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00:00It's a lie.
00:02You're saying it to annoy me
00:04because you can't bear to see that I have a perfect life.
00:07Please, Paula.
00:08When are you going to realize
00:10that you have a perfect life here,
00:12in your head?
00:14Right now, Gabriel is with Juana
00:16and Juana is pregnant with Gabriel's child.
00:18It's that simple.
00:19No, he would have told me.
00:21Instead, the private investigator
00:23that he contacted,
00:24the one who told me everything,
00:26he would have told me.
00:28Instead, the private investigator
00:30that he contacted said it was impossible
00:32to find that girl.
00:33And that's why Gabriel stopped the search.
00:35He told me himself.
00:36Well, he lied to you.
00:37It's obvious.
00:39He doesn't care that you know.
00:41He was emphatic with me
00:42that I didn't tell you anything.
00:43Then why did he tell you?
00:45No, he didn't tell me anything.
00:46I deduced it
00:47from an article that came out in the press.
00:49And when I confronted him,
00:50he didn't want to deny it.
00:53See for yourself.
01:03Please, be careful.
01:07Thank you.
01:08You're welcome.
01:14I feel like I'm in a movie.
01:17The candles, here with you,
01:19this dress.
01:21Maybe it's too much, right?
01:22I don't know if I should change.
01:24You must be beautiful.
01:27Thank you.
01:30Mrs. Alma put my clothes in the washing machine.
01:33She showed me several dresses
01:34that were from some models.
01:36Yes, a long time ago,
01:37they asked me to do it
01:38for a photo shoot.
01:40Well, I was telling you
01:41because I don't want you to think
01:42that I put my clothes in the washing machine.
01:43Hey, please.
01:44And I don't want you to misinterpret my look.
01:46I was just thinking that
01:48probably no one would see
01:50a model as beautiful as you.
01:55Juana,
01:56when they published about you,
02:00they titled you
02:01Juana the Virgin.
02:04I guess there's no point
02:06in hiding it anymore.
02:11I'm a virgin.
02:12I know it's not common
02:13these days,
02:15at my age,
02:16but...
02:18Well,
02:19I've never been in a relationship.
02:21I don't know.
02:24But don't get so serious.
02:27No, I don't know.
02:28I've always had
02:29very clear goals,
02:31which are
02:32going to college,
02:33graduating,
02:34working,
02:35helping my family,
02:36and, well,
02:37I never paid much attention
02:38to other things.
02:41And besides,
02:42I've never been in love.
02:44I've never been in love.
02:53Hey.
02:57Pregnant and a virgin.
03:03Yes.
03:04Well, that's why
03:05there was so much fuss
03:06in my neighborhood.
03:07People know
03:08that I don't have a boyfriend
03:10and that I'm devoted to Morelita.
03:12That's why the tattoo.
03:13And there was a rumor
03:16that by touching my tattoo,
03:18I could achieve miracles.
03:22Well, that must be
03:23very hard for you, right?
03:24It must be very hard for you.
03:27Yes.
03:35You're wrong.
03:40You didn't even talk.
03:41And if it was Juana?
03:42No, no.
03:43It was one of those vulgar men.
03:45No, it was someone
03:46who was wrong,
03:47who has always been wrong,
03:48who is wrong all his life.
03:50Yes, insistent.
03:51But those men
03:52are always so insistent.
03:53First they ask for your phone number,
03:55then photos.
03:56Stop it, please.
03:57Don't be a decent woman,
03:58please.
03:59Yes, I'm also decent.
04:00And they ask me for a lot of photos.
04:01Do you want me to find out
04:03where the call came from?
04:04No.
04:05No, it's okay, thanks.
04:08Mom.
04:09I'm going.
04:10Mom.
04:14Josefina, please don't hang up.
04:17I need you to...
04:18He's wrong again.
04:29I already told you
04:30he's wrong.
04:41What happened, Mom?
04:42Who was it?
04:43You know what?
04:44I think I'm starving.
04:45I'm going to bed.
04:46Excuse me.
04:47Okay.
04:49What time is it?
04:52Okay, bye.
05:01That's weird, David, isn't it?
05:02Since when has he been interested in Dan?
05:05More than interested,
05:06he doesn't even know
05:07who Dan is.
05:08Yes, yes, yes.
05:09More than interested,
05:10I'm disgusted.
05:12Poor Dan.
05:14Look,
05:15because life can adapt me,
05:18but it can never
05:19end with me.
05:21So I keep dancing
05:23and I keep enjoying.
05:25Well, cheers.
05:26I love you very much.
05:28You too.
05:29My Fabio.
05:30You can't drink
05:31because you're working.
