• 5 months ago
#mollflanders #kimnovak https://dailymotion.com/bethfreed25
https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQbbc
A bawdy story of how a poor damsel surrenders her virtue again and again to get to the top of society. Starring: Kim Novak; Richard Johnson; Angela Lansbury; Vittorio De Sica; Leo McKern; George Sanders; Lilli Palmer
Transcript
00:00:00Forgive me, I say, I mean, we...
00:00:02Oh, it is but hours till we meet to part with you, it's hard for me.
00:00:06No, you know, you must go.
00:00:07I go with feelings beyond barely.
00:00:10But go, go.
00:00:12Ma'am, this heart of mine is full of sentiments that are full of sentiment.
00:00:30Quince, wake up, you lazy landlubber.
00:00:38He seems grandly dressed for a bailiff.
00:00:41A lawyer, perhaps.
00:00:43Come to foreclose the mortgage.
00:01:00That gentleman called?
00:01:12I, uh, sent him away.
00:01:15Oh, yes, you sent him away.
00:01:18Good girl.
00:01:19Maggie.
00:01:33Oh, it's right here.
00:01:39Oh, where are we going to sit?
00:01:53I forgot my coat.
00:02:18Squint.
00:02:36Ah, no.
00:02:40I'm too good a shot.
00:02:42If I told you once, I told you a hundred times, you're spending money like water.
00:02:49That's no good.
00:02:51You'll have to slit a purse and bring me the money at the table and make it quick and a good fat one.
00:02:56Quick, he says.
00:02:59Quick.
00:03:05Now, thank you for my seat, sir.
00:03:08Now, thank you for this, sir.
00:03:10Don't fumble your jades and trollops, sir, but know a lady when you see one.
00:03:14Stray cattle must be claimed, sir.
00:03:17Unabandoned, one prize heifer.
00:03:19A heifer, what? She's not in calf yet.
00:03:23He's not man enough.
00:03:26Chad, come here, please.
00:03:35Chad?
00:03:53Now, woman, go find a whore.
00:04:19Wee!
00:04:28I'll kill them, Falcon.
00:04:30I'll take that.
00:04:55What have they done to you?
00:04:58God bless you, me boy. Keep you from her.
00:05:20And thanks for the load of this.
00:05:24Too late. No more tea.
00:05:26What's the weather like outside?
00:05:28A lovely night of moon and stars.
00:05:30It's time we enjoyed them.
00:05:32Now, perhaps you'll believe me when I say I'm a bad man to cross.
00:05:35Let's get him.
00:05:55Hmm.
00:06:11Tomorrow.
00:06:12When?
00:06:13As soon as you wake.
00:06:14May I? I have appointments till evening.
00:06:18Will you kill me with waiting?
00:06:20Sir, you should die of impatience.
00:06:23If we both survive, I'll call for you.
00:06:25Where shall we go?
00:06:26Somewhere quieter than tonight.
00:06:29Your ship. We could dine in your cabin alone.
00:06:33I...
00:06:34Which of your ships is light whopping?
00:06:36The sea lion, the sea horse, or the sea serpent?
00:06:39It is the serpent.
00:06:41Oh, please.
00:06:42As far as I remember.
00:06:43Please, I've never seen how a captain lives on a ship,
00:06:45or even been on a ship, nor left the land except to swim.
00:06:49I doubt the crew would...
00:06:50Until tomorrow.
00:06:53All right.
00:06:54And then on board.
00:07:22Am I wrong, or have I seen that dress before?
00:07:35Lady Blystone allows me to wear her dresses.
00:07:38And my night's off.
00:07:41Amusing.
00:07:43I must create as a servant, you as a lady.
00:07:48Amusing.
00:07:49So long as I'm not indiscreet.
00:07:52And tell your handsome gentleman what you are.
00:07:59I suppose, sir, your silence has a price.
00:08:08Of course.
00:08:10Your part is easier to play.
00:08:14For you have by nature a footman's lewdness.
00:08:35A ship?
00:08:36Ledge, you must be joking.
00:08:38I said I had ships, and now she wants to see one.
00:08:40She's a fancy to dine on board.
00:08:42Ten shillings.
00:08:43Fifteen.
00:08:44It is an expensive courtship.
00:08:45Twelve.
00:08:46Sold.
00:08:47I've got a right on the horse.
00:08:48We've spent ten guineas on the coach already, and more on food and wine.
00:08:52This is worth ten thousand a year for life.
00:08:56A captain's cabin has a captain's bedroom, Joanie.
00:09:01And I've never known my Jemmy to fail when he's got the right furnishings.
00:09:07Grunt!
00:09:08Hello.
00:09:09Ha, us a ship.
00:09:11A ship?
00:09:12One ship.
00:09:42Whoa, whoa, whoa.
00:09:46Hold that.
00:09:58Goodness.
00:09:59Five.
00:10:01Five?
00:10:02Why, why, tis an old mother you own.
00:10:06Thanks.
00:10:07Whoa.
00:10:11Twenty-seven hours.
00:10:12That's another guinea.
00:10:14Money, money, money.
00:10:16At your library.
00:10:17Money.
00:10:22Here are your things, brother.
00:10:26What a handsome ship.
00:10:28Aye, she's a catch-slooped, gaff-rigged, square-bottomed three-master.
00:10:33What is your cargo?
00:10:35Gold from the Indies, spices from the East.
00:10:38Can't you smell the odors of the Orient?
00:10:40Cinnamon, cloves, nutmeg, vanilla.
00:10:46Huh?
00:10:48Just here.
00:10:49I think it's mostly the odor of the ship's cast.
00:10:53Oh, I'd love to sail the salt seas and see strange peoples and lands.
00:10:59How exciting it must be.
00:11:01I'm learning that life ashore has excitements, too.
00:11:06You wouldn't grow weary of the daily round and your own fireside?
00:11:12Not if there was someone to share it with.
00:11:19Six bells, Captain!
00:11:22Eighteen minutes past nine and whistles on the table.
00:11:26All fast and toyed on the task.
00:11:29Thank ye, bosun.
00:11:30And before the crew are fed, make sure all top garants are battened down,
00:11:35all capstans spliced.
00:11:39Shall we go, my dear ma'am?
00:11:43All crew on deck!
00:11:46Hard of your hammocks, you scurvy load of carry-on!
00:11:50Master it up for your mittens!
00:11:52Show a leg! Show a leg!
00:11:54To your left.
00:11:57Ah, Master!
00:12:00Get him on the double-side there!
00:12:02Ah, Master! Up he is!
00:12:05Get him on the double-side there!
00:12:16Put in.
00:12:20Up, put in.
00:12:26Ah, thank ye, Captain.
00:12:28Me eyesight ain't what it was since I lost an eye in the sea fight, you will remember,
00:12:33when the Captain himself, when he was shutting off the broadside of Chainsaw,
00:12:38and he pulled me and four of his shipmates from the mouth of the Dutch cannon,
00:12:44despite his boots were full of boiling oil
00:12:47and the sharks were snapping up arms and legs like titbits on Davy Jones' locker.
