Salón de té La Moderna - Ep 198
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00:00A FEW HOURS LATER
00:12Dear niece,
00:15I'm impressed with the final result.
00:17I never imagined it would be so exciting to have it in my hands.
00:21What do you think, Teresa?
00:23Well, it perfectly reflects the essence of the tea room.
00:27You can see the quality of the products.
00:30We look very handsome.
00:33Thank you very much, but the credit goes to Celia.
00:42May I come in?
00:43Yes, Esperanza, tell me, do you need anything?
00:45Yes, Mr. Fermin.
00:47I can't wait to see the brochure.
00:50It's the first time I'm in a book.
00:52Besides, I have to talk to you about an important and personal matter.
00:55First of all, don't worry, you can see it as many times as you want.
01:00One of the copies is for you.
01:03Teresa, I'll take care of it.
01:05And secondly, if you don't mind...
01:07With pleasure, ladies.
01:09The door was open, I heard the brochure was finished.
01:12And I've never been in a book, Mr. Fermin.
01:14Let me see it, Mrs. Teresa.
01:16Well, don't get nervous.
01:18Excuse me, ma'am, anxiety took over me.
01:21Let's see.
01:23Look, I look like a Hollywood actress.
01:27I didn't know she was so beautiful and so photogenic.
01:30Let's see.
01:32Look.
01:33But even Elia did well.
01:35That's a merit.
01:37I already told my mother.
01:38I always had an air of Rodolfo Valentino.
01:40Look at him.
01:42If it is that...
01:43My mother.
01:44Well, and Cayete?
01:46Well, he didn't come out so favored.
01:48And Pietro?
01:49Well, well, well.
01:50You will have time to criticize.
01:53But now is not the time or the place.
01:55Mr. Fermin has a lot of work and so do we.
01:57So come on, to work.
01:58Yes, yes.
01:59Well, if you'll excuse us.
02:00Mr. Fermin, the matter of which I wanted to talk about,
02:02about the wedding of Antonia and Pietro.
02:04Ah, yes, yes.
02:05I thought so.
02:06We'll talk about it later.
02:07Esperanza.
02:19How happy I am to see you.
02:22And already dressed and working.
02:25I am also glad to see the mother.
02:28And I wanted to thank her for everything she is doing for me.
02:32I thought you were still angry with me.
02:35But it seems that leaving you alone here at home has been very good for you.
02:38You can't imagine how much.
02:41Since that change has come, dear.
02:44As is evident, I have a lot of time to think.
02:47And also to recuperate.
02:50And I wanted to thank you for everything you are doing to keep me safe.
02:54I know it has not been easy and that you are having a lot of patience with me.
02:59Well, I only do what any mother would do for her daughter.
03:04Although I still think it is a mistake that you want to stay here.
03:07Every day that passes, the chances that they catch us are increasing.
03:13Mother, I will do what you want.
03:15But at the right time, right now, I could not leave.
03:19I could not live knowing that Íñigo and Matilde are dating.
03:23I would rather be dead.
03:26Really dead. Before that.
03:31And since I know you don't like me to talk about my plans with the Peña-Albert couple.
03:37Because we don't change the subject.
03:39Let's talk about the company.
03:41Do you have any good news?
03:43Fabio del Moral has managed to change the law to be able to build the hotels?
03:48Fabio already knows what he has to do.
03:51But I can't insist more.
03:53Why not?
03:55You said that with the change of government everything would be much easier.
03:58Because Fabio is a very straight person and he is very honest.
04:01He is committed to helping us.
04:04Going against his principles will take his time.
04:07And what about me, mother?
04:09Because you yourself have said that this situation is unsustainable.
04:12Maybe you are being too soft with him.
04:18So, did you like it?
04:20What if I liked it?
04:22I'm anxious to tell our most important clients.
04:25When could they have it?
04:27I knew you were going to ask me, so I anticipated.
04:30You just have to give me a good look at the list and tomorrow I'll start sending them.
04:35The truth is that everything has gone very well.
04:38Well, especially you.
04:41Look, look, what a plan you have.
04:44And what a clean look.
04:46So I'm sure that if the elections were presented, many people would vote for you.
04:49Well, well, well.
04:53Laurita, yesterday I was very happy to see Inés yesterday at the inauguration.
04:58I know it's silly, but just the fact that she left home I think it's a great advance.
05:02Don't you think so?
05:04Yes, I guess.
05:05And how was she later? I can hardly talk to her.
05:08Was she better, more excited, calmer?
05:11If I'm honest with you, when she got home she locked herself up again and it was difficult to get her words out.
05:17I'm afraid that all this will not happen until she knows the definitive diagnosis.
05:21If it causes us uncertainty, imagine what will be happening in her head.
05:25I can't stop thinking what will happen if they tell her that she can't sing again.
05:29Putting us in the worst will not help us either.
05:32Well, but ignoring it either.
05:33Ignoring it either.
05:38Forgive me, mother.
05:40Excuse me, I ...
05:43Before I was thanking you for the patience you have with me and in the end I am the one who does not have it with you. I'm sorry.
05:51Aren't you going to ask me how the mass was in your honor?
05:55The church was full, there was no room for a pin.
05:59You were the only one missing.
06:01I was about to pass out.
06:04I would have liked to see all those people showing themselves afflicted when in the end they couldn't stand me.
06:11Because they have never accepted that you were so strong.
06:14And you also stood up to him.
06:17Although you are right.
06:19You are definitely you again.
06:21You smile again.
06:23Really nothing has happened.
06:26What's going to happen?
06:28Here, between these four walls?
06:31Yes.
06:34Although it is true that I feel better.
06:37And after a long time and many nightmares, last night I finally had a beautiful dream.
06:44Tell me.
06:46I dreamed that I was invisible.
06:51That I had that power.
06:54I imagine that my mind wanted to escape from this place.
