La vida prometida Cap 5
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00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:48Amapola, dolcissima amapola La luce dei miei giorni splendente
01:07Fai fiorire la passione Come il suono della mia canzone
01:37Amapola, dolcissima amapola La luce dei miei giorni splendente
02:07A su servizio, Don Vincenzo
02:22Acaba de llegar de América
02:24Dile a mi primo que aún no podemos irnos. Tengo que ajustar cuentas con la familia del varón. Venga, vete.
02:43Nunzia, ven aquÃ. Por favor, que nunca falten flores en la tumba del varón. ¿Entendido?
02:58¡Compren la voz de Italia! ¡Los asesinatos en Nueva York no cesan! ¡Tiroteo entre bandas rivales!
03:20Doña Carmela, ¿cómo es posible que siempre les pase lo mismo?
03:23Enseguida llegará Antonio, tenga paciencia.
03:26Entiendo, ¿pero seremos capaces de reunirlos a todos?
03:37Gracias.
03:39¡Atentado en el consulado italiano de Buenos Aires! ¡Hay más de doscientos...
03:43Tengo que irme ya, es tarde.
03:45No, espere un poco.
03:47Ya ha llegado.
03:49Perdonad, he tardado más por comprarle el periódico a Alfred.
03:53Ah, la culpa es mÃa.
03:54SÃ.
03:55Siempre hay excusas para todo.
03:57Venga, colócaos todos. Hagamos la foto, MarÃa, tú a mi lado.
04:01Venga, venga, tenga paciencia, señor. ¿Queréis haceros la fotografÃa, sà o no?
04:04Ven, ven, Rocco.
04:06Tú aquÃ, pequeño.
04:08¡Alfredo, Antonio, venga!
04:10Todos listos.
04:13Muy bien, quietos. ¿Cómo estáis? Y no os mováis.
04:18No, espere, espere. Me he equivocado.
04:20¿Qué pasa ahora, Doña Carmela? Por favor.
04:22Que quiero hacer la foto como la que hicimos la última vez.
04:25Ahora también estoy yo, mamá.
04:26SÃ, mi vida.
04:27Venga, mamá, da igual, da igual.
04:29No, no da igual. Poneos Antonio donde Alfredo y Alfredo donde Antonio.
04:33Venga, venga.
04:34¿Estamos o no estamos?
04:36Asà sÃ.
04:37Vamos allá.
04:39Miradme.
04:41Sonreid.
04:52¿Quién está ah�
05:17¡Para, Carmela!
05:19¡Para!
05:20No! Behave yourself! Don't touch me!
05:22Aren't you ashamed of yourself?
05:24You filthy pig!
05:26It's incredible that you're a pig!
05:28I'm going to tell your mother.
05:30But how dare you? You look like an octopus with those hands!
05:32An octopus...
05:34Hey, Angela, what's going on?
05:36Why are you saying that?
05:37Ask your son.
05:38He has put his hand under my clothes.
05:40Well, you see...
05:41One more, one less...
05:42Mrs. Carmé, I won't allow it.
05:44What are you saying?
05:45You have insinuated to all my children.
05:47It's them who always throw themselves on me.
05:49You even tried it with poor Rocco.
05:51But what are you saying?
05:53He has entered the bathroom with everything out.
05:55He has to lock him up in the pigeon cage.
05:57That fool has come out like a dog.
05:59Listen to me carefully.
06:01You, to talk about my son, you wash your mouth, understood?
06:03Rocco is like the others.
06:05And cover yourself, come on.
06:07The show is over, to your homes.
06:09But, well, what happened?
06:11My God, Rocco...
06:12A shame, a shame!
06:13Rocco...
06:14And you, get dressed.
06:16And you, women, don't even think about looking at them.
06:18What a shame if your father was here.
06:21Do you know what he would do to you?
06:23And now, get out of my sight.
06:25Get out!
06:27I'm sorry, mom, I'm sorry.
06:29Rocco is bad, Rocco is bad.
06:47Help me.
07:07Bad Rocco is bad, bad.
07:16Bad, bad.
07:47Rosa...
07:50No, no.
07:53Don't be afraid, Rosa.
08:16Hey!
08:21What's going on?
08:26What are you doing?
08:31What are you doing?
08:36Go home!
08:42Rosa!