00:12:53Thank ye, Cook. We are served now.
00:12:57I knew a girl who liked sailors, first of all.
00:13:00Cook!
00:13:01And the sailors like Cook.
00:13:11Pardon, Captain, me legs ain't what they were neither.
00:13:15And that's the truth.
00:13:17Loyal fellow, that.
00:13:19I see, Captain, you're much admired by your crew.
00:13:22Aye, good lot of lads.
00:13:25Rough, but sound in heart, if not in wind and limb.
00:13:33Is that your cabin?
00:13:35Aye.
00:13:37May I look?
00:13:39Please do.
00:13:42That's me bachelor bunk,
00:13:45where I've spent many an hour dreaming of things not possible.
00:13:48Not possible?
00:13:50I thought they were not possible, till now.
00:13:55Well, it is elegant for a man.
00:14:00A man on his own needs some softness about him.
00:14:06What...
00:14:08What strange sight you must have seen looking through this window?
00:14:13I've seen strange sights enough.
00:14:15One goes sick of them.
00:14:18All at once it's the same sight, every day.
00:14:23Waking, going to sleep,
00:14:26and then waking again,
00:14:28and again,
00:14:30and again,
00:14:32and again.
00:14:34Going to sleep.
00:14:37Every day.
00:14:40Every night.
00:14:43SONG
00:15:01Engine lowered, Captain, and all fast as stone.
00:15:05Thank you, bosun.
00:15:06Crew fed, tied, making four knots, and all fast for it.
00:15:10Thank you, bosun, and I wish to God you go for it, and fast.
00:15:14Aye, aye, Captain.
00:15:21Broken going off duty, Captain.
00:15:23And for God's sake, go, man.
00:15:25My compliments, sir.
00:15:27And my compliments to you.
00:15:29God save the King.
00:15:31God save the King, and to hell with the rest.
00:15:34Hello.
00:15:38What were we saying?
00:15:40Ah, I forget the words.
00:15:43It was what your eyes said.
00:15:47There was no mistake in the meaning there.
00:15:50And what did my eyes say?
00:15:56Translate for me, my dear.
00:16:00I said we have no need of a translator.
00:16:03We have the same tongue in all things.
00:16:05Have the same tongue.
00:16:07Nine bells, and the wind blowin' from the north.
00:16:19The poem is right.
00:16:21It's taken right.
00:16:22It can't say a blood.
00:16:33I'm sorry.
00:16:42Beggin' your pardon, Captain.
00:16:44I was surveyin' the field.
00:16:46Come on, you bum.
00:16:48You sent me to make covenants.
00:16:55Put this over your head.
00:16:59Teal.
00:17:00Teal for yourself.
00:17:02Beggin' your pardon, Captain and the ladies.
00:17:05Throw yourself in the river.
00:17:08I just have done.
00:17:09Well, do it again.
00:17:11But it's raining.
00:17:32Oh, my God.
00:18:02It's sinking.
00:18:04It's just come adrift, I think.
00:18:17We are sinking.
00:18:19You're bloody.
00:18:21I'm just bloody.
00:18:25It's all right. It's just the air.
00:18:27It's all right, Captain.
00:18:32Can't you do anything but blow that blasted whistle?
00:18:37Let's run.
00:18:39Make fast.
00:18:41And show these fresh water butt-pickers
00:18:44the kind of seamanship that we expect
00:18:47from the, uh, the, uh...
00:18:49Sea anemone.
00:18:50Thank you.
00:18:55Chair. Chair.
00:18:57No, no. I'm not sure I have the fare.
00:18:59I have a purse on the ship.
00:19:02It's a shame on me not to take your ham and stuff.
00:19:09Love.
00:19:13Run in the evening.
00:19:31Nay, I'll go on no longer.
00:19:33It sickens me, this deceit.
00:19:35She's all that foul for the plucking.
00:19:38She's a...
00:19:39Make just one match and you'll never have to steal again.
00:19:42Where are you taking her tonight?
00:19:44I was going to the gardens of Landland.
00:19:47Well, don't spare the wine.
00:19:48Oysters are in season.
00:19:50Warm her well with dancing and then flip the question.
00:19:53Expenses.
00:19:56Here.
00:19:58Nay, lad, I can read you like the face of a clock.
00:20:02You think the question is best put
00:20:05when the pair of you are snug between the sheets
00:20:07and you draw away from that.
00:20:09Out of faithfulness to me.
00:20:11Do I guess her right?
00:20:12Oh, and I love you for it.
00:20:15But I'm not a feather-brain, miss.
00:20:17I'm a woman of the world.
00:20:19And to show I bear no grudge,
00:20:21I'll prepare my own room for you.
00:20:24And there the pair of you can enjoy yourselves
00:20:26as well as men and women can
00:20:28who come together for convenience.
00:20:31Well, Jenny,
00:20:33would you rather go back to the road and sleep under haystacks?
00:20:36Winter is coming.
00:20:38A rich widow will keep out the droughts.
00:20:45Come on, squint.
00:20:51Right.
00:20:54Back to work.
00:21:24Back to work.
00:21:54Back to work.
00:22:24Back to work.
00:22:42I think they're expecting us to join the dance, milady.
00:22:45What is it?
00:22:47I was afraid.
00:22:49Of a kiss?
00:22:50Of a secret.
00:22:51Yours?
00:22:54Yes.
00:23:14I have a secret, too.
00:23:16You have?
00:23:18If I tell mine, will you tell yours?
00:23:22Tell me yours first.
00:23:25Well,
00:23:27I'm not what you take me for.
00:23:30What do you mean?
00:23:31I'm not Lady Blystone.
00:23:40Who are you, then?
00:23:42I'm Lady Blystone's companion.
00:23:48What's in a title?
00:23:50I'm just as ready to take you as plain Miss.
00:23:52Misses?
00:23:54I've been married.
00:23:55I'm a widow.
00:23:56That part was true.
00:23:58So long as a man and a woman can live comfortably together,
00:24:01what do names matter?
00:24:03Yes, but comfortably is a word of two means.
00:24:06I mean by first, that they should not quarrel,
00:24:09and secondly, that they shouldn't have enough to live on.
00:24:13I take it we'll have that, won't we?
00:24:15I take it we'll have that, won't we?
00:24:17With your wealth, of course we will.
00:24:22Oh, but I...
00:24:23I hope you don't take me for a person of fortune.
00:24:27You're joking.
00:24:28I'm testing my intentions.
00:24:31I wish I were.
00:24:33But you live in a house with people in society.
00:24:37You dress like...
00:24:39I've seen you...
00:24:40I've seen a footman open the door to you and bow as if...
00:24:43I've not but fifteen guineas left in the world.
00:24:47Oh, I suppose you've changed.
00:24:50You've gold me.
00:24:53Look out of my way.
00:24:54No!