06:57And it was very fun to be able to observe people without being seen.
07:04I was in many places and I felt that life was beautiful.
07:10And that I was finally free again.
07:16But then I woke up.
07:19And you will be free again, daughter.
07:22But not here.
07:23I will have to settle for having that dream again.
07:29I will continue to insist on that blissful law.
07:34I'll come down to see you later.
07:36I'll be here waiting for you.
07:54What are you doing here?
07:56I hadn't seen you in five minutes, but I missed you.
08:00You know you don't have to be so mean to me anymore, right?
08:04I've seen you too serious before.
08:06What happened?
08:08Well, I was thinking about what Matilde told us.
08:12What she saw of Doña Carla in the gallery?
08:15What she believed, but what seemed very real to her.
08:19And what do you think?
08:20What do you think? I get goosebumps just thinking about it.
08:24Don't tell me you also believe in those things.
08:27No, I don't know.
08:29I'd rather not even think about it.
08:31All I know is that Matilde is having a hard time.
08:34Can we do something?
08:37Yes, I guess we have to be very aware of her.
08:40Especially now that it has become clear.
08:42Many things have happened to her in a very short time.
08:45Yes.
08:46Antonia, I wanted to tell you something.
08:49I was thinking about spending the lunch hour
08:51to visit a snack bar that I've been recommended.
08:54And reserve it for the invitation.
08:57And that of postponing the wedding, have you changed your mind?
08:59Yes, because we don't have to give up.
09:03We've come so far, haven't we?
09:05Yes, honey, but it seems to me as if fate doesn't want us to get married.
09:09Oh yeah? And you know what I tell fate?
09:12Fate will never be stronger than our love.
09:14Never.
09:24Oh my God.
09:26No one can stop it, Antonia.
09:28You will be my wife.
09:30I will make you happy.
09:32No one can stop it.
09:34No one.
09:39I'm leaving.
09:44Bye.
09:54Teresa, wait a moment, I want to ask you a question.
09:58Yes, tell me.
10:00Don't you know a nice, affordable place
10:04that is available in three days?
10:08What? What are you talking about?
10:10I was with my things.
10:11It's just that, as you know,
10:13at the snack bar where Pietro and Antonia were going to celebrate the wedding,
10:16they left it there.
10:18Oh, it's true.
10:20Well, let's see.
10:22I know, I know, but not with enough confidence to ask for a favor.
10:26But well, let me think about it.
10:29Well, I also wanted to tell you.
10:32It's just that, as I'm the godmother,
10:34I'm in charge of buying Antonia the wedding gift.
10:37And we want to give it to her today,
10:39taking advantage of the fact that it's also her farewell.
10:41Well, that's great.
10:43What do you want me to tell her?
10:45That if I can go out at the time of the break,
10:48I promise I'll be here like a nail in the afternoon.
10:51Good, don't worry.
10:53God will reward you with whatever you prefer.
10:57Ah, Esperanza.
10:59Look, I'd like to participate in the wedding gift.
11:02How much do I have to pay?
11:04But if you're not invited, you don't have any obligation.
11:08What's the big deal?
11:09I've been friends with him all my life and I appreciate him a lot.
11:12So I insist on participating.
11:14How much is it?
11:16Well, I'll tell you later, when we do the math.
11:18And please tell Mr. Fermin that I have to talk to him.
11:21Let him give me a break this afternoon.
11:23Esperanza, don't you think you have your head in many places at the same time?
11:26I'm not saying this for myself, I'm saying it for Mrs. Lázara.
11:29She's not as permissive as I am and you have to have your head at work.
11:32It's just that I'm a godmother for the first time
11:35and I want to be up to date and not fail my boyfriends.
11:38Well.
11:40Go see Mr. Fermin in ten minutes.
11:43I'm sure he'll like it.
12:03By the way,
12:04did you know that Calabas del Castillo
12:07forbade him to be portrayed face-to-face
12:09and that's why there are only portraits of him in profile?
12:11What are you saying?
12:13Come on, girl, you have a lot of art to carry things.
12:16I'm serious.
12:18Less wasa.
12:20I thought that after the fight that Esperanza had thrown at you
12:22you were going to be softer.
12:24A lot of fights are needed for me to get scared.
12:26You look cool.
12:28No, it's not that.
12:30It's just that, deep down, what happened the other day wasn't a fight.
12:32I realized how much I appreciate you as a woman
12:35and that I just wanted to protect you.
12:37Besides, I understand that people like me get angry.
12:40And what happens to people like you?
12:43That they are usually judged
12:45by their appearance
12:47and I can understand what I saw in me.
12:49A good boy from a good family,
12:51capricious, spoiled, that everything goes well for him.
12:54I'm used to carrying a lot.
12:56And with reason or without reason?
12:58Dare to meet me and you'll see.
13:02Poor rich boy.
13:04I agree.
13:06I know I shouldn't complain so much.
13:08But you can't imagine what it's like to have a father like mine.
13:10All day on top of me,
13:12controlling all my movements,
13:14determined to decide for my life.
13:16Yours at least cares about you.
13:19I didn't even know mine.
13:22And your mother?
13:24My mother still lives in the village.
13:27I had to come here to the city
13:29to look for a life with an uncle of mine.
13:30Then I met Antonia,
13:32one of the dependants,
13:34and well, she took me in
13:36and she's like a mother to me.
13:38And in between, well...
13:42In between what?
13:45Nothing, nothing.
13:47In between nothing.
13:49What happened with your uncle?
13:51Why didn't you stay to live with him?
13:53I get the impression that you're hiding something from me.
13:55Well, it's a long and very complicated story
13:57to tell you here.
13:58Then we'll have to meet somewhere else.
14:00If that hope leaves us, of course.
14:02Yes, that's what I was thinking.
14:04Maybe I should go clean up
14:06and stop being such a mess.
