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00:00:00Oh
00:00:30Oh
00:01:00Oh
00:01:30Oh
00:02:00Oh
00:02:18Are you sure you won't come back to my place for something to eat? No, thanks, sir
00:02:22We still have quite a way to go maybe next week and tell your mother that next time she should let you stay like
00:02:27I'd love to but you know, she doesn't like me staying out all night. She blows up
00:02:33Mothers are all the life afraid. We're going to stray. Oh
00:02:36Do say hello to your brother. Oh, I can't I Sarah you better be going your mother isn't the only one
00:02:57Oh
00:03:27Oh
00:03:57I
00:03:59I
00:04:29I
00:04:43Julia's a pretty name. Is it your girls something like that?
00:04:47But more like a memory
00:04:49That can happen when you get to be my age. That's about all there is left
00:04:53There's not too much you can do with them. What kind of memories you got going you name it kid
00:04:58I got them all
00:05:00artists first
00:05:02Well
00:05:25Young fella we've been on the trail together for two days now and you seem a decent sort
00:05:29You told me who you are, but not where you're from
00:05:33Waverly
00:05:35Missouri a pretty town Waverly
00:05:39High as an eagle on the cliffs dominating the mighty, Missouri
00:05:44You a poet Oh anyone from Missouri has a touch of the poet or the artist I think I'm from Galton
00:05:53Sheriff of Davis County
00:05:57Sheriff
00:05:59Right, Missouri is a long way off. What are you doing around here working son?
00:06:09What kind of work following someone
00:06:12You newspaper reporters are all the same
00:06:15More curious than women are don't worry
00:06:19This can be off the record
00:06:22Trouble son. No, I've got a ride down to the Mexican border
00:06:29Looking for General Shelley. He crossed the frontier there with his whole army
00:06:34He's crazy. He didn't want to surrender to the Yankees
00:06:38You know the war is over
00:06:42Not for him it isn't
00:06:45He's got too much of that southern blood to get in. That's him. All right a brave man, but thick-headed. Yeah
00:06:53Joe Shelley
00:06:56Did you say your name is George Shelley, that's right. It's my uncle my old man's brother
00:07:04All right, what are you looking for
00:07:06weapons
00:07:08Tricky business. I see
00:07:11You're going after Mexican smugglers. No more after Indians. Not every rifle goes over the border, you know
00:07:18And that's even worse much worse
00:07:26Over there
00:07:44You'll have to take care of a young fella a little out of range for me
00:07:55I
00:08:25You
00:08:44Well
00:08:45It's not gonna be easy getting her to talk. The only thing I found out is that she has to go to Laredo
00:08:50She's very frightened she must have relatives or someone waiting for her I think so
00:08:55She wants to get on the road in a hurry
00:08:58If we're going somewhere else she'll head on alone
00:09:11Good morning
00:09:20Listen little girl. I like playing talking and I think we have a right to an explanation
00:09:25These men won't waste much time getting back. We ruined their little game and they're gonna try to make us pay for it
00:09:31So if you expect us to go on helping you speak up
00:09:35Otherwise, you can start writing now. We saved your life and we don't even know your name
00:09:41I'm Sarah Sarah Bowman from Texas from San Antonio
00:09:47My father was in Mexico a few days ago, he sent some papers saying they were important
00:09:54Both my mother and my brother
00:09:57were murdered I
00:10:00Wasn't because I was away from the house. I was with the girlfriend
00:10:05Our house was in the country 12 miles from the nearest town
00:10:09I was with my brother and my brother
00:10:11I was with the girlfriend
00:10:13Our house was in the country 12 miles from the nearest town
00:10:16When I got home, it was all over
00:10:19They must have been there
00:10:21for the documents and they
00:10:23Tortured my mother rather to get them
00:10:26And they won't stop there
00:10:36Yeah, drink this I'll make you feel better
00:10:42I
00:10:45Found the papers
00:10:47They were right where my brother had hit
00:10:51I was afraid they'd come back. So I ran away. I've been writing for two days
00:10:56And today they finally caught up
00:11:00My father will be in Laredo now and I have to get to him. He's all I've got left in the world
00:11:07If those papers are really so important, why did he send them to you?
00:11:12They were to be registered in San Antonio then sent to him
00:11:16My brother was supposed to do all that
00:11:20What are the papers all about
00:11:23I'm sorry
00:11:25That's your business. We'll ride with you as far as Laredo little girl. All right now a smile I think
00:11:33Yeah, I knew you could do it. You look much prettier that way
00:11:36Come on, let's go. There's a lot of road before we get to Jimmy Martinez place on the border
00:11:41We better stay there for a few days
00:11:57We already yep
00:11:59You
00:12:08Have much of this kind of traveling to do just need sunny two or three days
00:12:14You got to get through the snow country
00:12:18Then we'll go a little faster this is the hard way to get there but the shortest
00:12:27Hey, don't tell me the two of you are tired
00:12:30Hey, that's nonsense, I'm fine and I'm 30 years older than you well, I'm 30 years younger than you and I'm tired
00:12:37Yes, you're just not old enough
00:12:39I
00:13:03Do just fine with a rifle I was in the 7th Cavalry when I got out I
00:13:08Just saw it off the barrel it's handier I
00:13:12Feel naked without my little cold in its holster believe me
00:13:16How about a little Sarah?