08:45Rocco!
08:49You're free.
08:52Go!
08:57He's crazy!
08:59Rocco, what are you doing?
09:01Rocco, get out of there!
09:08I'm coming with you.
09:10I'm coming with you, Rosa, because Rocco can fly too.
09:14Rocco can fly too.
09:16He can fly.
09:18Rocco is free.
09:20Let's go flying.
09:22No one can stop us.
09:25Fly, fly, Rosa.
09:27And also fly, Rocco.
09:31Rocco is free.
09:33Rocco...
09:35Rocco is free.
09:38Go, fly.
09:41Fly.
09:43Rocco is free.
09:47Rocco flies.
09:48Rocco, come here.
09:49Rocco flies.
09:50Rocco is bad.
09:52Forgive me.
09:53Come here.
09:54Rocco is bad, Mom.
09:56He's bad, Mom.
10:00No, you're not bad, little one.
10:03You're angry.
10:04No, I'm not angry.
10:07I'm bad, Mom.
10:08No, Rocco, what happened is normal.
10:11What happened is normal.
10:13Mom, you're angry.
10:18I'll take care of you.
10:20I'll take care of you.
10:22I'm bad, Mom.
10:26I'll take care of you.
10:28Forgive me, Rosa.
10:29I'll take care of you.
10:30I'll take care of you.
10:31I won't do it again, Mom.
10:34I won't do it again, Mom.
10:37Come on, let's go home.
10:39Let's go home.
10:40Let's go home.
11:02Let's go.
11:04Come on, Mom.
11:05Let's go.
11:06Come on, Mom.
11:07Let's go.
11:08Go, Mom.
11:57Rosa, do you have a letter for me?
12:03Yes.
12:25I'm leaving, Rosucha. It's daytime.
12:28You liked it, didn't you, Rosa?
12:35I like being able to buy medicine for my son.
12:40I'll see you next month, as soon as you sell the harvest.
12:45I'm looking forward to it.
12:46Goodbye, Rosa.
12:47Honey, honey, look at this. This is for the good syrup.
12:58And this is for that medicine that will cure you very quickly.
13:03And we can even call a doctor.
13:06Honey.
13:09My dear.
13:17My dear Miss Canuto.
13:46In response to his letter in which he claimed to be available to marry an Italian resident in the United States.
14:00It's about a young Sicilian named Rizzo, Rocco Rizzo.
14:06Which one of these will it be?
14:08He wants to get married as soon as possible.
14:10Pietro! Wake up, Pietro!
14:12Come here.
14:14We're getting married, my love. We're getting married.
14:16We're going to America, honey.
14:18We're waiting for your answer.
14:21And we send you a greeting.
14:23Yes, yes, put that. Signed, Carmela Rizzo and Rocco Rizzo.
14:33Antonio, come on, move.
14:35Antonio, are you coming or what?
14:37Wait, wait.
14:38Let him wait for me.
14:39Antonio! Antonio!
14:41Move, move, come on.
14:46Mom, Antonio.
14:49Forget him. He doesn't have time for us.
14:56Why, mom?
14:59Come on, a letter has arrived for you.
15:03Come on.
15:05He has responded personally.
15:09Does he know how to read and write?
15:11Don't you think it's good? Sit down.
15:16Rosa Canuto, daughter of Giacinto and Matilde Gregori.
15:20Born in Canicati, Sicily, like you.
15:23Where is Canicati?
15:25I hope it's outside my town.
15:27Mrs. Carmen, what else do you want?
15:29It is seen that in your town they are smarter because no one has loved their son.
15:33And look, I tried.
15:35It seems that this Rosa has understood by the photo who the married son is.
15:39What an obsession with the flute.
15:41Rocco, behave yourself.
15:43Twenty-three years old, single.
15:46Wait.
15:48She has a four-year-old son.
15:50What? Single with a four-year-old son?
15:53It's normal, Mrs. Carmen.
15:56Not one, two mouths to feed.
16:01Has he sent a photo?
16:03A photo?
16:05Let's see.
16:07Mrs. Carmen, what do you want?
16:09It's not that you offer Rodolfo Valentino.
16:12But how dare you?
16:14I'm not Valentino, I'm Rocco Rizzo.
16:17Mrs. Carmen, tell me yes or no.