14:08As you can see, my hair is going to fall out.
14:10By the way, shouldn't you be working
14:12instead of being here reading the newspaper?
14:14Are you going to make fun of me like my father?
14:17I'm resting for a while.
14:19Look at me, I'm starting to nag you.
14:22And you have more face than a back.
14:24Don't you really worry about letting Miguel go
14:26and losing his job?
14:28You're right, but
14:30at least you're going to think about it.
14:33About what?
14:35If you want to get to know me better.
14:58Excuse me, I couldn't help it.
15:00I'm sorry.
15:02Sorry.
15:06Don Fermin.
15:08Teresa told me you could see me.
15:11I'm sorry to insist so much,
15:13but this is a very important matter.
15:15You're going to have to talk to her.
15:17I'm sorry.
15:19I'm sorry.
15:21I'm sorry.
15:23I'm sorry.
15:25I'm sorry.
15:26sorry.
15:28I'm sorry.
15:30Yeah, yeah, Speranza, pin me up.
15:32I've had a heavy day and haven't had
15:33any time to present you.
15:36Sit down please and tell me...
15:39I will ask you
15:42not to see me as your cleaning manager,
15:44but as an iguana,
15:47because I'm here to talk to you about Godmother.
15:50I understand.
15:52Go ahead, Mrs. Esperanza.
15:53Ms. Esperanza, I'm listening to you.
15:55Well, first of all, let me tell you that for me it is a pride to share this responsibility with you.
16:02With the plant you have, which looks like an archduke.
16:05And when I get better, which I also get a lot of games when we get to church,
16:09the guests are going to wonder who the boyfriends are and we...
16:13Sorry, Esperanza, look, I'll tell you like this, I've made a hole for you,
16:19but that doesn't mean you have all day.
16:22So, if you don't mind, let's get to the point.
16:25Well, it turns out that the guys from the snack bar have messed up with the date
16:29and have appointed the wedding the same day they have a first communion.
16:32And of course, they can't serve two guests at the same time.
16:36I don't follow.
16:38Let's see, that three days after the wedding, Antonia and Pietro have nowhere to celebrate it.
16:43But that's terrible.
16:44That's why I thought of you.
16:46Because I say that maybe you, who has contacts, can find a cheap place for you.
16:51Because they are not so cheap either, right?
16:54Well, well, well.
16:56Well, I'll think about it.
17:01I am also impressed by the number of people who came to the mass.
17:05Some even had to stay outside.
17:08If Carla could have seen him, she would be proud.
17:11You know what they say.
17:13The greatness of a person is measured by the attendants at his funeral.
17:17And you should also be proud.
17:20After all, a daughter is her mother's work.
17:23Yes, I am proud.
17:27You haven't told me anything about the notes I gave you in the report about the reduction of expenses.
17:32If you think it's something crazy, tell me with all sincerity.
17:36I don't know how you did it, but you have managed to make the accounts fit, really.
17:40How did you do it?
17:42Well, I guess I've been listening to businessmen for many years, talking about business.
17:47And something must have stuck to me.
17:50But if I learned from someone, it was Carla.
17:53She used to share with me her plans for the future, her business vision.
18:01That is why it is of vital importance that those hotels are built in Bilbao and Barcelona.
18:08It was her dream.
18:10And carrying it out would be a way of keeping her present.
18:15A very beautiful idea.
18:18I was wondering if you would have made any progress in that regard.
18:22Maybe the new government?
18:25I was talking to the new Minister of Public Works.
18:28I know him from seeing him at the racetrack.
18:31I knew I could count on you.
18:33Not so fast, dear.
18:35As I feared, one of his most imminent measures is not to change the law of the ground.
18:41I'm sorry to disappoint you, but I have done my best.
18:45From now on...
18:47From now on, we will have to take less correct paths.
18:51Everyone has a price.
18:53I imagine that minister is no exception.
18:56Are you talking about bribing him?
18:59Bribing is a very ugly word, Fabio.
19:02I prefer to think that it is like buying his will or that of his assistants,
19:07so that his decisions favor us.
19:12But you are right.
19:15We have done what we could.
19:17Forget everything I have told you.
19:20Anyway, although I have not managed to change the law,
19:24at least I have obtained some invitations for the opera.
19:27Would you like us to go together tonight?
19:30I think you need to distract yourself a little, dear.
19:33Yes, without a doubt.
19:36Order of the day.
19:38Order of the day.
19:40Can we have a car to take the bride to the church?
19:43Count on it.
19:44That's good.
19:45Oh, yes, Mr. Iñigo Peñarbes is going to take me.
19:48I haven't asked him yet, but I don't think there's a problem.
19:51As for the alliance,
19:53I could be the one to deliver them at the altar,
19:56if you don't mind.
19:58I don't know the protocol because I've never been a godfather at a wedding,
20:01so if you consider it convenient, I think it's fine.
20:05We're done.
20:07If you don't mind, I thought you were going to hit me.
20:10So I...
20:12That's it.
20:14Esperanza.
20:16I was looking for you.
20:18I've noticed that there's a lot of dust on the piano.
20:21Could you clean it, please? That's unbearable.
20:23What? But I just cleaned it.
20:25Well, you're going to have to do it again.
20:27No, actually, we were done.
20:30Mrs. Esperanza, it has been a pleasure to chat with you.
20:34The same goes for you.
20:36Godmother, godfather.
20:41Goodbye.
20:42Goodbye.
20:43I'm going to clean the piano.
20:48Of course, I'm more and more surprised by this woman's shame.
20:52I hope I haven't bothered you with your nonsense.
20:54This time it wasn't nonsense.
20:56It was about Antonia and Pietro's wedding.
20:58As you know, she's the godmother and I'm the godfather.
21:02And you don't have to say anything.
21:04I'm aware that we've formed a strange couple.