05:38Woo-hoo!
05:40Woo!
05:41Woo-hoo-hoo!
05:46I'm going to take down
05:47your lie
05:48when I talk to Gabriel.
05:49Hello.
05:50Leave a message.
05:56Can you stop
05:57being so impulsive?
05:58Mrs. Paula,
05:59Mr. Gabriel called
06:01and said
06:02you weren't answering.
06:03So he asked me
06:04to tell you
06:05he had to go to the hacienda,
06:07but since there was a storm,
06:09the roads were flooded
06:12and that he wasn't going
06:13to get to sleep today,
06:14that I'll see him tomorrow.
06:17Excuse me.
06:22So,
06:23Juana and Gabriel
06:24left the brewery together.
06:26Uh-huh.
06:27So now the two of them
06:28are together
06:29in Gabriel's
06:30favorite place
06:31in the hacienda,
06:32the place I hate so much?
06:34Uh-huh.
06:35And the two of them know
06:36that Juana
06:37is going to give Gabriel a son?
06:38No.
06:39Gabriel only knows that.
06:42Can you imagine
06:43what Juana could do
06:44if she has that information?
06:48You know,
06:49now that I know
06:50all your story,
06:51I admire you more.
06:54Why?
06:56Because
06:58what they did
06:59in the clinic
07:00is terrible.
07:02But that makes you
07:03a stronger person
07:04and then
07:05that you decided
07:06to have your baby.
07:09It's amazing.
07:12You helped me
07:13make that decision.
07:19Really.
07:21And I thank you very much.
07:24I don't know,
07:25hearing your story
07:27that you can't have children
07:31made me see things
07:32from a different perspective.
07:35I don't know,
07:36appreciate
07:38my situation.
07:42Why don't you want to meet
07:43the baby's father?
07:49Because
07:50he never wanted
07:51anything to do with me
07:52and me neither.
07:54And I don't want
07:55a third person
07:56to get in the way
07:57between my son and me.
07:59Of course.
08:05It's delicious.
08:10It's not possible.
08:13It's not possible
08:14that after so long
08:16that man appears now.
08:19Josefina,
08:20my love,
08:21it's Ramon.
08:22I'm so glad
08:23you're the one answering.
08:24You don't know
08:25how much I've missed you.
08:27And after disappearing
08:29for twenty-something years
08:31the only thing
08:32he can think of
08:33is that kiss.
08:35How much I've missed you,
08:36you damn bastard!
08:42Calm down, Josefina.
08:45Calm down.
08:47But how can I calm down
08:49if after twenty-something years
08:53he reappears like this,
08:55as if nothing happened?
08:57Just hearing his voice
08:59was like...
09:00like...
09:02like an earthquake, you know?
09:04Like...
09:06like feeling that emptiness
09:07in my stomach again.
09:10The one I felt
09:11when...
09:13when he left
09:14and left me alone
09:15with the kids.
09:18Please tell me
09:19this isn't happening.
09:31Well,
09:32he locked himself up
09:33in his room
09:34and he's not coming out.
09:35He's not coming out?
09:36Who could have been
09:37the wrong number?
09:38The one that wasn't
09:39the wrong number
09:40made his night bitter.
09:41Yeah, honestly,
09:42I think the same.
09:43He left his phone
09:44off.
09:45So he wouldn't
09:46call again?
09:47Of course.
09:48I'm going to call a doctor.
09:49I want a doctor
09:50to check on her.
09:51No, no, no.
09:52Why not?
09:53I don't know.
09:54I haven't met the boss.
09:55If I call a doctor,
09:56they'll grab us all.
09:57That's true.
09:58I'm sorry.
09:59I think
10:00we should just
10:01give him some time.
10:02Yeah,
10:03just that.
10:04Space and quiet.
10:05So it's better
10:06if he leaves.
10:07They're kicking us out, right?
10:08Yes.
10:09I feel like they're kicking us out.
10:10No, man.
10:11First you have to wash him
10:12and then...
10:13Take care of him.
10:14You too.
10:15Help me.
10:16If what you're saying
10:17is true,
10:18there won't be a return
10:19for Gabriel and me
10:20because that photographer
10:21is going to end up
10:22taking him from me.
10:23Because she has
10:24what he wants the most
10:25in life,
10:26which is a biological son.
10:27Let's see.
10:28It's obvious
10:29that he's not in love with her.
10:31It's obvious
10:32that what he wants
10:33is just the son
10:34he's carrying in his womb.
10:36Realize that.
10:37It's very clear.
10:39Just when he lost hope
10:41that he was going to be a father,
10:43he finds out
10:44that there's a woman
10:45he mistook for a woman.