00:13:18You fire a gun. Sure. My brother taught crack shot
00:13:29We'll camp here it's well protected tomorrow. We'll have an easy ride to Martinez hotel
00:13:38Thanks
00:13:42Now when we get to Papa Martinez calling Jimmy by the way, tell him your brother and sister understand
00:13:49And George if they ask you go ahead and say you're a newspaper man you're going to Laredo with her on family business, right
00:13:55right Marshall
00:13:58With the two of you I feel secure protected. Oh, and by the way, you two don't call me Marshall ever. I'm in disguise you see
00:14:08I
00:14:24Gotta talk with one of the passengers
00:14:26I
00:14:35What happened sorry boss we found nothing the two of them wouldn't talk so we just made sure they never would
00:14:41Just do not the girl. She escaped. We nearly caught up with her when two men helped her get away again
00:14:47Idiots, don't worry. We're keeping an eye on her. They're heading toward the frontier. I
00:14:52Don't want them to reach Martinez. I want either the documents or the girl alive and well
00:14:59Fast
00:15:21I
00:15:34Don't know I just saw the dust their horses were making come on go call that hurry up you come along with me
00:15:46Ned
00:15:49Where are you Ned? Come on out you lazy good-for-nothing. Are you in there?
00:15:57Ned
00:15:59I
00:16:16Thank you, it was getting awfully hot. Thank you. Come on Ned Jimmy wants to see you right away up on the roof
00:16:24All right. All right. I'll run like the wind go
00:16:29Oh
00:16:32You better take a look for yourself then mister, there's a lot of dust. Maybe it's Indians. Oh, it wouldn't be impossible
00:16:38Well, what if it is? What do we do? I've never seen Indians around here before better
00:16:42Just wait him out pretty soon. They'll be here and we'll see who they are
00:16:44Anyway, where's that sort off right of yours? He can see like a hawk
00:16:50Ned where the hell were you what a time to take a bath whenever someone needs you you're not around. Come on. Come on move
00:16:59What do you make
00:17:04Well, what do you see they're riding fast for sure Americans Mexicans, I don't know
00:17:13Indians no
00:17:14No band of Indians that ever come galloping up like that. They prepare in daytime and attack by night
00:17:20It ain't Indians at least figure out who it is and come and tell me right away, right?
00:17:25Sure, Jimmy
00:17:30I
00:17:32Looked for Ned, but he's disappeared when he's nervous. He usually paces back and forth underneath your bed. I
00:17:39Was sure they weren't Indians Indians always prepare at night and attack at dawn why always at dawn well because they attack at dawn
00:17:52This evening
00:17:59What about that dust Thompson could that be the people we're waiting for no
00:18:05You know something Jefferson you ought to forget why we're here and just try to act natural
00:18:10When it's time to move, you'll know about it
00:18:14For the moment just take things nice and easy. Don't worry about it Thompson
00:18:18I'm a man who can keep control good inside
00:18:21You want to know the truth? You're the man that should keep a lid on his temper
00:18:25You know, you ought to take that holster off for once in your life you poor idiot
00:18:35Thompson you ever seen me without my gun built
00:18:39No
00:18:40But there's supposed to be a first time for everything they say
00:18:55By
00:19:00The way Jefferson stay away from Adeline
00:19:05Listen to their private grounds a little Mexican bitches pierced your heart, right Thompson
00:19:13You
00:19:23Are an idiot
00:19:26Tell me who is the only person who will be able to help us when we need it. Oh, I get it
00:19:44Turns the monkey
00:19:51Are you afraid of losing good clients if I get old too quickly it has nothing to do with that and you know it
00:19:58I'm still in love with you. I wish you'd stop your carrying on and flirting with Thompson
00:20:07He promised he'd take me away from this filthy horrible hole
00:20:11He promised he would bring me where I need to go. I'm a singer. I I must get away
00:20:20Yeah, I know I'm not worth anything I've lost all I ever had
00:20:24This place is all I have left in the world, but it could be worse
00:20:28We have what we need
00:20:30And besides I'm so much in love with you still like I told you
00:20:37If you really love me you wouldn't make me stay here and be a servant
00:20:41and
00:20:43One of our son
00:21:11Why did you stop it was beautiful
00:21:16Because there's no accompaniment
00:21:18How about that? I don't know how to play it. It's my husband's it belonged to his father
00:21:23He used in church, I suppose. Oh, I don't really know
00:21:28Sing some more Adeline. Your voice is wonderful. He don't need anybody to play
00:21:32Don't think you can make fun of me. I was a great artist and don't you forget it and now move get out of here
00:21:39Whatever you like
00:21:42I'm telling you the truth you wasted here
00:21:50Well any news of that cloud of dust Papa Martinez
00:21:54No, if there was anything Ned would have told me
00:21:57Eatin is too good here. I'll wind up fat as a pig
00:22:01You don't have to play around. Mr. Jefferson. I know I can't cook worth a damn, but thanks for the compliment anyway
00:22:09I never thought I'd end my days among firepans. I
00:22:15Did everything wrong it happens though
00:22:20too often
00:22:21At my age, there's no use looking for the happy ending anymore young fella
00:22:26You just try to get along with everyone and everything
00:22:30And be careful
00:22:40Mama
00:22:43You know what I don't like that guy all dressed in black like a crow it isn't up to you to like clients
00:22:49Is it up to Anna? What are you saying? If you saw the way she was looking at him, you wouldn't ask
00:22:55Anna
00:23:09Michael what are you doing out here get her inside? Will you?