21:10By the way, I've already bought the tickets to go see Margarita Sirgoza.
21:15Here's yours.
21:17I can't wait to see how it works.
21:19The reviews say it's brilliant.
21:24Why don't you keep them?
21:26Because they're in separate locations.
21:28You're in the patio of Butacas.
21:30It's the best ticket I've ever gotten.
21:32I'm in the chicken coop.
21:34In the chicken coop?
21:36I thought we were supposed to go together.
21:40Yes, of course. We'll go together and come back together.
21:43But you're a well-known and respected gentleman.
21:46You're no less than the owner of La Moderna.
21:48I'm just an employee, Mr. Fermin.
21:50And what's the problem?
21:52Well, I...
21:54I know how to recognize my place.
21:56And I'd never do anything to hurt you.
21:59No, no, no. Please, listen to me.
22:01Listen to me. It's best for you.
22:03Excuse me.
22:21Foot lamp.
22:23Discard.
22:26Frame for photos.
22:29But why are you discarding everything, Esperanza?
22:32I mean, I think it's a good idea.
22:34For it to be a good gift, it has to be something personal.
22:37Made with a lot of love.
22:39We're talking about Antonia and Pietro.
22:41Not some strangers.
22:43And do you have a better idea?
22:45Well, I don't know if it's better, but it's more useful than a frame for photos.
22:49A pressure cooker.
22:51One of those modern ones that make the stew and the stew in a flash.
22:55In a flash? And how can that be?
22:58Well, I don't know.
23:00But I've heard it from some customers who were drinking tea.
23:03And they were excited.
23:05It's known to be an invention of one from Zaragoza.
23:08So that later they say that all inventions are made by Germans.
23:12Well, the truth is that I have to tell you that it's a good idea.
23:15So Antonia doesn't have to worry about the stews.
23:18I'd like to have something like that.
23:20Well, you have it easy.
23:22You get married and you ask for it as a gift.
23:24Maybe they don't make a discount.
23:26Well, I tell her that with how dressed up I am from the bookstore,
23:30the one who asks for it, I tell her yes.
23:32Come on.
23:33My God, Trini.
23:35Sometimes it's so easy that one wants to fall in love.
23:38Well, and to get married, by the way, and everything.
23:40Be careful with making castles in the air.
23:42That later they fall on you.
23:44And less with that one. With the little sardine.
23:47And go ahead with the cup, Esperanza.
23:49Besides, as you said, we have nothing in common.
23:52We are very different.
23:54I won't have studies, but I'm not stupid.
24:00Mrs. Teresa, I'll be right back in my place.
24:02No, no, no, don't worry.
24:04Yes, I'm here to give Esperanza a P for the gift.
24:07She'll tell me what's left or what's missing.
24:09Very good.
24:10Do you know what you're going to give her?
24:12Well, yes, a very personal gift.
24:14A pressure cooker.
24:16So that Antonia doesn't have to worry about the stews
24:18and her husband is happy.
24:20Does that sound good to you?
24:22I don't know if it's what you've all decided.
24:24I don't give a damn about this.
24:31Wow.
24:32I don't know.
24:35Wanting to participate without being invited
24:38is a gesture that I made a lot of her, right?
24:40Well, the truth is that it's a good gesture, yes.
24:42It's just that it's a small wedding.
24:44Only for the closest.
24:47Well, then, Trini, do you dare to get married?
24:50So, are you going to be the next one?
24:52I guess so.
24:54Well, look, if you want, I can be your godmother.
24:56It's just that it looks like I was born for them.
24:59And I can also tell Mr. Fermin to repeat it as a godfather.
25:03What a couple we make.
25:06Pressure cooker.
25:20What?
25:21What do you think about the table?
25:23Well, they told me a few months ago
25:25that I was going to be preparing the table
25:27for my bachelor's party.
25:28I'm dying of laughter.
25:30How was it at the restaurant they recommended?
25:33The good thing is that it's in the price, but...
25:36The problem is that it doesn't have a gap until next week, Antonia.
25:39What?
25:40Yes.
25:41I don't know.
25:42I don't know.
25:43I don't know.
25:44I don't know.
25:45I don't know.
25:46I don't know.
25:47I don't know.
25:48I don't know.
25:49What?
25:50Yes.
25:51I can't think of another place where I can ask.
25:54I'm sorry.
25:57If a miracle doesn't happen, we'll be left without an invitation.
26:00And what am I going to tell the people who come from Andalusia to see?
26:03Pietro, at least don't feed him or give him a baby.
26:06I know, Antonia.
26:07I know, but there's nothing to do.
26:09Either we change the day of the wedding or we change the invitation.
26:12No, no.
26:13It won't be necessary.
26:14Neither one thing nor the other.
26:16But what are you doing here, Mr. Fermin?
26:18Precisely, this morning Esperanza told me about the problem they had with the snack bar they had reserved
26:23and that, well, at the moment they don't have a place to celebrate the wedding invitation.
26:28Is that so?
26:29That's right, yes.
26:30Besides, a fool has looked at us.
26:32There's only one left, Mr. Fermin.
26:34That is free and that we can pay.
26:36It turns out that I know one that meets both requirements and that you know very well.
26:43What do you think about celebrating the wedding invitation at La Moderna?
26:51Thank you, Mr. Fermin, thank you.
26:54But I'm afraid it's out of our modest budget.
26:57Oh, yeah, well, maybe I haven't explained myself well.
27:00You see, I've been thinking about what gift I could give them for the wedding for days and...
27:06and I can't think of a better gift.
27:13La Moderna
27:21Honey, I know how we could get married without arousing suspicion.
27:26What are you looking at?
27:27Eh? No, nothing, the button that flew out, which is in its place, I'm... I'm all ears.
27:32Well, it's much easier than we thought.
27:34I just have to tell Antonia that when she gets married and throws the bouquet,
27:38she has to point to my address.