16:20If it seems good to you, OK, if not, there are more people.
16:23Wait a minute. Don't get a stranger into the house, just like that.
16:26I have to think for a moment.
16:40Very good.
16:42Thank goodness.
16:44Now we have to marry your son by force
16:47and send all the documentation to the future wife, okay?
16:50Very good.
16:52Thank goodness.
16:54Great, Rocco.
16:56Congratulations and may you have male children.
16:58I am a man.
17:00That's it.
17:02Come with mom.
17:05Have we found you a woman?
17:06We have found a woman.
17:08Thank goodness.
17:10It's done.
17:15Your change, sir.
17:21Come on, baby.
17:23What a cute dress.
17:25Thank you, madam.
17:29Thank you, sir.
17:32You are a great dancer.
17:37Sam.
17:38Welcome, sir.
17:48Come in.
17:56Your drink, sir?
17:58Shall I leave them on the table?
18:00Thank you very much.
18:01You are welcome, sir.
18:06As you promised in the election campaign, the market could collapse.
18:10But well, I think your investment is good.
18:13Real estate funds are the safest, but you have to be careful.
18:16Remember what I've always told you.
18:19The chess and the stock market are the most ruthless games that exist.
18:22Even the best move at the wrong time can lead you to lose everything.
18:26In the stock market, you only save those who make the right move or those who cheat.
18:30But that's not your case, so diversify your investments.
18:33Okay.
18:34As always.
18:40But now you work alone?
18:42I had to fire the boys and reduce MorÃn's working hours.
18:50What America is like, huh?
18:52It's not like we had dreamed.
18:54It has given us a lot and now we don't realize it.
18:57Everything changes, Alfredo.
18:59Even you have changed.
19:01The first time I saw you, you were like this.
19:05Do I run too much, Mr. Ferry?
19:08If you have endurance, why not?
19:10Two years ago, you made a lot of money with that investment fund.
19:14You would have preferred to finish high school before jumping into the pool.
19:18I didn't have time.
19:20I had to help my family, my brothers.
19:23And how's your mother?
19:25I haven't seen her in a while.
19:27She's still the same.
19:29Worrying about everyone and ironing shirts.
19:31We've been wearing shirts on our backs for many years.
19:35A great woman.
19:37And also very stubborn, to tell the truth.
19:40By the way, Mr. Ferry, I have to hurry.
19:43Because today he wants to see us all to eat.
19:47But all of us.
19:49And when that happens, he has something in mind.
19:53The suit looks very good on you.
19:56Is this your tailor?
19:58I owe him a lot of money.
20:01Can I do something for you?
20:05Yes, of course.
20:07Say hello to your mother for me.
20:12I'm leaving.
20:14Goodbye, Alfredo.
20:16See you soon, Mr. Ferry.
20:30I love you.
20:36All those poor people who come here.
20:38It's a difficult time.
20:40Yes, I know.
20:42I wanted to ask you something.
20:44It's done.
20:46Haven't you finished the salami?
20:48Take some salami.
20:50Mom, you know we can't eat pork.
20:52Mrs. Carmen, it's a matter of religion.
20:54But don't worry, I'll eat the pasta.
20:56I'll eat it.
20:58Always the same.
21:00Alfredo, shouldn't we wait for him?
21:02No, let him eat the pasta.
21:05Did you see what he did, Mom?
21:07What did I do?
21:09What I had to do.
21:11He's a man like all of you.
21:13It's all set.
21:15When the documents arrive, he'll get married.
21:17He'll get married.
21:19Yes, Rocco, he'll get married.
21:21I'm a man.
21:23I'm a man.
21:25Of course, what are you going to do if not?
21:27Good morning.
21:29Good morning, Alfredo.
21:31Hi, Mom, sorry I'm late.
21:33Good morning.
21:35See, you're late too.
21:37I was with Mr. Ferri,
21:39asking him about real estate.
21:41Are you involved in that story?
21:43What do you mean?
21:45They're still making laws for the rich.
21:47They take the houses from the poor,
21:49and then they auction them off.
21:51But if I didn't buy them, someone else would.
21:53Maybe if there was no lawsuit,
21:55the poor could keep their houses.
21:57You wouldn't talk like that.
21:59Besides, those communist speeches are out of place.
22:02Now you call me a communist?