10:46And that's where Juana appears.
10:49She appears?
10:50Or he looked for her?
10:51She appears.
10:53Without him realizing it.
10:56Right here.
10:57When he came to take the pictures
10:58for the brewery party.
11:01You tell me.
11:03What would you do in his place?
11:06Let's see.
11:07If things were like this,
11:09Gabriel would have told her
11:10that the son she's expecting
11:12is his
11:13and it's not to keep secrets.
11:14Exactly.
11:15But he's afraid
11:16that if she finds out,
11:17she'll run away.
11:20It's very clear.
11:21What he wants is the son.
11:24He wants to keep the son
11:25and not give it to her.
11:26Then why didn't he tell me?
11:28Because look at you.
11:30You'd ruin everything.
11:31Now it turns out
11:32that my husband trusts you
11:33more than me.
11:37Okay.
11:38Let's suppose
11:39that things are like this.
11:40Why are they together
11:41in the hacienda now?
11:42Why?
11:43Why did he take her
11:44to his favorite place?
11:45What he's doing
11:46is pretending
11:47to be his best friend.
11:48What for?
11:49To take care of her.
11:50To protect that pregnancy.
11:51Okay, fine.
11:52But how do I know
11:53that he's not cheating on me
11:54with her?
11:55Because I just told Tania
11:56to let you know.
11:58Who lets you know
11:59when they're with their lover?
12:00Paula, for God's sake.
12:01Realize this.
12:03This relationship
12:04is not about love.
12:05It's not about passion.
12:07It's about interest.
12:09It's about convenience.
12:11He wants to make her believe
12:12that her best friend
12:13doesn't have to take her
12:14to the hacienda.
12:15I can't, for God's sake.
12:16I can't believe
12:17you're reacting like this.
12:21Don't make me regret
12:22what I'm telling you.
12:23Please.
12:24I'm telling you
12:25because we're friends, Paula.
12:27You have to be smart.
12:30Plan a strategy
12:32so she'll stay away from him.
12:35Unless you want Juana
12:37and the baby
12:38to be a part of your life.
12:43Hey, girl.
12:44Do you think
12:45Chava is right?
12:47That the person
12:48who was calling
12:49knows the boss?
12:51I don't know.
12:53Why wouldn't my mom tell us?
12:55If she didn't know her,
12:56it would be embarrassing
12:57for the guests.
12:59I don't know,
13:00but this dinner
13:01with so many people
13:02was a disaster.
13:03And the worst part
13:04is that Juana didn't show up.
13:05But when she called you,
13:06did she tell you where she was
13:07and who she was with?
13:08She said she wasn't coming
13:09to the house to sleep.
13:10Who knows where
13:11this bitch is.
13:12Who?
13:13Gabriel Rubio, right?
13:14That's right.
13:15My mom said
13:16she found them
13:17at the cafeteria.
13:18My mom wanted to bring her,
13:19but Juana didn't want to.
13:21We were going to look for her
13:22at Gabriel's house.
13:24I can't believe it!
13:25I wasn't criticizing
13:26my mom for being involved.
13:27There we go.
13:29What's wrong?
13:30We want to know
13:31where Juana is,
13:32how she's doing.
13:33And what if the boss
13:34told us she was with him
13:35at the cafeteria?
13:37Now what?
13:39I'll call Daniela
13:41so she can tell us
13:42what she knows.
13:43But wait,
13:44I'm going to change.
13:52Take this.
13:54I'm sure it'll cure your cough.
13:56Thank you, honey.
13:59Oh, my lungs
14:02can't take much more
14:04than we say.
14:05And this isn't going to cure me.
14:09But it's happening to you.
14:10Take it, please.
14:13Okay.
14:14I'll take it.
14:15I'll take it.
14:16I'll take it.
14:17I'll take it.
14:18Please take care of my mom.
14:21Okay.
14:25Did you talk to Josefina?
14:29No.
14:33She hung up on me.
14:35Dad…
14:38Although you made up
14:39with mom,
14:40may she rest in peace,
14:41you're still married
14:42to that old woman.
14:45Yes,
14:47We're still husband and wife.
14:51But you have to understand her.
14:56I left her, and it's not so easy for her to pick up
14:59just like that, as if nothing had happened.
15:04She must have a lot of anger, a lot of hatred against me.
15:08Did she tell you that?
15:09Did she tell you that over the phone?
15:11Um...
15:13No.
15:14No.
15:15Well, she just told me it was the wrong number.
15:20She asked me to please stop calling her.
15:28It's like we're in another era, isn't it?
15:31I do have to buy another light source.
15:33No, don't do it.