27:40And if I take it, you know what that means?
27:42That we would be the next ones to get married.
27:48But what are you doing, throwing a book at me? Are you stupid?
27:50Take it, I was just checking that you still have the same reflexes as always.
27:54Few. What happens if you don't take the bouquet?
27:57It's too risky.
27:58It's just that now you've caught me unprepared.
28:01It's just that, besides...
28:02No, no, no, you don't have to do anything extraordinary.
28:04And the most difficult thing is done.
28:06Convince them that we are as in love as to get married as soon as possible.
28:10Well, then we tell them that Antonia and Pietro are a reference in love for us
28:16and that's why we want to follow their path.
28:18Ah, very good. That's having reflexes.
28:21I can't wait to finish this madness. When do you want us to announce it?
28:24Well, I don't know, as soon as possible, I don't know, today?
28:26Come on, so quickly.
28:28Well, yes, it will be like...
28:30It will be like when we gave each other the first kiss in front of them
28:33and at first they were surprised, but then...
28:35They've come to their senses, they've come up with the idea.
28:38But my love, it won't be believable.
28:39Besides, today is Antonia and Pietro's farewell and what are we going to do?
28:42Shout their protagonism?
28:43Well, it's true, I don't know, you're right.
28:45Well, I'll think of something.
28:46I don't know.
28:47I'll tell you one thing.
28:48We're going to do it before their wedding.
28:50Are you sure?
28:51Yes, yes.
28:52Take this off.
28:53What?
28:54You don't want to see anything here.
28:55Okay, let me.
28:56You have a car.
28:57Well, let me.
28:58Don't wash yourself, huh?
29:00You, you go first.
29:02No, you go first.
29:03You go first.
29:04No, you go first.
29:05No, you.
29:06Come on.
29:07No, you go first.
29:08It doesn't matter.
29:12Love is so beautiful.
29:13What a pity I don't have the pandeiro to accompany this moment.
29:18What are you talking about?
29:20That if I don't find out that you've just become a couple, I'll think you're married.
29:25And how do you look at each other, it's been a long time.
29:27I don't know.
29:30What's wrong?
29:31Why are you so nervous?
29:33Touching the tuna, I've seen many couples in love and I know what I'm telling you.
29:36Well, it's obvious that you're wrong because I'm nervous about something else.
29:43Have you talked to your father?
29:45Yes.
29:46Has he been angry because he exaggerated your progress?
29:50Something slipped me.
29:51That he trusted you a lot, but you disappointed him.
29:55Do you know him?
29:58Do you think he could consider...
30:02Saying goodbye?
30:04Well, I don't know, really.
30:07He's always appreciated you a lot, but it's true that he's one of those who doesn't like you at all.
30:11And much less if he feels betrayed.
30:14And couldn't you talk to him?
30:18I have to organize something in another store.
30:24What are you going to organize?
30:34You're beautiful.
30:38If it wasn't because Antonio wouldn't forgive me, I'd rather stay at home.
30:42No, we've already talked about this.
30:45You have to go with your friends and have a good time.
30:48And stop thinking about Carla, right?
30:50Well, I didn't say that.
30:55I know.
30:56Forgive me.
30:57Forgive me.
30:59Hey, why don't you pick me up later at the corral and we'll go home together?
31:04Although I understand that a farewell at the Madrid-Cabaret will be longer.
31:09But I don't know if I want to be alone and less at night.
31:11But I don't want to be alone at parties either.
31:14My love, don't worry, because I'll make any excuse and I'll leave before.
31:19Well, look, no, it doesn't matter.
31:21It's not necessary.
31:22It's not necessary because today is a special day and I don't want to bother you.
31:25So you have fun all you want and come back when you need it.
31:28Bye.
31:36Íñigo Peñalvera speaking.
31:38Íñigo, it's Clarita.
31:39Clarita.
31:44Clarita.
31:45Hi, my love.
31:46How are you?
31:47How was the trip? Have you arrived in Jerez?
31:49Sure.
31:50The trip was long, but it went well.
31:52I'm with Aunt Concha and Pablo.
31:54They send you lots of kisses.
31:55Tell them I love them a lot.
31:58By the way, Clarita, I want to ask you something.
32:02Yesterday, before you left, you didn't go out to the terrace
32:06or did you take a notebook that I use as an agenda?
32:10No.
32:11And I didn't go out to the terrace either.
32:13Why would I do that?
32:15Listen, I told Aunt Concha that we have to go and do some errands.
32:19I'll call you again tomorrow. I love you.
32:22And me. A lot.
32:28Clarita didn't go out to the terrace.
32:30Nor did she take the notebook.
32:32Which means that I was right and that someone came into the house...
32:34Listen to me, my love.
32:36Let's think logically.
32:38If someone had come into the house, it would be a thief.
32:41And if he had taken a jewel or stolen something,
32:43and he didn't take anything,
32:45the only thing that has happened is that a notebook has moved.
32:51What if it wasn't a thief?
32:56It's getting late, my love.
32:58We have to go.
33:00Besides, I think it's a good idea not to think too much.
33:05Come on, let's go.
33:11Let's go.
33:29Laurita.
33:31I just got a call from the doctor.
33:33The results of the tests will be tomorrow.
33:36Perfect. Well, I'll go with you.
33:38No, no.
33:39No, no. If you don't mind, it's a bad habit that I prefer to go alone.
33:43What do you mean, if I don't mind?
33:45Ines, do you really think I'm going to leave you alone in a situation like this?
33:48You don't know me.
33:49You also take advantage of my brother, right?
33:51No, no, no. It's not that.
33:53I just want to accompany you to share that moment with you and celebrate it together.
33:58I'm sure it will make us happy.
34:00Trust me.
34:03Good afternoon.
34:05Wow, the store looks great, doesn't it?
34:08Thank you, although we have barely made any changes.