22:04Yes, because...
22:06Enough!
22:08I told you, we don't talk about politics or business in my house.
22:11Let's eat.
22:13Enjoy.
22:15Mom, by the way,
22:17Mr. Ferri sends his regards.
22:19Thanks.
22:21He says he hasn't seen you in a while.
22:23Mom, he's got other things on his mind.
22:25Don't tell me.
22:27What did I miss?
22:29Rocco is getting married.
22:31I'm a man!
22:34What are you talking about?
22:36That. Yes, yes.
22:38By force.
22:41But with whom?
22:43A Sicilian. Like us.
22:45She has a four-year-old son.
22:47Rocco, are you going to marry Mom's handkerchief?
22:50Handkerchief.
22:52The handkerchief.
22:54But she knows what Rocco is.
22:57I sent her a picture.
22:59She hasn't sent me any.
23:01Maybe she's uglier than a pain.
23:03Which one did you send her?
23:05Hey, Mique, show her.
23:12She sent this one.
23:14Mom, did you send her this one?
23:16But I sent her this one.
23:17Did you send her this one?
23:19But would you give her a signal to recognize her?
23:22I already told her that any of us there could be the groom.
23:25Let me see, let me see.
23:27Mom, you've fooled her.
23:29Do you know what will happen when she sees Rocco?
23:32That she will turn around.
23:34Of course.
23:36No, I'm looking forward to seeing that moment.
23:38Or do you think that when I arrived at Battery Park
23:40and saw the good Mateo Schiavone,
23:42I was happy?
23:44Women like her and me
23:45have never chosen.
23:47We have never been able to choose.
23:51She will end up accepting.
23:54Because none of you think about Rocco.
23:56Everyone goes their own way.
23:58You with your business.
24:00You with the factory and the blissful politics.
24:02And you, may God know what you do.
24:05Nobody thinks about my Rocco.
24:07I have to think.
24:09Because when I'm no longer...
24:11Because when I'm no longer...
24:16Mom, you're right and we will help you.
24:18We all love Rocco very much.
24:20She will end up accepting him,
24:22as we have all done.
24:35The handkerchief, mom.
24:37But don't you eat, Salvatore?
24:41Have you heard that you're going to have a little cousin?
24:44Yes.
24:45More or less your age.
24:46Are you happy?
24:47Yes.
24:48The little cousin.
24:49The little cousin.
24:54Very good, mom.
25:02Do you, Rosa Canuto,
25:04want to marry the one here,
25:07Lorenzo Arduini,
25:08as Rocco Rizzo?
25:12Do you, Rocco Rizzo,
25:14want to marry the one here,
25:16Rosa Canuto,
25:18as Rocco Rizzo?
25:19Here, represented by Conchita Ardigó,
25:22according to the rite of the Holy Mother Church?
25:26You must say yes.
25:28Rocco.
25:32Yes, yes, mom.
25:34Not to me, my dear.
25:36You have to tell the priest.
25:38Say yes to the priest.
25:41I am...
25:43I am a man.
25:45No, Rocco.
25:46You must say yes.
25:48Yes.
25:50Yes.
25:51Yes.
25:53Do you, Conchita Ardigó,
25:55in the representation of Rosa Canuto,
25:58want to take Rocco Rizzo here
26:01as your legitimate husband?
26:06Yes.
26:08Yes, we do.
26:16Blessed be the Lord.
26:39Go over there.
26:40Okay.
26:44This is the house.
26:45Okay.
26:46Here.
26:47Here.
26:49Mom!
26:50Maria!
26:55Over there.
26:57Ay, querido.
27:00Here.
27:02Here.
27:04Here.
27:06Here.
27:08Here it is.
27:09Be careful.
27:13Okay, slowly.
27:14Be careful.
27:20Maria.
27:38Here comes the little horse.
27:40It's a great surprise.
27:41You'll see.
27:42Miquel, come and give me a hand.
27:44Careful, it's delicate.
27:45And how does it weigh?
27:46Well, yes.
27:48We put it here.
27:51Come on, Rocco, plug it in.
27:52Come on, come on.
27:53Come on, Rocco, let's go.
27:54Look, Rocco, this here is a radio.
27:57It speaks, it has music,
27:58and it connects you with the whole world.