15:36The candles look so nice.
15:38The warm, delicate light.
15:43Yeah.
15:45Yeah.
15:46Relax.
15:48I don't know.
15:49It makes everything seem more intimate.
15:58It's romantic.
16:04No, I won't let the photographer and her son
16:07be a part of my life or Gabriel's.
16:09Then do as I say.
16:12But please, I'm begging you,
16:13Gabriel doesn't know what I told you.
16:15If he finds out, he'll kick me out of the brewery.
16:17And if he does, I won't help you anymore.
16:20I won't be able to be your eyes or your ears anymore.
16:24How do I know I can trust you?
16:26Oh, Paula, for God's sake.
16:28Seriously?
16:29I'm showing you that we're friends.
16:31I'm showing you that you can trust me.
16:34Besides, you know perfectly well that if you talk to Gabriel,
16:37he's going to choose his son over everything.
16:40I can help you.
16:43Of course, if you'll allow me.
16:47Fine.
16:48I'll accept your help.
16:50But it's the only way to prevent me from doing something crazy.
16:53I'll always be with you.
16:55I'll always support you.
16:58Do you also want me to grant you a miracle?
17:01Let's hope it's a coincidence.
17:05Juana...
17:09I know we didn't keep our distance for a while.
17:15And I don't want anything that could make us regret it.
17:20I agree.
17:22Yes, you're right.
17:26It's late. I'm tired.
17:30Maybe I should go to bed.
17:33I should go to bed, too.
17:44Good night.
17:45Good night.
17:48Good night.
18:03Good night.
18:04Good night.
18:15Look, poor boss. He's even wearing flip flops.
18:19Poor him.
18:20It's a shame he got so drunk.
18:23He can't drive like this.
18:24We have to take the keys off the car.
18:26Yes, that's right.
18:28Alright.
18:29Now, now.
18:31Don't pull, they'll cover you.
18:34Dani, Dani.
18:36Come.
18:37I'll take you home.
18:39Come on, come on.
18:40Wait, wait.
18:41David, no.
18:42Wait.
18:43You can't drive like that.
18:44You're too drunk.
18:46Too drunk?
18:47Uh-huh.
18:48Let's see.
18:49Do you think that if I was drunk, I could do this?
18:52Whoa!
18:54Hey, hey, hey, hey, hey, hey.
18:58I'll take him.
18:59Let's go.
19:00Yes.
19:01No, no, no, I'll take you.
19:02Don't worry.
19:03Yes.
19:04Yes, don't worry.
19:05It's okay.
19:06We're going too.
19:07Okay.
19:08Yes.
19:09Well, I'll leave you the keys.
19:10Yes, yes.
19:11Let's go.
19:12Let's go out.
19:13Let's go out and dance.
19:14Yes.
19:15Ma'am, there are two people outside who want to see you.
19:16Dani, how can you come visit at this time?
19:17I don't know.
19:18Excuse me, excuse me, excuse me.
19:19Good evening.
19:20I apologize for not waiting for you, but it's really late, right?
19:23And so we save time.
19:24I am Felipe Bravo, Juana's uncle.
19:26And this is my sister Jenny, Juana's mother.
19:30We need to talk to Gabriel Rubio because my daughter disappeared and we don't know anything.
19:35Do they know that Gabriel's son...
19:36Hey, hey, hey, hey, what are you talking about?
19:38Are we crazy to be here?
19:40Well, yes, we are crazy about Juana.
19:42Likewise, little brother.
19:44And you know what?
19:45I'm not going to move from here until I see Mr. Gabriel Rubio.
19:47Because my best friend Juana told us that she saw them leave the brewery together.
19:52Let's see, let's see.
19:53What does the whore, like you, intend to talk to my husband?
19:56Whore?
19:57Your husband, who is a pervert.
19:59Gabriel is not a pervert.
20:01Let's see, miss, don't get confused, okay?
20:03Here the question is not what does Juana want with her husband or any of us.
20:07Here the question is what does Gabriel want with my niece.
20:10Exactly.
20:11I want to know what your husband wants with my daughter.
20:21Ah.
20:51Hello.
21:19I'm sorry, I couldn't sleep and I was a little cold.
21:23I came here to the fire, but I'm leaving.
21:26Get some rest.
21:27No, don't go.
21:29I wasn't sleeping, I was just resting my eyes.
21:34I was dreaming awake.
21:38And here you are.
21:46What were you dreaming?
21:49I was dreaming of you.
22:19¿Qué le pasará, querida Juana?
22:25Qué bonita que eres tú.
22:27Es la historia de Juana.
22:29Pareciera un accidente.
22:32Para muchos es locura.