00:24:59Anything I can do?
00:25:00No!
00:25:01Yes, let me through.
00:25:06Captain?
00:25:07Captain!
00:25:10Captain!
00:25:11Captain, please!
00:25:21Captain, I know that I'm to blame,
00:25:24but it was done in the way of a joke.
00:25:27I never told you in words.
00:25:29I was other than I am.
00:25:30You let me believe that...
00:25:32That was your own fancy.
00:25:33Did you say a word?
00:25:34One word to disabuse me?
00:25:36You tricked me!
00:25:37No, you tricked yourself.
00:25:38Ruined! Ruined!
00:25:40I've laid out every penny I own.
00:25:42I'm not borrowed, so I'll be in debt for years.
00:25:46You?
00:25:48Ruined?
00:25:50Hiring a carriage,
00:25:52dressing like a lord,
00:25:54livery, wine, stables, oats,
00:25:56hiring a whole ship.
00:26:00The carriage wasn't yours?
00:26:02No.
00:26:03Not a ship?
00:26:04No.
00:26:05Are you not a sea captain?
00:26:06No!
00:26:07But your estate's in Virginia.
00:26:09I never owned an acre.
00:26:10In the eighties.
00:26:11Not a yard.
00:26:12In Ireland?
00:26:13Not an inch.
00:26:14Save those six feet of my mother's grave.
00:26:17And you say that I've tricked you.
00:26:20Well, you rooked me the first.
00:26:21I did not of the kind.
00:26:23You introduced yourself as a captain.
00:26:25Not till you dropped me a curtsy as Lady Blystone.
00:26:29Liar!
00:26:30Sham!
00:26:31Swindler!
00:26:32Imposter!
00:26:33Morton hunter!
00:26:34Succubus!
00:26:36Vampire!
00:26:37Bloodsucker!
00:26:38Cockatrice!
00:26:39Ten thousand plagues are all!
00:26:42Come in!
00:27:06Help!
00:27:11Turn it off!
00:27:12Let me turn it off!
00:27:21Morton!
00:27:22Morton!
00:27:23We shall see each other no more,
00:27:25so let us part as friends.
00:27:32It's all your fault.
00:27:35Stealing a hatbox against my orders.
00:27:37Drawing conclusions from a lady's name.
00:27:41Lady Blystone.
00:27:42What is your name, anyway?
00:27:44Malt Blantis.
00:27:46Captain Meredith.
00:27:47Is Meredith your name?
00:27:50No, it's Jimmy.
00:27:52Jimmy?
00:27:53The others best forgot.
00:27:55I brought no honour to it.
00:27:59Well, if she'll be wanting the room, Captain...
00:28:01Don't call me Captain!
00:28:03That room.
00:28:06I had a room.
00:28:08What room is this?
00:28:12I had a room where we could be alone together.
00:28:18There was no purpose in it.
00:28:33It was a mess.
00:28:47I was raised
00:28:49what they call a gentleman.
00:28:52I learned to live high
00:28:55without the means to die.
00:28:58And got into debt.
00:29:00Found no way to clear yourself.
00:29:03underway. It was not to my liking. What way?
00:29:10Tell me more of yourself. They say my father was hanged. My mother transported. I was
00:29:21raised for the gypsies. I saw nothing before me but being a drudge, so I resolved to
00:29:31better myself by marriage. We both had the same notion. But it passes, let us do. Now
00:29:42my heart's in porn. I doubt I'll ever redeem it. And I'm a hundred pounds the more in debt.
00:29:52I've not much left, but it's all yours. Except this one. It's my orphanage shilling.
00:30:10What? He's... Why?
00:30:17It's love, Tachi. Love.
00:30:20Love.
00:30:46Jimmy? Jimmy? Jimmy?
00:31:03My dear, I ask your pardon. I am the most miserable of men. I have been so happy to possess you,
00:31:21and am now so wretched as to be forced to fly from you. Forgive me, my dear. Once more
00:31:30I say, forgive me.
00:31:35Jimmy, come back. Come back.
00:31:50Well, you ladies should require the room for another night. You cry for the loss of what you stole.
00:31:58I'll not wipe your tears for you. Nay, but I'm wrong to blame you. He's the sort of man that makes a servant
00:32:13girl forget her dusting and open the windows to stay as he walks down the street.
00:32:20You knew him, too? In the way of business.
00:32:42Jimmy? Why did you go away from me?
00:32:50I'd ridden 15 miles. The sun was in my eyes and a gale blowing. It was that, perhaps, that fancies in my head.
00:33:01What fancies? I thought I heard you call for me.
00:33:07What did I say?
00:33:10You cried aloud, Jimmy, oh, Jimmy, come back, come back.
00:33:17It is a marvel past belief. Those were my words. Oh, you shall go away from me no more. I'll go all over the world with your head.
00:33:32It's something I cannot speak of. One day, perhaps, we'll make our fortunes. Then we'll marry for money like we always thought we were going to.
00:33:48I came by a pound or two. Debts repaid. Just a little.
00:34:47Ah, there you are, Ma.
00:35:01Thank you, dear. Crying for your captain. Poor girl, to learn so young that men deceive.
00:35:11Well, you'll be better off in the house than gadding about in the town. Tomorrow, you can shine the mirrors and wash the lustres. Now, quick, sweetheart, go and get me my gloves.
00:35:21Yes, I have them here.
00:35:35Will you be late, Maggie?
00:35:37You needn't wait up for me. I have my key. Goodbye, Maggie.
00:35:48Goodbye, my love. Enjoy your ball and gather me some gossip.
00:35:55I'm so sorry to leave you alone.
00:36:24Coachman, stop! Stop!
00:36:54I'm so sorry to leave you alone.
00:37:24Coachman?
00:37:51Oh, one candle to light so much beauty.
00:37:56The less I see of myself tonight, sir, the more I'll be pleased. I'm no fit sight for myself nor anyone else.
00:38:03Where I have been, never to have set my eyes on the most beautiful woman.
00:38:08If you please, sir, I'm tired and I wish to go to bed.
00:38:35Oh!
00:38:53What is it, sir?
00:38:54A bottle. A green bottle beside my bed.
00:38:58Run, child! Run!
00:39:29Oh!
00:39:35Just a little wound beneath my heart.
00:39:39Were you in the war, sir?
00:39:40No, a duel. Women. Women.
00:39:45Look. Look.
00:39:47No! No! No!
00:39:50Please! No!
00:39:52No! No!
00:39:54No! No!
00:40:13No!
00:40:16No!
00:40:30No!
00:40:51Naughty!
00:40:54You!
00:40:55Naughty!
00:40:56Stand back!
00:40:57Naughty!
00:40:58Get back! Go away!
00:40:59Naughty!
00:41:00Murderer!
00:41:01Murderer!
00:41:02Murderer!
00:41:03Murderer!
00:41:04Murderer!
00:41:05Murderer!
00:41:06Murderer!
00:41:07Murderer!