28:00The invention of the radio
28:01is the first in the world.
28:02It's a radio that connects you
28:03with the whole world.
28:04It's a radio that connects you
28:05with the whole world.
28:06It's a radio that connects you
28:07with the whole world.
28:08It was invented by an Italian,
28:09Guglielmo Marconi.
28:10Look how beautiful.
28:13Can you hear it?
28:15Music.
28:16Music, Rocco.
28:17Come on, I'll show you something.
28:19If you turn this little wheel,
28:21look,
28:23the music changes.
28:24Have you seen it?
28:26This is my wedding gift.
28:27Your wife is coming today, Rocco.
28:30What a ceremony for her.
28:32Not even Queen Margarita would come.
28:37Have some coffee.
28:38Thank you.
28:39Come on, let's go.
28:41Wait, leave it, leave it.
28:49What does it say?
28:52That interest rates have gone up.
28:55Is that a bad thing?
28:57Yes, Mom.
28:58It could make the stock market crash.
29:00Will it make you crash too?
29:03No, I'm fine.
29:07What a beautiful music.
29:08I'll never understand this trade
29:10that Ferri has taught you.
29:12Is it better to be beaten up in the factory,
29:13like Michele?
29:14Yeah, but Michele does a job,
29:16he gets tired,
29:17and then they give him money.
29:18Good, Mom.
29:19What do you mean, good?
29:20Don't you understand that work
29:21is not just tiredness?
29:22If you squeeze your brain
29:23and invest in the stock market,
29:24you earn money with the money.
29:25But since you've earned money,
29:27couldn't you open a restaurant
29:28to give work to the whole family?
29:30Do you know how much we would earn
29:31with Mom's sauce?
29:32I don't know, I don't know,
29:33but you really would like to cook
29:35for a lot of people?
29:36And what do I do every day?
29:37I cook,
29:38and now we're going to be two more at home.
29:40Hurry up,
29:41we'll be late for the pier.
29:43Is it the door?
29:44No, no, Mrs. Carmé,
29:46it's the phone.
29:47Mom, I'm going.
29:48You've filled my house
29:49with weird gossips.
29:50You're right, Mrs. Carmé,
29:51but it's modernity,
29:52do you understand?
29:56Hello?
29:59Ah, Anto, hello.
30:03Okay.
30:04Yes, Anto,
30:05but we're always the same.
30:09Antonio says he can't come to the boat,
30:11but he'll come home later.
30:13But how?
30:14Antonio!
30:15No, Mom, you have to talk here.
30:16Yes.
30:17I know.
30:18Antonio,
30:19you have to come to the boat,
30:20do you understand?
30:21Because when she gets off the boat,
30:22she has to meet the family in line,
30:24all of them,
30:25yes?
30:26At noon at the battery,
30:27and on time.
30:30Put that in place.
30:32It was Antonio
30:33who didn't want to come to the battery.
30:35Rocco,
30:36do you want to receive your wife
30:37in underwear?
30:38Come on,
30:39go put on the suit
30:40Alfredo bought you.
30:41Come on, get dressed,
30:42you have to look very handsome.
30:44Handsome, handsome.
30:46Come on, pull.
30:50Ah, yes?
31:02Antonio always arrives late.
31:03You already know him.
31:04I'll take the suitcases,
31:05please, just a cent.
31:07No, no,
31:08we're waiting for someone,
31:09we don't take suitcases.
31:10Just a cent.
31:11Here, handsome.
31:12He works for immigrants,
31:13like you when you were little.
31:15Dad,
31:16hold me in your arms.
31:18I'm here,
31:19I'm already up there.
31:21You've done your job,
31:22but only halfway.
31:23And on top of that,
31:24you arrive late.
31:25He brought me safe with the car.
31:27Ah,
31:28that scoundrel
31:29now makes you a driver.
31:31Come on.
31:38Mom, where are we?
31:39Have we arrived?
31:40Yes, honey,
31:41we have arrived.
31:42We are in America.
31:46Rocco,
31:47raise the poster more,
31:48raise it well for mom,
31:50that's it.
31:52Your wife is arriving.
32:01Mom!
32:28Look,
32:29it's them.
32:33Who is she?
32:34That one?
32:35Yes, that one.
32:37She's very pretty.
32:40Yes, very.