22:35A otros les suena encuebrente.
22:38Mas yo no lo veo así.
22:40Como me dice la gente, que la vida nunca espera.
22:46Y el amor a veces llega.
22:49De maneras diferentes.
22:53Y esto le pasó a Juana.
22:57Juana la virgen, ella no se lo esperaba.
23:02No lo imaginaba.
23:05¿Qué le pasará, querida Juana?
23:11Qué bonita que eres tú.
23:14Fue por cosas del destino.
23:18O tal vez la buena suerte.
23:21Que el día menos esperado.
23:23Cambiaría para siempre.
23:26Y es muy cierto cuando dicen.
23:29Que el amor a veces llega.
23:32De maneras diferentes.
23:36Y esto le pasó a Juana.
23:41Juana la virgen, ella no se lo esperaba.
23:46No lo imaginaba.
23:49¿Qué le pasará, querida Juana?
23:59Qué bonita que eres tú.
24:02Perdón.
24:05No.
24:08Yo te quiero en serio.
24:09Las cosas no pueden pasar así.
24:11Perdón.
24:18Nunca había sentido tanto con un beso.
24:22Pero tienes razón.
24:24No debí haberlo hecho.
24:28Pero tienes razón.
24:30No debimos.
24:32Voy a arreglar mi vida.
24:36Yo también.
24:38Estoy embarazada.
24:40Tengo que terminar la universidad.
24:42No sé averiguar qué voy a hacer con mi vida.
24:49Descansa.
24:57Nuestra historia es imposible.
24:59Esta historia va comenzando.
25:02Pero te lo respeto, Juana.
25:04Te quiero tanto.
25:07Que quiero que lo que pase entre nosotros sea derecho.
25:14Buenas noches.
25:21Buenas noches.
25:27Buenas noches.
25:42Laurel sería incapaz de aprovecharse de nadie.
25:44En cambio, no podemos decir lo mismo de Juana,
25:46que se le ha metido hasta por los ojos a mi marido.
25:49No, suéltame.
25:51Suéltame.
25:53Diga, vieja, ¿por qué no nos calmamos todos?
25:56Claro, usted lo dice porque no tiene hijos
25:58y no sabe lo que es la preocupación de una madre.
26:00Sí, señora.
26:01Mire, lo que sabemos es que ciertamente Gabriel
26:04habló desde su hacienda.
26:06Si está con Juana, tranquilos, está cuidada,
26:08no va a pasar absolutamente nada.
26:10Y sí sé que ella estaba muy alterada
26:12porque la abuela fue a visitar a la cervecería.
26:15Resulta que nosotros tenemos que pedirles disculpas a ustedes.
26:18Por Dios.
26:19A ver, ¿y dónde está esa dichosa hacienda?
26:21Porque si no ahorita en caliente vamos.
26:23Y que sea Gabriel y Juana que nos explique qué está pasando.
26:25Y claramente, como pocos,
26:27entendemos la amistad que hay entre ellos dos.
26:30Pero yo le atribuyo esto a que Gabriel es un hombre generoso,
26:33noble, y se preocupa por Juana porque está embarazada
26:35a la que ella protegió.
26:37Ah, y ahora resulta, ¿no?,
26:39que los hombres se preocupan por los hijos ajenos.
26:41Eso no pasa en la vida real, fíjate.
26:43No, claramente eso no pasa en tu mundo,
26:45pero fíjate que sí sucede entre la gente decente.
26:47No, ahora sí.
26:48Suéltame.
26:49A ver, como ustedes saben, está lloviendo.
26:51Las vías están cerradas.
26:53No hay comunicación.
26:54Paola y yo no podemos hacer absolutamente nada.
26:56Creo que fue una pérdida de tiempo
26:58que ustedes vinieran hasta acá.
27:00Exacto.
27:01Más bien, si Juana fuera una muchacha decente,
27:03como ustedes dicen,
27:04no iría de paseo con un hombre casado.
27:06Mira, no te asusto nada más porque mi carnal
27:08me tiene bien agarrada, ¿eh?,
27:09porque de verdad que te traigo unas ganas,
27:11pero macizas.
27:12Le avisas a tu marido que se aleje de mi hija,
27:15porque eso lo prometió y no lo está cumpliendo.
27:17Exactamente.
27:18Suéltame, carnal.
27:19Ahí le avisan al señor rubio
27:20que Juana tiene una familia que la protege y la defiende.
27:23Que no necesita la ayuda ni la amistad de nadie.
27:26Ya vámonos, flaca.
27:27Olé.
27:32Neta.
27:33No.
27:35Par de idiotas.