00:23:18Get everyone back inside hurry and take care of my sister. She's hurt of course
00:23:39Is he dead no search him
00:23:56Damn it to hell we had to find a marshal. I finish him off. We don't need him dead
00:24:01And he could help if he's alive. He's here after us. Don't forget quiet down you idiot
00:24:06It was you who shot him in the first place. All right
00:24:09Sam shouldn't have shot the man, but I wish you'd tell me why you didn't want to go to that hotel
00:24:14We could have waited for the girl there
00:24:16It worked out easier
00:24:18Listen bill orders are orders and I'm the one who's given them
00:24:21I told you I was willing to go along with that put those back and let's go and remember he's not alone
00:24:39I
00:24:49Told you to stay we're awful damn late. I was getting worried
00:24:53Find anything out. Yeah, I'll tell you later. How's Sarah? She's all right in the hotel. Let's keep our eyes open young fellow
00:24:59We'll be getting surprises from inside, too
00:25:07Soldiers
00:25:09Oh
00:25:40I
00:25:43Advise anyone who's traveling to go no further. The Indians are on the warpath as of last night
00:25:49I've got to get this mail through that's up to you slim
00:25:53Travel at your own risk at the moment. We're a limited force. We can't be everywhere. Well, you've been warned
00:26:00There are a lot of Indians and damn few of us
00:26:03afternoon
00:26:09Can I help you sir, no, no, thanks. I look very old, but I'm not you should be my grandfather
00:26:15Early terrible Indians and tomorrow morning. I've got an important conference in San Antonio. And by the way, I am. Dr. Gordon. Dr
00:26:22Jones, I'm Jimmy Martinez, sir. You will be very comfortable
00:26:31Bonjour a pleasure
00:26:37The name is Paradis
00:26:40Quinn Paradis of New Orleans
00:26:45He the one we want yeah, let's go
00:26:49The Indians are becoming a terrible nuisance. We must do something about them once and for all
00:26:55May I present miss Simpson
00:26:58I
00:27:08Am not sure that isn't a juiciest bit
00:27:18I'm afraid the doctor is impassioned on the subject of music
00:27:21He's been talking on and on for hours of concertos and sonatas and now he can show off as a performer
00:27:28We're in for it. If I'm not mistaken, I'm sad
00:27:34But on formation
00:27:39Don't just stand there go and help Anna Michael go on help those men with the baggage
00:27:58You could have knocked you know
00:28:02You'd better give me those papers it could be unpleasant if you should happen to mislaid
00:28:09Don't worry they're in a safe place
00:28:12And if someone finds them our plans go up in smoke and I'd be the only one in trouble if they were in your hands
00:28:19You forget I still love life
00:28:25No, I'll hold on to them
00:28:28Afraid I'd double-cross you
00:28:37Who's the young fellow something a long long time ago you loved him
00:28:45Quinn dear don't be an idiot
00:28:50Supposing I were jealous
00:28:57You
00:29:07Are more enchanted
00:29:10You must never touch a lady without her permission now get out
00:29:16Don't forget we came to this place for a purpose
00:29:27I
00:29:57I
00:30:24Must be nice to be able to play so well
00:30:27You're a company yourself. Yes, I
00:30:30Think that many times I'm gonna ask him to play for you. No, no
00:30:35Let him go on
00:30:36He's very good. I
00:30:39Wonder why I became a doctor instead of a musician
00:30:58Oh
00:31:01By the way, my dear who were the two men who came here with the girl
00:31:06The younger ones a reporter the girls his sister. I'm not really sure who the other is
00:31:13You're pretty interested, aren't you?
00:31:17Curiosity only
00:31:19Well, have you decided when you leave your husband and come away with me?