00:41:08Murderer!
00:41:09Murderer!
00:41:10Murderer!
00:41:11Murderer!
00:41:12Murderer!
00:41:13Murderer!
00:41:14Murderer!
00:41:15Murderer!
00:41:16Murderer!
00:41:17Murderer!
00:41:18Murderer!
00:41:19Murderer!
00:41:20Murderer!
00:41:21Murderer!
00:41:22Murderer!
00:41:23Murderer!
00:41:24Murderer!
00:41:42Stop!
00:41:43Naughty!
00:41:44Lady?
00:41:45Thank God you didn't shoot.
00:41:48Lady.
00:41:49Thanks.
00:41:50Thanks.
00:41:51Thanks.
00:41:52Thanks.
00:41:53Devil, lustful monster. See what sort of women you can find.
00:42:00But don't just stand there. Go and get him, you idiot.
00:42:06There. And you, you have disappointed me. You have betrayed my friendship.
00:42:12And abused my trust.
00:42:13You old, old little...
00:42:14I'll be gone, Trollope. I never want to set eyes on you again.
00:42:23Once before, I had tried to return this ring to my friend, the banker.
00:42:43Friend?
00:42:44It was a somewhat closer relationship.
00:42:48And yet, I was doubtful how he would receive me now.
00:43:00Madam.
00:43:11Ah, yes, of course. You must forgive me, my dear.
00:43:15I have but recently come back from the grave.
00:43:17I never thought to see you or the world again.
00:43:19Pull up a chair.
00:43:21I came to return your ring, sir.
00:43:23I came once before, but...
00:43:26I hope you're recovered.
00:43:29But condemned to an altered way of life.
00:43:33I have forbidden company and pleasure and condemned to...
00:43:37Needlework.
00:43:39What's the result?
00:43:40I've got four bottles of port a day to make my solitude bearable.
00:43:44And I've got the gout.
00:43:46By heavens, I'm glad to see you.
00:43:53I understood, sir.
00:43:55You've been repenting your sins.
00:43:57The apoplexy threw me into a fright.
00:44:00But now you're cured, sir.
00:44:02I find the repentance is cured also.
00:44:06I think, sir...
00:44:08You never make yourself a saint.
00:44:10You're perfectly right.
00:44:12You have every reason to reproach me for my way of life.
00:44:16I'm a monument to the follies of vice.
00:44:18A memento of the snares of pleasure.
00:44:21And from all this, from the burning fiery furnace and the stinking pit...
00:44:26Only you can save me.
00:44:28Me? But how?
00:44:30Thus.
00:44:31Oh, sir!
00:44:35Boltman.
00:44:37Yes, sir?
00:44:38Can you row the boat facing the other way?
00:44:59Ah, country air to bring pink to the cheeks.
00:45:02Swallows flying high.
00:45:04A good omen for our honeymoon.
00:45:06Is our room ready, landlord?
00:45:07Aye, sir. Been ready since noon.
00:45:09Is the parson ready too?
00:45:11Well, he's been in the taproom all day, sir.
00:45:14You might say he's ready.
00:45:17Ah!
00:45:23Come on, parson, you sweet-smelling old fellow.
00:45:26Down your drink and get to business.
00:45:28You have the bride, the groom, and your witnesses.
00:45:31You have the ring, sir?
00:45:33Me? Not him, you fool.
00:45:35I'm the groom, he's the witness.
00:45:37And this is the ring.
00:45:39Landlord, give you a book of commentary, huh?
00:45:42Oh, come on, fellow.
00:45:44Surely you know your parson's gavel by now.
00:45:48Man that is born a woman hath but a short time to live and is full of misery.
00:45:53Not the very old service, you poxy old goat.
00:45:57We're getting married.
00:45:58Ah, wedlock!
00:46:00Wedlock it is to be.
00:46:03Come on now, Reverend.
00:46:05Come on.
00:46:11Dearly beloved, we are gathered here in the sight of God and in the face of this con...
00:46:17...congregation.
00:46:24Out! Get along! Hurry, will you!
00:46:30Oh, that all young girls who watch this scene would learn one lesson.
00:46:35Wealth and position and comfort by day...
00:46:40...will not make up for insincerity at night.
00:47:30Aha! We're at it again!
00:47:34Aha! We're at it again!
00:47:37Oh!
00:48:02What then?
00:48:08Now then.
00:48:11Ticklish.
00:48:17Every time.
00:48:22Is there a conspiracy against consummation out there?
00:48:28Come back to bed, my dear.
00:48:40Come, come, my dear.
00:48:42You'll catch your little cold.
00:48:53By God, are we to have no peace tonight?
00:48:56What's twad? Have you no beds to go to?
00:48:59A robbery on the heath, sir.
00:49:01Have you seen two moth horsemen go by?
00:49:04A younish one on a chestnut and a stout one on a brown.
00:49:06I saw two horsemen, sir.
00:49:08What's that you say, ma'am?
00:49:10Um, well, it was dark and I couldn't see very well.
00:49:14But they did that road.
00:49:16Thank you, ma'am.
00:49:17But on the wrong track, we'll try the Canterbury road.
00:49:20Come on!
00:49:26Come on.
00:49:39Jimmy.
00:49:40Oh, do come back, Mal.
00:49:43Oh, come on, Mal, I'm waiting.
00:49:52There you are.
00:49:55Oh, Mal!
00:50:00Go back the way we came.
00:50:03Jimmy!
00:50:05Jimmy!
00:50:09Jimmy!
00:50:12Jimmy!
00:50:14Stop, Jimmy!
00:50:16Mal!
00:50:17Mal!
00:50:23Officer!
00:50:24Sir!
00:50:25Apprehend those men and recover the person of my bride,
00:50:29who was enticed away and in that direction.
00:50:33For your warm assistance, I thank you, sir.
00:50:37Hurry up!
00:50:38Hurry up!
00:51:07Jimmy!
00:51:13Jimmy!
00:51:19Jimmy!
00:51:25Jimmy!
00:51:31Mal!
00:51:35Hold on!
00:51:36Hold on!
00:51:43Get in there behind the trees.
00:51:45I'll take them away.
00:51:46Gee, you would love the men.
00:51:56There must be around here someone.
00:51:59Two men, you and you, up that way.
00:52:03Lay down now, folks!
00:52:05Come on!
00:52:23Hold on!
00:52:25Ah, where's that devil coming now?
00:52:28Alley-ho!
00:52:30Alley-ho!
00:52:49Ah!
00:52:56Well, damn you, sir!
00:53:00Yes, sir.
00:53:05No, child, no.
00:53:07I haven't seen your captain since the night you slept here.
00:53:11Oh.
00:53:12Yes?
00:53:13I...
00:53:15I came to ask if you could recommend me to an employment.
00:53:19I recommend you.
00:53:20Your face and figure do that.
00:53:22No gentleman would refuse to employ you.
00:53:25I'm not a whore, ma'am.
00:53:27Don't say that too soon.