34:11Ines, I was just going to ask your sister about you.
34:15And I just saw you enter the store.
34:17Yes, tomorrow I will get the results of the tests.
34:20I'm sure they will be favorable.
34:22Yes, we all are.
34:23Yes, I think it's great that you are so convinced, but ...
34:26I don't think anyone understands what I'm going through.
34:30Laurita, where is the bathroom?
34:32The front door of the office.
34:34Yes, of course. Thank you.
34:39Let's see, you have to understand that ...
34:42that she is so nervous, it is completely understandable.
34:45From the outside, things are different, but ...
34:48I think you have to put yourself in her place.
34:50Yes.
34:52Excuse me, the doctor who said yesterday that he did miracles, is that true?
34:57Well, I don't know him personally, but his successes praise him.
35:02Listen to me.
35:04I would never joke with a situation as delicate as your sister's.
35:08Let me doubt it. After your performance as a cashier,
35:11I don't trust your sincerity very much.
35:13You must understand that I was kidding,
35:15that there was no bad intention at all.
35:17You have to differentiate a joke from a bad intention.
35:19And you must understand that you don't know me at all.
35:31What are you doing?
35:33Again, start from scratch.
35:35Imagine that we don't know each other.
35:37I mean, we haven't talked yet, right?
35:39Hi, I'm Agustín Comas.
35:42Theater businessman and owner,
35:44proud owner of several movie theaters in the city.
35:47Among them, the one in the gallery.
35:49And I was passing by and I said,
35:51I'm going to introduce you to my respects.
35:54And what am I supposed to do now?
35:56Well, now you have to introduce yourself, like I did.
35:59Okay.
36:01Hi, I'm Laura Valbuena.
36:04Proud co-owner of this business
36:07and I also do advertising promotions
36:09and event organization.
36:11Wow, how interesting.
36:13Would you like to have a coffee with me
36:15so you can keep talking to me about you?
36:17But isn't it a bit shameless
36:19to invite me to have a coffee if we just met?
36:22It's true.
36:24I'd better save it for the next one, right?
36:26No, no, it's fine. I accept your coffee.
36:30Did I miss something?
36:32No, nothing.
36:34A shameful performance by a bad actor
36:37who luckily does other tasks that are better for him.
36:41And as they say in the theater,
36:43a lot of shit for his appointment at the doctor's.
36:46Did he say shit?
36:47A lot, yes.
36:48Yes, that's what they say to wish you luck.
36:52It's been a privilege to see you.
36:54It's very difficult to find two sisters
36:57so beautiful and interesting.
36:59Good afternoon.
37:03I thought you didn't like her.
37:05That's how she is.
37:07Then why are you looking at her like that?
37:10Like what?
37:12Laurita, what happened between you two?
37:27Esperanza, take out the gift.
37:29I'm going crazy to see how the gorge works.
37:31It's wonderful.
37:32What do you mean, take it out?
37:34Did you think I'd bring it in my purse?
37:37You didn't have to bring it.
37:39I thought you were in charge.
37:41What do we do now?
37:45Potato omelette?
37:47I like it.
37:49Well, don't worry,
37:51because soon you'll have to stop worrying
37:53and prepare the stews.
37:55Not so fast, girls.
37:57With a misunderstanding with Trini,
37:59we forgot the gift.
38:01What a shame, Antonia. I'm sorry.
38:03Don't worry. I'll give it to him.
38:05Come on, let's eat.
38:06I'll tell you something.
38:07It was my idea.
38:08It's an invention of a Saragossan bath.
38:11It will make your life easier
38:13and it will make Pietro very happy.
38:15A Saragossan bath.
38:16Yes, yes, yes.
38:17Well, that's not the important thing.
38:18The important thing is that it was my idea.
38:20But for the gift,
38:21what did you do to your boyfriends?
38:23Give it to me, Antonia.
38:24They're going to love it.
38:25Oh, my.
38:26Well, he gave us the invitation in La Moderna.
38:28What?
38:29He's a very generous man.
38:31Well, well.
38:32Don't be surprised.
38:33I know it was his idea.
38:35Long live the godmother!
38:37Long live!
38:39Long live the bride, too!
38:41Long live the bride!
38:54Are we going to make a scandal?
38:56Don't worry.
38:57I've already talked to the neighbors
38:58and they haven't told me anything.
39:00So there's no excuse not to dance.
39:02Well, Esperanza,
39:03you're very good at cleaning,
39:05but I'm not good at moving with sandals.
39:07Oh, look at her.
39:09She's going to give me lessons.
39:11Come on, let's dance.
39:23Let's go.
39:50Excuse me.
39:53Excuse me.
40:02Mati, are you okay?
40:04Yes, yes, yes.
40:06I just need to freshen up a bit.
40:20Excuse me.
40:21Come in, Pietro.
40:22I was waiting for you.
40:26Tell me,
40:28how does one feel at a time like this?
40:31Very happy.
40:33But I wanted to tell you, Don Fermin,
40:35that neither Antona nor I
40:37will ever forget everything you're doing for us.
40:40You know, I asked a friend
40:42what the role of a godfather was
40:44and he told me it was very simple.
40:46Make things easier for the grooms.
40:48And that's what I've done.
40:50It's my duty.
40:51Thank you, Don Fermin.
40:53I hope one day I can do something for you.
40:56Well, maybe I could do it right now.
41:00You just have to answer one question.
41:03If you want, of course.
41:05It's about something personal.
41:08Whatever you want.
41:11How did you realize
41:15that Antonia was something more
41:17than a co-worker?
41:19I mean, how...
41:22How did you know
41:24that what you felt for her
41:26was...
41:28It was love, Don Fermin.
41:30Love?
41:31Yes.
41:32When I was married to my first wife,
41:35Don Fermin, Lucia, may she rest in peace...
41:38I'm sorry, Pietro.
