to tell you anything.
31:02Ah! You're not ready.
31:04Not yet.
31:05For what?
31:06You'll tell me!
31:07But I don't have anything to tell you, my child!
31:08Very well! I don't have anything to tell you either.
31:10I'm sorry. I'm going to wash my clothes now. I'm working tomorrow.
31:12Great!
31:24This German girl is going to make me an alcoholic.
31:29But let me tell you something.
31:31I didn't expect her to take it so seriously, Sofia.
31:34She took it very seriously.
31:35She took it seriously.
31:36When you left, the child cried.
31:37She cried a lot.
31:38A lot?
31:39Yes, she was crying non-stop.
31:40She was crying non-stop.
31:41But why? Why was she crying non-stop?
31:44We come here often.
31:45No, we don't come here on Christmas and Easter.
31:47No, no, no!
31:48We come here only on Saturdays and Sundays.
31:50No, we don't.
31:51I can't live without the child.
31:52I can't leave him alone.
31:53Ah, so you're saying that I'm not a good parent.
31:56I'm only thinking about our child. Nothing else.
31:58Do you think he'll believe that I'm going to quit my job?
32:01Do you think he'll believe that I'm an optimistic, self-centered and independent mother?
32:04Maybe.
32:05Maybe?
32:06I just want to say that I'm not in her head. Maybe.
32:09But I don't want to hurt her.
32:11I don't want to hurt my child.
32:13What am I going to do?
32:16Hi!
32:17My child!
32:21What happened? Why is mom crying?
32:22She got upset.
32:23Why? What did she say?
32:25I got upset.
32:26How did she get upset?
32:27I don't want her to get upset, Sofia.
32:29Look me in the eyes and tell me.
32:32Do you believe that I'm a good mother?
32:34Where is Phoebus?
32:35Where is the child?
32:38Sofia, I just want you to know that I'm sorry.
32:41I'm sorry.
32:43I'm sorry if I ever thought about myself.
32:47Mom, I've never thought about you since you were born.
32:49Why do you think about her?
32:50Because I'm not a good mother, guys.
32:52I'm not a good mother.
32:58So...
32:59So, that's it, Germania. That's it. I've made up my mind.
33:02I'm not going anywhere if my child doesn't recognize me as a mother.
33:05What do you say?
33:06Well done, Xenia. Finally, my girl.
33:08What do you mean well done, dad?
33:09She's telling me that our relationship is dependent.
33:12How did she find out that we're so in love?
33:14We're not in love, dad. We're dependent.
33:16Is that what she told you?
33:17Yes, that's what she told me.
33:18Did you tell her about Germania?
33:19Yes, I told her and she said that she doesn't want to leave.
33:21And she said that this distance will help me.
33:23It will mature me and make me mature.
33:25Come on, sit down and listen to these nonsense she's telling you.
33:27No, no, not at all nonsense.
33:29Yes, yes, because it's good for you.
33:30Don't listen to her, my child. Don't listen to anything.
33:32And change her mind.
33:33No, no, keep her in your mind.
33:34In an hour, she'll understand what's going on in this house for 24 years.
33:38Sofia, Sofia, look me in the eyes and tell me the truth.
33:41Are you okay if I leave for Germania?
33:44I'm okay. Calm down. I'm fine.
33:46What are you going to do, dad?
33:48What are you going to do, Bambi?
33:50What are you going to do, Bambi?
34:00Tell her that wherever she is, I'll call her and tell her that she's here.
34:05Are you sure?
34:06The way I see her and she doesn't see me.
34:08Okay.
34:09Look, your mom is here.
34:12They'll pick you up from the hospital in a bit to tell you.
34:14Don't tell me now. How do you know?
34:16Voula just told me.
34:18There you go again.
34:20What did you put in your mouth, my friend?
34:24What?
34:27Because it's stuck?
34:30Lilika?
34:32Is everything okay?
34:34Tell Anna to come and stay with us.
34:38Voula?
34:39Oops, we made eye contact.
34:42Voula!
34:43Lilika!
34:45You were telling me the truth.
34:47Finally!
34:48How do I look?
34:50Like a dead person.
34:52The truth is that you look worse.
34:55Why are you laughing?
34:56It doesn't mean that every day...
34:59I'm going crazy.
35:00Believe me, no.
35:01Do you see him in my sleep?
35:02Of course not.
35:04But how is it possible?
35:06Voula, how is it possible?
35:07I have no idea.
35:08But it's possible.
35:11The phone?
35:14Oh my God, it's from the hospital.
35:16They're calling you to tell you that she's here.
35:18Really?
35:19Answer it, my child.
35:20Answer it.
35:21Yes.
35:22Yes.
35:23Yes.
35:24Yes.
35:25Thank you.
35:26Thank you very much.
35:28Thank you.
35:29Don't say anything else.
35:30Yes.
35:31I'm coming.
35:32I'm coming right now.
35:33I'm coming.
35:34I'm coming.
35:35I'm coming, guys.
35:36I'm leaving.