00:53:29Though sometimes an apparent modesty sells the goods to a higher bidder.
00:53:33What is it you want, then?
00:53:35I want...
00:53:38I need to make my fortune.
00:53:50Make your fortune.
00:53:52Well, if you won't make it in bed, my child, you best get to work with your fingers.
00:53:57You mean I should sew?
00:54:00Deal.
00:54:02Deal in what goods?
00:54:03Silver.
00:54:05Though if it's a fortune you want, that's quite a mane of gold.
00:54:11Ma'am, I understand you.
00:54:16And I do not like your meaning.
00:54:20See how far you get with honest labor!
00:54:51Miss, you...
00:54:56Thank you, ma'am.
00:54:59The knot must have broken.
00:55:05Oh, let none watch this scene without thinking how they would grapple with a lack of friends
00:55:11and the want of bread.
00:55:13Let them remember the wise man's prayer.
00:55:18Give me not poverty lest I steal.
00:55:23This was the bait.
00:55:26And the devil who laid the snare prompted me.
00:55:31Take the bundle.
00:55:35Now!
00:55:48What have I done?
00:55:50What was I now?
00:55:54A christening set.
00:55:56Grant!
00:55:57Hello.
00:55:58I hope your friend didn't lose the dear child as she's selling these things.
00:56:02Try to get me silver without initials, dear.
00:56:04Fetch is a better price.
00:56:07I've not seen Jimmy again since I last asked you.
00:56:10Fourteen shillings!
00:56:12I've not seen Jimmy again since I last asked you.
00:56:16Fourteen shillings, sweetheart. Congratulations.
00:56:21Thank you.
00:56:25Could you hold off the money? I'd like to save it.
00:56:29Gladly, my dear. I'll mark it down in the ledger.
00:56:36Good day.
00:56:42Good day.
00:57:01In our business, my dear, we must make sure that success does not lead to fame.
00:57:07So, for your next adventure, no gentleman must look at you twice.
00:57:12Come along.
00:57:17Sit up.
00:57:21Try on the crown wiggle.
00:57:26Now then.
00:57:38Not a bad haul.
00:57:40Considering the rich are out of town, but I won't half put down to my kind of saving.
00:57:45Jimmy, what's...
00:58:00Oops!
00:58:04That'll do.
00:58:07Thank you.
00:58:35Good evening, ladies.
00:58:41Here.
00:58:55Good evening, sir.
00:58:59Coachman, to the pub.
00:59:03To the pub. Slowly.
00:59:21You tantalizing creature, you.
00:59:33Mmph!
00:59:46Mmph!
00:59:50Mmph!
00:59:56Ow!
01:00:00Come on.
01:00:02No, sir. Coachman, stop, please.
01:00:05No, no. No, no. Surely.
01:00:13Buenos noches, señor.
01:00:21And a nobleman, too.
01:00:23Tis ten to one he has an honest, virtuous wife and innocent children.
01:00:28This deed of yours, Moll, will do more to reform him than all the sermons at St. Paul's.
01:00:33For in our business, we do a lot of good, teaching people to mind their morals and guard their possessions.
01:00:42You... I mean, Jamie hasn't...
01:00:45Four and eleven is fifteen.
01:00:48Now, I've been considering your position in the trade, dear.
01:00:52It's not wise to stick to the same business and at the same places for too long.
01:00:58A length of brocade will fetch as much as a gentleman's watch.
01:01:02Brocade?
01:01:03And a good roll of lace even more.
01:01:06Grunt!
01:01:08I would be afraid to go to work in a shop where they have the eyes on you as soon as you enter the door.
01:01:14Look.
01:01:18Grunt's to work.
01:01:19Oh, yes.
01:01:24Good day, sir.
01:01:25Good day, ma'am.
01:01:26I'm looking for a fine length of red velvet.
01:01:28Oh, that's right.
01:01:29Ah, there's a handsome piece. No, I'm afraid too coarse. Some other time.
01:01:35Good day, sir.
01:01:37Good day, ma'am.
01:01:48Good day, ma'am.
01:02:09Ha, ha, ha!
01:02:10All right, then!
01:02:11Ha, ha, ha!
01:02:12That's you!
01:02:14Poor souls. They're on their way to Newgate.
01:02:18Poor souls, indeed.
01:02:20It serves them right. I hope they're hanged.
01:02:22They're only thieves, anyway.
01:02:26That's your blue nose, Charlie.
01:02:40Enough, enough.
01:02:43The jeweler's shop. Can you see the window?
01:02:48Yes.
01:02:49Bottom pane in the middle, right?
01:02:51Right.
01:02:52Can you see the clock?
01:02:53Clock?
01:02:55Not there.
01:02:56Oh, right. Never mind.
01:03:00In twelve and a half minutes, the clock will strike one.
01:03:04You'll be holding your horse outside the jeweler's shop.
01:03:07When the clock strikes one, you throw the brick, right?
01:03:12Right.
01:03:13Bottom pane in the middle of the jeweler's window, right?
01:03:17Bottom pane.
01:03:18Right.
01:03:19I do the snatcher under my horse. I ride that way and you ride that way, right?
01:03:23Right.
01:03:24What if I don't hear the clock?
01:03:26Don't tell me you're deaf as well!
01:03:28Well, I might miss it. Why don't we make it two o'clock?
01:03:31Then, if I miss the first, I'll hear the second.
01:03:34Why don't we make it three o'clock?
01:03:35Yes, then if I miss the first and I miss the second...
01:03:37Deaf as a bloody post, right?
01:03:40Come on.
01:03:42Right.
01:04:06Here's the brick.
01:04:07Good. Come on.
01:04:09Well, let me... Can I...
01:04:10No.
01:04:11Oh.
01:04:18That's that.
01:04:20Count up to a hundred and then move.
01:04:22How fast?
01:04:23At a walk.
01:04:24How fast do I count?
01:04:25As fast as your heart beats.
01:04:27It's galloping.
01:04:28Start counting now.
01:04:30One, two, three, four, five, six...
01:04:34One, two, three, four, five, six, seven, eight, nine, ten, eleven.
01:04:49Nice hanging at your time, then.
01:04:53Buy a doll for your little one, dear.
01:04:56Fifty.
01:04:57Fifty-one, fifty-two, fifty-three, fifty-four, fifty-five...
01:05:04Let's have a drink.
01:05:05Look after them, Tom.
01:05:10No, no. Something much finer.
01:05:12Something more precious. Something fit for a queen.
01:05:14A queen?
01:05:16Let me see.
01:05:30Where is it?
01:05:31Where are they?
01:05:34That's it.
01:05:38God!
01:06:05Help me.
01:06:06Is that you?
01:06:08Good horse.
01:06:20Give me your bag.
01:06:21Give it to me.
01:06:23What are you doing?
01:06:24What are you doing?
01:06:25Stop her.
01:06:28Stop her.
01:06:29What are you doing?
01:06:32Stop it.
01:06:35Stop it.