41:39I didn't know he was married.
41:41Much less that his wife had died.
41:43I'm sorry.
41:44It was terrible.
41:45It was very, very inopportune.
41:47Don't worry, for God's sake.
41:48Don't worry, Don Fermin.
41:50I never told you.
41:52It happened many years ago.
41:55And if I mention it now,
41:57just to tell you
41:59that Antonia isn't my first love,
42:02I'm not his either.
42:05And it was a surprise, Don Fermin.
42:07A very big surprise.
42:09For me, too.
42:10To try something so strong
42:12and so different.
42:13So different?
42:14Yes, Don Fermin, so different.
42:16Because with Lucia...
42:18With Lucia, it was like an arrow.
42:21Yes.
42:22From the first moment I knew
42:24that I was falling in love.
42:26Not with Antonia.
42:27With Antonia,
42:28it was like a slow cooking.
42:32Yes.
42:33A slow cooking,
42:34and until the day...
42:37Until the day she fell in love.
42:40Exactly.
42:41Until the day I fell in love.
42:44When she became a widow,
42:46we've been supporting each other a lot.
42:49All the time.
42:50Antonia is a wonderful person, Don Fermin.
42:53She's an incredible woman.
42:55I've been in love with her for many years.
42:58Many.
43:00Excuse me.
43:01Pietro, I'm aware of everything.
43:03I assure you that the guest will be to your liking
43:06and Antonia's.
43:07Thank you, Anita.
43:08Thank you very much.
43:09Really.
43:10You make me feel very special.
43:12You do, Pietro.
43:13You do.
43:15We have to go to the Madrid Cabaret.
43:18Well, enjoy yourselves then.
43:20Excuse me.
43:27Hasn't your day finished yet?
43:29Well, I wanted to stay a little longer
43:32to finish tomorrow's orders.
43:38Don't stay too late.
43:40Don't worry.
43:41You know no one is expecting me at home.
43:52Excuse me.
43:53Good day.
44:11How did he talk in the beginning?
44:14He was so good at Spanish.
44:16I don't know.
44:17It's like when Cervantes got up from his grave
44:19to give you a good beating.
44:21Yeah, well, and when he starts singing opera, what do you say?
44:25Well, opera, he's got a pass.
44:27But the truth is that here the teacher sings like an angel, eh?
44:30Or not?
44:31Yes, sir.
44:32Now, yes, like our Zarzuela, it doesn't matter.
44:35Please, Inio, can you say something?
44:38That here he is the only one with a common sense, please.
44:41Look, if he doesn't defend him, I'll do it.
44:44The first time I tried one of his tarts,
44:47it was like being in love.
44:50It was my magic.
44:56Excuse me, but I was with an old friend.
44:59He seems a little worried. Is everything okay?
45:02Yes, the night is great.
45:04If I hadn't noticed, the godfather is already here.
45:07So, Fermin, we're looking forward to hearing his speech.
45:10Yes, yes, speech, speech, speech.
45:14No, no, we agreed that he would speak at the banquet, not at the farewell.
45:19Well, don't worry, Mr. Fermin, I've prepared a few words.
45:22Yes, but as they came these days, I've been writing them down.
45:25So I'm going there, man.
45:27Of course, there goes Miura.
45:29Where are you going?
45:30Come on, Elias.
45:39Excuse me.
45:44Hello? Can you hear me?
45:46Yes.
45:47Good evening, Madrid!
45:49Well, a moment of attention, everyone, please.
45:52I'm going to say a few beautiful words here to our friend Pietro, who is getting married.
45:57Master Pietro, beloved pastry chef.
46:00You're a dessert magician, right?
46:02Well, it's a great pleasure and an honor for me to share this feeling on such a special day as today.
46:07And in a place as emblematic and special as Madrid,
46:11a place where miracles happen.
46:13But as Luis Alturon said to me, so be quiet.
46:17As Quixote said, when you enter the heart of a friend,
46:21the important thing is not the place you occupy, but the important thing is that you never leave there.
46:27And you, Pietro, have occupied my heart.
46:30And I could say, and I wouldn't make a mistake, on behalf of the others, that also.
46:34Amen.
46:35You are a beautiful, I say beautiful, a beautiful gift of life.
46:40Yes, a luxury.
46:41You are like the Italian brother we've never had, but we're celebrating right now.
46:46Be happy with Antonia.
46:48Congratulations.
46:49And be very happy.
46:50And as you say.
46:51A round of applause for Pietro.
46:53Bravo.
46:54Bravo, Pietro.
46:57Bravo.
46:58Bravo.
46:59Bravo, a round of applause.
47:05Thank you, thank you.
47:08And now that we're here on stage, can you sing us a song?
47:11Because he sings, but you see.
47:13Very good, Pietro.
47:15A tarantella.
47:16Yes.
47:17And we dance.
47:19Of course, of course, of course.
47:29Don't be shy, don't be shy.
47:31Come this way.
47:32One day is one day.
47:38Well, I think I'm going.
47:39No, no, don't leave me alone.
47:41I say, for the love of God.
47:43Hold on.
47:44I'm here with you.
47:50Well, I would love to stay to pick up, but if not ...
47:53Me too, but if we don't, we're going to miss the last tram.
47:56Nothing, don't worry.
47:57Between Marta and I, we do it in a Santiago.
47:59Matilde, are you coming?
48:01No, I'm going in the other direction.
48:03Well, are you sure you're okay?
48:06Yes, yes, it's just that the wine has gone down a bit.
48:09Don't worry about me.
48:10Oh, well.
48:11Come on, goodbye.
48:12We had a great time.
48:13Goodbye.
48:14Goodbye.
48:15Thank you for coming.
48:16Have a good time.
48:20Honey, I'm a little worried.
48:23Why don't you stay with us here?
48:26And so you don't have to wait for Íñigo to come.