00:31:27Yes, I will I only hope I can trust you
00:31:57I
00:32:13Have to know miss
00:32:15I
00:32:23Define if I have a drink with you gentlemen our pleasure miss dear whiskey whiskey girl after me own heart
00:32:34Let's have a little toast
00:32:37Here's to old friendships and to the pleasure that the company of a woman as beautiful as you are brings us
00:32:46I
00:32:58Just love music
00:33:03What kind of music
00:33:07Any cat it played well
00:33:16I
00:33:18I
00:33:41What does it say it's not a very good sky for reading smoke signals as far as I can make out
00:33:46It doesn't look good for us
00:33:48I
00:34:03Think I know what's troubling you
00:34:06But you must eat
00:34:08Now supposing I play something for you. All right, come on go to the table and try to eat
00:34:13No, I don't know who he is got on the coach of Santa Lena he's heading to San Antonio
00:34:18Never saw the girl before either. Oh, we know the girl. Hey, no, not you George. I meant I know her
00:34:31Hey trying to kill me with kindness Michael you do that again, I'll cut your tongue out
00:34:37You stupid midget bring me something to drink and make it bigger than you are that son of a bitch
00:34:53Never did like Colts
00:34:57Not my style
00:34:59It's much better if you don't play around
00:35:02I hope you don't mind
00:35:09Is that all
00:35:13Get up to bed this instant Michael hurry now, it's late go on will you
00:35:21Can I get you some more thank you good night Michael, you haven't eaten anything I'm not hungry. Oh, are you sure?
00:35:27I'm not hungry. I'm not hungry. I'm not hungry
00:35:29I'm not hungry. I'm not hungry
00:35:33I
00:35:36Said go to bed
00:35:42It's about time you sang something for us, I'm sure the doctor would love to accompany you I give you Adeline ladies and gentlemen
00:35:50My dear don't wait be coaxed
00:35:52Yes
00:36:04It was a joke
00:36:10That's not
00:36:15With me
00:36:22I
00:36:31Know
00:36:52You
00:37:18And why
00:37:22You are mine
00:37:32Again
00:37:37For me
00:37:53Oh
00:38:03You must think you're pretty clever Jefferson, don't you?
00:38:06Well, you are just acting like an idiot and now you've got to stop it
00:38:09Cuz if you don't I'll murder you like a dog. I don't give a damn if I need you or not
00:38:14Never even heard of Quinn Paradine before he came here. You bastard. Now, you're trying to worm your way in with him good
00:38:19Now get out and don't let me see you for a few hours
00:38:22And the minute you feel like acting stupid again, think of the two hundred thousand dollars we might lose
00:38:52I
00:39:22I
00:39:52I
00:40:08Better yes that way we won't have him around
00:40:16Everyone ready? Yeah, I'll be there in an hour, right?
00:40:22I've got some news for you
00:40:24There's a fellow in there from Missouri a marshal. He's carrying an order for the arrest of a certain
00:40:29Henri, Manuel
00:40:39How the devil did he managed to find me I bet he doesn't even know it's really you
00:40:45Possible
00:40:47I don't anything else. No, you're sure
00:40:52Sure
00:40:55Well, what are you do boss keep on going yes follow the platter I
00:41:02Took the papers George they weren't safe in the stable just as well. I was getting worried
00:41:08Where those Indians around we should keep our eyes open and they're just on the outside
00:41:14Thomas
00:41:15Who do you suspect in here?
00:41:19You don't have to answer I know who you mean
00:41:22Don't be too sure. I'm not I can tell you since I don't know them
00:41:27I'll have to catch them red-handed
00:41:29Smuggling guns, right? We've been on their trail for months
00:41:32There must be 60 Rangers involved in this operation from Laredo to San Antonio. This thing is organized up top. Ah
00:41:38And it's really front page stuff. That's right, son front page and some pretty big names
00:41:45I'm afraid I have to tell you Julia's one of the gang. So let her start talking. Julia
00:41:59I haven't seen her in years
00:42:04We're from the same town we grew up side by side
00:42:10It was all very normal
00:42:15Then
00:42:17We fell in love. I had I had the marriage license in my pocket
00:42:27Then she ran away and I'll tell you this much it's not true about time healing all wounds
00:42:34Whose turn is it up on the roof?
00:42:37Papa Martinez
00:42:44I
00:42:50Went outside for a breath of fresh air and someone hit me on the head with the handle of his gun
00:42:54I'll get whoever it was that son of a bitch
00:42:57Well sure looks like this isn't a good place for getting fresh air at night
00:43:09Two of us better take a look around you try upstairs
00:43:15Okay
00:43:28Sarah
00:43:30Sarah is everything. All right
00:43:33Yes, I'm fine
00:43:34Only I'm sure there was someone under my window a little while ago. We're keeping a watch
00:43:39Good night. Good night
00:43:45The
00:43:53Two charges should go off at the same time then gallop around the building and keep firing your guns
00:43:58We're gonna be needing a hell of a lot of confusion. I'll take care of the girl
00:44:02I think it's stupid. All we have to do is blow everything up
00:44:04There's no easier way of getting the girl and remember one thing
00:44:08The sheriff and the other tall one will be keeping a close watch on it
00:44:11You just mind your own damn business you do what you're told and shut up if you want your share and besides
00:44:15We'll have help from inside. Oh
00:44:18Unless you all know the better
00:44:20Wait till I get back until you see the signal
00:44:23well, I
00:44:24Still think it's stupid
00:44:36George George, it's me
00:44:42I
00:44:48Remember when you used to be glad to see me I
00:44:53Do too that was some time ago
00:44:58George I've always loved you
00:45:02It sounds like a lie. I know but it's the truth. I swear
00:45:07I'm going I'm going
00:45:11No, wait, please I know what you're thinking but that man isn't anything to me I
00:45:19Can't explain it. You've just got to believe it. It's all over
00:45:25George
00:45:28Please darling
00:45:32Kiss me
00:45:41I
00:45:50Got everybody here take this Anna with me
00:45:59You better get up on the roof I'll take care of things down here. Oh, I'll take care
00:46:11Oh
00:46:32Get out of the way Michael go and find Ned bring him up here. He's never around when you want him
00:46:41I
00:47:12It's a real shame
00:47:19I'm afraid the conference of San Antonio is definitely going to have to do without me
00:47:41I
00:47:45Couldn't find that I do it damn his hide
00:47:51Shoot from here. I'm going to the door. Okay, Jimmy
00:47:55Let's see how you shoot you say you're good, but nobody's ever seen you you little brat women
00:48:03Fire fire the stables on fire
00:48:11Oh
00:48:41I
00:49:11I
00:49:25You all right, Sarah, come on let's get back
00:49:42Oh
00:49:52Come on now, it's all over
00:50:01Thanks Ned pleasure you're up to writing good girl
00:50:11Up you go
00:50:26Out damn bullet
00:50:28There it is now that didn't hurt did it pretty isn't it? You want it for a souvenir? No, thanks
00:50:35I have enough already
00:50:36By the way, who was attacking us?