32:52Mrs. Rizzo,
32:53I'm Rosa.
32:55Nice to meet you, Rosa.
32:56Likewise.
32:57Give me the little one.
32:59God bless you.
33:00Give me the bag.
33:02The whole family.
33:05You are very handsome.
33:08Maria, my daughter.
33:09Hi, Rosa, nice to meet you.
33:10Nice to meet you.
33:11Moses, her husband.
33:12Nice to meet you.
33:13Hi, Moses.
33:14Salvatore.
33:15Hi, handsome.
33:16Then there's Alfredo.
33:17Hi, nice to meet you, welcome.
33:18Thank you.
33:19And Antonio.
33:20Nice to meet you.
33:21Likewise.
33:23And he is my eldest son.
33:24Miguel.
33:31And Rocco.
33:32Rocco!
33:33Put the poster down for mom.
33:36Say hello to your wife.
33:39Rocco.
33:42I am a man.
33:44I am a man.
33:47Yes, Rocco, yes.
33:52Yes.
34:23Rocco, are you going to dance?
34:36Hey, tell your daughter something.
34:39Tell her to stay still.
34:47Shameless.
34:49Today we also celebrate your wedding.
34:51Come on, what wedding, mom?
34:53Come on, don't be seen.
35:09Rocco, why are you so sad?
35:15Come on, have fun.
35:16Congratulations.
35:20I am very happy that you have returned from Italy.
35:23And I, Michele.
35:25After two years in prison, I was able to be with my mother.
35:29Did you know that I was also with the family of the poor Chiro?
35:34Hey, but what happened with Joan, that American, so beautiful?
35:38Nothing, it's over.
35:39Hey, have you seen that they have started firing people at the factory?
35:43I've seen it, I've seen it.
35:45We have to think of a strategy, Michele.
35:47Organize with the union, with the other factories.
35:50We have to fight.
35:51They want to scare us, but we won't let them.
36:15Mom, why are you crying?
36:18For nothing, heaven, for nothing.
36:31Good afternoon, Antonio. Surprised?
36:34No, good afternoon. Please, come in.
36:36Save the wine.
36:37Hello, save.
36:38Good afternoon, Antonio.
36:39Surprise?
36:40No, good afternoon. Please, come in.
36:42Save the wine.
36:43Hello, save.
36:44Hello, save.
36:52Save, hello.
36:55Hey, are you stupid? Mr. Matranga is here.
37:03Oh, how nice, it means that you have made a promise, and with whom?
37:08With the black hand, and stop screwing up.
37:11Good afternoon to all.
37:13Concheta, quiet.
37:18I think I haven't invited these gentlemen.
37:20Mom, please.
37:21Antonio, don't meddle. Do me a favor.
37:24I don't like you or your thug, and not just me.
37:28Don't worry, Mrs. Carmen. We're leaving.
37:30No, no, no. Where are you going, Concheta? Stay here.
37:35They have to go.
37:36Mom, please.
37:37Obey your mother.
37:39You must be a good son.
37:44Good afternoon to all.
37:47Congratulations and many boys.
37:50Out!
37:52Save, let's go.
37:55You too.
37:57Angela!
38:01Where are you going?
38:02Come on, come on, come on.
38:09Excuse me.
38:10What a shame.
38:15I told you I didn't want those people in my house.
38:19Mom, that's my boss.
38:22Nobody takes my head off.
38:24That pig and his thug have something to do with Ardigo's death.
38:28What are you talking about?
38:30Nothing has been proven.
38:33Nothing has been proven.
38:38There's the proof.
38:41We have to put him in jail.
38:43But Antonio has no balls.
38:45Nobody knows better than me that I've seen him grow up.
38:47You've grown up too, Angelina.
38:49And if you get close to Salvo again, I'll kill you both.
38:52Come on.
38:55So-and-so.
39:02Come on, let's go.
39:32Come on.
39:50We'll say goodbye to Rosa tomorrow, okay?
39:53Thank you for coming.
39:54Goodbye.
39:55Goodbye.
39:56Goodbye.
40:02That girl has been a little weird.
40:04She just got here and locked herself in her room.
40:07Mrs. Carme, what did you expect?
40:09She must be a little confused about the trip.
40:17You don't know how it is.
40:19Either you take it like this or you don't.