01:06:37Stop it.
01:07:04Oh, dear.
01:07:05Oh, dear.
01:07:06Oh, dear.
01:07:07Oh, dear.
01:07:08Oh, dear.
01:07:09Oh, dear.
01:07:10Oh, dear.
01:07:11Oh, dear.
01:07:12Oh, dear.
01:07:13Oh, dear.
01:07:14Oh, dear.
01:07:15Oh, dear.
01:07:16Oh, dear.
01:07:17Oh, dear.
01:07:18Oh, dear.
01:07:19Oh, dear.
01:07:20Oh, dear.
01:07:21Oh, dear.
01:07:22Oh, dear.
01:07:23Oh, dear.
01:07:24Oh, dear.
01:07:25Oh, dear.
01:07:26Oh, dear.
01:07:27Oh, dear.
01:07:28Oh, dear.
01:07:29Oh, dear.
01:07:30Oh, dear.
01:07:31Oh, dear.
01:07:32Oh, dear.
01:07:33Oh, dear.
01:07:34Oh, dear.
01:07:35Oh, dear.
01:07:36Oh, dear.
01:07:37Oh, dear.
01:07:38Oh, dear.
01:07:39Oh, dear.
01:07:40Oh, dear.
01:07:41Oh, dear.
01:07:42Oh, dear.
01:07:43Oh, dear.
01:07:44Oh, dear.
01:07:45Oh, dear.
01:07:46Oh, dear.
01:07:47Oh, dear.
01:07:48Oh, dear.
01:07:49Oh, dear.
01:07:50Oh, dear.
01:07:51Oh, dear.
01:07:52Oh, dear.
01:07:53Oh, dear.
01:07:54Oh, dear.
01:07:55Oh, dear.
01:07:56Oh, dear.
01:07:57Oh, dear.
01:07:58Oh, dear.
01:07:59Oh, dear.
01:08:00Oh, dear.
01:08:01Oh, dear.
01:08:02Oh, dear.
01:08:03Oh, dear.
01:08:04Oh, dear.
01:08:05Oh, dear.
01:08:06Oh, dear.
01:08:07Oh, dear.
01:08:08Oh, dear.
01:08:09Oh, dear.
01:08:10Oh, dear.
01:08:11Oh, dear.
01:08:12Oh, dear.
01:08:13Oh, dear.
01:08:14Oh, dear.
01:08:15Oh, dear.
01:08:16Oh, dear.
01:08:17Oh, dear.
01:08:18Oh, dear.
01:08:19Oh, dear.
01:08:20Oh, dear.
01:08:21Oh, dear.
01:08:22Oh, dear.
01:08:23Oh, dear.
01:08:24Oh, dear.
01:08:25Oh, dear.
01:08:26Oh, dear.
01:08:27Oh, dear.
01:08:28Oh, dear.
01:08:29Oh, dear.
01:08:30Oh, dear.
01:08:31Oh, dear.
01:08:32Oh, dear.
01:08:33Oh, dear.
01:08:34Oh, dear.
01:08:35Oh, dear.
01:08:36Oh, dear.
01:08:37Oh, dear.
01:08:38Oh, dear.
01:08:39Oh, dear.
01:08:40Oh, dear.
01:08:41Oh, dear.
01:08:42Oh, dear.
01:08:43Oh, dear.
01:08:44Oh, dear.
01:08:45Oh, dear.
01:08:46Oh, dear.
01:08:47Oh, dear.
01:08:48Oh, dear.
01:08:49Oh, dear.
01:08:50Oh, dear.
01:08:51Oh, dear.
01:08:52Oh, dear.
01:08:53Oh, dear.
01:08:54Oh, dear.
01:08:55Oh, dear.
01:08:56Oh, dear.
01:08:57Oh, dear.
01:08:58Oh, dear.
01:08:59Oh, dear.
01:09:00Oh, dear.
01:09:01Oh, dear.
01:09:02Oh, dear.
01:09:03Oh, dear.
01:09:04Oh, dear.
01:09:05Oh, dear.
01:09:06Oh, dear.
01:09:07Oh, dear.
01:09:08Oh, dear.
01:09:09Oh, dear.
01:09:10Oh, dear.
01:09:11Oh, dear.
01:09:12Oh, dear.
01:09:13Oh, dear.
01:09:14Oh, dear.
01:09:15Oh, dear.
01:09:16Oh, dear.
01:09:17Oh, dear.
01:09:18Oh, dear.
01:09:19Oh, dear.
01:09:20Oh, dear.
01:09:21Oh, dear.
01:09:22Oh, dear.
01:09:23Oh, dear.
01:09:24Oh, dear.
01:09:25Oh, dear.
01:09:26Oh, dear.
01:09:27Oh, dear.
01:09:28Oh, dear.
01:09:29Oh, dear.
01:09:30Oh, dear.
01:09:31Oh, dear.
01:09:32Oh, dear.
01:09:33Oh, dear.
01:09:34Oh, dear.
01:09:35Oh, dear.
01:09:36Oh, dear.
01:09:37Oh, dear.
01:09:38Oh, dear.
01:09:39Oh, dear.
01:09:40Oh, dear.
01:09:41Oh, dear.
01:09:42Oh, dear.
01:09:43Oh, dear.
01:09:44Oh, dear.
01:09:45Oh, dear.
01:09:46Oh, dear.
01:09:47Oh, dear.
01:09:48Oh, dear.
01:09:49Oh, dear.
01:09:50Oh, dear.
01:09:51Oh, dear.
01:09:52Oh, dear.
01:09:53Oh, dear.
01:09:54Oh, dear.
01:09:55Oh, dear.
01:09:56Oh, dear.
01:09:57Oh, dear.
01:09:58Oh, dear.
01:09:59Oh, dear.
01:10:00Oh, dear.
01:10:01Oh, dear.
01:10:02Oh, dear.
01:10:03Oh, dear.
01:10:04Oh, dear.
01:10:05Oh, dear.
01:10:06Oh, dear.
01:10:07Oh, dear.
01:10:08Oh, dear.
01:10:09Oh, dear.
01:10:10Oh, dear.
01:10:11Oh, dear.
01:10:12Oh, dear.
01:10:13Oh, dear.
01:10:14Oh, dear.
01:10:15Oh, dear.
01:10:16Oh, dear.
01:10:17Oh, dear.
01:10:18Oh, dear.
01:10:19Oh, dear.
01:10:20Oh, dear.
01:10:21Oh, dear.
01:10:22Oh, dear.
01:10:23Oh, dear.
01:10:24Oh, dear.
01:10:25Oh, dear.
01:10:26Oh, dear.
01:10:27Oh, dear.
01:10:28Oh, dear.
01:10:29Oh, dear.
01:10:30Oh, dear.
01:10:31Oh, dear.
01:10:32Oh, dear.
01:10:33Oh, dear.
01:10:34Oh, dear.
01:10:35Oh, dear.
01:10:36Oh, dear.