00:50:39For no goods for yes, two of them are dead and the other two they got away you want to know the truth
00:50:45They're dead, too
00:50:47Sarah
00:50:49What the hell happened she wounded no just scared
00:50:54That's all and what the hell happened to you? Yeah, nothing just a scratch. Well, how about it? Should we finish up?
00:51:03And
00:51:05You young fella pick up any bullets on the way home cut for the moment doc
00:51:09Sorry to disappoint you down here. Let's see that all the horses have run away
00:51:13Someone's got to I'll go look
00:51:16I'll go with it George. Remember keep a lookout behind you true, mister, but at times you have to learn to keep a lookout
00:51:25In front
00:51:26Fires out we almost wound up his ashes, but we did it what happened to the girl?
00:51:31Let me tell you
00:51:33Someone here inside the house
00:51:37It's Sarah on the head and Lord her out the window
00:51:43To his partners who are the same men that attacked us
00:51:49From the inside a you mean one of us
00:51:53That's right. What you mean that one of us has been in alliance with those bandits
00:51:59No, it's not possible. Never mind. We'll talk about it later
00:52:04Get after those horses. Yeah, the horses are more important now
00:52:15We better start after you
00:52:19George it's pretty late. Where are you two going? We're just going for a little ride by moonlight alone
00:52:27Alone
00:52:49The
00:52:54Horses ran off toward the hills that way
00:52:57You
00:53:12Stay here and keep your eyes open. I don't trust that Frenchie besides everyone seems to have forgotten there are Indians around here
00:53:23You can trust me good boy
00:53:28I
00:53:35Was there between you and Julia I want to know
00:53:41It's your
00:53:43Curiosity killed the cat, you know young man. Don't ask a question. I expect an answer
00:53:48You got the wrong young man and the wrong question Frenchie. I
00:53:53Don't take orders
00:53:55Under me
00:53:57I'm sorry to tell you I'm going to have to murder
00:54:00Still a little early to find out which of the two of us is going to die. You fool. Are you afraid?
00:54:08If you think a little thing like that worries me
00:54:10Are you sure or where down there about a hundred I'd say
00:54:32Till the next round hurting yes, you have one of me. I
00:54:37Don't see anything. Where are they?
00:54:40Right behind you
00:54:43With a bullet in the muzzle not near as bad as a machine gun Thompson, but enough to murder you me
00:54:49Why he wanted to cut me out didn't you get together with parodying over the girl?
00:54:54You pretty damn anxious to be rid of me rid of you. What what do you say?
00:54:59I say I should act alone make a better deal than you ever would
00:55:10I
00:55:17Tell you I saw them last night they were in here shall I tell you something Julia without them
00:55:23I'm no longer responsible for your life
00:55:27Quinn
00:55:30If you're not responsible for my life and I assure you yours isn't worth a damn either
00:55:36Get them back here
00:55:38You can
00:55:40Do you want your documents sherry or the ones the girl has at the moment? I want mine
00:55:45You'd be rather upset if someone else found them
00:56:03How are you feeling Oh much better, thank you. I'm glad
00:56:07Why don't you all come into the kitchen and help my husband he's making one of his special dishes it's an occasion
00:56:12Can I be of any help?