40:23Thank you.
40:24You're welcome.
40:25And congratulations again to Rocco.
40:27Thank you very much. See you soon.
40:36Alfio.
40:38It's really you.
40:40Michele.
40:41What are you doing here?
40:42Come in.
40:44Come in, come in.
40:47Alfredo, look who it is.
40:56Alfio.
41:01Alfio.
41:02How much have you grown?
41:03I can't believe it, Alfio.
41:04When did you get to America?
41:08Two years ago.
41:10I've been looking for you, but you changed your last name.
41:12Yes, it's true.
41:13They changed it to Immigration.
41:14Carrizo was very difficult for the Americans and they called us Rizzo.
41:18What have you been doing all this time?
41:20I've been in the West working on the railroad.
41:22Then in the South, in California, in a vineyard.
41:25Mom, mom, come here.
41:26Look who it is.
41:31What a surprise.
41:33But what a surprise.
41:36Alfio.
41:37Mrs. Carmela.
41:38Welcome.
41:41Maria.
41:42Maria, come and see who it is.
41:45Maria.
41:46Maria, come and see who it is.
41:49Maria.
41:55Alfio.
41:58What are you doing? Give me your hand.
42:03It's been a long time.
42:12A long time.
42:14Mose, Maria's husband.
42:17Nice to meet you. Mose Pogani.
42:19Alfio.
42:20What?
42:22Alfio.
42:25And this little one here is Maria's son and Mose's.
42:34Nice family. Congratulations.
42:38Have you eaten? Do you want to eat something?
42:41I just came by to say hello. I didn't want to...
42:43What are you saying? Come here.
42:45Let's eat.
42:46Come on, come on.
43:04Alfio.
43:05Alfio.
43:07Rocco. How are you?
43:10Alfio.
43:14Are you okay?
43:34May I?
43:36Of course.
43:38I'm sorry, Rosa.
43:41What are you doing out there? People are waiting for you.
43:46I'm sorry. It's just that I've had a hard time sleeping with the little one.
43:53Is there something that bothers you?
43:56What do you mean?
43:57No, I'm referring to the room.
44:00Oh, it's okay. Thank you.
44:02Good. Then I'll wait for you.
44:06Mrs. Carmela, excuse me.
44:13But where is this church? It must be beautiful.
44:17Oh, that's the church where Rocco got married.
44:19It's at the end of Monroe Street, nearby. Do you like it?
44:23It's not like the one in our town, but it's pretty.
44:27I'll take you there.
44:31Hurry up.
44:35Okay.
45:05Bravo, Rocco!
46:05Rocco!
46:16What's wrong, Rocco?
46:19Mom!
46:20Come here.
46:22Is something wrong?
46:23Mom!
46:25Mom!
46:26No, it's nothing.
46:27Mom!
46:28Rosa, it's okay. Don't worry.
46:31It's nothing, Rocco. It's nothing.
46:36He's a good boy. Sometimes he gets like this, but you'll see.
46:54Hello? Who is it at this hour?
46:56I'm Michele Rizzo's mother. Could you tell her, please?
47:00Don't bother people in the night.
47:06Mr. Rizzo!
47:07They're calling you on the phone!
47:09Yes, I'm coming, Mrs. Miglietta.
47:11But I've already told your mother that this is not the time to call.
47:16Yes, yes, yes, I know, I know.
47:21Hello, Mom. What's going on?
47:22Michele, he's gone.
47:24What do you mean, who?
47:25Rosa, with the little one.
47:27Damn it, I told you this would end like this.
47:29I know, I was wrong, I was wrong.
47:32I know, I was wrong, I was wrong.
47:34But you have to bring her home.
47:36I'll call the police. It's dangerous for her to be out there.
47:38No, no, not the police. Wait.
47:42Listen, now that I remember,
47:45she asked me about the church that's at the end of Monroe Street,
47:48where Rocco got married.
47:50Look, she'll probably be there.
47:52Of course. Now it's going to turn out that you're clairvoyant.
47:55Don't make fun of me, Michele.
47:56Michele, you bring her home.
47:59I'll take care of it.
48:01Please.
48:02Yes, very good, very good. Goodbye.
48:14What have I done?
48:26What have I done?
48:56What have I done?
49:26What have I done?
49:56What have I done?
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