01:10:37Oh, dear.
01:10:38Oh, dear.
01:10:39Oh, dear.
01:10:40Oh, dear.
01:10:41Oh, dear.
01:10:42Oh, dear.
01:10:43Oh, dear.
01:10:44Oh, dear.
01:10:45Oh, dear.
01:10:46Oh, dear.
01:10:47Oh, dear.
01:10:48Oh, dear.
01:10:49Oh, dear.
01:10:50Oh, dear.
01:10:51Oh, dear.
01:10:52Oh, dear.
01:10:53Oh, dear.
01:10:54Oh, dear.
01:10:55Oh, dear.
01:10:56Oh, dear.
01:10:57Oh, dear.
01:10:58Oh, dear.
01:10:59Oh, dear.
01:11:00Oh, dear.
01:11:01Oh, dear.
01:11:02Oh, dear.
01:11:03Oh, dear.
01:11:04Oh, dear.
01:11:05Oh, dear.
01:11:06Oh, dear.
01:11:07Oh, dear.
01:11:08Oh, dear.
01:11:09Oh, dear.
01:11:10Oh, dear.
01:11:11Oh, dear.
01:11:12Oh, dear.
01:11:13Oh, dear.
01:11:14Oh, dear.
01:11:15Oh, dear.
01:11:16Oh, dear.
01:11:17Oh, dear.
01:11:18Oh, dear.
01:11:19Oh, dear.
01:11:20Oh, dear.
01:11:21Oh, dear.
01:11:22Oh, dear.
01:11:23Oh, dear.
01:11:24Oh, dear.
01:11:25Oh, dear.
01:11:26Oh, dear.
01:11:27Oh, dear.
01:11:28Oh, dear.
01:11:29Oh, dear.
01:11:30Oh, dear.
01:11:31Oh, dear.
01:11:32Oh, dear.
01:11:33Oh, dear.
01:11:34Oh, dear.
01:11:35Oh, dear.
01:11:36Oh, dear.
01:11:37Oh, dear.
01:11:38Oh, dear.
01:11:39Oh, dear.
01:11:40Oh, dear.
01:11:41Oh, dear.
01:11:42Oh, dear.
01:11:43Oh, dear.
01:11:44Oh, dear.
01:11:45Oh, dear.
01:11:46Oh, dear.
01:11:47Oh, dear.
01:11:48Oh, dear.
01:11:49Oh, dear.
01:11:50Oh, dear.
01:11:51Oh, dear.
01:11:52Oh, dear.
01:11:53Oh, dear.
01:11:54Oh, dear.
01:11:55Oh, dear.
01:11:56Oh, dear.
01:11:57Oh, dear.
01:11:58Oh, dear.
01:11:59Oh, dear.
01:12:00Oh, dear.
01:12:01Oh, dear.
01:12:02Oh, dear.
01:12:03Oh, dear.
01:12:04Oh, dear.
01:12:05Oh, dear.
01:12:06Oh, dear.
01:12:07Oh, dear.
01:12:08Oh, dear.
01:12:09Oh, dear.
01:12:10Oh, dear.
01:12:11Oh, dear.
01:12:12Oh, dear.
01:12:13Oh, dear.
01:12:14Oh, dear.
01:12:15Oh, dear.
01:12:16Oh, dear.
01:12:17Oh, dear.
01:12:18Oh, dear.
01:12:19Oh, dear.
01:12:20Oh, dear.
01:12:21Oh, dear.
01:12:22Oh, dear.
01:12:23Oh, dear.
01:12:24Oh, dear.
01:12:25Oh, dear.
01:12:26Oh, dear.
01:12:27Oh, dear.
01:12:28Oh, dear.
01:12:29Oh, dear.
01:12:30Oh, dear.
01:12:31Oh, dear.
01:12:32Oh, dear.
01:12:33Oh, dear.
01:12:34Oh, dear.
01:12:35Oh, dear.
01:12:36Oh, dear.
01:12:37Oh, dear.
01:12:38Oh, dear.
01:12:39Oh, dear.
01:12:40Oh, dear.
01:12:41Oh, dear.
01:12:42Oh, dear.
01:12:43Oh, dear.
01:12:44Oh, dear.
01:12:45Oh, dear.
01:12:46Oh, dear.
01:12:47Oh, dear.
01:12:48Oh, dear.
01:12:49Oh, dear.
01:12:50Oh, dear.
01:12:51Oh, dear.
01:12:52Oh, dear.
01:12:53Oh, dear.
01:12:54Oh, dear.
01:12:55Oh, dear.
01:12:56Oh, dear.
01:12:57Oh, dear.
01:12:58Oh, dear.
01:12:59Oh, dear.
01:13:00Oh, dear.
01:13:01Oh, dear.
01:13:02Oh, dear.
01:13:03Oh, dear.
01:13:04Oh, dear.
01:13:05Oh, dear.
01:13:06Oh, dear.
01:13:07Oh, dear.
01:13:08Oh, dear.
01:13:09Oh, dear.
01:13:10Oh, dear.
01:13:11Oh, dear.
01:13:12Oh, dear.
01:13:13Oh, dear.
01:13:14Oh, dear.
01:13:15Oh, dear.
01:13:16Oh, dear.
01:13:17Oh, dear.
01:13:18Oh, dear.
01:13:19Oh, dear.
01:13:20Oh, dear.
01:13:22Come on.
01:13:23Read, or lie on it.
01:13:24Why don't you come and read?
01:13:25Oh, dear.
01:13:26Oh, dear.
01:13:28Oh, dear.
01:13:32Oh, dear.
01:13:35Oh, dear.
01:13:37Oh, dear.
01:13:39Oh, dear.
01:13:42Oh, dear.
01:13:44Oh, dear.
01:13:47Emma Martin.
01:13:53Those who have enjoyed the wicked part of my story
01:13:56would rather, perhaps, I left the good part out.
01:14:00But can they be thought to relish my sins and my crimes
01:14:04and find my repentance tedious?
01:14:07Would they rather this story were a complete tragedy?
01:14:12I will hurry over the instructive details of my conversion
01:14:15and come to what I believed was the last day of my life.
01:14:20Under the awful threat of the gallows, I had come to sincere repentance.
01:14:25It would certainly have lasted, I think, until the Friday,
01:14:30but on Thursday, the very day before I was due to be hanged.
01:14:37But I've tried, I've tried everything.
01:14:40Try, try, answer.
01:14:42But it's hopeless, because there's nothing that can be done.
01:14:45Now it's impossible.
01:14:51One last chance.
01:14:55One last chance.
01:15:00And the captain!
01:15:06Left, right, left, right, left, right, left, right, left, right.
01:15:14On guard!
01:15:25On guard!
01:15:33Admiral Fitzhaffernan, Governor of Newgate,
01:15:36welcomes on behalf of the War of Guardians
01:15:38his worship, the Lord Mayor of London.
01:15:40How are you, George?