27:36¿Que no se da cuenta, Gabriel,
27:37de los genes que va a traer ese niño
27:39viniendo de esa familia de macos?
27:41No, no, no, no, no.
27:42Qué horror.
27:43Qué horror.
27:45Ay, Dios mío.
27:54Sé que ya no cumplimos el trato que hicimos
27:56de mantener nuestra distancia,
27:58y la verdad es que no quiero que pase algo
28:00de lo que nos podamos alucinar.
28:05Estaba soñando contigo.
28:24¿Tú también quieres que te conceda un milagro?
28:27Debería haberlo conseguido.
28:32¿Por qué no quieres conocer al papá del bebé?
28:34Porque él nunca quiso nadar conmigo,
28:37y yo menos,
28:38y no quiero que ahora un tercero
28:41se interpone entre mi hijo y yo.
28:44El padre del hijo que estás esperando, Juana, soy yo.
28:50Soy yo.
28:53Soy yo.
28:54Soy yo.
28:55Soy yo.
28:56Soy yo.
28:57Soy yo.
28:58Soy yo.
28:59Soy yo.
29:00Soy yo.
29:01Soy yo.
29:02Soy yo.
29:03Soy yo.
29:04Soy yo.
29:05Soy yo.
29:06Soy yo.
29:07Soy yo.
29:08Soy yo.
29:09Soy yo.
29:10Soy yo.
29:11Soy yo.
29:12Soy yo.
29:13Soy yo.
29:14Soy yo.
29:15Soy yo.
29:16Soy yo.
29:17Soy yo.
29:18Soy yo.
29:19Soy yo.
29:20Soy yo.
29:21Soy yo.
29:22Soy yo.
29:28¡Mamá!
29:29¡Ay, perdóname, es que apenas tuve señal!
29:31Juana, ¿dónde estás?
29:33Te estamos buscando, estamos muy preocupados.
29:36Es una larga historia,
29:37pero estoy en una hacienda afuera de la ciudad
29:39y ayer nos cayó una tormenta,
29:41se fue la señal,
29:42entonces por eso apenas te marco.
29:43Juana, hija,
29:45esto no puede ser.
29:47Felipe y yo salimos a buscarte desesperados.
29:50¿Cómo?
29:51How do you think? Where did they go to look for me?
29:53I need to see you and know that you're okay, my love.
29:56I know, Mom. I'm sorry.
29:58Look, I'm going straight to the brewery from here.
30:00If you want, I'll see you there and we'll eat together.
30:02But I repeat, everything is fine. I'm fine.
30:04Nothing bad happened to me.
30:06Let's go.
30:21Mrs. Paula, who spent the night at her friend's depot, the model.
30:37Hello?
30:39Enriqueta, good morning. It's Felipe.
30:42I was calling to see if you were free to go have breakfast.
30:46Right now?
30:48Why not? I invite you.
30:50Well, if it's something close to the office, yes.
30:53Well, so close, close ... no.
30:56But it's a perfect place that you're going to love.
30:59If you want, I'll send you the location and see you there.
31:01Okay.
31:06Good morning.
31:12The granola is delicious.
31:14You make it at home, right?
31:15Everything is made at home.
31:17Did you finish?
31:19Thank you.
31:20How delicious.
31:21How spoiled.
31:22Of course.
31:23From what Gabriel is missing.
31:25No, he had breakfast very early because he had a work call.
31:28Ah.
31:30Well, then I shut up.
31:32Oh, by the way, I left the dress they lent me on top of the bed.
31:35You should keep it, it looks spectacular.
31:37No, no, no, no.
31:38How do you think? I could not.
31:39But thank you, really.
31:43I'm a little sad, really.
31:45Why?
31:48I feel like ...
31:50that these last hours were like a dream.
31:54Of the one who did not want to wake up, of course.
31:57What a sweet girl you are, Juana.
32:01I loved meeting you.
32:03And you know, I love that you are a friend of Gabriel.
32:07Your parents would have adored you.
32:09They, despite being people of money and position,
32:13they were very simple people.
32:17Gabriel was very happy here with them in his childhood.
32:21Yes, you can see it.
32:23I saw a photo of the three of them and ...
32:25Well, that's what you feel, right?
32:26The warmth in the family.
32:28The one you feel when you are with the person you love.
32:31Something that Mrs. Paula was never interested in.
32:36Oh, I'm sorry, I shouldn't have said that.
32:39Excuse me.
32:41Finish!
32:51Good morning.
32:54You arrived very early.
32:56All right?
32:57Yes, personal matters, but don't worry.
33:01I didn't go to the hacienda to look for Juana and Gabriel.
33:04We have to be very smart, Paula.