35:37Voula.
35:38Go.
35:39We'll talk again.
35:40Wait.
35:41I'll call you.
35:42Zouzou?
35:43Yes?
35:44They called you from the hospital.
35:46Perfect.
35:47Just as Voula said.
35:49Oh, you're here too.
35:51Martis is missing.
35:54Shall we go?
35:55Go.
35:56You'll find me there.
35:57What?
35:58I'll be there first.
36:03What are we living for?
36:04Let's go.
36:10In conclusion, I can't stay here anymore.
36:15It's time for me, like a bird, to fly to new heavens with my own wings.
36:22Oh yes, my girl.
36:23And I wish you all the best.
36:25What are you saying, my little girl?
36:26Is that what we said?
36:28You don't want to leave?
36:30You're right.
36:31Don't leave me, I'll get drugs.
36:33I'm a pharmacist and I don't go anywhere.
36:35Oh, you can't work like that.
36:37Yes, I can't. It's my fault. I thought you could help him.
36:39What more do you want me to do? I'm a teacher. Let's see how he does it.
36:43Okay, guys, sit down.
36:44Keti, apart from being a good friend, is also a businesswoman.
36:47And a very successful one.
36:49You know, woman, you can't stop her.
36:51If that's really what you want to do.
36:53Oh, I want it, my dear. I want it very much.
36:56So, Meli, are you going to kick us out?
36:59I'd better go inside.
37:00No, stay, my dear.
37:02Then I'll stay.
37:05My dear, when you truly love a person, you never leave his life.
37:13Okay, but what we shared will not be lost.
37:18We will carry it with us forever.
37:21Sure, a circle closes.
37:24But life doesn't stop.
37:30Amen.
37:31My dear.
37:34Was it good?
37:35What do you mean, good? Can't you see it's a mess?
37:38You can't stand it.
37:57Are we going to watch anything?
37:58I can't.
38:01When will you be able to?
38:02I don't know.
38:05When will you know?
38:12A little break.
38:16Zeta! Zeta! Zeta! Zeta!
38:18Are we going to watch anything?
38:19I don't think so.
38:20Okay, are we going to eat anything?
38:21Because, Zeta, I didn't like those green apples at all.
38:24My dear, I'm going to lay down.
38:25No, not now!
38:28Can you sit down for a while?
38:29I want to talk to you.
38:30Yes, of course.
38:32I see.
38:33It's that time again, huh?
38:41Ah, nice.
38:42What have you prepared for us?
38:43Silence.
38:45Focus now, it's going to be a game.
38:47I may be a pervert, but there are some things I find difficult to say, so...
38:51Oh, oh, oh, he doesn't say it, he doesn't feel it.
38:53I feel that our relationship hasn't been going well lately,
38:58and that's why we're both at fault.
38:59Arthrosy.
39:00Big deal.
39:00Shut up, my friend!
39:02No matter how much I want to fix things between us,
39:05I'm not willing to make any compromises right now.
39:08And I feel that in order for us to be okay, I have to do it all the time.
39:11Which is wrong.
39:12You've prepared everything from the song.
39:14Say whatever you want.
39:16Do you know the song, Collasmeni?
39:19What do you mean?
39:20What do I mean, Fanny?
39:21Why did you write this speech?
39:23You're going to end up somewhere.
39:24No, no, I don't want to end up somewhere.
39:25Come on now, please.
39:26At least respect what we had.
39:27But I don't want to end up somewhere.
39:29It's over, my love.
39:30At some point, we expect people to have a role.
39:32There are people.
39:33I wanted to tell you what I was thinking,
39:34and I didn't know how to do it, so...
39:38Yes?
39:39She advised me to write them down, so I can have them more organized.
39:42Okay, we'll let you know.
39:45Who advised you?
39:46Does that matter now?
39:47It doesn't, Fanny.
39:49Or...
39:50Or...
39:52Or...
39:52Are you kidding me?
39:53Or are we expecting people?
39:55Or a psychologist.
39:56Here you go.
39:58Yes, I started psychotherapy with a video call,
40:00and yesterday I had the second session.
40:02When you say yesterday, where did you go yesterday?
40:05When I told you that I had a lesson.
40:06With the pimp.
40:07Yes.
40:08I didn't have one.
40:09So you lied to us.
40:11I had a session.
40:13Okay.
40:14Nice, perfect.
40:15What do you mean, nice, perfect?
40:16I'm telling you that we suck.
40:17Yes, I understand that.
40:19Let's talk about it some other time.
40:21Yes, yes, whenever you want.
40:23Okay, I would like to see a self-design,
40:25nevertheless.
40:27Make me the cheese pie that I know is being baked.
40:30Okay?
40:31How does this cheese pie react?
40:32How does it feel?
40:33It feels like it wants to get some air,
40:35so it goes for a walk.
40:39And I...
40:40I'm going to the kitchen now to drink.
40:42Anything.
40:48Yes, Nina, I'll do it.
40:49Aren't you in the mood for a job?
40:51Let's go.