00:56:14Of course, maybe some music as soon as I finish this chapter
00:56:18I
00:56:32Thompson had to leave last night unexpectedly
00:56:38And you helped him pack I suppose
00:56:41The man is a friend of mine. Mr. Quinn. He authorized me to represent him in business deals
00:56:49What deals
00:56:51Well as far as I can tell you're in the middle of two really quit it
00:56:56I'm on to everything, you know the guns and miss Sarah. I tell you I found out all about it
00:57:04You found this out all alone or did Thompson before he went I did
00:57:12When do we start it's a bad idea to stay here too much longer
00:57:16No load of guns no money I've made sure of that and
00:57:21The meeting with the engines is for tomorrow. I know that one of my men was supposed to be here yesterday
00:57:29You're a man but I'm waiting for the load of weapons, eh, the wagons will be stopping a few miles from here
00:57:37I'm not running the risk of having someone find arms worth two hundred thousand dollars aboard
00:57:42Or would you prefer that the marshal find us right there the marshal foot marshal
00:57:48That's the one thing you didn't find out
00:57:51It's the man with the wounded arm
00:57:55Imagine he's here for us
00:57:58We've got to get rid of him Quinn, of course we do the only possible way of concluding this business the only way I
00:58:07Was wondering
00:58:09Where did Thompson leave? Never mind. What of the girl? She's with those two
00:58:14We get rid of them
00:58:15And we've got her
00:58:17when today
00:58:25This evening, what are you drinking to Quinn? Oh, yeah
00:58:31You know, mr. Jefferson is quite a businessman, oh really and mr. Thompson had to leave
00:58:42Be careful, please good morning
00:58:46Julia
00:58:49Julia
00:58:51Good morning
00:58:54Mama
00:58:56Mama, mr. Thompson left. What do you mean fat man left? He said so
00:59:02Ah
00:59:06Stop playing that stupid organ
00:59:11You have to deal with more than just a wagon load of guns
00:59:13It looks like they're gonna have to do away with anyone who can recognize them
00:59:16We'll have to be doubly careful French and I seem to get on each other's nerves
00:59:19We already plan to get together for another round if you're selling tickets, let me know
00:59:24Anyway, he'll make arrangements with Thompson. There isn't anyone better around. What do you mean?
00:59:28Figure it out. There has to be someone to transport those guns
00:59:33Frankly, I'm curious
00:59:35I have an idea who's gonna show up and the Indians seem strange that they've come all the way up here
00:59:40Frenchy gets here the Indians break loose
00:59:43Thomas
00:59:47You think this whole story about the Indians is true
00:59:51I don't really know could be don't forget they tried to get away with Sarah
00:59:54Yeah, I've been wondering, you know, what makes those papers are damned important
01:00:01I'm pretty sure anyway, there's something that concerns you a little closer
01:00:07Sarah's in love with you George
01:00:14I'm very sorry. Sure. You don't feel the same, right?
01:00:18Well
01:00:20Well
01:00:22Thomas you see I know I know Julia, but don't trust her. That's none of my business
01:00:27Anyway, those papers gold a
01:00:30gold mine George a
01:00:33Gold mine
01:00:34That girl's in trouble and I don't see her getting out unless she manages to find her father in the radio
01:00:39And their troubles won't be over even then by any means
01:00:42What makes you think so Thomas? Let's hear it. Mmm gold mine causes too much trouble
01:00:47I hope at least Sarah's father will sell it to a combine or cartel or to the state and it'd be smart
01:00:52That's what he'll do
01:00:55I'm worried about tonight. We better take turns on guard. I
01:01:00Just had an idea
01:01:01You wanted to go to Laredo on newspaper work, right?
01:01:05Well, you have an exclusive on all this too. Sure
01:01:08But could I write it if you keep your gun in your hand? I'm positive you can
01:01:12Well, I didn't think I'd ever find you I was getting a little frightened riding alone out here
01:01:17Good afternoon. Come ride with me for a little while. I'd feel much safer if you were around. Oh
01:01:25By the way, did you hear that Thompson left last night? It was bound to happen
01:01:31Shall we go
01:01:42Take care George be dark in two hours
01:01:45Over to the old farmhouse. I'll race you. Come on George. He doesn't need that
01:01:51Honestly, I am unarmed and harmless as well
01:01:55That a fact I'm not so certain
01:01:58No, it's too much. It's too much
01:02:05You grumbling again, yes, sir, that's exactly what I'm doing. Oh, you're mad today Jimmy
01:02:10Hadn't had that no good shirking loafer. I've got to do all this
01:02:14But he's so small. He may not be very tall, but he's the biggest loafer that ever lived if I get my hands on him
01:02:25Let me help you mister, I'll take the saddle off. No, no, thanks. I
01:02:29Better start using the old arm again, then. I think I'll go in for a beer. I really need one
01:02:40I
01:02:44Go what are you doing there? I was waiting for you. What is it?
01:02:52Hey Ned you in on this too
01:02:54Martinez is looking for you everywhere. You're a lawman, aren't you?
01:02:58Ned found some papers. We thought we should give them to you. Looks like they're about Frenchy and that lady Julia
01:03:04We've been thinking all along that you were a sheriff or something and no one was supposed to recognize me
01:03:09How's that?
01:03:11Nothing, nothing
01:03:19Thanks a lot Ned I'll remember it that's all right anytime
01:03:27You thinking me trusted
01:03:31We're blood brothers look at my wrist
01:03:34Indian style, eh, that's right. It's fine then. Come on. Let's tend to the horses
01:03:42Five dollars on odds how much five why that too much?