33:06The idea is that Juana leaves Gabriel, remember.
33:09Well, I don't see how.
33:10As long as she keeps hitting Gabriel like a rag.
33:13We're going to make it.
33:14I'm going to help you.
33:17But please, Paula, turn around to see.
33:22That Gabriel doesn't know that you already know and that I told you.
33:25Okay?
33:29Hey, I already talked to Juana.
33:31Everything is fine, so you don't want to be hitting everyone.
33:34As long as you don't disrespect her with that.
33:36She woke up with her boss or she woke up in the armchair again?
33:40I'm going to go eat with her and I'll find out everything.
33:43But I don't think it's any of that you're thinking about.
33:47Where are you going so handsome?
33:49Well, over there.
33:50I have an appointment.
33:51With Yadira?
33:52No, Mom.
33:53Yadira, those are forced appointments, Mom.
33:55Oh, yes, even the victim.
33:58Oh, Mom, admit it.
33:59Last night's dinner was a disaster.
34:01Just to want to govern your children, your life and your granddaughter.
34:04Oh, look, for me, destroy your life as you please.
34:07All of you.
34:08Make her a crazy dad.
34:09Mom, stop being so defensive.
34:11What's wrong with you?
34:12She brings...
34:13Do you have something, Mom?
34:14Oh, yes, I have something.
34:15Take it out.
34:16What do you have?
34:17And in the end, who was it?
34:18Let go.
34:20And in the end, who was it?
34:21That mark.
34:22Who was it?
34:23Who was marking?
34:24And so I would have been all night.
34:26If not, hang up.
34:27How many times do I have to tell you it was the wrong number?
34:31How obsessed you are with that?
34:32Yeah, but who are you asking?
34:34Obsession or nothing.
34:35The one who was wrong and wrong is the same with Salvador.
34:38He is making a mistake with me.
34:39And Yadira is making a mistake with my brother.
34:41And your Mr. Manuelito, that...
34:43Memo, his name is Memo with a fuck.
34:47Well, Mr. Memo.
34:48I can't believe it!
34:50Yesterday dinner was a very bad dinner.
34:53It was like a couple dinner with no couples.
34:55I saw you two as a couple.
34:57It was like a domino effect.
34:58Yeah, a domino effect.
35:00Think about it.
35:02It's like a jungle.
35:04Get out of here and leave me alone.
35:06♪
35:09♪
35:12♪
35:15♪
35:18Planea una estrategia para que ella se aleje de él.
35:21Pero, por favor, te suplico que Gabriel no sepa que yo te dije.
35:24Si se entera, me va a correr de la cervecería.
35:27Y si me corre, ya no te voy a ayudar.
35:29Por favor, que Gabriel no sepa que tú ya sabes
35:32y que yo te lo dije, ¿okay?
35:34Señora.
35:35Hmm.
35:38El señor la busca.
35:43Con permiso.
35:44Propio.
35:48¿Qué estás haciendo aquí, Luciano?
35:50Pues, me extrañó no verte a mi lado cuando me desperté.
35:53Escribí unos mensajes a tu celular y tampoco respondiste.
35:57Es que, a pesar de lo poco que dormimos anoche,
36:00me di cuenta que no estás bien, Paula.
36:04¿Tú me importas?
36:06No sé si crees que debemos sincerar nuestra relación.
36:11Entonces, la Jenny me le puso freno otra vez anoche.
36:14No, pero esta vez no fue la Jenny, o sea,
36:17no fue ella, así como es normalmente.
36:19No, estuvo bien buena onda conmigo y todo.
36:21Josefina se lució con un pozolazo que de veras estaba,
36:24pero de rechupete.
36:26Bueno, ¿y entonces?
36:27Todo el ambiente se comenzó a poner raro
36:29en el momento en el que Josefina recibió una llamada
36:32telefónica que luego colgó y se puso pálida.
36:39Detective, a mí se me hace que la cosa
36:42se está complicando demasiado.
36:44¿No cree que es momento de emigrar de ahí?
36:47Hablo de olvidarse de Jenny.
36:51Aquí está mi Dani.
36:52Le pusiste un corazón al café.
36:54Para que tengas un bello día.
36:56Gracias.
36:58Usted, ¿por qué tan radiante?
37:01¿Yo?
37:03Con permiso.
37:06¿Vas a seguir viéndome así?
37:09Pues sí, no hay cómo más verte hoy.
37:14Pero sí es cierto lo que te estoy diciendo.
37:17Sí, agarraste a Dani y esto fue como de bailada de tango.
37:23Y le planteaste un beso de telenovela
37:25y ahí enfrente todo el mundo.