01:15:41A fine nautical welcome, Admiral.
01:15:44I see you still run your jail like a man of war.
01:15:47Like a flagship, my Lord Mayor.
01:15:50Following a certain.
01:15:51Under the ensign of spiritual grace,
01:15:53we lead this fleet of lost souls towards the shores of redemption.
01:15:57Amen.
01:15:59The yard, my Lord Mayor,
01:16:01where the prisoners have the benefit of healthy exercise
01:16:04and the blessing of fresh air.
01:16:06The pump.
01:16:08The pump.
01:16:09Which, Doctor, would tell you,
01:16:11gives an ample supply of wholesome water.
01:16:14Speak up, Matt.
01:16:16Rich in mineral salts
01:16:19and other health-giving elements.
01:16:22And the diet of prisoners, Doctor?
01:16:25Oh, we send them to the scaffold plump as pullets.
01:16:29That's enough, Matt.
01:16:30To our right, the men's quarters,
01:16:34and to our left, the female quarters.
01:16:40Oh, my Lord Mayor, dear good sir,
01:16:43I plead for a prisoner of noble birth,
01:16:46most monstrously sentenced to be hanged.
01:16:49Nay, my good woman.
01:16:50This is not a court of appeal.
01:16:52It actually complains to the proper author.
01:16:55Here, my good Lord, are the commodious premises
01:16:58designed for the reception of our...
01:17:02William.
01:17:04Oh, William.
01:17:06Oh, William, I do beseech you,
01:17:08use your influence for one most unjustly betrayed and condemned.
01:17:12My dear, I am but a member of the Board of Governors.
01:17:14I have no say in such matters.
01:17:16Pray to the good Lord for his deliverance
01:17:19and get him a good lawyer.
01:17:20Why, William.
01:17:22Oh, Maggie, how nice to see you again.
01:17:24You ought to come here more often.
01:17:27Why don't you get us out of here?
01:17:30And this, my Lord Mayor, is the condemned hold.
01:17:35These unhappy creatures are to hang tomorrow.
01:17:39Let us hope they have repented of their sins.
01:17:42Amen.
01:17:43But in one case a most striking achievement has been made
01:17:47by way of repentance.
01:17:49The one in the middle,
01:17:51Moll Flanders.
01:17:53I should think she's had plenty to repent about.
01:17:56I can tell you one thing I wouldn't mind repenting with her.
01:18:00But, William, please.
01:18:04Ma.
01:18:06Ma.
01:18:08My wife.
01:18:23William.
01:18:26It's all yours, Parson.
01:18:29Now, my Lord Mayor, as I was saying.
01:18:32Yes, Admiral.
01:18:38Her eyes, they shone like emeralds.
01:18:43Her eyes, they shone like emeralds.
01:18:48They called her the fairest of fair.
01:18:50They called her the fairest of fair.
01:18:54And the black velvet band she was wearing
01:18:59was tied in her red golden hair.
01:19:04Yes.
01:19:05Her eyes, they shone like emeralds.
01:19:10They called her the fairest of fair.
01:19:15And the black velvet band she was wearing
01:19:20was tied in her red golden hair.
01:19:36Wake up, Trina.
01:19:58Come.
01:20:00Go.
01:20:05Get in there.
01:20:09Come in, girl.
01:20:12Out, guards. Out.
01:20:17Come along in, dear.
01:20:24You are known as Moll Flanders?
01:20:28Sign there.
01:20:30Ask no questions. There is little time.
01:20:34Can you sign your name, girl?
01:20:36Yes, but...
01:20:37Then do so. Both names, there and there.
01:20:40Both names?
01:20:42As the widow of Sir William, to whom you were lawfully married,
01:20:45your true name is Lady Godolphin.
01:20:48So kindly sign Moll... Moll Godolphin, there, where I've indicated.
01:20:54Under expectations of an inheritance of 50,000 pounds,
01:20:59you are borrowing 1,000 at interest.
01:21:02Your late husband died without making a will.
01:21:06You are his sole beneficiary, Lady Godolphin.
01:21:09For 500 pounds, you may buy a reprieve.
01:21:13Your sentence will be reduced to transportation to America.
01:21:17I will see that the money gets to the proper person.
01:21:23Hmm...
01:21:25Hmm...
01:21:29All I ask in return is that you lend me a like amount
01:21:32to secure the reprieve of the count.
01:21:36I...
01:21:39I wish to borrow 5,000 pounds.
01:21:41For what?
01:21:42I wish to buy the reprieve for several other persons.
01:21:45Any more reprieves will cost 1,000 each.
01:21:48Guinness.
01:21:49750. 800.
01:21:50Pounds.
01:21:51Done.
01:21:52And 500 more...
01:21:54for my own pocket...
01:21:56to get started in America.
01:21:58Hmph!
01:21:59Damned if I know why you want to go there.
01:22:01I'd rather be hanged.
01:22:03Hmph!
01:22:05Room...
01:22:06Britain!
01:22:22Excuse me, Madam.
01:22:25I'm no convict and have the precedence of a voluntary passenger.
01:22:29Strike off these ignoble chains
01:22:32that only injustice could have forged.
01:22:40Where have I been and never to have set my eyes
01:22:43on the most beautiful woman in the world?
01:22:46Never to have set my eyes on the most beautiful woman in the world.
01:22:53On second thoughts, no.
01:22:55Leave the last chain on.
01:22:57Come along, Mickey dear.
01:22:59But darling...
01:23:05I, James, take thee, Mal, to be my lawful wedded wife.
01:23:10I, James,
01:23:12take thee, Mal, to be my lawful wedded wife.
01:23:16To have and to hold
01:23:18from this day forward.
01:23:22To have and to hold
01:23:26from this day forward.
01:23:29For better, for worse.
01:23:31For richer, for poorer.
01:23:33In sickness and in health.
01:23:36For better, for worse.
01:23:40For richer, for poorer.
01:23:45In sickness and in health.
01:23:48To love and to cherish
01:23:50till death do us part.
01:23:53To love and to cherish...
01:23:55Oops, I'm so sorry.
01:23:58Till death do us part.
01:24:05According to God's holy ordinance
01:24:08and thereto I plight thee my throats.
01:24:11According to God's holy ordinance
01:24:15and thereto I plight thee my throats.
01:24:29I now pronounce you man and wife.
01:24:35It is usual to pay a parson for a wedding, sir.
01:24:37Does a captain accept a fee?
01:24:39Well, you can give me a shilling for luck.
01:24:43I have it.
01:24:55I shan't need this anymore.
01:25:00Who said I was deceived when I married you?
01:25:03I was deceived when I married a girl for her money.
01:25:06I've married a fortune.
01:25:09And a very good fortune, too.
01:25:12Just a moment.
01:25:14Just a moment, just a moment.
01:25:16Are you accusing me, sir?
01:25:18You see, I have nothing in my pockets.
01:25:20I've never been so hurt in all my life.
01:26:03© BF-WATCH TV 2021

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