01:03:49Let me take out but I tell you I've got to leave I understand that dr. Gordon
01:03:53But there's nothing I can do about it as far as I'm concerned
01:03:55You can leave when you want to but how we've got to wait for the all-clear from the army
01:03:59Yes, of course, I see that but still it seems strange that nothing can be done about it
01:04:03The conference will have started already the conference more important than your skin. Yes, but Ned Ned
01:04:08What the hell are you doing? Get busy downstairs like you were supposed to leave that stuff be forget it
01:04:14Lord Lord, he's gonna ruin me. You see that
01:04:17Something new every day. He never does anything when he does it's a disaster. I'll leave that
01:04:25Must be your lucky day Jefferson
01:04:29I
01:04:53Don't tell the marshal
01:04:59Hey
01:05:08Hey, is anyone there hurry, please we got a wounded man out here. Who is it? My name is Hal Anderson
01:05:16What happened that's my brother Bob the bread's been shot. Hurry. Dr. Gordon. Come on. There's a man. I need you
01:05:22Here I am
01:05:26Who did it Indians all right, you know, someone
01:05:29We ran out like the window. They didn't come after us. Thank God careful
01:05:35Here
01:05:37Yeah, that's better it's an ugly wound he's lost a lot of blood let's get him upstairs
01:05:43Yeah
01:05:50Take it easy son
01:05:54Where's the stable right around the corner right Bob take care of the horses, okay
01:06:14It's
01:06:19Pretty serious
01:06:22Can we question him doctor
01:06:25Maybe he saw who it was. I doubt very much. He'll regain consciousness. He's lost too much blood
01:06:32It's only a question of minutes I'm afraid
01:06:36Too bad I
01:06:38Was hoping we could learn something useful
01:06:40Now we won't know if we're going to be attacked and if so by whom
01:06:46It's a shame really
01:06:48I
01:07:08Saw immediately that it was only pretending to have lost consciousness funny
01:07:12And I'm sure it's better if only you were here to question him when he comes to
01:07:18Yes
01:07:20I'm quite to where who you are Marshall
01:07:23And I'm aware of the others are
01:07:27Wagon with the guns is in the woods. It's well camouflaged. Don't worry. I left three men standing guard
01:07:32We're on our way over when we realized someone was following us. It was that guy. I winged him thought of bringing him along. I
01:07:42Think if he ever wakes up we can get him to talk he could be pretty useful could tell us who sent him
01:07:46New easy. I don't know. I just call him Fred so they would think he was our brother
01:07:52We'd better lose no more time we'll act immediately we must see about that damn newspaper man and the marshal
01:07:59Then clear up the cargo of guns, then we must get our hands on the girl the girl what girl? What do you mean?
01:08:06God, that's what I mean called
01:08:09Now this this Bob who is he? Anyway, he's one of my men and a good one. Don't worry about him
01:08:14He's keeping an eye on a prisoner. So don't worry very well
01:08:18Now then listen to this and get it straight a good day
01:08:23What?
01:08:24Yes, yes
01:08:27I
01:08:41Was there
01:08:43on your orders
01:08:44They hid the guns about five miles from here three men on guard. I
01:08:50I got too near
01:08:52Wasn't looking they they got me
01:08:57I
01:09:00Am afraid the shot I gave them swan off perhaps you can try again later on in the evening
01:09:09Doctor yeah, I'm gonna have to go outside. Hope I make it. Please go downstairs
01:09:14Keep an eye on the women and above all on Sarah
01:09:18Here
01:09:22It's heavier than a scalpel
01:09:26I
01:09:56I
01:10:27Oh
01:10:35All right
01:10:41Good work good. I
01:10:48Love you, George
01:10:53You never know
01:10:56It's so beautiful that we found each other again
01:11:10You know, I love you, I love you so much I never stopped
01:11:26I
01:11:42George you've got to find those papers. You've got to
01:11:46That man is a monster
01:11:48It must believe me you use them to ruin me. And in the meantime, he blackmails you
01:11:53Now, don't worry
01:11:55I'll get them for you and you'll burn them. Of course
01:12:01For four days, my head's been spinning with papers documents all important
01:12:07Who else wants them George? No, not yours. There are some other ones who's
01:12:15Sarah's
01:12:17You
01:12:23It's not already we better go
01:12:30One more kiss
01:12:33You
01:12:45We really must darling it's late there's long way to go and I'm afraid afraid that's not like you
01:13:03You
01:13:10Adeline Adeline, yes
01:13:15What Jenny
01:13:17If I don't live through this my dear when it's over you still be here. Oh, what are you saying? Please don't listen. Let me finish
01:13:26Upstairs the leg of the bed on your side pull it out
01:13:31There's money inside I was going to make you a present of it so you could build a new life yourself far away from here
01:13:41He just passed out it's nothing serious if you go upstairs you'll find the salts they're in my room right there I
01:13:50Wouldn't if I were you
01:13:54Looks like the young man is taking his time
01:13:57Just to have something to do while we're waiting for him
01:13:59Let's make the little girl talk the papers we want are here and the little girl is going to tell us exactly where
01:14:04Then I'm afraid we have to get rid of our young friend the reporter and everyone else a matter of fact everyone
01:14:11of course
01:14:14Come here, please
01:14:17Come on
01:14:21Hello
01:14:24Stop it. Here you are. Where are the papers to the mine? I don't know
01:14:32You look like your bones are fragile
01:14:35Speak or I shall have to break. Oh, I swear. I don't know
01:14:42It would be better
01:14:53Little girl you'll wind up like your brother and your mother
01:14:58All right, I'll tie them and take them away
01:15:11George hurry with the horses. I'll be waiting for you
01:15:23I
01:15:53I
01:16:23Oh
01:16:26Bob Bob, where are you?