48:28I appreciate it.
48:29And I confess that it is very tempting to stay here again,
48:32in my dear Corrala, but ...
48:34But I have to go home.
48:36Well, as you wish.
48:41Antonio, it happened to me again.
48:44What I told you about Doña Carla, it happened to me again.
48:48So tell me the truth,
48:49if I'm thinking clearly or if my head is going.
48:52Honey, don't say that as a joke.
48:54Look, I once met a girl who really went crazy
48:56and they had to put her in a asylum.
48:58You have nothing to do with her.
49:00But then what's wrong with me?
49:01Honey, it's not what's wrong with you now,
49:03it's everything that has happened to you.
49:05I have to remember everything that has happened to you.
49:07Between your mother's death,
49:08your own illness,
49:10Íñigo's accusations, the accident ...
49:12Man ...
49:14You have wanted to be strong, honey,
49:15but your body is telling you enough.
49:17Enough rope is there for everything that has happened to you.
49:20And when you have doubts, think of Esperanza.
49:22That's really cool.
49:24Oh, Antonia.
49:25Thank you.
49:26I needed one of your advice.
49:28Here you have them for whenever you want.
49:30You will always trust me.
49:32And you will believe me,
49:33when I tell you things that are crazy.
49:35Of course I do.
49:37But I don't know,
49:38it's like someone wants to drive me crazy.
49:40Someone?
49:41Who, honey?
49:42Who?
49:44Well, Mrs. Carla.
49:45Or rather, her ghost.
49:49You are looking at me as Íñigo does.
49:51Well, honey, because we are both worried about you.
49:53It's just that.
49:55It is normal that you think of that woman
49:56because she has hurt you a lot.
49:58But she is dead and buried.
50:00Yes, Antonia, but someone entered my house ...
50:01Look.
50:02When you stop thinking about her,
50:04she will disappear from your life.
50:06And you will stop seeing strange things.
50:08Promise me, Gloria.
50:11I promise.
50:12Very well.
50:14Are you sure you don't want to stay?
50:15No.
50:16No, thank you.
50:17I'll go home and wait for Íñigo.
50:19I'll do what you told me.
50:21I remember.
50:22If you don't think about her, she will go.
50:28Come on, rest.
50:30Goodbye, Antonia.
50:31Goodbye.
51:01Goodbye.
51:20I came to talk to a friend who works for the police.
51:24They have identified the body.
51:26They have confirmed his identity.
51:28It's about Carla.
51:30They found something in the body.
51:32A medal that was stuck between the skin and the clothes.
51:37It was a medal that Mrs. Bárbara gave to Carla a few weeks ago.
51:42That's why she identified him.
51:44THE BODY IS IN THE BODY
51:59There is no trace of the boxes.
52:01And it seems that the books are...
52:02They don't seem to be.
52:03Miguel, they are.
52:05Did you do all this?
52:07I don't know how to be surprised, Father.
52:09Well, if you've been able to get this in a week,
52:13what can you get in a few months?
52:15What are you doing awake at this hour?
52:18Honey, are you okay?
52:21No, no, no.
52:22Don't touch her.
52:23Matilde, calm down, you're scaring me.
52:25I asked him to come because Lieutenant Lorenzo comes every day to question me about Cesar's whereabouts.
52:30And I don't know what to tell him.
52:32Have you heard from Cesar?
52:34No, I don't know anything.
52:35Hiding information from the authorities can get you in trouble.
52:38Lieutenant, I'm going to ask you to lower your tone.
52:40I'm not going to let you talk to my niece like that.
52:42If she says she doesn't know anything, she doesn't know anything.
52:44We'll see each other again.
52:45You're not welcome in this house.
52:47So you're going back to where you came from.
52:49I'm not going to leave until I swear that this game is over.
52:53The one who is subjecting us to me and my wife is going to end.
52:55May I know what diantres are you talking about?
52:58The medal of San Cayetano.
53:00Indeed.
53:01Thanks to a medal like that, he recognized his daughter's body.
53:05Isn't it true?
53:06I don't know if he's gone through a door or a window.
53:08But someone has entered my house.
53:10I wanted to know how it went with the doctor.
53:12Well, my vocal cords are still damaged.
53:14But the doctor thinks it's not irreversible.
53:16That with time and a lot of work, he may be able to sing again.
53:20We're getting married!
53:22Already?
53:23Yes.
53:24But you've been a couple for a very short time.
53:25Could it be that the stork is on her way?
53:27As this morning you have been delayed more than usual.
53:30It seems that you have me as controlled as the rest of the squad.
53:35I wanted to make sure that you didn't forget that we're going to the theater tonight.
53:39Give me your ticket, please.
53:41I'm going to the theater with whoever I want.
53:43Excuse me?
53:44Explain to me what you want.
53:45That you help me gain Laurita's trust.
53:48Excuse me?
53:49I can assure you that if you help me, you won't regret it.
53:52Your friend Laurita will be happier than she has ever been in her life.
53:56Matilde asked for help to Scream in the middle of the gallery because she was sure she had seen someone.
54:00Who does she say she saw?
54:01That girl?
54:02Fabio?
54:03Carla.
54:04Or her ghost, I suppose.
54:05Most likely, Matilde suffered a hallucination.
54:10As a result of her bad conscience.
54:11The same thing that is happening to her husband.
54:13Carla!
54:14Are you there?
54:25What are you doing, daughter?
54:27Nothing, honey. I just wanted to know how you are.
54:29Although you don't need to answer if I hear you upset.
54:32No, I'm fine.
54:33I'm fine. I was going to dinner right now.
54:35That's why I called you.
54:37Right now there is a bit of a mess in the Madrid-Cabaret and I would like to stay a little longer.
54:41But if you feel calmer, I ...
54:43No, calm down.
54:45Don't worry.
54:46I'll be fine.
54:47You keep working.