37:28Eso no es cierto, yo jamás he grabado así.
37:30¿Es cierto?
37:31No.
37:32¿Tú te acuerdas de que te paraste sobre una mesa
37:34a cantar las mañanitas?
37:35Yo no paré sobre una mesa.
37:36Ah, bueno.
37:38Lo peor es que yo creo que con ese beso
37:40que le diste a Daniela, tú le diste ilusiones
37:42de que estás interesado en ella.
37:48¿Me puedes llevar los papeles de la oficina, por favor?
37:51Gracias.
38:01¿Dónde estabas que no pasaste la noche en el departamento?
38:04¿Y por qué no contestas mis llamadas?
38:06Me quedé con tu hija Paula.
38:08Porque a pesar de que por tu culpa se quiere separar de mí,
38:11ella sabe que soy su amiga.
38:18Y yo sé lo que eres para mí.
38:21Y tú también.
38:23Así que es la última vez que te desapareces sin avisarme.
38:30Camila, siempre tienes que estar para cuando yo quiera
38:34pasar la noche contigo.
38:38Me encantó el escote.
38:41Es un enfermo.
38:55¿Estás lista?
39:01Probablemente no debería decirte esto, pero...
39:05Hace una de las mejores horas de mi vida.
39:09Los momentos más felices de mi infancia y de mi adolescencia
39:11fueron aquí.
39:15Estar aquí contigo me hizo sentirme en familia.
39:19Gracias.
39:20Gracias a ti.
39:22Y no te preocupes que yo sé que en cuanto crucemos esa puerta
39:24cada quien va a regresar a sus mundos.
39:27Voy a dejar que eso pase.
39:30Solamente tengo que arreglar mi vida.
39:34Me gustaría antes ir a la cervecería y llevarte a un lugar.
39:37¿Me lo permites?
39:40Vamos.
40:01¿Te puede ir?
40:02Claro, claro. Adelante.
40:04¿Cómo estás?
40:05Bien, ¿y tú?
40:06Bien, bien. Toma asiento.
40:08¿Por qué no fuiste a lo de Inés?
40:09Fuimos a un barcito en la Condesa Divino.
40:12Bueno, Gabriel tampoco fue y mis informes no me lo dijeron.
40:16¿Y tú?
40:17¿Y tú?
40:18¿Y tú?
40:19¿Y tú?
40:20¿Y tú?
40:21¿Y tú?
40:22¿Y tú?
40:23¿Y tú?
40:24¿Y tú?
40:25¿Y tú?
40:26¿Y tú?
40:27¿Y tú?
40:28¿Y tú?
40:29Y mis informantes me contaron que se fue con Juana.
40:33¿Y tú?
40:34Me llamó un cliente.
40:36Sí, es que estoy negociando un nuevo punto de venta y...
40:39Ya fuimos a cenar y luego fuimos por unos tragos.
40:41Ay, te los hubieras traído. No, no, no. Estuvo buenísimo.
40:45David se puso hasta atrás y le dio besos a Daniela.
40:50Se ve que la pasaron muy bien.
40:53Sí, la verdad, sí.
41:00¿Camila?
41:01Sí.
41:02Buenos días.
41:03Buenos días.
41:04Vamos a recibir unos clientes muy importantes, vienen del extranjero.
41:07Gabriel me pidió que si los puedes atender.
41:10¿Puedo contar contigo?
41:11Sí, sí, sí, claro, ¿qué hay que hacer?
41:15Felipe.
41:17Hola.
41:18Hola.
41:24Ay, gracias.
41:25Perdón.
41:26Perdón.
41:37¿Qué te dijo Camacho?
41:39Todo está bajo control.
41:41Se revisaron las grabaciones de anoche del circuito cerrado, justo con el hombre de vigilancia.
41:49No hay señales de tu presencia.
41:52¿Y cómo lo hizo?
41:53Ay, dijo Camacho, es un profesional.
41:55Arregló con el de vigilancia en turno que se pusiera en loop de media hora a partir del ingreso de Ren y entregar su camión.
42:01¿Y sabes cuándo van a embotellar el celote contaminado?
42:04Muy pronto.
42:07Ya empezó el principio del fin de la cervecería Rubio.
42:16Ven.
42:17Hola.
42:22Hola.
42:23Tenemos cita con la doctora Emma Toledo.
42:26Gracias.
42:27Gabriel, perdón.
42:29¿Qué hacemos aquí?
42:30Te hago una cita porque quiero que estés bien cuidada.
42:33Esa doctora, pues va a ser la que te lleve todo el embarazo.
42:40Amarle, ¿eh?
42:47¡Suscríbete!