01:16:32Bob
01:16:36What happened to you
01:16:40The best jumping there ran away which way you probably went out to the barn
01:16:48We better tell Quinn come on
01:16:53I
01:17:02Got away from us. He's probably with that marshal now
01:17:06Dammit
01:17:08Send me Jefferson you take his place
01:17:11You'll get over to the other window sharpen up your aim and shoot straight if you want to go on living hurry
01:17:23Yeah
01:17:38What happened George doesn't have the things quick he would have given them to me so the marshal has them
01:17:45Yes, obviously
01:17:48In the meantime we can start in on the go the gold mines more important
01:17:52You make a talk you're better than I am
01:18:10Come on talk, where are they speak up?
01:18:12I
01:18:20Don't know where they are. I told you
01:18:24You have them I don't have them not anymore
01:18:31You're lying
01:18:34All right
01:18:41Everything's all right outside Anderson's on guard what's happened here? We have the information
01:18:49Marshal has the papers and as you know possession is nine points of the law
01:18:55If you want to get out of here, I won't stop you
01:18:58You can even have the load of weapons
01:19:00But if you want to stay in the operation, you'll have to help us get rid of them
01:19:04The old fellow also has all the papers and documents about our organization
01:19:07What do you think about bringing over the three men who've been keeping guard on the wagon?
01:19:10I think it's ridiculous to be afraid of a wounded old man and a young cub who isn't dry behind the ears yet
01:19:15We are five against one
01:19:16We can take care of them later
01:19:19So what do we do?
01:19:20Go get him in the barn
01:19:22No, let them make the first move the young one's sure to break in to try and save the girl and the others
01:19:27We are in the better position
01:19:28inside and on
01:19:31Don't try to talk just tire yourself out. Let me see what I can do about this
01:19:37It's just that
01:19:40Your rifle
01:19:42Over there
01:19:45That's better I never did feel too sure about a cold
01:20:00You've got to hold on Thomas you've got to keep your eye on the door try and take it easy now
01:20:07I'm gonna go see if I can get the doctor. All right
01:20:31I
01:20:33Know Sarah Julia Michael everybody
01:20:39George
01:20:41George
01:20:45Take my place
01:20:47Now you're the marshal
01:20:49Take this star
01:20:51Take this
01:20:53Take this
01:20:55Take this
01:20:57Take this
01:20:59Star that's where you'll get them. I swear
01:21:30Oh
01:21:43This way
01:21:57Use my ladder
01:21:59Hope it holds you you're all down below. Thanks
01:22:08Ned
01:22:16Have you seen any help
01:22:18How about you? No, it's too dark. I know he's out there somewhere
01:22:23What am I supposed to do take the girl upstairs tie her down then get out on the roof?
01:22:27I want no surprises from up there
01:22:29That won't do any do as I tell you don't waste any more time
01:22:33Bob get into the kitchen and keep a watch on the doors and windows go
01:22:58You
01:23:11Throw down the guns and do it slowly
01:23:20That's fine Frenchie and now let's have the other one
01:23:27Jed Walker
01:23:58You
01:24:08You're quite the little man
01:24:10If you as brave as you act and you aren't one of me
01:24:14You'll come over here without the rifle
01:24:16Should never dream of doing that because you're just a frightened little boy trying to put on a show
01:24:21Give
01:24:24Yourself up Quinn I
01:24:26Represent the law. Oh
01:24:28How can a little bastard like you represent the law you've always run away from me
01:24:33Throw away your little toy rifle. Let's see what you can do with your bare hands
01:24:40But why am I even talking to take a man to do that
01:24:50You
01:25:20You
01:25:48It's all over my boy
01:25:50I'm going to carry your stupid head on a silver platter up to Julia. She deserves such a trophy
01:26:20You
01:26:50You
01:27:20Oh
01:27:50I
01:28:15Saw everything from the window and I was afraid to fire if I had I might have hit you Oh
01:28:20George George George
01:28:39The documents Sarah's are in my rucksack and her Julia, I'm sorry to have to tell you this, but it's the truth
01:28:48Julie's the head of the whole thing these
01:28:52These these papers will prove it. She's wanted for murder robbery. She's a monster George. You mustn't
01:29:18You
01:29:48I
01:30:18Oh
01:30:48You
01:31:18You
01:31:48You